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The Usurper: An Episode in Japanese History

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Title: The Usurper: An Episode in Japanese History

Author: Judith Gautier

Translator: Abby Langdon Alger


        
Release date: September 29, 2014 [eBook #47002]
                Most recently updated: October 24, 2024

Language: English

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*** START OF THE PROJECT GUTENBERG EBOOK THE USURPER: AN EPISODE IN JAPANESE HISTORY ***
THE USURPER

Episode in Japanese History

BY

JUDITH GAUTIER

TRANSLATED FROM THE FRENCH

BY

ABBY LANGDON ALGER

BOSTON

ROBERTS BROTHERS

1884




CONTENTS.


       I. THE LEMON GROVE
      II. NAGATO'S WOUND
     III. FEAST OF THE SEA-GOD
      IV. THE SISTER OF THE SUN
       V. THE KNIGHTS OF HEAVEN
      VI. THE FRATERNITY of BLIND MEN
     VII. PERJURY
    VIII. THE CASTLE OF OWARI
      IX. THE TEA-HOUSE
       X. THE TRYST
      XI. THE WARRIOR-QUAILS
     XII. THE WESTERN ORCHARD
    XIII. THE MIKADO'S THIRTY-THREE DINNERS
     XIV. THE HAWKING-PARTY
      XV. THE USURPER
     XVI. THE FISHERMEN OF OSAKA BAY
    XVII. DRAGON-FLY ISLAND
   XVIII. THE PRINCIPALITY OF NAGATO
     XIX. A TOMB
      XX. THE MESSENGERS
     XXI. THE KISAKI
    XXII. THE MIKADO
   XXIII. FATKOURA
    XXIV. THE TREATY OF PEACE
     XXV. CONFIDENCES
    XXVI. THE GREAT THEATRE OF OSAKA
   XXVII. OMITI
  XXVIII. HENCEFORTH MY HOUSE SHALL BE AT PEACE
    XXIX. THE HIGH-PRIESTESS OF THE SUN
     XXX. BATTLES
    XXXI. THE FUNERAL PILE




THE USURPER.

AN EPISODE IN JAPANESE HISTORY.

(1615.)




CHAPTER I.

THE LEMON GROVE.


Night was nearly gone. All slept in the beautiful bright city of Osaka.
The harsh cry of the sentinels, calling one to another on the ramparts,
broke the silence, unruffled otherwise save for the distant murmur of
the sea as it swept into the bay.

Above the great dark mass formed by the palace and gardens of the
Shogun[1] a star was fading slowly. Dawn trembled in the air, and the
tree-tops were more plainly outlined against the sky, which grew bluer
every moment. Soon a pale glimmer touched the highest branches, slipped
between the boughs and their leaves, and filtered downward to the
ground. Then, in the gardens of the Prince, alleys thick with brambles
displayed their dim perspective; the grass resumed its emerald hue;
a tuft of poppies renewed the splendor of its sumptuous flowers, and
a snowy flight of steps was faintly visible through the mist, down a
distant avenue.

At last, suddenly, the sky grew purple; arrows of light athwart the
bushes made every drop of water on the leaves sparkle. A pheasant
alighted heavily; a crane shook her white wings, and with a long cry
flew slowly upwards; while the earth smoked like a caldron, and the
birds loudly hailed the rising sun.

As soon as the divine luminary rose from the horizon, the sound of a
gong was heard. It was struck with a monotonous rhythm of overpowering
melancholy,--four heavy strokes, four light strokes; four heavy
strokes, and so on. It was the salute to the coming day, and the call
to morning prayers.

A hearty youthful peal of laughter, which broke forth suddenly, drowned
these pious sounds for an instant; and two men appeared, dark against
the clear sky, at the top of the snowy staircase. They paused a moment,
on the uppermost step, to admire the lovely mass of brambles, ferns,
and flowering shrubs which wreathed the balustrade of the staircase.
Then they descended slowly through the fantastic shadows cast across
the steps by the branches. Reaching the foot of the stairs, they moved
quickly aside, that they might not upset a tortoise creeping leisurely
along the last step. This tortoise's shell had been gilded, but the
gilding was somewhat tarnished by the dampness of the grass. The two
men moved down the avenue.

The younger of the pair was scarcely twenty years old, but would have
passed for more, from the proud expression of his face, and the easy
confidence of his glance. Still, when he laughed, he seemed a child;
but he laughed seldom, and a sort of haughty gloom darkened his noble
brow. His costume was very simple. Over a robe of gray crape he wore a
mantle of blue satin, without any embroidery. He carried an open fan in
his hand.

His comrade's dress was, on the contrary, very elegant. His robe
was made of a soft white silk, just tinged with blue, suggestive
of reflected moonlight. It fell in fine folds to his feet, and was
confined at the waist by a girdle of black velvet. The wearer was
twenty-four years old; he was a specimen of perfect beauty. The warm
pallor of his face, his mockingly sweet eyes, and, above all, the
scornful indifference apparent in his whole person, exercised a strange
charm. His hand rested on the richly wrought hilt of one of the two
swords whose points lifted up the folds of his black velvet cloak, the
loose hanging sleeves of which were thrown back over his shoulders.

The two friends were bare-headed; their hair, twisted like a rope, was
knotted around the top of their heads.

"But where are you taking me, gracious master?" suddenly cried the
older of the two young men.

"This is the third time you have asked that question since we left the
palace, Iwakura."

"But you have not answered once, light of my eyes!"

"Well! I want to surprise you. Shut your eyes and give me your hand."

Iwakura obeyed, and his companion led him a few steps across the grass.

"Now look," he said.

Iwakura opened his eyes, and uttered a low cry of astonishment.

Before him stretched a lemon grove in full bloom. Every tree and every
shrub seemed covered with hoar-frost; on the topmost twigs the dawn
cast tints of rose and gold. Every branch bent beneath its perfumed
load; the clusters of flowers hung to the ground, upon which the
overburdened boughs trailed. Amid this white wealth which gave forth a
delicious odor, a few tender green leaves were occasionally visible.

"See," said the younger man with a smile, "I wanted to share with you,
my favorite friend, the pleasure of this marvellous sight before any
other eye rested on it. I was here yesterday: the grove was like a
thicket of pearls; to-day all the flowers are open."

"These trees remind me of what the poet says of peach-blossoms," said
Iwakura; "only here the snow-flakes of butterflies' wings with which
the trees are covered have not turned rose-colored in their descent
from heaven."

"Ah!" cried the younger man sighing, "would I might plunge into the
midst of those flowers as into a bath, and intoxicate myself even unto
death with their strong perfume!"

Iwakura, having admired them, made a slightly disappointed grimace.

"Far more beautiful blossoms were about to open in my dream," said he,
stifling a yawn. "Master, why did you make me get up so early?"

"Come, Prince of Nagato," said the young man, laying his hand on his
comrade's shoulder, "confess. I did not make you get up, for you did
not go to bed last night."

"What?" cried Iwakura; "what makes you think so!"

"Your pallor, friend, and your haggard eyes."

"Am I not always so?"

"The dress you wear would be far too elegant for the hour of the
cock.[2] And see! the sun has scarcely risen; we have only reached the
hour of the rabbit."[3]

"To honor such a master as you, no hour is too early."

"Is it also in my honor, faithless subject, that you appear before me
armed? Those two swords, forgotten in your sash, condemn you; you had
just returned to the palace when I summoned you."

The guilty youth hung his head, not attempting to defend himself.

"But what ails your arm?" suddenly cried the other, noticing a
thin white bandage wound about Iwakura's sleeve.

The latter hid his arm behind him, and held out the other hand.

"Nothing," he said.

But his companion grasped the arm which he concealed. The Prince of
Nagato uttered an exclamation of pain.

"You are wounded, eh? One of these days I shall hear that Nagato has
been killed in some foolish brawl. What have you been doing now,
incorrigible and imprudent fellow?"

"When Hieyas, the regent, comes before you, you will know only too much
about it," said the Prince; "you will hear fine things, O illustrious
friend, in regard to your unworthy favorite. Methinks I already hear
the sound of the terrible voice of the man from whom nothing is hid:
'Fide-Yori, ruler of Japan, son of the great Taiko-Sama, whose memory I
revere! grave disorders have this night troubled Osaka.'"

The Prince of Nagato mimicked the voice of Hieyas so well that the
young Shogun could not repress a smile.

'And what are these disorders?' you will say. 'Doors broken open,
blows, tumults, scandals.' 'Are the authors of these misdeeds known?'
'The leader of the riot is the true criminal, and I know him well.'
'Who is he?' 'Who should it be but the man who takes a share in every
adventure, every nocturnal brawl; who, but the Prince of Nagato, the
terror of honest families, the dread of peaceful men?' And then you
will pardon me, O too merciful man! Hieyas will reproach you with your
weakness, dwelling upon it, that this weakness may redound to the
injury of the Shogun and the profit of the Regent."

"What if I lose patience at last, Nagato," said the Shogun; "what if I
exile you to your own province for a year?"

"I should go, master, without a murmur."

"Yes; and who would be left to love me?" said Fide-Yori, sadly. "I am
surrounded by devotion, not by affection like yours. But perhaps I am
unjust," he added; "you are the only one I love, and doubtless that is
why I think no one loves me but you."

Nagato raised his eyes gratefully to the Prince.

"You feel that you are forgiven, don't you?" said Fide-Yori, smiling.
"But try to spare me the Regent's reproaches; you know how painful they
are to me. Go and salute him; the hour of his levee is at hand; we will
meet again in the council."

"Must I smile upon that ugly creature?" grumbled Nagato.

But he had his dismissal; he saluted the Shogun, and moved away with a
sulky air.

Fide-Yori continued his walk along the avenue, but soon returned to the
lemon grove. He paused to admire it once more, and plucked a slender
twig loaded with flowers. But just then the foliage rustled as if blown
by a strong breeze; an abrupt movement stirred the branches, and a
young girl appeared among the blossoms.

The Shogun started violently, and almost uttered a cry; he fancied
himself the prey to some hallucination.

"Who are you?" he exclaimed; "perhaps the guardian spirit of this
grove?"

"Oh, no," said the girl in a trembling voice; "but I am a very bold
woman."

She issued from the grove amidst a shower of snowy petals, and knelt on
the grass, stretching out her hands to the King.

Fide-Yori bent his head toward her, and gazed curiously at her. She was
of exquisite beauty,--small, graceful, apparently weighed down by the
amplitude of her robes. It seemed as if their silken weight bore her
to her knees. Her large innocent eyes, like the eyes of a child, were
timid and full of entreaty; her cheeks, velvety as a butterfly's wings,
were tinged with a slight blush, and her small mouth, half open in
admiration, revealed teeth white as drops of milk.

"Forgive me," she exclaimed, "forgive me for appearing before you
without your express command."

"I forgive you, poor trembling bird," said Fide-Yori, "for had I known
you and known your desire, my wish would have been to see you. What can
I do for you? Is it in my power to make you happy?"

"Oh, master!" eagerly cried the girl, "with one word you can make me
more radiant than Ten-Sio-Dai-Tsin, the daughter of the Sun."

"And what is that word?"

"Swear that you will not go to-morrow to the feast of the God of the
Sea."

"Why this oath?" said the Shogun, amazed at this strange request.

"Because," said the young girl, shuddering, "a bridge will give way
beneath the King's feet; and when night falls, Japan will be without a
ruler."

"I suppose you have discovered a conspiracy?" said Fide-Yori, smiling.

At this incredulous smile the girl turned pale, and her eyes filled
with tears.

"O pure disk of light!" she cried, "he does not believe me! All that I
have hitherto accomplished is in vain! This is a dreadful obstacle, of
which I never dreamed. You hearken to the voice of the cricket which
prophesies heat; you listen to the frog who croaks a promise of rain;
but a young girl who cries, 'Take care! I have seen the trap! death is
on your path!' you pay no heed to her, but plunge headlong into the
snare. But it must not be; you must believe me. Shall I kill myself
at your feet? My death might be a pledge of my sincerity. Besides,
if I have been deceived, what matters it? You can easily absent
yourself from the feast. Hear me! I come along way, from a distant
province. Alone with the dull anguish of my secret, I outwitted the
most subtle spies, I conquered my terrors and overcame my weakness.
My father thinks me gone on a pilgrimage to Kioto; and, you see, I am
in your city, in the grounds of your palace. And yet the sentinels
are watchful, the moats are broad, the walls high. See, my hands are
bleeding; I burn with fever. Just now I feared I could not speak, my
weary heart throbbed so violently at sight of you and with the joy of
saving you. But now I am dizzy, my blood has turned to ice: you do not
believe me."

"I believe you, and I swear to obey you," said the king, touched by her
accent of despair. "I will not go to the feast of the God of the Sea."

The young girl uttered a cry of delight, and gazed with gratitude at
the sun as it rose above the trees.

"But tell me how you discovered this plot," continued the Shogun, "and
who are its authors?"

"Oh! do not order me to tell you. The whole edifice of infamy that I
overthrow would fall upon my own head."

"So be it, my child; keep your secret. But at least tell me whence
comes this great devotion, and why is my life so precious to you?"

The girl slowly raised her eyes to the King, then looked down and
blushed, but did not reply. A vague emotion troubled the heart of the
Prince. He was silent, and yielded to the sweet sensation. He would
fain have remained thus, in silence, amidst these bird songs, these
perfumes, beside this kneeling maiden.

"Tell me who you are, you who have saved me from death," he asked at
last; "and tell me what reward I can give you worthy of your courage."

"My name is Omiti," said the young girl; "I can tell you nothing more.
Give me the flower that you hold in your hand; it is all I would have
from you."

Fide-Yori offered her the lemon twig; Omiti seized it, and fled through
the grove.

The Shogun stood rooted to the spot for some time, lost in thought,
gazing at the turf pressed by the light foot of Omiti.


[1] Lord of the kingdom. This is the same title as Tycoon, but the
latter was not created till 1854.

[2] Six hours after noon.

[3] Six o'clock in the morning.




CHAPTER II.

NAGATO'S WOUND.


The Prince of Nagato had returned to his palace. He slept stretched out
on a pile of fine mats; around him was almost total darkness, for the
blinds had been lowered, and large screens spread before the windows.
Here and there a black lacquer panel shone in the shadow and reflected
dimly, like a dull mirror, the pale face of the Prince as he lay on his
cushions.

Nagato had not succeeded in seeing Hieyas: he was told that the Regent
was engaged with very important business. Pleased at the chance, the
young Prince hurried home to rest for a few hours before the council.

In the chambers adjoining the one in which he slept servants came
and went silently, preparing their master's toilette. They walked
cautiously, that the floor might not creak, and talked together in low
tones.

"Our poor master knows no moderation," said an old woman, scattering
drops of perfume over a court cloak. "Continual feasting and nightly
revels,--never any rest; he will kill himself."

"Oh, no! pleasure does not kill," said an impudent-looking boy, dressed
in gay colors.

"What do you know about it, imp?" replied the woman. "Wouldn't you
think the brat spent his life in enjoyment like a lord? Don't talk so
boldly about things you know nothing of!"

"Perhaps I know more about them than you do," said the child, making a
wry face; "you haven't got married yet, for all your great age and your
great beauty."

The woman threw the contents of her flask in the boy's face; but he
hid behind the silver disk of a mirror which he was polishing, and the
perfume fell to the ground. When the danger was over, out popped his
head.

"Will you have me for a husband?" he cried; "you can spare me a few of
your years, and between us we'll make but a young couple."

The woman, in her rage, gave a sharp scream.

"Will you be quiet?" said another servant, threatening her with his
fist.

"But who could listen to that young scamp without blushing and losing
her temper?"

"Blush as much as you like," said the child; "that won't make any
noise."

"Come, Loo, be quiet!" said the servant.

Loo shrugged his shoulders and made a face, then went on listlessly
rubbing his mirror.

At this instant a man entered the room.

"I must speak to Iwakura, Prince of Nagato," he cried aloud.

All the servants made violent signs to impose silence on the new-comer.
Loo rushed towards him and stopped his mouth with the rag with which he
was polishing the mirror; but the man pushed him roughly away.

"What does all this mean?" he said. "Are you crazy? I want to speak to
the lord whom you serve, the very illustrious daimio who rules over the
province of Nagato. Go and tell him, and stop your monkey tricks."

"He is asleep," whispered a servant.

"We cannot wake him," said another.

"He is frightfully tired," said Loo, with his finger on his lip.

"Tired or not, he will rejoice at my coming," said the stranger.

