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The Wishing-Ring Man

by Margaret Widdemer · English · Gutenberg #7424 · 397,941 chars · public domain (US)

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Title: The Wishing-Ring Man

Author: Margaret Widdemer


        
Release date: February 1, 2005 [eBook #7424]
                Most recently updated: March 23, 2014

Language: English

Other information and formats: www.gutenberg.org/ebooks/7424

Credits: Produced by Eric Eldred, David Garcia, Charles Franks and
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*** START OF THE PROJECT GUTENBERG EBOOK THE WISHING-RING MAN ***




Produced by Eric Eldred, David Garcia, Charles Franks and
the Online Distributed Proofreading Team.











[Illustration: He was fairly content with what he saw in her face.]





The Wishing-Ring Man

By MARGARET WIDDEMER




TO THE MEMORY OF MY OWN GRANDFATHER

E. S. W.

ONE OF THE DEAREST, BEST AND KINDLIEST OF MEN






CONTENTS


CHAPTER

     I. JOY IN AMBER SATIN

    II. BY GRACE OF THE WISHING RING

   III. PHYLLIS RIDES THROUGH

    IV. THE RESCUE OF THE PRINCESS

     V. THE SHADOW OF GAIL

    VI. ROSE GARDENS AND MEN

   VII. A VERY CHARMING GENTLEMAN

  VIII. A FOUNTAIN IN FAIRYLAND

    IX. THE TANGLED WEB WE WEAVE

     X. CLARENCE SWOOPS DOWN

    XI. PIRATE COUSINS TO THE RESCUE

   XII. DINNER FOR FIVE

  XIII. THE SERIOUS BUSINESS OF "IOLANTHE"

   XIV. THE SLIGHTLY SURPRISING CLARENCE

    XV. THE GIFT OF THE RING






CHAPTER ONE

JOY IN AMBER SATIN


Joy Havenith had no business at all to be curled up on the back
stairs under Great-Grand-Aunt Lucilla's picture. She ought to have
been sliding sweetly up and down the long double parlors with
teacups and cake, and she knew it. But she just didn't care.

As a matter of fact, Aunt Lucilla and the other ancestors ought to
have been in the parlors, too; but Grandfather had ordained
differently. He had gobbled the parlor walls for his autographed
photograph collection, and Grandmother, long before Joy was born or
orphaned, had sorrowfully hung her ancestors-in-law out in the long,
narrow hall, where they were a tight fit. Grandfather was one of the
last survivors of the old school of American poetry. He was tall and
slender, and very gentle and nice, but he always had things the way
he said he wanted them, and he preferred his autographed friends to
his family portraits.

"It's rather a good thing it's so dark out here, Aunt Lucilla," said
Joy to the smiling Colonial lady in the dark corner above her. "You
mayn't much like being where people can't see you--but think how
you'd feel, up garret!"

Aunt Lucilla Havenith, red of lip, flashing of eye, blue and silver
of gown, laughed on down at her great-grand-niece, who was holding a
surreptitious little red candle up to talk to her. Aunt Lucilla,
from all accounts, had had too excellent a time in her life to mind
a little thing like being put in a back hall afterwards. She had
been a belle from her fifteenth year, eloped with her true-love at
sixteen, and gone on being a belle all the rest of her life, in the
intervals of three husbands and ever so many children. She had
managed everything and everybody she came across gaily all her life;
she had been proposed to by practically the whole Society of the
Cincinnati; and had died at eighty-three, a power and a charmer to
the last.

"I don't think you need to mind dark corners one bit," said Joy,
tipping the candle so that the red wax dribbled down on her slim
fingers. "If Rochambeau and Lafayette and all the rest of the people
in the history-books had made a fuss over _me_--"

Joy sat down on the stairs again, on a cushion. Nobody used the back
stairs, fine curly ones that they were, and Joy's cushion, which she
had put there on purpose to be mournful on a fortnight before, was
untouched since last time.

Joy Havenith was nineteen, but you never would have known it. She
had been told so often by her grandparents that she was only a child
yet, that she quite believed it. No, not quite--but enough to make
her a little shy, and have almost the expression and manner still of
a little girl. She had big, black-lashed, kitten-blue eyes, scarlet
lips, and two ropes of bronze hair that she wanted very badly to put
up. It sounds like rather an exciting personality, but Joy was so
young and so shy and so obedient that she was only like a rather
small Blessed Damozel, or some other not-grown-up Rossetti person.
She knew it well, because she had been told so frequently, and she
didn't care about it at all. She leaned her head against the frame
containing Great-Grandfather John Havenith at twenty, and considered
Aunt Lucilla afresh.

"_All_ the people in the history-books!" she said again softly,
but none the less regretfully.

Ordinarily you couldn't ask for a dearer, sweeter child than Joy,
slipping noiselessly up and down the old house in the city, being
just as good as she knew how. She had always been told that she must
be good and obedient and affectionate, and it had never been any
trouble to her, because she was naturally that way. She lived all
alone with Grandfather and Grandmother and Elizabeth the cook, and
did just what Grandfather told her to. So did everybody else. It
wasn't that he was cross, or anything like that. He was more
charming than most people. But he was a Personage; and if you live
with a Personage your own personality gets a bit pushed into the
background, without its being anybody's fault at all.

Joy had been perfectly happy, as far as she knew, until two weeks
before. You can be, you know, if no one tells you you aren't,
especially when you're young.

Grandfather had Afternoons every two weeks, when he sat at the end
of the parlors in a big chair and received his admirers. In his
youth he had looked like Shelley, and he was still tall and slender
and clean-shaven, with straight, abundant white hair, and black
brows and lashes like Joy's. And he had what is called immense
personal charm, and loved his little grand-daughter devotedly. He
simply didn't know she was grown up. For the matter of that, neither
did Joy herself until....

You see, it had been very much like life in a fairy-book. She never
remembered anything but the old house and the old people, and
everybody literary coming and going and telling her how wonderful
Grandfather was: and nothing that concerned _her_ very closely,
at all. She scarcely knew how to treat anybody, except respectfully,
because they had always all been so much older than she was. It was
like living in an enchanted tower. Enchanted towers are very
pleasant places, because you can have all sorts of dreams in them.
Joy hadn't missed anything much, till the thing that happened at the
reception.

Grandfather, in his frock-coat and stock, his white fluffy hair
flying, had been moving up and down the autographed parlors with his
usual dominant charm. Little gray Grandmother, in her gathered,
fichued black silk, was putting lemon or cream in teacups, as people
should prefer. Joy had been walking up and down by Grandfather, as
he liked to have her on reception days. They dressed her, on these
days, in lovely strange frocks, cut medieval fashion, with the ropes
of bronze-gold hair trailing down either side of her vividly
colored, incongruously dreamy little face. According to the way Joy
figured it out, Grandfather had her dress that way, the better to
write poetry about her. She didn't mind. The truth was, she lived so
far inside herself that she didn't care. It was so much easier to do
quickly what you were told, and then go back to the place where you
played by yourself--a fairy country.

This particular reception day was a damp, heavily hot afternoon in
early September. There weren't many people back in the city yet, but
Grandfather always began his "days" as early as he could. He was
fond of having people around him. And even on this very sticky day
people did come. Only two of them were young.

Joy didn't know any young people. Some day she intended to. In her
dream-world she had friends who were young and gay and lovely and
talked to her, and to whom she talked back gaily; but it never
occurred to her to expect anything like that to really happen right
now. The young men and young girls she sometimes crossed she admired
quite happily and remotely, as if they were people from another planet.

It was so that she watched these two people that were young. She
liked watching them so much that presently she escaped from Grandfather,
and slid behind the window-curtains, to be closer to them.

"They feel so lovely and happy," said Joy, warming her little hands
at their happiness.

They were lovers; anybody could see that. And they weren't poets or
anything of the sort; you could see that, too. _She_ was in a
little trim white pongee street suit, with a close little hat above
a little rosy, powdered, cheerful face. _He_ had rather heavy
shoulders and a shock of carefully brushed straight light hair, and
looked about one year out of Harvard. They didn't at all belong with
the middle-aged roomful. As a matter of fact, _her_ mother knew
Mrs. Havenith a little, and so they had dashed in here to save her
suit from the rain. They were sitting and smiling at each other
against a background of Mark Twain's life-sized head in a broad gilt
frame. They faced another life-sized head of Browning, also
autographed, but they liked looking at each other better.

Joy, from her hiding-place, could feel the current of their
happiness and youth, and it made her very warm in her soul, and
comfortable. She listened to them quite unashamedly, as she would
have to a nice play.

"She has wonderful hair, hasn't she?" she heard the girl say.

"Not as lovely as my girl's," the man answered softly.

His girl laughed, a little low pleased laugh. "But you can't see
mine hanging down that way, like a picture," she fenced.

"I'm glad you don't wear it that way," he insisted. "I like you to
look like a real girl, not a movie star or an advertisement."

"Do you suppose she likes it?" asked the girl. "I'd go crazy if I
had to be like that--why, she isn't as old as I am! I suppose they
write poems about her, though," she added, as if that might be a
compensation.

"Oh, if _that's_ all--" began the man, and they both laughed
happily, as at a wonderful joke.

Joy, frozen behind her curtains, heard a little rustle, as if he was
taking her hand, and her protest--

"Oh, Dicky, don't--they'll see us!"

"Not a bit," said he cheerfully. "They're all looking at dear
Grandpapa, the Angora Poet--oldest in captivity to be reading his
own sonnets. Bet you it's about the little girl, poor kid--he seems
to be looking around for her."

"Sonnets? Oh, let's go; the rain's stopped," whispered the girl.
"You were awfully extravagant this afternoon. Now we're going to
take a nice, inexpensive walk up home."

She heard him protesting a little at that; then they slid out
softly, while poor Joy sat behind her curtains, moveless and
aghast.... Oh, was this what she was like ... to real, happy, gay
people her own age? And she had liked the girl so, and been so
glad she had her lover, and that they loved each other! And
Grandfather.... She had never thought whether he wrote poetry about
her or not. She had just taken it for granted. People had to write
about something, and it was just as apt to be you as a public crisis
or a sunset, or anything else useful for the purpose. But they had
_laughed_ about it.... Oh, she did hope it wouldn't be a poem
about her that he was going to read! She felt she couldn't stand it,
if it were. She knew that when she was the subject she was expected
to be in sight, as a sort of outward and visible sign.

"I won't go out into the room!" she said defiantly. "He doesn't
expect the sunsets and public crises to stand up and be looked at
when he reads about them!"

So she stayed just where she was. As she stayed, incongruously, a
joke out of an old Punch came into her head--not at all an esthetic
one. It was a picture of a furious woman brandishing a broom, while
the tips of her husband's boots showed under the bed-foot. The
husband was saying: "Ye may poke at me and ye may threaten me, but
ye canna break my manly sperrit. I willna come out fra under the bed!"

Joy laughed a little, even in her sad state of mind, at the
remembrance. "I willna come out fra under the bed, either," she
decided rather shakily, curling her flowing yellow satin closer
about her, and making herself quite flat against the window-frame.
She tried to stop her ears and not listen, so she wouldn't know
whether the poetry was about her or not. But she had fatally sharp
ears, and Grandfather always practised on her and Grandmother,
adoringly silent at the breakfast table. She would know the poems
apart if she only caught a half word.... And it _was_ about her.

Grandfather's beautiful voice carried as well as it ever had. No
matter how many fingers you had in how many ears, you heard it just
the same. And the poem's name was, "To Joy in Amber Satin."

It was doubtless a very lovely poem, and she'd been as pleased as
anybody when it had sold to the _Century_ for fifty dollars
last week. But it suddenly came over Joy that she wasn't a crisis,
nor yet a sunset, and that people oughtn't to write poetry to their
granddaughters, and then have them wear the clothes that were
written about right in the room with the poem. She knew, too, that
as soon as it was over, purry, nice, prettily dressed ladies would
come and hunt her out and use admiring adjectives on her. She had
never minded it before; she had taken it as a well-behaved little
dog would; as a curious thing people did, which meant that they
wanted to be nice. With this new viewpoint drenching her like cold
water it didn't seem nice a bit.

She pulled the curtain stealthily apart and peeped out. Everything
seemed fairly all right. Between her and Grandfather, a useful
shelter, spread the massive purple-velvet back of Mrs. Harmsworth-Jones,
who always came, and always asked afterwards, "And how is our little
Joy-Flower today?" She was as good as she could be, but she was one
more of the things Joy felt as if she couldn't stand right now.

She tiptoed very carefully indeed past Mrs. Harmsworth-Jones, and
past Grandfather's bronze bust at twenty-five, and almost past the
framed autograph letter of Whittier, on the easel. That was as far
as she got, because there was a nail sticking out at the side of the
Whittier frame, and it caught her by one of the straps that held her
satin panels together across the violet chiffon sidepieces. The
framed letter came down with a clatter, spoiling the last line of
the poem forever; and Joy was caught, for of course every one turned
around to see what the noise was.

Grandfather, who had great presence of mind, read the last four
lines of the poem over again slowly, directly at Joy, who stood like
a wistful little figure out of Fairyland, pressed back against the
easel; her frightened eyes wide, her golden-bronze braids glimmering
in the firelight. It seemed to her that the delivery of those last
four lines was endless.

Yet they were done at last, and still Joy stood motionless. She
really did not know how to run away, because she had never done it.

Before she moved Grandfather had finished his reading and the
people, who had been sitting and standing raptly about, began to
move; all fluttering dresses and perfumes, and little laughters, and
pleasant little speeches to each other. It was a part of the
reception that Joy usually looked forward to happily. She was just
pulling herself together for flight when Mrs. Harmsworth-Jones,
jingling, purple-upholstered and smiling, bore down on her.

"How is our dear little Joy-Flower this afternoon?" she asked as
inevitably as Fate, patting Joy's slim bare arm with one plump,
gloved hand, and beaming. "Oh, dearest child, _do_ you realize
the privilege you have? Think of actually living so close to a poet
that you become a part of his inspiration. Dear little Joy--"

Mrs. Harmsworth-Jones was one of the nicest, kindest, fattest people
that ever lived, and furthermore, she had taken Joy, all by herself,
to a performance of "Pelleas and Melisande" only the spring before.
And though Joy had thought privately that the people sang too long
at a time on one note, and wished Melisande was less athletic-looking,
she had liked it very much, and felt obliged to the lady ever since.
So she really shouldn't have behaved the way she did--if it hadn't
been for the lovers, she doubtless wouldn't have. As it was, she
braced herself against the easel.

"It isn't a privilege a bit," she said defiantly, out of a clear
sky. "It isn't half as much fun as being the kind of girl everybody
else is. I hate wearing moving-picture clothes" [not even in her
excitement could Joy bring herself to say "movies"] "and I hate
never knowing girls and men my own age, and I hate having poems
written to me worse than anything at _all_!"

Poor Mrs. Harmsworth-Jones! She hadn't done a thing. Her own girls
went to fashionable schools and attended sub-deb dances by the score
until they came out, which they did at eighteen each like clockwork.
She couldn't have been expected to see to it for somebody else's
girl, too. Her getting the full blast of it was a quite fortuitous
affair, and Joy always felt, looking back afterwards on her
explosion, that it had been hard on the lady--who was frightened by
it to the point of silence. It must have been very much as if the
sedate full-length of Mr. Shakspere, over in the corner and _not_
autographed, had opened its mouth and begun to recite limericks.

"Why--why!" she said; and that was all she was capable of saying for
the moment. Joy, terrified herself at her deed, turned and fled.

What happened between Mrs. Jones and Grandfather she never knew, and
never asked. She never halted in her flight till she was safe in her
own little eyrie upstairs.

There she stopped before her dresser mirror, and looked at the
flushed, breathless girl in the glass.

"I wonder," Joy said aloud, "what really is the difference between
me and other people?"

She stared into the glass to see if she couldn't find out, leaning
her hands down on the dresser-top. But the pretty white-enamel-framed
mirror showed her just the same Joy as ever. Her heavy bronze-gold
braids swung forward, and their ends coiled down on the dresser-top.
Between them her little pointed face looked straight at her, blue-eyed,
red-lipped, and serious. Its owner eyed it perplexedly awhile,
then gave up the riddle.

"If you look like pictures and poetry you _do_, and that's all
there is to it. I suppose living with Grandfather's had an effect on
me... I wonder..." Joy still stared steadily into the glass--"I
wonder if having somebody in love with me would make a difference.
It's the only thing Grandfather's ever said he was willing to have
happen to me. He's always talking about 'I would give you up
willingly to the first breath of true love....' But there's never
anybody comes to his parties you could love with a pair of tongs...
I wonder if he _would?_ It would have to be love at first
sight, too, I suppose. He doesn't think much of any other kind of
love.... But I'd be dreadfully frightened of him.... I hope he'd
have blond curly hair!"

She lifted herself from her leaning position, and went and curled up
on the side of the bed, the better to think.

"There's no use wondering about a lover," she decided. "Lovers
_never_ come to hear Grandfather read, not unless they come in
pairs to get out of the rain, like the animals in the ark.... Anyway
I don't think I'd want the one today, even if he hadn't been a pair.
But a nice fresh one that didn't belong to anybody else...."

Grandmother, released at last from finding out what people wanted in
their tea, and giving it to them, hurried into the room at this
point, and was very much relieved to find Joy perfectly well to all
appearances, and sitting quietly on the side of the bed gazing off
into space.

"Darling, were you ill?" she panted, sitting down by her. "Your
grandfather was quite disturbed over it, and I was terribly
frightened. We knew something must have happened. What was it,
lambie? Where do you feel badly?"

Joy looked away from the wall, at her grandmother's kind, anxious,
wrinkled little face under the lace lappets. Grandfather liked
Grandmother to wear caps, so she did it; also fichus and
full-skirted silks, whether such were in fashion or no.

"I didn't feel ill one bit," explained Joy deliberately. "Only I'm
tired of being a decoration. I want to be like other people... I
don't want to wear any more clothes like paintings, or ever have any
more poetry written to me. I--oh, Grandmother, everything's going on
and going on, and none of it's happening to _me!_" She looked at
her grandmother appealingly. "And it feels as if it wouldn't ever!"

But Grandmother didn't seem to understand a bit. And yet she must
have been young once--wasn't there that poem of Grandfather's, "To
Myrtilla at Seventeen," to prove it? The one beginning "Sweetheart,
whose shadowed hair!" Why, he must have--yes, he spoke of it in the
poem--Grandfather must have held Grandmother's hand, like the
Dicky-lover today, and even kissed her because he wanted to, not
because it was nine in the morning or ten at night. Those were the
times he kissed her now. Of one thing Joy was certain, Grandmother
had never told Grandfather he must stop. She wouldn't have dared.

"Dear, would you like a hot-water bottle, and your supper in bed?"
inquired Grandmother, breaking in on these meditations.... Oh, it
was a long time since Grandmother had been Myrtilla at seventeen!
Joy looked at her wistfully once more.

"No, thank you, Grandmother," she said decidedly. "I feel very well,
thank you. I'll be down to supper as soon as I've changed my frock."

She felt as if getting off the actual clothes that were in the poem
would be escaping from it a little, and perhaps drawing a little
nearer the having of real things happen to her. Grandmother, nearly
reassured, patted Joy's little slim hand with her own little
wrinkled one, and trotted downstairs to tell Grandfather happily
that Joy would soon be down.

Joy, left alone, pulled off the amber robe, and stood before the
wardrobe in her silk slip, pushing along the hangers to try and find
something practical. It was pretty hard. All her gowns were lovely
loose or draped or girdled things: you could have costumed the whole
cast of two Maeterlinck plays from just those hangers. She was very
tired, suddenly, of all of them. At last she found a green dress
that was the delight of her life, even if it was picturesque,
because it was such a nice, cheerful color, put it on, and went
down. She had tried to fasten her hair up as the lover-girl's had
been fastened, but hers was so curly and heavy and alive and long
that it couldn't be done. She strapped it in desperation around her
head, wished she had some powder, and dashed down the long flights
of stairs just in time to save herself from a second summons. She
wasn't quite satisfied with her own general effect, but it would do
for a beginning.

So, dreamer as she still was, nevertheless the only thing alight and
alive in the old house, she ran down the staircases, past the
statues that stood severely in the niches at the head of each
flight, down finally to the basement dining-room where the three old
people, her grandfather and grandmother and old Elizabeth, were
waiting for her.

They sat at either end of the old mahogany table--that had been
Lucilla Havenith's, too--with supper, plus the sandwiches left over
from the tea, waiting untouched till Joy should come. By the way all
three stopped short when she came in, Joy was sure they had been
wondering what was the matter with her. She sank into her own chair,
and took one of the walnut sandwiches which had been spared by the
reception people. She was still hungry, and proceeded to eat it, at
which Mrs. and Mr. Havenith looked happier.

"You see, Alton, she has an appetite," said Grandmother thankfully.

"Yes, I am glad to see she has," answered Grandfather, as if the
circumstance was gratifying to him also. "I am very much relieved."

Joy felt guilty. When your grandparents were as fond as all that of
you, you really hadn't any right to feel as if you wanted anything
else. She straightened up and smiled gallantly at them, and took
another sandwich by way of proving her health.

"I think I'm all right," she said.

"You were overtired," said Grandmother solicitously--Grandmother,
who had cut all the sandwiches, which Joy had only buttered! "The
day's been oppressive."

So she passed Joy some more of the walnut sandwiches, and smiled to
see that they were being eaten.

