Main Street
by Sinclair Lewis · English · Gutenberg #543 · 966,949 chars · public domain (US)
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Title: Main Street
Author: Sinclair Lewis
Release date: January 21, 2006 [eBook #543]
Most recently updated: April 18, 2023
Language: English
Other information and formats: www.gutenberg.org/ebooks/543
Credits: Produced by Charles Keller and David Widger
*** START OF THE PROJECT GUTENBERG EBOOK MAIN STREET ***
Produced by Charles Keller
MAIN STREET
By Sinclair Lewis
To James Branch Cabell and Joseph Hergesheimer
This is America--a town of a few thousand, in a region of wheat and corn
and dairies and little groves.
The town is, in our tale, called “Gopher Prairie, Minnesota.” But its
Main Street is the continuation of Main Streets everywhere. The story
would be the same in Ohio or Montana, in Kansas or Kentucky or Illinois,
and not very differently would it be told Up York State or in the
Carolina hills.
Main Street is the climax of civilization. That this Ford car might
stand in front of the Bon Ton Store, Hannibal invaded Rome and Erasmus
wrote in Oxford cloisters. What Ole Jenson the grocer says to Ezra
Stowbody the banker is the new law for London, Prague, and the
unprofitable isles of the sea; whatsoever Ezra does not know and
sanction, that thing is heresy, worthless for knowing and wicked to
consider.
Our railway station is the final aspiration of architecture. Sam
Clark's annual hardware turnover is the envy of the four counties which
constitute God's Country. In the sensitive art of the Rosebud Movie
Palace there is a Message, and humor strictly moral.
Such is our comfortable tradition and sure faith. Would he not betray
himself an alien cynic who should otherwise portray Main Street, or
distress the citizens by speculating whether there may not be other
faiths?
CHAPTER I
I
ON a hill by the Mississippi where Chippewas camped two generations ago,
a girl stood in relief against the cornflower blue of Northern sky.
She saw no Indians now; she saw flour-mills and the blinking windows of
skyscrapers in Minneapolis and St. Paul. Nor was she thinking of squaws
and portages, and the Yankee fur-traders whose shadows were all about
her. She was meditating upon walnut fudge, the plays of Brieux, the
reasons why heels run over, and the fact that the chemistry instructor
had stared at the new coiffure which concealed her ears.
A breeze which had crossed a thousand miles of wheat-lands bellied her
taffeta skirt in a line so graceful, so full of animation and moving
beauty, that the heart of a chance watcher on the lower road tightened
to wistfulness over her quality of suspended freedom. She lifted her
arms, she leaned back against the wind, her skirt dipped and flared, a
lock blew wild. A girl on a hilltop; credulous, plastic, young; drinking
the air as she longed to drink life. The eternal aching comedy of
expectant youth.
It is Carol Milford, fleeing for an hour from Blodgett College.
The days of pioneering, of lassies in sunbonnets, and bears killed with
axes in piney clearings, are deader now than Camelot; and a rebellious
girl is the spirit of that bewildered empire called the American
Middlewest.
II
Blodgett College is on the edge of Minneapolis. It is a bulwark of sound
religion. It is still combating the recent heresies of Voltaire, Darwin,
and Robert Ingersoll. Pious families in Minnesota, Iowa, Wisconsin, the
Dakotas send their children thither, and Blodgett protects them from the
wickedness of the universities. But it secretes friendly girls, young
men who sing, and one lady instructress who really likes Milton and
Carlyle. So the four years which Carol spent at Blodgett were not
altogether wasted. The smallness of the school, the fewness of rivals,
permitted her to experiment with her perilous versatility. She played
tennis, gave chafing-dish parties, took a graduate seminar in the drama,
went “twosing,” and joined half a dozen societies for the practise of
the arts or the tense stalking of a thing called General Culture.
In her class there were two or three prettier girls, but none more
eager. She was noticeable equally in the classroom grind and at dances,
though out of the three hundred students of Blodgett, scores recited
more accurately and dozens Bostoned more smoothly. Every cell of her
body was alive--thin wrists, quince-blossom skin, ingenue eyes, black
hair.
The other girls in her dormitory marveled at the slightness of her
body when they saw her in sheer negligee, or darting out wet from a
shower-bath. She seemed then but half as large as they had supposed;
a fragile child who must be cloaked with understanding kindness.
“Psychic,” the girls whispered, and “spiritual.” Yet so radioactive
were her nerves, so adventurous her trust in rather vaguely conceived
sweetness and light, that she was more energetic than any of the hulking
young women who, with calves bulging in heavy-ribbed woolen stockings
beneath decorous blue serge bloomers, thuddingly galloped across the
floor of the “gym” in practise for the Blodgett Ladies' Basket-Ball
Team.
Even when she was tired her dark eyes were observant. She did not yet
know the immense ability of the world to be casually cruel and proudly
dull, but if she should ever learn those dismaying powers, her eyes
would never become sullen or heavy or rheumily amorous.
For all her enthusiasms, for all the fondness and the “crushes” which
she inspired, Carol's acquaintances were shy of her. When she was most
ardently singing hymns or planning deviltry she yet seemed gently aloof
and critical. She was credulous, perhaps; a born hero-worshipper; yet
she did question and examine unceasingly. Whatever she might become she
would never be static.
Her versatility ensnared her. By turns she hoped to discover that she
had an unusual voice, a talent for the piano, the ability to act, to
write, to manage organizations. Always she was disappointed, but always
she effervesced anew--over the Student Volunteers, who intended to
become missionaries, over painting scenery for the dramatic club, over
soliciting advertisements for the college magazine.
She was on the peak that Sunday afternoon when she played in chapel.
Out of the dusk her violin took up the organ theme, and the candle-light
revealed her in a straight golden frock, her arm arched to the bow, her
lips serious. Every man fell in love then with religion and Carol.
Throughout Senior year she anxiously related all her experiments and
partial successes to a career. Daily, on the library steps or in the
hall of the Main Building, the co-eds talked of “What shall we do when
we finish college?” Even the girls who knew that they were going to be
married pretended to be considering important business positions;
even they who knew that they would have to work hinted about fabulous
suitors. As for Carol, she was an orphan; her only near relative was a
vanilla-flavored sister married to an optician in St. Paul. She had used
most of the money from her father's estate. She was not in love--that
is, not often, nor ever long at a time. She would earn her living.
But how she was to earn it, how she was to conquer the world--almost
entirely for the world's own good--she did not see. Most of the girls
who were not betrothed meant to be teachers. Of these there were two
sorts: careless young women who admitted that they intended to leave the
“beastly classroom and grubby children” the minute they had a chance to
marry; and studious, sometimes bulbous-browed and pop-eyed maidens who
at class prayer-meetings requested God to “guide their feet along the
paths of greatest usefulness.” Neither sort tempted Carol. The former
seemed insincere (a favorite word of hers at this era). The earnest
virgins were, she fancied, as likely to do harm as to do good by their
faith in the value of parsing Caesar.
At various times during Senior year Carol finally decided upon studying
law, writing motion-picture scenarios, professional nursing, and
marrying an unidentified hero.
Then she found a hobby in sociology.
The sociology instructor was new. He was married, and therefore taboo,
but he had come from Boston, he had lived among poets and socialists and
Jews and millionaire uplifters at the University Settlement in New
York, and he had a beautiful white strong neck. He led a giggling class
through the prisons, the charity bureaus, the employment agencies of
Minneapolis and St. Paul. Trailing at the end of the line Carol was
indignant at the prodding curiosity of the others, their manner of
staring at the poor as at a Zoo. She felt herself a great liberator.
She put her hand to her mouth, her forefinger and thumb quite painfully
pinching her lower lip, and frowned, and enjoyed being aloof.
A classmate named Stewart Snyder, a competent bulky young man in a gray
flannel shirt, a rusty black bow tie, and the green-and-purple class
cap, grumbled to her as they walked behind the others in the muck of the
South St. Paul stockyards, “These college chumps make me tired. They're
so top-lofty. They ought to of worked on the farm, the way I have. These
workmen put it all over them.”
“I just love common workmen,” glowed Carol.
“Only you don't want to forget that common workmen don't think they're
common!”
“You're right! I apologize!” Carol's brows lifted in the astonishment of
emotion, in a glory of abasement. Her eyes mothered the world. Stewart
Snyder peered at her. He rammed his large red fists into his pockets,
he jerked them out, he resolutely got rid of them by clenching his hands
behind him, and he stammered:
“I know. You _get_ people. Most of these darn co-eds----Say, Carol, you
could do a lot for people.”
“Oh--oh well--you know--sympathy and everything--if you were--say you
were a lawyer's wife. You'd understand his clients. I'm going to be a
lawyer. I admit I fall down in sympathy sometimes. I get so dog-gone
impatient with people that can't stand the gaff. You'd be good for
a fellow that was too serious. Make him more--more--YOU
know--sympathetic!”
His slightly pouting lips, his mastiff eyes, were begging her to beg him
to go on. She fled from the steam-roller of his sentiment. She cried,
“Oh, see those poor sheep--millions and millions of them.” She darted
on.
Stewart was not interesting. He hadn't a shapely white neck, and he had
never lived among celebrated reformers. She wanted, just now, to have
a cell in a settlement-house, like a nun without the bother of a black
robe, and be kind, and read Bernard Shaw, and enormously improve a horde
of grateful poor.
The supplementary reading in sociology led her to a book on
village-improvement--tree-planting, town pageants, girls' clubs. It
had pictures of greens and garden-walls in France, New England,
Pennsylvania. She had picked it up carelessly, with a slight yawn which
she patted down with her finger-tips as delicately as a cat.
She dipped into the book, lounging on her window-seat, with her slim,
lisle-stockinged legs crossed, and her knees up under her chin.
She stroked a satin pillow while she read. About her was the clothy
exuberance of a Blodgett College room: cretonne-covered window-seat,
photographs of girls, a carbon print of the Coliseum, a chafing-dish,
and a dozen pillows embroidered or beaded or pyrographed. Shockingly out
of place was a miniature of the Dancing Bacchante. It was the only trace
of Carol in the room. She had inherited the rest from generations of
girl students.
It was as a part of all this commonplaceness that she regarded the
treatise on village-improvement. But she suddenly stopped fidgeting. She
strode into the book. She had fled half-way through it before the three
o'clock bell called her to the class in English history.
She sighed, “That's what I'll do after college! I'll get my hands on
one of these prairie towns and make it beautiful. Be an inspiration. I
suppose I'd better become a teacher then, but--I won't be that kind of
a teacher. I won't drone. Why should they have all the garden suburbs
on Long Island? Nobody has done anything with the ugly towns here in the
Northwest except hold revivals and build libraries to contain the Elsie
books. I'll make 'em put in a village green, and darling cottages, and a
quaint Main Street!”
Thus she triumphed through the class, which was a typical Blodgett
contest between a dreary teacher and unwilling children of twenty, won
by the teacher because his opponents had to answer his questions, while
their treacherous queries he could counter by demanding, “Have you
looked that up in the library? Well then, suppose you do!”
The history instructor was a retired minister. He was sarcastic today.
He begged of sporting young Mr. Charley Holmberg, “Now Charles, would it
interrupt your undoubtedly fascinating pursuit of that malevolent fly
if I were to ask you to tell us that you do not know anything about King
John?” He spent three delightful minutes in assuring himself of the fact
that no one exactly remembered the date of Magna Charta.
Carol did not hear him. She was completing the roof of a half-timbered
town hall. She had found one man in the prairie village who did not
appreciate her picture of winding streets and arcades, but she had
assembled the town council and dramatically defeated him.
III
Though she was Minnesota-born Carol was not an intimate of the prairie
villages. Her father, the smiling and shabby, the learned and teasingly
kind, had come from Massachusetts, and through all her childhood he
had been a judge in Mankato, which is not a prairie town, but in its
garden-sheltered streets and aisles of elms is white and green New
England reborn. Mankato lies between cliffs and the Minnesota River,
hard by Traverse des Sioux, where the first settlers made treaties
with the Indians, and the cattle-rustlers once came galloping before
hell-for-leather posses.
As she climbed along the banks of the dark river Carol listened to its
fables about the wide land of yellow waters and bleached buffalo bones
to the West; the Southern levees and singing darkies and palm trees
toward which it was forever mysteriously gliding; and she heard again
the startled bells and thick puffing of high-stacked river steamers
wrecked on sand-reefs sixty years ago. Along the decks she saw
missionaries, gamblers in tall pot hats, and Dakota chiefs with scarlet
blankets. . . . Far off whistles at night, round the river bend,
plunking paddles reechoed by the pines, and a glow on black sliding
waters.
Carol's family were self-sufficient in their inventive life, with
Christmas a rite full of surprises and tenderness, and “dressing-up
parties” spontaneous and joyously absurd. The beasts in the Milford
hearth-mythology were not the obscene Night Animals who jump out
of closets and eat little girls, but beneficent and bright-eyed
creatures--the tam htab, who is woolly and blue and lives in the
bathroom, and runs rapidly to warm small feet; the ferruginous oil
stove, who purrs and knows stories; and the skitamarigg, who will play
with children before breakfast if they spring out of bed and close the
window at the very first line of the song about puellas which father
sings while shaving.
Judge Milford's pedagogical scheme was to let the children read whatever
they pleased, and in his brown library Carol absorbed Balzac and
Rabelais and Thoreau and Max Muller. He gravely taught them the letters
on the backs of the encyclopedias, and when polite visitors asked about
the mental progress of the “little ones,” they were horrified to hear
the children earnestly repeating A-And, And-Aus, Aus-Bis, Bis-Cal,
Cal-Cha.
Carol's mother died when she was nine. Her father retired from the
judiciary when she was eleven, and took the family to Minneapolis. There
he died, two years after. Her sister, a busy proper advisory soul, older
than herself, had become a stranger to her even when they lived in the
same house.
From those early brown and silver days and from her independence of
relatives Carol retained a willingness to be different from brisk
efficient book-ignoring people; an instinct to observe and wonder
at their bustle even when she was taking part in it. But, she felt
approvingly, as she discovered her career of town-planning, she was now
roused to being brisk and efficient herself.
IV
In a month Carol's ambition had clouded. Her hesitancy about becoming a
teacher had returned. She was not, she worried, strong enough to endure
the routine, and she could not picture herself standing before grinning
children and pretending to be wise and decisive. But the desire for
the creation of a beautiful town remained. When she encountered an item
about small-town women's clubs or a photograph of a straggling Main
Street, she was homesick for it, she felt robbed of her work.
It was the advice of the professor of English which led her to study
professional library-work in a Chicago school. Her imagination carved
and colored the new plan. She saw herself persuading children to read
charming fairy tales, helping young men to find books on mechanics,
being ever so courteous to old men who were hunting for newspapers--the
light of the library, an authority on books, invited to dinners with
poets and explorers, reading a paper to an association of distinguished
scholars.
V
The last faculty reception before commencement. In five days they would
be in the cyclone of final examinations.
The house of the president had been massed with palms suggestive of
polite undertaking parlors, and in the library, a ten-foot room with a
globe and the portraits of Whittier and Martha Washington, the student
orchestra was playing “Carmen” and “Madame Butterfly.” Carol was dizzy
with music and the emotions of parting. She saw the palms as a jungle,
the pink-shaded electric globes as an opaline haze, and the eye-glassed
faculty as Olympians. She was melancholy at sight of the mousey girls
with whom she had “always intended to get acquainted,” and the half
dozen young men who were ready to fall in love with her.
But it was Stewart Snyder whom she encouraged. He was so much manlier
than the others; he was an even warm brown, like his new ready-made suit
with its padded shoulders. She sat with him, and with two cups of
coffee and a chicken patty, upon a pile of presidential overshoes in the
coat-closet under the stairs, and as the thin music seeped in, Stewart
whispered:
“I can't stand it, this breaking up after four years! The happiest years
of life.”
She believed it. “Oh, I know! To think that in just a few days we'll be
parting, and we'll never see some of the bunch again!”
“Carol, you got to listen to me! You always duck when I try to talk
seriously to you, but you got to listen to me. I'm going to be a big
lawyer, maybe a judge, and I need you, and I'd protect you----”
His arm slid behind her shoulders. The insinuating music drained her
independence. She said mournfully, “Would you take care of me?” She
touched his hand. It was warm, solid.
“You bet I would! We'd have, Lord, we'd have bully times in Yankton,
where I'm going to settle----”
“But I want to do something with life.”
“What's better than making a comfy home and bringing up some cute kids
and knowing nice homey people?”
It was the immemorial male reply to the restless woman. Thus to the
young Sappho spake the melon-venders; thus the captains to Zenobia; and
in the damp cave over gnawed bones the hairy suitor thus protested to
the woman advocate of matriarchy. In the dialect of Blodgett College but
with the voice of Sappho was Carol's answer:
“Of course. I know. I suppose that's so. Honestly, I do love children.
But there's lots of women that can do housework, but I--well, if you
HAVE got a college education, you ought to use it for the world.”
“I know, but you can use it just as well in the home. And gee, Carol,
just think of a bunch of us going out on an auto picnic, some nice
spring evening.”
“Yes.”
“And sleigh-riding in winter, and going fishing----”
Blarrrrrrr! The orchestra had crashed into the “Soldiers' Chorus”; and
she was protesting, “No! No! You're a dear, but I want to do things.
I don't understand myself but I want--everything in the world! Maybe I
can't sing or write, but I know I can be an influence in library work.
Just suppose I encouraged some boy and he became a great artist! I
will! I will do it! Stewart dear, I can't settle down to nothing but
dish-washing!”
Two minutes later--two hectic minutes--they were disturbed by
an embarrassed couple also seeking the idyllic seclusion of the
overshoe-closet.
After graduation she never saw Stewart Snyder again. She wrote to him
once a week--for one month.
VI
A year Carol spent in Chicago. Her study of library-cataloguing,
recording, books of reference, was easy and not too somniferous. She
reveled in the Art Institute, in symphonies and violin recitals and
chamber music, in the theater and classic dancing. She almost gave up
library work to become one of the young women who dance in cheese-cloth
in the moonlight. She was taken to a certified Studio Party, with
beer, cigarettes, bobbed hair, and a Russian Jewess who sang the
Internationale. It cannot be reported that Carol had anything
significant to say to the Bohemians. She was awkward with them, and
felt ignorant, and she was shocked by the free manners which she had for
years desired. But she heard and remembered discussions of Freud, Romain
Rolland, syndicalism, the Confederation Generale du Travail, feminism
vs. haremism, Chinese lyrics, nationalization of mines, Christian
Science, and fishing in Ontario.
She went home, and that was the beginning and end of her Bohemian life.
The second cousin of Carol's sister's husband lived in Winnetka, and
once invited her out to Sunday dinner. She walked back through Wilmette
and Evanston, discovered new forms of suburban architecture, and
remembered her desire to recreate villages. She decided that she would
give up library work and, by a miracle whose nature was not very clearly
revealed to her, turn a prairie town into Georgian houses and Japanese
bungalows.
The next day in library class she had to read a theme on the use of the
Cumulative Index, and she was taken so seriously in the discussion that
she put off her career of town-planning--and in the autumn she was in
the public library of St. Paul.
VII
Carol was not unhappy and she was not exhilarated, in the St. Paul
Library. She slowly confessed that she was not visibly affecting lives.
She did, at first, put into her contact with the patrons a willingness
which should have moved worlds. But so few of these stolid worlds wanted
to be moved. When she was in charge of the magazine room the readers did
not ask for suggestions about elevated essays. They grunted, “Wanta find
the Leather Goods Gazette for last February.” When she was giving
out books the principal query was, “Can you tell me of a good, light,
exciting love story to read? My husband's going away for a week.”
She was fond of the other librarians; proud of their aspirations. And by
the chance of propinquity she read scores of books unnatural to her gay
white littleness: volumes of anthropology with ditches of foot-notes
filled with heaps of small dusty type, Parisian imagistes, Hindu recipes
for curry, voyages to the Solomon Isles, theosophy with modern American
improvements, treatises upon success in the real-estate business. She
took walks, and was sensible about shoes and diet. And never did she
feel that she was living.
She went to dances and suppers at the houses of college acquaintances.
Sometimes she one-stepped demurely; sometimes, in dread of life's
slipping past, she turned into a bacchanal, her tender eyes excited, her
throat tense, as she slid down the room.
During her three years of library work several men showed diligent
interest in her--the treasurer of a fur-manufacturing firm, a teacher, a
newspaper reporter, and a petty railroad official. None of them made her
more than pause in thought. For months no male emerged from the mass.
Then, at the Marburys', she met Dr. Will Kennicott.
CHAPTER II
IT was a frail and blue and lonely Carol who trotted to the flat of the
Johnson Marburys for Sunday evening supper. Mrs. Marbury was a neighbor
and friend of Carol's sister; Mr. Marbury a traveling representative of
an insurance company. They made a specialty of sandwich-salad-coffee
lap suppers, and they regarded Carol as their literary and artistic
representative. She was the one who could be depended upon to appreciate
the Caruso phonograph record, and the Chinese lantern which Mr. Marbury
had brought back as his present from San Francisco. Carol found the
Marburys admiring and therefore admirable.
This September Sunday evening she wore a net frock with a pale pink
lining. A nap had soothed away the faint lines of tiredness beside her
eyes. She was young, naive, stimulated by the coolness. She flung
her coat at the chair in the hall of the flat, and exploded into
the green-plush living-room. The familiar group were trying to be
conversational. She saw Mr. Marbury, a woman teacher of gymnastics in
a high school, a chief clerk from the Great Northern Railway offices,
a young lawyer. But there was also a stranger, a thick tall man of
thirty-six or -seven, with stolid brown hair, lips used to giving
orders, eyes which followed everything good-naturedly, and clothes which
you could never quite remember.
Mr. Marbury boomed, “Carol, come over here and meet Doc Kennicott--Dr.
Will Kennicott of Gopher Prairie. He does all our insurance-examining up
in that neck of the woods, and they do say he's some doctor!”
As she edged toward the stranger and murmured nothing in particular,
Carol remembered that Gopher Prairie was a Minnesota wheat-prairie town
of something over three thousand people.