"We were ordered not to wake him until a few moments before the hour
for the council," said the old woman.

"I sha'n't take the risk of rousing him," said Loo, drawing his mouth
to one side.--

"Nor I," said the old woman.

"I will go myself, if you like," said the messenger; "moreover, the
hour of the council is close at hand. I just saw the Prince of Arima on
his way to the Hall of a Thousand Mats."

"The Prince of Arima!" cried Loo; "and he is always late!"

"Alas!" said the old woman; "shall we have time to dress our master?"

Loo pushed aside a sliding partition and opened a narrow passage;
he then softly entered Nagato's bedroom. It was cool within, and a
delicate odor of camphor filled the air.

"Master! master!" said Loo in a loud voice, "the hour has come; and
besides there is a messenger here."

"A messenger!" cried Nagato, raising himself on one elbow; "what does
he look like?"

"He is dressed like a samurai:[1] he has two-swords in his sash."

"Let him come in at once," said the Prince, in a tone of agitation.

Loo beckoned to the messenger, who prostrated himself on the threshold
of the room.

"Approach!" said Nagato.

But the messenger being unable to see in the dark hall, Loo folded
back one leaf of a screen which intercepted the light. A broad band of
sunshine entered; it lighted up the delicate texture of the matting
which covered the wall and glistened on a silver stork with sinuous
neck and spread wings, hanging against it.

The messenger approached the Prince and offered him a slender roll of
paper wrapped in silk; then he left the room backwards.

Nagato hastily unrolled the paper, and read as follows:

        "You have been here, illustrious one, I know it! But why
        this madness, and why this mystery? I cannot understand
        your actions. I have received severe reprimands from my
        sovereign on your account. As you know, I was passing
        through the gardens, escorting her to her palace, when
        all at once I saw you leaning against a tree. I could
        not repress an exclamation, and at my cry she turned
        towards me and followed the direction of my eyes. 'Ah!'
        she said, 'it is the sight of Nagato that draws such
        cries from you. Could you not stifle them, and at least
        spare me the sight of your immodest conduct?' Then she
        turned and looked at you several times. The anger in her
        eyes alarmed me. I dare not appear before her to-morrow,
        and I send you this message to beg you not to repeat
        these strange visits, which have such fatal consequences
        to me. Alas! do you not know that I love you, and need
        I repeat it? I will be your wife whenever you wish....
        But it pleases you to adore me as if I were an idol in
        the pagoda of the Thirty-three thousand three hundred
        and thirty-three.[2] If you had not risked your life
        repeatedly to see me, I should think you were mocking
        me. I entreat you, expose me to no more such reproofs,
        and do not forget that I am ready to recognize you as
        my lord and master, and that to live by your side is my
        dearest desire."

Nagato smiled and slowly closed the roll; he fixed his eyes upon the
streak of light cast on the floor from the window, and seemed lost in
deep revery.

Little Loo was greatly disappointed. He had tried to read over his
master's shoulder; but the roll was written in Chinese characters,
and his knowledge fell short of that. He was quite familiar with the
Kata-Kana, and even knew something of Hira-Kana; but unfortunately was
entirely ignorant of Chinese writing. To hide his vexation, he went to
the window and lifting one corner of the blind, looked out.

"Ah!" he said, "the Prince of Satsuma and the Prince of Aki arrive
together, and their followers look askance atone another. Ah! Satsuma
takes precedence. Oh! oh! there goes the Regent down the avenue. He
glances this way, and laughs when he sees the Prince of Nagato's suite
still standing at the door. He would laugh far louder if he knew how
little progress my master had made in his toilet."

"Let him laugh, Loo! and come here," said the Prince, who had taken
a pencil and roll of paper from his girdle and hastily written a few
words. "Run to the palace and give this to the King."

Loo set off as fast as his legs could carry him, pushing and jostling
those who came in his way to his utmost.

"And now," said Iwakura, "dress me quickly."

His servants clustered about him, and the Prince was soon arrayed in
the broad trailing trousers which make the wearer look as if he were
walking on his knees, and the stiff ceremonial mantle, made still more
heavy by the crest embroidered on its sleeves. The arms of Nagato
consisted of a black bolt surmounting three balls in the form of a
pyramid.

The young man, usually so careful of his dress, paid no attention to
the work of his servants; he did not even glance at the mirror so well
polished by Loo, when the high pointed cap, tied by golden ribbons, was
placed on his head.

As soon as his toilette was complete he left the palace; but so great
was his abstraction that, instead of getting into the norimono awaiting
him in the midst of his escort, he set off on foot, dragging his huge
pantaloons in the sand, and exposing himself to the rays of the sun.
His suite, terrified at this breach of etiquette, followed in utter
disorder, while the spies ordered to watch the actions of the Prince
hastened to report this extraordinary occurrence to their various
masters.

The ramparts of the royal residence at Osaka, thick, lofty walls
flanked at intervals by a semicircular bastion, form a huge square,
which encloses several palaces and vast gardens. To the south and west
the fortress is sheltered by the city; on the north the river which
flows through Osaka widens, and forms an immense moat at the foot of
the rampart; on the east, a narrower stream bounds it. On the platform
of the walls grows a row of centenarian cedars of a sombre verdure,
their level branches projecting horizontally across the battlements.
Within, a second wall, preceded by a moat, encloses the parks and
palaces reserved for the princes and their families. Between this wall
and the ramparts lie the houses of soldiers and officials. A third wall
surrounds the private palace of the Shogun, built upon a hill. This
building is of simple but noble design. Square towers with roof upon
roof rise here and there from the general mass. Marble stair-ways,
bordered by slender lacquer railings, and decorated at the foot by
bronze monsters or huge pottery vases, lead to the outer galleries. The
terrace before the palace is covered with gravel and white sand which
reflects back the splendor of the sun.

In the centre of the edifice stands a large, lofty, and magnificently
ornate square tower. It supports seven roofs, whose angles are bent
upward; on the topmost roof two enormous goldfish[3] writhe and twist,
glittering so that they may be seen from every point of the city.

In that part of the palace nearest to this tower is the Hall of a
Thousand Mats, the meeting-place for the Council.

The lords arrived from all directions, climbed the hill, and moved
towards the central portico of the palace, which opens upon a long
gallery loading directly into the Hall of a Thousand Mats.

This lofty, spacious hall is entirely bare of furniture. Movable
partitions sliding in grooves intersect it and, when closed, form
compartments of various sizes. But the partitions are always opened
wide in such a way as to produce agreeable effects of perspective. The
panels in one compartment are covered with black lacquer decorated
in gold, in another of red lacquer or of Jeseri wood, the veins of
which form natural and pleasing designs. Here, the screen, painted
by a famous artist, is lined with white satin heavily embroidered
with flowers; there, on a dead gold ground, a peach-tree loaded with
its pink blossoms spreads its gnarled branches; or perhaps merely
an irregular sprinkling of black, red, and white dots oil dark wood
dazzles the eye. The mats which cover the floor are snow white, and
fringed with silver.

The nobles, with their loose pantaloons falling below their feet, seem
to move forward on their knees, and their robes brush the mats with
a continuous sound, like the murmur of a waterfall. The spectators,
moreover, preserve a religious silence. The _Hattamotos_, members of
an order of nobility, recently instituted by the Regent, crouch in the
farthest corners, while the _Samurais_, of ancient lineage, owners
of fiefs and vassals of princes, pass these newly made nobles by,
with scornful glances, and come perceptibly closer to the great drawn
curtain veiling the platform reserved for the Shogun. The _Lords of
the Earth_, princes supreme in their own provinces, form a wide circle
before the throne, leaving a free space for the thirteen members of the
Council.

The councillors soon arrive. They salute each other, and exchange a few
words in low voices; then take their places.

On the left, presenting their profile to the drawn curtain, are
the superior councillors. They are five in number, but only four
are present. The nearest to the throne is the Prince of Satsuma, a
venerable old man with a long face full of kindness. Next to him is
spread the mat of the absentee. Then comes the Prince of Satake, who
bites his lip as he carefully arranges the folds of his robe. He is
young, dark-skinned, and his jet black eyes twinkle strangely. Next to
him is established the Prince of Ouesougi, a fat and listless-looking
man. The last is the Prince of Isida, a short, ugly-faced fellow.

The eight inferior councillors crouching opposite the throne are the
princes of Arima, Figo, Wakasa, Aki, Tosa, Ise, and Coroda.

A stir is heard in the direction of the entrance, and every head
is bent to the ground. The Regent advances into the hall. He moves
rapidly, not being embarrassed, like the princes, by the folds of his
trailing trousers, and seat's himself, cross-legged, on a pile of mats
to the right of the throne.

Hieyas was at this time an old man. His back was slightly bent, but
he was broad-shouldered and muscular. His head, entirely shaven,
revealed a high forehead, with prominent eyebrows. His thin lips,
cruel and obstinate in expression, were deeply marked at the corners
with downward wrinkles. His cheek-bones were extremely marked, and his
prominent eyes flashed forth abrupt and insincere glances.

As he entered, he cast an evil look, accompanied by a half-smile,
towards the vacant place of the Prince of Nagato. But when the curtain
rose, the Shogun appeared, leaning with one hand on the shoulder of his
youthful councillor.

The Regent frowned.

All the spectators prostrated themselves, pressing their foreheads on
the ground. When they rose, the Prince of Nagato had taken his place
with the rest.

Fide-Yori seated himself, and motioned to Hieyas that he might speak.

Then the Regent read various unimportant reports,--nominations of
magistrates, movements of the troops on the frontier, the change of
residence of a governor whose term had expired. Hieyas explained
briefly and volubly the reasons which had actuated him. The councillors
ran their eyes over the manuscripts, and having no objection to make,
acquiesced by a gesture. But soon the Regent folded all these papers
and handed them to a secretary stationed near him; then resumed his
speech, after first coughing:--

"I called this special meeting to-day," he said, "that its members
might share the fears which I have conceived for the tranquillity of
the kingdom, on learning that the severe supervision ordered over
the European bonzes and such Japanese as have embraced their strange
doctrine, are strangely relaxed, and that they have resumed their
dangerous intrigues against the public peace. I therefore demand the
enforcement of the law decreeing the extermination of all Christians."

A singular uproar arose in the assembly,--a mixture of approval,
surprise, cries of horror and of anger.

"Would you witness a renewal of the hideous and bloody scenes whose
terror still lingers in our minds?" cried the Prince of Satake with his
wonted animation.

"It is odd to affirm that poor people who preach nothing but virtue and
concord can disturb the peace of an empire," said Nagato.

"The Daimio speaks well," said the Prince of Satsuma; "it is impossible
for the bonzes of Europe to have any effect upon the tranquillity of
the kingdom. It is therefore useless to disturb them."

But Hieyas addressed himself directly to Fide-Yori.

"Master," said he, "since no one will share my anxiety, I must inform
you that a dreadful rumor is beginning to circulate among the nobles
and among the people."

He paused a moment, to add solemnity to his words.

"It is said that he who is still under my guardianship, the future
ruler of Japan, our gracious lord, Fide-Yori, has embraced the
Christian faith."

An impressive silence followed these words. The spectators exchanged
glances which said clearly that they had heard the report, which might
have a solid basis.

Fide-Yori took up the word.

"And should a calumny spread by ill-intentioned persons be avenged upon
the innocent I I command that the Christians shall not be molested in
any way. My father, I regret it, thought it his duty to pursue with his
wrath and to exterminate those unhappy men; but I swear, while I live,
not one drop of their blood shall be shed."

Hieyas was stupefied by the resolute accent of the young Shogun; for
the first time he spoke as a master, and commanded. He bowed in sign of
submission, and made no objection. Fide-Yori had attained his majority,
and if he was not yet proclaimed Shogun it was because Hieyas was in
no haste to lay down his power. He did not, therefore, wish to enter
into open strife with his ward. He set the question aside for the time
being, and passed to something else.

"I am told," he said, "that a nobleman was attacked and wounded last
night on the Kioto road. I do not yet know the name of this noble;
but perhaps the Prince of Nagato, who was at Kioto last night, heard
something of this adventure?"

"Ah! you know that I was at Kioto," muttered the Prince; "then I
understand why there were assassins on my path."

"How could Nagato be at Osaka and at Kioto at one and the same time?"
asked the Prince of Satake. "There is nothing talked of this morning
but the water-party which he gave last night, and which ended so
merrily with a fight between the lords and the sailors from the shore."

"I even got a scratch in the squabble," said Nagato, smiling.

"The Prince traverses in a few hours distances that others would take a
day to go over," said Hieyas; "that's all. Only, he does not spare his
horses; every time he comes back to the palace, his animal falls down
dead."

The Prince of Nagato turned pale, and felt for the sword missing from
his girdle.

"I did not suppose that your anxious care extended even to the beasts
of the kingdom," said he, with an insolent irony. "I thank you in the
name of my dead horses."

The Shogun, full of alarm, cast supplicating glances at Nagato. But
it seemed as if the Regent's patience were proof against all trials
to-day. He smiled and made no reply.

However, Fide-Yori saw that anger smouldered in his friend's soul;
and dreading some fresh outburst, he put an end to the council by
withdrawing.

Almost immediately one of the palace guards informed the Prince of
Nagato that the Shogun was asking for him. The Prince said a pleasant
word to several nobles, bowed to the rest, and left the hall without
turning his head in the direction of Hieyas.

When he reached the apartments of the Shogun, he heard a woman's voice,
petulant, and at the same time complaining. He caught his own name.

"I have heard all," said the voice,--"your refusal to accede to the
wishes of the Regent, whom you suffered to be insulted before your very
eyes by the Prince of Nagato, whose impudence is truly incomparable;
and the rare patience of Hieyas, who did not take up the insult from
respect for you, from pity for him whom you believe to be your friend,
in your ignorance of men."

Nagato recognized the speaker as the Shogun's mother, the beautiful and
haughty Yodogimi.

"Mother," said the Shogun, "turn your thoughts to embroidery and dress:
that is woman's sphere."

Nagato entered hurriedly, that he might not longer be an unsuspected
listener.

"My gracious master asked for me," he said. Yodogimi turned and blushed
slightly on seeing the Prince, who bowed low before her.

"I have something to say to you," said the Shogun.

"Then I will retire," said Yodogimi bitterly, "and go back to my
embroidery."

She crossed the room slowly, rustling her trailing silken robes, and
casting as she went out a singular look at Nagato, compounded of
coquetry and hate.

"You heard my mother," said Fide-Yori.

"Yes," said Nagato.

"Every one is anxious to detach me from you, my friend: what can be
their motive?"

"Your mother is blinded by some calumny," said the Prince; "the others
see in me a clear-sighted foe, who can outwit the plots which they
contrive against you."

"It was of a plot I wished to speak to you."

"Against your life?"

"Precisely. It was revealed to me in a strange fashion, and I
can scarcely credit it; yet I cannot resist a certain feeling of
uneasiness. To-morrow, at the feast of the God of the Sea, a bridge
will give way beneath me."

"Horrible!" cried Nagato. "Do not go to the feast."

"If I stay away," said Fide-Yori, "I shall never know the truth, for
the plot will not be carried out. But if I go to the feast," he added
with a smile, "if the conspiracy really exist, the truth would be
somewhat difficult of proof."

"To be sure," said Nagato. "Still, our doubts must be set at rest; some
means must be found. Is your route fixed?"

"Hieyas has arranged it."

Fide-Yori took a roll of paper from a low table and read:--

"Yedogava Quay, Fishmarket Square, Sycamore Street, seashore. Return by
Bamboo Hill and Swallow bridge.

"The wretches!" cried Iwakura; "that is the bridge swung across the
valley!"

"The place would be well chosen indeed," said the Shogun.

"It must be that bridge; those crossing the countless city canals would
not expose you to death by crumbling under your feet, but at the utmost
to a disagreeable bath."

"True," said Fide-Yori; "and from the Swallow bridge I should be hurled
upon the rocks."

"Have you full trust in my friendship for you?" asked the Prince of
Nagato, after a moment's thought.

"Can you doubt it, Iwakura?" said the Shogun.

"Very well, then. Fear nothing, feign complete ignorance, let them lead
the way, and march straight up to the bridge. I have thought of a way
to save you, and yet discover the truth."

"I trust myself to you, friend, in perfect confidence."

"Then let me go; I must have time to carry out my scheme."

"Go, Prince; I place my life in your hands untremblingly," said the
Shogun.

Nagato hastened away, first saluting the king, who replied by a
friendly gesture.