"But I am not satisfied, yet," said Grandfather. If Grandfather had
only let well enough--and young girls' whimsies--alone, Joy wouldn't
have been tempted. "What made you rush out that way, Joy--just as I
was finishing the last stanza of the lyric, 'To Joy in Amber Satin,'
too? You couldn't have chosen a worse possible moment. You nearly
spoiled the effect."

Joy threw her head back defiantly. She knew that if Grandmother
didn't understand her appeal, certainly Grandfather wouldn't.

"Grandfather," she said, "do you remember the anecdote you always tell
to small groups of people, the one about the farmer who used to meet
your friend, James Russell Lowell, on his afternoon walk every day,
and say, 'Waal, Mr. Lowell, had a poem yet today?' _I_ had a poem!"

It was a most amazing fish story. Joy hadn't had any such thing as a
poem: nothing at all but a fit of rebellion. But if she wanted to
check her grandfather's inquiries she had taken the most perfect way
known to civilization. He couldn't possibly blame her for bolting if
the poem had to be put down. Nor even for being impolite to Mrs.
Harmsworth-Jones.

"You always say, 'The Muse must out,'" continued Joy defiantly. "Or
would you rather I didn't have any Muse?"

There was only one thing for Grandfather to say, and he said it.

"My dear, if you are really intending to do serious work along that
line nothing should prevent you. I quite understand."

Grandmother looked over at her little girl with a new respect--and
perhaps a new apprehension. One poet in a family is supposed to be
enough, as a rule. And Joy had always been such a good, dear child
to manage.

So no more was said. But Joy wondered if she hadn't let herself in
for something dreadful. Grandfather would certainly expect to see
that poem some day!

Nothing more was said about it for the two weeks that led to
Grandfather's next Afternoon. Joy was delighted to find that her
Muse wasn't asked for, and her grandparents may have been rather
pleased at her continuing to behave as she always had, instead of
saying curious things about wanting to be like other people. She
continued to wear her picture-frocks and do as she was told. Her own
feelings were that she had been naughty, but that she was rather
glad of it.

And so it was that when the reception day came around again, Joy
helped with the sandwiches and sliced the lemons and piled up the
little cakes and dressed herself prettily--and then went and hid at
the foot of the back stairs, with Aunt Lucilla for a companion.

"I hope I shall behave if somebody finds me, and tells me what a
privilege it is to be me," said Joy; "but I doubt it. Because it
isn't. It isn't one bit."

"What isn't?" demanded a man's voice interestedly.






CHAPTER TWO

BY GRACE OF THE WISHING RING

Joy turned her head to look. She was quite sure that the speaker
couldn't see her very well, but she could see him, or the top of
him, perfectly, because he was standing in the crack of a door that
gave on to the back hall; a door few people remembered existed, as a
picture hung on it, and it gave no impression of ever being used. He
was young and broad-shouldered and sure-looking, little as she could
see of him. She could see his face as far down as the eyes, and that
was all. They were pleasant, steel-colored eyes, very amused and
direct, and his hair, in the light of the old-fashioned chandelier
behind him, glittered, fair and a little curlier than he evidently
approved of.

He slipped entirely through the door; at the same moment Joy blew
out the candle she had been holding up to Aunt Lucilla. Then she
laughed, a little shy, pretty laugh. She wished she could light it
again, to look at him, but she remembered that if she did that he
might think she _did_ want to look at him.

"I'm so glad you've come!" she almost said. He seemed like some one
she had been waiting for a long while, some way, instead of the usual
stranger you had to get used to. There was such a breath of freshness
and courage and cheer in just the few words he had spoken and the little
laugh they were borne on, that Joy felt irrationally what a nice world
it was. Then she remembered to reply to what he had said.

"It isn't a privilege, being me," she explained from her shadows.

He looked over to where her voice came from, but there wasn't
anything visible except a little dark heap on the last three stairs.

"I could tell better if I could see you," he stated pleasantly.
"Don't you want to take the hint?"

But Joy, mindful of the hanging braids that would certainly make him
think she was a little girl, would not take it at all. She snuggled
against the wall.

"Oh, you can see me any time," she said carelessly, "but you can
scarcely ever get to talk to me. At least, I heard somebody say so
last month."

She felt quite like somebody else, a gay, teasing, careless sort of
real girl, talking to him here in the dark. She was sure she
wouldn't if the lights were on. She could talk to him as if he were
some one out of a book or a story, so long as he didn't know she
looked like a book-person or a play-person herself.

"Well, anyway, do let me stay here," he begged, doing it. "For the
last hour I haven't felt as if it was much of a privilege to be me,
either. Do you know that feeling of terrible personal unworthiness
you get at a party where everybody knows everybody else and nobody
knows you? I feel like precisely the kind of long, wiggly worm the
little boy ate."

Joy felt very sorry for him; because if she didn't know that feeling
she knew one to match it; having everybody know her and nobody think
of playing with her.... This man was playing with her for a minute,
anyway.

"And I'll always have him to remember," she thought happily, "even
when I'm an old, old lady, writing reminiscences of Grandfather, the
way they all say I should ..." She went off into a little daydream
of writing all this down in her reminiscences, and having him--old,
too, then--write back to her and say that he, also, had always
remembered the time happily, and wondered who she was.... Then she
answered him.

"You know me, anyway--don't say you know no one," she told him.
"Anyway, I'm glad you're talking to me. I'm Joy."

He laughed again, leaning against the door-frame in the thread of light.

"Then you're something I've been looking for a long time," he said.
"I've had friends and success, and good times--but I've never found
Joy till now."

She knew, of course, that he was just being pleasant about her name,
as people were sometimes. But it sounded very lovely to remember.

"I'm Alton Havenith's granddaughter," she explained sedately. And,
with a sudden desire that he should know the worst, she added, "I'm
the one he writes poetry to."

He must have caught a note of regret in her voice--oh, he was a very
wonderful person! for what he said wasn't a bit what Joy expected
even him to say--the "How lovely for you!" that she was braced for.

"Why, you poor kiddie!" said he, "and you ought to be playing tag or
tennis or something. I can't see much of you, except one braid that
the light's on; but you're just a little thing, aren't you?"

Joy did not answer. She looked up at him, as the crack of light
widened behind him, and showed him clearly for a moment. He was so
very handsome, standing there with his brows contracted in a little
frown over his pleasant gray eyes, that Joy felt her heart do a
queer thing, as if it turned over.

He came a little nearer her, and sat down on the floor, below her,
quite naturally.

"And you're awfully lonesome, and you wish something would happen?"
said his kind voice. It was a lovely voice, Joy thought. It was
authoritative, yet with a little caressing note in it, as if he
would look after you very carefully--and you would love it.

"How did you know?" she asked.

"Oh, I just could tell," he said, and it seemed a perfectly clear
explanation. "Well, don't forget that there's lots of time yet. You
just keep on believing things _will_ happen--don't lose heart--and
maybe they will."

Somehow, the way he said it, Joy was sure they would.

"Like a wishing ring?" she asked eagerly.

He laughed.

"You _are_ a kiddie. Why, yes, like a wishing ring, if you like."

Before Joy could answer there came a brisk voice from the door.

"Oh, this is where you've hidden! You may be decorative, Jack, but
as an escort I've known nephews more useful."

Joy looked up and saw a tiny elderly lady, quite a new one, in the
doorway.

"Good-by, Joy," he said in too low a voice for the old lady to hear.
"I'm glad we've met--I can't say I'm glad to have seen you, because
I haven't, you know. But thanks for a human five minutes--and keep
hoping."

He sprang lightly to his feet, opened the door, shut the door--was
gone, and Joy was alone in the dark again.

She smiled up at Aunt Lucilla unseeingly.

"Not even Lafayette could have been as kind as that," she said
proudly, and leaned happily against the wall again.

"Why, Joy, dear, don't you want to come in and see the people?"
Grandmother was asking her solicitously, bending over her. "You
aren't sick again, are you?"

Joy sprang up with a little laugh.

"Not a bit," she assured her. "I'm especially all right. Why,
yes--I'll come in if you want me, of course. The people don't matter."

She threaded her way, behind Grandmother, up and down the parlors
for the next hour, quite happy. She'd had such a wonderful five
minutes in the back hall--why, what difference did it make if Mr.
James Arthur Gosport captured her and told her about his ideas on
universal brotherhood? She didn't have to listen specially, because
she knew just what he was going to tell: the story about how he went
out from his parlor-car and hunted through the day-coach to find a
brake-man, on purpose to tell him how fond he was of him. And how
the brakeman's eyes filled up with tears at being loved, and how Mr.
Gosport had to hurry back to his Pullman in order not to go to
pieces himself.

When Mr. Gosport told this tale--it was one he used in his lectures,
and it always went splendidly--Joy usually had to keep herself from
wondering why he didn't go to pieces anyhow; he was so long and
loosely built you'd think he was merely pinned together. But this
afternoon she smiled at him so brightly that he liked the way he
told the story better than ever. She was really thinking--

"The man she called Jack is built ever so much better than Mr.
Gosport is. _He_ wouldn't just cry over a brakeman. He'd give
him some money or...."

"It is very wonderful to feel that we are all brothers, and that so
little a thing as bringing it home to a train-hand could move him so
profoundly," finished Mr. Gosport, cheered by the success of his
anecdote. "I make it a point never to neglect such little things--"

He was left with a period in mid-air, for Joy, with a flurry of
skirts, was running toward her grandfather. She didn't care a bit
whether men were all brothers or second cousins; she thought maybe
Grandfather would know the real name of the man she had talked to,
the one besides Jack.

"Grandfather, what was the name of the man with curly, fair hair and
big gray eyes, the one who had a little old lady with him?" she
demanded breathlessly, clinging to her grandfather's arm and
interrupting him ruthlessly in the middle of something he was saying
to somebody.

"I haven't the faintest recollection," said Grandfather; and
Grandmother whispered:

"Come away, dear. The lady with him just asked him whether he wrote
under his own name or a nom-de-plume, and you know how irritating
that is."

Joy came obediently away. After all, it didn't matter about Jack's
other name. She knew perfectly well that she should see him again.
Everything was bound to go happily.... And till she saw him again,
she had him to remember.

"I have something pleasant to tell you, dear," said Grandmother,
patting the arm she still held.

"Yes, Grandmother?" she asked, smiling. An hour or so before she
would have been wild to know what it was, but now she was only
serenely glad that it did exist. She knew perfectly well that things
had begun to happen. And now they would go on and on and on till the
fairy-tale ending came. She knew that, too. Somehow, the shut-out
feeling was all gone, ever since the gray-eyed man had sat at her
feet in the hall and given her the wishing ring. The curtain was
up--or, rather, the door was open into things, just as he'd pushed
open the door from her little dark dream-place, the door that had
always been there, but nobody'd thought to use. Of course, things
were going to happen--lovely ones!

"I know I'll like it," she ended, with a happy little laugh.

"You seem better already, dear," said her grandmother happily, and
began: "We have been talking about your health, and we have decided
that you need a change, and some young life. So we are going up to
an inn in the Maine woods for a month or more. There's boating
there, and--and games, I understand, and there's a literary colony
near, so there'll be people for your grandfather. He thinks he may
go on holding small Afternoons. It's a cottage inn."

Joy did not know then what a cottage inn was, but neither did she
care. She clasped her hands happily over the invisible wishing ring.

As Joy helped Grandmother pack, the next week, she wondered a little
about clothes. She did not worry now, because she had a conviction
that if she only knew what she wanted, and hoped as Jack had told
her, she could hope things straight to her. There was a gray taffeta
in a window uptown, together with a big gray chiffon hat, a little
pair of glossy gray strapped slippers, and filmy gray silk
stockings. And the hat, instead of having pink roses on it, as you'd
think a normal hat would, by the mercy of Providence had deep yellow
roses, exactly the color Joy knew she could wear if she got the
chance. The chance, to be sure, was remote. She did not have an
allowance, just money when she asked for it; and her fall wardrobe
had been bought only a few weeks before. Besides the amber satin
that the poetry was about, there were three other frocks, lovely,
artistic, but, Joy was certain, no mortal use for tennis. She didn't
know how to play tennis, but she intended to, just the same.

Now, how, with just seven dollars left from your last birthday's
ten, could you buy a silk frock, with a hat and shoes and stockings
to match? The answer seemed to be that you couldn't, but Joy did not
want to look at it that way yet. And as she gazed around her bedroom
in search of inspiration, her eyes fell on an illuminated sentiment
over her bureau. It had been sent Grandfather by a Western admirer
who had done it by hand herself in three colors, not counting the
gilt. Grandfather had one already, so Joy had helped herself to
this, because it matched the color of her room. She had never read
it before, but, reading it today, it impressed her as excellent
advice to the seeker after fine raiment.

"Let the farmer," Mr. Emerson had said, "give his corn, the miner a
gem, the painter his picture, the poet his poem." Joy did not stop
to wonder (for the Western lady had left it out) on just what
principle these contributions were being made. She didn't care.

"Now, that's the way people earn money," said she practically, and
tried to think what she could do.

Cook--she could make very good things to eat, but Grandmother would
have to know about that, and, besides, it wouldn't be a thing they
would approve of. Sewing--no, you couldn't get much out of that. She
could recite poetry and be decorative, but she gave a little shiver
at the thought. She played and sang as Grandmother had taught
her--harp and piano--and spoke Grandmother's French. She couldn't do
much with _them_.... Oh, she was just decorative! And as she prepared
to be vexed at the idea, suddenly the motto caught her eye again.

"It's a perfectly impossible idea from _their_ standpoint,"
said Joy, with the light of battle in her eye for almost the first
time in her life, "but I simply have to have that gray dress."

She rose and fished the amber satin out of her trunk. She put it on,
put her long coat over it, packed her next most picturesque frock in
a bag, fastened on a hat, and walked out the front door.

Just three blocks away lived a dear, elderly mural decorator who was
always telling her how he wished he had her for a model. She knew he
was making studies now for about a half-mile of walls in a new, rich
statehouse somewhere far away.

She should have been frightened at this, her first adventure, but
she wasn't. She found her heart getting gayer and lighter as she ran
down the steps with her little bag. It was the kind of a day when
all the policemen and street-sweepers and old women selling
shoe-laces look at you pleasantly, and make cheerful remarks to you.
Even the conductor whose street-car she didn't take smiled
pleasantly at her after stopping his car by mistake. It was as
kind-hearted and pleasant-minded a worldful of people as Joy had
ever met, and she was singing under her breath with happiness as she
ran up the steps leading to Mr. Morrow's studio. There wasn't any
particular excuse for her being so light-hearted, excepting that the
street-people had been so friendly minded, and there was such a dear
little breeze with a country smoke-scent on it, and that somewhere
in the world was a tall man with fair hair and a kind, authoritative
voice, who had said wonderful things to her--a man she would meet
again some day, when she was charming and worldly and dressed in a
tailor-made suit.

Mr. and Mrs. Morrow were artists both; and she found them,
blouse-swathed and disheveled, doing charcoal studies in a corner of
the room apiece. Mrs. Morrow kissed Joy, arching over her so that
the smudges on her pinafore wouldn't be transferred. Mr. Morrow came
out of his corner and shook hands with her with less care, so that
his smudges did come off on her. Then they both listened to her
story with the same kindness and interest every one else had shown
her that morning.

"I can sit still or stand still as long as ever you want me to," Joy
explained. "And you said yourself I was decorative, Mr. Morrow; you
know you did!"

"I did, indeed," Mr. Morrow answered promptly, while Mrs. Morrow
asked some more questions.

Joy answered them.

"And I would be able to earn enough money for all those things in
the window by Friday?" she ended.

The Morrows smiled and glanced at each other. Joy did not know, till
some months later, why they smiled. Then they spoke, nearly together.

"Yes, indeed, dear child--quite enough!"

Joy was reassured, because, though she didn't know model-prices, she
had been afraid that it wouldn't be.

Then they gave her some purple draperies--the satins wouldn't do,
after all, it appeared--and arranged her in them. And, to
anticipate, when Joy went out to that statehouse, the next year, she
was able to pick out her own bronze-gold braids and purple royalties
all up and down the frieze.

"By Jove, she _is_ a good model!" said Mr. Morrow after a
couple of hours, pulling at his pointed gray beard and speaking
enthusiastically in his soft artist-voice.

"Splendid!" said untidy, handsome Mrs. Morrow, sitting down on the
model-throne to view her own work the better. "But she must be ready
to drop, aren't you, Joy, dear? You aren't used to it."

But Joy shook her head.

"I'm not tired a bit," she said truthfully. "I just let go all over
and stay that way. It isn't sitting any stiller than I do lots of
days, when Grandfather has me stay close by him, and keep very still
so he can write. Why, it seems downright sinful," she went on
earnestly, "to earn beautiful gray clothes by just sitting still!
But you would have to have somebody, anyway, wouldn't you?"

"Of course we would!" said Mrs. Morrow, picking up her crayon again.
"Indeed, we have to have two most of the time."

They all kept very quiet for a while after that, Joy sitting still
in her robes of state, a slim young Justice presiding over an as yet
undrawn Senate, and the Morrows working hard at her. She had been
posing for another half hour, when there came a whirlwind of steps
up the stairs, and the door banged open.

"Mrs. Morrow, can you let me have some fixative?" called a voice;
and Joy moved her eyes cautiously, and saw a pretty, panting girl in
the doorway. She looked like an artist, too, for she had a smudge of
paint on one vivid cheek, and her black hair was untidily down over
her gipsy eyes.

"Nice model you've got--good skin tints--oh, don't bother about the
fixative if you're working. I see it."

She darted in, past Joy, snatched a bottle half full of something
yellow, and was out again before any one could speak.

"I'm hurrying," she called superfluously back as she fled to the
floor below. "Giving a dance tonight."

Joy, most mousy-quiet in her chair, mentally registered another
requirement toward being the kind of girl she ought to be. There
were such lots of wonderful things to learn!

She went to the Morrows regularly every day after that, six days in
all. She told Grandmother where she was, not what she was doing. It
didn't occur to her that Grandmother would mind, but she thought it
would be pleasanter to surprise her, and say, "See the lovely dress
I earned all myself, posing for the Morrows!"

Meanwhile, Grandmother, pleased at her little girl's brightened face
and general happiness of demeanor, asked no questions.

"You've been one of the best models we ever had, my dear," said Mrs.
Morrow in her deep, unceremonious voice, when the last day came.
"And it occurred to me that you might be too hurried when the last
day came to do your shopping yourself. So I just ran uptown and got
your pretties for you."

It was not for a long time that Joy discovered the regular pay of a
model to be fifty cents an hour, and the sum total of her gray
costume to have been--it was late for summer styles, so they were
marked down--fifty-three dollars and ninety cents. But Mrs. Morrow
had said to Mr. Morrow, who usually saw things as she did, even
before she explained them:

"Alton Havenith would never let that dear little thing have anything
as modish as those clothes. He'd keep her for a living illustration
to his poem-books till he died. And we're making a lot on that
Sagawinna Courthouse thing.... And we haven't any daughter."

And Mr. Morrow, remembering a seven-year-old with blue eyes and
yellow hair, who had never grown old enough to ask for French-heeled
shoes and picture hats, said only, "That's what I thought, too."

Joy, blissfully ignorant that she had been given a good deal of a
present, kissed them both ecstatically on receiving a long, large
pasteboard box, and almost ran home. She was so eager, indeed, to
get upstairs and try on her finery that she quite upset a Neo-Celtic
poet who had come to see if Grandfather would write an article about
him, and was standing on the doorstep on one foot in a dreamy
manner. He was rather small, and so not difficult to fall over. She
did not stop to see if he was injured; she merely recovered herself,
grasped her precious boxes more closely and sped on upstairs,
thinking how pleasant it was that she was no relation to _him_.
To have even fine poetry written about you was bad enough; it must
be much worse if the poetry was bad, too.

When she opened her box she found that Mrs. Morrow had seen and
bought something else for her; a golden-brown wool jersey sweater
suit, with a little brown cap to match.

"Oh, how lovely! I can wear them all day, and the gray things all
night--all evening, I mean," Joy exulted. "And maybe I'll never have
to put on the picture dresses at all!"

She went to sleep that night with the brown suit laid out in its box
across the foot of her bed, below her feet, and the gray chiffon
hat, with its golden yellow roses, on a chair by her, where she
could touch it if she woke in the night and thought she had dreamed
it. She said her prayers almost into it; she was so obliged to the
Lord for the hat and the frocks, and the man who had talked to her
in the dark, that she felt as if she ought to take the hat, at
least, and show it to God while she was praying.

       *       *       *       *       *

They had been in Maine long enough for Joy to discover what a
cottage inn really was. It appeared that the inn itself lived in the
middle, as a sort of parent; and all around it sprang up small
cottages, where you and yours could dwell, and never associate with
anybody you didn't want to, except at mealtime, or lingering about a
little afterwards, or at dances. And if you were unusually exclusive
(also unusually rich), they took you over your meals, and you never
saw anybody at all. Joy was exceedingly glad that Grandfather was
only comfortably off, because she liked, best of all the day's
round, the little times before and after dinner when she could sit
on the porch and watch people, and decide whom she was going to like
most, and whom she was going to be most like.