“Pleased to meet you,” stated Dr. Kennicott. His hand was strong; the
palm soft, but the back weathered, showing golden hairs against firm red
skin.
He looked at her as though she was an agreeable discovery. She tugged
her hand free and fluttered, “I must go out to the kitchen and help Mrs.
Marbury.” She did not speak to him again till, after she had heated
the rolls and passed the paper napkins, Mr. Marbury captured her with
a loud, “Oh, quit fussing now. Come over here and sit down and tell
us how's tricks.” He herded her to a sofa with Dr. Kennicott, who was
rather vague about the eyes, rather drooping of bulky shoulder, as
though he was wondering what he was expected to do next. As their host
left them, Kennicott awoke:
“Marbury tells me you're a high mogul in the public library. I was
surprised. Didn't hardly think you were old enough. I thought you were a
girl, still in college maybe.”
“Oh, I'm dreadfully old. I expect to take to a lip-stick, and to find a
gray hair any morning now.”
“Huh! You must be frightfully old--prob'ly too old to be my
granddaughter, I guess!”
Thus in the Vale of Arcady nymph and satyr beguiled the hours; precisely
thus, and not in honeyed pentameters, discoursed Elaine and the worn Sir
Launcelot in the pleached alley.
“How do you like your work?” asked the doctor.
“It's pleasant, but sometimes I feel shut off from things--the steel
stacks, and the everlasting cards smeared all over with red rubber
stamps.”
“Don't you get sick of the city?”
“St. Paul? Why, don't you like it? I don't know of any lovelier view
than when you stand on Summit Avenue and look across Lower Town to the
Mississippi cliffs and the upland farms beyond.”
“I know but----Of course I've spent nine years around the Twin
Cities--took my B.A. and M.D. over at the U., and had my internship in a
hospital in Minneapolis, but still, oh well, you don't get to know folks
here, way you do up home. I feel I've got something to say about running
Gopher Prairie, but you take it in a big city of two-three hundred
thousand, and I'm just one flea on the dog's back. And then I like
country driving, and the hunting in the fall. Do you know Gopher Prairie
at all?”
“No, but I hear it's a very nice town.”
“Nice? Say honestly----Of course I may be prejudiced, but I've seen an
awful lot of towns--one time I went to Atlantic City for the American
Medical Association meeting, and I spent practically a week in New York!
But I never saw a town that had such up-and-coming people as Gopher
Prairie. Bresnahan--you know--the famous auto manufacturer--he comes
from Gopher Prairie. Born and brought up there! And it's a darn pretty
town. Lots of fine maples and box-elders, and there's two of the
dandiest lakes you ever saw, right near town! And we've got seven miles
of cement walks already, and building more every day! Course a lot of
these towns still put up with plank walks, but not for us, you bet!”
“Really?”
(Why was she thinking of Stewart Snyder?)
“Gopher Prairie is going to have a great future. Some of the best dairy
and wheat land in the state right near there--some of it selling right
now at one-fifty an acre, and I bet it will go up to two and a quarter
in ten years!”
“Is----Do you like your profession?”
“Nothing like it. Keeps you out, and yet you have a chance to loaf in
the office for a change.”
“I don't mean that way. I mean--it's such an opportunity for sympathy.”
Dr. Kennicott launched into a heavy, “Oh, these Dutch farmers don't want
sympathy. All they need is a bath and a good dose of salts.”
Carol must have flinched, for instantly he was urging, “What I mean
is--I don't want you to think I'm one of these old salts-and-quinine
peddlers, but I mean: so many of my patients are husky farmers that I
suppose I get kind of case-hardened.”
“It seems to me that a doctor could transform a whole community, if he
wanted to--if he saw it. He's usually the only man in the neighborhood
who has any scientific training, isn't he?”
“Yes, that's so, but I guess most of us get rusty. We land in a rut of
obstetrics and typhoid and busted legs. What we need is women like you
to jump on us. It'd be you that would transform the town.”
“No, I couldn't. Too flighty. I did used to think about doing just that,
curiously enough, but I seem to have drifted away from the idea. Oh, I'm
a fine one to be lecturing you!”
“No! You're just the one. You have ideas without having lost feminine
charm. Say! Don't you think there's a lot of these women that go out for
all these movements and so on that sacrifice----”
After his remarks upon suffrage he abruptly questioned her about
herself. His kindliness and the firmness of his personality enveloped
her and she accepted him as one who had a right to know what she
thought and wore and ate and read. He was positive. He had grown from a
sketched-in stranger to a friend, whose gossip was important news. She
noticed the healthy solidity of his chest. His nose, which had seemed
irregular and large, was suddenly virile.
She was jarred out of this serious sweetness when Marbury bounced over
to them and with horrible publicity yammered, “Say, what do you two
think you're doing? Telling fortunes or making love? Let me warn you
that the doc is a frisky bacheldore, Carol. Come on now, folks, shake a
leg. Let's have some stunts or a dance or something.”
She did not have another word with Dr. Kennicott until their parting:
“Been a great pleasure to meet you, Miss Milford. May I see you some
time when I come down again? I'm here quite often--taking patients to
hospitals for majors, and so on.”
“Why----”
“What's your address?”
“You can ask Mr. Marbury next time you come down--if you really want to
know!”
“Want to know? Say, you wait!”
II
Of the love-making of Carol and Will Kennicott there is nothing to be
told which may not be heard on every summer evening, on every shadowy
block.
They were biology and mystery; their speech was slang phrases and flares
of poetry; their silences were contentment, or shaky crises when his arm
took her shoulder. All the beauty of youth, first discovered when it
is passing--and all the commonplaceness of a well-to-do unmarried man
encountering a pretty girl at the time when she is slightly weary of her
employment and sees no glory ahead nor any man she is glad to serve.
They liked each other honestly--they were both honest. She was
disappointed by his devotion to making money, but she was sure that
he did not lie to patients, and that he did keep up with the medical
magazines. What aroused her to something more than liking was his
boyishness when they went tramping.
They walked from St. Paul down the river to Mendota, Kennicott more
elastic-seeming in a cap and a soft crepe shirt, Carol youthful in a
tam-o'-shanter of mole velvet, a blue serge suit with an absurdly and
agreeably broad turn-down linen collar, and frivolous ankles above
athletic shoes. The High Bridge crosses the Mississippi, mounting from
low banks to a palisade of cliffs. Far down beneath it on the St. Paul
side, upon mud flats, is a wild settlement of chicken-infested gardens
and shanties patched together from discarded sign-boards, sheets of
corrugated iron, and planks fished out of the river. Carol leaned
over the rail of the bridge to look down at this Yang-tse village;
in delicious imaginary fear she shrieked that she was dizzy with the
height; and it was an extremely human satisfaction to have a strong male
snatch her back to safety, instead of having a logical woman teacher or
librarian sniff, “Well, if you're scared, why don't you get away from
the rail, then?”
From the cliffs across the river Carol and Kennicott looked back at St.
Paul on its hills; an imperial sweep from the dome of the cathedral to
the dome of the state capitol.
The river road led past rocky field slopes, deep glens, woods flamboyant
now with September, to Mendota, white walls and a spire among trees
beneath a hill, old-world in its placid ease. And for this fresh land,
the place is ancient. Here is the bold stone house which General Sibley,
the king of fur-traders, built in 1835, with plaster of river mud, and
ropes of twisted grass for laths. It has an air of centuries. In its
solid rooms Carol and Kennicott found prints from other days which the
house had seen--tail-coats of robin's-egg blue, clumsy Red River carts
laden with luxurious furs, whiskered Union soldiers in slant forage caps
and rattling sabers.
It suggested to them a common American past, and it was memorable
because they had discovered it together. They talked more trustingly,
more personally, as they trudged on. They crossed the Minnesota River in
a rowboat ferry. They climbed the hill to the round stone tower of Fort
Snelling. They saw the junction of the Mississippi and the Minnesota,
and recalled the men who had come here eighty years ago--Maine
lumbermen, York traders, soldiers from the Maryland hills.
“It's a good country, and I'm proud of it. Let's make it all that those
old boys dreamed about,” the unsentimental Kennicott was moved to vow.
“Let's!”
“Come on. Come to Gopher Prairie. Show us. Make the town--well--make
it artistic. It's mighty pretty, but I'll admit we aren't any too darn
artistic. Probably the lumber-yard isn't as scrumptious as all these
Greek temples. But go to it! Make us change!”
“I would like to. Some day!”
“Now! You'd love Gopher Prairie. We've been doing a lot with lawns
and gardening the past few years, and it's so homey--the big trees
and----And the best people on earth. And keen. I bet Luke Dawson----”
Carol but half listened to the names. She could not fancy their ever
becoming important to her.
“I bet Luke Dawson has got more money than most of the swells on Summit
Avenue; and Miss Sherwin in the high school is a regular wonder--reads
Latin like I do English; and Sam Clark, the hardware man, he's a
corker--not a better man in the state to go hunting with; and if
you want culture, besides Vida Sherwin there's Reverend Warren, the
Congregational preacher, and Professor Mott, the superintendent of
schools, and Guy Pollock, the lawyer--they say he writes regular poetry
and--and Raymie Wutherspoon, he's not such an awful boob when you get to
KNOW him, and he sings swell. And----And there's plenty of others. Lym
Cass. Only of course none of them have your finesse, you might call it.
But they don't make 'em any more appreciative and so on. Come on! We're
ready for you to boss us!”
They sat on the bank below the parapet of the old fort, hidden from
observation. He circled her shoulder with his arm. Relaxed after the
walk, a chill nipping her throat, conscious of his warmth and power, she
leaned gratefully against him.
“You know I'm in love with you, Carol!”
She did not answer, but she touched the back of his hand with an
exploring finger.
“You say I'm so darn materialistic. How can I help it, unless I have you
to stir me up?”
She did not answer. She could not think.
“You say a doctor could cure a town the way he does a person. Well, you
cure the town of whatever ails it, if anything does, and I'll be your
surgical kit.”
She did not follow his words, only the burring resoluteness of them.
She was shocked, thrilled, as he kissed her cheek and cried, “There's
no use saying things and saying things and saying things. Don't my arms
talk to you--now?”
“Oh, please, please!” She wondered if she ought to be angry, but it was
a drifting thought, and she discovered that she was crying.
Then they were sitting six inches apart, pretending that they had never
been nearer, while she tried to be impersonal:
“I would like to--would like to see Gopher Prairie.”
“Trust me! Here she is! Brought some snapshots down to show you.”
Her cheek near his sleeve, she studied a dozen village pictures. They
were streaky; she saw only trees, shrubbery, a porch indistinct in leafy
shadows. But she exclaimed over the lakes: dark water reflecting wooded
bluffs, a flight of ducks, a fisherman in shirt sleeves and a wide straw
hat, holding up a string of croppies. One winter picture of the edge of
Plover Lake had the air of an etching: lustrous slide of ice, snow in
the crevices of a boggy bank, the mound of a muskrat house, reeds in
thin black lines, arches of frosty grasses. It was an impression of cool
clear vigor.
“How'd it be to skate there for a couple of hours, or go zinging along
on a fast ice-boat, and skip back home for coffee and some hot wienies?”
he demanded.
“It might be--fun.”
“But here's the picture. Here's where you come in.”
A photograph of a forest clearing: pathetic new furrows straggling among
stumps, a clumsy log cabin chinked with mud and roofed with hay.
In front of it a sagging woman with tight-drawn hair, and a baby
bedraggled, smeary, glorious-eyed.
“Those are the kind of folks I practise among, good share of the time.
Nels Erdstrom, fine clean young Svenska. He'll have a corking farm in
ten years, but now----I operated his wife on a kitchen table, with my
driver giving the anesthetic. Look at that scared baby! Needs some woman
with hands like yours. Waiting for you! Just look at that baby's eyes,
look how he's begging----”
“Don't! They hurt me. Oh, it would be sweet to help him--so sweet.”
As his arms moved toward her she answered all her doubts with “Sweet, so
sweet.”
CHAPTER III
UNDER the rolling clouds of the prairie a moving mass of steel. An
irritable clank and rattle beneath a prolonged roar. The sharp scent of
oranges cutting the soggy smell of unbathed people and ancient baggage.
Towns as planless as a scattering of pasteboard boxes on an attic floor.
The stretch of faded gold stubble broken only by clumps of willows
encircling white houses and red barns.
No. 7, the way train, grumbling through Minnesota, imperceptibly
climbing the giant tableland that slopes in a thousand-mile rise from
hot Mississippi bottoms to the Rockies.
It is September, hot, very dusty.
There is no smug Pullman attached to the train, and the day coaches of
the East are replaced by free chair cars, with each seat cut into two
adjustable plush chairs, the head-rests covered with doubtful linen
towels. Halfway down the car is a semi-partition of carved oak columns,
but the aisle is of bare, splintery, grease-blackened wood. There is no
porter, no pillows, no provision for beds, but all today and all tonight
they will ride in this long steel box-farmers with perpetually tired
wives and children who seem all to be of the same age; workmen going to
new jobs; traveling salesmen with derbies and freshly shined shoes.
They are parched and cramped, the lines of their hands filled with
grime; they go to sleep curled in distorted attitudes, heads against the
window-panes or propped on rolled coats on seat-arms, and legs thrust
into the aisle. They do not read; apparently they do not think. They
wait. An early-wrinkled, young-old mother, moving as though her joints
were dry, opens a suit-case in which are seen creased blouses, a pair
of slippers worn through at the toes, a bottle of patent medicine, a tin
cup, a paper-covered book about dreams which the news-butcher has coaxed
her into buying. She brings out a graham cracker which she feeds to a
baby lying flat on a seat and wailing hopelessly. Most of the crumbs
drop on the red plush of the seat, and the woman sighs and tries to
brush them away, but they leap up impishly and fall back on the plush.
A soiled man and woman munch sandwiches and throw the crusts on the
floor. A large brick-colored Norwegian takes off his shoes, grunts in
relief, and props his feet in their thick gray socks against the seat in
front of him.
An old woman whose toothless mouth shuts like a mud-turtle's, and whose
hair is not so much white as yellow like moldy linen, with bands of pink
skull apparent between the tresses, anxiously lifts her bag, opens it,
peers in, closes it, puts it under the seat, and hastily picks it up and
opens it and hides it all over again. The bag is full of treasures and
of memories: a leather buckle, an ancient band-concert program,
scraps of ribbon, lace, satin. In the aisle beside her is an extremely
indignant parrakeet in a cage.
Two facing seats, overflowing with a Slovene iron-miner's family,
are littered with shoes, dolls, whisky bottles, bundles wrapped in
newspapers, a sewing bag. The oldest boy takes a mouth-organ out of his
coat pocket, wipes the tobacco crumbs off, and plays “Marching through
Georgia” till every head in the car begins to ache.
The news-butcher comes through selling chocolate bars and lemon drops.
A girl-child ceaselessly trots down to the water-cooler and back to her
seat. The stiff paper envelope which she uses for cup drips in the aisle
as she goes, and on each trip she stumbles over the feet of a carpenter,
who grunts, “Ouch! Look out!”
The dust-caked doors are open, and from the smoking-car drifts back a
visible blue line of stinging tobacco smoke, and with it a crackle of
laughter over the story which the young man in the bright blue suit and
lavender tie and light yellow shoes has just told to the squat man in
garage overalls.
The smell grows constantly thicker, more stale.
II
To each of the passengers his seat was his temporary home, and most of
the passengers were slatternly housekeepers. But one seat looked clean
and deceptively cool. In it were an obviously prosperous man and a
black-haired, fine-skinned girl whose pumps rested on an immaculate
horsehide bag.
They were Dr. Will Kennicott and his bride, Carol.
They had been married at the end of a year of conversational courtship,
and they were on their way to Gopher Prairie after a wedding journey in
the Colorado mountains.
The hordes of the way-train were not altogether new to Carol. She had
seen them on trips from St. Paul to Chicago. But now that they had
become her own people, to bathe and encourage and adorn, she had an
acute and uncomfortable interest in them. They distressed her. They
were so stolid. She had always maintained that there is no American
peasantry, and she sought now to defend her faith by seeing imagination
and enterprise in the young Swedish farmers, and in a traveling man
working over his order-blanks. But the older people, Yankees as well
as Norwegians, Germans, Finns, Canucks, had settled into submission to
poverty. They were peasants, she groaned.
“Isn't there any way of waking them up? What would happen if they
understood scientific agriculture?” she begged of Kennicott, her hand
groping for his.
It had been a transforming honeymoon. She had been frightened to
discover how tumultuous a feeling could be roused in her. Will had been
lordly--stalwart, jolly, impressively competent in making camp, tender
and understanding through the hours when they had lain side by side in a
tent pitched among pines high up on a lonely mountain spur.
His hand swallowed hers as he started from thoughts of the practise to
which he was returning. “These people? Wake 'em up? What for? They're
happy.”
“But they're so provincial. No, that isn't what I mean. They're--oh, so
sunk in the mud.”
“Look here, Carrie. You want to get over your city idea that because a
man's pants aren't pressed, he's a fool. These farmers are mighty keen
and up-and-coming.”
“I know! That's what hurts. Life seems so hard for them--these lonely
farms and this gritty train.”
“Oh, they don't mind it. Besides, things are changing. The auto, the
telephone, rural free delivery; they're bringing the farmers in closer
touch with the town. Takes time, you know, to change a wilderness like
this was fifty years ago. But already, why, they can hop into the Ford
or the Overland and get in to the movies on Saturday evening quicker
than you could get down to 'em by trolley in St. Paul.”
“But if it's these towns we've been passing that the farmers run to for
relief from their bleakness----Can't you understand? Just LOOK at them!”
Kennicott was amazed. Ever since childhood he had seen these towns from
trains on this same line. He grumbled, “Why, what's the matter with 'em?
Good hustling burgs. It would astonish you to know how much wheat and
rye and corn and potatoes they ship in a year.”
“But they're so ugly.”
“I'll admit they aren't comfy like Gopher Prairie. But give 'em time.”
“What's the use of giving them time unless some one has desire and
training enough to plan them? Hundreds of factories trying to make
attractive motor cars, but these towns--left to chance. No! That can't
be true. It must have taken genius to make them so scrawny!”
“Oh, they're not so bad,” was all he answered. He pretended that his
hand was the cat and hers the mouse. For the first time she tolerated
him rather than encouraged him. She was staring out at Schoenstrom, a
hamlet of perhaps a hundred and fifty inhabitants, at which the train
was stopping.
A bearded German and his pucker-mouthed wife tugged their enormous
imitation-leather satchel from under a seat and waddled out. The station
agent hoisted a dead calf aboard the baggage-car. There were no other
visible activities in Schoenstrom. In the quiet of the halt, Carol could
hear a horse kicking his stall, a carpenter shingling a roof.
The business-center of Schoenstrom took up one side of one block, facing
the railroad. It was a row of one-story shops covered with galvanized
iron, or with clapboards painted red and bilious yellow. The buildings
were as ill-assorted, as temporary-looking, as a mining-camp street in
the motion-pictures. The railroad station was a one-room frame box, a
mirey cattle-pen on one side and a crimson wheat-elevator on the other.
The elevator, with its cupola on the ridge of a shingled roof, resembled
a broad-shouldered man with a small, vicious, pointed head. The only
habitable structures to be seen were the florid red-brick Catholic
church and rectory at the end of Main Street.
Carol picked at Kennicott's sleeve. “You wouldn't call this a not-so-bad
town, would you?”
“These Dutch burgs ARE kind of slow. Still, at that----See that fellow
coming out of the general store there, getting into the big car? I met
him once. He owns about half the town, besides the store. Rauskukle, his
name is. He owns a lot of mortgages, and he gambles in farm-lands. Good
nut on him, that fellow. Why, they say he's worth three or four hundred
thousand dollars! Got a dandy great big yellow brick house with tiled
walks and a garden and everything, other end of town--can't see it from
here--I've gone past it when I've driven through here. Yes sir!”
“Then, if he has all that, there's no excuse whatever for this place!
If his three hundred thousand went back into the town, where it belongs,
they could burn up these shacks, and build a dream-village, a jewel! Why
do the farmers and the town-people let the Baron keep it?”
“I must say I don't quite get you sometimes, Carrie. Let him? They can't
help themselves! He's a dumm old Dutchman, and probably the priest can
twist him around his finger, but when it comes to picking good farming
land, he's a regular wiz!”
“I see. He's their symbol of beauty. The town erects him, instead of
erecting buildings.”
“Honestly, don't know what you're driving at. You're kind of played out,
after this long trip. You'll feel better when you get home and have a
good bath, and put on the blue negligee. That's some vampire costume,
you witch!”
He squeezed her arm, looked at her knowingly.
They moved on from the desert stillness of the Schoenstrom station. The
train creaked, banged, swayed. The air was nauseatingly thick. Kennicott
turned her face from the window, rested her head on his shoulder. She
was coaxed from her unhappy mood. But she came out of it unwillingly,
and when Kennicott was satisfied that he had corrected all her worries
and had opened a magazine of saffron detective stories, she sat upright.
Here--she meditated--is the newest empire of the world; the Northern
Middlewest; a land of dairy herds and exquisite lakes, of new
automobiles and tar-paper shanties and silos like red towers, of clumsy
speech and a hope that is boundless. An empire which feeds a quarter of
the world--yet its work is merely begun. They are pioneers, these sweaty
wayfarers, for all their telephones and bank-accounts and automatic
pianos and co-operative leagues. And for all its fat richness, theirs is
a pioneer land. What is its future? she wondered. A future of cities
and factory smut where now are loping empty fields? Homes universal and
secure? Or placid chateaux ringed with sullen huts? Youth free to find
knowledge and laughter? Willingness to sift the sanctified lies? Or
creamy-skinned fat women, smeared with grease and chalk, gorgeous in the
skins of beasts and the bloody feathers of slain birds, playing bridge
with puffy pink-nailed jeweled fingers, women who after much expenditure
of labor and bad temper still grotesquely resemble their own flatulent
lap-dogs? The ancient stale inequalities, or something different in
history, unlike the tedious maturity of other empires? What future and
what hope?
Carol's head ached with the riddle.
She saw the prairie, flat in giant patches or rolling in long hummocks.