[1] Noble officer in the service of a daimio or prince.

[2] Temple at Kioto containing 33,333 idols.

[3] These fish actually exist, and are valued at an immense sum, many
placing it as high as a million dollars.




CHAPTER III.


FEAST OF THE SEA-GOD.


Next day, from early dawn, the streets of Osaka were full of movement
and mirth. The people prepared for the feast, rejoicing in the thought
of coming pleasures. Shops, the homes of artisans and citizens, opening
full upon the street, afforded a free view of their modest interiors,
furnished only with a few beautifully colored screens.

Voices were heard, mixed with bursts of laughter; and now and then some
mischievous child struggled out of his mother's arms, while she was
trying to dress him in his holiday attire, and frisked, and danced with
glee upon the wooden stairs leading from the house to the road. He was
then recalled with cries of pretended anger from within, the father's
voice was heard, and the child returned to his mother, trembling with
impatience.

Sometimes a little one would cry: "Mother, mother! Here comes the
procession!"

"Nonsense!" said the mother; "the priests have not even finished
dressing yet."

But still she moved towards the front of the house, and, leaning over
the light balustrade, gazed into the street.

Carriers, naked save for a strip of stuff knotted round their waists,
hastened rapidly by, across their shoulders a bamboo stick, which bent
at the tip from the weight of a package of letters. They went in the
direction of the Shogun's residence.

Before the barber's shops the crowd was thicker than elsewhere; the
boys could not possibly shave all the chins presented, or dress all
the heads offered. Customers awaiting their turn chatted gayly outside
the door. Some were already dressed in their holiday garb, of bright
colors, covered with embroidery. Others, more prudent, naked to the
waist, preferred to finish their toilet after their hair was dressed.
Vegetable-sellers and fish-merchants moved about through the throng,
loudly praising their wares, which they carried in two buckets hanging
from a cross piece of wood laid over one shoulder.

On every side people were trimming their houses with pennants, and
streamers, and embroidered stuffs covered with Chinese inscriptions in
gold on a black or purple ground; lanterns were hung up, and blossoming
boughs.

As the morning advanced, the streets became fuller and fuller of merry
tumult. Bearers of norimonos, clad in light tunics drawn tightly round
their waist, with large shield-shaped hats, shouted to the people to
make room. Samurais went by on horseback, preceded by runners, who,
with lowered head and arms extended, forced a passage through the
crowd. Groups paused to talk, sheltered from the sun by huge parasols,
and formed motionless islands in the midst of the surging, billowy
sea of promenaders. A doctor hurried by, fanning himself gravely, and
followed by his two assistants carrying the medicine-chest.

"Illustrious master, are you not going to the feast!" cried the
passers-by.

"Sick men pay no heed to feasts," he answered with a sigh; "and as
there are none for them, there can be none for us."

On the banks of Yedogava the excitement was still greater. The river
was literally hidden by thousands of vessels; the masts trimmed, the
sails still unset, but ready to unfurl, like wings; the hatchways hung
with silks and satins; the prows decked with banners whose golden
fringe, dipped into the water, glittered in the sun, and stained the
azure stream with many-colored ripples.

Bands of young women in brilliant attire came down the snowy steps of
the river-banks cut into broad terraces. They entered elegant boats
made of camphor-wood, set off by carvings and ornaments of copper, and
filled them with flowers, which spread perfumes through the air.

From the top of Kiobassi--that fine bridge which resembles a bent
bow--were hung pieces of gauze; crape, and light silk, of the most
delicate colors, and covered with inscriptions. A gentle breeze softly
stirred these lovely stuffs, which the boats, moving up and down,
pushed aside as they passed. In, the distance glistened the tall tower
of the palace and the two monstrous goldfish which adorn its pinnacle.
At the entrance to the city, to right and left of the river, the two
superb bastions looking out to sea displayed on every tower, at each
angle of the wall, the national standard, white with a scarlet disk,
--an emblem of the sun rising through the morning mists. Scattered
pagodas upreared above the trees against the radiant sky their many
roofs, curled upward at the edge in Chinese fashion.

The pagoda of Yebis, the divinity of the sea, attracted especial
attention upon this day; not that its towers were higher, or its sacred
doors more numerous, than those of neighboring temples, but from its
gardens was to start the religious procession so eagerly awaited by the
crowd.

At last, in the distance, the drum sounded. Every ear was bent to catch
the sacred rhythm familiar to all: a few violent blows at regular
intervals, then a hasty roll, gradually fading and dying, then again
abrupt blows.

A tremendous roar of delight rose from the crowd, who instantly took
their places along the houses on either side of the streets through
which the procession was to pass.

The Kashiras, district police, rapidly stretched cords from stake to
stake, to prevent the throng from trespassing on the main street. The
procession had started; it had passed through the Tory, or sacred
gateway which stands outside the pagoda of Yebis; and soon it defiled
before the impatient multitude.

First came sixteen archers, one behind the other, in two lines, each
man at a convenient distance from the other. They wore armor made of
plates of black horn fastened together by stitches of red wool. Two
swords were thrust through their sashes, barbed arrows extended above
their shoulders, and in their hands they held huge bows of black and
gold lacquer. Behind them came a body of servants bearing long staffs
tufted with silk. Then appeared Tartar musicians, whose advent was
announced by a joyous racket. Metallic vibrations of the gong sounded
at intervals, mingled with drums beaten vigorously, shuddering cymbals,
conch-shells giving out sonorous notes, shrill flute-tones, and blasts
of trumpets rending the air, formed such an intensity of noise, that
the nearest spectators winked and blinked, and seemed almost blinded.

After the musicians came, borne on a high platform, a gigantic
crawfish, ridden by a bonze. Flags of every hue, long and narrow,
bearing the arms of the city, and held by boys, swung to and fro about
the enormous crustacean. Following, were fifty lancers, wearing round
lacquer hats, and carrying on their shoulders a lance trimmed with
a red tassel. Two servants led next a splendidly caparisoned horse,
whose mane, drawn up above his neck, was braided and arranged like a
rich fancy trimming. Standard-bearers marched behind this horse; their
banners were blue, and covered with golden characters. Then advanced
two great Corean tigers, with open jaws and bloodshot eyes. Children
in the crowd screamed with fright; but the tigers were of pasteboard,
and men, hidden in their paws, made them move. A monstrous drum, of
cylindrical form, followed, borne by two bonzes; a third walked beside
it and struck the drum incessantly with his clenched fist.

Finally came seven splendidly dressed young women, who were received
with merry applause. These were the most famous and most beautiful
courtesans of the town. They walked one after the other majestically,
full of pride, each accompanied by a maid, and followed by a man who
held a large silken parasol over her. The people, who knew them well,
named them as they passed.

"There's the woman with the silver teal!" Two of those birds were
embroidered on the large loose-sleeved cloak which she wore over her
many dresses, whose collars were folded one above the other upon her
breast. The cloak was of green satin, the embroidery of white silk,
mixed with silver. The fair one's headdress was stuck full of enormous
tortoise-shell pins, forming a semicircle of rays around her face.

"That one there, that is the seaweed woman!"

The beautiful growth, whose silken roots were lost in the embroideries
of the cloak, floated out from the stuff and fluttered in the wind.

Then came the beauty with the golden dolphin; the beauty with the
almond-blossoms; the beauties with the swan, the peacocks, and the blue
monkey. All walked barefooted upon high clogs made of ebony, which
increased their apparent height. Their heads bristled with shell-pins,
and their faces, skilfully painted, seemed young and charming under the
soft shadow of the parasol.

Behind these women marched men bearing willow-branches; then a whole
army of priests, carrying on litters, or under pretty canopies with
gilded tops, the accessories, ornaments, and furniture of the temple,
which was purified during the progress of the procession.

After all these came the shrine of Yebis, the God of the Sea, the
indefatigable fisher who spends entire days wrapped in a net, a line in
his hand, standing on a rock half submerged in the water. The octagonal
roof was covered with blue and silver, bordered with a pearl fringe,
and surmounted by a great bird with outspread wings. This shrine,
containing the God Yebis invisible within, was borne by fifty bonzes
naked to the waist.

Behind, upon a litter, was borne the magnificent fish consecrated to
Yebis, the _Akama, or scarlet lady_,--the favorite dish of all those
who are fond of dainty fare. Thirty horsemen armed with pikes ended the
procession.

The long train crossed the city, followed by the crowd which gathered
in its rear; it reached the suburbs, and after a long march came out
upon the sea-shore.

Simultaneously with its arrival, thousands of vessels reached the mouth
of Yedogava, which wafted them gently towards the ocean. The sails were
spread, the oars bit the water, banners floated on the breeze, while
the sun flashed myriad sparkles across the blue, dancing waves.

Fide-Yori also reached the shore by the road that skirts the river
bank; he stopped his horse and sat motionless in the midst of his
suite, which was but scanty, the Regent being unwilling to eclipse the
religious _cortége_ by the royal luxury.

Hieyas himself was carried in a norimono, as were the mother and wife
of the Shogun. He declared himself ill.

Fifty soldiers, a few standard-bearers, and two out-runners formed the
entire escort.

The arrival of the young Prince divided the attention of the crowd, and
the procession of Yebis no longer sufficed to attract every eye. The
royal headdress, a sort of oblong golden cap placed upon Fide-Yori's
head, made him easily recognizable from a distance.

Soon the religious procession filed slowly before the Shogun. Then
the priests with the shrine left the ranks and went close down to the
water's edge.

Upon this the fishermen and river boatmen suddenly ran up with cries,
bounds, and gambols, and threw themselves upon the bearers of Yebis.
They imitated a battle, uttering shouts, which grew more and more
shrill. The priests made a feigned resistance; but soon the shrine
passed from their shoulders to those of the stout sailors. The latter
with howls of joy rushed into the sea and drew their beloved god
through the clear waves, while bands of music, stationed on the junks
which ploughed the sea, broke into merry melody. At last the sailors
returned to land, amidst the cheers of the crowd, who soon scattered,
to return in all haste to the town, where many other diversions awaited
them,--open-air shows, sales of all sorts, theatrical representations,
banquets, and libations of saki. Fide-Yori left the beach in his turn,
preceded by the two runners and followed by his train. They entered
a cool and charming little valley, and took a road which, by a very
gentle slope, led to the summit of the hill. This road was utterly
deserted, all access to it having been closed since the evening before.

Fide-Yori thought of the plot, of the bridge which was to give way and
hurl him into an abyss. He had dwelt upon it all night with anguish;
but beneath this bright sun, amidst this peaceful scene, he could no
longer believe in human malice. And yet the path chosen for the return
to the palace was strange. "We will take this road to avoid the crowd,"
said Hieyas; but he had only to close another way to the people, and
the King might have gone back to the castle without making this odd
circuit.

Fide-Yori looked about for Nagato; he was nowhere to be seen. Since
morning the Shogun had twenty times inquired for him. The Prince was
not to be found.

Sad forebodings seized upon the young Shogun. He suddenly asked
himself why his escort should be so scanty, why he was preceded by two
runners only. He looked behind him, and it seemed to him as if the
norimono-bearers slackened their pace.

They reached the brow of the hill and soon Swallow bridge appeared at
the turn of the road. As his eye fell upon it, Fide-Yori involuntarily
reined in his horse; his heart beat violently. The frail bridge, boldly
flung from one hill to another, crossed a very deep valley. The river,
rapid as a torrent, leaped over the rocks with a dull, continuous
noise. But the bridge seemed as usual to rest firmly upon the smooth
rocks which jutted out beneath it.

The runners advanced unshrinkingly. If the conspiracy existed, they
knew nothing of it. The young King dared not pause; he seemed to hear
echoing in his ears Nagato's words: "March fearlessly towards the
bridge!"

But the beseeching tones of Omiti also thrilled through his mind he
recalled the oath which he had uttered. Nagato's silence alarmed him
above all else. How many things might occur to foil the Prince's plan!
Surrounded by skilful spies who watched his slightest acts, he might
have been carried off and prevented from communicating with the King.
All these thoughts rushed tumultuously into Fido-Yori's brain, the last
supposition making him turn pale. Then, by one of those mental freaks
often noted in situations of extreme peril, he suddenly recalled a song
which he had sung as a child, to make himself familiar with the chief
sounds of the Japanese language. He mechanically repeated it:--

    "Color and perfume fade away.
    What is there in this world that is permanent?
    The day which is passed, vanishes in the gulf of oblivion.
    It is like the echo of a dream.
    Its absence causes not the slightest distress."

"I learned that when a mere child," murmured the King; "and yet I now
shrink and hesitate at the possibility of death."

Ashamed of his weakness, he urged his horse forward. Just then a loud
noise was heard on the opposite side of the bridge; and, suddenly
turning the corner of the road, angry horses, with flying mane and
bloodshot eyes, appeared, dragging behind them a chariot laden with the
trunks of trees. They hastened towards the bridge, and their furious
feet rang doubly loud upon the wooden flooring.

At the sight of these animals coming towards them Fide-Yori's whole
escort uttered cries of terror, the porters dropped their norimonos,
the women jumped out of them in alarm, and, gathering up their ample
robes, fled hastily away. The runners, whose feet already touched the
bridge, turned abruptly, and Fide-Yori instinctively sprang to one side.

But all at once, like a cord which, too tightly stretched, breaks,
the bridge gave way with a loud crash; it first bent in the centre,
then the two fragments rose suddenly in the air, scattering a shower
of pieces on every hand. The horses and the car were plunged into the
river, the water dashing in foam to the very brow of the hill. For some
moments one animal hung by his harness, struggling above the gulf; but
his bonds gave way and he fell. The tumultuous stream quickly bore
to the sea horses, floating tree trunks, and all the remnants of the
bridge.

"Oh, Omiti!" cried the King, motionless with horror, "you did not
deceive me! This then was the fate reserved for me! Had it not been for
your devotion, sweet girl, my mangled body would even now be flung from
rock to rock."

"Well, master, you possess the knowledge that you wished. What do you
think of my team?" cried a voice close beside the King.

The latter turned. He was alone, all his servants had abandoned him;
but he saw a head rising from the valley. He recognized Nagato, who
quickly climbed the stony elope and stood beside the King.

"Ah, my friend! my brother!" said Fide-Yori, who could not restrain
his tears. "What have I ever done to inspire such hatred? Who is the
unhappy man whom my life oppresses, and who would fain hurry me from
the world?"

"Would you know that wretch?--would you learn the name of the guilty
man?" said Nagato with a frown.

"Do you know him, friend? Tell me his name."

"Hieyas!" said Nagato.




CHAPTER IV.


THE SISTER OF THE SUN.


It was the warmest hour of the day. All the halls of the palace at
Kioto were plunged in cool darkness, thanks to the lowered shades and
open screens before the windows.

Kioto is the capital, the sacred city, the residence of a god exiled
to earth, the direct descendant of the celestial founders of Japan,
the absolute sovereign, the high priest of all the forms of religion
practised throughout the kingdom of the rising sun, in fact, the
Mikado. The Shogun is only the first among the subjects of the Mikado;
but the latter, crushed beneath the weight of his own majesty, blinded
by his superhuman splendor, leaves the care of terrestrial affairs to
the Shogun, who rules in his stead, while he sits alone, absorbed in
the thought of his own sublimity.

In the centre of the palace parks, in one of the pavilions built for
the nobles of the court, a woman lay stretched upon the floor which was
covered with fine mats. Suddenly she rose upon her elbow and plunged
her dainty fingers in the dark masses of her hair. Not far from her, an
attendant, crouched on the ground, was playing with a pretty dog of a
rare species, which looked like a ball of black and white silk. A koto,
or musical instrument with thirteen strings, a writing-case, a roll of
paper, a fan, and a box of sweetmeats were scattered over the floor,
which no furniture concealed. The walls were made of cedar wood, carved
in open work or covered with brilliant paintings enhanced by gold and
silver; half-closed panels formed openings through which other halls
were visible, and beyond these still other apartments.

"Mistress, you are sad," said the attendant. "Shall I strike the
koto-strings, and sing a song to cheer you?"

The mistress shook her head.

"What?" cried the maid, "Fatkoura no longer loves music? Has she
then forgotten that she owes the light of day to it? For when the
Sun-goddess, enraged with the gods, withdrew into a cavern, it was by
letting her hear divine music for the first time that she was led back
to heaven!"

Fatkoura uttered a sigh, and made no answer.

"Shall I grind some ink for you? Your paper has long remained as
stainless as the snow on Mount Fusi. If you have a grief, cast it into
the mould of verse, and you will be rid of it."