She wore her brown woolen frock all day long the first day, changing
to the gray silk in the evening--the dear gray silk, all little
glints of embroidery and little falls of chiffon!--and the gray hat
with it. She was waiting for her grandparents to ask her where she
got it, but they were so occupied with getting themselves settled,
and seeing that their place and hers at table were sufficiently far
from the noisier crowds of people not to be a strain on
Grandfather's nerves and Joy's, that nothing was said. As a matter
of fact, Grandfather thought Grandmother had bought it for her, and
Grandmother thought Grandfather had; so each said pretty things
about it to the other, without coming straight out, as their
courteous custom with each other was; and the secret was still Joy's.

By the second day Joy saw that people were beginning to find out who
Grandfather was. So she deliberately ran away. Not badly, nor far;
she only had a waiter who seemed to want to be nice to her make her
up a little packet of sandwiches, and then she took to the nearest
woods. She quite intended to be back for dinner; she wouldn't have
missed the pageant of sunburned, laughing people streaming in, for
anything; not even at the risk of being asked if she, too, wrote
poetry.

The woods gained, she leaned back against a big oak tree with a
rested sigh. There might be all the poetry in the world a half mile
off, but here you couldn't see anything but trees and more trees,
all autumn reds and browns and yellows, and the two little brown
paths that crossed near where she sat. Her blue, black-lashed eyes
rested happily on a great bough of scarlet and yellow maple leaves.

"I haven't got to say one _word_ about them," she breathed.
"_Nice_ leaves!"

Then she felt vaguely penitent; and in spite of the scenery, began
to think about Grandfather, and therefore poetry, again--so firm a
clutch has habit. There in the wonderful tingling air, with the late
sunset glimmering a little through the trees, an old poem began to
sing itself through her head. For, though she didn't think so, Joy
_did_ like poetry.

It was out of Bryant's "Library of Poetry and Song" that she had
been brought up on. The book always opened of itself under Joy's
hand to "Poems of Fancy."

  "..._And I galloped and I galloped on my steed as white as milk,
  My gown was of the grass-green and my shoes were of the silk,
  My hair was golden-yellow, and it floated to my shoe,
  My eyes were like two harebells dipped in little drops of dew_..."

Joy leaned herself back more luxuriously.

"It _is_ like the enchanted forest," she breathed. "I can
almost see the Lady in the poem galloping along, and the Green Gnome
leaping up to stop her. The path out there is wide enough--people
from the inn go riding on it. I remember their saying so, that old
lady with the daughter that wriggles too much."

At this stage in her meditations Joy laughed and ceased wishing. It
was all very well to desire Green Gnomes and golden-haired
fairy-ladies to gallop down the bridle-path, but the chances were
that if any one did come it would be the old lady and her daughter,
on livery horses, and that they would wish to alight and talk to
her. City-bred Joy didn't want to talk. She only wanted to be left
here alone with the trees and the sunset. It was more than time to
dress for dinner, she knew it well, for the sunset was a little less
bright. But she deliberately stayed where she was, the ballad
singing itself dreamily still through her head.

And then she did hear the click of a horse's hoofs, quite plainly.






CHAPTER THREE

PHYLLIS RIDES THROUGH

When Joy could see the rider she was relieved to find that he had no
intention of stopping. Then--a little too late--she sprang up and
ran after him; for the horse was a pony, and the rider a little boy,
laughing too gleefully not to be in mischief, and lashing the pony
on. He was having a perfectly wonderful time, apparently, and seemed
to have a safe seat; but he was certainly much too young to be
galloping through the woods at sunset alone.

Joy fell back panting from her vain chase.

"Why, he wasn't more than four or five," she said half-aloud. "What
_will_ his mother say?"

But the clatter of the light hoofs, and the delighted shouts of the
child, passed like an apparition, leaving Joy half wondering if she
had imagined it all. Though she was still a little concerned,
because somebody was very fond of that mop of flying dusky hair, and
the triumphant little voice that had echoed past her.

"I can wait here, anyway," she decided at once. "Some one may come
looking for him, and I can tell which way he went."

She sat still where she was for a little while longer. She had
nearly made up her mind to follow the child, when, to her great
relief, she heard another horse coming.

"I can send whoever it is after him," she thought, springing up and
running out to the path. "Oh, wait! Please wait!" she called to the
as yet unseen rider.

The horse was pulled to a walk, and its rider slipped to the ground,
coming into Joy's sight with the bridle over her arm, and the animal
following her.

"Did you see--" began the strange lady, just as Joy said:

"Would you please--"

Then each stopped and waited for the other to go on, though the lady
with the big white horse seemed in haste to ask and be gone. She was
the first to continue, rather hurriedly.

"Did you see a little boy on a pony, riding this way?" she asked.
"I'm hunting for him."

While Joy replied she looked admiringly at the speaker. She was much
taller than Joy, and very pretty, with long blue eyes, a creamy
skin, and hair that was the very "golden-yellow" of the ballad. She
might have been anywhere in the later twenties, but Joy learned
afterwards that she was thirty-two. To Joy's eyes she was the fairy
lady of the ballad come true; for she had evidently flung herself on
her horse just as she was, in a green evening gown with a light
cloak over it. Even in her anxiety for the child she had about her
an atmosphere of bright serenity that made Joy in love with her.

"I was just going to ask you to go after him," Joy replied as she
looked. "He went past here a few minutes ago. I'm sure he is too
little to be riding alone."

"He is indeed," said the golden lady, smiling. "Little villain! But
it seems he doesn't think so! Which way did he go, please?"

"Straight along this path," Joy answered, pointing.

The lady sprang to her horse again.

"Thank you," she called back, then more and more faintly, "I haven't
much time--now, to be--grateful as I should be. We'll--come--back--"

The last words were hardly distinguishable from the echo of the
flying hoofs. The ballad-lady was gone.

The whole thing seemed to Joy like something out of a pageant. She
wondered if the lovely lady in green was the little boy's mother, or
his sister or aunt.

"It was a little like the Green Gnome poem, except that she was
hunting for him, and that the little boy was pretty," she thought.
In the poem the Gnome had turned to a "tall and comely man" when the
lady kissed him. She liked the lady; there had been something so gay
and friendly about her, just in those few words, that Joy's heart
felt warmed. Very few people near her own age came close enough to
stately little Joy to be as friendly as the lady had been--or as the
wishing-ring man had been.

"Somewhere," Joy decided happily, "there must be lots of people like
them, if I could only find the place. I'm sure I shall some day."

She sat on in the gathering twilight, waiting for them to return. As
she sat the thought of the wishing-ring man came back again.
Wherever he was, he was wishing her well, and remembering her--he
had said--what was it--he'd had a "human five minutes" with her. Her
heart beat unreasonably, as if he might be coming down the brown
path in the twilight, this instant,--as if the golden lady might
bring him back with her.

It was nearly dark, and the wind was getting colder, when the hoofs
sounded down the path again. There were three of them now--and Joy's
heart gave a little spring, till she saw that the man riding the
other horse was no one she knew. The pony was riderless, and he was
leading it, while the naughty little boy who had caused all the
trouble was perched in front of the lady's saddle, most impenitently
conversational. She had one arm tight around him, as if she did not
want to lose him again, and she was smiling down at him and
answering him gaily as he talked. Punishment was evidently waived,
or so far in the future as not to worry anybody. The child's clear
little assured voiced came to her, sitting in the shadows.

"But if God takes care of me, Faver, I don't see why I need a nurse
bovvering," he was expostulating.

Joy didn't hear just how his family met this objection. She saw that
the lady looked about for her, and could not see her in the
gathering darkness.

Then she went back to the hotel, where she was very late for dinner.
She looked around for the riders, but she did not see them. Evidently
they were having dinner taken over.

       *       *       *       *       *

Phyllis Harrington, rather regretfully, hooked a dog-chain to the
porch railing of the cottage she and her husband had just hired. It
was an entirely unnecessary part of the family bull-terrier's
wardrobe, and she intended to use it as an instrument of justice. So
she called her small son. She believed in making the punishment fit
the crime, and Philip had flagrantly run away, quite against orders,
the evening before.

He appeared at her summons, smiling angelically. Philip Harrington
had not the smallest visible excuse for being the son of his
parents, for his father was not particularly dark, and his mother
distinctly gold-blond. Philip threw back, it was supposed, to the
family Pirate, a semi-mythical person whom Phyllis said she'd had
some thirteen generations ago. Phyllis was a New Englander. The
Pirate must have been dark; at least Philip had tragic, enormous
brown eyes with dense lashes, a mop of straight black hair, and a
dusky skin, deeply rose-red at cheeks and lips. He also possessed
the gentle, solemn courtesy of a Spanish grandee, which the Pirate
may or may not have been. He was full of charm of manner, and
combined a spirit of fearless loving-kindness to all the world with
an inability to see why he shouldn't always have his own way; which
made him difficult to manage.

"You goin' to chain me up, Mother?" he inquired affectionately,
nestling up to her.

"Yes," explained his mother, hardening her heart, "little boys who run
away from home like little dogs have to be treated like little dogs."

"Oh, _I'll_ be a little dog," replied Philip, entering
agreeably into the idea, and backing up to be chained. "No, I'll be
a big dog. I'll run around an' jerk my chain an' say 'Woof! Woof!'
like the Hewitts' setter. And Foxy 'n I'll have bones together!" His
small Velásquez face lighted rapturously at the prospect. "Here,
Foxy, Foxy!"

The black French bull whose chain Philip was using dashed up at the
summons. He was middle-aged, but he had a young heart still, and his
tail vibrated madly as he bounded between Phyllis and her son.

"Oh, he's _got_ a bone!" exclaimed Philip, gleefully dropping
on all fours.

Phyllis stood up from chaining her child, and turned appealingly to
her husband, coming down the steps of the little bungalow with
two-and-a-half-year-old Angela on his shoulder.

"You look like a colored illustration from the _Graphic_," she
said irrelevantly. "You're just in time to assist discipline.
_Look!_" she pointed tragically to her victim.

He would have been happily disputing the opportune bone with Foxy, had
not that faithful animal's devotion led him to hand it over at once.

"Faver, make him take it away from me!" he demanded. "Faver, I'm all
chained up! I'm a little dog!"

Little Angela, who looked like a slim, tiny Christmas-card
_Christ-kind_, and was as fascinating a little demon as ever
coquetted with the world at large, struggled to get down, and
demanded to be chained up and be another little dog. Her father set
her down, whereat she made a bolt for the dog, the bone, and her
happily engaged brother.

"Do you think there's any way of conveying to him that this is not a
new amusement, Allan?" demanded his mother, half-laughing.

"Don't let's try," said Allan promptly. "Everything's going
beautifully. Philip's happy, and Angela's going to be gloriously
dirty in a minute, which will give her nurse something to wash. You
know how bitter Viola is about never getting the children to herself
for a minute."

Phyllis slipped an arm through her tall husband's, as they stood by
the steps together.

"No, but Allan, what _would_ you do?"

Allan laughed.

"Send him back to Wallraven, and tell Johnny Hewitt to see that he's
plunged into the middle of the chickenpox epidemic we fled from. How
would you like that, young man?"

Philip looked up with deprecating politeness, on being directly
addressed.

"Please, Faver, if you don't mind my name's Jinks! You must say,
'Here, Jinks,' and I say 'Woof! Woof!' and wag my tail."

"Say wuff!" echoed Angela, with a dazzling smile at her elders, and
an effort not to tumble over on the grass.

Phyllis pounced on her babies at Allan's alarming suggestion, and
managed to hug them both at once; an ordeal which Philip stood with
every evidence of pleasure, and Angela under protest.

"My poor little lambs! ... Allan, this is the first chickenpox
they've had up there since the summer we came. We'd been married a
month or so, and you weren't quite sure whether you liked me or not.
Do you remember?"

"I remember that first summer," said he. "It's the only part of
those seven years that I do want to remember. But the chickenpox
part of it had escaped me."

"Well, of course," his wife admitted, "in those days children's
diseases were nothing whatever in our lives. But when Johnny Hewitt
refers to it as that wonderful summer seven years ago, I have
discovered that he means it was wonderful because he saved
forty-three out of forty-three cases, not because you and I had
married each other to please your mother, and were finding out that
it was rather nice."

"I'll be hanged if I know to this day what possible niceness there
was for you in being married to a man everybody thought would never
get well," said Allan.

"He was you," explained Phyllis matter-of-factly, sitting down on a
step to look at him better. "Anybody'd fall in love with you, Allan.
You know perfectly well that it even happens now."

"Certainly," said he scornfully. "My well-known beauty and charm
attract all classes; they besiege my path by day and night. By Jove,
Phyllis, there's one now, the flapper I saw in the dining-room
lately. She's doubtless come over to say that she'll wait for me
till you're through, being young. She's pretty, too."

Phyllis laughed, and patted his foot, the only part of him she could
reach without getting up. "Now, now--I meant no harm. You can't help
being attractive.... Why, it's the girl in brown, the one who
started out of a tree like a dryad, and showed me the way Philip had
gone, last night. She was the loveliest creature I ever saw. Look,
Allan, she's like a Rossetti picture."

"She _is_ like a Rossetti," he answered, "but she looks rather
happier. Most of the Rossetti ladies I ever saw hoped to die of
consumption shortly."

Joy, coming slowly over the grass on an errand from her grandfather,
kept her eyes on the ground, because that way it was easier to
remember the message she had to repeat up and down the rows of
cottages dotted among the trees. So it was not until she was quite
close that she knew Phyllis again.

Philip barked her a cheerful greeting, and Phyllis rose to greet her.

"I am Alton Havenith's granddaughter," Joy began, and then
interrupted herself joyfully.

"Oh, it's my lady in green!" she cried. "You didn't see me when you
came back."

"I looked for you," Phyllis explained, holding out both hands in
welcome, "but it was too dark to see you. I thought you had gone
home. Did you say you were Alton Havenith's granddaughter? I love
his poems. I'm Phyllis Harrington, and this is my husband. I'm
eternally grateful to you for helping me find my little boy. You see
I've made sure he won't escape again."

"He isn't chained for life, as you might infer from that," Allan
explained.

Philip ceased being a dog for the moment, and held his hand out
amiably to Joy.

"I'm Philip," he explained, following his mother's example and
introducing himself. "They called me Philip 'cause it was the
nearest thing Faver could get to Phyllis. You see, they didn't know
there was going to be Angela. This is Angela. Isn't she pretty?"

Angela, on being righted and shown off, produced her usual dazzling
smile, and gave Joy a sweet, sidelong look out of her azure
eyes--the look she knew conquered people. They were both, as Phyllis
often said, _such_ satisfactory children for exhibition purposes!

"Oh, aren't they darlings!" cried Joy, forgetting her mission
gladly. "Will--will they mind if I hug them?"

"Not a bit," answered their father, whom Joy had asked. "They are
practically indestructible, and they like petting."

Joy knelt down, putting a shy arm around baby Angela, who, after a
moment's survey of her, kissed her frankly of her own accord, with
two tight little arms around her neck.

Allan had an idea that the newcomer would be more at ease alone with
Phyllis and the children, so he made some excuse about golf (which
he hated) and disappeared. Joy sat down on the grass, with Angela
momentarily in her lap, and Foxy, who hinted that he, too, liked
kind words, at her side.

She had never had so many people (counting dogs) act as if they
liked really her. Foxy and the children didn't care a bit whose
granddaughter she was, and Mrs. Harrington, too, had made friends
with her without minding. But she was conscientious, and she felt
she ought to go on with her errand before she really gave herself up
to the enjoyment of her call.

"My grandfather is giving a reading from his works this evening,"
she said, sitting up mechanically and crossing her hands, "and he
sent me to say that he would be glad if you and Mr. Harrington would
care to come."

"We'd love to," Phyllis answered on the spot. "At his cottage?"

Joy nodded.

"It's fun," Phyllis went on, "leading this semidetached life, with
no responsibilities whatever. There's only one drawback as far as
I'm concerned; if Philip strays off too far somebody may take him
for a rabbit or a deer. The places where there's hunting are only
two miles away. That's why Allan and I were scouring the woods last
night for him. Usually we let him run away as much as he likes, and
the poor child can't understand the new arrangement."

Joy looked down at Philip, who had curled himself into an
indiscriminate heap with the dog, and was taking a nap by way of
whiling away his imprisonment.

"Do you hunt?" she asked.

Phyllis shook her head.

"The way the gun bangs when it goes off worries me. I believe
there's a bangless gun, but even so, you're expected to kill things,
and I think the things are much happier alive. I don't even like the
taste of them cooked. But Allan hunts. He brings game-bags full of
poor little dead things back whenever he's where he can do it. He
hasn't yet, here. We just came, you know."

"I'm so glad you did!" said Joy fervently.

"We were like Old Man Kangaroo--we had to!" smiled Phyllis. "There's
chickenpox at our usual summer home, so we basely fled, leaving
Johnny to struggle against its fearful ravages single-handed."

Joy sat Angela down, because she was beginning to wriggle.

"Is Johnny your brother?" she asked shyly.

Phyllis shook her head.

"I haven't a relative on earth, except these babies--of course
Allan's more of a relative by marriage. No, Johnny Hewitt's the
family doctor, a classmate of Allan's, and a family possession. He
might as well live with us, he's so much about the house and garden.
I suppose this place is very good for the angel-children, but I'm
afraid that in a few days I'm going to wish I was back among the
roses, with Allan and Johnny and a banjo and a moon!"

Joy's eyes lighted.

"Roses?" she said. "Oh, have you a rose-bush!"

Phyllis laughed.

"'Do we keep a bee?' We have a garden full of roses. The gardener
hints mournfully that we ought to take prizes with them, but I know
perfectly well that would mean I couldn't pick them unless he let
me. So I've given him a bush to play with, and he does take prizes
with that. He's colored, so Allan says we have to encourage him to
have ambitions. He's married to the cook. Our having colored
servants shocked the neighbors terribly at first, but they're
hardened to it now. I gave an intelligence office _carte
blanche_ when I was married, and got the ones I have now; and
we're so fond of each other that I simply can't part with them and
get haughty white persons."

Phyllis' one idea in those early days, as Joy learned later, had
been to have a summer staff who were cheerful. The intelligence
office woman had, naturally, chosen happy-minded darkies. And happy
they still remained; also adoring.

The neighbors, though Phyllis did not state this, from being shocked
had become passionately envious. Servants who had stayed eight years
without a change, merely one addition, were things to be watched
hungrily.

"I beg your pardon, but it's luncheon-time, Mrs. Harrington," said
the children's nurse at this point, appearing in the doorway. "May I
have the children?"

Phyllis bent over the sleeping boy and dog and unfastened her son.
The nurse gathered him up affectionately, and went in search of
Angela, who had strayed around the corner of the house a little
while before.

"Oh, I must go," cried Joy, starting to her feet. "They'll be
wondering where I am. And I haven't been to half the cottages."

She turned to go, then looked back at Phyllis wistfully.

"Think of it," she breathed. "A garden full of roses, and two men,
and a banjo, and a moon!"

Her hands locked together over the invisible wishing ring. She
wondered if there was a garden like that anywhere that _he_ lived.

Phyllis Harrington looked thoughtfully after her. There was
something about Joy Havenith that always made people eager to do
pleasant things for her, and watch her enjoying them. She did get so
much pleasure out of life whenever it let her.

"It won't be my fault," said Phyllis, coming to a determination, "if
that child doesn't get a chance at the garden and the moon, and the
men, too!"

When Phyllis made up her mind it generally stayed made. Accordingly,
she went to the reading that night, and afterwards made herself as
lovely to the Haveniths as she knew how, which was a good deal. She
asked them to have tea with her the next day, and continued to be
lovely. She also managed to give them a very fair idea of everything
they might be supposed to need to know about the Harrington family.
When she had finished they had discovered several mutual friends, a
meeting with Mr. Harrington's late mother abroad, the genealogies of
both Allan and Phyllis, and even a common ancestor somewhere in the
seventeen-nineties on Allan's side. The Haveniths thought it had all
just transpired, but Phyllis had really been tactfully offering
references. After about a week of pleasant friendship Phyllis
produced her invitation.

She wanted to take Joy home with her for the last part of September
and the first part of October. Joy was wild with delight at the
idea; but her grandparents would not let her go. They never had
before, and it didn't occur to them that they could now.

"Just for a little while?" she pleaded.

But her grandparents were firm.

"Under no circumstances could we let you go away from us, dear,"
said her grandfather firmly. "I am an old man, and the time will
come soon enough when I shall be with you no longer. If you loved
me, you would not ask it. When your lover comes it will be time
enough."

It sounded true enough. Joy did not exactly know how to meet it.
Then she brightened up.

"If you let me go for a little while, I'm sure I'd miss you
dreadfully, and love you more than ever. I'm sure I would!"

But Grandfather didn't intend to part with his little girl on any
such premise as that, and Grandmother was sure something dreadful
would happen if she was allowed to go.

"There is no excuse for it, unless you were engaged to be married,
dear, and going on a visit to your prospective people-in-law," she
said. "I couldn't let you go off without me otherwise."

It was too tempting. Before she thought, Joy had spoken.

"If I were, would it be all right?" she asked.

Grandfather answered her, somewhat at length.

"My dear child, you know my feelings about love. I myself married
your grandmother after a two days' courtship, when she was seventeen
and I was twenty-one; and I may say that I have never regretted
it--nor, I hope, has she. If you were affianced, nothing should
cause me to interfere with the course of true love. Your grandmother
and I would let you go to visit his people willingly. Your assurance
that you loved him----"

Joy leaned forward, her eyes blazing with excitement.