The width and bigness of it, which had expanded her spirit an hour ago,
began to frighten her. It spread out so; it went on so uncontrollably;
she could never know it. Kennicott was closeted in his detective story.
With the loneliness which comes most depressingly in the midst of many
people she tried to forget problems, to look at the prairie objectively.
The grass beside the railroad had been burnt over; it was a smudge
prickly with charred stalks of weeds. Beyond the undeviating barbed-wire
fences were clumps of golden rod. Only this thin hedge shut them off
from the plains-shorn wheat-lands of autumn, a hundred acres to a field,
prickly and gray near-by but in the blurred distance like tawny velvet
stretched over dipping hillocks. The long rows of wheat-shocks marched
like soldiers in worn yellow tabards. The newly plowed fields were
black banners fallen on the distant slope. It was a martial immensity,
vigorous, a little harsh, unsoftened by kindly gardens.
The expanse was relieved by clumps of oaks with patches of short wild
grass; and every mile or two was a chain of cobalt slews, with the
flicker of blackbirds' wings across them.
All this working land was turned into exuberance by the light. The
sunshine was dizzy on open stubble; shadows from immense cumulus clouds
were forever sliding across low mounds; and the sky was wider and
loftier and more resolutely blue than the sky of cities . . . she
declared.
“It's a glorious country; a land to be big in,” she crooned.
Then Kennicott startled her by chuckling, “D' you realize the town after
the next is Gopher Prairie? Home!”
III
That one word--home--it terrified her. Had she really bound herself to
live, inescapably, in this town called Gopher Prairie? And this thick
man beside her, who dared to define her future, he was a stranger! She
turned in her seat, stared at him. Who was he? Why was he sitting with
her? He wasn't of her kind! His neck was heavy; his speech was heavy; he
was twelve or thirteen years older than she; and about him was none of
the magic of shared adventures and eagerness. She could not believe that
she had ever slept in his arms. That was one of the dreams which you had
but did not officially admit.
She told herself how good he was, how dependable and understanding. She
touched his ear, smoothed the plane of his solid jaw, and, turning away
again, concentrated upon liking his town. It wouldn't be like these
barren settlements. It couldn't be! Why, it had three thousand
population. That was a great many people. There would be six hundred
houses or more. And----The lakes near it would be so lovely. She'd seen
them in the photographs. They had looked charming . . . hadn't they?
As the train left Wahkeenyan she began nervously to watch for the
lakes--the entrance to all her future life. But when she discovered
them, to the left of the track, her only impression of them was that
they resembled the photographs.
A mile from Gopher Prairie the track mounts a curving low ridge, and she
could see the town as a whole. With a passionate jerk she pushed up the
window, looked out, the arched fingers of her left hand trembling on the
sill, her right hand at her breast.
And she saw that Gopher Prairie was merely an enlargement of all the
hamlets which they had been passing. Only to the eyes of a Kennicott was
it exceptional. The huddled low wooden houses broke the plains scarcely
more than would a hazel thicket. The fields swept up to it, past it.
It was unprotected and unprotecting; there was no dignity in it nor
any hope of greatness. Only the tall red grain-elevator and a few tinny
church-steeples rose from the mass. It was a frontier camp. It was not a
place to live in, not possibly, not conceivably.
The people--they'd be as drab as their houses, as flat as their fields.
She couldn't stay here. She would have to wrench loose from this man,
and flee.
She peeped at him. She was at once helpless before his mature fixity,
and touched by his excitement as he sent his magazine skittering along
the aisle, stooped for their bags, came up with flushed face, and
gloated, “Here we are!”
She smiled loyally, and looked away. The train was entering town. The
houses on the outskirts were dusky old red mansions with wooden frills,
or gaunt frame shelters like grocery boxes, or new bungalows with
concrete foundations imitating stone.
Now the train was passing the elevator, the grim storage-tanks for oil,
a creamery, a lumber-yard, a stock-yard muddy and trampled and stinking.
Now they were stopping at a squat red frame station, the platform
crowded with unshaven farmers and with loafers--unadventurous people
with dead eyes. She was here. She could not go on. It was the end--the
end of the world. She sat with closed eyes, longing to push past
Kennicott, hide somewhere in the train, flee on toward the Pacific.
Something large arose in her soul and commanded, “Stop it! Stop being a
whining baby!” She stood up quickly; she said, “Isn't it wonderful to be
here at last!”
He trusted her so. She would make herself like the place. And she was
going to do tremendous things----
She followed Kennicott and the bobbing ends of the two bags which
he carried. They were held back by the slow line of disembarking
passengers. She reminded herself that she was actually at the dramatic
moment of the bride's home-coming. She ought to feel exalted. She felt
nothing at all except irritation at their slow progress toward the door.
Kennicott stooped to peer through the windows. He shyly exulted:
“Look! Look! There's a bunch come down to welcome us! Sam Clark and the
missus and Dave Dyer and Jack Elder, and, yes sir, Harry Haydock and
Juanita, and a whole crowd! I guess they see us now. Yuh, yuh sure, they
see us! See 'em waving!”
She obediently bent her head to look out at them. She had hold of
herself. She was ready to love them. But she was embarrassed by the
heartiness of the cheering group. From the vestibule she waved to them,
but she clung a second to the sleeve of the brakeman who helped her down
before she had the courage to dive into the cataract of hand-shaking
people, people whom she could not tell apart. She had the impression
that all the men had coarse voices, large damp hands, tooth-brush
mustaches, bald spots, and Masonic watch-charms.
She knew that they were welcoming her. Their hands, their smiles, their
shouts, their affectionate eyes overcame her. She stammered, “Thank you,
oh, thank you!”
One of the men was clamoring at Kennicott, “I brought my machine down to
take you home, doc.”
“Fine business, Sam!” cried Kennicott; and, to Carol, “Let's jump in.
That big Paige over there. Some boat, too, believe me! Sam can show
speed to any of these Marmons from Minneapolis!”
Only when she was in the motor car did she distinguish the three people
who were to accompany them. The owner, now at the wheel, was the essence
of decent self-satisfaction; a baldish, largish, level-eyed man, rugged
of neck but sleek and round of face--face like the back of a spoon bowl.
He was chuckling at her, “Have you got us all straight yet?”
“Course she has! Trust Carrie to get things straight and get 'em darn
quick! I bet she could tell you every date in history!” boasted her
husband.
But the man looked at her reassuringly and with a certainty that he
was a person whom she could trust she confessed, “As a matter of fact I
haven't got anybody straight.”
“Course you haven't, child. Well, I'm Sam Clark, dealer in hardware,
sporting goods, cream separators, and almost any kind of heavy junk you
can think of. You can call me Sam--anyway, I'm going to call you Carrie,
seein' 's you've been and gone and married this poor fish of a bum medic
that we keep round here.” Carol smiled lavishly, and wished that she
called people by their given names more easily. “The fat cranky lady
back there beside you, who is pretending that she can't hear me giving
her away, is Mrs. Sam'l Clark; and this hungry-looking squirt up here
beside me is Dave Dyer, who keeps his drug store running by not filling
your hubby's prescriptions right--fact you might say he's the guy that
put the 'shun' in 'prescription.' So! Well, leave us take the bonny
bride home. Say, doc, I'll sell you the Candersen place for three
thousand plunks. Better be thinking about building a new home for
Carrie. Prettiest Frau in G. P., if you asks me!”
Contentedly Sam Clark drove off, in the heavy traffic of three Fords and
the Minniemashie House Free 'Bus.
“I shall like Mr. Clark . . . I CAN'T call him 'Sam'! They're all so
friendly.” She glanced at the houses; tried not to see what she saw;
gave way in: “Why do these stories lie so? They always make the bride's
home-coming a bower of roses. Complete trust in noble spouse. Lies about
marriage. I'm NOT changed. And this town--O my God! I can't go through
with it. This junk-heap!”
Her husband bent over her. “You look like you were in a brown study.
Scared? I don't expect you to think Gopher Prairie is a paradise, after
St. Paul. I don't expect you to be crazy about it, at first. But you'll
come to like it so much--life's so free here and best people on earth.”
She whispered to him (while Mrs. Clark considerately turned away), “I
love you for understanding. I'm just--I'm beastly over-sensitive. Too
many books. It's my lack of shoulder-muscles and sense. Give me time,
dear.”
“You bet! All the time you want!”
She laid the back of his hand against her cheek, snuggled near him. She
was ready for her new home.
Kennicott had told her that, with his widowed mother as housekeeper, he
had occupied an old house, “but nice and roomy, and well-heated, best
furnace I could find on the market.” His mother had left Carol her love,
and gone back to Lac-qui-Meurt.
It would be wonderful, she exulted, not to have to live in Other
People's Houses, but to make her own shrine. She held his hand tightly
and stared ahead as the car swung round a corner and stopped in the
street before a prosaic frame house in a small parched lawn.
IV
A concrete sidewalk with a “parking” of grass and mud. A square smug
brown house, rather damp. A narrow concrete walk up to it. Sickly yellow
leaves in a windrow with dried wings of box-elder seeds and snags
of wool from the cotton-woods. A screened porch with pillars of thin
painted pine surmounted by scrolls and brackets and bumps of jigsawed
wood. No shrubbery to shut off the public gaze. A lugubrious bay-window
to the right of the porch. Window curtains of starched cheap lace
revealing a pink marble table with a conch shell and a Family Bible.
“You'll find it old-fashioned--what do you call it?--Mid-Victorian. I
left it as is, so you could make any changes you felt were necessary.”
Kennicott sounded doubtful for the first time since he had come back to
his own.
“It's a real home!” She was moved by his humility. She gaily motioned
good-by to the Clarks. He unlocked the door--he was leaving the choice
of a maid to her, and there was no one in the house. She jiggled while
he turned the key, and scampered in. . . . It was next day before either
of them remembered that in their honeymoon camp they had planned that he
should carry her over the sill.
In hallway and front parlor she was conscious of dinginess and
lugubriousness and airlessness, but she insisted, “I'll make it all
jolly.” As she followed Kennicott and the bags up to their bedroom she
quavered to herself the song of the fat little-gods of the hearth:
I have my own home,
To do what I please with,
To do what I please with,
My den for me and my mate and my cubs,
My own!
She was close in her husband's arms; she clung to him; whatever of
strangeness and slowness and insularity she might find in him, none of
that mattered so long as she could slip her hands beneath his coat, run
her fingers over the warm smoothness of the satin back of his waistcoat,
seem almost to creep into his body, find in him strength, find in the
courage and kindness of her man a shelter from the perplexing world.
“Sweet, so sweet,” she whispered.
CHAPTER IV
I
“THE Clarks have invited some folks to their house to meet us, tonight,”
said Kennicott, as he unpacked his suit-case.
“Oh, that is nice of them!”
“You bet. I told you you'd like 'em. Squarest people on earth. Uh,
Carrie----Would you mind if I sneaked down to the office for an hour,
just to see how things are?”
“Why, no. Of course not. I know you're keen to get back to work.”
“Sure you don't mind?”
“Not a bit. Out of my way. Let me unpack.”
But the advocate of freedom in marriage was as much disappointed as
a drooping bride at the alacrity with which he took that freedom and
escaped to the world of men's affairs. She gazed about their bedroom,
and its full dismalness crawled over her: the awkward knuckly L-shape
of it; the black walnut bed with apples and spotty pears carved on the
headboard; the imitation maple bureau, with pink-daubed scent-bottles
and a petticoated pin-cushion on a marble slab uncomfortably like a
gravestone; the plain pine washstand and the garlanded water-pitcher and
bowl. The scent was of horsehair and plush and Florida Water.
“How could people ever live with things like this?” she shuddered. She
saw the furniture as a circle of elderly judges, condemning her to death
by smothering. The tottering brocade chair squeaked, “Choke her--choke
her--smother her.” The old linen smelled of the tomb. She was alone in
this house, this strange still house, among the shadows of dead thoughts
and haunting repressions. “I hate it! I hate it!” she panted. “Why did I
ever----”
She remembered that Kennicott's mother had brought these family
relics from the old home in Lac-qui-Meurt. “Stop it! They're perfectly
comfortable things. They're--comfortable. Besides----Oh, they're
horrible! We'll change them, right away.”
Then, “But of course he HAS to see how things are at the office----”
She made a pretense of busying herself with unpacking. The chintz-lined,
silver-fitted bag which had seemed so desirable a luxury in St. Paul was
an extravagant vanity here. The daring black chemise of frail chiffon
and lace was a hussy at which the deep-bosomed bed stiffened in disgust,
and she hurled it into a bureau drawer, hid it beneath a sensible linen
blouse.
She gave up unpacking. She went to the window, with a purely literary
thought of village charm--hollyhocks and lanes and apple-cheeked
cottagers. What she saw was the side of the Seventh-Day Adventist
Church--a plain clapboard wall of a sour liver color; the ash-pile
back of the church; an unpainted stable; and an alley in which a Ford
delivery-wagon had been stranded. This was the terraced garden below her
boudoir; this was to be her scenery for----
“I mustn't! I mustn't! I'm nervous this afternoon. Am I sick? . . . Good
Lord, I hope it isn't that! Not now! How people lie! How these stories
lie! They say the bride is always so blushing and proud and happy when
she finds that out, but--I'd hate it! I'd be scared to death! Some
day but----Please, dear nebulous Lord, not now! Bearded sniffy old
men sitting and demanding that we bear children. If THEY had to bear
them----! I wish they did have to! Not now! Not till I've got hold of
this job of liking the ash-pile out there! . . . I must shut up. I'm
mildly insane. I'm going out for a walk. I'll see the town by myself. My
first view of the empire I'm going to conquer!”
She fled from the house.
She stared with seriousness at every concrete crossing, every
hitching-post, every rake for leaves; and to each house she devoted all
her speculation. What would they come to mean? How would they look six
months from now? In which of them would she be dining? Which of these
people whom she passed, now mere arrangements of hair and clothes, would
turn into intimates, loved or dreaded, different from all the other
people in the world?
As she came into the small business-section she inspected a broad-beamed
grocer in an alpaca coat who was bending over the apples and celery on a
slanted platform in front of his store. Would she ever talk to him? What
would he say if she stopped and stated, “I am Mrs. Dr. Kennicott. Some
day I hope to confide that a heap of extremely dubious pumpkins as a
window-display doesn't exhilarate me much.”
(The grocer was Mr. Frederick F. Ludelmeyer, whose market is at the
corner of Main Street and Lincoln Avenue. In supposing that only she was
observant Carol was ignorant, misled by the indifference of cities. She
fancied that she was slipping through the streets invisible; but when
she had passed, Mr. Ludelmeyer puffed into the store and coughed at his
clerk, “I seen a young woman, she come along the side street. I bet she
is Doc Kennicott's new bride, good-looker, nice legs, but she wore a
hell of a plain suit, no style, I wonder will she pay cash, I bet she
goes to Howland & Gould's more as she does here, what you done with the
poster for Fluffed Oats?”)
II
When Carol had walked for thirty-two minutes she had completely covered
the town, east and west, north and south; and she stood at the corner of
Main Street and Washington Avenue and despaired.
Main Street with its two-story brick shops, its story-and-a-half wooden
residences, its muddy expanse from concrete walk to walk, its huddle
of Fords and lumber-wagons, was too small to absorb her. The broad,
straight, unenticing gashes of the streets let in the grasping prairie
on every side. She realized the vastness and the emptiness of the land.
The skeleton iron windmill on the farm a few blocks away, at the north
end of Main Street, was like the ribs of a dead cow. She thought of the
coming of the Northern winter, when the unprotected houses would crouch
together in terror of storms galloping out of that wild waste. They
were so small and weak, the little brown houses. They were shelters for
sparrows, not homes for warm laughing people.
She told herself that down the street the leaves were a splendor. The
maples were orange; the oaks a solid tint of raspberry. And the lawns
had been nursed with love. But the thought would not hold. At best the
trees resembled a thinned woodlot. There was no park to rest the eyes.
And since not Gopher Prairie but Wakamin was the county-seat, there was
no court-house with its grounds.
She glanced through the fly-specked windows of the most pretentious
building in sight, the one place which welcomed strangers and
determined their opinion of the charm and luxury of Gopher Prairie--the
Minniemashie House. It was a tall lean shabby structure, three stories
of yellow-streaked wood, the corners covered with sanded pine slabs
purporting to symbolize stone. In the hotel office she could see a
stretch of bare unclean floor, a line of rickety chairs with brass
cuspidors between, a writing-desk with advertisements in mother-of-pearl
letters upon the glass-covered back. The dining-room beyond was a jungle
of stained table-cloths and catsup bottles.
She looked no more at the Minniemashie House.
A man in cuffless shirt-sleeves with pink arm-garters, wearing a linen
collar but no tie, yawned his way from Dyer's Drug Store across to the
hotel. He leaned against the wall, scratched a while, sighed, and in a
bored way gossiped with a man tilted back in a chair. A lumber-wagon,
its long green box filled with large spools of barbed-wire fencing,
creaked down the block. A Ford, in reverse, sounded as though it
were shaking to pieces, then recovered and rattled away. In the Greek
candy-store was the whine of a peanut-roaster, and the oily smell of
nuts.
There was no other sound nor sign of life.
She wanted to run, fleeing from the encroaching prairie, demanding the
security of a great city. Her dreams of creating a beautiful town were
ludicrous. Oozing out from every drab wall, she felt a forbidding spirit
which she could never conquer.
She trailed down the street on one side, back on the other, glancing
into the cross streets. It was a private Seeing Main Street tour. She
was within ten minutes beholding not only the heart of a place called
Gopher Prairie, but ten thousand towns from Albany to San Diego:
Dyer's Drug Store, a corner building of regular and unreal blocks of
artificial stone. Inside the store, a greasy marble soda-fountain with
an electric lamp of red and green and curdled-yellow mosaic
shade. Pawed-over heaps of tooth-brushes and combs and packages of
shaving-soap. Shelves of soap-cartons, teething-rings, garden-seeds,
and patent medicines in yellow “packages-nostrums” for consumption, for
“women's diseases”--notorious mixtures of opium and alcohol, in
the very shop to which her husband sent patients for the filling of
prescriptions.
From a second-story window the sign “W. P. Kennicott, Phys. & Surgeon,”
gilt on black sand.
A small wooden motion-picture theater called “The Rosebud Movie Palace.”
Lithographs announcing a film called “Fatty in Love.”
Howland & Gould's Grocery. In the display window, black, overripe
bananas and lettuce on which a cat was sleeping. Shelves lined with red
crepe paper which was now faded and torn and concentrically spotted.
Flat against the wall of the second story the signs of lodges--the
Knights of Pythias, the Maccabees, the Woodmen, the Masons.
Dahl & Oleson's Meat Market--a reek of blood.
A jewelry shop with tinny-looking wrist-watches for women. In front of
it, at the curb, a huge wooden clock which did not go.
A fly-buzzing saloon with a brilliant gold and enamel whisky sign across
the front. Other saloons down the block. From them a stink of stale
beer, and thick voices bellowing pidgin German or trolling out dirty
songs--vice gone feeble and unenterprising and dull--the delicacy of a
mining-camp minus its vigor. In front of the saloons, farmwives sitting
on the seats of wagons, waiting for their husbands to become drunk and
ready to start home.
A tobacco shop called “The Smoke House,” filled with young men shaking
dice for cigarettes. Racks of magazines, and pictures of coy fat
prostitutes in striped bathing-suits.
A clothing store with a display of “ox-blood-shade Oxfords with bull-dog
toes.” Suits which looked worn and glossless while they were still new,
flabbily draped on dummies like corpses with painted cheeks.
The Bon Ton Store--Haydock & Simons'--the largest shop in town. The
first-story front of clear glass, the plates cleverly bound at the edges
with brass. The second story of pleasant tapestry brick. One window of
excellent clothes for men, interspersed with collars of floral pique
which showed mauve daisies on a saffron ground. Newness and an obvious
notion of neatness and service. Haydock & Simons. Haydock. She had met a
Haydock at the station; Harry Haydock; an active person of thirty-five.
He seemed great to her, now, and very like a saint. His shop was clean!
Axel Egge's General Store, frequented by Scandinavian farmers. In the
shallow dark window-space heaps of sleazy sateens, badly woven galateas,
canvas shoes designed for women with bulging ankles, steel and red glass
buttons upon cards with broken edges, a cottony blanket, a granite-ware
frying-pan reposing on a sun-faded crepe blouse.
Sam Clark's Hardware Store. An air of frankly metallic enterprise. Guns
and churns and barrels of nails and beautiful shiny butcher knives.
Chester Dashaway's House Furnishing Emporium. A vista of heavy oak
rockers with leather seats, asleep in a dismal row.
Billy's Lunch. Thick handleless cups on the wet oilcloth-covered
counter. An odor of onions and the smoke of hot lard. In the doorway a
young man audibly sucking a toothpick.
The warehouse of the buyer of cream and potatoes. The sour smell of a
dairy.
The Ford Garage and the Buick Garage, competent one-story brick
and cement buildings opposite each other. Old and new cars on
grease-blackened concrete floors. Tire advertisements. The roaring of
a tested motor; a racket which beat at the nerves. Surly young men in
khaki union-overalls. The most energetic and vital places in town.
A large warehouse for agricultural implements. An impressive barricade
of green and gold wheels, of shafts and sulky seats, belonging
to machinery of which Carol knew nothing--potato-planters,
manure-spreaders, silage-cutters, disk-harrows, breaking-plows.
A feed store, its windows opaque with the dust of bran, a patent
medicine advertisement painted on its roof.
Ye Art Shoppe, Prop. Mrs. Mary Ellen Wilks, Christian Science Library
open daily free. A touching fumble at beauty. A one-room shanty of
boards recently covered with rough stucco. A show-window delicately rich
in error: vases starting out to imitate tree-trunks but running off
into blobs of gilt--an aluminum ash-tray labeled “Greetings from
Gopher Prairie”--a Christian Science magazine--a stamped sofa-cushion
portraying a large ribbon tied to a small poppy, the correct skeins of
embroidery-silk lying on the pillow. Inside the shop, a glimpse of bad
carbon prints of bad and famous pictures, shelves of phonograph records
and camera films, wooden toys, and in the midst an anxious small woman
sitting in a padded rocking chair.