"No, Tika; love is not to be got rid of; it is a burning pain, which
devours one by day and by night, and never sleeps."

"Unhappy love, perhaps; but you are beloved, mistress!" said Tika,
drawing nearer.

"I know not what serpent hidden in the depths of my heart tells me that
I am not."

"What!" said Tika in amaze, "has he not revealed his deep passion by a
thousand acts of folly? Did he not come but lately, at the risk of his
life,--for the wrath of the Kisaki might well prove fatal,--merely to
behold you for one instant?"

"Yes; and he vanished without exchanging a single word with me, Tika!"
added Fatkoura, seizing the young girl's wrists in a nervous grasp. "He
did not even look at me."

"Impossible!" said Tika; "has he not told you that he loved you?"

"He has; and I believed him, because I was so eager to believe. But now
I believe him no longer."

"Why?"

"Because if he loved me he would have married me long since, and taken
me to his estates."

"But the affection which he bears his master keeps him at the Court of
Osaka!"

"So he says; but is that the language of love I What would I nob
sacrifice for him!... Alas! I thirst for his presence! His face, so
haughty, and yet so gentle, floats before my eyes! I long to fix it,
but it escapes me! Ah! if I might but spend a few happy months with
him, I would gladly kill myself afterwards, lulling myself to sleep
with my love; and my past happiness would be a soft winding-sheet for
me."

Fatkoura burst into sobs and hid her face in her hands. Tika strove
to console her. She threw her arms around her, and said a thousand
affectionate things, but could not succeed in calming her.

Suddenly a noise was heard at the other end of the room, and the little
dog began to yelp.

Tika rose quickly and ran out, to prevent any servant from entering and
seeing the emotion of her mistress; she soon returned beaming.

"It is he! it is he!" she exclaimed. "He is here; he wishes to see you."

"Do not jest with me, Tika!" said Fatkoura, rising to her feet.

"Here is his card," said the young girl; and she offered a paper to
Fatkoura, who read at a glance:--

        "Iwakura Teroumoto Mori, Prince of Nagato, entreats the
        honor of admission to your presence."

"My mirror!" she cried frantically. "I am horrible thus,--my eyes
swollen, my hair disordered, dressed in a robe without embroidery!
Alas! instead of weeping, I should have foreseen his coming, and busied
myself with my toilette from early dawn!"

Tika brought the mirror of burnished metal, round as the full moon, and
the box of perfumes and cosmetics.

Fatkoura took a pencil and lengthened her eyes. But her hand trembled,
she made too heavy a line; then, wishing to repair the mistake, only
succeeded in smearing her whole cheek with black. She clenched her
fists with rage, and ground her teeth. Tika came to her aid, and
removed the traces of her awkwardness. She placed upon the lower lip
a little green paint, which became pink on contact with the skin. To
replace the eyebrows, which had been carefully plucked out, she made
two large black spots very high upon her forehead; to make the oval of
her face longer, she sprinkled a little pink powder on her cheek-bones;
then rapidly removed all the apparatus of the toilette, and threw over
her mistress's shoulders a superb kirimon. Then she left the hall at
full speed.

Fatkoura, trembling violently, stood beside the gotto as it lay on the
floor, one hand holding up her mantle heavy with ornament, and eagerly
fixed her gaze on the entrance.

At last Nagato appeared. He advanced, placing one hand on the golden
hilt of one of his two swords, and, bowing with graceful dignity, said:
"Pardon me, fair Fatkoura, if I come like a storm which sweeps across
the sky unannounced by any foreboding clouds."

"You are to me like the sun when it rises from the sea," said Fatkoura,
"and you are always expected. Stay! but a moment since I wept for your
sake. See! my eyes are still red."

"Your eyes are like the evening and the morning stars," said the
Prince. "But why did they drown their rays in tears? Can I have given
you any cause to grieve?"

"You are here, and I have forgotten the cause of my sorrow," said
Fatkoura, smiling; "perhaps I wept because you were far away."

"Why can I not be always here?" cried Nagato, with such an accent of
truth that the young woman felt all her fears vanish, and a flash
of joy illumined her countenance. Perhaps, however, she mistook the
meaning of the Prince's words.

"Come closer," she said, "and rest upon these mats. Tika will serve us
with tea and a few delicacies."

"Could I not first send the Kisaki a secret petition of the utmost
importance?" asked Nagato. "I seized upon the pretext of this precious
missive in order to get away from Osaka," he added, seeing a shadow on
Fatkoura's brow.

"The sovereign has been vexed with me since your last appearance; I
dare not approach her, or send any of my servants to her."

"And yet this note must be in her hands with the briefest possible
delay," said Nagato, with a slight frown.

"What shall we do?" said Fatkoura, whom this trifling mark of distress
had not escaped. "Will you come with me to one of my illustrious
friends, the noble Iza-Farou No-Kami? She is in favor just now; perhaps
she will help us."

"Let us go to her at once," said the Prince.

"Let us go," said Fatkoura with a sigh.

The young woman called Tika, who had remained in the next room, and
signed to her to draw a sliding-panel, which opened upon a gallery
encircling the pavilion.

"Are you going out, mistress?" said Tika. "Shall I summon your suite?"

"We are going incognito, Tika, to take a walk in the orchard. Really,"
she added, with her finger on her lips, "we are going to visit the
noble Iza-Farou."

The maid bent her head in token of understanding. Fatkoura 'bravely set
foot on the balcony, but sprang back hastily with an exclamation.

"It's a furnace," she cried.

Nagato picked up the fail lying upon the floor.

"Courage!" he said; "I will cool the air nearest your face."

Tika took a parasol, which she opened over her mistress's head, and
Nagato waved the huge fan. They set out, sheltered at first by the
projecting roof. Fatkoura led the way. Now and then she touched her
finger-tips to the open-work cedar balustrade, and uttered a baby
shriek at its burning contact. The pretty silken-haired dog, who had
felt obliged to join the party, followed at a distance, growling,
doubtless, remarks upon the madness of a walk at such an hour of the
day.

They turned the corner of the house, and found themselves in front of
it, at the top of a broad staircase leading to the garden, between two
balusters ornamented with copper balls; a third baluster, in the centre
of the staircase, divided it into two parts.

In spite of the intolerable heat and the vivid light, whose reflection
from the sandy soil fairly blinded them, Fatkoura and the Prince of
Nagato pretended to be walking with no other object than to pick a few
flowers and admire the charming prospect which lay before them at every
step. Although the gardens were deserted, they knew that the eye of the
spy was never closed. They made haste to reach a shady alley, and soon
arrived at a group of sumptuous pavilions scattered among the trees and
connected by covered galleries.

"It is here," said Fatkoura, who, far from looking in the direction of
the buildings of which she spoke, was leaning over a little pond filled
with water so clear as to be almost invisible.

"Just see that pretty fish!" she said, purposely raising her voice;
"I should think he was carved from a block of amber. And that one who
looks like a ruby sprinkled with gold! he seems hanging in mid air, the
water is so transparent. See, his fins are like black gauze, and his
eyes like balls of fire! Decidedly, of all the dwellers in the palace,
Iza-Farou has the finest fish."

"What, Fatkoura!" cried a feminine voice from the interior of a
pavilion, "are you out at such an hour? Is it because you are a widow
that you take so little care of your skin, and let it be destroyed by
the sun?"

A blind was half raised, and Iza-Farou thrust out her pretty head,
bristling with light tortoise-shell pins.

"Ah!" she said, "the lord of Nagato! You will not pass by my house
without honoring me by entering," she added.

"We will come in with pleasure, thanking the fate which led us in this
direction," said Fatkoura.

They went up the steps leading to the pavilion, and moved on through
the flowers filling the balcony.

Iza-Farou came towards them.

"What had you to tell me?" she said to her friend in a low voice, as
she gracefully saluted the Prince.

"I need your help," said Fatkoura; "you know I am in disgrace."

"I know it; shall I sue for your pardon? But can I assure the Queen
that you will never again commit the fault which angered her so
deeply?" said Iza-Farou, casting a mischievous glance at Nagato.

"I am the only criminal," said the Prince, smiling. "Fatkoura is not
responsible for the actions of a madman like me."

"Prince, I think she is proud to be the cause of what you call mad
acts; and many are the women who envy her."

"Do not jest with me," said Nagato; "I am sufficiently punished by
having drawn down the wrath of her sovereign upon the noble Fatkoura."

"But that is not the question in point," cried Fatkoura. "The Lord of
Nagato is bearer of an important message which he wishes to transmit to
the Kisaki secretly. He first came to me; but as I cannot approach the
Queen just now, I thought of your kind friendship."

"Trust the message to me," said Iza-Farou, turning to the Prince; "in a
very few moments it shall be in the hands of our illustrious mistress."

"I am overcome with gratitude," said Nagato, taking from his bosom a
white satin wrapper containing the letter.

"Wait here for me; I will return soon."

Iza-Farou took the letter, and ushered her guests into a cool and shady
hall, where she left them alone.

"These pavilions communicate with the Kisaki's palace," said Fatkoura;
"my noble friend can visit the sovereign without being seen by other
eyes. May the gods grant that the messenger bring back a favorable
answer, and I may see the cloud which darkens your brow vanish!"

The Prince seemed, in fact, absorbed and anxious; he nibbled the tip
of his fan as he paced the room. Fatkoura followed him with her eyes,
and her heart involuntarily stood still; she felt a return of the
dreadful agony which had so recently wrung tears from her, and which
the presence of her beloved had suddenly calmed.

"He does not love me," she murmured in despair; "when his eyes turn
towards me, they alarm me by their cold and almost contemptuous
expression."

Nagato seemed to have forgotten the presence of the young woman; he
leaned against a half-open panel, and seemed lost in a dream, at once
sweet and poignant.

The rustle of a dress upon the mats that covered the floor drew him
from his revery. Iza-Farou returned; she seemed in haste, and soon
appeared at the corner of the gallery. Two young boys, magnificently
attired, followed her.

"These are the words of the divine Kisaki," said she, as soon as she
was within speaking distance of Nagato: "'Let the suppliant make his
request in person.'"

At these words Nagato turned so pale, that Iza-Farou, frightened,
thinking that he would faint, rushed towards him, to prevent him from
falling.

"Prince," she cried, "be calm! Such a favor is, I know, enough to cause
your emotion: but are you not used to all honors?"

"Impossible!" muttered Nagato, in a voice which was scarcely audible;
"I cannot appear before her."

"What!" said Iza-Farou, "would you disobey her command?"

"I am not in court-dress," said the Prince.

"She will dispense with ceremony for this time only, the reception
being secret. Do not keep her waiting longer."

"So be it; lead the way!" suddenly exclaimed Nagato, who had now
apparently conquered his emotion.

"These two pages will conduct you," said Iza-Farou.

Nagato left the room rapidly, preceded by the Kisaki's two servitors;
but not so rapidly that he did not hear a stifled cry which broke from
the lips of Fatkoura.

After walking for some time, and passing through the various galleries
and halls of the palace without paying the slightest heed to them,
Nagato came to a great curtain of white satin, embroidered in gold,
whose broad folds, silvery in the light, leaden-hued in the shade, lay
in ample heaps upon the ground.

The pages drew aside this drapery; the Prince advanced, and the
quivering waves of satin fell together again behind him.

The walls of the hall which he entered glittered faintly in the dim
light; they gave out flashes of gold, the whiteness of pearls and
purple reflections, while an exquisite perfume floated in the air. At
the end of the room, beneath curtains fastened back by golden cords,
sat the radiant sovereign in the midst of the silken billows of her
scarlet robes; the triple plate of gold, insignia of omnipotence, rose
above her brow. The Prince grasped the vision with one involuntary
look; then, dropping his eyes as if he had gazed upon the sun at noon,
he advanced to the centre of the room and fell upon his knees; then
slowly his face sank to the ground.

"Iwakura," said the Kisaki, after a long pause, "what you ask of me
is serious. I desire certain explanations from your own lips before I
prefer your request to the sublime master of the world, the son of the
gods, my spouse."

The Prince half rose, and strove to speak, but could not; he felt as
if his bosom would burst with the frantic throbbing of his heart. The
words died on his lips, and he remained with downcast eyes, pale as
death.

"Is it because you think me angry with you that you are so much
alarmed?" said the Queen, looking at the Prince for an instant with
surprise. "I can forgive you, for your crime is but slight. You love
one of my maidens, that is all."

"Nay, I do not love her!" cried Nagato, who, as if he had lost his
senses, raised his eyes to his sovereign.

"What matters it to me?" said the Kisaki abruptly. For one second their
gaze met; but Nagato closed his guilty eyes, and trembling at his own
audacity, awaited its punishment.

But after a pause the Kisaki went on in a quiet voice: "Your letter
reveals to me a terrible secret; and if what you imagine is true, the
peace of the kingdom may be deeply affected."

"That is why, Divine Sister of the Sun, I had the boldness to beg for
your all-powerful intercession," said the Prince, unable completely to
master the quiver in his voice. "If you grant my prayer, if I obtain
what I ask, great misfortunes may be prevented."

"You know, Iwakura, that the Celestial Mikado is favorable to Hieyas;
would he believe in the crime of which you accuse his favorite I and
would you be willing to maintain in public the accusation hitherto kept
secret?"

"I would maintain it to Hieyas' very face," said Nagato firmly; "he
is the instigator of the odious plot which came near costing my young
master his life."

"That affirmation would endanger your own life. Have you thought of
that?"

"My life is a slight thing," said the Prince. "Besides, the mere fact
of my devotion to Fide-Yori is enough to attract the Regent's hatred.
I barely escaped assassination by his men a few days ago, on leaving
Kioto."

"What, Prince! is that indeed possible?" said the Kisaki.

"I only mention the unimportant fact," continued Nagato, "to show you
that this man is familiar with crime, and that he is anxious to rid
himself of those who stand in the way of his ambition."

"But how did you escape from the murderers?" asked the Kisaki, who
seemed to take a lively interest in the adventure.

"The sharp blade of my sword and the strength of my arm saved my life.
But why should you waste your sublime thoughts upon so trifling an
incident?"

"Were the assassins numerous?" inquired the Queen, curiously.

"Ten or twelve, perhaps. I killed several of them; then I gave my horse
the spurs, and he soon put a sufficient distance between them and me."

"What!" said the Kisaki meditatively, "is the man who has the
confidence of my divine spouse so fierce and treacherous? I share your
fears, Iwakura, and sad forebodings overwhelm me; but can I persuade
the Mikado that our presentiments are not vain? At least I will try to
do so, for the good of my people and the salvation of the kingdom. Go,
Prince; be at the reception this evening. I shall then have seen the
Lord of the World."

The Prince, having prostrated himself, rose, and with his head still
bent towards the earth, withdrew backwards from the room. As he reached
the satin curtain, he once more almost involuntarily raised his eyes to
the sovereign, who followed him with her gaze. But the drapery fell and
the adorable vision disappeared.

The pages led Iwakura to one of the palaces reserved for sovereign
princes passing through Kioto. Happy to find himself alone, he
stretched himself upon a pile of cushions, and, still deeply moved,
gave himself up to a delicious revery.

"Ah!" he murmured, "what strange joy fills my soul! I am intoxicated;
perhaps it comes from breathing the air that surrounds her! Ah!
terrible madness, hopeless longing which causes me such sweet
suffering, how much you must be increased by this unexpected interview!
Already I had often fled from Osaka; exhausted, like a diver perishing
for want of air, I came hither, to gaze upon the palaces which hide
her from my sight, or to catch an occasional glimpse of her in the
distance as she leaned over a balcony, or paced the garden paths
surrounded by her women; and I bore hence a store of happiness. But now
I have breathed the perfume which exhales from her person, her voice
has caressed my ear, I have heard my name tremble on her lips! Can I
now be content with what has hitherto filled up my life? I am lost; my
existence is ruined by this impossible love; and yet I am happy. Soon
I shall see her again, no longer under the constraint of a political
audience, but able to dazzle myself at my ease with her beauty. Shall I
have strength to conceal my agitation and my criminal love? Yes, divine
sovereign, before thee only my haughty spirit falls prostrate, and my
every thought turns towards thee as the mists to the sun. Goddess, I
adore thee with awe and respect; but alas! I love thee as well, with a
mad tenderness, as if thou wert but a mere woman!"




CHAPTER V.

THE KNIGHTS OF HEAVEN.