"And suppose I told you I was engaged, would you let me go to visit
Phyllis, if she lived near him, and--and his people were so situated
that he couldn't have me?"

Grandfather was perfectly certain that Joy was no more engaged than
old Elizabeth the cook was, and he went on placidly with his
hypothetical case, which was also his hobby.

"If I had met the young man, received him socially, even once, my
child, you may be sure, under those circumstances, you might go. One
has no right to interfere with----"

Grandmother in the background wasn't so sure, her eager little face
said, but she was a very obedient and adoring wife.

Joy interrupted him. He had given her a loophole, and she was
desperate to go. She couldn't wait forever for the lover!

"Grandfather, I--I _am_ engaged! I met him at one of your
receptions, and so did you, _quite_ socially. You--I know you
must have met him, and liked him, too--everybody does."

It was a terrible thing to do, and Joy's heart beat fast. But surely
the Wishing-Ring Man wouldn't mind--he would never know even! And
Grandfather had talked so long about giving her up at sight to that
hypothetical lover, that he might almost have been said to put the
wickedness into her head. And if she waited for a real one she might
wander alone about the parlors till she was an old, old maid with
trailing gray braids.

There was a frozen silence.

"En-gaged?" said Grandfather faintly.

Grandfather had a code all to himself. He didn't know it, being a
man, but he had. It forbade ever being taken by surprise, ever being
at a loss, ever being in the wrong, or ever contradicting himself.
This made for great respect, given to him by the world at large, his
family, and himself; but it put him at a terrible disadvantage in
things like this. He couldn't go back on what the great Alton
Havenith had said for many years. Joy, shivering but desperate, knew
this perfectly well, though she didn't formulate it.

"You always hoped for it," she told him firmly.

"I--I did," said Grandfather with an obvious discomfort, but with
unabated loyalty to himself. Then he snatched at a pretext. Poor
little Grandmother's, hands were opening and shutting, but she was
well trained, and she didn't speak till he was through dealing with
the situation.

"Can your friends vouch for him socially?" Grandfather demanded.

Joy's alert, frightened mind scurried about for a moment, then she
plunged into further fabrications.

"He's--why, Grandfather, he's their closest friend, the one they
call Johnny. He--he lives near them."

Grandfather was entirely what the profane would call up a tree. He
had been giving his consent for some seventeen years. And Joy had
swept the ground from under his feet. He did not in the least
remember meeting this amazing lover at any of his receptions, but
there had been a tradition for many years that he never forgot a
name or a face. Now he _had_ been doing it for two or three
seasons past, but he never admitted it to himself, and nobody else
dared admit it, either.

As for the truth of what Joy said, it did not occur to him to doubt
that. Joy had never told them anything but the truth in her life. As
a matter of fact, there had never been anything for her to deceive
them about. But that did not dawn on him.

There was another frozen silence. Grandfather was checkmated.

Joy had not intended to do it, of set purpose. She respected
Grandfather too thoroughly. But she was struggling for the only
piece of happiness that had ever come her way in the whole of her
placid, tranced little life.

"In that case, my dear," Grandfather pronounced slowly, "I give my
consent. What did you say the young man's name was?"

"John," she said faintly, bending her head, and coloring hotly and
suddenly. She had just remembered that the Wishing-Ring Man's name
really was Jack, and she hadn't meant to use _that_ name. That
was private.

"That makes it a little better," said Grandmother; why, Joy did not
see or know until much too late. "His name is Hewitt. You remember
Mrs. Harrington's discussing him with us, Alton." ... Then all her
obedience to Grandfather did not keep her from putting her arms
around Joy and beginning to cry.

"Oh, my dear, my dearest," she said. "Why didn't you confide in me
about it? You know I would have been so interested!"

Joy had a little lump in her throat, and she almost cried out, "I'm
not, Grandmother!"

But she had all Grandfather's pride, and--and besides, she had gone
this far--how could she go back?

Grandfather interposed, struggling hard with his natural surprise.

"A little emotion is natural in this case, dear Jennie," he said,
"but you must make allowance for a young girl's shyness. The young
man, I trust, will speak to us about it."

How she would explain to Phyllis had not yet occurred to Joy....
There are times when an education in all the best poets is an
everlasting nuisance.

  _"Oh, what a tangled web we weave
  When first we practise to deceive!"_

danced through Joy's head.... If only those fatal first sentences
hadn't popped out, and if she only hadn't been too proud to take
them back!

Just the same she continued to feel that a month of life off with
gay, kind people her own age was worth almost any price; which was
exceedingly wrong, and got Joy into a fearful mess, as amateur lying
is apt to do. Because Grandfather rose up after this, with what
Phyllis called his Earl of Dorincourt air, and spoke.

"There is no time like the present for the rectifying of an error.
We will go over now, and explain to Mrs. Harrington that when we
refused our consent to this visit we were unaware of all the
circumstances. Come, my love. Come, Joy."

From sheer paralysis of will power Joy let him draw her hand through
his arm in his accustomed way, and march her off towards the
Harrington cottage between himself and Grandmother. She felt like
Mary-Queen-of-Scots being led to execution, and exceedingly
regretful that she had never learned to faint. Suddenly a wonderful
thought came over her.

"Let me run ahead, please, and see if Phyllis is at home," she
asked, and ran ahead of them without waiting for an answer.

It was golden, late afternoon, and she could see Phyllis on her
veranda. She was lying in the hammock with little Angela nestled
beside her, and Philip constructing something monumental with screws
and wires on the floor by them. She had apparently been telling them
a quite unexpurgated edition of Little Red-Riding-Hood, for as Joy
flew up the steps Philip swerved with a startled look.

"Do you think there could be a wolf after Joy?" he inquired of his
mother.

"Phyllis, please, I want to talk to you alone," Joy panted. "I have
to tell you before _they_ get here. And--" she laughed a little
breathlessly--"it isn't fit for the children's ears."

"You don't know what their ears are used to," Phyllis answered
leisurely. "Philip, darling, you can go and hunt for your friend Mr.
Jones on the links, if you want to."

Philip dashed off, grinning happily. He had hopes, which his mother
was not supposed to know (but did), of being allowed to caddy some
glorious day, if he watched his opportunity.

"Oh, Phyllis, I'm in dreadful trouble, and please won't you help
me?" Joy began, flinging herself close to the hammock and clutching
its edge with one nervous hand. "Please help me--"

"Of course," said Phyllis. "What's it about?"

But Joy had delayed her story too long. Before Phyllis had more than
made her rash promise of help the elder Haveniths were upon her.
Phyllis rose to her feet to greet them, with an air of gracious
courtesy which the infant swinging beside her scarcely impaired at all.

"We have brought our little girl over, my dear Mrs. Harrington, to
tell you that we have reconsidered our decision," Mr. Havenith
stated, sweeping his broad Panama from his wonderful white hair.
"The information Joy has brought us--"

He was interrupted by the appearance round the corner of the cottage
of two men. One was Allan Harrington. The other--

"Here's Johnny, Phyllis," Allan called joyously. "His old epidemic's
all over, everybody either killed or cured. He was actually on the
right train, the one he said he'd take."

Joy's heart turned over. This was a doubly dreadful thing she had
brought on herself.

It was the Wishing-Ring Man!






CHAPTER FOUR

THE RESCUE OF THE PRINCESS

For one awful moment nobody spoke. John Hewitt, having no key to the
situation, was quite unembarrassed. So was Angela, who wriggled
herself to earth with a rapturous shriek of "Johnny! Johnny!
Cakies!"

Hewitt gathered up Angela, and, followed by his host, came up the steps,
to where Phyllis stood, tall and gracious, with Joy clinging to her.

"Why, it's little Joy!" he said surprisedly, smiling at her as he
took Phyllis' hand. "Where did you find her, Phyllis?"

Joy clung closer to Phyllis, waiting for the storm to break, for Mr.
Havenith was stepping forward now, holding a courteous, if dazed,
hand to the man his granddaughter had elected as her fiancé. He
spoke before Phyllis could answer.

"And so you are my little girl's betrothed!" he said with rather
stiff courtesy. "Ah--yes. I remember you, sir."

John Hewitt's gray eyes moved from Phyllis, standing there obviously
quite taken by surprise, to Joy, clinging to her burning-cheeked, in
what was quite as obviously an agony of terror. He caught his breath
for a moment, moved forward and opened his lips to speak, then shut
them again firmly and stood still where he was, with the afternoon
sunlight glinting over his fair head, and little Angela's more
golden one, pressed close beside it. As he remained still, his eyes
rested gravely on Joy: the very little princess of the fairytale,
with the dragon imminent at any moment. She looked very piteous and
terrified and small; not more than fifteen, and unbearably afraid of
him, with her black-framed blue eyes fixed on his in an appeal as
agonized as it was unconscious. He caught his breath again, then
turned to answer her grandfather, his decision made.

"I am glad you remember me, sir," he said gravely, "and exceedingly
glad that you are willing Joy should--"

Joy gave a long shudder of relief, and relaxed all over. He was not
going to put her to shame there before all of them. She would have
time to explain. She would not have her visit, but that, even,
seemed a small thing beside the dreadful danger she had just
escaped. She could tell him when they were alone.

Grandmother was coming forward now, to speak to him, where he stood,
straight and dignified and handsome, with the little girl still on
one arm.

"You are my old friend Grace Carpenter's son, as I was just telling
Mr. Havenith. Edith Carpenter's nephew.... I--I am glad you are a
friend's son," Grandmother finished tremulously.

John set Angela down and took Grandmother's hand, saying something
to her gently--Joy never knew what. She had stood enough.

Phyllis felt Joy's hand pull out of hers. The inn-cottages were all
built alike, so Joy knew perfectly well how to bolt through the
front door, through the living-room to the back door and away.
Viola, mending a little sock, caught a glimpse of flying skirts and
flying braids.

"Them red-haired folks certainly is tempestuous, but they's
gitters," she remarked to herself philosophically, and went on with
her mending.

Outside, Phyllis looked at Allan and Allan looked at Phyllis. There
didn't seem much to say about it. At last Allan spoke, in a way that
he and Phyllis agreed afterwards was painfully inadequate, but was
all he could think of to say.

"Ah--would you like to put away your suitcase, old man?" he
inquired. "You must be tired of--of seeing it there."

Phyllis gurgled under her breath, but every one else was deadly
serious. Nobody seemed to see anything funny about the offer.

"Thank you very much," John responded solemnly. "Yes, thank you,
Harrington, I believe I would."

He bent over and picked it up, and followed his host inside.

Neither of them said anything as they went upstairs.

"Here's your room," Allan offered, showing it politely.

"So it is," murmured John in a quite expressionless voice, looking
at it without seeming to know how to enter.

"It's to live in, you know," Allan suggested.

At this broad hint John went in and put his suitcase on the bed. He
still appeared to be in more or less of a trance-state.

"If we'd known, we'd have tied a little white ribbon here and there,
and arranged a rice-cascade--a shower, isn't it? or something,"
continued his host, amiably. "Awfully sorry, old chap, but you
shouldn't have been so darn secretive. But we'll do our best--"

John awoke at this, and caught up a small pink pincushion which sat
in the mathematical middle of his dresser, and threw it. It didn't
hit Allan, because he dodged.

"That's one of Phyllis' favorite pincushions," he warned John from
outside the door. "I say, Johnny, this isn't any way to repay
hospitality."

He went on down the stair, and John could see his shoulders shaking.

"They've both got too confounded much sense of humor," said John
bitterly.

But he went out and picked up the pincushion just the same, and
addressed himself to the methodical unpacking of his suitcase.

"Oh, I forgot! Congratulations!" Allan called cheerily up from the
stair-foot.

John, casting collars automatically from suitcase to dresser-top,
growled.

"Congratulations! I need prayers more!" he said under his breath.
"But--poor little thing! I might as well have stepped on a
kitten! ... I certainly did tell her to hope for better things and
they'd come.... I didn't know I was going to be one of 'em!"

Then, as he continued to unpack he grinned in spite of himself, for
into his mind came a poem of Guiterman's he'd read lately, about an
agnostic Brahmin who didn't believe in prayer, and came
inadvertently on a tiger praying for a meal in the jungle:

  _"The trustful Tiger closed his prayer--
  Behold--a Brahmin trembling there!
  The Brahmin never scoffed a whit.
  The Prayer had answer_.--He _was_ It."

"I wonder," mused John, "whether she's a kitten, or a tiger? Anyway,
_I_ was _It_! ... I can't stand any more of anything just now.
I'll get out till dinner-time!"

He tiptoed downstairs, and in his turn slid out the back door. The
Haveniths were still talking to the Harringtons on the front
veranda, he noted with a certain pleasure in their durance, and
Phyllis' back looked polite but tired. He headed for the adjacent
woods, diving into the leafy coolness with a feeling of escape. The
wood blew cool and a little moist, and fragrant with far-off
wood-smoke, and there was a feeling of solitude that he liked. He
sighed with relief as he rounded the turn in the wood-path.

And there before him, at the foot of her great oak, stood Joy, not
expecting him in the least. She uttered a little cry at sight of
him, and turned to run away. Then she thought better of it, and
stood her ground. Just what John might be going to do or say to her
she did not know, but she thought he was entitled to do almost
anything, and stood prepared for it, her face buried in her hands.

John had been a little irritated at the sight of her, but her
evident terror moved him, as it had before. He was, through and
through, the best type of physician; a man whose first and ruling
impulse was always to help and heal, whether it was body or soul, or
only feelings. Joy, standing with her face hidden, felt him laying
his hands, smooth and strong, over hers.

"Aren't you even going to look at the fiancé you've picked out?" she
heard him say half-amusedly. "Why, I'm not going to hurt you, child."

He took her hands down. She let him, and raised her eyes to his
kindly, wise steel-gray ones. He seemed to be regarding her in a
friendly fashion, and she dared to look at him friendlily, too--even
to smile a little. He brought to her the same sense of brightness
and well-being that she had experienced before, and her heart felt
lighter, though by every law of reason she should have been more
ashamed than ever, confronted with him, there alone.

"Of course you won't hurt me," she said. "But--well, when you steal
anybody's name and get engaged to it, they have a right to be cross.
You can be, if you want to, and I won't say a word. I know very well
I deserve it!"

John Hewitt _had_ intended to be cross--very cross indeed; but
with Joy's kitten-blue eyes fixed trustfully on his he found it
difficult even to be stern. He made an attempt, nevertheless.

"Don't you know that a little girl like you isn't old enough to be
engaged to be married?" he told her severely. He sat down on a heap
of brown and scarlet leaves, the better to show Joy the error of her
ways. "What made you think of it at all?"

Joy smiled. She was quite at ease now, with the curious feeling of
ease and happiness he always gave her, and she answered him calmly,
drawing a heavy copper plait forward over each shoulder.

"It's these that have made you think so all along. I'm nineteen."

John sat back a little, with both hands clasped over one gray-clad
knee, and looked at her again in the light of that.

"It's hard to realize, I know," she said apologetically. She lifted
the wonderful braids and bound them crownwise around her head, tying
the ends together behind as if they were pieces of ribbon, and
tucking them under with a comb, from behind one ear. She anchored
them in front with the other comb, and smiled flashingly at him
again. "Now it seems real, doesn't it? And now I'll tell you all
about it--that is, if you have the time."

He looked again at the lovely, earnest little face under the crown
of hair, and nodded gravely. She was not like any girl he had ever
known.... She was like the girls you imagined might exist,
sometimes, and wondered if you'd like them, after all, if they did.
He wanted her to go on, at least, and felt stealing over him a
conviction that she couldn't have done so particularly wrong.

Joy felt the lessened severity of his attitude, and took courage
from it as she began.

"You remember that day you came to Grandfather's? You remembered my
name, so I'm sure you do remember the rest. Well, that day I was
especially unhappy because--well, it's hard to explain the because.
Things were just as good as they always had been, really; only that
day I couldn't stand them any more. You know things _can_ be
that way."

She looked at him expectantly, and he nodded again.

"It was a forlorn little life for a child like you--oh, I keep
forgetting!"

He laughed.

"But even nineteen," he explained, "isn't particularly aged to an
elderly gentleman of thirty-four."

"As old as that?" queried Joy.

She looked at _him_ again in the light of new information, but
she shelved it for the time, and went on with her defense.

"Well, that afternoon, when things were perfectly down to the very
flattest bottom--'and not a ray of hope to gild the gloom'--you
came. And things brightened up. You know you told me that if I hoped
along, things I wanted would come?"

"I do know it!" said John with a fervor she did not understand.

"Well, they did!" she announced, looking at him radiantly, and
pausing a little so he would have time to realize it.

John Hewitt's patients had always told him that just his coming in
made them better, and he had simply accepted the faculty as useful
in his work. But he had never thought that his personality could
affect a perfectly well person. At Joy's tribute, unconsciously
given, his pulse quickened a little. Had he really had this much
power for happiness over the child?...

"Almost right away they brought me to this lovely place," she went
on happily, "and almost right after that I met the Harringtons. It's
all seemed to me because of your wishing ring."

"What wishing ring?" he asked, smiling indulgently at her, as one
does at a child's fancies.

"Don't you remember?" she asked a little forlornly. "Well--you have
such lots of things to remember! You said, 'Just keep on believing
things will come right, don't lose heart, and they will.' I said,
'Like a wishing ring?' and you said, 'Yes.' I've felt as if I wore
one--played I did, I suppose you'd say. I--I suppose I really am not
being grown-up very well, after all.... Well, after I knew Phyllis
the best thing of all happened. She asked me to come stay with her,
and have roses and a moon, and children all day long. But
Grandfather always said I couldn't go under any circumstances but
being engaged.... And I was so wild to go--it just slipped
out--truly it did! And then--the gods overtook me!"

She clasped her hands in her lap, and looked up at him--she had sunk
to the ground when he did, and was also sitting on a leaf-heap. She
tilted her head back against the big tree, and awaited her sentence.

John felt for the moment exactly the mingled pleasure and
embarrassment that a man does who has been adopted by an unusually
nice dog. It is a compliment, but one doesn't know exactly what to
do with the animal. Joy sat and looked at him with what seemed to
him to be a perfect trust that he would be good to her. As a matter
of fact, Joy was merely pleased because he was there and not angry
at her. She did hope a little that he would offer to do the
explaining that they weren't engaged to Grandfather. But she was
quite unprepared for what he said next, after a little silence.

"You're a brave little thing," he told her gently. "You shan't miss
your roses and your moons on my account.... I'll tell you what we'll
do, Joy. We'll stay engaged till we're out of sight of land."

She looked at him with parted lips.

"What--what do you mean?"

"You shall go to Phyllis' just the same, child. We won't even tell
the Harringtons that it isn't true till we're on the train for
Wallraven."

Joy stared at him, incredulous still. She could not speak for a moment.

"Oh!" she said then. "Oh--why, you're the kindest man I ever knew.
But then, I _knew_ you were! Thank you ever so much ... but--are
you sure you don't mind at all?"

"Quite sure," he told her.

"Well--_thank_ you!" said Joy fervently. "And oh, if I ever get
the chance, I promise I'll do something for you you want. Just think
of what you're giving me--a whole month of being just as happy as I
like! We can go back to the bungalows now. I don't mind being
congratulated one bit after this--do you?"

"N-no," said John a little dubiously. Then he laughed. "There's one
thing you've forgotten. There's always a ring when people are
engaged, even for four days."

Joy said nothing to this. She watched him while he slipped a
curious, chased dull gold band with a diamond sunk in it, from his
little finger. "It isn't a conventional solitaire sitting up on
stilts, but it will do, won't it?" he asked.

She held her little slim hand out for it, her face sparkling. His
were the long, slender, square-tipped fingers of the typical
"surgeon's hand," smooth and strong. But Joy's hands were little for
her build, which was not large, and the ring slid down her
engagement finger till she had to anchor it with a little gold band
from the other hand, pushed down over it.

"I'll take very good care of it, and polish it before I give it back
to you," she assured him.

He answered her on a sudden boyish impulse.

"I don't want you to give it back to me. You're to keep it.... It
can be your wishing ring that you said I brought you, Joy."

She smiled down at it, loose on her finger.

"Why, so it is--my wishing ring!" she sighed happily. She turned it
about her finger, and he saw her lips move. She was wishing. He
wondered what, but she did not offer to tell him.

"I wish that he may have the thing he wants the very most in all the
world," she was saying fervently under her breath. When she was done
she rose from the leaves, and he sprang up beside her.

"There's one more ceremony," he told her, half-amusedly. "Even for a
four days' engagement, to make it _quite_ legal--" He bent
toward her, smiling.

"Oh--oh, should we?" stammered Joy, her wild-rose color deepening to
rose-red.

"I really think we should," said John solemnly. It was the nearest
to teasing any one he had come for a long time, and he found himself
rather enjoying it. Besides, in his heart lurked the feeling that
the child ought to realize that she might have let herself in for a
good deal, if she hadn't fallen into merciful hands. He was a little
ashamed of himself at the sweet way she took it. She merely held
herself quite still and serious, and lifted her face a little.

John was a young man who always went through with anything he had
begun, and he bent over and kissed Joy, very lightly.

"I'm sorry," he said.

"I--I didn't mind," said Joy, trying to make him happy, for she saw
he was sorry, though she didn't know why or what for.

"You dear child!" he said. "Well, I won't do it again. I was teasing
you, and I shouldn't. Come, we ought to go now."