A barber shop and pool room. A man in shirt sleeves, presumably Del
Snafflin the proprietor, shaving a man who had a large Adam's apple.
Nat Hicks's Tailor Shop, on a side street off Main. A one-story
building. A fashion-plate showing human pitchforks in garments which
looked as hard as steel plate.
On another side street a raw red-brick Catholic Church with a varnished
yellow door.
The post-office--merely a partition of glass and brass shutting off
the rear of a mildewed room which must once have been a shop. A tilted
writing-shelf against a wall rubbed black and scattered with official
notices and army recruiting-posters.
The damp, yellow-brick schoolbuilding in its cindery grounds.
The State Bank, stucco masking wood.
The Farmers' National Bank. An Ionic temple of marble. Pure, exquisite,
solitary. A brass plate with “Ezra Stowbody, Pres't.”
A score of similar shops and establishments.
Behind them and mixed with them, the houses, meek cottages or large,
comfortable, soundly uninteresting symbols of prosperity.
In all the town not one building save the Ionic bank which gave pleasure
to Carol's eyes; not a dozen buildings which suggested that, in the
fifty years of Gopher Prairie's existence, the citizens had realized
that it was either desirable or possible to make this, their common
home, amusing or attractive.
It was not only the unsparing unapologetic ugliness and the rigid
straightness which overwhelmed her. It was the planlessness, the flimsy
temporariness of the buildings, their faded unpleasant colors. The
street was cluttered with electric-light poles, telephone poles,
gasoline pumps for motor cars, boxes of goods. Each man had built
with the most valiant disregard of all the others. Between a large
new “block” of two-story brick shops on one side, and the fire-brick
Overland garage on the other side, was a one-story cottage turned into
a millinery shop. The white temple of the Farmers' Bank was elbowed back
by a grocery of glaring yellow brick. One store-building had a patchy
galvanized iron cornice; the building beside it was crowned with
battlements and pyramids of brick capped with blocks of red sandstone.
She escaped from Main Street, fled home.
She wouldn't have cared, she insisted, if the people had been comely.
She had noted a young man loafing before a shop, one unwashed hand
holding the cord of an awning; a middle-aged man who had a way of
staring at women as though he had been married too long and too
prosaically; an old farmer, solid, wholesome, but not clean--his face
like a potato fresh from the earth. None of them had shaved for three
days.
“If they can't build shrines, out here on the prairie, surely there's
nothing to prevent their buying safety-razors!” she raged.
She fought herself: “I must be wrong. People do live here. It CAN'T be
as ugly as--as I know it is! I must be wrong. But I can't do it. I can't
go through with it.”
She came home too seriously worried for hysteria; and when she found
Kennicott waiting for her, and exulting, “Have a walk? Well, like
the town? Great lawns and trees, eh?” she was able to say, with a
self-protective maturity new to her, “It's very interesting.”
III
The train which brought Carol to Gopher Prairie also brought Miss Bea
Sorenson.
Miss Bea was a stalwart, corn-colored, laughing young woman, and she was
bored by farm-work. She desired the excitements of city-life, and the
way to enjoy city-life was, she had decided, to “go get a yob as hired
girl in Gopher Prairie.” She contentedly lugged her pasteboard telescope
from the station to her cousin, Tina Malmquist, maid of all work in the
residence of Mrs. Luke Dawson.
“Vell, so you come to town,” said Tina.
“Ya. Ay get a yob,” said Bea.
“Vell. . . . You got a fella now?”
“Ya. Yim Yacobson.”
“Vell. I'm glat to see you. How much you vant a veek?”
“Sex dollar.”
“There ain't nobody pay dat. Vait! Dr. Kennicott, I t'ink he marry a
girl from de Cities. Maybe she pay dat. Vell. You go take a valk.”
“Ya,” said Bea.
So it chanced that Carol Kennicott and Bea Sorenson were viewing Main
Street at the same time.
Bea had never before been in a town larger than Scandia Crossing, which
has sixty-seven inhabitants.
As she marched up the street she was meditating that it didn't hardly
seem like it was possible there could be so many folks all in one place
at the same time. My! It would take years to get acquainted with them
all. And swell people, too! A fine big gentleman in a new pink shirt
with a diamond, and not no washed-out blue denim working-shirt. A lovely
lady in a longery dress (but it must be an awful hard dress to wash).
And the stores!
Not just three of them, like there were at Scandia Crossing, but more
than four whole blocks!
The Bon Ton Store--big as four barns--my! it would simply scare a person
to go in there, with seven or eight clerks all looking at you. And the
men's suits, on figures just like human. And Axel Egge's, like home,
lots of Swedes and Norskes in there, and a card of dandy buttons, like
rubies.
A drug store with a soda fountain that was just huge, awful long, and
all lovely marble; and on it there was a great big lamp with the biggest
shade you ever saw--all different kinds colored glass stuck together;
and the soda spouts, they were silver, and they came right out of the
bottom of the lamp-stand! Behind the fountain there were glass shelves,
and bottles of new kinds of soft drinks, that nobody ever heard of.
Suppose a fella took you THERE!
A hotel, awful high, higher than Oscar Tollefson's new red barn; three
stories, one right on top of another; you had to stick your head back
to look clear up to the top. There was a swell traveling man in
there--probably been to Chicago, lots of times.
Oh, the dandiest people to know here! There was a lady going by, you
wouldn't hardly say she was any older than Bea herself; she wore a dandy
new gray suit and black pumps. She almost looked like she was looking
over the town, too. But you couldn't tell what she thought. Bea would
like to be that way--kind of quiet, so nobody would get fresh. Kind
of--oh, elegant.
A Lutheran Church. Here in the city there'd be lovely sermons, and
church twice on Sunday, EVERY Sunday!
And a movie show!
A regular theater, just for movies. With the sign “Change of bill every
evening.” Pictures every evening!
There were movies in Scandia Crossing, but only once every two weeks,
and it took the Sorensons an hour to drive in--papa was such a tightwad
he wouldn't get a Ford. But here she could put on her hat any evening,
and in three minutes' walk be to the movies, and see lovely fellows in
dress-suits and Bill Hart and everything!
How could they have so many stores? Why! There was one just for tobacco
alone, and one (a lovely one--the Art Shoppy it was) for pictures and
vases and stuff, with oh, the dandiest vase made so it looked just like
a tree trunk!
Bea stood on the corner of Main Street and Washington Avenue. The roar
of the city began to frighten her. There were five automobiles on the
street all at the same time--and one of 'em was a great big car that
must of cost two thousand dollars--and the 'bus was starting for a train
with five elegant-dressed fellows, and a man was pasting up red bills
with lovely pictures of washing-machines on them, and the jeweler was
laying out bracelets and wrist-watches and EVERYTHING on real velvet.
What did she care if she got six dollars a week? Or two! It was worth
while working for nothing, to be allowed to stay here. And think how it
would be in the evening, all lighted up--and not with no lamps, but with
electrics! And maybe a gentleman friend taking you to the movies and
buying you a strawberry ice cream soda!
Bea trudged back.
“Vell? You lak it?” said Tina.
“Ya. Ay lak it. Ay t'ink maybe Ay stay here,” said Bea.
IV
The recently built house of Sam Clark, in which was given the party to
welcome Carol, was one of the largest in Gopher Prairie. It had a clean
sweep of clapboards, a solid squareness, a small tower, and a large
screened porch. Inside, it was as shiny, as hard, and as cheerful as a
new oak upright piano.
Carol looked imploringly at Sam Clark as he rolled to the door and
shouted, “Welcome, little lady! The keys of the city are yourn!”
Beyond him, in the hallway and the living-room, sitting in a vast prim
circle as though they were attending a funeral, she saw the guests. They
were WAITING so! They were waiting for her! The determination to be all
one pretty flowerlet of appreciation leaked away. She begged of Sam,
“I don't dare face them! They expect so much. They'll swallow me in one
mouthful--glump!--like that!”
“Why, sister, they're going to love you--same as I would if I didn't
think the doc here would beat me up!”
“B-but----I don't dare! Faces to the right of me, faces in front of me,
volley and wonder!”
She sounded hysterical to herself; she fancied that to Sam Clark she
sounded insane. But he chuckled, “Now you just cuddle under Sam's wing,
and if anybody rubbers at you too long, I'll shoo 'em off. Here we go!
Watch my smoke--Sam'l, the ladies' delight and the bridegrooms' terror!”
His arm about her, he led her in and bawled, “Ladies and worser halves,
the bride! We won't introduce her round yet, because she'll never get
your bum names straight anyway. Now bust up this star-chamber!”
They tittered politely, but they did not move from the social security
of their circle, and they did not cease staring.
Carol had given creative energy to dressing for the event. Her hair was
demure, low on her forehead with a parting and a coiled braid. Now she
wished that she had piled it high. Her frock was an ingenue slip
of lawn, with a wide gold sash and a low square neck, which gave a
suggestion of throat and molded shoulders. But as they looked her over
she was certain that it was all wrong. She wished alternately that she
had worn a spinsterish high-necked dress, and that she had dared to
shock them with a violent brick-red scarf which she had bought in
Chicago.
She was led about the circle. Her voice mechanically produced safe
remarks:
“Oh, I'm sure I'm going to like it here ever so much,” and “Yes, we did
have the best time in Colorado--mountains,” and “Yes, I lived in St.
Paul several years. Euclid P. Tinker? No, I don't REMEMBER meeting him,
but I'm pretty sure I've heard of him.”
Kennicott took her aside and whispered, “Now I'll introduce you to them,
one at a time.”
“Tell me about them first.”
“Well, the nice-looking couple over there are Harry Haydock and his
wife, Juanita. Harry's dad owns most of the Bon Ton, but it's Harry who
runs it and gives it the pep. He's a hustler. Next to him is Dave Dyer
the druggist--you met him this afternoon--mighty good duck-shot.
The tall husk beyond him is Jack Elder--Jackson Elder--owns the
planing-mill, and the Minniemashie House, and quite a share in the
Farmers' National Bank. Him and his wife are good sports--him and Sam
and I go hunting together a lot. The old cheese there is Luke Dawson,
the richest man in town. Next to him is Nat Hicks, the tailor.”
“Really? A tailor?”
“Sure. Why not? Maybe we're slow, but we are democratic. I go hunting
with Nat same as I do with Jack Elder.”
“I'm glad. I've never met a tailor socially. It must be charming to meet
one and not have to think about what you owe him. And do you----Would
you go hunting with your barber, too?”
“No but----No use running this democracy thing into the ground.
Besides, I've known Nat for years, and besides, he's a mighty good shot
and----That's the way it is, see? Next to Nat is Chet Dashaway. Great
fellow for chinning. He'll talk your arm off, about religion or politics
or books or anything.”
Carol gazed with a polite approximation to interest at Mr. Dashaway,
a tan person with a wide mouth. “Oh, I know! He's the furniture-store
man!” She was much pleased with herself.
“Yump, and he's the undertaker. You'll like him. Come shake hands with
him.”
“Oh no, no! He doesn't--he doesn't do the embalming and all
that--himself? I couldn't shake hands with an undertaker!”
“Why not? You'd be proud to shake hands with a great surgeon, just after
he'd been carving up people's bellies.”
She sought to regain her afternoon's calm of maturity. “Yes. You're
right. I want--oh, my dear, do you know how much I want to like the
people you like? I want to see people as they are.”
“Well, don't forget to see people as other folks see them as they are!
They have the stuff. Did you know that Percy Bresnahan came from here?
Born and brought up here!”
“Bresnahan?”
“Yes--you know--president of the Velvet Motor Company of Boston,
Mass.--make the Velvet Twelve--biggest automobile factory in New
England.”
“I think I've heard of him.”
“Sure you have. Why, he's a millionaire several times over! Well, Perce
comes back here for the black-bass fishing almost every summer, and he
says if he could get away from business, he'd rather live here than
in Boston or New York or any of those places. HE doesn't mind Chet's
undertaking.”
“Please! I'll--I'll like everybody! I'll be the community sunbeam!”
He led her to the Dawsons.
Luke Dawson, lender of money on mortgages, owner of Northern cut-over
land, was a hesitant man in unpressed soft gray clothes, with bulging
eyes in a milky face. His wife had bleached cheeks, bleached hair,
bleached voice, and a bleached manner. She wore her expensive green
frock, with its passementeried bosom, bead tassels, and gaps between the
buttons down the back, as though she had bought it second-hand and was
afraid of meeting the former owner. They were shy. It was “Professor”
George Edwin Mott, superintendent of schools, a Chinese mandarin turned
brown, who held Carol's hand and made her welcome.
When the Dawsons and Mr. Mott had stated that they were “pleased to meet
her,” there seemed to be nothing else to say, but the conversation went
on automatically.
“Do you like Gopher Prairie?” whimpered Mrs. Dawson.
“Oh, I'm sure I'm going to be ever so happy.”
“There's so many nice people.” Mrs. Dawson looked to Mr. Mott for social
and intellectual aid. He lectured:
“There's a fine class of people. I don't like some of these retired
farmers who come here to spend their last days--especially the Germans.
They hate to pay school-taxes. They hate to spend a cent. But the rest
are a fine class of people. Did you know that Percy Bresnahan came from
here? Used to go to school right at the old building!”
“I heard he did.”
“Yes. He's a prince. He and I went fishing together, last time he was
here.”
The Dawsons and Mr. Mott teetered upon weary feet, and smiled at Carol
with crystallized expressions. She went on:
“Tell me, Mr. Mott: Have you ever tried any experiments with any of the
new educational systems? The modern kindergarten methods or the Gary
system?”
“Oh. Those. Most of these would-be reformers are simply
notoriety-seekers. I believe in manual training, but Latin and
mathematics always will be the backbone of sound Americanism, no matter
what these faddists advocate--heaven knows what they do want--knitting,
I suppose, and classes in wiggling the ears!”
The Dawsons smiled their appreciation of listening to a savant. Carol
waited till Kennicott should rescue her. The rest of the party waited
for the miracle of being amused.
Harry and Juanita Haydock, Rita Simons and Dr. Terry Gould--the young
smart set of Gopher Prairie. She was led to them. Juanita Haydock flung
at her in a high, cackling, friendly voice:
“Well, this is SO nice to have you here. We'll have some good
parties--dances and everything. You'll have to join the Jolly Seventeen.
We play bridge and we have a supper once a month. You play, of course?”
“N-no, I don't.”
“Really? In St. Paul?”
“I've always been such a book-worm.”
“We'll have to teach you. Bridge is half the fun of life.” Juanita had
become patronizing, and she glanced disrespectfully at Carol's golden
sash, which she had previously admired.
Harry Haydock said politely, “How do you think you're going to like the
old burg?”
“I'm sure I shall like it tremendously.”
“Best people on earth here. Great hustlers, too. Course I've had lots
of chances to go live in Minneapolis, but we like it here. Real he-town.
Did you know that Percy Bresnahan came from here?”
Carol perceived that she had been weakened in the biological struggle
by disclosing her lack of bridge. Roused to nervous desire to regain
her position she turned on Dr. Terry Gould, the young and pool-playing
competitor of her husband. Her eyes coquetted with him while she gushed:
“I'll learn bridge. But what I really love most is the outdoors. Can't
we all get up a boating party, and fish, or whatever you do, and have a
picnic supper afterwards?”
“Now you're talking!” Dr. Gould affirmed. He looked rather too obviously
at the cream-smooth slope of her shoulder. “Like fishing? Fishing is my
middle name. I'll teach you bridge. Like cards at all?”
“I used to be rather good at bezique.”
She knew that bezique was a game of cards--or a game of something else.
Roulette, possibly. But her lie was a triumph. Juanita's handsome,
high-colored, horsey face showed doubt. Harry stroked his nose and said
humbly, “Bezique? Used to be great gambling game, wasn't it?”
While others drifted to her group, Carol snatched up the conversation.
She laughed and was frivolous and rather brittle. She could not
distinguish their eyes. They were a blurry theater-audience before which
she self-consciously enacted the comedy of being the Clever Little Bride
of Doc Kennicott:
“These-here celebrated Open Spaces, that's what I'm going out for. I'll
never read anything but the sporting-page again. Will converted me on
our Colorado trip. There were so many mousey tourists who were afraid
to get out of the motor 'bus that I decided to be Annie Oakley, the Wild
Western Wampire, and I bought oh! a vociferous skirt which revealed
my perfectly nice ankles to the Presbyterian glare of all the Ioway
schoolma'ams, and I leaped from peak to peak like the nimble chamoys,
and----You may think that Herr Doctor Kennicott is a Nimrod, but you
ought to have seen me daring him to strip to his B. V. D.'s and go
swimming in an icy mountain brook.”
She knew that they were thinking of becoming shocked, but Juanita
Haydock was admiring, at least. She swaggered on:
“I'm sure I'm going to ruin Will as a respectable practitioner----Is he
a good doctor, Dr. Gould?”
Kennicott's rival gasped at this insult to professional ethics, and he
took an appreciable second before he recovered his social manner.
“I'll tell you, Mrs. Kennicott.” He smiled at Kennicott, to imply that
whatever he might say in the stress of being witty was not to count
against him in the commercio-medical warfare. “There's some people
in town that say the doc is a fair to middlin' diagnostician and
prescription-writer, but let me whisper this to you--but for heaven's
sake don't tell him I said so--don't you ever go to him for anything
more serious than a pendectomy of the left ear or a strabismus of the
cardiograph.”
No one save Kennicott knew exactly what this meant, but they laughed,
and Sam Clark's party assumed a glittering lemon-yellow color of brocade
panels and champagne and tulle and crystal chandeliers and sporting
duchesses. Carol saw that George Edwin Mott and the blanched Mr. and
Mrs. Dawson were not yet hypnotized. They looked as though they wondered
whether they ought to look as though they disapproved. She concentrated
on them:
“But I know whom I wouldn't have dared to go to Colorado with! Mr.
Dawson there! I'm sure he's a regular heart-breaker. When we were
introduced he held my hand and squeezed it frightfully.”
“Haw! Haw! Haw!” The entire company applauded. Mr. Dawson was beatified.
He had been called many things--loan-shark, skinflint, tightwad,
pussyfoot--but he had never before been called a flirt.
“He is wicked, isn't he, Mrs. Dawson? Don't you have to lock him up?”
“Oh no, but maybe I better,” attempted Mrs. Dawson, a tint on her pallid
face.
For fifteen minutes Carol kept it up. She asserted that she was going
to stage a musical comedy, that she preferred cafe parfait to beefsteak,
that she hoped Dr. Kennicott would never lose his ability to make love
to charming women, and that she had a pair of gold stockings. They gaped
for more. But she could not keep it up. She retired to a chair behind
Sam Clark's bulk. The smile-wrinkles solemnly flattened out in the faces
of all the other collaborators in having a party, and again they stood
about hoping but not expecting to be amused.
Carol listened. She discovered that conversation did not exist in Gopher
Prairie. Even at this affair, which brought out the young smart set,
the hunting squire set, the respectable intellectual set, and the solid
financial set, they sat up with gaiety as with a corpse.
Juanita Haydock talked a good deal in her rattling voice but it was
invariably of personalities: the rumor that Raymie Wutherspoon was going
to send for a pair of patent leather shoes with gray buttoned tops; the
rheumatism of Champ Perry; the state of Guy Pollock's grippe; and the
dementia of Jim Howland in painting his fence salmon-pink.
Sam Clark had been talking to Carol about motor cars, but he felt
his duties as host. While he droned, his brows popped up and down. He
interrupted himself, “Must stir 'em up.” He worried at his wife, “Don't
you think I better stir 'em up?” He shouldered into the center of the
room, and cried:
“Let's have some stunts, folks.”
“Yes, let's!” shrieked Juanita Haydock.
“Say, Dave, give us that stunt about the Norwegian catching a hen.”
“You bet; that's a slick stunt; do that, Dave!” cheered Chet Dashaway.
Mr. Dave Dyer obliged.
All the guests moved their lips in anticipation of being called on for
their own stunts.
“Ella, come on and recite 'Old Sweetheart of Mine,' for us,” demanded
Sam.
Miss Ella Stowbody, the spinster daughter of the Ionic bank, scratched
her dry palms and blushed. “Oh, you don't want to hear that old thing
again.”
“Sure we do! You bet!” asserted Sam.
“My voice is in terrible shape tonight.”
“Tut! Come on!”
Sam loudly explained to Carol, “Ella is our shark at elocuting. She's
had professional training. She studied singing and oratory and dramatic
art and shorthand for a year, in Milwaukee.”
Miss Stowbody was reciting. As encore to “An Old Sweetheart of Mine,”
she gave a peculiarly optimistic poem regarding the value of smiles.
There were four other stunts: one Jewish, one Irish, one juvenile, and
Nat Hicks's parody of Mark Antony's funeral oration.
During the winter Carol was to hear Dave Dyer's hen-catching
impersonation seven times, “An Old Sweetheart of Mine” nine times, the
Jewish story and the funeral oration twice; but now she was ardent
and, because she did so want to be happy and simple-hearted, she was as
disappointed as the others when the stunts were finished, and the party
instantly sank back into coma.
They gave up trying to be festive; they began to talk naturally, as they
did at their shops and homes.
The men and women divided, as they had been tending to do all evening.
Carol was deserted by the men, left to a group of matrons who steadily
pattered of children, sickness, and cooks--their own shop-talk. She was
piqued. She remembered visions of herself as a smart married woman in
a drawing-room, fencing with clever men. Her dejection was relieved by
speculation as to what the men were discussing, in the corner between
the piano and the phonograph. Did they rise from these housewifely
personalities to a larger world of abstractions and affairs?
She made her best curtsy to Mrs. Dawson; she twittered, “I won't have my
husband leaving me so soon! I'm going over and pull the wretch's
ears.” She rose with a jeune fille bow. She was self-absorbed and
self-approving because she had attained that quality of sentimentality.
She proudly dipped across the room and, to the interest and commendation
of all beholders, sat on the arm of Kennicott's chair.
He was gossiping with Sam Clark, Luke Dawson, Jackson Elder of the
planing-mill, Chet Dashaway, Dave Dyer, Harry Haydock, and Ezra
Stowbody, president of the Ionic bank.