Night had come; to the heat of the day had succeeded a delicious
coolness, and the air was full of perfume from the garden flowers, wet
with dew.

The balconies running outside the palace halls in which the evening
diversions were to take place, were illuminated, and crowded with
guests, who breathed the evening air with delight. The Prince of Nagato
ascended the staircase of honor, bordered on either hand by a living
balustrade of pretty pages, each holding in his hand a gilded stick,
at the end of which hung a round lantern. The Prince passed through
the galleries slowly, on account of the crowd; he bowed low when he
encountered any high dignitary of the Court, saluted the princes, his
equals, in friendly phrase, and approached the throne room.

This hall shone resplendent from the myriad rays of lanterns and of
lamps. A joyous uproar filled it as well as the neighboring apartments
seen through the widely opened panels.

The maids-of-honor chattered together, and their voices were-blended
with the slight rustle of their robes, as they arranged the ample
folds. Seated on the right and left of the royal dais, these princesses
formed groups, and each group had its hierarchic rank and its especial
colors. In one the women were arrayed in pale-blue robes flowered with
silver; in another in green, lilac, or pale-yellow gowns.

Upon the dais covered with soft carpets, the Kisaki shone resplendent
in the midst of the waves of satin, gauze, and silver brocade formed by
her full scarlet and white robes, scintillating with precious stones.
The three vertical plates surmounting her diadem looked like three
golden sunbeams hovering above her brow.

Certain princesses had mounted the steps to the throne, and, kneeling
upon the topmost one, talked merrily with their sovereign; the latter
sometimes littered a low laugh, which scandalized some silent old
prince, the faithful guardian of the severe rules of etiquette. But
the sovereign was so young, not yet twenty years old, that she might
readily be pardoned if she sometimes ceased to feel the weight of the
crown upon her head; and at her laughter, joy spread on every side, as
the songs of the birds break forth with the first rays of the sun.

"The supreme gods be praised!" said one princess in an undertone to her
companions, "the sorrow that oppressed our sovereign has passed away at
last; she is gayer than ever this evening."

"And in what a clement mood!" said another. "There is Fatkoura restored
to favor. She mounts the stops to the throne. The Kisaki has summoned
her."

In fact Fatkoura stood upon the last step of the royal dais; but the
melancholy expression of her features, her fixed and bewildered gaze,
contrasted strangely with the serene and happy look imprinted upon
every face. She thanked the Kisaki for granting her pardon; but she did
it in a voice so sad and so singularly troubled that the young Queen
trembled, and raised her eyes to her former favorite.

"Are you ill?" she asked, surprised at the change in the young woman's
features.

"With joy at winning forgiveness, perhaps," stammered Fatkoura.

"You need not remain for the feast if you are not well."

"I thank you," said Fatkoura, bending low, as she moved away and was
lost in the crowd.

The notes of a hidden orchestra were soon heard, and the entertainment
began.

A curtain was drawn aside in the wall opposite the throne, and revealed
a charming landscape.

Mount Fusiyama appeared in the background, rearing its snow-sprinkled
peak above a necklace of clouds; the sea, of a deep blue, dotted with a
few white sails, lay at the foot of the mountains: a road wound along
among trees and thickets of flowering shrubs.

Then a young man entered; he hung his head; he seemed tired and sad.
The orchestra was silent. The young man lifted up his voice. He told
how misfortune had pursued him. His mother died of grief because
the fields cultivated by her husband grew more and more sterile. He
followed his mother's coffin with tears, then almost killed himself
with work to support his aged father; but the father died in his turn,
leaving his son so destitute, that he had not money enough to bury him.
He then sold himself as a slave, and with the price of his liberty paid
the last marks of respect to his father. Now he was on his way to his
master to comply with the terms of the contract. He was going off, when
a most beautiful woman appeared in his path. The young man gazed at her
in mute admiration.

"I have a favor to beg of you," said the woman. "I am alone and
forsaken; accept me for your wife: I will be devoted and faithful to
you."

"Alas!" said the young man, "I have not a single possession, and even
my body is not my own. I have sold myself to a master, to whom I am
now on my way."

"I am skilled in the art of weaving silk," said the unknown; "take me
to your master; I will manage to make myself useful."

"I consent with all my heart," said the youth; "but how comes it that a
woman so beautiful as you is willing to take a poor man like me for her
husband?"

"Beauty is nothing in comparison with the qualities of the heart," said
the woman.

"In the second part, the husband and wife are seen working in their
master's gardens,--the man cultivating flowers, the wife embroidering
a marvellous tissue which she had woven. The master walked about,
overlooking his slaves; he approached the young woman and examined her
work.

"Oh, what splendid stuff!" he exclaimed; "it is of inestimable value."

"I would gladly exchange it for our liberty."

The master agreed to the bargain, and set them free. Then the husband
fell at his wife's feet; he thanked her enthusiastically for having
thus delivered him from bondage. But the woman was transformed; she
became so brilliant, that the young man, dazzled, could look at her no
longer.

"I am the celestial weaver," said she; "your courage and industry and
your filial piety touched me, and, seeing your misery, I descended from
heaven to help you. All that you may henceforth undertake shall succeed
if you never depart from the path of virtue."

So saying, the divine weaver rose to heaven and resumed her place in
the house of the silkworms.[1]

The orchestra then played a dance. The curtain fell, and soon rose
again. It revealed the garden of a pagoda, with its thickets of
bamboos, its light edifices, with their huge roofs supported by a
vast number of beams of every hue. Then scene followed upon scene
in pantomime, one having no connection with the other. Religious
or military legends were represented, fabulous heroes and symbolic
characters appeared in antique costume, some wearing the egg-shaped
mitre and the tunic with long open sleeves, others having on their head
the old-fashioned crestless helmet, with its gold ornaments, which
protected the nape of the neck, or wearing a fantastic headdress, broad
and high, in the form of a pyramid of gold, decorated with fringes and
tiny bells.

Then the stage was cleared; and after a prelude from the orchestra,
young and lovely dancing-girls appeared, clad in gorgeous dresses, with
the wings of birds or butterflies on their shoulders, and long antennas
on their foreheads which quivered gently above their golden crowns,
wrought in open-work. They performed a slow graceful dance, full of
undulating rocking movements; their figure ended, they formed groups on
either side of the stage, while comic dancers, disguised in false noses
and extravagant costumes, entered and concluded the spectacle by a wild
dance full of blows and tumbles.

From the beginning of the representation the Prince of Nagato had
leaned against a wall near the stage, and, half hidden in the folds of
a curtain, while every eye was fixed upon the mimic scene, he gazed
ecstatically upon the smiling and radiant sovereign.

It seemed as if the Queen felt oppressed by this ardent and tenacious
gaze, for she turned her head, and her eyes rested on the Prince.

The latter did not lower his eyes--an all-powerful charm prevented
him from doing so; that look, descending towards him like a sunbeam,
scorched him. For a moment he felt as if he had lost his senses; it
seemed as if the Kisaki smiled upon him very faintly. She instantly
cast down her eyes and examined the bracelet encircling her arm; then,
lifting her head, she appeared to follow the course of the performance
attentively.

When the curtain fell for the last time, in the midst of the hubbub of
conversation renewed after a prolonged silence, a woman paused before
Nagato.

"I know your secret, Prince!" she said, in a low, but threatening tone.

"What do you mean?" cried Nagato; "I do not understand you, Fatkoura."

"You understand me very well," replied Fatkoura, looking steadily at
him; "and you may well turn pale, for your life is in my hands."

"My life!" murmured the Prince; "I would bless any one who would rid me
of it."

The young woman had moved away; but a great stir now occurred around
the Queen. All the maids-of-honor had risen, and silence again fell
upon the assembly.

The Kisaki stepped down from her throne; she advanced slowly through
the hall, dragging a weight of satin after her. The princesses in
groups, according to their rank, followed at a distance, stopping
whenever she stopped. All the guests bowed low as she passed. She spoke
a few words to an illustrious Daimio or a lady of high rank, then went
on; in this way she reached the Prince of Nagato.

"Iwakura," said she, drawing from her bosom a sealed letter wrapped in
a piece of green satin, "give this paper to the Shogun's mother from
me." And she added in a lower tone: "It is what you asked for. The
Mikado's orders are that you shall only make use of this document when
you are sure that Hieyas is about to perjure himself."

"Your orders shall be faithfully executed," said Nagato, tremblingly
taking the letter. "This very night I will return to Osaka."

"May your journey be prosperous!" said the Kisaki in a strangely gentle
voice. Then she passed on; the Prince still heard the rustle of her
dress on the mats for a brief moment.

An hour later Nagato left the Dairi,[2] and was on his way.

In traversing the city he was obliged to keep his horse to a walk, lest
he should run over some of the merry throng that blocked the streets.

Huge lanterns of glass, paper, gauze, or silk shone on every hand;
their many-colored lights cast odd reflections upon the faces of the
passers, who, as they changed position, looked pink, blue, lilac, or
green. The horse was somewhat frightened by the deafening uproar that
pervaded Kioto. There were shouts of laughter from women standing
before a puppet-show; a tambourine ringing an incessant accompaniment
to the marvellous feats of a band of conjurors; angry cries from a
quarrel degenerating into a brawl; a silver bell struck by the finger
of fate in response to some sorcerer who foretold the future to an
attentive circle; the shrill songs of the priests of Odji-gongem
performing a sacred dance in the garden of a pagoda; then the clamor
of a whole army of beggars, some mounted on stilts, others accoutred
in historic costume, or wearing in lieu of hat a vase containing a
flourishing shrub in full bloom.

Here were mendicant friars, clad in red, with shaven head, puffing up
their cheeks and drawing from silver whistles sounds, whose acuteness
pierced the tumult and rent the ear; priestesses of the national form
of worship passed along, singing and waving a holy-water sprinkler of
white paper,--the symbol of purity; a dozen young bonzes playing on all
sorts of instruments, listened eagerly, to catch the measure of the
melody which they were executing in spite of the general commotion,
while farther on a tortoise-charmer beat a tam-tam with rapid strokes,
and blind men, sitting at a temple door, thumped with all their might
on bells bristling with bronze pimples.

From time to time nobles of the Mikado's Court forced their way through
the crowd; they were going incognito to the theatre or to one of the
tea-houses which were kept open all night, and in which, set free from
the rigors of etiquette, they could drink and enjoy themselves at their
ease.

Nagato, too, travelled incognito and alone; he had not even an
out-runner to disperse the crowd before him. He managed, however, to
leave the city without injuring any one. Then he gave the reins to
his impatient steed, who galloped quickly along a magnificent avenue
of sycamores, bordered by pagodas, temples, and chapels, which glided
swiftly by to right and left, and from which a fragment of prayer
or sacred song reached his ear. Once he turned and cast a long look
behind. He saw through the branches the tomb of Taiko-Sama, Fide-Yori's
father; he thought that the ashes of that great man must quiver with
joy as he who bore safety to his son passed by. He left the suburbs
behind him and climbed a low hill.

He then cast a last look on that city so dear to his heart. It was
wrapped in a luminous fog, red in the midst of the blue light cast
by the moon upon the surrounding mountains. On the slopes, among the
trees, scattered roofs of pagodas shone like mirrors. The golden
chrysanthemum which surmounts the door of the Dairi caught a ray, and
looked like a star suspended over the city. But all disappeared behind
the brow of the hill; the last sound from Kioto faded and died.

The Prince heaved a sigh; then, urging his horse, he flew like an arrow
through the land. He passed through several villages huddled by the
roadside, and at the end of an hour reached Yodo. He traversed the town
without slackening pace, and rode by a castle, whose lofty towers were
brilliantly lighted, while the water in the moats glittered back a
reflection.

This castle belonged to Yodogimi, the Shogun's mother; it was then
inhabited by General Harounaga, a favorite of that princess.

"I have little confidence in the valor of the handsome warrior who
sleeps behind those ramparts," muttered the Prince, glancing at the
silent castle. A moment later he was galloping through a rice-field.
The moon was mirrored on every side in the pools of water from which
the slender blades grew. The rice-plantation looked like a vast pond;
delicate white vapors floated here and there in sheets close to the
ground, and a few great black buffaloes lying half in the water slept
quietly.

Nagato checked his panting horse; soon he dropped the bridle on its
neck, and bowing his head, plunged anew into his despotic revery. The
animal fell into a walk, and the pre-occupied Prince left him to his
own gait.

Nagato saw once more the brilliant palace halls, and the sovereign
advancing towards him; he fancied he heard again the rustle of her
robes. "Ah!" he exclaimed suddenly, "this letter which has lain in her
bosom now rests on my heart and burns me."

He drew the letter hastily from his breast.

"Alas! I must part with this priceless relic," he murmured.

All at once he pressed it to his lips. The touch of the soft stuff, the
familiar perfume exhaled from it, sent an ardent thrill through the
Prince's veins. He shut his eyes, overcome by a delicious ecstasy.

An uneasy neigh from his horse roused him from his dream.

He restored the royal missive to his bosom and looked around him. Fifty
paces in front of him, a group of trees cast its shadow across the
road. Nagato thought he saw something stir in that shadow. He seized
the pike fastened to his saddle, and urged on his horse, which plunged
and reared, reluctant to advance.

The Prince's doubts were soon solved: armed men awaited his coming.

"What, again!" he cried. "The Regent must be very anxious to get rid of
me."

"This time he will not fail!" replied one of the assassins, riding full
upon him.

"You have not got me yet!" said Nagato, turning his horse aside.

His opponent, borne onwards by the impetus of his sally, passed close
by him without reaching him.

"Rash fool that I am," muttered the Prince, "thus to expose this
precious paper to the chances of my fate!"

Naked swords gleamed around him. His assailants were so numerous that
they could not all approach the object of their attack at once.

Nagato was the most skilful fencer in the entire kingdom; he was
both cool and daring. Whirling his pike about him, he broke several
sword-blades, the splinters falling in a shower of blood; then, forcing
his horse to execute a series of rapid leaps, he escaped for a moment
the blows which were aimed at him.

"I can certainly defend myself for a few instants more," he thought,
"but I am plainly lost."

A buffalo, aroused, uttered a long and melancholy bellow; then nothing
more was heard but the clink of steel and the stamping of horses.

But suddenly a voice rang through the darkness. "Courage, Prince!" it
cried; "we come to your aid!"

Nagato was covered with blood, but he struggled bravely still. The
voice lent him new strength, while it paralyzed the assassins, who
exchanged anxious glances.

The rapid beat of horses' hoofs was heard, and before any recognition
was possible, a body of horsemen fell upon the assailants of the Prince.

Nagato, exhausted, withdrew slightly to one side, and with surprise and
confusion watched the defenders who had arrived so opportunely.

These men were beautiful to behold in the moonlight, which illumined
the rich embroideries of their dress, and drew azure sparkles from
their light helmets, decorated in open-work. The Prince recognized the
costume of the Knights of Heaven, the Mikado's guard of honor.

Soon nothing was left of the assassins despatched by the Regent, but
corpses. The conquerors wiped their weapons, and the leader of the
troop approached Nagato. "Are you seriously wounded, Prince?" he asked.

"I do not know," replied Nagato; "in the heat of battle I felt nothing."

"But your face is bathed in blood."

"True," said the Prince, putting his hand to his cheek.

"Will you dismount?"

"No; I am afraid I should not be able to remount. But talk of me no
more; let me thank you for your miraculous intervention, which saved my
life, and ask you by what chain of circumstances you were on this road
at this hour."

"I will tell you all soon," said the knight; "but not before you have
dressed the wound which has bled so profusely."

Water was brought from a neighboring pool, and the Prince's face was
washed with it; a tolerably deep Cut was found on his forehead, near
the temple. Nothing could be done for the time being but to bandage his
head tightly.

"You have other wounds, have you not?"

"I think so; but I feel strong enough to reach Osaka."

"Very well, let us be off!" said the knight; "we will talk as we ride."

The little troop took up the line of march.

"You intend to escort me then?" said Nagato.

"We are ordered not to leave you, Prince; but the accomplishment of
that duty is a pleasure to us."

"Will you do me the honor to acquaint me with your glorious name?" said
Nagato, bowing.

"You know me, Nagato; I am Farou-So-Chan, Lord of Tsusima."

"The husband of the lovely Iza-Farou, whom I had the honor of seeing
this very day!" exclaimed Nagato. "Forgive me! I should have recognized
you by the terrible blows that you dealt my opponents; but I was
blinded by blood."

"I am proud and happy to have been chosen to help you, and to prevent
the unfortunate results which your reckless daring might have caused."