She fell into step beside him, still mystified, but very much
obliged to him in general, and they went back to the bungalow and
congratulations side by side.

Meanwhile two very much surprised young people confronted two still
perturbed old ones in the sunset on Phyllis' veranda.

"Now _why_ do you suppose," Allan demanded of the world in
general, "Johnny didn't break the news to us? I've rarely known a
man who liked secrets less. He hasn't even come over and looked
radiant with his mouth shut, as a normal human being would."

Phyllis picked up Angela and gazed over her head as she considered.
She had a way of using Angela as most women do knitting or embroidery:
as something to have in her hands when she wanted to think.

"It was certainly a case of very silent emotion," she said
contemplatively.

"What was there a case of, Mother?" demanded Philip, reappearing,
very dusty, and climbing up on all of her that Angela didn't occupy,
thereby damaging fatally the spotlessness of her crinkled white silk
skirt. "Is it something to eat? Did Johnny bring--"

"Johnny brought the rather surprising news that he and Joy are going
to be married," his mother informed him, kissing the back of his
neck. She spoke to him, as she always did, in a manner entirely
unedited for children. If he didn't always know the long words, as
she said, so much the better--his growing intelligence was stretched
a little hunting them up.

The growing intelligence was certainly excited now.

"Married?" inquired Philip indignantly, voicing the feelings of the
entire party. "Well, I think it would of been politer to have let us
know before they spoke to each other about it!"

It was no time to feed either of the children, and their nurse would
have been horrified, but Allan produced a box of marshmallows from
behind a jardinière before anything more was said.

"Here, my dear son," he said politely. "You deserve them for saying
that. 'Them's our sentiments,' too, only we hadn't quite decided how
to put it. Now go off and die happily, and only give Angela two."

Philip returned thanks automatically, clutched the box and fled
before any one should interfere to revoke this wonderful gift from
Heaven. Angela wriggled her small, blue-overalled body down and went
in passionate pursuit.

"Now, you mustn't worry about it," Phyllis said to Mrs. Havenith,
rising with one of her swift, graceful movements and putting both
arms about the disconsolate old lady. "John Hewitt is one of the
best men I ever knew. He's a rock of defense. Indeed, you may trust
him with Joy. Allan has known him since they were in college
together, and he has been our closest friend since our marriage.
He's--why, he's nearly as nice as Allan, and that's saying all I
_can_ say. Isn't he, Allan?"

"As nice as I am?" said Allan, laughing and coming nearer to them.
"That would be difficult, you know, Phyllis! But, seriously, Mrs.
Havenith," he went on more gravely, "you can trust Hewitt to make
Joy very happy. He's one of the best fellows I ever knew. And he is
amply able to take care of Joy, if that is worrying you."

"He's perfectly adorable to his mother, too," Phyllis interposed;
"and she's that marvelous thing, a mother who wishes her son would
marry. You don't know what a lot there is in that!"

"True," said Allan teasingly, in a tone too low for any one but his
wife to hear; "it can't be carried too far, as I have reason to know."

Phyllis had been rather unusually her mother-in-law's
choice--indeed, the late Mrs. Harrington had done a good deal more
in the business than she had any right to, and only Phyllis' own
sweetness and common sense and the fact that Allan and Phyllis fell
in love after their marriage had justified what old Mrs. Harrington
did in the case. And when it did turn out properly she was not there
to see, having died as soon as she had gotten her son (who was then,
as every one thought, hopelessly paralyzed) safely married.

Phyllis broke off to say swiftly, under her breath, "I'll be even with
you for that, Allan Harrington!" and went on trying to console the
Haveniths; for poor Mr. Havenith sat, dignified and forlorn, trying
to look perfectly omniscient and satisfied and not succeeding a bit.

After repeated assurances the Haveniths seemed a little happier, and
went back to their bungalow to dress for dinner. The Harringtons
sank back in their chairs with a sigh of relief apiece.

"I don't care if Philip eats every marshmallow on earth, I'm not
going to stir till I've talked it over with you, Allan," said his
wife determinedly.

She looked so pretty as she said it that Allan rose from his chair,
tipped her chin back and kissed her.

"So she should gossip if she wanted to," he told her teasingly,
dropping back into his own chair before she could object, if she had
wanted to. "Go on, my dearest; say all the things you wouldn't say
before the Haveniths. I'm perfectly safe."

"Yes, thank goodness, you are," acknowledged his wife. "Telling you
things is like dropping them down a deep black well, which is a
great comfort to a confiding person like myself. Well, then, if you
insist on knowing what my lower nature thinks of this performance,
it's my opinion that Joy and Johnny both ought to have their ears
boxed. I don't believe in corporal punishment as a rule, but if
there ever was a time for it--"

"In Philip's words," suggested her husband, "it would have been
politer to have told us before they made up their minds!"

Phyllis laughed.

"I confess I rather agree with him," she said. "It was a little
shock. Just the same, I never came across any one sweeter or
prettier or more attractive than Joy, and it certainly is a comfort
to know that John's wife will be some one I can be friends with
without a struggle. You never _can_ tell what a man's going to
marry."

Allan arose and walked up and down meditatively, his golden-brown
eyes fixed on the dulling sunset. He had spent several of his years
lying on his back, as the result of an automobile accident in his
early youth, and since he had been given back the use of his limbs he
never kept still unnecessarily. He had arrears to make up, he said.

Phyllis watched him striding back and forth, tall and graceful, and
forgot all about Joy's love-affairs. For the moment, watching his
grace of movement lovingly, she was back in the days that had seemed
so happy then, but were so much less happy than these, when they had
had their first glad certainty that he would entirely recover. It
had taken less than six months from the time he first stood, before
he could walk easily, and another six before he could go back to
horseback--tennis and swimming had been later still. It seemed
sometimes to them both as if it had all been a dream, so active and
untiring he was now.

"Heaven _has_ been good to us," she said irrelevantly, but
earnestly, looking up at him.

"Heaven's been good to me, I know," Allan said tenderly. "I have the
best and sweetest girl in the world to spend my life with me..."

"John would disagree with you," said Phyllis, smiling up at him
nevertheless, and flushing. "Allan, did it strike you that John
would have been just as well pleased if Joy _hadn't_ broken the
news to Grandfather right then?"

"Johnny's like Talleyrand; you'd never know it from his expression
if some one kicked him from behind.... Not that I'd like to be the
kicker."

"So if he looked surprised, which he certainly did," pursued Phyllis
decisively, "he was _quite_ surprised, not to say upset."

"Oh, not as bad as all that," said Allan, who was not given to
analysis. "I say, Phyllis, we really ought to go off and see if the
children aren't dying under a tree somewhere."

"They are not," said the children's mother firmly. "You know Angela
is much more under Philip's thumb than she is yours or mine or
Viola's, and he's a martinet where she's concerned. She'll never get
more than her legal two marshmallows, and a boxful won't hurt
_him_."

"You're such a blessing, Phyllis," he answered irrelevantly. "Before
the children came I used to wonder a little whether they wouldn't
get in the way of my enjoyment of your society; but you didn't die
and turn into a mother one bit. You've just added it on, like a
sensible girl."

"Well, of course I'm attached to the babies," said Phyllis, who
would have died cheerfully for either of them, "but you'd naturally
come first. And they're much happier than if I were one of those
professional mothers who can't discuss anything but croup.... Allan,
it's time we began putting up triumphal arches. Here they are."

Allan began to whistle "Here Comes the Bride" softly and profanely
under his breath, as Joy and John Hewitt neared them, but Phyllis
managed to stop him before he was audible.

"She _is_ a darling, isn't she?" Phyllis whispered, as she
stood on the steps with one hand on Allan's arm. "Look at her,
Allan--she looks like a strong little Rossetti angel! Oh, I'm so
glad it's happened!"

She ran impulsively down the steps to greet them, her hands
outstretched.

"I _am_ so glad!" she said sincerely. "I don't believe anything
nicer could have happened, even if we _weren't_ notified!" She
put one arm around Joy, giving the unoccupied other hand to John
Hewitt. "And I think it's specially nice of you to stay with me
instead of with Mrs. Hewitt, my dear."

Joy looked up at Hewitt appealingly. She was already beginning to
feel that he was to be depended on to see her through things.

"I think Mother will want her innings sooner or later," he said.
"But we haven't really told either of you all about it. You shall
have the whole thrilling tale in the train. Suspend judgment on us
both till then, please."

"Oh, there isn't any judgment," Phyllis answered gaily. "You needn't
try to get out of your engagement on our account, either of you. The
Harrington family registers entire satisfaction, doesn't it, Allan?"

"We're both awfully glad, old man," said Allan for his part.

Joy wondered, her heart beating with excitement, if they would mind
very much when they heard the truth.... But such kind people as the
Harringtons couldn't be very angry!

She was beginning to feel irrevocably engaged.... Never mind--John
Hewitt would see her through. She looked up at him, and he smiled
down on her.

"Let's all have dinner sent over here," suggested Phyllis
brilliantly, "to celebrate. We'll have Viola go over to the hotel
for your grandparents."

But Grandfather, it appeared, had gone to bed to rest from his
excitement, and Grandmother, of course, was staying with him. So the
four of them ate together in the little green living-room of the
bungalow, talking and laughing happily. Joy, between Allan and John,
spoke very little. But she felt so contented and so in the midst of
things that she did not need to talk. She gleamed and shone like a
jewel or a flower, smiling and answering happily when she was
addressed: and John, looking at her, felt that his four days'
protectorate was going to be perfectly simple and easy to endure.






CHAPTER FIVE

THE SHADOW OF GAIL

Joy spent most of the next morning talking to her grandparents--at
least, they talked and she listened. Grandmother, now that the first
shock was over, took the news with the same sweet and patient
acceptance of people's behavior that forty-five years' sojourn among
poets had taught her. The fact that Edith and Grace Carpenter were
John Hewitt's aunt and mother appeared to comfort her a great deal.
It made her feel less that Joy was marrying into a strange tribe.

Joy was pleased that this gave her grandmother relief. It was not
till the day of departure that she discovered what awful thing more
had been the result of the friendship. Indeed, it could have
occurred to nobody, although, as John and she agreed afterwards,
anybody _should_ have seen what was going to happen!

For the remaining days at the mountain inn there was little
excitement. Joy kept close to Phyllis or her grandmother, and John
enjoyed himself in what struck the Harringtons as being rather too
much his usual way. It seemed to them that a little scheming to see
Joy alone would have been more appropriate. But neither Phyllis nor
Allan were given to being relentlessly tactful, or planning
situations for people. They reasoned that if the others really
wanted _tête-à-têtes_ they could manage them without help; and
doubtless would, once they were in the country. So peace and
unruffledness reigned in a way that was most surprising, considering
the real facts of the case. They continued, even in Joy's mind, till
almost the last minute, when she stood on the platform of the resort
station with Phyllis, Allan, John, the children, Viola, and the
bulldog, awaiting their train.

Philip was having to be cheered and distracted: his tender heart was
nearly broken over the fact that his beloved Foxy had to travel in
the baggage-car, when he would have been so much happier in the
bosom of his family. Philip could not be restrained from pleading
the dog's cause at length with a fatherly baggageman whose heart he
had quite won in four minutes.

"He has a green-plush chair at home that he _always_ sits in,
and nobody takes it away from him, not even company," he explained
earnestly. "He isn't used to baggage-cars--truly he isn't. He's a
wonderful-mannered dog. And father says that if he lived up to his
pedigree he wouldn't 'sociate wiv _any_ of us. You can _see_
he doesn't belong in a baggage-car!"

The baggageman, melted by Philip's ardent pleadings, was yielding to
the extent of letting Foxy's family sit with him in relays and cheer
him as much as they liked, when Grandmother dropped her bombshell.
At least, that was what John called it when they talked it over
afterwards. Joy always spoke of it as "the time Grandmother said the
awful thing."

"Good-by, my little girl," she said. "I know Grace Carpenter's boy
can't but be good to you. And, darling--she asked me to keep it for
a surprise--I only heard this morning--but I know surprises aren't
always pleasant--and you're so young, you need to be prepared. Grace
wrote me she was greatly surprised by the news, though I'm sure she
needn't have expected to be told if we weren't--but she was very
sweet about it, and is giving a dance to all the nice people in
Wallraven for you. It's set for the evening after you get there. She
tells me she has arranged the invitations already, in a way that
makes the short notice seem all right. Grace was always so
ingenious.... Oh, there's the train--good-by, darling! Be a good girl!"

Joy was aghast.

"_Grandmother!_" she began. "Oh, Grandmother. I have to tell
you! ... I--oh, John, tell her! I can't go! I--"

She turned to Hewitt despairingly. But he had not been listening: he
had been watching the argument between Philip and the baggageman.

"Hurry, Joy, train's coming," was all he said, and caught her arm,
whisking her aboard.

She pulled back, but that made no difference. He had her established
in a seat, with what Phyllis called his "genial medical relentlessness,"
in spite of her appeals.

"But I _can't_ go!" she protested weakly from her seat, as the
train pulled out of the station.

"But, you see, you have," was John's placidly unanswerable reply, as
he stowed his light overcoat on the rack above them and laid her
coat over that with maddening precision. He smiled at her
protectingly.

"Why, my dear child, what made you lose your nerve that way at the
last minute?"

Then Joy understood that he had not heard the blow fall.

If it had been anybody but John she would have been much more
embarrassed than she was, but by now she had come unconsciously to
feel that when things went wrong John was the natural person to come
to. He could always help her through them.

"Grandmother told me--" she began, then stopped. It was pretty hard
to tell, after all.

"Go on," he told her encouragingly. "Grandmother told you what?"

"She told me that she wrote your mother, and your mother said--she
said she wished we'd told her; but, anyway, she's sent out
invitations for a big party--to meet _me_!"

It all came with a rush. She didn't dare to meet John's eyes after
she had said it.

She heard his long, low whistle of astonishment, scarcely suppressed
in time, and a lower, but quite as fervent, "Great Scott!" and then
silence. It was not for a full minute that she dared look in the
direction of his chair, which he had swung away when she had told
him. She gave one quick glance, then another longer one. She could
not see his face, but his shoulders were shaking.... Had it moved
him so?

Joy was used, at Grandfather's, to hear of people being "moved."

"I didn't think John was the kind of a man to have emotions outside
of him that way," she thought a little disappointedly, "but I
suppose an awful thing like this--"

About then he turned himself toward her. He was laughing!

"Do you think it's funny?" she demanded.

"Funny?" replied John Hewitt, still laughing desperately, and trying
quite as desperately to do it quietly enough to prevent the descent
of the others, wanting to know what he was laughing at. "I think
it's one of the funniest things that ever happened. Talk about
Nemesis--if ever a punishment fitted the crime, this does!"

Joy sighed relievedly. At least, he wasn't being angry about it, and
he might very well have been. She glanced out the window, which,
like the windows of most New England cars in summer, had evidently
been closed ever since John Hancock died, and glued in place. Then
suddenly the thing struck her as funny, too. They were in for it,
and by their own act. She began to laugh with him, quite forgetting
that she had more explanations before her, and as a really honorable
girl had no alternative but going back to Grandmother with her sins
on her head.

"Oh, it _is_ ridiculous," she gasped. "I feel as if I'd
kidnapped you and couldn't dispose of you.... We really must stop
laughing, or the others will come down on us to know what we're
laughing at."

"You won't be able to dispose of me till the visit's over, at any
rate," John answered her, sobering a little. "My mother and your
grandmother have settled that for us effectually."

Joy sat bolt upright and faced him.

"You mean you're going to let it go on?"

"Why, of course I'm going to let it go on," said he
matter-of-factly. "What else can we do about it?"

Joy's heart gave a spring of happiness. She wouldn't miss her visit,
after all!

"We can find out that we don't like each other, and break off the day
you go home. I'll come back from the train very sad," he told her.

"Thank you _very_ much," she said happily. "I thought I was
going to have to confess to every one and go back to Grandmother.
I'm very glad I needn't."

"You poor kiddie!" he said, as he had said the first time he met
her. "Well, on this particular point all you have to do is remember
what Beatrice Fairfax says, 'Never explain and never confess, and
you'll be respected and admired by all.'"

"It sounds like getting admiration and respect under false
pretenses," Joy answered doubtfully. But she dimpled as she said it
and looked up sideways at John under her black eyelashes.

The effect was so unexpected and pretty that it set John wondering
why she didn't do it oftener. Suddenly a probable reason dawned on
him. When John Hewitt discovered anything wrong it was his prompt
habit to right it, and he did so now.

"See here, child, I can't have you being afraid of me," he said
peremptorily. "When I told you I was a trial fiancé, I didn't mean
that I was to be less of a fiancé than a trial. If we're going to be
theoretically engaged for a month, we'll have to be friends, at
least, and friends trust each other, and know they can ask each
other to do anything they want. They know, too, that they never need
be afraid of either being angry at the other."

"Then I'm to take it for granted that you feel as friendly toward me
as I do toward you?" she asked.

"Why, naturally," he answered. "That's friendship."

"It sounds much nicer than anything I ever heard about in my life,"
said Joy enthusiastically. "But--are you sure I'm not the one that's
going to be more of a trial than a fiancé? I--I don't want to be a
bother, you know."

"If you are, I'll tell you," he promised.

"All right," said Joy contentedly, "and I promise not to have my
feelings hurt a bit."

She felt quite unafraid of him by now, as he had intended, for they
had been talking together as if they were exactly the same age--or,
rather, Joy thought, as if nobody had any age at all.

"Do you know," she told him confidentially, "I _did_ want a
lover, back there at home. A real one, I mean. I saw a girl with
one, and you could tell there wasn't anything on earth so nice as
being lovers. But this is lots better--all the nice part of it and
none of the stupid part--for I suppose they were going to be
married."

John looked at her curiously.

"Joy, did you never have a friend of your own age, or any companions
but those old people of yours?"

She shook her head, smiling.

"Never any."

"That accounts for you, I suppose," said he with a sigh, which
puzzled Joy very much. She had accepted as gospel John's order not
to be afraid of him; and she was talking to him as if he were
confidant, father and sister, all in one. That it might be treatment
a very attractive man wasn't used to never dawned on her, because
she had nothing to check up by.

"Do I need accounting for?" she inquired, with another of the
sidelong smiling glances he approved of.

She really wanted to know, but she was so contented with life as it
was then that she did not feel particularly distressed over it. Her
trial lover took another look at her and decided that perhaps she
didn't need to be accounted for, after all. She was wearing the
little golden-brown suit she clung to, with its little cap to match,
and her cheeks were flushed with the heat of that September day. It
was as interesting to watch her develop one and another little way,
he decided, as it would have been to observe an intelligent child.

That there was some slight difference in his mind between her and a
bona fide intelligent child was proved by that fact that he would
just as lief that Philip had not interrupted them just then: though
the interruption was done with all Philip's natural grace.

He was mussed and rather dusty, and the front of his blue Oliver
Twist suit bore an unmistakable paw-mark on its bosom.

"John," he said earnestly, "if you don't hurry, Foxy will have been
alone quite a while. Mother says I mustn't stay wiv him any longer,
and he doesn't seem to think brakemen is people a bit."

Joy gave a little gurgle of laughter. It reminded her of Mr. James
Arthur Gosport and how he loved brakemen. How shocked he would have
been at the pedigreed Foxy! She began to tell John about it, then
stopped herself.

"But you want to go and sit with the dog," she said, as they laughed
over it; for Philip was standing, silent and reproachful, till John
should do his duty by the beloved animal.

"I don't want to a bit," said John frankly, "but I suppose my
reputation with Foxy demands it."

He rose reluctantly, quoting from the "Bab Ballads":

 "_My own convenience counts as_ nil:
  _It is my duty, and I will!_"

"Come out on the rear platform," said Phyllis, joining Joy as she
stared after the tall figure and the little one passing out of the
car. "It's the only cool spot. I suppose in the smoking car, where
Allan is, the windows are open, but this place is too hot to live
in. I wonder if there's any blue-law that forbids opening chair-car
windows. I always forget to tell Allan to get day-coach tickets on
this line, and it never occurs to him to do anything but perish in
the parlor-cars, having been brought up in the lap of luxury. So we
suffer on."

Phyllis laughed as she led the way out to the little platform, and
held to the rail with one hand, letting the wind sweep past her. She
looked like anything but suffering.

"Oh, isn't it one of the loveliest days that ever was!" she
breathed, turning to Joy.

"It's one of the loveliest times that ever was," Joy responded
impulsively. "Oh, Phyllis, I'm so glad I met you!"

"Glad you met John, dear child," Phyllis corrected. "So am I. Glad
_I_ met _you_, I mean, and particularly glad John did. We were
all _so_ afraid he was going to marry Gail Maddox. I think he was
getting a little worried over it himself!"

Joy looked up, startled.

"You mean--he wasn't really thinking of marrying some one else?"

Phyllis anchored her hat more securely, and smiled down out of the
white cloud her veil made around the rose and blue and gold of her.

"He seems principally to have been thinking, in his monumental silence,
of marrying you. But Gail was certainly 'spoken of for the position.'"

"Gail!" Joy murmured worriedly.

She had never thought of this complication.

Phyllis nodded.

"She's as nice as possible, but everybody could see how fearfully
they wouldn't fit--everybody, that is, but the parties concerned.
Gail's one of those people who are always dashing about aimlessly,
doing something because she didn't do it yesterday. And John's the
kind of a man--well, you know the kind he is: dependable,
authoritative, angel-kind, and deadly clever. He's not a _bit_
like Allan," said Allan's wife, as if Allan were the standard
pattern for men. "If I didn't adore Allan too much to be so mean, I
could fool him a dozen times a day, and so could any woman. If it
meant John's life I don't believe I could hoodwink him, any more
than I could another girl. I suppose it comes from diagnosing cases."