Ezra Stowbody was a troglodyte. He had come to Gopher Prairie in 1865.
He was a distinguished bird of prey--swooping thin nose, turtle mouth,
thick brows, port-wine cheeks, floss of white hair, contemptuous eyes.
He was not happy in the social changes of thirty years. Three decades
ago, Dr. Westlake, Julius Flickerbaugh the lawyer, Merriman Peedy the
Congregational pastor and himself had been the arbiters. That was as
it should be; the fine arts--medicine, law, religion, and
finance--recognized as aristocratic; four Yankees democratically
chatting with but ruling the Ohioans and Illini and Swedes and Germans
who had ventured to follow them. But Westlake was old, almost retired;
Julius Flickerbaugh had lost much of his practice to livelier attorneys;
Reverend (not The Reverend) Peedy was dead; and nobody was impressed in
this rotten age of automobiles by the “spanking grays” which Ezra still
drove. The town was as heterogeneous as Chicago. Norwegians and Germans
owned stores. The social leaders were common merchants. Selling nails
was considered as sacred as banking. These upstarts--the Clarks, the
Haydocks--had no dignity. They were sound and conservative in politics,
but they talked about motor cars and pump-guns and heaven only knew
what new-fangled fads. Mr. Stowbody felt out of place with them. But
his brick house with the mansard roof was still the largest residence in
town, and he held his position as squire by occasionally appearing among
the younger men and reminding them by a wintry eye that without the
banker none of them could carry on their vulgar businesses.
As Carol defied decency by sitting down with the men, Mr. Stowbody was
piping to Mr. Dawson, “Say, Luke, when was't Biggins first settled in
Winnebago Township? Wa'n't it in 1879?”
“Why no 'twa'n't!” Mr. Dawson was indignant. “He come out from Vermont
in 1867--no, wait, in 1868, it must have been--and took a claim on the
Rum River, quite a ways above Anoka.”
“He did not!” roared Mr. Stowbody. “He settled first in Blue Earth
County, him and his father!”
(“What's the point at issue?”) Carol whispered to Kennicott.
(“Whether this old duck Biggins had an English setter or a Llewellyn.
They've been arguing it all evening!”)
Dave Dyer interrupted to give tidings, “D' tell you that Clara Biggins
was in town couple days ago? She bought a hot-water bottle--expensive
one, too--two dollars and thirty cents!”
“Yaaaaaah!” snarled Mr. Stowbody. “Course. She's just like her grandad
was. Never save a cent. Two dollars and twenty--thirty, was it?--two
dollars and thirty cents for a hot-water bottle! Brick wrapped up in a
flannel petticoat just as good, anyway!”
“How's Ella's tonsils, Mr. Stowbody?” yawned Chet Dashaway.
While Mr. Stowbody gave a somatic and psychic study of them, Carol
reflected, “Are they really so terribly interested in Ella's tonsils,
or even in Ella's esophagus? I wonder if I could get them away from
personalities? Let's risk damnation and try.”
“There hasn't been much labor trouble around here, has there, Mr.
Stowbody?” she asked innocently.
“No, ma'am, thank God, we've been free from that, except maybe with
hired girls and farm-hands. Trouble enough with these foreign farmers;
if you don't watch these Swedes they turn socialist or populist or some
fool thing on you in a minute. Of course, if they have loans you can
make 'em listen to reason. I just have 'em come into the bank for a
talk, and tell 'em a few things. I don't mind their being democrats,
so much, but I won't stand having socialists around. But thank God, we
ain't got the labor trouble they have in these cities. Even Jack Elder
here gets along pretty well, in the planing-mill, don't you, Jack?”
“Yep. Sure. Don't need so many skilled workmen in my place, and it's
a lot of these cranky, wage-hogging, half-baked skilled mechanics that
start trouble--reading a lot of this anarchist literature and union
papers and all.”
“Do you approve of union labor?” Carol inquired of Mr. Elder.
“Me? I should say not! It's like this: I don't mind dealing with my men
if they think they've got any grievances--though Lord knows what's come
over workmen, nowadays--don't appreciate a good job. But still, if they
come to me honestly, as man to man, I'll talk things over with them. But
I'm not going to have any outsider, any of these walking delegates, or
whatever fancy names they call themselves now--bunch of rich grafters,
living on the ignorant workmen! Not going to have any of those fellows
butting in and telling ME how to run MY business!”
Mr. Elder was growing more excited, more belligerent and patriotic. “I
stand for freedom and constitutional rights. If any man don't like my
shop, he can get up and git. Same way, if I don't like him, he gits.
And that's all there is to it. I simply can't understand all these
complications and hoop-te-doodles and government reports and wage-scales
and God knows what all that these fellows are balling up the labor
situation with, when it's all perfectly simple. They like what I pay
'em, or they get out. That's all there is to it!”
“What do you think of profit-sharing?” Carol ventured.
Mr. Elder thundered his answer, while the others nodded, solemnly and
in tune, like a shop-window of flexible toys, comic mandarins and judges
and ducks and clowns, set quivering by a breeze from the open door:
“All this profit-sharing and welfare work and insurance and old-age
pension is simply poppycock. Enfeebles a workman's independence--and
wastes a lot of honest profit. The half-baked thinker that isn't dry
behind the ears yet, and these suffragettes and God knows what all
buttinskis there are that are trying to tell a business man how to run
his business, and some of these college professors are just about as
bad, the whole kit and bilin' of 'em are nothing in God's world but
socialism in disguise! And it's my bounden duty as a producer to resist
every attack on the integrity of American industry to the last ditch.
Yes--SIR!”
Mr. Elder wiped his brow.
Dave Dyer added, “Sure! You bet! What they ought to do is simply to
hang every one of these agitators, and that would settle the whole thing
right off. Don't you think so, doc?”
“You bet,” agreed Kennicott.
The conversation was at last relieved of the plague of Carol's
intrusions and they settled down to the question of whether the justice
of the peace had sent that hobo drunk to jail for ten days or twelve.
It was a matter not readily determined. Then Dave Dyer communicated his
carefree adventures on the gipsy trail:
“Yep. I get good time out of the flivver. 'Bout a week ago I motored
down to New Wurttemberg. That's forty-three----No, let's see: It's
seventeen miles to Belldale, and 'bout six and three-quarters, call it
seven, to Torgenquist, and it's a good nineteen miles from there to New
Wurttemberg--seventeen and seven and nineteen, that makes, uh, let me
see: seventeen and seven 's twenty-four, plus nineteen, well say plus
twenty, that makes forty-four, well anyway, say about forty-three
or -four miles from here to New Wurttemberg. We got started about
seven-fifteen, prob'ly seven-twenty, because I had to stop and fill the
radiator, and we ran along, just keeping up a good steady gait----”
Mr. Dyer did finally, for reasons and purposes admitted and justified,
attain to New Wurttemberg.
Once--only once--the presence of the alien Carol was recognized. Chet
Dashaway leaned over and said asthmatically, “Say, uh, have you been
reading this serial 'Two Out' in Tingling Tales? Corking yarn! Gosh, the
fellow that wrote it certainly can sling baseball slang!”
The others tried to look literary. Harry Haydock offered, “Juanita is
a great hand for reading high-class stuff, like 'Mid the Magnolias' by
this Sara Hetwiggin Butts, and 'Riders of Ranch Reckless.' Books. But
me,” he glanced about importantly, as one convinced that no other hero
had ever been in so strange a plight, “I'm so darn busy I don't have
much time to read.”
“I never read anything I can't check against,” said Sam Clark.
Thus ended the literary portion of the conversation, and for seven
minutes Jackson Elder outlined reasons for believing that the
pike-fishing was better on the west shore of Lake Minniemashie than on
the east--though it was indeed quite true that on the east shore Nat
Hicks had caught a pike altogether admirable.
The talk went on. It did go on! Their voices were monotonous,
thick, emphatic. They were harshly pompous, like men in the
smoking-compartments of Pullman cars. They did not bore Carol. They
frightened her. She panted, “They will be cordial to me, because my man
belongs to their tribe. God help me if I were an outsider!”
Smiling as changelessly as an ivory figurine she sat quiescent, avoiding
thought, glancing about the living-room and hall, noting their betrayal
of unimaginative commercial prosperity. Kennicott said, “Dandy interior,
eh? My idea of how a place ought to be furnished. Modern.” She looked
polite, and observed the oiled floors, hard-wood staircase, unused
fireplace with tiles which resembled brown linoleum, cut-glass vases
standing upon doilies, and the barred, shut, forbidding unit bookcases
that were half filled with swashbuckler novels and unread-looking sets
of Dickens, Kipling, O. Henry, and Elbert Hubbard.
She perceived that even personalities were failing to hold the party.
The room filled with hesitancy as with a fog. People cleared their
throats, tried to choke down yawns. The men shot their cuffs and the
women stuck their combs more firmly into their back hair.
Then a rattle, a daring hope in every eye, the swinging of a door, the
smell of strong coffee, Dave Dyer's mewing voice in a triumphant, “The
eats!” They began to chatter. They had something to do. They could
escape from themselves. They fell upon the food--chicken sandwiches,
maple cake, drug-store ice cream. Even when the food was gone they
remained cheerful. They could go home, any time now, and go to bed!
They went, with a flutter of coats, chiffon scarfs, and good-bys.
Carol and Kennicott walked home.
“Did you like them?” he asked.
“They were terribly sweet to me.”
“Uh, Carrie----You ought to be more careful about shocking folks.
Talking about gold stockings, and about showing your ankles to
schoolteachers and all!” More mildly: “You gave 'em a good time, but I'd
watch out for that, 'f I were you. Juanita Haydock is such a damn cat. I
wouldn't give her a chance to criticize me.”
“My poor effort to lift up the party! Was I wrong to try to amuse them?”
“No! No! Honey, I didn't mean----You were the only up-and-coming person
in the bunch. I just mean----Don't get onto legs and all that immoral
stuff. Pretty conservative crowd.”
She was silent, raw with the shameful thought that the attentive circle
might have been criticizing her, laughing at her.
“Don't, please don't worry!” he pleaded.
“Silence.”
“Gosh; I'm sorry I spoke about it. I just meant----But they were crazy
about you. Sam said to me, 'That little lady of yours is the slickest
thing that ever came to this town,' he said; and Ma Dawson--I didn't
hardly know whether she'd like you or not, she's such a dried-up old
bird, but she said, 'Your bride is so quick and bright, I declare, she
just wakes me up.'”
Carol liked praise, the flavor and fatness of it, but she was so
energetically being sorry for herself that she could not taste this
commendation.
“Please! Come on! Cheer up!” His lips said it, his anxious shoulder said
it, his arm about her said it, as they halted on the obscure porch of
their house.
“Do you care if they think I'm flighty, Will?”
“Me? Why, I wouldn't care if the whole world thought you were this or
that or anything else. You're my--well, you're my soul!”
He was an undefined mass, as solid-seeming as rock. She found his
sleeve, pinched it, cried, “I'm glad! It's sweet to be wanted! You must
tolerate my frivolousness. You're all I have!”
He lifted her, carried her into the house, and with her arms about his
neck she forgot Main Street.
CHAPTER V
I
“WE'LL steal the whole day, and go hunting. I want you to see the
country round here,” Kennicott announced at breakfast. “I'd take the
car--want you to see how swell she runs since I put in a new piston.
But we'll take a team, so we can get right out into the fields. Not many
prairie chickens left now, but we might just happen to run onto a small
covey.”
He fussed over his hunting-kit. He pulled his hip boots out to full
length and examined them for holes. He feverishly counted his shotgun
shells, lecturing her on the qualities of smokeless powder. He drew the
new hammerless shotgun out of its heavy tan leather case and made her
peep through the barrels to see how dazzlingly free they were from rust.
The world of hunting and camping-outfits and fishing-tackle was
unfamiliar to her, and in Kennicott's interest she found something
creative and joyous. She examined the smooth stock, the carved hard
rubber butt of the gun. The shells, with their brass caps and sleek
green bodies and hieroglyphics on the wads, were cool and comfortably
heavy in her hands.
Kennicott wore a brown canvas hunting-coat with vast pockets lining
the inside, corduroy trousers which bulged at the wrinkles, peeled and
scarred shoes, a scarecrow felt hat. In this uniform he felt virile.
They clumped out to the livery buggy, they packed the kit and the box of
lunch into the back, crying to each other that it was a magnificent day.
Kennicott had borrowed Jackson Elder's red and white English setter, a
complacent dog with a waving tail of silver hair which flickered in the
sunshine. As they started, the dog yelped, and leaped at the horses'
heads, till Kennicott took him into the buggy, where he nuzzled Carol's
knees and leaned out to sneer at farm mongrels.
The grays clattered out on the hard dirt road with a pleasant song of
hoofs: “Ta ta ta rat! Ta ta ta rat!” It was early and fresh, the air
whistling, frost bright on the golden rod. As the sun warmed the world
of stubble into a welter of yellow they turned from the highroad,
through the bars of a farmer's gate, into a field, slowly bumping over
the uneven earth. In a hollow of the rolling prairie they lost sight
even of the country road. It was warm and placid. Locusts trilled among
the dry wheat-stalks, and brilliant little flies hurtled across the
buggy. A buzz of content filled the air. Crows loitered and gossiped in
the sky.
The dog had been let out and after a dance of excitement he settled down
to a steady quartering of the field, forth and back, forth and back, his
nose down.
“Pete Rustad owns this farm, and he told me he saw a small covey of
chickens in the west forty, last week. Maybe we'll get some sport after
all,” Kennicott chuckled blissfully.
She watched the dog in suspense, breathing quickly every time he seemed
to halt. She had no desire to slaughter birds, but she did desire to
belong to Kennicott's world.
The dog stopped, on the point, a forepaw held up.
“By golly! He's hit a scent! Come on!” squealed Kennicott. He leaped
from the buggy, twisted the reins about the whip-socket, swung her out,
caught up his gun, slipped in two shells, stalked toward the rigid dog,
Carol pattering after him. The setter crawled ahead, his tail quivering,
his belly close to the stubble. Carol was nervous. She expected clouds
of large birds to fly up instantly. Her eyes were strained with staring.
But they followed the dog for a quarter of a mile, turning, doubling,
crossing two low hills, kicking through a swale of weeds, crawling
between the strands of a barbed-wire fence. The walking was hard on
her pavement-trained feet. The earth was lumpy, the stubble prickly and
lined with grass, thistles, abortive stumps of clover. She dragged and
floundered.
She heard Kennicott gasp, “Look!” Three gray birds were starting up
from the stubble. They were round, dumpy, like enormous bumble bees.
Kennicott was sighting, moving the barrel. She was agitated. Why didn't
he fire? The birds would be gone! Then a crash, another, and two birds
turned somersaults in the air, plumped down.
When he showed her the birds she had no sensation of blood. These heaps
of feathers were so soft and unbruised--there was about them no hint of
death. She watched her conquering man tuck them into his inside pocket,
and trudged with him back to the buggy.
They found no more prairie chickens that morning.
At noon they drove into her first farmyard, a private village, a white
house with no porches save a low and quite dirty stoop at the back,
a crimson barn with white trimmings, a glazed brick silo, an
ex-carriage-shed, now the garage of a Ford, an unpainted cow-stable, a
chicken-house, a pig-pen, a corn-crib, a granary, the galvanized-iron
skeleton tower of a wind-mill. The dooryard was of packed yellow clay,
treeless, barren of grass, littered with rusty plowshares and wheels
of discarded cultivators. Hardened trampled mud, like lava, filled the
pig-pen. The doors of the house were grime-rubbed, the corners and eaves
were rusted with rain, and the child who stared at them from the kitchen
window was smeary-faced. But beyond the barn was a clump of scarlet
geraniums; the prairie breeze was sunshine in motion; the flashing metal
blades of the windmill revolved with a lively hum; a horse neighed, a
rooster crowed, martins flew in and out of the cow-stable.
A small spare woman with flaxen hair trotted from the house. She was
twanging a Swedish patois--not in monotone, like English, but singing
it, with a lyrical whine:
“Pete he say you kom pretty soon hunting, doctor. My, dot's fine you
kom. Is dis de bride? Ohhhh! Ve yoost say las' night, ve hope maybe ve
see her som day. My, soch a pretty lady!” Mrs. Rustad was shining with
welcome. “Vell, vell! Ay hope you lak dis country! Von't you stay for
dinner, doctor?”
“No, but I wonder if you wouldn't like to give us a glass of milk?”
condescended Kennicott.
“Vell Ay should say Ay vill! You vait har a second and Ay run on de
milk-house!” She nervously hastened to a tiny red building beside the
windmill; she came back with a pitcher of milk from which Carol filled
the thermos bottle.
As they drove off Carol admired, “She's the dearest thing I ever saw.
And she adores you. You are the Lord of the Manor.”
“Oh no,” much pleased, “but still they do ask my advice about things.
Bully people, these Scandinavian farmers. And prosperous, too. Helga
Rustad, she's still scared of America, but her kids will be doctors and
lawyers and governors of the state and any darn thing they want to.”
“I wonder----” Carol was plunged back into last night's Weltschmerz.
“I wonder if these farmers aren't bigger than we are? So simple and
hard-working. The town lives on them. We townies are parasites, and yet
we feel superior to them. Last night I heard Mr. Haydock talking about
'hicks.' Apparently he despises the farmers because they haven't reached
the social heights of selling thread and buttons.”
“Parasites? Us? Where'd the farmers be without the town? Who lends them
money? Who--why, we supply them with everything!”
“Don't you find that some of the farmers think they pay too much for the
services of the towns?”
“Oh, of course there's a lot of cranks among the farmers same as there
are among any class. Listen to some of these kickers, a fellow'd
think that the farmers ought to run the state and the whole
shooting-match--probably if they had their way they'd fill up the
legislature with a lot of farmers in manure-covered boots--yes, and
they'd come tell me I was hired on a salary now, and couldn't fix my
fees! That'd be fine for you, wouldn't it!”
“But why shouldn't they?”
“Why? That bunch of----Telling ME----Oh, for heaven's sake, let's quit
arguing. All this discussing may be all right at a party but----Let's
forget it while we're hunting.”
“I know. The Wonderlust--probably it's a worse affliction than the
Wanderlust. I just wonder----”
She told herself that she had everything in the world. And after each
self-rebuke she stumbled again on “I just wonder----”
They ate their sandwiches by a prairie slew: long grass reaching up out
of clear water, mossy bogs, red-winged black-birds, the scum a splash of
gold-green. Kennicott smoked a pipe while she leaned back in the buggy
and let her tired spirit be absorbed in the Nirvana of the incomparable
sky.
They lurched to the highroad and awoke from their sun-soaked drowse at
the sound of the clopping hoofs. They paused to look for partridges in a
rim of woods, little woods, very clean and shiny and gay, silver birches
and poplars with immaculate green trunks, encircling a lake of sandy
bottom, a splashing seclusion demure in the welter of hot prairie.
Kennicott brought down a fat red squirrel and at dusk he had a dramatic
shot at a flight of ducks whirling down from the upper air, skimming the
lake, instantly vanishing.
They drove home under the sunset. Mounds of straw, and wheat-stacks like
bee-hives, stood out in startling rose and gold, and the green-tufted
stubble glistened. As the vast girdle of crimson darkened, the fulfilled
land became autumnal in deep reds and browns. The black road before
the buggy turned to a faint lavender, then was blotted to uncertain
grayness. Cattle came in a long line up to the barred gates of the
farmyards, and over the resting land was a dark glow.
Carol had found the dignity and greatness which had failed her in Main
Street.
II
Till they had a maid they took noon dinner and six o'clock supper at
Mrs. Gurrey's boarding-house.
Mrs. Elisha Gurrey, relict of Deacon Gurrey the dealer in hay and grain,
was a pointed-nosed, simpering woman with iron-gray hair drawn so tight
that it resembled a soiled handkerchief covering her head. But she was
unexpectedly cheerful, and her dining-room, with its thin tablecloth on
a long pine table, had the decency of clean bareness.
In the line of unsmiling, methodically chewing guests, like horses at
a manger, Carol came to distinguish one countenance: the pale, long,
spectacled face and sandy pompadour hair of Mr. Raymond P. Wutherspoon,
known as “Raymie,” professional bachelor, manager and one half the
sales-force in the shoe-department of the Bon Ton Store.
“You will enjoy Gopher Prairie very much, Mrs. Kennicott,” petitioned
Raymie. His eyes were like those of a dog waiting to be let in out of
the cold. He passed the stewed apricots effusively. “There are a great
many bright cultured people here. Mrs. Wilks, the Christian Science
reader, is a very bright woman--though I am not a Scientist myself,
in fact I sing in the Episcopal choir. And Miss Sherwin of the high
school--she is such a pleasing, bright girl--I was fitting her to a pair
of tan gaiters yesterday, I declare, it really was a pleasure.”
“Gimme the butter, Carrie,” was Kennicott's comment. She defied him by
encouraging Raymie:
“Do you have amateur dramatics and so on here?”
“Oh yes! The town's just full of talent. The Knights of Pythias put on a
dandy minstrel show last year.”
“It's nice you're so enthusiastic.”
“Oh, do you really think so? Lots of folks jolly me for trying to get
up shows and so on. I tell them they have more artistic gifts than they
know. Just yesterday I was saying to Harry Haydock: if he would read
poetry, like Longfellow, or if he would join the band--I get so much
pleasure out of playing the cornet, and our band-leader, Del Snafflin,
is such a good musician, I often say he ought to give up his barbering
and become a professional musician, he could play the clarinet in
Minneapolis or New York or anywhere, but--but I couldn't get Harry to
see it at all and--I hear you and the doctor went out hunting yesterday.
Lovely country, isn't it. And did you make some calls? The mercantile
life isn't inspiring like medicine. It must be wonderful to see how
patients trust you, doctor.”
“Huh. It's me that's got to do all the trusting. Be damn sight more
wonderful 'f they'd pay their bills,” grumbled Kennicott and, to Carol,
he whispered something which sounded like “gentleman hen.”
But Raymie's pale eyes were watering at her. She helped him with, “So
you like to read poetry?”