"I acted with unpardonable levity indeed," said Nagato; "I had a right
to risk my life, but not to expose the precious message which I bear."

"Let me tell you, dear Prince, that the envelope which you carry
contains nothing but a blank paper."

"Is it possible?" cried Nagato; "have I been tricked? In that case I
cannot survive the affront."

"Calm yourself, friend," said the Prince of Tsusima, "and hear me.
After the feast this evening, no sooner had she re-entered her
apartments, than the divine Kisaki summoned me: 'Farou,' she said,
'Prince Nagato leaves Kioto to-night. I know that his life is in
danger, and that he may fall into an ambuscade. Therefore, instead of
the message which he supposes he is bearing, I have only given him
an empty envelope. The true letter is here,' she added, showing me a
little casket. 'Take fifty men with you, and follow the Prince at a
distance. If he is attacked, go to his rescue; if not, rejoin him at
the gate of Osaka, and give him this casket without letting him know
that you have borne him escort.' I have it here, Prince; only you have
a matchless horse, and we almost came too late to help you."

Nagato was deeply moved by this revelation; he remembered how sweetly
the sovereign had wished him a prosperous journey, and could not help
seeing a sign of interest in his safety in what had taken place. And
then he thought that he might now retain that treasure, that letter
which she had worn upon her heart for a whole evening.

The rest of the journey was silent. Fever had seized Nagato; the chill
of coming dawn made him shiver, and he began to feel weakened by the
loss of blood. When they reached the gates of Osaka, the sun had risen.
Tsusima took from his saddle-bow a tiny crystal box, closed by a
cunningly knotted silk cord.

"Here, Prince," said he, "the precious letter is contained in this box.
Farewell! May your wounds be speedily healed!"

"Farewell!" replied Nagato; "thanks once more for risking your precious
life for mine, which is of small worth."

Having saluted each of the little band of horsemen, Nagato made his way
through one of the city gates, and pricking his horse, soon reached the
palace.

When Loo saw his master enter, pale as a ghost, and covered with blood,
he fell on his knees, where he remained mute with amazement.

"Come," said the Prince, "shut your gaping mouth, and get up; I am not
dead yet. Call my servants, and run for the doctor."


[1] Constellation of the Scorpion.

[2] Royal residence.




CHAPTER VI.

THE FRATERNITY OF BLIND MEN.


A few hours later, groups of courtiers stood beneath the veranda of the
palace of Hieyas; anxious to be the first to greet the real master,
they awaited his wakening. Some leaned against the cedar columns
that supported the roof, others, standing firm on their legs, one
hand on their hip, crumpling the silky folds of their loose tunic,
listened to one of their number as he told an anecdote, doubtless very
entertaining, for it was followed with the utmost attention, and the
auditors let fall an occasional laugh, instantly stifled out of respect
for the slumbers of the illustrious sleeper.

The narrator was the Prince of Tosa, and the Prince of Nagato the hero
of the adventure that he recounted.

"Yesterday," he said, "the sun was setting when I heard a noise at
my palace gate. I went to the window, and saw my servants wrangling
with a troop of blind men. The latter were bent on entering, and all
talked at once, striking the flagstones with their sticks; the lackeys
shouted to drive them off, and no one heard what the other said. I was
beginning to lose my temper at the scene, when the Prince of Nagato
appeared; my servants at once bowed low before him, and at his order
admitted the blind men into the pavilion used as a stable for the
horses of my visitors. I went out to meet the Prince, curious to hear
an explanation, of this comedy.

"'Make haste!' he said as he entered, throwing a bundle on the floor;
'let us take off our robes, and dress in these costumes.'

"'But why?' I asked, looking at the costumes, which were little to my
taste.

"'What!' said he, 'is not this the hour when we may drop the weary pomp
of our rank, and become free and happy men?'

"'Yes,' said I; 'but why use our liberty to muffle ourselves in that
ugly garb?'

"'You shall see; I have a scheme,' said the Prince, who was already
disrobing; then, putting his lips to my ear, he added, 'I marry,
to-night. You'll see what a lark it will be.'

"'What! you're going to be married, and in that dress?' I cried,
looking at the Prince in his beggarly disguise.

"'Come, hurry,' he said; 'or we sha'n't find the bride.'

The Prince was half way downstairs. I quickly donned a dress like his,
and, urged by curiosity, followed him.

"'But,' I exclaimed, 'all those blind men whom you quartered in the
stable?'

"'We will join them.'

"'In the stable?' I asked.

"I did not understand a blessed thing; but I had confidence in the
whimsical fancy of the Prince, and I patiently waited for him to solve
the mystery. The blind men had collected in the great courtyard of the
palace, and I saw that we were dressed precisely like them. The poor
fellows had the most comical faces imaginable, with their lashless
eyelids, their flat noses, their thick lips, and their stupidly happy
expression. Nagato put a staff in my hand, and said: 'Let us be off.'

"The gates were thrown open. The blind men, holding one another by
the skirt, started out, tapping the ground with their sticks as they
went. Nagato, bending his back and shutting his eyes, followed in their
rear. I saw that I was expected to do the same, and I tried my best to
imitate him. There we were in the streets in the train of that band
of blind men. I could restrain myself no longer. I was seized with a
frantic fit of laughter, which all my comrades soon shared."

"Nagato has certainly lost his senses!" cried the Prince of Tosa's
hearers, writhing with laughter.

"And Tosa was scarcely better!"

"The Prince of Nagato, he never laughed," continued the story-teller;
"he was very angry. I tried to find out something of the Prince's plans
from the blind man nearest me, but he knew nothing of them. I only
learned that the corporation of which I formed a part belonged to that
confraternity of blind men whose business it is to go among the middle
classes to rub sick people and those who are not strong. The idea that
we might perhaps have to rub some one, sent me off again into such a
fit of merriment that, in spite of my efforts to keep a straight face
to please the Prince, I was obliged to stop and sit down on a stone to
hold my sides.

"Nagato was furious. 'You'll put a stop to my marriage,' he said.

"I set off again, winking my eyes and imitating the gait of my strange
fellow-travellers as best I could. They struck the ground with their
sticks, and, at this noise, people leaned from their windows and called
them in. In this way we came to a house of poor appearance. The noise
of sticks was redoubled. A voice demanded two shampooers.

"'Come,' said Nagato to me; 'this is the place.'

"Leaving the band, we went up a few steps and found ourselves in the
house. I saw two women, whom Nagato awkwardly saluted, turning his back
to them as he did so. I hastily shut my eyes and bowed to the wall. But
I managed to half open one eye again, prompted by curiosity. There were
a young girl and an old woman, probably her mother.

"'Take us first,' said the latter; 'you shall rub my husband later.'

"She then squatted on the floor and bared her back. I foresaw that the
old woman would fall to my lot, and that I must certainly play the part
of shampooer. Nagato was lost in salutations.

"'Ah! ah! ah!' he mumbled, as inferiors do when saluting a person of
high rank.

"I began to rub the old lady violently, and she uttered lamentable
groans; I struggled bravely to resist the laugh which again rose in
my throat and nearly choked me. The girl had uncovered one shoulder,
modestly, as if we had had eyes.

"'It is there,' she said; 'I gave myself a blow, and the doctor said
that it would do me good to be rubbed.'

"Nagato began to rub the young girl with amazing gravity; but all at
once he seemed to forget his rôle of blind man.

"'What beautiful hair you have!' said he. 'There's one thing certain:
if you were to adopt the headdress of noble women, you would not have
to resort, as they do, to all sorts of devices for lengthening your
hair.'

"The young girl gave a shriek and turned round; she saw Nagato's very
wide open eyes fixed upon her.

"'Mother!' she exclaimed, 'these are no blind men!'

"The mother fell flat on the floor; and surprise taking away all her
senses, she made no effort to rise, but began to utter yells of rare
shrillness.

"The father ran in in a fright.

"As for me, I gave free vent to my mirth, and rolled on the ground,
unable to hold in longer. To my great surprise, the Prince of Nagato
threw himself at the workman's feet.

"'Forgive us,' said he. 'Your daughter and I want to be married; and
as I have no money, I resolved to follow the custom of the country and
carry her off, to avoid wedding expenses. According to custom also, you
must forgive us, after playing the stem parent for a little while.'

"'I marry that man!' said the girl; 'but I don't know him in the least.'

"'You think my daughter would take a scamp like you fora husband?"
cried the father. 'Be off! out of the house in a trice, if you don't
want to be acquainted with my fists.'

"The sound of his angry voice began to attract a crowd before the
house. Nagato gave a long-drawn whistle.

"'Will you go!' cried the man of the people, scarlet with rage; and,
amidst the most vulgar insults and objurgations, he raised his fist
upon Nagato.

"'Do not strike one who will soon be your son,' said the Prince,
catching him by the arm.

"'You, my son! You will sooner see the snow on Fusiyama blossom with
flowers.'

"'I swear that you shall be my father-in-law,' said the Prince,
throwing his arms round the fellow's waist.

"The latter struggled in vain; Nagato bore him from the house. I
then approached the balustrade, and saw the crowd collected outside,
dispersed by the runners preceding a magnificent procession,--music,
banners, palanquins, all bearing the Prince's arms. The norimonos
stopped at the door, and Nagato stuffed his father-in-law into one of
them, which he closed and fastened with a pad-lock. I saw what I was
to do; I clutched the old woman and settled her in another palanquin,
while Nagato went back to got the girl. Two norimonos received us, and
the procession set out, while the music sounded gayly. We soon reached
a charming establishment in the midst of the prettiest garden I ever
saw. Everything was lighted up; orchestras hidden among the foliage
played softly; busy servants ran to and fro.

"'What is this enchanting palace?' said I to Nagato.

"'Oh! a trifle,' he answered scornfully; 'it is a little house which I
bought for my new wife.'

"'He is crazy,' thought I, 'and will utterly ruin himself; but that's
not my affair.'

"We were led into a room, where we put on splendid dresses; then we
went down into the banquet-hall, where we met all Nagato's young
friends, Satake, Foungo, Aki, and many others. They received us with
enthusiastic shouts. Soon the bride, superbly dressed, entered,
followed by her father and mother, stumbling over the folds of their
silken robes. The father seemed quite calm, the mother was flurried,
and the young girl so astounded that she kept her pretty mouth wide
open. Nagato declared that he took her for his wife, and the marriage
ceremony was complete. I never saw so merry a one. The feast was most
delicate, everybody was soon drunk, and I among the rest; but I had
myself carried hack to the palace about three o'clock for a brief rest,
for I wanted to be present this morning at the Regent's levee."

"That is the most absurd story I ever heard," said the Prince of Figo.
"There is certainly no one like Nagato for knowing how to carry out a
joke."

"And he is really married?" asked another lord.

"Very really," said the Prince of Tosa; "the marriage is legal, in
spite of the woman's low rank."

"The Prince invents new follies every day, and gives splendid feasts;
he must come to an end of his vast fortune ere long."

"If he is ruined, it will please the Regent, who does not love him over
much."

"Yes; but it will grieve the Shogun, who is exceedingly fond of him,
and who will never let him want for money."

"Hollo!" cried the Prince of Tosa, "there comes Nagato back to the
palace."

A procession was indeed passing through the gardens. On the banners and
on the norimono, borne by twenty men, were visible the insignia of the
Prince,--a black bolt surmounting three balls in pyramidal form. The
_cortége_ marched quite near the veranda which sheltered the nobles,
and through the curtains of the norimono they saw the young Prince
dozing on his cushions.

"He surely won't come to the Regent's levee," said one lord; "he would
run the risk of falling asleep on the shoulder of Hieyas."

"Nagato never comes to pay his respects to Hieyas; he detests him
profoundly; he is his avowed enemy."

"Such an enemy is not much to be feared," said the Prince of Tosa. "On
his return from these nightly escapades he is only fit for sleeping."

"I don't know whether that is the Regent's opinion."

"If he thought otherwise, would he endure from him insults serious
enough to condemn him to hara-kiri? If the Prince still lives, he owes
it to the clemency of Hieyas."

"Or to the loving protection of Fide-Yori."

"Doubtless Hieyas is only generous through regard for the master; but
if all his enemies were of Nagato's mind, he might esteem himself
happy."

While the courtiers thus chatted away the time of waiting for his
waking, Hieyas, who had risen long before, paced his chamber, anxious,
uneasy, bearing on his care-worn face the marks of sleeplessness.

A man stood near the Regent, leaning against the wall; he watched
him stride up and down; this man was a former groom, named Faxibo.
Hostlers had enjoyed considerable favor since the accession to power of
Taiko-Sama, who was originally an hostler. Faxibo was deeper than any
other person in the confidence of the Regent, who hid nothing from him,
and even thought aloud in his presence.

Hieyas constantly raised the blind from the window and looked out.

"Nothing," he said impatiently; "no news. It is incomprehensible."

"Be patient for a few moments more," said Faxibo; "those whom you sent
out upon the Kioto road cannot have returned yet."

"But the others! There were forty of them, and not one has returned! If
he has escaped me again, it is maddening."

"Perhaps you exaggerate the man's importance," said Faxibo. "It is a
love-affair that attracts him to Kioto; his head is full of follies."

"So you think; and I confess that this man terrifies me," said the
Regent vehemently, pausing before Faxibo. "No one ever knows what he
is doing; you think him here, he is there. He outwits the most cunning
spies: one declares that he followed him to Kioto, another swears
that he has not lost sight of him for an instant, and that he has hot
left Osaka; all his friends supped with him, while he was fighting on
his return from the Miako[1] with men stationed by me. I think him
asleep, or busy with his own affairs: one of my schemes is on the
eve of success; his hand descends upon me at the last, moment. The
empire would long since have been ours if it had not been for him; my
partisans are numerous, but his are no less strong, and he has the
right on his side. Stay: that plan which I had so skilfully arranged to
rid the country, under the guise of accident, of a sovereign without
talent and without energy,--that plan which was to throw the power into
my hands,--who frustrated it? Who was the accursed coachman who urged
that infernal team across the bridge? Nagato! He, always he. However,"
added Hieyas, "some one else, one of my allies, must have played the
traitor, for it is impossible that any other can have guessed the
scheme. Ah! if I knew the villain's name, I would at least gratify
myself by an awful revenge."

"I told you what I was able to discover," said Faxibo. "Fide-Yori
exclaimed at the moment of the crash: 'Omiti, you were right!'"

"Omiti! Who is Omiti? I do not know the name."

The Regent had advanced into the hall adjoining his chamber, which was
divided, by a large screen only, from the veranda where the nobles
were awaiting his coming. From within, this screen admitted of seeing
without being seen. Hieyas heard the name of Nagato uttered; he
approached eagerly, and signed to Faxibo to come close to him. Thus
they heard the whole story of the Prince of Tosa.

"Yes," muttered Hieyas; "for a long time I took him for a man of
dissolute morals and of no political importance; that was why I at
first favored his intimacy with Fide-Yori. How deeply I repent it, now
that I know what he is worth!"

"You see, master," said Faxibo, "that the Prince, doubtless warned of
your project, did not quit Osaka."

"I tell you he was at the Miako, and did not leave there until far on
in the night."

"And yet the Prince of Tosa was with him until very late."

"One of my spies followed him to Kioto; he entered the city in broad
daylight, and remained there until midnight."

"It is incomprehensible," said Faxibo. "Stay! there he is, going home,"
he added, seeing Nagato's procession.

"Is it really he who occupies the litter?" asked Hieyas, trying to look
out.

"I think I recognized him," replied Faxibo.

"Impossible! it cannot be the Prince of Nagato, unless it be his
corpse."

At this moment a man entered the chamber, and prostrated himself with
his face on the ground.

"It is my envoy," cried Hieyas. "Speak quickly, come I What have you
learned?" he cried to the messenger.

"I went to the part of the road to which you directed me, all-powerful
master," said the envoy. "At that spot the ground was strewn with
corpses; I counted forty men and fifteen horses. Peasants were hovering
around the dead; some felt of them, to see if there were no lingering
trace of life. Others pursued the wounded horses, which were running
about the rice-fields. I asked what had happened. They told me that no
one knew; but at sunrise they saw a band of horsemen pass, belonging
to the divine Mikado; they were on their way to Kioto. As for the
corpses lying by the roadside, red with their blood, they all wore dark
costumes, without any armorial bearings, and their faces were half
hidden by their headdress, after the fashion of bandits and assassins."

"Enough!" exclaimed Hieyas, frowning; "go!"

The envoy retired, or rather fled.