"We're almost at Wallraven, Phyllis," Allan spoke from behind them
before Joy could answer. "Better come in and get your caravan in order."

"Coming," said Phyllis simply; and went in to assort her babies.

But Joy had seen the look that passed between the husband and wife,
and it made her a little lonely for the moment. You could see that
they belonged to each other, and how glad they were of it. And
Joy--well, she was only somebody's pretend-sweetheart. Maybe nobody
would ever look at her that way...

She clasped her hands together as she always did when she thought
hard, and felt the touch of her wishing ring. Her heart lightened,
for she remembered how kind John had been to her. Surely he couldn't
pretend to be so pleased about it if he weren't. And if there was
another girl, why, she was only having John borrowed from her.

"It won't hurt her a bit," Joy decided. "And if she really is
flyaway, and all that, maybe a little anxiety will be good for her."

In Joy's heart, too far down for her to find it herself, was a tiny
bit of defiance, and the old, old feeling, "If she wants him, let
her come and get him!" But she wasn't in the least aware of it, and
went back to her seat feeling like an angel.

She found there John, looking perfectly content with life, gathering
up her belongings and his, and obviously expecting to make her his
complete care. When John Hewitt took charge of anybody they were
taken charge of all over; not fussily or so it was a nuisance, but
just comfortably, so that every care vanished.

They got off the train, into the peace and spaciousness of open
country. The station was behind them, a little, neat stone station
like a toy dropped down on the old-fashioned New England
countryside. Joy caught her skirts clear of the car steps and
descended, John guarding her. She smiled down at him before she
sprang to the platform, and he smiled up at her. To any one not in
the secret they seemed like as real lovers as possible.

As Joy stood there, waiting a moment, she felt arms coming round her
from behind, and, turning, startled, she found herself in the
embrace of a tall, white-haired woman with John's kind steel-gray
eyes and an impulsiveness not at all like John's.

"This is the first chance I have ever had to kiss my daughter," said
a swift, soft-noted voice--not at all like an old lady's--"and I've
been wanting one for thirty-odd years. I'm John's mother, my dear,
and I forgive you both on the spot for keeping me in the dark. I
know just why John did it. He didn't want parties given over him, as
he's always saying. But I've foiled him completely... My dear, he's
picked me out exactly the sort of thing I wanted!"

Joy kissed Mrs. Hewitt back willingly. This was just the kind of
mother she had always wanted, too. She spoke out what she thought,
before she thought.

"Are you Grandmother's Grace Carpenter?" she asked. "Why, you're not
a bit old!"

Her mother-in-law laughed as she turned to greet her son, still
holding fast to one of Joy's hands.

"I know you don't like being kissed in public, Johnny, but you know
I always do it, anyhow. You good boy, to actually tell her I liked
having my first name used! He never would do it, you know, Joy,
dear. Phyllis and Allan--where are those two? I have their motor,
commandeered it to come down in. Mine had the fender bitten off by
the village trolley last night. Oh--they're putting in the children."

Joy had scarcely time to answer, but she let her mother-in-law sweep
her along, and install her in the motor between herself and John,
who was holding Angela because Angela insisted.

As they sped down the country lanes Joy sat very still, trying to
forget that this happy time would ever stop. Giving up John was bad
enough--maybe he would be friends with her afterwards if she was
lucky--but giving up John's mother seemed almost too much to ask of
any girl.

"I'm _sure_ I'll never happen on a mother-in-law like this
again!" thought Joy.

"How's Gail, Mother?" she heard John ask quite calmly as they turned
down another leafy lane.

She flushed up, deep rose-red, as she listened for the answer.

"Just back from the city, and more rambunctious than ever," said
Mrs. Hewitt briskly.

Joy clasped her hands over the wishing ring and looked
off--anywhere--not to look at John or his mother. And in her anxiety
she heard a husky whisper from the seat behind her, where Viola was
restraining Philip and Foxy from jumping out into the landscape.

"Don't you fear, honey. Mighty hard work getting a man away from a
red-haired girl!"

Where her courage came from Joy did not know. But as she heard Viola
she sat up straight. And a light came into her eyes--the light of battle.






CHAPTER SIX

ROSE GARDENS AND MEN

"You can come in by the front door, if you'd rather be grand,"
offered Phyllis, "but the only door we can coax the car anywhere
near is the side one. And we had to cut that through."

They halted at a contented-looking old Colonial house set far back
from the country road. The grounds were large, and one whole side of
them was shut off from the road by a high Sleeping Beauty sort of
hedge that hid everything except one inquisitive red rose, sticking
its head out between masses of box. The other side of the house was
surrounded by a green lawn set with tall old trees. A tennis-court
showed at the back, and closer by a red-banded croquet-mallet lay
beneath a tree, with a red ball nestling to it. The whole place
looked sunny and leisurely and happy and spacious and welcoming.

As the motor, after teetering itself cautiously down a side path
that had never in the world been made for motors, stopped, the side
door Phyllis had referred to opened, and a beautiful white wolfhound
sprang out and into the car, where he was welcomed tumultuously by
the children, and greeted without undue enthusiasm by Foxy, whose
disposition had not yet recovered from the baggage car.

Every one piled out, and Philip and the dogs raced back into the
house and to the greetings of a couple of half-visible colored servants.

Phyllis, alighting more leisurely, turned, with the graciousness
that was peculiarly hers, and smiled from the doorway at Joy.

"Welcome, my dear," she said. "And I hope you'll never go away from
our village for good again!"

Joy's throat caught a little. She was only a pretender, a little
visitor in this Abode of the Blest. But, anyway, the Abode of the
Blest was here for a while, and she in it. She looked from Phyllis'
kind, lovely face in the doorway to John, beside her on the step.
His face was as kind as Phyllis' and as handsome in its grave way.
For a month she was going to be happy with them, and she could save
up enough happiness, maybe, for remembering through years of life in
the twilight city house. She was here, and loved and free and young.
Lots of people never got any happiness at all. Joy knew that from
the way she heard them talk. They seemed to mean it usually. A whole
month, then, was lots to the good. She would take every bit there
was of it--yes, love and all!

She put her two hands in Phyllis' impulsively, and kissed her as
they went in. The others followed.

Philip, gamboling rejoicingly about the house with his dear dogs,
bounded toward her as she made her way toward the stairs.

"I got something to ask you when you get your face washed and come
down," he called to her. "'Member to 'mind me."

"All right!" she called back heedlessly, as she followed Mrs. Hewitt
up the wide, shallow-stepped staircase. Mrs. Hewitt seemed to have
constituted herself a committee of welcome, and was accepted on all
sides as being about to stay to dinner.

All the rooms in the house were sunny, and at the window of Joy's
there tapped a spray from a rambler rose. There was so much to see
and hear and smell out the window that Joy had a hard time getting
dressed. She put back on her gray silk. Grandmother had packed all
the pretty picture-frocks for her, but she didn't feel as if she
could stand wearing any of them yet; but she was beginning to think
that these people supposed she had only two dresses. To tell the
truth, she was getting a little tired of wearing first the gray and
then the brown and then doing it over again. But she pinned the
spray of roses that had tempted fate by sticking itself in her
window, on the bosom of her dress, and ran down.

She found that, much as she had looked out the window, she was
earlier than the others. Phyllis and Allan were nowhere to be seen,
and Mrs. Hewitt she knew was above stairs yet, because she had heard
her singing to herself as she moved about the next room. Philip,
exempted from an early bedtime by special dispensation and the
knowledge that he wouldn't go to sleep this first night, anyway, was
being wisely unobtrusive in a corner of the room, spelling out a
fairy-book. The only other occupant of the room, Joy saw, was her
trial fiancé.

It was the first time she had been all alone with John since their
talk in the wood. He had been sitting on the floor by Philip,
explaining to him some necessary fact about the domestic habits of
dragons. He made a motion to rise when she came in.

"Oh, please don't get up!" she begged.

She had been embarrassed when she first saw him, the only occupant
of the room (for small children are most mistakenly supposed not to
count); but, curiously enough, when she saw that he was a little
embarrassed, too, her own courage rose, and she came over quite at
her ease, sinking down at the other side of the convenient Philip.

"You asked me to remind you of something you wanted to say to me,
Philip," she said.

Philip looked up from his book amiably.

"Yes, there was," he said encouragingly, if somewhat vaguely. "Thank
you for aminding me. I just wanted to find out--if you're sure you
don't mind telling me--why you never make a fuss over John. You
know, people that marry each other do. I saw two once--ever so long
ago, but I know they did. Lots."

Joy blushed, but when you've come to Arcady for only a month, and it
really doesn't matter afterwards, you're very irresponsible.

"Why, you see, Philip, the girl isn't supposed to start making the
fusses. You'd better ask John about it--some other time--" she added
hastily.

But as she spoke she had to hold her lips hard to keep them
straight, and looked out of the corner of one black-lashed eye at
John, sitting at his ease on Philip's other side. She had never
found him at a loss, and she desired, most unfairly, to see what he
would do with this impertinence.

"Why don't you, John?" inquired Philip inevitably.

Joy had been so sure John would get out of it with his usual
immovable poise that her own remarks hadn't occurred to her in the
light of provocation. But Dr. Hewitt evidently looked at it that
way, because what he said was quite terrifyingly simple:

"If you'll move a little, Philip."

Philip courteously shoved himself back on the floor from between
them, and for the second time in her life Joy found herself being
kissed by a man.

"I didn't mean that you really _had_ to start things right
away," she heard Philip, dimly, explaining in a tone of courteous
apology, "only when you wanted to, you know."

"It's all right, old fellow," John assured him kindly. "I didn't mind."

It was, indeed, quite a brotherly kiss, but even at that--and in the
resigned way John had explained it there was little room for a
girl's being excited--Joy felt a little dazed. But she didn't intend
to let John see it. She had rented him for the month, so to speak,
and, though it hadn't specially occurred to her, probably this sort
of thing was all in the month's work... It was as near as the
wishing ring could bring her to a real lover...

She raised her surprising eyes to him demurely.

"Thank you," she said with all apparent gratitude. "It was sweet of
you to do that for Philip."

There was no answer possible to that, as far as she knew.

"You needn't say anything," she went on placidly, but with that
spark of excited mischief still in her eyes. "Do you know, Dr.
Hewitt, I'm getting to be much less afraid of you. You certainly
have the _kindest_ heart----"

Here the worm turned. He also got up off the floor, and stood over
her, toweringly, as he answered.

"I haven't a kind heart one bit," he said--and was there a certain
sharpness in his voice?--"kissing you isn't at all hard--"

"Compared to lots of messy things you have to do in the exercise of
your profession?" finished Joy contemplatively, cocking her bronze
head on one side, and looking up at him sweetly, her arms around her
knees. "_I_ know. I've read about them--I've read a lot. You
have to give people blood out of your strong, bared right arm, and
cure them of diphtheria, and scrub floors--oh, no, it's the nurses
do that. 'A physician's life is _not_ a happy one!'"

She laughed, as he stood severely there above her. She had not
realized before that she knew how to tease anybody, least of all the
demigod who had rescued her from the shadows of the reception-halls
at home. But his kissing her had done something to her--it always
seemed to, she reflected--and his matter-of-fact explanation of it
had exasperated her to the point of wanting to pay him back.

"He might at least have _said_ he liked it," she told herself
petulantly. And then after she had laughed, she remembered that if
he did anything too much--if she went too far--he could speak the
word and send her flying out of fairyland... But he wouldn't do
that. He was ever so much too noble, thank goodness!

"People who are noble, really are a comfort," she said cheerfully,
aloud. "Dr. Hewitt, if you don't mind, my spray of roses got caught
in your coat. Of course, if you really want it----"

He detached the spray with something like a jerk and dropped it down
into her lap.

Really you could hardly blame a man for being annoyed a bit. To have
a gentle, grateful little girl you had nobly helped, suddenly perk
up and turn into something quite different--something dimpling and
impish and provocative--would be disturbing to nearly any man.

John had no means of knowing, of course, that Phyllis had said
anything about Gail Maddox, though he might have remembered, at
least, that Joy had red hair and was likely to have a little of the
fire that goes with it. He looked at her all over again, as if there
was somebody else sitting on the floor where little Joy Havenith had
been--somebody rather surprising. He began to wonder about this
young person, with a distinct interest.

"We've found her!" announced Mrs. Hewitt, much to the surprise of
the three in the dining-room, who had not lost anything.

She and Phyllis came in with a triumphant air, and Angela. Angela
was in Phyllis' arms, and adorably asleep, with her goldy-brown
lashes on her pink cheeks and a look of angelhood in every round,
relaxed curve.

"Found her?" inquired John, turning from his position looking down
at Joy. "Who was lost?"

"Do you mean to say," Phyllis demanded, "that you didn't know we'd
lost Angela for the last half-hour?"

"Well, she got lost so very--er--noiselessly," apologized John,
"that it escaped our attention. But she doesn't look as if it had
worn on her much," he added, brightening.

"It didn't," Phyllis answered with an irrepressible laugh, "it wore
on us! I expect Allan's still hunting the grounds over for her--he
and the gardener. The gardener always uses a wooden rake with a
pillow tied to its teeth."

Allan entered at one of the long windows as she spoke.

"Oh, you found her," he remarked. "I thought she wouldn't have been
out of the house."

"Where was she?" demanded Philip, John, and Joy in a polite chorus,
surrounding the center of attraction, who slept on.

"Under the guest-room bed," said Phyllis, putting her daughter down
on a couch as she spoke, and going over to the table, where she
struck the bell for soup, and sat down.

"I crawled under," interjected Mrs. Hewitt proudly, looking every
inch a duchess as she said it, "and there she was! She had eaten
every bit of cheese from the set mousetrap under it; I forgot to
tell you, Phyllis."

"Good gracious!" said Phyllis as the rest sat down about the
table.... "Well, if it hasn't hurt her so far, it mayn't at all. I'm
not going to wake her out of a seraphic slumber like that just to
ask her if she has a pain."

"You don't let _me_ eat cheese at night," said Philip
aggrievedly here, looking up from his plate. "And I knew that
mousetrap was there, and I never touched a scrap of it. It was set
the day we went away from the chickenpox."

"You're a very high-minded child," said his father soothingly.

"And there's charlotte russe for your dessert, Master Philip,"
whispered the waitress: at which Philip forgot his wrongs and
brightened visibly.

The meal went on rather silently after this, because everybody was
rather hungry. Philip grew drowsier and drowsier, till Viola stole
in and led him away, "walking asleep." The grown people went on
talking and laughing around the table.

"With nobody to hush them so he could make a literary criticism,"
Joy thought happily.

Mrs. Hewitt tore herself away with obvious reluctance, about ten or
so, taking John with her. After that Phyllis said that she was
sleepy, but not to let that make anybody else feel they had to be
sleepy, too. Joy had been holding her eyelids up by main force for
some time, because she hadn't wanted to miss any of the talk and
laughter and delightful feeling of being grown up and in the midst
of things. So she went up to bed, almost as drowsily as Philip had
before her.

Just as she was on the point of dropping off to sleep, with the wind
blowing, flower-scented, across her face, she remembered something
that made her sit bolt upright in bed and think. There was going to
be a grand affair for her at Mrs. Hewitt's house the very next
night, and she hadn't a blessed thing to wear! Nothing, that is, but
five art-frocks which she had determined in her heart never to wear
again. But--the wind among the trees was very soothing, and the
wishing ring lay loose and heavy on her finger.

"You'll look after it," Joy murmured drowsily to the ring, and went
to sleep.

Philip wakened her the next morning. He was very clean and rosy from
a recent bath, and he was curled on the quilt at her feet, staring
intently at her.

"Did you know if you look hard at asleep folks' eyes they open?" he
inquired affably. "You see they do. Yours did. Do you mind dogs on
your bed, or Angela?"

Philip was always so perfectly friendly that Joy was very much at
ease with him, which had never been her case before with children.
But, then, she had never met any intimately before. She reached out
a slim white arm from beneath the covers and pulled him down and
kissed him--an operation which he bore with his usual politeness.

"I love dogs, and Angela," she told him. "And I don't mind them on
the bed a bit, if your mother doesn't."

Philip assumed a convenient deafness as to the last clause, and
whistled, whereat his slaves, Ivan, the white wolfhound, Foxy, and
Angela, all appeared joyously and dashed across the floor,
scrambling enthusiastically up on the white counterpane. They were
almost too many for one three-quarters bed, and Joy, on whom most of
the happy family was sitting, could have wished the dogs a little
lighter, even while she gave Angela a hand up. Angela scrambled up
with intense earnestness and loud little pantings, and, finally
seated on a pillow in triumph, smiled broadly and charmingly, her
golden head cocked to one side.

"Doggies went garden, 'is morning," she informed Joy, still smiling
enchantingly. "Oo--a _big_ hole!"

"She means they dug a hole," Philip translated. "You can't always
tell when she's making up things that aren't so; but this is. It's
there now, with worms in it, and a rosebush that fell in. But I
washed all their paws in the bathtub," he added hastily, "and
Angela's frock-front. Didn't I, Angel?"

"Fock-front!" said Angela, beaming and spatting herself happily in
the region named.

Joy cast a wild look around her. Foxy lay across her at her waist
line--yes, there were paw-marks all over the counterpane, and Ivan,
who seemed to have had more than his share of the cleansing, showed
a distinct arc of wetness where his long body had lain at the foot
of the bed.

Philip, following her eyes, slid unobtrusively from her side.

"I--I just thought you'd like to see the dogs, and the baby," he
explained. "Most people do. Mother sent me to tell you it was nine
o'clock, and would you like to get up?"

He made no further references to paws or washings. He merely
whistled again to Angela and the dogs, who were reluctant, but
struggled obediently down from the counterpane, leaving, alas,
distinct traces in all directions.

"If you frow the covers back nobody'll see anything," he hinted from
the doorway, and was gone.

Joy did not take his hint. Instead, she pulled the counterpane off
bodily and put it in the window to sun, and then went on dressing.
Things were so cheerful and sunny and funny in this house.

"Oh, John was right," she thought buoyantly, as she braided her
ropes of hair. "Things do come right if you hope and wish and
_know_ they will!"

The glitter of the ring caught her eyes, in the mirror, between the
bronze ripples of hair, and it reminded her of one thing that was
_not_ settled: her frock for the evening, this wonderful evening
when a party was going to be given for just her!

She asked Phyllis about it as soon as breakfast--a somewhat riotous
meal--was over. She was a little diffident, because she was sure
that any sane grown-up person who was told that there were five good
frocks you hated would tell you you should wear them. But Phyllis
only suggested bringing them down and looking them over. So they did.

"They all have queer things all over them that nobody else wears
except illustrations in historical novels, and they're all of very
good materials," said Joy sadly, laying them out one by one. "And
there isn't one I don't hate to wear. But I never could explain that
to Grandmother, of course."

She looked at Phyllis with a wistful hope in her eyes. Phyllis
thoughtfully lifted the yellow satin skirts of Joy's pet detestation.

"This is a lovely material," she said thoughtfully. "Is it the color
you don't like?"

"N-no," Joy answered doubtfully. "It's the make." Then she burst out
passionately. "I want to look frisky!" she declared. "I want to be
dressed the way John's used to seeing girls. I--I want to look just
as pretty and like folks as Gail Maddox!"

She checked herself, flushing and biting her lip. She hadn't meant
to say that!

But Phyllis took it beautifully.

"No reason why you shouldn't look just exactly like folks," she
soothed. "This is lovely, too, this silver tissue. Goodness, what a
lot of material there is in these angel sleeves!"... She held it up
consideringly... "Wait a minute, Joy, I think I read my title
clear." She ran out of the room, coming back in a moment with a
life-size dress-form in her arms, which she set down.

"Here's Dora, the dress-model," she said cheerfully. "She adjusts."
In proof she began to screw Dora down and in to required
proportions, measuring her by Joy, who watched operations with
fascinated eyes.

"I never knew you could sew," she said.

"My father was a country minister," Mrs. Harrington explained,
flinging the green frock, inside out, over the steely shoulders of
Dora, the dress-frame. "I cook very nicely, if I do say it myself,
and till I was seventeen I did every bit of my own sewing."

"And were you married at seventeen?"

"No," Phyllis answered, stopping a moment from her pinnings and
speaking more gravely. "My father died then, and I went to work. I
hadn't time to sew after that--I bought ready-made things. So when I
_was_ married--that was a long seven years afterwards--I did
have such lovely times buying organdies and laces and things and
cutting them out and making them! That was the summer Allan was
getting well."

She stared off at the wall for a moment, as she knelt up against the
green satin. "That was the loveliest summer I ever had--excepting
every one since."

She laughed a little, then prevented herself from further speech by
putting a frieze of pins in her mouth and beginning to do something
with the dress with them, one by one.

"Do you mind cutting into this?" she asked when that row was gone.

"The more the better!" said Joy with enthusiasm.

"It will make a stunning frock, with the silver net draped over the
pale-green satin... M'm. That silver iridescent girdle on the other
dress--the violet--can I have that, too?"

Joy ripped and handed with tremulously eager hands, while Phyllis
swiftly cut away the sleeves of the green dress and slashed a
_décolletage_, and draped the net over it and pinned on the
girdle.