“Oh yes, so much--though to tell the truth, I don't get much time
for reading, we're always so busy at the store and----But we had the
dandiest professional reciter at the Pythian Sisters sociable last
winter.”
Carol thought she heard a grunt from the traveling salesman at the end
of the table, and Kennicott's jerking elbow was a grunt embodied. She
persisted:
“Do you get to see many plays, Mr. Wutherspoon?”
He shone at her like a dim blue March moon, and sighed, “No, but I do
love the movies. I'm a real fan. One trouble with books is that they're
not so thoroughly safeguarded by intelligent censors as the movies are,
and when you drop into the library and take out a book you never know
what you're wasting your time on. What I like in books is a wholesome,
really improving story, and sometimes----Why, once I started a novel by
this fellow Balzac that you read about, and it told how a lady wasn't
living with her husband, I mean she wasn't his wife. It went into
details, disgustingly! And the English was real poor. I spoke to the
library about it, and they took it off the shelves. I'm not narrow,
but I must say I don't see any use in this deliberately dragging in
immorality! Life itself is so full of temptations that in literature one
wants only that which is pure and uplifting.”
“What's the name of that Balzac yarn? Where can I get hold of it?”
giggled the traveling salesman.
Raymie ignored him. “But the movies, they are mostly clean, and their
humor----Don't you think that the most essential quality for a person to
have is a sense of humor?”
“I don't know. I really haven't much,” said Carol.
He shook his finger at her. “Now, now, you're too modest. I'm sure we
can all see that you have a perfectly corking sense of humor. Besides,
Dr. Kennicott wouldn't marry a lady that didn't have. We all know how he
loves his fun!”
“You bet. I'm a jokey old bird. Come on, Carrie; let's beat it,”
remarked Kennicott.
Raymie implored, “And what is your chief artistic interest, Mrs.
Kennicott?”
“Oh----” Aware that the traveling salesman had murmured, “Dentistry,”
she desperately hazarded, “Architecture.”
“That's a real nice art. I've always said--when Haydock & Simons were
finishing the new front on the Bon Ton building, the old man came to me,
you know, Harry's father, 'D. H.,' I always call him, and he asked me
how I liked it, and I said to him, 'Look here, D. H.,' I said--you see,
he was going to leave the front plain, and I said to him, 'It's all very
well to have modern lighting and a big display-space,' I said, 'but when
you get that in, you want to have some architecture, too,' I said, and
he laughed and said he guessed maybe I was right, and so he had 'em put
on a cornice.”
“Tin!” observed the traveling salesman.
Raymie bared his teeth like a belligerent mouse. “Well, what if it is
tin? That's not my fault. I told D. H. to make it polished granite. You
make me tired!”
“Leave us go! Come on, Carrie, leave us go!” from Kennicott.
Raymie waylaid them in the hall and secretly informed Carol that she
musn't mind the traveling salesman's coarseness--he belonged to the
hwa pollwa.
Kennicott chuckled, “Well, child, how about it? Do you prefer an
artistic guy like Raymie to stupid boobs like Sam Clark and me?”
“My dear! Let's go home, and play pinochle, and laugh, and be foolish,
and slip up to bed, and sleep without dreaming. It's beautiful to be
just a solid citizeness!”
III
From the Gopher Prairie Weekly Dauntless:
One of the most charming affairs of the season was held Tuesday evening
at the handsome new residence of Sam and Mrs. Clark when many of our
most prominent citizens gathered to greet the lovely new bride of our
popular local physician, Dr. Will Kennicott. All present spoke of the
many charms of the bride, formerly Miss Carol Milford of St. Paul. Games
and stunts were the order of the day, with merry talk and conversation.
At a late hour dainty refreshments were served, and the party broke up
with many expressions of pleasure at the pleasant affair. Among those
present were Mesdames Kennicott, Elder----
* * * * *
Dr. Will Kennicott, for the past several years one of our most popular
and skilful physicians and surgeons, gave the town a delightful surprise
when he returned from an extended honeymoon tour in Colorado this week
with his charming bride, nee Miss Carol Milford of St. Paul, whose
family are socially prominent in Minneapolis and Mankato. Mrs. Kennicott
is a lady of manifold charms, not only of striking charm of appearance
but is also a distinguished graduate of a school in the East and has
for the past year been prominently connected in an important position
of responsibility with the St. Paul Public Library, in which city Dr.
“Will” had the good fortune to meet her. The city of Gopher Prairie
welcomes her to our midst and prophesies for her many happy years in
the energetic city of the twin lakes and the future. The Dr. and Mrs.
Kennicott will reside for the present at the Doctor's home on Poplar
Street which his charming mother has been keeping for him who has now
returned to her own home at Lac-qui-Meurt leaving a host of friends who
regret her absence and hope to see her soon with us again.
IV
She knew that if she was ever to effect any of the “reforms” which she
had pictured, she must have a starting-place. What confused her during
the three or four months after her marriage was not lack of perception
that she must be definite, but sheer careless happiness of her first
home.
In the pride of being a housewife she loved every detail--the brocade
armchair with the weak back, even the brass water-cock on the hot-water
reservoir, when she had become familiar with it by trying to scour it to
brilliance.
She found a maid--plump radiant Bea Sorenson from Scandia Crossing. Bea
was droll in her attempt to be at once a respectful servant and a bosom
friend. They laughed together over the fact that the stove did not draw,
over the slipperiness of fish in the pan.
Like a child playing Grandma in a trailing skirt, Carol paraded uptown
for her marketing, crying greetings to housewives along the way.
Everybody bowed to her, strangers and all, and made her feel that they
wanted her, that she belonged here. In city shops she was merely A
Customer--a hat, a voice to bore a harassed clerk. Here she was Mrs. Doc
Kennicott, and her preferences in grape-fruit and manners were known
and remembered and worth discussing . . . even if they weren't worth
fulfilling.
Shopping was a delight of brisk conferences. The very merchants whose
droning she found the dullest at the two or three parties which were
given to welcome her were the pleasantest confidants of all when they
had something to talk about--lemons or cotton voile or floor-oil.
With that skip-jack Dave Dyer, the druggist, she conducted a long
mock-quarrel. She pretended that he cheated her in the price of
magazines and candy; he pretended she was a detective from the Twin
Cities. He hid behind the prescription-counter, and when she stamped
her foot he came out wailing, “Honest, I haven't done nothing crooked
today--not yet.”
She never recalled her first impression of Main Street; never
had precisely the same despair at its ugliness. By the end of two
shopping-tours everything had changed proportions. As she never entered
it, the Minniemashie House ceased to exist for her. Clark's Hardware
Store, Dyer's Drug Store, the groceries of Ole Jenson and Frederick
Ludelmeyer and Howland & Gould, the meat markets, the notions
shop--they expanded, and hid all other structures. When she entered Mr.
Ludelmeyer's store and he wheezed, “Goot mornin', Mrs. Kennicott. Vell,
dis iss a fine day,” she did not notice the dustiness of the shelves
nor the stupidity of the girl clerk; and she did not remember the mute
colloquy with him on her first view of Main Street.
She could not find half the kinds of food she wanted, but that made
shopping more of an adventure. When she did contrive to get sweetbreads
at Dahl & Oleson's Meat Market the triumph was so vast that she buzzed
with excitement and admired the strong wise butcher, Mr. Dahl.
She appreciated the homely ease of village life. She liked the old men,
farmers, G.A.R. veterans, who when they gossiped sometimes squatted on
their heels on the sidewalk, like resting Indians, and reflectively spat
over the curb.
She found beauty in the children.
She had suspected that her married friends exaggerated their passion
for children. But in her work in the library, children had become
individuals to her, citizens of the State with their own rights and
their own senses of humor. In the library she had not had much time
to give them, but now she knew the luxury of stopping, gravely asking
Bessie Clark whether her doll had yet recovered from its rheumatism, and
agreeing with Oscar Martinsen that it would be Good Fun to go trapping
“mushrats.”
She touched the thought, “It would be sweet to have a baby of my own. I
do want one. Tiny----No! Not yet! There's so much to do. And I'm still
tired from the job. It's in my bones.”
She rested at home. She listened to the village noises common to all
the world, jungle or prairie; sounds simple and charged with magic--dogs
barking, chickens making a gurgling sound of content, children at play,
a man beating a rug, wind in the cottonwood trees, a locust fiddling,
a footstep on the walk, jaunty voices of Bea and a grocer's boy in the
kitchen, a clinking anvil, a piano--not too near.
Twice a week, at least, she drove into the country with Kennicott, to
hunt ducks in lakes enameled with sunset, or to call on patients who
looked up to her as the squire's lady and thanked her for toys and
magazines. Evenings she went with her husband to the motion pictures and
was boisterously greeted by every other couple; or, till it became too
cold, they sat on the porch, bawling to passers-by in motors, or to
neighbors who were raking the leaves. The dust became golden in the low
sun; the street was filled with the fragrance of burning leaves.
V
But she hazily wanted some one to whom she could say what she thought.
On a slow afternoon when she fidgeted over sewing and wished that the
telephone would ring, Bea announced Miss Vida Sherwin.
Despite Vida Sherwin's lively blue eyes, if you had looked at her in
detail you would have found her face slightly lined, and not so much
sallow as with the bloom rubbed off; you would have found her chest
flat, and her fingers rough from needle and chalk and penholder; her
blouses and plain cloth skirts undistinguished; and her hat worn too far
back, betraying a dry forehead. But you never did look at Vida Sherwin
in detail. You couldn't. Her electric activity veiled her. She was as
energetic as a chipmunk. Her fingers fluttered; her sympathy came out
in spurts; she sat on the edge of a chair in eagerness to be near her
auditor, to send her enthusiasms and optimism across.
She rushed into the room pouring out: “I'm afraid you'll think the
teachers have been shabby in not coming near you, but we wanted to
give you a chance to get settled. I am Vida Sherwin, and I try to teach
French and English and a few other things in the high school.”
“I've been hoping to know the teachers. You see, I was a librarian----”
“Oh, you needn't tell me. I know all about you! Awful how much I
know--this gossipy village. We need you so much here. It's a dear loyal
town (and isn't loyalty the finest thing in the world!) but it's a
rough diamond, and we need you for the polishing, and we're ever so
humble----” She stopped for breath and finished her compliment with a
smile.
“If I COULD help you in any way----Would I be committing the
unpardonable sin if I whispered that I think Gopher Prairie is a tiny
bit ugly?”
“Of course it's ugly. Dreadfully! Though I'm probably the only person in
town to whom you could safely say that. (Except perhaps Guy Pollock
the lawyer--have you met him?--oh, you MUST!--he's simply a
darling--intelligence and culture and so gentle.) But I don't care so
much about the ugliness. That will change. It's the spirit that gives
me hope. It's sound. Wholesome. But afraid. It needs live creatures like
you to awaken it. I shall slave-drive you!”
“Splendid. What shall I do? I've been wondering if it would be possible
to have a good architect come here to lecture.”
“Ye-es, but don't you think it would be better to work with existing
agencies? Perhaps it will sound slow to you, but I was thinking----It
would be lovely if we could get you to teach Sunday School.”
Carol had the empty expression of one who finds that she has been
affectionately bowing to a complete stranger. “Oh yes. But I'm afraid I
wouldn't be much good at that. My religion is so foggy.”
“I know. So is mine. I don't care a bit for dogma. Though I do stick
firmly to the belief in the fatherhood of God and the brotherhood of man
and the leadership of Jesus. As you do, of course.”
Carol looked respectable and thought about having tea.
“And that's all you need teach in Sunday School. It's the personal
influence. Then there's the library-board. You'd be so useful on that.
And of course there's our women's study club--the Thanatopsis Club.”
“Are they doing anything? Or do they read papers made out of the
Encyclopedia?”
Miss Sherwin shrugged. “Perhaps. But still, they are so earnest. They
will respond to your fresher interest. And the Thanatopsis does do a
good social work--they've made the city plant ever so many trees, and
they run the rest-room for farmers' wives. And they do take such an
interest in refinement and culture. So--in fact, so very unique.”
Carol was disappointed--by nothing very tangible. She said politely,
“I'll think them all over. I must have a while to look around first.”
Miss Sherwin darted to her, smoothed her hair, peered at her. “Oh,
my dear, don't you suppose I know? These first tender days of
marriage--they're sacred to me. Home, and children that need you, and
depend on you to keep them alive, and turn to you with their wrinkly
little smiles. And the hearth and----” She hid her face from Carol as
she made an activity of patting the cushion of her chair, but she went
on with her former briskness:
“I mean, you must help us when you're ready. . . . I'm afraid you'll
think I'm conservative. I am! So much to conserve. All this treasure of
American ideals. Sturdiness and democracy and opportunity. Maybe not at
Palm Beach. But, thank heaven, we're free from such social distinctions
in Gopher Prairie. I have only one good quality--overwhelming belief in
the brains and hearts of our nation, our state, our town. It's so strong
that sometimes I do have a tiny effect on the haughty ten-thousandaires.
I shake 'em up and make 'em believe in ideals--yes, in themselves. But
I get into a rut of teaching. I need young critical things like you to
punch me up. Tell me, what are you reading?”
“I've been re-reading 'The Damnation of Theron Ware.' Do you know it?”
“Yes. It was clever. But hard. Man wanted to tear down, not build up.
Cynical. Oh, I do hope I'm not a sentimentalist. But I can't see any use
in this high-art stuff that doesn't encourage us day-laborers to plod
on.”
Ensued a fifteen-minute argument about the oldest topic in the world:
It's art but is it pretty? Carol tried to be eloquent regarding honesty
of observation. Miss Sherwin stood out for sweetness and a cautious use
of the uncomfortable properties of light. At the end Carol cried:
“I don't care how much we disagree. It's a relief to have somebody
talk something besides crops. Let's make Gopher Prairie rock to its
foundations: let's have afternoon tea instead of afternoon coffee.”
The delighted Bea helped her bring out the ancestral folding
sewing-table, whose yellow and black top was scarred with dotted lines
from a dressmaker's tracing-wheel, and to set it with an embroidered
lunch-cloth, and the mauve-glazed Japanese tea-set which she had brought
from St. Paul. Miss Sherwin confided her latest scheme--moral motion
pictures for country districts, with light from a portable dynamo
hitched to a Ford engine. Bea was twice called to fill the hot-water
pitcher and to make cinnamon toast.
When Kennicott came home at five he tried to be courtly, as befits the
husband of one who has afternoon tea. Carol suggested that Miss Sherwin
stay for supper, and that Kennicott invite Guy Pollock, the much-praised
lawyer, the poetic bachelor.
Yes, Pollock could come. Yes, he was over the grippe which had prevented
his going to Sam Clark's party.
Carol regretted her impulse. The man would be an opinionated politician,
heavily jocular about The Bride. But at the entrance of Guy Pollock she
discovered a personality. Pollock was a man of perhaps thirty-eight,
slender, still, deferential. His voice was low. “It was very good of you
to want me,” he said, and he offered no humorous remarks, and did not
ask her if she didn't think Gopher Prairie was “the livest little burg
in the state.”
She fancied that his even grayness might reveal a thousand tints of
lavender and blue and silver.
At supper he hinted his love for Sir Thomas Browne, Thoreau, Agnes
Repplier, Arthur Symons, Claude Washburn, Charles Flandrau. He presented
his idols diffidently, but he expanded in Carol's bookishness, in Miss
Sherwin's voluminous praise, in Kennicott's tolerance of any one who
amused his wife.
Carol wondered why Guy Pollock went on digging at routine law-cases;
why he remained in Gopher Prairie. She had no one whom she could ask.
Neither Kennicott nor Vida Sherwin would understand that there might be
reasons why a Pollock should not remain in Gopher Prairie. She enjoyed
the faint mystery. She felt triumphant and rather literary. She already
had a Group. It would be only a while now before she provided the town
with fanlights and a knowledge of Galsworthy. She was doing things! As
she served the emergency dessert of cocoanut and sliced oranges, she
cried to Pollock, “Don't you think we ought to get up a dramatic club?”
CHAPTER VI
I
WHEN the first dubious November snow had filtered down, shading with
white the bare clods in the plowed fields, when the first small fire
had been started in the furnace, which is the shrine of a Gopher Prairie
home, Carol began to make the house her own. She dismissed the parlor
furniture--the golden oak table with brass knobs, the moldy brocade
chairs, the picture of “The Doctor.” She went to Minneapolis, to scamper
through department stores and small Tenth Street shops devoted to
ceramics and high thought. She had to ship her treasures, but she wanted
to bring them back in her arms.
Carpenters had torn out the partition between front parlor and back
parlor, thrown it into a long room on which she lavished yellow and
deep blue; a Japanese obi with an intricacy of gold thread on stiff
ultramarine tissue, which she hung as a panel against the maize wall; a
couch with pillows of sapphire velvet and gold bands; chairs which, in
Gopher Prairie, seemed flippant. She hid the sacred family phonograph in
the dining-room, and replaced its stand with a square cabinet on which
was a squat blue jar between yellow candles.
Kennicott decided against a fireplace. “We'll have a new house in a
couple of years, anyway.”
She decorated only one room. The rest, Kennicott hinted, she'd better
leave till he “made a ten-strike.”
The brown cube of a house stirred and awakened; it seemed to be in
motion; it welcomed her back from shopping; it lost its mildewed
repression.
The supreme verdict was Kennicott's “Well, by golly, I was afraid the
new junk wouldn't be so comfortable, but I must say this divan, or
whatever you call it, is a lot better than that bumpy old sofa we had,
and when I look around----Well, it's worth all it cost, I guess.”
Every one in town took an interest in the refurnishing. The carpenters
and painters who did not actually assist crossed the lawn to peer
through the windows and exclaim, “Fine! Looks swell!” Dave Dyer at
the drug store, Harry Haydock and Raymie Wutherspoon at the Bon Ton,
repeated daily, “How's the good work coming? I hear the house is getting
to be real classy.”
Even Mrs. Bogart.
Mrs. Bogart lived across the alley from the rear of Carol's house. She
was a widow, and a Prominent Baptist, and a Good Influence. She had so
painfully reared three sons to be Christian gentlemen that one of them
had become an Omaha bartender, one a professor of Greek, and one, Cyrus
N. Bogart, a boy of fourteen who was still at home, the most brazen
member of the toughest gang in Boytown.
Mrs. Bogart was not the acid type of Good Influence. She was the soft,
damp, fat, sighing, indigestive, clinging, melancholy, depressingly
hopeful kind. There are in every large chicken-yard a number of old and
indignant hens who resemble Mrs. Bogart, and when they are served at
Sunday noon dinner, as fricasseed chicken with thick dumplings, they
keep up the resemblance.
Carol had noted that Mrs. Bogart from her side window kept an eye upon
the house. The Kennicotts and Mrs. Bogart did not move in the same
sets--which meant precisely the same in Gopher Prairie as it did on
Fifth Avenue or in Mayfair. But the good widow came calling.
She wheezed in, sighed, gave Carol a pulpy hand, sighed, glanced sharply
at the revelation of ankles as Carol crossed her legs, sighed, inspected
the new blue chairs, smiled with a coy sighing sound, and gave voice:
“I've wanted to call on you so long, dearie, you know we're neighbors,
but I thought I'd wait till you got settled, you must run in and see me,
how much did that big chair cost?”
“Seventy-seven dollars!”
“Sev----Sakes alive! Well, I suppose it's all right for them that can
afford it, though I do sometimes think----Of course as our pastor said
once, at Baptist Church----By the way, we haven't seen you there yet,
and of course your husband was raised up a Baptist, and I do hope
he won't drift away from the fold, of course we all know there isn't
anything, not cleverness or gifts of gold or anything, that can make
up for humility and the inward grace and they can say what they want to
about the P. E. church, but of course there's no church that has more
history or has stayed by the true principles of Christianity better
than the Baptist Church and----In what church were you raised, Mrs.
Kennicott?”
“W-why, I went to Congregational, as a girl in Mankato, but my college
was Universalist.”
“Well----But of course as the Bible says, is it the Bible, at least I
know I have heard it in church and everybody admits it, it's proper for
the little bride to take her husband's vessel of faith, so we all hope
we shall see you at the Baptist Church and----As I was saying, of course
I agree with Reverend Zitterel in thinking that the great trouble with
this nation today is lack of spiritual faith--so few going to church,
and people automobiling on Sunday and heaven knows what all. But still
I do think that one trouble is this terrible waste of money, people
feeling that they've got to have bath-tubs and telephones in their
houses----I heard you were selling the old furniture cheap.”
“Yes!”
“Well--of course you know your own mind, but I can't help thinking, when
Will's ma was down here keeping house for him--SHE used to run in to SEE
me, real OFTEN!--it was good enough furniture for her. But there, there,
I mustn't croak, I just wanted to let you know that when you find you
can't depend on a lot of these gadding young folks like the Haydocks and
the Dyers--and heaven only knows how much money Juanita Haydock blows in
in a year--why then you may be glad to know that slow old Aunty Bogart
is always right there, and heaven knows----” A portentous sigh. “--I
HOPE you and your husband won't have any of the troubles, with sickness
and quarreling and wasting money and all that so many of these young
couples do have and----But I must be running along now, dearie. It's
been such a pleasure and----Just run in and see me any time. I hope Will
is well? I thought he looked a wee mite peaked.”
It was twenty minutes later when Mrs. Bogart finally oozed out of the
front door. Carol ran back into the living-room and jerked open the
windows. “That woman has left damp finger-prints in the air,” she said.
II
Carol was extravagant, but at least she did not try to clear herself of
blame by going about whimpering, “I know I'm terribly extravagant but I
don't seem to be able to help it.”
Kennicott had never thought of giving her an allowance. His mother had
never had one! As a wage-earning spinster Carol had asserted to her
fellow librarians that when she was married, she was going to have an
allowance and be business-like and modern. But it was too much trouble
to explain to Kennicott's kindly stubbornness that she was a practical
housekeeper as well as a flighty playmate. She bought a budget-plan
account book and made her budgets as exact as budgets are likely to be
when they lack budgets.