"He has escaped me again," said Hieyas. "Well! I must deal the blow
with my own hand. The end which I would attain is so noble, that I
should not hesitate to use infamous means to overthrow the obstacles
which rise in my path. Faxibo," he added, turning to the ex-groom,
"usher in those who wait. Their presence may drive away the sad
forebodings which oppressed me all night."

Faxibo lifted aside the screen, and the nobles entered one after
another to greet the master. Hieyas observed that the courtiers were
loss numerous than usual; none were present except those princes who
were wholly devoted to his cause, and some few indifferent people who
sought a special favor of the Regent.

Hieyas, still talking with the lords, moved out upon the veranda and
looked around.

It seemed to him that an unusual bustle pervaded the palace courts.
Messengers were starting off every moment, and princes coming up in
their norimonos, in spite of the early hour. All were proceeding
towards Fide-Yori's palace.

"What is the matter?" thought he; "whence comes all this stir I what
mean these messengers bearing orders of which I know nothing?" And,
full of alarm, he dismissed the lords with a gesture.

"You will excuse me, I know," he said "the interests of the country
call me."

But before the princes had taken leave, a soldier entered the room.

"The Shogun, Fide-Yori, begs the illustrious Hieyas to be good enough
to come before his presence at once," said he; and without waiting for
an answer, he departed.

Hieyas stopped the lords who were about to leave.

"Wait for me here," he said; "I do not know what is going on, but I am
devoured by anxiety. You are devoted to me; I may possibly need you."

He saluted them with a wave of the hand, and went slowly out, his head
bent, followed only by Faxibo.


[1] That is to say, the capital.




CHAPTER VII.

PERJURY.


When he entered the hall where Fide-Yori was waiting for him, Hieyas
saw that something important was about to occur.

All the party devoted to the son of Taiko-Sama were assembled there.

Fide-Yori wore for the first time, that warlike and royal costume which
he alone had the right to assume. The cuirass of black horn girt his
body, and heavy skirts, made of a series of plates fastened together by
stitches of red silk, fell over a pair of loose trousers confined from
the ankle to the knee by velvet gaiters. He had a sword on his left
side, and another on the right. Three golden stars glittered on his
breast; his hand rested upon an iron wand. The young man was seated on
a folding stool such as warriors use in their tents.

On his right stood his mother, the beautiful Yodogimi, pale and
nervous, but splendidly arrayed; on his left, the Prince of Mayada, who
shared the regency with Hieyas; but being very old, and for some time
past an invalid, this Prince held himself aloof from business matters.
He however kept watch over Hieyas, and maintained the interests of
Fide-Yori as far as possible.

On one side were the princes of Satsuma, Satake, Arima, Aki, and
Issida; on the other, the warriors,--General Sanada-Sayemon-Yoke-Moura
at their head,--in battle array; Aroufza, Moto-Tsoumou, Harounaga,
Moritzka, and a very beautiful and serious young man, named Signenari.

All the Shogun's friends, in fact, and all the mortal enemies of the
Regent were assembled; yet Nagato was absent.

Hieyas cast a haughty glance around the assembly.

"Here I am," he said, in a firm voice; "I am waiting. What are your
wishes?"

A profound silence was the only answer. Fide-Yori turned away his eyes
from him in horror.

At last the Prince of Mayada began to speak.

"We wish nothing from you but justice," said he; "we would simply
recall to you a fact which you seem to have forgotten,--that your term
of regency as well as mine, expired some months since, Hieyas; and in
your zeal for governing the empire you have not heeded this. The son of
Taiko-Sama is now of a fit age to reign; your rule is therefore over.
It only remains for you to lay down your powers at the master's feet,
and render him an account of your conduct, as I shall render an account
of my actions while he was under our tutelage."

"You do not consider what you say," cried Hieyas, his face growing
purple with rage; "you apparently mean to urge the country to its ruin!"

"I have spoken gently," replied Mayada; "do not force me to assume a
different tone."

"You desire an inexperienced child," continued Hieyas, heedless of the
interruption, "to wield the power before he has had any practice in the
difficult profession of the head of a nation. It is as if you put a
heavy porcelain vase into the hands of a new-born babe: he would let it
fall to the ground, and the vase would break into a thousand bits."

"You insult our Shogun!" exclaimed the Prince of Satake.

"No," said Hieyas; "Fide-Yori himself will agree with me. I must
initiate him slowly into my labors, and point out to him the possible
solutions of the questions now in debate. Has he ever paid any heed to
the affairs of the nation? His young intelligence was not yet ripe,
and I spared him the fatigues of government. I alone possess the
instructions of the great Taiko, and I alone can carry on the vast work
which he undertook. The task is not yet accomplished. Therefore, in
obedience to that venerated chief, I must, in spite of your opinion,
retain in my own hands the power intrusted to me by him; but, to show
you how highly I esteem your advice, from this day forth the youthful
Fide-Yori shall share the grave cares whose burden I have hitherto
borne alone. Answer, Fide-Yori," added Hieyas; "say for yourself if I
have spoken after your own heart."

Fide-Yori slowly turned his ashen face towards Hieyas and gazed at him
fixedly. Then, after a moment's silence, he said in a voice somewhat
trembling, although full of scorn: "The noise made by Swallow bridge as
it fell beneath my tread has not made me deaf to your voice."

Hieyas turned pale before him whom he had striven to send to his death;
he was humbled by his crime. His lofty intelligence suffered from these
spots of blood and dirt which bespattered it; he saw them in the future
darkening his name, which he longed to render glorious, certain that
his duty towards his country was to keep in his own hands the power of
which he was worthier than any other. He felt a sort of indignation at
being obliged to compel by force that which public interest should have
eagerly required of him. However, resolved to struggle to the end, he
raised his head, bowed for an instant beneath the weight of tumultuous
thoughts, and cast a savage and overbearing glance around the room.

A threatening silence had followed the Shogun's words. It was prolonged
until it became painful; the Prince of Satsuma broke it at last.

"Hieyas," he said, "I summon you in my master's name to lay down the
powers with which you were invested by Taiko-Sama."

"I refuse!" said Hieyas.

A cry of amazement escaped from the lips of all the nobles. The Prince
of Mayada rose; he advanced slowly towards Hieyas, and drew from his
breast a paper yellowed by age.

"Do you recognize this?" said he, unfolding the writing, which he held
before the eyes of Hieyas. "Was it indeed with your blood that you
traced your traitorous name here side by side with my loyal one? Have
you forgotten the form of the oath,--'The powers which you intrust to
us we will restore to your child upon his majority; we swear it on the
remains of our ancestors, before the luminous disk of the sun'? Taiko
fell peacefully asleep when he saw those few scarlet lines; to-day he
will rise from his tomb, perjurer, to curse you."

The old man, trembling with anger, crumpled in his hands the oath
written in blood and flung it in Hieyas' face.

"But do you really think that we shall let you thus despoil our child
before our eyes?" he continued. "Do you think, because you do not
choose to give up what you have taken, that we will not wrest it from
you? The crimes which you plot have clouded your intellect; you have no
soul or honor left; you dare to stand erect before your master,--before
him whom you strove to kill!"

"He not only tried to take my life," said Fide-Yori; "that man, more
savage than the tiger, has this night caused the murder of my most
faithful servant, my dearest friend, the Prince of Nagato!"

A shudder of horror passed over the assembly, while a flash of joy
illumined the eyes of Hieyas.

"Rid of that formidable foe," he thought, "I shall soon master
Fide-Yori."

As if replying to his thought, the voice of Nagato was heard. "Do not
rejoice too soon, Hieyas," it said; "I am alive, and still in condition
to serve my young master."

Hieyas turned quickly, and saw the Prince, who had just lifted a heavy
curtain, and now entered the hall.

Nagato looked like a ghost; his eyes, glittering with the light of
fever, seemed larger and blacker than usual. His face was so pale that
it could hardly be distinguished from the narrow white bandage spotted
with blood which bound his head. A spasm of pain shook his limbs, and
caused a crystal box that sparkled in his hand to quiver.

General Yoke-Moura ran to him.

"What madness, Prince!" he cried, "to rise and walk, after losing so
much blood, and in spite of the orders of your doctors!"

"Bad friend!" said Fide-Yori, "will you never cease to play with your
life?"

"I will become the slave of the doctors in obedience to the undeserved
interest that you take in me," said the Prince, "when I have fulfilled
the mission with which I am charged."

Hieyas, filled with alarm, had taken refuge in utter silence; he
watched and waited, casting frequent glances at the door, as if anxious
to escape.

"I should offer you this casket on my knees, and you should receive it
on your knees," said the Prince; "for it contains a message from your
lord and master and ours, from him who holds his power from Heaven,
from the all-powerful Mikado."

Nagato prostrated himself and offered the casket to the Shogun, who
bent his knee as he took it.

Hieyas felt sure that this casket contained his final doom; and he
thought that now, as always, it was the Prince of Nagato who triumphed
over him.

Meanwhile Fide-Yori had unfolded the Mikado's message and ran his eye
over it. An expression of joy irradiated his countenance. He raised
his eyes, wet with tears, to Nagato, thinking in his turn that it was
always through him that he triumphed.

"Prince of Satsuma," said he, extending the letter to the aged lord,
"read this divine writing aloud to us."

The Prince of Satsuma read as follows:--

        "I, the direct descendant of the Gods who founded
        Japan, I lower my eyes to the earth, and I see that
        much time has elapsed since the death of that faithful
        servant of my dynasty, Taiko-Sama, whom my predecessor
        named General-in-chief of the kingdom. The son of that
        illustrious leader, who rendered great services to the
        country, was six years old when his father died; but
        time has sped for him as for all men, and he is now of
        an age to succeed his father; wherefore I name him in
        his turn General-in-chief of the kingdom.

        "In a few days the knights of Heaven shall solemnly
        announce to him my will and pleasure, that none may be
        ignorant of it.

        "Now, trusting to Fide-Yori the cares of government,
        I replunge myself in the mysterious absorption of my
        superhuman dream.

        "Given at the Dairi, in the nineteenth year of
        Nengo-Kai-Tio (164).
                                             "GO-MITZOU-NO."

"That is unanswerable," said Hieyas, bowing his head; "the supreme
master has ordered,--I obey. I lay down the powers which were confided
to me; and after the insults to which I have submitted, I know what
remains for me to do. I hope that those who have managed this matter
may not repent their success some day, and that the country may not
have cause to groan under the weight of misfortune which may befall it."

He went out, after uttering these words, and all the lords rejoicing,
gathered around the young Shogun and congratulated him.

"You should congratulate my friend and brother, Nagato," said
Fide-Yori; "it was he who accomplished everything."

"All is not ended yet," said Nagato, who seemed thoughtful; "you must
instantly sign Hieyas' death-warrant."

"But you heard what he said, friend; he said that he knew what remained
for him to do. He is even now about to perform the hara-kiri."

"Certainly," said the Prince of Satsuma.

"He knows the code of nobility," said the Prince of Aki.

"Yes; but he despises its customs, and will not conform to them," said
Nagato. "If we do not promptly condemn that man, he will escape us; and
once free, he is capable of daring anything."

The Prince of Nagato had unfolded a roll of white paper, and offered a
brush dipped in ink to the Shogun.

Fide-Yori seemed to waver. "To condemn him thus without a trial!" he
said.

"A trial is of no avail," replied Nagato. "He has perjured himself, and
failed in respect to you before the whole Council; moreover he is an
assassin."

"He is my wife's grandfather," murmured the Shogun.

"You can repudiate your wife," said Nagato. "While Hieyas lives, there
can be no peace for you, no safety for the country."

Fide-Yori seized the brush, wrote the warrant, and signed it.

Nagato handed the order to General Sanada-Sayemon-Yoke-Moura, who
instantly left the room.

He soon returned, his countenance disfigured by wrath. "Too late!" he
cried; "the Prince of Nagato was right: Hieyas has fled!"




CHAPTER VIII.

THE CASTLE OF OWARI.


On the shores of the Pacific Ocean, at the top of a rocky cliff,
stands the fortress of the Princes of Owari. Its walls, pierced with
loopholes, are so constructed as to follow the lay of the land. They
are masked here and there by groups of trees and shrubs, whose fresh
verdure is in happy contrast with the ragged walls of rust-colored rock.

From the summit of the fortress the view is very fine. A little bay
rounds to the foot of the hill, and affords safe shelter for the junks
and barks which skim the clear water in all directions; farther away
the blue waves of the Pacific trace a darker line against the sky. On
the land-ward side rises a chain of mountains, cultivated in patches to
their very tops. Between the mountains lie valleys, where we may see
villages nestling in a grove, near a brook; then the valleys end in the
heart of more hills.

A broad and well-kept road winds along the undulating ground to the
foot of the castle of Owari. This road, known as the Tokaido, was built
by Taiko-Sama; it intersects the entire kingdom, traversing the domains
of the Daimios, and is under the sole jurisdiction of the Shogun.

The Prince who ruled over the province of Owari was at this time living
in his castle.

About the third hour after noon on the day that Hieyas fled from Osaka,
the sentinel posted on the loftiest tower of the palace of Owari cried
out that he saw a troop of horsemen galloping along the Tokaido. The
Prince was at the moment in one of the courts of the castle, crouched
upon his heels, his hands resting on his thighs. He was attending a
lesson in hara-kiri taken by his young son.

The child, seated on a mat in the centre of the court, held in both
hands a short, blunt sword, and raised his pretty artless face, already
serious in its cast, towards his instructor, seated opposite him. Women
were looking on from a gallery above; and their dresses made bright
spots of color against the delicate tints of the carved wood-work.
Enormous butterflies, birds, flowers, or variegated balls were
embroidered on their robes; every head was bristling with big yellow
tortoise-shell pins. They chattered together with a thousand bewitching
airs and graces.

In the court, leaning against the upright post of a bronze lantern, a
young girl in a closely fitting dress of sky-blue crape, with all the
folds drawn to the front, fixed an absent gaze upon the little lord; in
her hand she held a screen, upon which was painted a humming-bird.

"Hold the sword firmly," said the teacher; "apply it by the point,
below the left ribs; be careful that the edge of the blade is turned
to the right. Now grasp the hilt in your hand, and bear on with all
your strength; then quickly, without moderating your pressure, move
your weapon horizontally towards your right side. In this way you will
cleave your body in twain according to strict rule."

The child went through the motions with such violence that he tore his
robe.

"Good! good!" exclaimed the Prince of Owari, striking his thighs with
his open hands. "The little fellow has plenty of courage!"

At the same time he raised his eyes to the women leaning from the
balcony, and imparted his impression to them by a sign of the head.

"He will be brave and intrepid as his father," said one of them.

It was just then that news was brought to the Prince of the appearance
of a band of horsemen on the royal road.

"Doubtless a neighboring lord coming to visit me incognito," said the
Prince; "or else these horsemen are merely passing travellers. At any
rate, there is no reason to interrupt the lesson."

The teacher then made his pupil repeat the list of incidents which
oblige a man of noble race to rip himself open; namely, to incur the
displeasure of the Shogun, or receive from him a public reprimand;
to disgrace himself; to avenge an insult by slaying its originator;
voluntarily or involuntarily to permit the escape of prisoners
intrusted to one's care; and innumerable other nice cases.

"Add," said the Prince of Owari, "to be wanting in respect to one's
father. In my opinion, a son who insults his parents can only expiate
that crime by performing hara-kiri."

At the same time he cast another look at the women, which meant: "It is
well to inspire children with a dread of paternal authority."

At this moment a loud noise of horses pawing the pavement was heard in
an adjoining court-yard, and an imperious voice called out: "Lift the
drawbridge! Close the gates!"

The Prince of Owari sprang to his feet.

"Who gives orders in my house?" said he.

"I!" answered the same voice.

And at the same time a group of men entered the second court.

"The Regent!" cried the Prince of Owari, falling prostrate.

"Rise, friend!" said Hieyas, with a bitter smile; "I have no longer
any right to the honors that you render me; I am, for the moment, your
equal."

"What has happened?" anxiously inquired the Prince.

"Dismiss your women," said Hieyas.

Owari made a sign; the women disappeared.

"Take your brother away, Omiti," said he to the young girl, who had
turned terribly pale at the entrance of Hieyas.

"Is your daughter's name Omiti?" exclaimed the latter, his face growing
suddenly purple.

"Yes, master. Why do you ask?"

"Call her back, I beg."

Owari obeyed. The young girl returned, trembling, and with downcast
eyes.