"Try if you can get into that without being scratched," she invited,
lifting the frock gingerly off Dora and dropping it over Joy. Then
she wheeled her around to where she could see her reflection in the
tall pier-glass between the windows.

"Of course, that's rough," she told her; "but what do you think of
it, generally? Are there any changes you want?"

"Oh, not one!" Joy replied ecstatically, regarding the slim little
green and silver figure in the glass.

"It needs to be shorter," meditated Phyllis aloud, and fell to
pinning it up to the proper shortness.

Joy continued to look at it rapturously. It had been a straight,
long gown, and all Phyllis had needed to do was to drape it with the
net ripped from the other dress and shorten and cut it into
fashionableness. It was charming--springlike and becoming, and, best
of all, strictly up to date!

"Don't you think you'll feel equal to being the feature of the
reception in that?" demanded Phyllis. "I certainly should in your
place.... That is, if you have silver slippers."

"I have, and I think I do," said Joy gravely.

"Then I'll hand this over to Viola to put the finishing stitches in.
Look out the window--do you see anything familiar coming up the path?"

Joy, in her pinned finery, looked, then snatched her clothes from
the sofa, where they lay in state, and ran upstairs. John was coming
along the path, and she didn't want him to know about her frock till
it was all done.

She came down a moment later, brown-clad and demure, and looking so
young and harmless that any man would have been sure his tilt with
her, of the night before, was a dream. She greeted him shyly, with
her lashes down.

"Isn't--isn't it a little early for you to be away from your
patients?" she asked.

"My morning office hours are just over, and I'm on my way to make
some calls in the car. Want to come?" he asked.

"Thank you," said Joy. "That is, if you don't think I'd be in the way."

"If I thought you would be I wouldn't have asked you," said Dr.
Hewitt matter-of-factly. "So run along and pin up your hair, child.
I don't want people to think I've been robbing the cradle."

He smiled at her in a brotherly fashion, and Joy began to feel a
little ashamed of herself for trying to tease him, even if he didn't
seem to see it. She liked him so much, apart from any other feeling,
that it was hard to be anything but nice and grateful to him--except
when she thought of Gail Maddox.

"It just takes two hairpins," she informed him, coming over to him
and holding up the ends of her braids. "You wind it round and pin it
behind."

He took the hairpins and the braids, and quite deftly did as she
asked him to.

"Hurry, my dear," he said authoritatively, yet with a certain note
of affection in his voice that made Joy feel very comforted. As she
flew to get her cap her heart gave a queer, pleasant sort of
turn-over. His voice made her feel so belonging.

She sang as she went, and Phyllis and John smiled across at each
other, as over a dear child.

"Oh, John, I'm so glad you chose such a darling!" said Phyllis
warmly, putting her hands on his shoulders, as "A Perfect Day"
floated back to them from above. "You know, Johnny, even the best of
men do marry so--so surprisingly. She might have been--"

"'She might have been a Roosian, or French or Dutch or Proosian,'"
he quoted frivolously. "Well, Phyllis, I'm glad you approve of
my--ah--choice. How long do you think it will take it to get its hat on?"

"Oh, you can laugh," Phyllis answered him, "but I know you're proud
of her, just the same."

"Well, she's creditable," said John unemotionally, but with a little
smile beginning to show at the corners of his mouth.

"I'm ready!" called Joy breathlessly from the top of the stairs, and
ran down tumultuously. "Oh, Phyllis, can't I have some roses to take
to John's sick people--the poor ones? I want them to like me!"

"Help yourself." Phyllis granted promptly.

"Not a bit of it." John contradicted her coolly. "You must teach
them to love you for yourself alone. Come on, kiddie."

He tucked her hand under his arm and hurried her, laughing, down the
drive. Phyllis ran after them with a too-late-remembered motor-veil,
which she managed to convey into the car by the risky method of
tying a stone in it and throwing the stone. It just missed John, and
Joy nearly fell out, turning to wave thanks for it.

John threw his arm around her hastily to hold her in, and so Phyllis
saw them out of sight.

"You needn't do that any more," observed Joy as they sped on.
"There's nobody can see us now."

"That, with most people," observed John amusedly, "would be a reason
for continuing to do it."

"M'm," said Joy in assent, as he removed his arm. "You see," she
went on rather apologetically, "I never was engaged before, not even
this much, and I probably shan't always do it right.... Do you think
I shall?"

"Very well, indeed," answered her trial fiancé dryly. "I have always
heard that when you were engaged to a girl she took the opportunity
to torment you as thoroughly as possible. But I haven't any more
personal experience of the holy bonds of affiancement than you have,
my dear child."

Joy's heart suddenly reproached her for having teased such a kind
person as this at all. She clutched his arm with such impulsive
suddenness that the car almost left the road.

"John, I do want to be good to you! And I want to be as little
trouble as possible! And I want to have you _like_ me . . . and
respect and admire me just the way that--"

"Just what way?" he inquired more gently.

"Never mind what way," Joy told him, coloring hotly. "Only if you'll
please tell me what to do--it's hard to say, but I'll try to explain
what I mean. Haven't you always thought, just a little, when you
hadn't anything else to think of, that sometime there'd be--a girl?"

John Hewitt looked straight before him for a moment, as the car sped
smoothly down a country lane. Then he nodded.

"Yes," he said, and no more. He was not given to talking about his
feelings.

"And you planned her--a little--didn't you?" Joy persisted. "I know
you did--people do. Well... John--couldn't you tell me a little bit
about how _She_ was going to act--so I could act that way? It
would be more comfortable for you, I think. And I--I want to."

For a moment she thought he was not going to answer at all. He
looked down at her silently. Then he spoke, a little abruptly.

"I never planned her in much detail," he said. "She always seemed to
be dressed in blue, or in white, and her hair was parted. She seemed
to be connected with a fireplace," he ended inconsequently, and
laughed a little at himself. "You see, I'm not an imaginative person."

"I only wanted you to let me play I was that girl for this month,"
Joy answered desperately, with her eyes down, speaking very low.

John, who had been staring down at her in a half-puzzled way, looked
as if he was suddenly reassured that she was only a little girl,
after all--not a provoking firefly, but a wistful, unconscious child
who only wanted to do her best to please.

"I want to be good," she said meekly.

"So you are," said John warmly.

"Am I?" she asked softly, looking up at him with wide blue eyes.

And--John was getting to do that sort of thing quite unnecessarily
often--he laughed and bent toward her with every intention of
kissing her again.

"Oh, that wasn't what I meant," she assured him. Then her mood
suddenly changed. "John, you have what one of Grandfather's
anarchist friends called a real from-gold heart. But you don't have
to do that unless..."

"Unless what?" demanded John, quite coldly removing all of himself
that he could from her half of the seat.

Joy's eyes fixed themselves on the distant scenery--excellent
scenery, all autumn reds and yellows.

"I'll tell you the 'unless' tomorrow morning," she answered him
sweetly, but none the less firmly.

"You are playing with me, Joy, I think," John answered in his most
diagnostic tone--the exact tone in which he would have said, "You
have smallpox, Joy, I think."

"Why, yes," she answered him demurely. "We were to, weren't we?"

"You'll have to wait out here a while; I have a case here," he told
her in a voice which held a note of endurance.

She sat quite still, after suppressing a faint impulse to ask him if
she should hold the motor. She leaned back and gave herself up to
the country sights and sounds and scents, gently ecstatic.

"Oh, Aunt Lucilla!" she was saying inwardly. "You'd be proud of me!"

Joy was actually playing--he had said so--playing with a man!






CHAPTER SEVEN

A VERY CHARMING GENTLEMAN

"You look lovely," said Phyllis heartily. She herself was radiant in
a rose satin that made her look, as her small son remarked
ecstatically, like a valentine. "Mustn't it be horrid to be a man
and always wear the same black clothes?"

"M'yes," answered Joy absent-mindedly. "If I look as nice as you do
I don't have to worry. But--but will Gail Maddox be very much
dressed?"

"She will," replied Phyllis decisively. "If I know Gail, she'll look
like a Christmas tree. But don't let that weigh on your mind, dear
child. Nobody could look better than you do, if Viola and I did
combine two of your frocks into one. Could they, Viola?"

The colored girl, who had been doing the masses of Joy's bronze hair
while her mistress, kneeling by the dressing-table, put the
finishing touches to some frock-draperies, giggled.

"Well dressed? Why, Miss Joy looks like the vampire in the movie show!"

"Final praise!" sighed Phyllis. "You never told me I was as well
dressed as a vampire, Viola."

"You couldn't live up to vampiring, nohow, Mrs. Harrington, nor you
shouldn't want to, not with that goldy hair of yours," said Viola
reprovingly.

"Virtue is thrust upon me, in other words," said Phyllis. "Evidently
you have possibilities of crime, Joy!"

They went down, laughing, to where Allan and John were waiting for
them, Allan walking the floor in his usual quick, boyish fashion,
John sitting at a table reading, by way of economizing time. Being a
doctor, he had a way of snapping up odds and ends of time and doing
things with them.

He looked up from his paper as Joy's light footsteps pattered down
the stairs, and continued to look at her. The green and silver of
her gown glittered and flowed around her. Viola had done her hair
high, and the wealth of it showed more, even, than when it was down
in its accustomed braids. Her surprising black brows and lashes,
with the innocence of her blue eyes, and the half-wistful,
half-daring expression she had, made her seem a combination of
sophistication and childishness such as John had never seen before.

"Shall I do you credit?" she asked him softly over her shoulder, as
he held her wrap for her.

Her heart beat hard as she said it. She felt as if she was going
into open battle, and she wanted all the heartening she could get.

"Tell me now that you like me better than you do Gail Maddox!" was
what she wanted to say. But she knew she couldn't, not without being
thought a cat. "I can't get over finding motors scattered all over
everything!" was what she heard herself saying inconsequently
instead as they went out. She did not dare give him time to answer
her first impulsive question.

But he answered it just the same.

"You do me great credit, my dear. I never knew you were quite so
beautiful." He said it gravely, but none the less sincerely. "It's
very pleasant to remember that I have property rights to such a
charming person."

Property rights! Joy's heart gave a little warm jump. If he could
say that--if he could even seem to forget that she was only rented,
so to speak...

Before she thought she had reached up and caught his hand in a warm,
furtive grasp for a moment. She took it away again directly, but it
had comforted her to touch him. He was so strong and so _there_....
Also, Viola's words comforted her; if she looked like a vampire, why,
maybe, with the aid of the wishing ring and Aunt Lucilla's ghost,
she could live up to it. Having her hair done as high and her dress
cut as low as anybody's also gave her courage. Altogether it was,
if not a perfectly self-assured, at least a very poised-looking
little figure that came smiling into Mrs. Hewitt's embrace from
the motor, with her lover close behind her, like a bodyguard.

"You little angel! You look perfect!" said her mother-in-law-elect
rapturously. "And you match my lavender grandeur perfectly. That's a
sweet frock, Phyllis. Hurry down, girls, you want to have a little
time to rest before you have to stand up for years and receive."

It was early still when they came down from the dressing-rooms, and
no guests had arrived yet. So they settled themselves in the
dining-room, informally, to wait and visit a little.

"One has _no_ chance for fun with an earnest-minded son," Mrs.
Hewitt complained amiably. "This is the first doings of any sort I
have ever had that John was even remotely connected with. A nice
little daughter that would dance and flirt and turn the house upside
down--that was what I was entitled to--and I got a brilliant young
physician who specializes on the _os innominata_, or something
equally thrilling! I sometimes wonder how he ever found time to
annex you, Joy!"

Joy colored. It was a random shaft, but it caught her breath.
Then--"He didn't," she said gallantly. "I simply rubbed my ring and
wished for him, and he came."

"I'll be bound he didn't come hard," said her _enfant terrible_
of a prospective mother-in-law placidly. "Johnny, keep away from
those cakes! They're for much, much later, and for your guests, not
the likes of you!"

"They are excellent. We need moral support in our ordeal," returned
her son, sauntering up, with his usual dignity unimpaired by a plate
of fancy cakes in each hand. "Never mind your cruel mother-in-law,
Joy. Take a lot--take two!"

"I will, anyway," interposed Allan placidly, reaching a long,
unexpected brown hand over his friend's shoulder and securing three.
"Phyllis and I need as much moral support as anybody."

"Phyllis is the only one who is minding her manners," Mrs. Hewitt
observed with a firmness that she patently didn't mean in the least.
"Phyllis, my dear, go get some of the sandwiches. We may as well
lunch thoroughly. We have heaps of time before the 'gesses' get
here, anyway."

They were all playing like a lot of children. Phyllis, flushed and
laughing, raided the kitchen with her husband and came back with
more kinds of sandwiches than Joy had known existed. They sat about
on cushions on the floor, because the chairs had been taken out for
dancing later, and the floor waxed. Joy laughed with the rest, and
lunched sumptuously on the cakes the guests ought to have had, and
thought for the thousandth time what an ideal mother-in-law was hers
at the moment, and how many of the people in the world were the
realest of real folks, and how much like Christmas every-day life
was getting to be...

"I see you are eating up everything before the really deserving poor
arrive," said a slow, coolly amused voice behind Joy, who sat with
her back to the entrance.

Joy did not need Mrs. Hewitt's equally calm "Good-evening, Gail.
Since when have you been deserving?" to know who had entered.

"Came to help you receive," stated Gail further, still indolently,
bringing herself further into the circle as she spoke, where Joy
could see her. "I brought a stray cousin along--sex, male. I knew you
wouldn't care--men are a godsend in New England towns. Here he is."

The cousin in question was evidently motioned to, for he appeared in
the range of Joy's vision with a charming certainty of welcome, and
the two merged themselves with the circle without more ceremony.
They had evidently made their way to the dressing-rooms before
coming to hunt for the family.

While Gail introduced her cousin a little more thoroughly, Joy gave
her a furtive, but still more thorough, inspection. She seemed
twenty-five or six. She was very slim, with lines like a boy more
than a girl; sallow, with large, steady blue-gray eyes and heavy
lashes, and lips that were so full that they were sullen-looking
when her face was still. She was not unusually pretty--indeed, by
Phyllis' rose-and-golden beauty she looked dingy--but she had
something arresting about her, and the carriage and manner of a girl
who is insolently certain that whatever she says or does is perfect
because she does it. She had on a straight blue chiffon frock, cut
unusually low: so low that it was continually slipping off one thin
shoulder. Allan confided to Joy afterward that Gail's shoulder-straps
worried him to madness.

Joy watched Miss Maddox with fascinated eyes. "I'm so _young_!"
she thought forlornly, "and all the rest of them are so dreadfully
grown-up!"

She felt as if Gail Maddox, with her brilliant, careless sentences,
and her half-insolent confidence, owned everybody there much more
than _she_ did: and she felt little and underdressed and outclassed
to a point where even Gail might pity her, and probably did.... And
if there is a more abjectly awful feeling than that the Other Girl
pities you, nobody has discovered it yet.... Gail might even know how
much of a pretender she was. If John--but no. John wasn't like that.
He was--"fantastically honorable," she had heard Phyllis call it.
John hadn't told--he wouldn't tell if his own happiness depended
on it.... And Joy let her thoughts stray off into a maze of wondering
as to whether she would rather have her self-respect saved by not
having Gail know, or whether, if it would break John's heart to be
separated forever from Gail, she oughtn't to tell him to tell.

Gail, lounging in a low chair she had dragged across the waxed floor
in the face of all outcries, with one electric-blue-shod foot
stretched out before her, looked exactly the person you'd care least
to have know anything they could scorn you about. She could scorn so
well and so convincingly, Joy felt, listening to her. There wouldn't
be a thing left of you when she got through.

"I feel as alone as Robinson Crusoe," thought Joy forlornly.

She rose restlessly and picked up the tray which had borne their
illegal sandwiches, with the idea of carrying it and herself out of
sight. She wanted a minute to brace herself in.

As she did it, Allan rose, too, unexpectedly, as he did most things.
"Here, I'll take some of those," he offered, and helped her carry
the debris out.

They set down their burdens on a pantry table, whence three
scandalized maids whisked them somewhere else again, gazing the
while reproachfully at the invaders.

"I haven't any use for that girl," stated Allan plainly, as they
went back. "Don't let her fuss you, Joy."

Joy looked gratefully up at him. The whole world, then, didn't
prefer Gail Maddox to her!

"She makes me feel exactly like a small dog that has stolen a bone and
got caught," Joy acknowledged directly, with a little shamefaced laugh.

"She'll do her best in that line," responded Allan, who seemed to
have no great affection for the lady. "Don't let her bother you.
He's your bone--hang on to him. In short, sic 'em!"

They both laughed, and Joy came back with her bronze head high and
an access of fresh courage. She sat down this time between John and
the cousin, whose name she had not heard. But she began talking hard
to him. Occasionally she tossed John, fenced in beside her, a
cheerful word. He seemed perfectly satisfied at first, but the
cousin did not. He wanted Joy all to himself, it appeared, and a
fiancé more or less seemed to have no bearing on the case, as far as
he was concerned.

Presently John woke up to this fact and began the effort to
repossess himself of his lawful property. Joy cast a mischievous
glance at Allan, sitting on the arm of his wife's chair (chairs had
become the order of the day), and Allan grinned happily, by some
means telegraphing the situation to Phyllis. Every one was happy
except John, and perhaps Gail, who presently eyed the three and used
her usual weapon of lazy frankness.

"It makes me furious to see both of you making violent love to Joy
Havenith," she said indolently. "Clarence, go start the victrola, my
good man. This must be put a stop to."

Clarence lifted himself from the floor by Joy, but he calmly took
her hand along with him, and raised her, too.

"She's going to christen the floor with me," he informed his cousin.
"Come on, Miss Joy!"

The isolation that ordinarily doth hedge an engaged girl, where men
are concerned, seemed to trouble Clarence not at all. He was, by the
way, in spite of the fact that he would some day be too stout, one
of the best-looking men who ever lived. He had a good deal of his
cousin's lazy assurance--in him it sometimes verged on impudence,
but never beyond the getting-away-with point--and a heavenly smile.
His other name was, unbelievably, Rutherford, which almost took the
curse off the Clarence, as he said, but not quite. And if he had
gone into the movies he would have made millions, beyond a doubt.

He drew Joy across the floor with him, in her green-and-silver
draperies, and began to wind the victrola, which had been tucked
into a nook where Mrs. Hewitt had vainly hoped it would be quite
hidden. There was to be an orchestra afterwards for the authorized
dancing.

Clarence put on "Poor Butterfly," and encircling Joy proceeded to
dance away with her.

"But I don't know how to dance," she gasped as she felt herself
being drawn smoothly across the floor.

"That doesn't matter, Sorcerette, dear," said Clarence blandly.
"Just let go--be clay in the hands of the potter. I'll do the
dancing for two. Hear me?"

Joy did as she was told, and--marvel of marvels!--found herself
following him easily. She was really dancing!

"But why did you call me that?" she demanded, like a child, as she
got her breath. To her apprehensive mind the name sounded as if Gail
had not only learned her dark secret but had passed it on to her
dear Cousin Clarence.

"Because you look it," said he promptly, in a voice that softened from
word to word. "...Harrington is a good dancer, isn't he? Phyllis looks
all right, but I fancy she guides hard. Those tall women often do....
Why, anybody with brows and lashes like yours, and hair that color,
combined with that angelic please-guide-me-through-a-hard-world
expression simply shrieks aloud for a name like that. A sorcerette is
a cross between a seraph and a little witch. There's no telling what
she might do to you!"

"Oh!" cooed Joy.

It sounded like a very happy "Oh," and Clarence, experienced
love-pirate though he was, hadn't a way in the world of knowing that
Joy's pleasure came of being still undiscovered, not of his winning
ways.

She danced on with him to the very last note of the record,
enraptured to find that she really could dance, and came back to the
end of the room where Mrs. Hewitt still sat; her eyes starry with
delight.

"Oh, I can dance when I just go where the man takes me!" she cried.
"I never knew I could!"

"You dance very well," said John's quiet voice from behind his
mother's chair. "Will you dance with me now?"

Joy, regarding him, saw that he was vexed. Most people would not
have noticed it, but very few of his moods escaped Joy. He was a
little graver than usual, and his voice was quieter.

"If I can," she answered. "I thought you were dancing this with Miss
Maddox."

"I didn't think it would show proper courtesy to my fiancée to dance
first with some one else," John answered.

Clarence had set the music going again, and was swinging round the
room with Gail. As it began, John, with no more words, drew Joy out
on the floor with him.

She looked up in surprise at his words.

"Why--why, I didn't know I was that much of a fiancée to you. I
thought probably you'd rather be with Gail. And--and I didn't know I
was going to dance anyway. I didn't know I could!"

He looked down at her again, apparently to see whether she was in
earnest, holding her off for a moment as they danced.

She hoped he would deny that he preferred being with Gail, but he
did not.

"We are going through our month of relationship _right_," he
told her definitely, smiling, but looking down at her with the
steady, steel-colored light in his gray eyes that she knew meant "no
appeal." "Gail does not enter into it at all. But I admit that
Rutherford's quickness put me in the wrong."