For the first month it was a honeymoon jest to beg prettily, to confess,
“I haven't a cent in the house, dear,” and to be told, “You're an
extravagant little rabbit.” But the budget book made her realize how
inexact were her finances. She became self-conscious; occasionally she
was indignant that she should always have to petition him for the money
with which to buy his food. She caught herself criticizing his belief
that, since his joke about trying to keep her out of the poorhouse had
once been accepted as admirable humor, it should continue to be his
daily bon mot. It was a nuisance to have to run down the street after
him because she had forgotten to ask him for money at breakfast.
But she couldn't “hurt his feelings,” she reflected. He liked the
lordliness of giving largess.
She tried to reduce the frequency of begging by opening accounts and
having the bills sent to him. She had found that staple groceries,
sugar, flour, could be most cheaply purchased at Axel Egge's rustic
general store. She said sweetly to Axel:
“I think I'd better open a charge account here.”
“I don't do no business except for cash,” grunted Axel.
She flared, “Do you know who I am?”
“Yuh, sure, I know. The doc is good for it. But that's yoost a rule I
made. I make low prices. I do business for cash.”
She stared at his red impassive face, and her fingers had the
undignified desire to slap him, but her reason agreed with him. “You're
quite right. You shouldn't break your rule for me.”
Her rage had not been lost. It had been transferred to her husband. She
wanted ten pounds of sugar in a hurry, but she had no money. She ran up
the stairs to Kennicott's office. On the door was a sign advertising a
headache cure and stating, “The doctor is out, back at----” Naturally,
the blank space was not filled out. She stamped her foot. She ran down
to the drug store--the doctor's club.
As she entered she heard Mrs. Dyer demanding, “Dave, I've got to have
some money.”
Carol saw that her husband was there, and two other men, all listening
in amusement.
Dave Dyer snapped, “How much do you want? Dollar be enough?”
“No, it won't! I've got to get some underclothes for the kids.”
“Why, good Lord, they got enough now to fill the closet so I couldn't
find my hunting boots, last time I wanted them.”
“I don't care. They're all in rags. You got to give me ten dollars----”
Carol perceived that Mrs. Dyer was accustomed to this indignity. She
perceived that the men, particularly Dave, regarded it as an excellent
jest. She waited--she knew what would come--it did. Dave yelped,
“Where's that ten dollars I gave you last year?” and he looked to the
other men to laugh. They laughed.
Cold and still, Carol walked up to Kennicott and commanded, “I want to
see you upstairs.”
“Why--something the matter?”
“Yes!”
He clumped after her, up the stairs, into his barren office. Before he
could get out a query she stated:
“Yesterday, in front of a saloon, I heard a German farm-wife beg her
husband for a quarter, to get a toy for the baby--and he refused. Just
now I've heard Mrs. Dyer going through the same humiliation. And I--I'm
in the same position! I have to beg you for money. Daily! I have just
been informed that I couldn't have any sugar because I hadn't the money
to pay for it!”
“Who said that? By God, I'll kill any----”
“Tut. It wasn't his fault. It was yours. And mine. I now humbly beg
you to give me the money with which to buy meals for you to eat. And
hereafter to remember it. The next time, I sha'n't beg. I shall simply
starve. Do you understand? I can't go on being a slave----”
Her defiance, her enjoyment of the role, ran out. She was sobbing
against his overcoat, “How can you shame me so?” and he was blubbering,
“Dog-gone it, I meant to give you some, and I forgot it. I swear I won't
again. By golly I won't!”
He pressed fifty dollars upon her, and after that he remembered to give
her money regularly . . . sometimes.
Daily she determined, “But I must have a stated amount--be
business-like. System. I must do something about it.” And daily she
didn't do anything about it.
III
Mrs. Bogart had, by the simpering viciousness of her comments on the new
furniture, stirred Carol to economy. She spoke judiciously to Bea
about left-overs. She read the cookbook again and, like a child with
a picture-book, she studied the diagram of the beef which gallantly
continues to browse though it is divided into cuts.
But she was a deliberate and joyous spendthrift in her preparations for
her first party, the housewarming. She made lists on every envelope
and laundry-slip in her desk. She sent orders to Minneapolis “fancy
grocers.” She pinned patterns and sewed. She was irritated when
Kennicott was jocular about “these frightful big doings that are going
on.” She regarded the affair as an attack on Gopher Prairie's timidity
in pleasure. “I'll make 'em lively, if nothing else. I'll make 'em stop
regarding parties as committee-meetings.”
Kennicott usually considered himself the master of the house. At his
desire, she went hunting, which was his symbol of happiness, and she
ordered porridge for breakfast, which was his symbol of morality. But
when he came home on the afternoon before the housewarming he found
himself a slave, an intruder, a blunderer. Carol wailed, “Fix the
furnace so you won't have to touch it after supper. And for heaven's
sake take that horrible old door-mat off the porch. And put on your nice
brown and white shirt. Why did you come home so late? Would you mind
hurrying? Here it is almost suppertime, and those fiends are just as
likely as not to come at seven instead of eight. PLEASE hurry!”
She was as unreasonable as an amateur leading woman on a first night,
and he was reduced to humility. When she came down to supper, when she
stood in the doorway, he gasped. She was in a silver sheath, the calyx
of a lily, her piled hair like black glass; she had the fragility and
costliness of a Viennese goblet; and her eyes were intense. He was
stirred to rise from the table and to hold the chair for her; and all
through supper he ate his bread dry because he felt that she would think
him common if he said “Will you hand me the butter?”
IV
She had reached the calmness of not caring whether her guests liked
the party or not, and a state of satisfied suspense in regard to Bea's
technique in serving, before Kennicott cried from the bay-window in
the living-room, “Here comes somebody!” and Mr. and Mrs. Luke Dawson
faltered in, at a quarter to eight. Then in a shy avalanche arrived
the entire aristocracy of Gopher Prairie: all persons engaged in a
profession, or earning more than twenty-five hundred dollars a year, or
possessed of grandparents born in America.
Even while they were removing their overshoes they were peeping at the
new decorations. Carol saw Dave Dyer secretively turn over the gold
pillows to find a price-tag, and heard Mr. Julius Flickerbaugh, the
attorney, gasp, “Well, I'll be switched,” as he viewed the vermilion
print hanging against the Japanese obi. She was amused. But her high
spirits slackened as she beheld them form in dress parade, in a long,
silent, uneasy circle clear round the living-room. She felt that she had
been magically whisked back to her first party, at Sam Clark's.
“Have I got to lift them, like so many pigs of iron? I don't know that I
can make them happy, but I'll make them hectic.”
A silver flame in the darkling circle, she whirled around, drew them
with her smile, and sang, “I want my party to be noisy and undignified!
This is the christening of my house, and I want you to help me have a
bad influence on it, so that it will be a giddy house. For me, won't you
all join in an old-fashioned square dance? And Mr. Dyer will call.”
She had a record on the phonograph; Dave Dyer was capering in the center
of the floor, loose-jointed, lean, small, rusty headed, pointed of nose,
clapping his hands and shouting, “Swing y' pardners--alamun lef!”
Even the millionaire Dawsons and Ezra Stowbody and “Professor” George
Edwin Mott danced, looking only slightly foolish; and by rushing about
the room and being coy and coaxing to all persons over forty-five, Carol
got them into a waltz and a Virginia Reel. But when she left them to
disenjoy themselves in their own way Harry Haydock put a one-step record
on the phonograph, the younger people took the floor, and all the elders
sneaked back to their chairs, with crystallized smiles which meant,
“Don't believe I'll try this one myself, but I do enjoy watching the
youngsters dance.”
Half of them were silent; half resumed the discussions of that afternoon
in the store. Ezra Stowbody hunted for something to say, hid a yawn, and
offered to Lyman Cass, the owner of the flour-mill, “How d' you folks
like the new furnace, Lym? Huh? So.”
“Oh, let them alone. Don't pester them. They must like it, or they
wouldn't do it.” Carol warned herself. But they gazed at her so
expectantly when she flickered past that she was reconvinced that in
their debauches of respectability they had lost the power of play as
well as the power of impersonal thought. Even the dancers were gradually
crushed by the invisible force of fifty perfectly pure and well-behaved
and negative minds; and they sat down, two by two. In twenty minutes the
party was again elevated to the decorum of a prayer-meeting.
“We're going to do something exciting,” Carol exclaimed to her new
confidante, Vida Sherwin. She saw that in the growing quiet her voice
had carried across the room. Nat Hicks, Ella Stowbody, and Dave Dyer
were abstracted, fingers and lips slightly moving. She knew with a
cold certainty that Dave was rehearsing his “stunt” about the Norwegian
catching the hen, Ella running over the first lines of “An Old
Sweetheart of Mine,” and Nat thinking of his popular parody on Mark
Antony's oration.
“But I will not have anybody use the word 'stunt' in my house,” she
whispered to Miss Sherwin.
“That's good. I tell you: why not have Raymond Wutherspoon sing?”
“Raymie? Why, my dear, he's the most sentimental yearner in town!”
“See here, child! Your opinions on house-decorating are sound, but your
opinions of people are rotten! Raymie does wag his tail. But the poor
dear----Longing for what he calls 'self-expression' and no training in
anything except selling shoes. But he can sing. And some day when
he gets away from Harry Haydock's patronage and ridicule, he'll do
something fine.”
Carol apologized for her superciliousness. She urged Raymie, and warned
the planners of “stunts,” “We all want you to sing, Mr. Wutherspoon.
You're the only famous actor I'm going to let appear on the stage
tonight.”
While Raymie blushed and admitted, “Oh, they don't want to hear me,” he
was clearing his throat, pulling his clean handkerchief farther out of
his breast pocket, and thrusting his fingers between the buttons of his
vest.
In her affection for Raymie's defender, in her desire to “discover
artistic talent,” Carol prepared to be delighted by the recital.
Raymie sang “Fly as a Bird,” “Thou Art My Dove,” and “When the Little
Swallow Leaves Its Tiny Nest,” all in a reasonably bad offertory tenor.
Carol was shuddering with the vicarious shame which sensitive people
feel when they listen to an “elocutionist” being humorous, or to a
precocious child publicly doing badly what no child should do at all.
She wanted to laugh at the gratified importance in Raymie's half-shut
eyes; she wanted to weep over the meek ambitiousness which clouded like
an aura his pale face, flap ears, and sandy pompadour. She tried to look
admiring, for the benefit of Miss Sherwin, that trusting admirer of all
that was or conceivably could be the good, the true, and the beautiful.
At the end of the third ornithological lyric Miss Sherwin roused from
her attitude of inspired vision and breathed to Carol, “My! That was
sweet! Of course Raymond hasn't an unusually good voice, but don't you
think he puts such a lot of feeling into it?”
Carol lied blackly and magnificently, but without originality: “Oh yes,
I do think he has so much FEELING!”
She saw that after the strain of listening in a cultured manner the
audience had collapsed; had given up their last hope of being amused.
She cried, “Now we're going to play an idiotic game which I learned in
Chicago. You will have to take off your shoes, for a starter! After that
you will probably break your knees and shoulder-blades.”
Much attention and incredulity. A few eyebrows indicating a verdict that
Doc Kennicott's bride was noisy and improper.
“I shall choose the most vicious, like Juanita Haydock and myself, as
the shepherds. The rest of you are wolves. Your shoes are the sheep.
The wolves go out into the hall. The shepherds scatter the sheep through
this room, then turn off all the lights, and the wolves crawl in from
the hall and in the darkness they try to get the shoes away from
the shepherds--who are permitted to do anything except bite and use
black-jacks. The wolves chuck the captured shoes out into the hall. No
one excused! Come on! Shoes off!”
Every one looked at every one else and waited for every one else to
begin.
Carol kicked off her silver slippers, and ignored the universal glance
at her arches. The embarrassed but loyal Vida Sherwin unbuttoned her
high black shoes. Ezra Stowbody cackled, “Well, you're a terror to old
folks. You're like the gals I used to go horseback-riding with, back in
the sixties. Ain't much accustomed to attending parties barefoot,
but here goes!” With a whoop and a gallant jerk Ezra snatched off his
elastic-sided Congress shoes.
The others giggled and followed.
When the sheep had been penned up, in the darkness the timorous wolves
crept into the living-room, squealing, halting, thrown out of their
habit of stolidity by the strangeness of advancing through nothingness
toward a waiting foe, a mysterious foe which expanded and grew more
menacing. The wolves peered to make out landmarks, they touched gliding
arms which did not seem to be attached to a body, they quivered with a
rapture of fear. Reality had vanished. A yelping squabble suddenly rose,
then Juanita Haydock's high titter, and Guy Pollock's astonished, “Ouch!
Quit! You're scalping me!”
Mrs. Luke Dawson galloped backward on stiff hands and knees into the
safety of the lighted hallway, moaning, “I declare, I nev' was so
upset in my life!” But the propriety was shaken out of her, and she
delightedly continued to ejaculate “Nev' in my LIFE” as she saw the
living-room door opened by invisible hands and shoes hurling through it,
as she heard from the darkness beyond the door a squawling, a bumping,
a resolute “Here's a lot of shoes. Come on, you wolves. Ow! Y' would,
would you!”
When Carol abruptly turned on the lights in the embattled living-room,
half of the company were sitting back against the walls, where they had
craftily remained throughout the engagement, but in the middle of the
floor Kennicott was wrestling with Harry Haydock--their collars torn
off, their hair in their eyes; and the owlish Mr. Julius Flickerbaugh
was retreating from Juanita Haydock, and gulping with unaccustomed
laughter. Guy Pollock's discreet brown scarf hung down his back. Young
Rita Simons's net blouse had lost two buttons, and betrayed more of her
delicious plump shoulder than was regarded as pure in Gopher Prairie.
Whether by shock, disgust, joy of combat, or physical activity, all the
party were freed from their years of social decorum. George Edwin Mott
giggled; Luke Dawson twisted his beard; Mrs. Clark insisted, “I did too,
Sam--I got a shoe--I never knew I could fight so terrible!”
Carol was certain that she was a great reformer.
She mercifully had combs, mirrors, brushes, needle and thread ready. She
permitted them to restore the divine decency of buttons.
The grinning Bea brought down-stairs a pile of soft thick sheets of
paper with designs of lotos blossoms, dragons, apes, in cobalt and
crimson and gray, and patterns of purple birds flying among sea-green
trees in the valleys of Nowhere.
“These,” Carol announced, “are real Chinese masquerade costumes. I got
them from an importing shop in Minneapolis. You are to put them on over
your clothes, and please forget that you are Minnesotans, and turn into
mandarins and coolies and--and samurai (isn't it?), and anything else
you can think of.”
While they were shyly rustling the paper costumes she disappeared. Ten
minutes after she gazed down from the stairs upon grotesquely ruddy
Yankee heads above Oriental robes, and cried to them, “The Princess
Winky Poo salutes her court!”
As they looked up she caught their suspense of admiration. They saw an
airy figure in trousers and coat of green brocade edged with gold; a
high gold collar under a proud chin; black hair pierced with jade pins;
a languid peacock fan in an out-stretched hand; eyes uplifted to a
vision of pagoda towers. When she dropped her pose and smiled down
she discovered Kennicott apoplectic with domestic pride--and gray Guy
Pollock staring beseechingly. For a second she saw nothing in all the
pink and brown mass of their faces save the hunger of the two men.
She shook off the spell and ran down. “We're going to have a real
Chinese concert. Messrs. Pollock, Kennicott, and, well, Stowbody are
drummers; the rest of us sing and play the fife.”
The fifes were combs with tissue paper; the drums were tabourets and the
sewing-table. Loren Wheeler, editor of the Dauntless, led the orchestra,
with a ruler and a totally inaccurate sense of rhythm. The music was a
reminiscence of tom-toms heard at circus fortune-telling tents or at
the Minnesota State Fair, but the whole company pounded and puffed and
whined in a sing-song, and looked rapturous.
Before they were quite tired of the concert Carol led them in a dancing
procession to the dining-room, to blue bowls of chow mein, with Lichee
nuts and ginger preserved in syrup.
None of them save that city-rounder Harry Haydock had heard of any
Chinese dish except chop sooey. With agreeable doubt they ventured
through the bamboo shoots into the golden fried noodles of the chow
mein; and Dave Dyer did a not very humorous Chinese dance with Nat
Hicks; and there was hubbub and contentment.
Carol relaxed, and found that she was shockingly tired. She had carried
them on her thin shoulders. She could not keep it up. She longed for
her father, that artist at creating hysterical parties. She thought of
smoking a cigarette, to shock them, and dismissed the obscene thought
before it was quite formed. She wondered whether they could for five
minutes be coaxed to talk about something besides the winter top
of Knute Stamquist's Ford, and what Al Tingley had said about his
mother-in-law. She sighed, “Oh, let 'em alone. I've done enough.” She
crossed her trousered legs, and snuggled luxuriously above her saucer
of ginger; she caught Pollock's congratulatory still smile, and thought
well of herself for having thrown a rose light on the pallid lawyer;
repented the heretical supposition that any male save her husband
existed; jumped up to find Kennicott and whisper, “Happy, my lord? . . .
No, it didn't cost much!”
“Best party this town ever saw. Only----Don't cross your legs in that
costume. Shows your knees too plain.”
She was vexed. She resented his clumsiness. She returned to Guy Pollock
and talked of Chinese religions--not that she knew anything whatever
about Chinese religions, but he had read a book on the subject as, on
lonely evenings in his office, he had read at least one book on every
subject in the world. Guy's thin maturity was changing in her vision
to flushed youth and they were roaming an island in the yellow sea of
chatter when she realized that the guests were beginning that cough
which indicated, in the universal instinctive language, that they
desired to go home and go to bed.
While they asserted that it had been “the nicest party they'd ever
seen--my! so clever and original,” she smiled tremendously, shook hands,
and cried many suitable things regarding children, and being sure to
wrap up warmly, and Raymie's singing and Juanita Haydock's prowess at
games. Then she turned wearily to Kennicott in a house filled with quiet
and crumbs and shreds of Chinese costumes.
He was gurgling, “I tell you, Carrie, you certainly are a wonder, and
guess you're right about waking folks up. Now you've showed 'em how,
they won't go on having the same old kind of parties and stunts and
everything. Here! Don't touch a thing! Done enough. Pop up to bed, and
I'll clear up.”
His wise surgeon's-hands stroked her shoulder, and her irritation at his
clumsiness was lost in his strength.
V
From the Weekly Dauntless:
One of the most delightful social events of recent months was held
Wednesday evening in the housewarming of Dr. and Mrs. Kennicott, who
have completely redecorated their charming home on Poplar Street, and
is now extremely nifty in modern color scheme. The doctor and his bride
were at home to their numerous friends and a number of novelties in
diversions were held, including a Chinese orchestra in original and
genuine Oriental costumes, of which Ye Editor was leader. Dainty
refreshments were served in true Oriental style, and one and all voted a
delightful time.
VI
The week after, the Chet Dashaways gave a party. The circle of mourners
kept its place all evening, and Dave Dyer did the “stunt” of the
Norwegian and the hen.
CHAPTER VII
I
GOPHER PRAIRIE was digging in for the winter. Through late November and
all December it snowed daily; the thermometer was at zero and might
drop to twenty below, or thirty. Winter is not a season in the North
Middlewest; it is an industry. Storm sheds were erected at every door.
In every block the householders, Sam Clark, the wealthy Mr. Dawson, all
save asthmatic Ezra Stowbody who extravagantly hired a boy, were seen
perilously staggering up ladders, carrying storm windows and screwing
them to second-story jambs. While Kennicott put up his windows Carol
danced inside the bedrooms and begged him not to swallow the screws,
which he held in his mouth like an extraordinary set of external false
teeth.
The universal sign of winter was the town handyman--Miles Bjornstam, a
tall, thick, red-mustached bachelor, opinionated atheist, general-store
arguer, cynical Santa Claus. Children loved him, and he sneaked
away from work to tell them improbable stories of sea-faring and
horse-trading and bears. The children's parents either laughed at him
or hated him. He was the one democrat in town. He called both Lyman Cass
the miller and the Finn homesteader from Lost Lake by their first names.
He was known as “The Red Swede,” and considered slightly insane.
Bjornstam could do anything with his hands--solder a pan, weld an
automobile spring, soothe a frightened filly, tinker a clock, carve a
Gloucester schooner which magically went into a bottle. Now, for a week,
he was commissioner general of Gopher Prairie. He was the only person
besides the repairman at Sam Clark's who understood plumbing. Everybody
begged him to look over the furnace and the water-pipes. He rushed
from house to house till after bedtime--ten o'clock. Icicles from burst
water-pipes hung along the skirt of his brown dog-skin overcoat; his
plush cap, which he never took off in the house, was a pulp of ice and
coal-dust; his red hands were cracked to rawness; he chewed the stub of
a cigar.
But he was courtly to Carol. He stooped to examine the furnace flues; he
straightened, glanced down at her, and hemmed, “Got to fix your furnace,
no matter what else I do.”
The poorer houses of Gopher Prairie, where the services of Miles
Bjornstam were a luxury--which included the shanty of Miles
Bjornstam--were banked to the lower windows with earth and manure. Along
the railroad the sections of snow fence, which had been stacked all
summer in romantic wooden tents occupied by roving small boys, were set
up to prevent drifts from covering the track.
The farmers came into town in home-made sleighs, with bed-quilts and hay
piled in the rough boxes.
Fur coats, fur caps, fur mittens, overshoes buckling almost to the
knees, gray knitted scarfs ten feet long, thick woolen socks, canvas
jackets lined with fluffy yellow wool like the plumage of ducklings,
moccasins, red flannel wristlets for the blazing chapped wrists
of boys--these protections against winter were busily dug out of
moth-ball-sprinkled drawers and tar-bags in closets, and all over town
small boys were squealing, “Oh, there's my mittens!” or “Look at my
shoe-packs!” There is so sharp a division between the panting summer and
the stinging winter of the Northern plains that they rediscovered with
surprise and a feeling of heroism this armor of an Artic explorer.
Winter garments surpassed even personal gossip as the topic at parties.
It was good form to ask, “Put on your heavies yet?” There were as many
distinctions in wraps as in motor cars. The lesser sort appeared in
yellow and black dogskin coats, but Kennicott was lordly in a long
raccoon ulster and a new seal cap. When the snow was too deep for his
motor he went off on country calls in a shiny, floral, steel-tipped
cutter, only his ruddy nose and his cigar emerging from the fur.
Carol herself stirred Main Street by a loose coat of nutria. Her
finger-tips loved the silken fur.
Her liveliest activity now was organizing outdoor sports in the
motor-paralyzed town.
The automobile and bridge-whist had not only made more evident the
social divisions in Gopher Prairie but they had also enfeebled the
love of activity. It was so rich-looking to sit and drive--and so easy.
Skiing and sliding were “stupid” and “old-fashioned.” In fact, the
village longed for the elegance of city recreations almost as much as
the cities longed for village sports; and Gopher Prairie took as
much pride in neglecting coasting as St. Paul--or New York--in going
coasting. Carol did inspire a successful skating-party in mid-November.
Plover Lake glistened in clear sweeps of gray-green ice, ringing to the
skates. On shore the ice-tipped reeds clattered in the wind, and oak
twigs with stubborn last leaves hung against a milky sky. Harry Haydock
did figure-eights, and Carol was certain that she had found the perfect
life. But when snow had ended the skating and she tried to get up a
moonlight sliding party, the matrons hesitated to stir away from their
radiators and their daily bridge-whist imitations of the city. She had
to nag them. They scooted down a long hill on a bob-sled, they upset
and got snow down their necks they shrieked that they would do it again
immediately--and they did not do it again at all.
She badgered another group into going skiing. They shouted and threw
snowballs, and informed her that it was SUCH fun, and they'd have
another skiing expedition right away, and they jollily returned home and
never thereafter left their manuals of bridge.
Carol was discouraged. She was grateful when Kennicott invited her to
go rabbit-hunting in the woods. She waded down stilly cloisters
between burnt stump and icy oak, through drifts marked with a million
hieroglyphics of rabbit and mouse and bird. She squealed as he leaped
on a pile of brush and fired at the rabbit which ran out. He belonged
there, masculine in reefer and sweater and high-laced boots. That night
she ate prodigiously of steak and fried potatoes; she produced electric
sparks by touching his ear with her finger-tip; she slept twelve hours;
and awoke to think how glorious was this brave land.
She rose to a radiance of sun on snow. Snug in her furs she
trotted up-town. Frosted shingles smoked against a sky colored like
flax-blossoms, sleigh-bells clinked, shouts of greeting were loud in the
thin bright air, and everywhere was a rhythmic sound of wood-sawing. It
was Saturday, and the neighbors' sons were getting up the winter fuel.
Behind walls of corded wood in back yards their sawbucks stood in
depressions scattered with canary-yellow flakes of sawdust. The frames
of their buck-saws were cherry-red, the blades blued steel, and the
fresh cut ends of the sticks--poplar, maple, iron-wood, birch--were
marked with engraved rings of growth. The boys wore shoe-packs, blue
flannel shirts with enormous pearl buttons, and mackinaws of crimson,
lemon yellow, and foxy brown.
Carol cried “Fine day!” to the boys; she came in a glow to Howland &
Gould's grocery, her collar white with frost from her breath; she bought
a can of tomatoes as though it were Orient fruit; and returned home
planning to surprise Kennicott with an omelet creole for dinner.
So brilliant was the snow-glare that when she entered the house she
saw the door-knobs, the newspaper on the table, every white surface as
dazzling mauve, and her head was dizzy in the pyrotechnic dimness. When
her eyes had recovered she felt expanded, drunk with health, mistress of
life. The world was so luminous that she sat down at her rickety little
desk in the living-room to make a poem. (She got no farther than “The
sky is bright, the sun is warm, there ne'er will be another storm.”)
In the mid-afternoon of this same day Kennicott was called into the
country. It was Bea's evening out--her evening for the Lutheran Dance.
Carol was alone from three till midnight. She wearied of reading pure
love stories in the magazines and sat by a radiator, beginning to brood.
Thus she chanced to discover that she had nothing to do.
II
She had, she meditated, passed through the novelty of seeing the
town and meeting people, of skating and sliding and hunting. Bea was
competent; there was no household labor except sewing and darning
and gossipy assistance to Bea in bed-making. She couldn't satisfy her
ingenuity in planning meals. At Dahl & Oleson's Meat Market you didn't
give orders--you wofully inquired whether there was anything today
besides steak and pork and ham. The cuts of beef were not cuts. They
were hacks. Lamb chops were as exotic as sharks' fins. The meat-dealers
shipped their best to the city, with its higher prices.
In all the shops there was the same lack of choice. She could not find
a glass-headed picture-nail in town; she did not hunt for the sort of
veiling she wanted--she took what she could get; and only at Howland &
Gould's was there such a luxury as canned asparagus. Routine care was
all she could devote to the house. Only by such fussing as the Widow
Bogart's could she make it fill her time.
She could not have outside employment. To the village doctor's wife it
was taboo.
She was a woman with a working brain and no work.
There were only three things which she could do: Have children; start
her career of reforming; or become so definitely a part of the town that
she would be fulfilled by the activities of church and study-club and
bridge-parties.
Children, yes, she wanted them, but----She was not quite ready. She had
been embarrassed by Kennicott's frankness, but she agreed with him
that in the insane condition of civilization, which made the rearing
of citizens more costly and perilous than any other crime, it was
inadvisable to have children till he had made more money. She was
sorry----Perhaps he had made all the mystery of love a mechanical
cautiousness but----She fled from the thought with a dubious, “Some
day.”
Her “reforms,” her impulses toward beauty in raw Main Street, they had
become indistinct. But she would set them going now. She would! She
swore it with soft fist beating the edges of the radiator. And at the
end of all her vows she had no notion as to when and where the crusade
was to begin.
Become an authentic part of the town? She began to think with unpleasant
lucidity. She reflected that she did not know whether the people liked
her. She had gone to the women at afternoon-coffees, to the merchants
in their stores, with so many outpouring comments and whimsies that
she hadn't given them a chance to betray their opinions of her. The men
smiled--but did they like her? She was lively among the women--but
was she one of them? She could not recall many times when she had been
admitted to the whispering of scandal which is the secret chamber of
Gopher Prairie conversation.
She was poisoned with doubt, as she drooped up to bed.
Next day, through her shopping, her mind sat back and observed. Dave
Dyer and Sam Clark were as cordial as she had been fancying; but wasn't
there an impersonal abruptness in the “H' are yuh?” of Chet Dashaway?
Howland the grocer was curt. Was that merely his usual manner?
“It's infuriating to have to pay attention to what people think. In
St. Paul I didn't care. But here I'm spied on. They're watching
me. I mustn't let it make me self-conscious,” she coaxed
herself--overstimulated by the drug of thought, and offensively on the
defensive.
III
A thaw which stripped the snow from the sidewalks; a ringing iron night
when the lakes could be heard booming; a clear roistering morning. In
tam o'shanter and tweed skirt Carol felt herself a college junior going
out to play hockey. She wanted to whoop, her legs ached to run. On the
way home from shopping she yielded, as a pup would have yielded. She
galloped down a block and as she jumped from a curb across a welter of
slush, she gave a student “Yippee!”
She saw that in a window three old women were gasping. Their triple
glare was paralyzing. Across the street, at another window, the curtain
had secretively moved. She stopped, walked on sedately, changed from the
girl Carol into Mrs. Dr. Kennicott.
She never again felt quite young enough and defiant enough and free
enough to run and halloo in the public streets; and it was as a Nice
Married Woman that she attended the next weekly bridge of the Jolly
Seventeen.
IV
The Jolly Seventeen (the membership of which ranged from fourteen to
twenty-six) was the social cornice of Gopher Prairie. It was the country
club, the diplomatic set, the St. Cecilia, the Ritz oval room, the Club
de Vingt. To belong to it was to be “in.” Though its membership partly
coincided with that of the Thanatopsis study club, the Jolly Seventeen
as a separate entity guffawed at the Thanatopsis, and considered it
middle-class and even “highbrow.”
Most of the Jolly Seventeen were young married women, with their
husbands as associate members. Once a week they had a women's
afternoon-bridge; once a month the husbands joined them for supper and
evening-bridge; twice a year they had dances at I. O. O. F. Hall. Then
the town exploded. Only at the annual balls of the Firemen and of the
Eastern Star was there such prodigality of chiffon scarfs and tangoing
and heart-burnings, and these rival institutions were not select--hired
girls attended the Firemen's Ball, with section-hands and laborers. Ella
Stowbody had once gone to a Jolly Seventeen Soiree in the village hack,
hitherto confined to chief mourners at funerals; and Harry Haydock and
Dr. Terry Gould always appeared in the town's only specimens of evening
clothes.
The afternoon-bridge of the Jolly Seventeen which followed Carol's
lonely doubting was held at Juanita Haydock's new concrete bungalow,
with its door of polished oak and beveled plate-glass, jar of ferns in
the plastered hall, and in the living-room, a fumed oak Morris chair,
sixteen color-prints, and a square varnished table with a mat made of
cigar-ribbons on which was one Illustrated Gift Edition and one pack of
cards in a burnt-leather case.
Carol stepped into a sirocco of furnace heat. They were already playing.
Despite her flabby resolves she had not yet learned bridge. She was
winningly apologetic about it to Juanita, and ashamed that she should
have to go on being apologetic.
Mrs. Dave Dyer, a sallow woman with a thin prettiness devoted to
experiments in religious cults, illnesses, and scandal-bearing, shook
her finger at Carol and trilled, “You're a naughty one! I don't believe
you appreciate the honor, when you got into the Jolly Seventeen so
easy!”
Mrs. Chet Dashaway nudged her neighbor at the second table. But Carol
kept up the appealing bridal manner so far as possible. She twittered,
“You're perfectly right. I'm a lazy thing. I'll make Will start teaching
me this very evening.” Her supplication had all the sound of birdies
in the nest, and Easter church-bells, and frosted Christmas cards.
Internally she snarled, “That ought to be saccharine enough.” She sat in
the smallest rocking-chair, a model of Victorian modesty. But she saw or
she imagined that the women who had gurgled at her so welcomingly when
she had first come to Gopher Prairie were nodding at her brusquely.
During the pause after the first game she petitioned Mrs. Jackson Elder,
“Don't you think we ought to get up another bob-sled party soon?”
“It's so cold when you get dumped in the snow,” said Mrs. Elder,
indifferently.
“I hate snow down my neck,” volunteered Mrs. Dave Dyer, with an
unpleasant look at Carol and, turning her back, she bubbled at Rita
Simons, “Dearie, won't you run in this evening? I've got the loveliest
new Butterick pattern I want to show you.”
Carol crept back to her chair. In the fervor of discussing the game they
ignored her. She was not used to being a wallflower. She struggled to
keep from oversensitiveness, from becoming unpopular by the sure method
of believing that she was unpopular; but she hadn't much reserve of
patience, and at the end of the second game, when Ella Stowbody sniffily
asked her, “Are you going to send to Minneapolis for your dress for
the next soiree--heard you were,” Carol said “Don't know yet” with
unnecessary sharpness.
She was relieved by the admiration with which the jeune fille Rita
Simons looked at the steel buckles on her pumps; but she resented Mrs.
Howland's tart demand, “Don't you find that new couch of yours is too
broad to be practical?” She nodded, then shook her head, and touchily
left Mrs. Howland to get out of it any meaning she desired. Immediately
she wanted to make peace. She was close to simpering in the sweetness
with which she addressed Mrs Howland: “I think that is the prettiest
display of beef-tea your husband has in his store.”
“Oh yes, Gopher Prairie isn't so much behind the times,” gibed Mrs.
Howland. Some one giggled.
Their rebuffs made her haughty; her haughtiness irritated them to
franker rebuffs; they were working up to a state of painfully righteous
war when they were saved by the coming of food.
Though Juanita Haydock was highly advanced in the matters of
finger-bowls, doilies, and bath-mats, her “refreshments” were typical
of all the afternoon-coffees. Juanita's best friends, Mrs. Dyer and Mrs.
Dashaway, passed large dinner plates, each with a spoon, a fork, and a
coffee cup without saucer. They apologized and discussed the afternoon's
game as they passed through the thicket of women's feet. Then they
distributed hot buttered rolls, coffee poured from an enamel-ware pot,
stuffed olives, potato salad, and angel's-food cake. There was, even in
the most strictly conforming Gopher Prairie circles, a certain option
as to collations. The olives need not be stuffed. Doughnuts were in some
houses well thought of as a substitute for the hot buttered rolls.
But there was in all the town no heretic save Carol who omitted
angel's-food.
They ate enormously. Carol had a suspicion that the thriftier housewives
made the afternoon treat do for evening supper.
She tried to get back into the current. She edged over to Mrs. McGanum.
Chunky, amiable, young Mrs. McGanum with her breast and arms of a
milkmaid, and her loud delayed laugh which burst startlingly from
a sober face, was the daughter of old Dr. Westlake, and the wife of
Westlake's partner, Dr. McGanum. Kennicott asserted that Westlake and
McGanum and their contaminated families were tricky, but Carol had found
them gracious. She asked for friendliness by crying to Mrs. McGanum,
“How is the baby's throat now?” and she was attentive while Mrs. McGanum
rocked and knitted and placidly described symptoms.
Vida Sherwin came in after school, with Miss Ethel Villets, the
town librarian. Miss Sherwin's optimistic presence gave Carol more
confidence. She talked. She informed the circle “I drove almost down to
Wahkeenyan with Will, a few days ago. Isn't the country lovely! And I do
admire the Scandinavian farmers down there so: their big red barns and
silos and milking-machines and everything. Do you all know that lonely
Lutheran church, with the tin-covered spire, that stands out alone on
a hill? It's so bleak; somehow it seems so brave. I do think the
Scandinavians are the hardiest and best people----”
“Oh, do you THINK so?” protested Mrs. Jackson Elder. “My husband says
the Svenskas that work in the planing-mill are perfectly terrible--so
silent and cranky, and so selfish, the way they keep demanding raises.
If they had their way they'd simply ruin the business.”
“Yes, and they're simply GHASTLY hired girls!” wailed Mrs. Dave Dyer.
“I swear, I work myself to skin and bone trying to please my hired
girls--when I can get them! I do everything in the world for them. They
can have their gentleman friends call on them in the kitchen any time,
and they get just the same to eat as we do, if there's, any left over,
and I practically never jump on them.”
Juanita Haydock rattled, “They're ungrateful, all that class of people.
I do think the domestic problem is simply becoming awful. I don't know
what the country's coming to, with these Scandahoofian clodhoppers
demanding every cent you can save, and so ignorant and impertinent,
and on my word, demanding bath-tubs and everything--as if they weren't
mighty good and lucky at home if they got a bath in the wash-tub.”
They were off, riding hard. Carol thought of Bea and waylaid them:
“But isn't it possibly the fault of the mistresses if the maids are
ungrateful? For generations we've given them the leavings of food, and
holes to live in. I don't want to boast, but I must say I don't have
much trouble with Bea. She's so friendly. The Scandinavians are sturdy
and honest----”
Mrs. Dave Dyer snapped, “Honest? Do you call it honest to hold us up for
every cent of pay they can get? I can't say that I've had any of them
steal anything (though you might call it stealing to eat so much that a
roast of beef hardly lasts three days), but just the same I don't intend
to let them think they can put anything over on ME! I always make them
pack and unpack their trunks down-stairs, right under my eyes, and then
I know they aren't being tempted to dishonesty by any slackness on MY
part!”
“How much do the maids get here?” Carol ventured.
Mrs. B. J. Gougerling, wife of the banker, stated in a shocked manner,
“Any place from three-fifty to five-fifty a week! I know positively that
Mrs. Clark, after swearing that she wouldn't weaken and encourage them
in their outrageous demands, went and paid five-fifty--think of it!
practically a dollar a day for unskilled work and, of course, her food
and room and a chance to do her own washing right in with the rest of
the wash. HOW MUCH DO YOU PAY, Mrs. KENNICOTT?”
“Yes! How much do you pay?” insisted half a dozen.
“W-why, I pay six a week,” she feebly confessed.
They gasped. Juanita protested, “Don't you think it's hard on the rest
of us when you pay so much?” Juanita's demand was reinforced by the
universal glower.
Carol was angry. “I don't care! A maid has one of the hardest jobs on
earth. She works from ten to eighteen hours a day. She has to wash slimy
dishes and dirty clothes. She tends the children and runs to the door
with wet chapped hands and----”
Mrs. Dave Dyer broke into Carol's peroration with a furious, “That's all
very well, but believe me, I do those things myself when I'm without
a maid--and that's a good share of the time for a person that isn't
willing to yield and pay exorbitant wages!”
Carol was retorting, “But a maid does it for strangers, and all she gets
out of it is the pay----”
Their eyes were hostile. Four of them were talking at once. Vida
Sherwin's dictatorial voice cut through, took control of the revolution:
“Tut, tut, tut, tut! What angry passions--and what an idiotic
discussion! All of you getting too serious. Stop it! Carol Kennicott,
you're probably right, but you're too much ahead of the times. Juanita,
quit looking so belligerent. What is this, a card party or a hen fight?
Carol, you stop admiring yourself as the Joan of Arc of the hired girls,
or I'll spank you. You come over here and talk libraries with Ethel
Villets. Boooooo! If there's any more pecking, I'll take charge of the
hen roost myself!”
They all laughed artificially, and Carol obediently “talked libraries.”
A small-town bungalow, the wives of a village doctor and a village
dry-goods merchant, a provincial teacher, a colloquial brawl over
paying a servant a dollar more a week. Yet this insignificance echoed
cellar-plots and cabinet meetings and labor conferences in Persia
and Prussia, Rome and Boston, and the orators who deemed themselves
international leaders were but the raised voices of a billion Juanitas
denouncing a million Carols, with a hundred thousand Vida Sherwins
trying to shoo away the storm.
Carol felt guilty. She devoted herself to admiring the spinsterish Miss
Villets--and immediately committed another offense against the laws of
decency.
“We haven't seen you at the library yet,” Miss Villets reproved.
“I've wanted to run in so much but I've been getting settled and----I'll
probably come in so often you'll get tired of me! I hear you have such a
nice library.”
“There are many who like it. We have two thousand more books than
Wakamin.”
“Isn't that fine. I'm sure you are largely responsible. I've had some
experience, in St. Paul.”
“So I have been informed. Not that I entirely approve of library methods
in these large cities. So careless, letting tramps and all sorts of
dirty persons practically sleep in the reading-rooms.”
“I know, but the poor souls----Well, I'm sure you will agree with me in
one thing: The chief task of a librarian is to get people to read.”
“You feel so? My feeling, Mrs. Kennicott, and I am merely quoting
the librarian of a very large college, is that the first duty of the
CONSCIENTIOUS librarian is to preserve the books.”
“Oh!” Carol repented her “Oh.” Miss Villets stiffened, and attacked:
“It may be all very well in cities, where they have unlimited funds, to
let nasty children ruin books and just deliberately tear them up, and
fresh young men take more books out than they are entitled to by the
regulations, but I'm never going to permit it in this library!”
“What if some children are destructive? They learn to read. Books are
cheaper than minds.”
“Nothing is cheaper than the minds of some of these children that come
in and bother me simply because their mothers don't keep them home where
they belong. Some librarians may choose to be so wishy-washy and turn
their libraries into nursing-homes and kindergartens, but as long as I'm
in charge, the Gopher Prairie library is going to be quiet and decent,
and the books well kept!”
Carol saw that the others were listening, waiting for her to be
objectionable. She flinched before their dislike. She hastened to smile
in agreement with Miss Villets, to glance publicly at her wrist-watch,
to warble that it was “so late--have to hurry home--husband--such nice
party--maybe you were right about maids, prejudiced because Bea so
nice--such perfectly divine angel's-food, Mrs. Haydock must give me the
recipe--good-by, such happy party----”
She walked home. She reflected, “It was my fault. I was touchy. And I
opposed them so much. Only----I can't! I can't be one of them if I must
damn all the maids toiling in filthy kitchens, all the ragged hungry
children. And these women are to be my arbiters, the rest of my life!”
She ignored Bea's call from the kitchen; she ran up-stairs to the
unfrequented guest-room; she wept in terror, her body a pale arc as
she knelt beside a cumbrous black-walnut bed, beside a puffy mattress
covered with a red quilt, in a shuttered and airless room.
CHAPTER VIII
“DON'T I, in looking for things to do, show that I'm not attentive
enough to Will? Am I impressed enough by his work? I will be. Oh, I will
be. If I can't be one of the town, if I must be an outcast----”
When Kennicott came home she bustled, “Dear, you must tell me a lot more
about your cases. I want to know. I want to understand.”
“Sure. You bet.” And he went down to fix the furnace.
At supper she asked, “For instance, what did you do today?”
“Do today? How do you mean?”
“Medically. I want to understand----”
“Today? Oh, there wasn't much of anything: couple chumps with
bellyaches, and a sprained wrist, and a fool woman that thinks she wants
to kill herself because her husband doesn't like her and----Just routine
work.”
“But the unhappy woman doesn't sound routine!”
“Her? Just case of nerves. You can't do much with these marriage
mix-ups.”
“But dear, PLEASE, will you tell me about the next case that you do
think is interesting?”
“Sure. You bet. Tell you about anything that----Say that's pretty good
salmon. Get it at Howland's?”
II
Four days after the Jolly Seventeen debacle Vida Sherwin called and
casually blew Carol's world to pieces.
“May I come in and gossip a while?” she said, with such excess of bright
innocence that Carol was uneasy. Vida took off her furs with a bounce,
she sat down as though it were a gymnasium exercise, she flung out:
“Feel disgracefully good, this weather! Raymond Wutherspoon says if he
had my energy he'd be a grand opera singer. I always think this climate
is the finest in the world, and my friends are the dearest people in the
world, and my work is the most essential thing in the world. Probably
I fool myself. But I know one thing for certain: You're the pluckiest
little idiot in the world.”
“And so you are about to flay me alive.” Carol was cheerful about it.
“Am I? Perhaps. I've been wondering--I know that the third party to a
squabble is often the most to blame: the one who runs between A and B
havin
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