"If only," thought Joy, acutely conscious of his firm hold, "instead
of laying down the law that way, he would let go and admit that he
was angry!" For he certainly was, and it wasn't at all her fault,
unless going where Clarence took her was a crime. John _hadn't_
thought of dancing first. Was he the kind of person who always
thought he was right even when he knew he wasn't? If so, maybe a
month _was_ long enough.... But the thought of the end of the
month hurt, no matter how unreasonable she tried to think John, and
she threw down her arms--the only way, if she had known, to make
John throw down his.

"Are you angry at me?" she half whispered. "I--please don't be
angry. Nobody ever was, and I don't want to be silly, but I don't
believe I could stand it."

He swept her rhythmically on, but she could feel his arm relax and
hold her more warmly, and his wonderful gray eyes softened again as
they looked into hers.

"Poor little thing! I keep forgetting that you're just a child.
Sometimes you aren't, you know."

"No, sometimes I'm not," Joy echoed. Then she laughed up at him
impishly. "You say this thing is going to be done right?" she
mocked. "Very well, then, when Mr. Rutherford is nice to me you
ought to be nicer. When he sits down close to me and tells me I'm a
sorcerette--"

"A what?" demanded John swiftly. "See here, Joy, I'm practically in
charge of you, and you're very young, you know, and can't be
expected to know much about men. Rutherford is attractive and all
that, but he's a man I wouldn't trust the other side of a biscuit.
Any man can tell you that. Allan--"

"He talks just like a poet," said Joy innocently. How could John
know that this was an insult, not a compliment, in Joy's mind? She
had seen any amount of Clarences--ignoring her, to be sure, but
still saying Clarence things to others in her hearing--all her days.

"That may be," said John. "I'm no judge of poets, and I suppose you
are.... See here, Joy, there's an inhabitant--two of 'em--coming in
the doorway. Mother'll be wanting you to stand in a silly line and
pass people along to her, or away from her, or something. Come here
with me and we'll finish this. You're getting a wrong impression of
what I mean."

Joy found herself being steered masterfully into a little semi-dark
room that opened off the long parlor. John planted her in a low
chair in a corner and pulled up a stool for himself just opposite.

"They won't find us for at least ten minutes, unless we wigwag.
Now--what's a sorcerette?"

His tone, in spite of his carelessness, betrayed a certain anxiety
to learn. Joy answered him with fullness and simplicity.

"A sorcerette is somebody with coloring like mine, and a cross
between a seraph and a little witch," she replied innocently.
"That's what Clarence said. But I _think_ he made up the name
himself," she added conscientiously, as if that would be some help.

John grinned a little in spite of himself.

"I don't like the idea particularly of his making the name up himself,"
he remarked; "but there is something in what Rutherford said!"

"I'm very glad you think so," said Joy with a transparent meekness.
"And now that you've found out, isn't it time you went back to your
duties?"

He looked at her doubtfully, where she sat in the half-light with
her head held high and her hands crossed on her green-and-silver
lap. He could not quite make out her expression.

But he had not much more chance for cross-questioning, because
guests were beginning to come thickly, and his mother was sending
out agonized scouting parties for the feature of the evening.

Phyllis, knowing the rooms of old, discovered her. She swooped down
on the pair, where they were sitting in the little dim room.

"You wretched people, this is no time for that sort of thing!" she
exclaimed, shoving them before her. "Please try to remember that you
will, in all likelihood, spend a lifetime together. Joy, three
severe New England spinsters have already taken Gail Maddox for you.
Hurry!"

The suggestion was quite enough, as Phyllis may have known it would
be. Joy whisked into her place, which was opposite the double doors,
between Mrs. Hewitt and Phyllis, and taking her burden of white
chrysanthemums on one arm, proceeded to be as charming to her future
patients-in-law as she knew how.

Mrs. Hewitt and Phyllis cast glances of astonished admiration at
each other over her head. They neither of them had thought of Joy as
anything but a sweet child, or an affectionate child--a darling, but
shy and unused to the world. But she was managing her share of the
evening's pageant as if she had run a salon for twenty years. It did
not occur to them that the explanation was that she practically had
been brought up in one. She had been a part of the bi-weekly
receptions given to the small and great of the earth by Havenith the
poet ever since she was old enough to come into the parlors and
could be trusted not to cry or snatch cake.

"Good gracious, Joy, _where_ did you learn to drive people
four-in-hand this way?" breathed Phyllis admiringly, in a lull. "I
_know_, if I'd had to talk to two Miss Peabodys and three Miss
Brearleys and a stray Jones _all_ at once, at least five of
them would have hated me forever after. And you kept them going like
a juggler's balls!"

"They're not half as hard as the people at Grandfather's
afternoons," answered Joy. "He had almost every kind of
person--everybody wanted to see him, you know, and he felt it his
duty to gratify as many as he could, he said. Oh, Phyllis,
_ten_ Brearleys and Peabodys are nothing to trying to make
three Celtic poets and a vers-librist talk pleasantly to each
other!"

"You're a darling," said Phyllis irrelevantly.

"I see you've been working virtuously hard," put in Gail pleasantly,
sauntering up. "Now, _I_ gave up being noble-hearted to the
uninteresting some time ago. There's very little in it. I collected
a suitor or so early in the evening, and we've been telling each
other what we really thought of all the worst guests, in the little
room off. You ought to hear John's description of--"

"She shan't--it's not for your young ears," said Clarence
possessively from where he stood, a little behind Gail. Gail had
three men with her--Clarence, John, and a slim youth who looked
younger than he proved to be, and who answered to the name of Tiddy.

All Joy's feelings of triumph and innocent satisfaction in having
won the liking of Mrs. Hewitt's guests faded. She felt as Gail had
made her feel before--foolishly good and ridiculously young and
altogether unsuccessful in life. For a moment the mood held her in a
very crushed state of mind: then she caught Clarence's eyes fixed
upon her with a look of amused admiration. It spurred her.

"I've been doing my duty by my future lord and master," she said
lightly. "But now you put it that way, he doesn't sound like a
worthy cause a bit."

The men laughed, though Joy's words hadn't sounded particularly witty
to herself. "I'm going to abjure duty now," she went on hurriedly.
"The orchestra's playing that thing people can dance me to----"

She held her hand and arm gracefully high, in the old minuet pose,
and laughed up at Clarence. _He_ wasn't supposed to be her
lover, and yet he saw through Gail when John didn't----

"By Jove, I can do the minuet!" he said eagerly. "Can you, Miss Joy?"

She smiled and nodded.

  _"Grandma told me all about it,
  Taught me so I could not doubt it,"_

she sang softly.

"We'll do it--we'll do it for the happy villagers!" proclaimed Clarence.

"Here, Tiddy, go cut a girl out of the herd, and find Harrington,
too. We're the bell-cows. All you others have to do is to obediently
follow us--the men follow me and the women tag around after Miss
Joy--which last seems wrong, but can't be helped."

"Not at all," said John amiably. "Far be it from me to seem to steal
your thunder, Rutherford, but I, too, was in the village pageant
last year, and I minuet excellently. All my grateful patients said
so. You know, if you led off, they might take you for the man who's
going to marry Miss Havenith."

Clarence couldn't very well do or say anything to his host, but he
looked far from pleased as John took Joy's hand and quietly led her
into line. Tiddy came up just then with a pretty, dark little girl
whom he had selected with great judgment from the guests as being
just of a height between Joy and Gail. He had also enlisted the
orchestra, for it began to play "La Cinquantaine" as they all took
their places facing each other. They were all laughing, even
Clarence. The guests, catching the spirit of the thing, began to
laugh and applaud, and--it seemed like magic that it could be done
so swiftly--formed two more sets in the rest of the room, while the
elders, against the wall, watched approvingly.

"I thought nobody but me danced minuets any more," Joy whispered to
John as, her eyes alight with happiness, she crossed him in the
changes of the lovely old dance.

"There happened to be a historical pageant here last summer," he
explained to her, "and there were eight minuet sets in the
Revolutionary episode, so we had to learn. Mother hounded me into
it. I'm glad now she did."

"Why?" inquired Joy innocently the next time she met him.

"I like to maintain my rights," he answered with a little gleam of
fun in his eyes.

But Joy felt fairly certain that the gleam of fun had behind it a
gleam of decision. Certainly John's motto was, "What's mine's
mine!"--even when it was rented.

They finished to applause, and as the orchestra ended its minuet it
slid on into a modern dance, and so did each of the couples, dancing
on out on the floor.

Joy sank down at the end of the waltz on a seat by the wall, with
John beside her.

He bent over her.

"Having a good time, kiddie?" he asked her gently. She nodded, her
eyes like stars.

"Oh, I'm _people_, at last!" she said with a soft exultance.
"I've always looked on and looked on, like a doll or a mechanical
figure--and I'm real--I'm in the midst of things! And it's all you
and the wishing ring! ... John, did you see? Your people--they really
liked me!"

"Of course they did, you little goosie," he told her, smiling down
at her. "You have more personal charm than almost any girl I ever
knew. I don't know any one who doesn't like you."

"Gail doesn't," Joy ventured.

John shook his head.

"You don't understand Gail," he said. "She's a mighty brilliant
girl. She doesn't often like other girls, I admit that--but she took
to you. I could see it."

"Could you?" flashed Joy. "Men see so much! ... She's beckoning to you."

She flung her head back angrily. Nobody likes to be told she doesn't
understand another girl--and the fact that the girl is mighty
brilliant doesn't make you feel better about it.

"I'll be back in just a moment," said John obliviously, and went
with what seemed to Joy unnecessary docility.

She stood there alone, her hands clasped hard, her head up--to all
appearance a vivid, triumphant little figure. Her heart was beating
like mad and her cheeks burnt. She had just found out something
about herself, something that a wiser, older woman would have known
a long time ago: as long ago as when the Wishing Ring Man stood, the
light glinting on his fair hair and sturdy shoulders, in the opening
of Grandfather's hall door.

She was in love with John--furiously, wildly, heart-breakingly in
love with him. And she was going to have to live close by him for a
month, knowing that, and keeping him from knowing it--and then go
away from him and never see him any more.

"This is our dance, Sorcerette," said Clarence's voice in her ear.






CHAPTER EIGHT

A FOUNTAIN IN FAIRYLAND

Joy had supposed, when she finally went to sleep at three in the
morning, that she would waken with all the excitement gone and
feeling very unhappy. She had always heard that it made you unhappy
to be in love.

Instead, she opened her eyes with the excitement of it all still
pulsing through her. The fact that John was in the world and she
could care for him seemed almost enough to account for the sense of
happiness that possessed her as she pattered over to the window and
looked out. And what little more was needed to account for her
exhilaration could be found in the wonderful September morning
outside. There probably _were_ troubles somewhere or other,
such as darkened city parlors, minor poets, and sophisticated
seekers after John, but somehow she and they didn't connect. The air
was so tingling and sunny, and the garden was so beautiful, and being
young and free and in the country was so heavenly that she dressed
and ran down, and sang along the garden paths as she picked herself
a big bunch of golden chrysanthemums and purple and pink asters.

Nobody else, apparently, was stirring yet. Joy was beginning to feel
hungry, so she strayed into the dining-room, to see whether by any
chance anybody else was down.

Phyllis was just coming into the dining-room, with her son
frolicking about her.

"How do you feel after your triumph last night?" she asked. "Dead;
or do you want another party this morning? I was proud of you, Joy.
Everybody told me how pretty you were, and how charming, and how
intelligent it was of me to be a friend of yours."

Joy flushed with genuine pleasure.

"Oh, was I--did they?" she asked. "Phyllis, it was _lovely!_ ...
And think of being able to dance like that without knowing how!
That was just a plain miracle, if you like!"

"Good-morning, Joy," said Allan, coming in at this point.

He sat down with them and attacked his grapefruit.

"I see I'm two laps behind on breakfast. Philip, you young rascal,
where's my cherry?"

Philip giggled uncontrollably.

"Why, Father, you ate it yourself! _You_ ate it while you said
good-morning to Joy!"

"You seem to have made one fast friend, Joy," pursued Allan,
dismissing the subject of the cherry for later consideration.
"Rutherford confided to me last night that he thought he had been
working too hard; he isn't returning to his native heath for a month
more. His aunt's been pressing him to stay on, and he thinks he
will. He's coming over to see me this morning. He's devoted to me,"
stated Allan sweetly. "There's nothing he needs more than my
friendship. He explained it to me."

Phyllis and he both laughed.

"You always did have winning ways, Allan," said his wife
mischievously. "When is John expected to drop in? He, too, loves
you--don't forget that!"

Allan grinned.

"Poor old Johnny has to look after his patients. He can't very well
snatch a vacation in his own home town. It's a hard world for
gentlemen, Joy!"

Phyllis looked from one to the other of them with an answering light
of mischief in her eyes.

"I suppose John could take anybody he liked to hold the car,
couldn't he?" she said demurely. "In fact--he has!"

"If you mean me," answered Joy, "he was very severe with me
yesterday. John is bringing me up in the way I should go!" The
feeling of vivid excitement was still carrying her along, and she
laughed as she answered them.

Allan looked at her critically.

"H'm!" he said thoughtfully. "I seem to have a feeling that he won't
bring you such an amazing distance, at that--short time as I have
known you. Did you say popovers this morning, Phyllis?"

"Popovers," nodded Phyllis, "and some of Lily-Anna's fresh marmalade."

"An' little dogs!" broke in Philip enthusiastically. "Oh, Father,
don't you just _love_ little dogs?"

His mother tried to look troubled.

"Allan, don't you think you could teach Phil, by precept or example,
that they really are sausages?" she asked. "The other day at Mrs.
Varney's we had them for luncheon, and he said, 'I'd like another
pup, please!' And she was shocked to the heart's core."

"It's such a nice convenient name," pleaded Allan. "Joy, I have to
waste most of the morning talking over the long-distance 'phone to
my lawyer. I shall spend an hour discussing leases, and two more
bullying him and his wife into coming out to visit us. You will
readily see that I can't entertain my new-found soulmate at the same
time. I don't suppose you could offer any suggestions about his
amusement?"

"Solitaire," suggested Joy demurely. "Or you might give him a book
to read."

Allan threw back his head and laughed.

"Excellent ideas, both!" he said, "and truly original. He shall have
his choice!"

"You have the kindest hearts in the world," said Phyllis, summoning
the waitress. "Allan, before you finish that million-dollar
conversation to Mr. De Guenther, please call me. I want to speak to
him a minute, too."

"I'll call you," he promised.

They drifted off, Phyllis to attend to her housekeeping, Allan to
his long-distance leases, and Philip to find Angela, whom he never
forgot for long. She had breakfast with her nurse, and Philip felt
it was time he looked her up. He adored his little sister, and spent
the larger part of his days in teaching her everything he had been
taught, which was sometimes hard on Angela, who obeyed him
implicitly.

As for Joy, she strayed out into the garden again. The feeling of
intense, happy aliveness in a wonderful world was still on her, and
she wanted to be alone to think things out--to think out especially
the thing she had discovered last night--and what to do about it.

It was as warm as June by this time, for the sun was getting higher,
and she went slowly down the paths with the sun shining on her hair
and making it look like fire, breaking, as she went, a few more
flowers to pin in her dress. She had put on one of her old
picture-frocks, a straight dull-cream wool thing that she wore in
the mornings at home, girdled in with a silver cord about the hips.
She fitted the garden exceedingly well, though nothing was further
from her thoughts.

At the far end, among a tangle of roses and beneath a group of
shade-trees, the Harringtons had set a little fountain, a flat,
low-set marble basin with a single jet of water springing high, and
falling almost straight down again. Its purpose was to cool the air
on very hot days, but it always flowed till frost, because it was so
pretty Phyllis never could bear to have it shut off. Joy loved the
half-hidden, lovely place, though she had only had one glimpse of it
before, and she sat down by it and began to try to think things out.
She had a much harder thinking to do than she'd had for a long time.

"A 'hard world for gentlemen'!" meditated Joy, and laughed as she
trailed one hand in the water. "It's a much harder one for ladies,
if Allan but knew it!"

She bent over, half-absently, to watch the water in the basin. It
fascinated her, the flow of it, and it helped her to reason things
out. There were several things that needed reasoning.

To begin with--there was no use saying it wasn't so, for it was--she
was in love with John.... Her heart beat hard as she looked down
into the water and said the words in her mind. It would have been
lovely to do nothing but sit there and think of him. There were so
many different wonderful things he had for her to think about; his
steady eyes that changed from warm-gray to steel-gray, and back, and
could look as if they loved you or hated you or admired you or
fathered you, while the rest of his face told nothing at all; the
little gold glint in his fair hair and the way it curled when it was
damp weather; his square, back-flung shoulders; the strong way he
had of moving you about, as if you were a doll--the way his voice
sounded when she said certain words--

Joy pulled her thoughts from all that by force.

"Clarence Rutherford calls me a sorcerette," she thought, "and I
suppose I must be. This must be being one. But, oh, I _have_ to
think how I can get John to love me back!"

It looked a little hopeless, to think of, at first. He was so old
and wise and strong, compared to her, just a nineteen-year-old girl
who had never had even one lover to practise on! Something Gail had
said the night before came back to her--one of the girl's
half-scornful, half-amused phrases.

"Barring a male flirt or so like Clarence over there," she had
vouchsafed, "men _are_ such simple-minded children of nature!
All you have to do is to treat them like hounds and tell them what
to do, and they'll do it."

Joy could scarcely imagine treating John like a hound. She was too
afraid of him, except once in a while when she had a burst of
daring. But, at any rate, if she went on the principle that John was
simple-minded and could always be depended on to think she felt the
way she acted, things would be lots easier.

"If only I can keep the courage!" she prayed.

But as to details. She would have to let John see enough of her to
want her about. But--not so much that he got tired of it.

"I wonder how much of me would tire him?" she said. Anyway--Joy
dimpled as she thought of it--he seemed to want to be the only one.
He didn't seem to want Clarence around. They all kept telling her
Clarence was a flirt--as if she wanted him to be anything else! It's
a comfort sometimes to know that a man can be depended on not to
have intentions.... Very well, she would try to make John jealous of
Clarence. Not enough to hurt him--it would be dreadful to hurt
him!--but enough to make herself valuable.

"It's going to be very hard," she decided, "because all I want is to
do just as he says and make everything as happy for him as I can.
Oh, dear, why are men like that!"

But she was fairly certain that they were. They were like that in
the books, and Gail had said so. Gail apparently knew.

"It'll be hard," she thought sadly. Then her face brightened. "But
it'll be fun! and if it works I'll be able to be as nice to John as
I want to all the rest of my life, and please him to my heart's
content. Why, it'll be my duty!"

She smiled and fell into another dream about John, leaning over the
fountain, with her copper braids falling across her bosom.

She had forgotten all the outside things, until presently she felt
some one standing near her.

  "_Lean down to the water, Melisande, Melisande!_"

the some one sang, in a soft, half-mocking voice.

She turned and looked up.

"How do you do, Mr. Rutherford?" she said sedately.

She had been addressed as "Melisande" too many times, at home with
the poets, to be particularly excited, but even a man of Clarence's
well-known capabilities couldn't be expected to know this. He
disposed himself gracefully along the edge of the fountain. He had a
feline and leisurely grace, in spite of the fact that he wasn't
specially thin, had Clarence, as he very well knew.

"I hope I won't fall into the water," he observed disarmingly. "I
may if you speak to me too severely. See here, Melisande, why did
you go and be all engaged to the worthy Dr. Hewitt? You had four or
five good years of fun ahead of you if you hadn't."

"I mustn't listen to you, if you talk that way," Joy told him quietly.

"Oh, you'd better," said Clarence with placidity. "I'm very interesting."

"You're very vain," Joy told him, laughing at him in spite of herself.

"I am, indeed--it's one of my charms," explained he. "Now that's out
of the way, we'll go on talking."

"Well, go on talking!" Joy answered him childishly, putting her
hands over her ears. "I can go on not listening!"

Clarence accordingly did, while Joy kept her hands over her ears
till her arms were tired and Clarence apparently had no more to say.
Then she dropped them.

"I was reciting the Westminster catechism," Clarence observed blandly.
"I never waste my gems of conversation on deaf ears. Come, Joy of my
life, unbend a little. I don't mean a bit of harm in the world. All I
want is a kind word or two and the pleasure of your society."

Joy looked at him thoughtfully for a moment, and then laughed.

"If you were a poet, here is where you would tell me that the
fetters of wearying and sordid marriage were not for you--that they
wore on your genius," she said unexpectedly.

Clarence gasped. It must have been very much like having the kitten
suddenly turn and offer him rational conversation.

"_Et tu_, Laetitia!" he said in a neat and scholarly manner.
"Joy, you have cruelly deceived me--I thought you were a simple
child of nature."

"I don't know a bit what I am," she answered truthfully, "but the
poets at Grandfather's did talk that way--not to me, but to other
people--and you sounded like them. You aren't really a poet, are you?"

"Well, I've never been overt about it," he evaded. He did not know
what to make of Joy, any more than ever.

Joy, trailing the end of a braid absently in the water, thought a
minute longer, then looked up at him.

"It seems to me," she said suddenly, "that you just mock and mock at
things all the time. I'm not clever, and I can't answer you
cleverly. You might as well make up your mind to it, and then the
way I look won't be a disappointment to you. I know I look like a
medieval princess. It's because I was brought up to. But I'm not the
least bit medieval inside; honestly I'm not. I love to cook and I
love children, and I'm always hungry for my meals. I don't want to
seem discouraging, but I shall really be a dreadful disappointment
to you if you--"

"As long as you have copper-gold hair and sky-blue eyes, _nothing_
you can do wil

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