Hieyas looked at her fixedly with an expression on his face which would
have alarmed any one who knew the man. The maiden, however, raised her
head, and an undaunted spirit was apparent in her eyes,--a sort of
self-renunciation.

"It was you who betrayed us," said Hieyas in a dull, heavy voice.

"Yes," said she.

"What does this mean?" cried the Prince of Owari with a start.

"It means that the plot so carefully contrived within these castle
walls, so mysteriously concealed from all, was surprised and revealed
by her."

"Wretch!" cried the Prince raising his clenched fist against his
daughter.

"A woman,--a child,--to ruin a political conspiracy!" continued Hieyas.
"A vile pebble, to make you stumble, and hurl you headlong to the
ground! It is a mockery!"

"I will kill you!" yelled Owari.

"Kill me! what will it matter?" said the girl. "I have saved the King.
Is not his life worth mine? I have long awaited your vengeance."

"You shall wait no longer!" said the Prince, seizing her by the throat.

"No; do not kill her!" said Hieyas. "I will take her punishment into my
own hands."

"So be it!" said Owari; "I abandon her to you."

"It is well!" said Hieyas, signing to Faxibo not to lose sight of
the young girl. "But let us leave what is past and gone; let us look
towards the future. Are you still devoted to me?"

"Can you doubt it, master? And must I not now struggle to repair the
wrong done you by one of my family without my knowledge?"

"Listen, then. A conspiracy has suddenly wrested the power from my
hands. I contrived to escape the death that threatened me, and fled in
the direction of my principality of Mikawa. Your domains lie between
Osaka and my province. Your fortress overlooks the sea, and can bar
the passage of soldiers coming from Osaka; that is why I stopped here,
to bid you collect your troops as quickly as possible and put your
country in a state of defence. Guard your castle well. I will stay
here, where I am safe from sudden attack, while my faithful comrade,
Ino-Kamo-No-Kami" (Hieyas pointed to a nobleman in his escort, who
bowed low to the Prince of Owari, the latter returning his salute),
"proceeds to the castle of Mikawa, fortifies the whole province, and
gives the alarm to all the princes my allies."

"I am your slave, master; dispose of me."

"Give orders to your soldiers at once."

The Prince of Owari left the courtyard. Servants ushered their
master's guests into cool, airy apartments, and served them with tea,
sweetmeats, and a light meal.

Soon Ino-Kamo-No-Kami took leave of Hieyas, who gave him his final
instructions; and taking with him two of the lords who had accompanied
them thither, he remounted his horse and left the castle.

Hieyas then called Faxibo.

The latter was engaged in devouring a honey-cake, never taking his eyes
from Omiti, as she sat in a corner of the room.

"Can you disguise yourself so that none shall know you?" he asked him.

"So that you yourself would not know me," said Faxibo.

"Good! To-morrow morning you will return to Osaka and arrange to learn
all that goes on in the palace. Moreover, you will travel with a woman."

Hieyas leaned towards the ex-groom and whispered in his ear.

An evil smile hovered upon Faxibo's lips.

"Good, good!" he said; "to-morrow at dawn I will be ready to start."




CHAPTER IX.

THE TEA-HOUSE.


In one of the suburbs of Osaka, not far from the beach whose white
sandy slope stretches down to the sea, stood an immense building, whose
roofs, of various heights, rose far above the level of the neighboring
houses. The front of this edifice opened full upon a busy street,
always crowded, and full of noise and confusion.

The first floor had a series of broad windows, closed by gay-colored
blinds, which were often opened wide by a push from one of the
inquisitive young women whose peals of laughter rang upon the air.

At the corners of the various roofs banners floated and large
lozenge-shaped lanterns swung; the ground-floor consisted of a wide
gallery open to the street and protected from the sun and wind by a
light roof. Three big black characters, inscribed on a gilded panel,
formed the sign of the establishment, and ran as follows,--"The
Day-Break Inn. Tea and Saki."

Towards noon the balcony was crowded with customers; they sat with
crossed legs upon the mat which covered the floor; they drank saki, or
hid their faces in the cloud of steam rising from the cup of tea, upon
which they blew lustily, to cool it. Women, coquettishly arrayed and
carefully painted, moved gracefully about from group to group, carrying
the hot drink. In the background you might see smoking stoves and
pretty china cups and dishes arranged upon sets of red lacquer shelves.

Every moment fresh passers-by, cango-bearers, and men carrying burdens
would stop, ask for a drink, pay, and hurry off again.

Sometimes a quarrel would arise in front of the inn and degenerate into
a brawl, to the great delight of the patrons.

For instance, a pedler ran against a dealer in shells and cuttle-fish;
his basket of wares was upset, and all the fish fell to the ground and
rolled in the dirt.

High words rained on either side, traffic was hindered, a crowd
collected and took sides with one or the other of the contending
parties, and soon two hostile armies were ready to try the fate of arms.

But a shout arose: "The cable! the cable! Don't fight; bring a cable!"

Some of the spectators hurried off, bustled into one house after
another, and at last, finding what they wanted, came running back with
a large rope.

Then the lookers-on took up their stand in front of the houses, leaving
a free space for those who were to struggle. The latter seized the rope
in both hands, there being fifteen on each side, and began to pull with
all their might and main. The rope stretched and shook, then held firm.

"Courage! Hold tight! Don't let go!" was the cry on every side.

However, after struggling long against fatigue, one of the parties
suddenly let go the rope. The victors fell all together in a heap,
with their legs in the air, amidst the shouts and laughter of the
mob, who ran to their rescue. They were helped to their feet, and a
reconciliation was signed and sealed by copious draughts of saki.

The inn was thronged, and the maids were beside themselves with such an
overflow of custom.

Just then an old man, leading a girl by the hand, contrived to stop a
waitress as she passed, and catch her by the sleeve.

"I want to speak to the master of this establishment," he said.

"You choose your time well," said the girl, with a roar of laughter.

By a sudden movement she freed herself, and was gone before the old man
could add another word.

"I will wait," said he.

A cask of saki was staved in, and the jolly drinkers talked and laughed
noisily.

But all at once silence fell upon them; the shrill sound of a flute and
the music of a stringed instrument were heard. The sounds came from the
rooms above.

"Listen! listen!" was the general cry.

Some of the passers stopped to hear. The sound of a woman's voice was
heard. The words of the song were clearly audible:--

        "When Iza-Na-Gui descended to earth, his companion,
        Iza-Na-Mi, met him in a garden.

        "'How delightful to meet such a handsome young man!' she
        exclaimed.

        "But the God, in displeasure, replied: 'It is not
        fitting for the woman to speak first; meet me again.'

        "They parted, and they met each other once more.

        "'How agreeable to meet such a lovely girl!' said
        Iza-Na-Gui.

        "Which of the two spoke first?'"

The voice ceased; the accompaniment went on for a few moments more.

A discussion ensued among the drinkers; they replied to the question
asked by the singer.

"Of course the God was saluted first," said some.

"No, no! It was the Goddess!" shouted others. "The will of the God
cancelled the first salutation."

"Did he cancel it?"

"To be sure I to be sure! They began again, as if nothing had ever
happened."

"Which does not annul what had occurred; and so the woman spoke first."

The argument threatened to wax warm; but all ended by a larger number
of cups being emptied. Soon the throng thinned off, and the tavern grew
quiet again.

A servant woman then noticed the old man leaning against an upright
post, and still holding the young girl by the hand.

"Do you want a cup of tea or saki?" asked the woman.

"I wish to speak to the keeper of the tea-house," answered the man.

The servant looked at the old man. His head was covered with a large
hat of woven reeds, like the cover of a round basket; his costume,
much worn, was of brown cotton. He held in his hand a fan, on which
was marked the road from Yeddo to Osaka, the distance from one village
to another, the number and importance of the inns, etc. The woman then
examined the young girl. She was shabbily dressed. Her robe, of faded
blue, was torn and dirty; a fragment of white stuff twisted about her
head partially concealed her face. She leaned on a black-and-red paper
parasol, torn in various places; but she was strangely beautiful and
graceful.

"Have you come to make a sale?" asked the maid of the inn.

The old man made a sign that he had.

"I will tell the master."

She went off, and soon returned. The master followed her.

He was a man of repulsive plainness. His little squinting black eyes
were scarcely visible between the narrow fissure of his absurdly
wrinkled eyelids; his mouth, widely removed from his long, thin nose,
destitute of teeth and adorned with a few stiff sparse hairs, gave a
sly and mean expression to his pock-marked countenance.

"You want to get rid of that young woman?" said he, rolling one
eyeball, while the other one disappeared round the corner of his nose.

"To get rid of my child!" screamed the old man. "I only consent to part
from her to protect her from misery and want."

"Unfortunately I have more women now than I need; and they are every
one of them quite as pretty as she is. My house is entirely full."

"I will look elsewhere," said the old man, making a pretence of going.

"Don't be in such a hurry," said the landlord; "if your demands are not
too extravagant, perhaps we can come to terms."

He made the man a sign to follow him into the entrance hall from which
he had just come; this hall looked out on a garden, and was quite empty.

"What can your girl do, I say?" asked the frightful squint-eyed fellow.

"She can embroider, she can sing, and play on several instruments; she
can even compose a quatrain at a pinch."

"Ah-ha! is that so? And how much do you want for her?"

"Four kobangs."

The innkeeper was about to exclaim, "No more!" but he restrained
himself.

"That's exactly what I was going to offer you," said he.

"Well, it's a bargain," said the old man; "I hire her to you to do
whatever you bid her, for a term of twenty years."

The buyer hurriedly brought brushes and a roll of paper, and drew up a
bill of sale, which the old man readily signed.

The young girl meantime stood like a statue; she did not waste a look
on the old man, who pretended to wipe away a tear as he pocketed the
kobangs.

Before leaving, he bent towards the innkeeper's ear and whispered:
"Keep your eye on her; watch her well; she will try to escape."

Then he quitted the Day-Break Tea-house; and whoever saw him, as he
turned the corner of the street, change his pace, rubbing his hands and
outstepping the nimblest, might well have suspected the reality of his
old age and his white beard.




CHAPTER X.

THE TRYST.


The Prince of Nagato lay stretched upon a black satin mattress, one
elbow buried in a cushion and the other arm held out to a doctor
crouching beside him. The doctor was feeling his pulse.

At the Prince's bedside, Fide-Yori, seated on a pile of mats, fixed an
anxious look upon the wrinkled but impenetrable face of the physician.
An enormous pair of spectacles, with round black-rimmed glasses, lent a
comical expression to the grave face of the worthy man of science.

Near the entrance of the room knelt Loo, his forehead touching the
floor, in honor of the King's presence. He amused himself by counting
the silver threads in the fringe of the carpet.

"The danger is over," said the doctor at last; "the wounds have
closed; and still the fever continues, for some reason which I cannot
understand."

"I will explain it to you," said the Prince, eagerly drawing back his
arm; "it is my impatience at being nailed to this bed, and forbidden to
enjoy the open air."

"What, friend!" said the Shogun, "when I myself come hither to share
your captivity, are you so impatient to be free?"

"You know very well, dear lord, that it is for your affairs that I am
so anxious to be up and doing; the departure of the embassy which you
are sending to Kioto cannot be indefinitely delayed."

"Why did you ask me as a special favor to make you chief of that
embassy?"

"Is it not my delight to serve you?"

"That is not your only motive," said Fide-Yori with a smile.

"You allude to my supposed love for Fatkoura," thought Nagato, smiling
in his turn.

"If the Prince is reasonable, if he gives up this over-excitement which
exhausts him, he may start in three days," said the doctor.

"Thanks!" cried Nagato; "that news is better than all your drugs."

"My drugs are not to be despised," said the doctor; "and you must take
the one which I will send you presently."

Then he bowed low to the King and his noble patient, and retired.

"Ah!" exclaimed Fide-Yori when he was alone with his friend, "your
impatience to be off proves to me that I am not mistaken. You are in
love, Iwakura; you are beloved; you are happy!" And he heaved a deep
sigh.

The Prince looked at him, surprised at this sigh, and expecting a
confidence; but the young man blushed slightly, and changed the
conversation.

"You see," said he, opening a volume which he held on his knee, "I am
studying the book of the laws; I am looking to see if it does not need
softening and altering."

"It contains one article which I would advise you to suppress," said
Nagato.

"Which?"

"That which treats of mutual suicide for love."

"How does it run?" said Fide-Yori, turning over the leaves. "Ah! here
it is:--

        "'If two lovers swear to die together, and commit
        hara-kiri, their bodies shall be handed over to the
        officers of justice. If one of them be not mortally
        wounded, he or she is to be treated as the murderer of
        the other. If both survive the attempt, they shall be
        ranked as reprobates.'"

"That is shameful," said Nagato; "hasn't one a right to escape by death
from a grief too heavy to be endured?"

"There is a religion which says not," murmured Fide-Yori.

"That of the European bonzes! That whose doctrines public rumor says
you have accepted," said Nagato, striving to read his friend's face.

"I have studied that creed, Iwakura," said the Shogun. "It is pure
and impressive, and the priests who teach it seem full of abnegation.
While our bonzes think of nothing but making money, they scorn wealth.
And then, you see, I cannot forget the terrible scene which I once
witnessed, nor the sublime courage of the Christians as they submitted
to the horrible tortures which my father ordered to be inflicted on
them. I was a child then. I was taken to see them executed, to teach
me, so my guardians said, how such creatures should be treated. It was
near Nangasáki, on the hill. That nightmare will never cease to trouble
my dreams. Crosses were planted on the slope so thickly that the hill
seemed covered with a forest of dead trees. Among the victims, whose
noses and ears had all been cut off, walked three little children,--I
seem to see them still,--disfigured and bleeding, but revealing a
strange courage in the face of death. All the poor wretches were
fastened to the crosses, and their bodies were pierced with lances;
the blood ran in streams. The victims made no outcry; as they died,
they prayed that Heaven would pardon their executioners. The spectators
uttered frightful shrieks, and I, overcome by terror, screamed with
them, and hid my face on the breast of the Prince of Mayada, who held
me in his arms. Soon, in spite of the soldiers, who beat them back and
struck at them with their lances, those who witnessed that dreadful
scene rushed up the hill to wrangle for some relic of those martyrs,
whom they left naked on their crosses." As he spoke, the Shogun
continued to turn over the pages of his book.

"Exactly," he said, with a movement of horror; "here is the very edict
pronounced by my father when he commanded the massacre:--

"'I, Taiko-Sama, devote these men to death, because they come to Japan,
calling themselves ambassadors, although they are not so; because
they remain in my domains without my leave, and preach the law of
the Christians, contrary to my commands. I decree that they shall be
crucified at Nangasáki.'"

Fide-Yori tore out this and several ensuing pages, containing laws
against the Christians.

"I have found what I wanted to expunge," he said.

"You do well, master, to spread your protecting arm over those mild
and inoffensive men," said Nagato; "but beware lest the report which
spreads from mouth to mouth, and accuses you of being a Christian, take
shape, and your enemies use it against you."

"You are right, friend; I will wait till my power is firmly
established, to declare my sentiments, and atone, as far as may be,
for the blood spilled before my very eyes. But I must leave you, dear
invalid; you are growing tired, and the doctor ordered you to rest. Be
patient; you are nearly cured."

The Shogun left the room with an affectionate glance at his friend. No
sooner had he gone, than Loo sprang up; he yawned, stretched himself,
and made a thousand grimaces.

"Come, Loo!" said the Prince, "run out into the gardens for a little
while; but don't throw stones at the gazelles, or frighten my Muscovy
ducks."

Loo hastened away.

When he was alone, the Prince drew quickly from under his mattress a
letter wrapped in green satin; he placed it on his pillow, leaned his
cheek against it, and closed his eyes to sleep.

This letter was the one given him by the Kisaki; he preserved it as a
precious treasure, and his only joy was to inhale its faint perfume.
But, to his great distress, it had seemed to him, for some days past,
as if the perfume were evaporating; perhaps, accustomed to inhale it,
he did not notice it so strongly.

Suddenly the Prince rose up; he remembered that inside the envelope
this subtle and delicious perfume would doubtless be better preserved.
He broke the seal, which he had not hitherto touched, thinking that
the envelope was empty; but to his great surprise he drew out a paper
covered with written characters.

He uttered a cry and tried to read, but in vain. A red veil shimmered
before his eyes; there was a buzzing in his ears; he feared lest
he should faint, and rested his head on the pillow. He, however,
succeeded in calming himself, and again looked at the writing. It was
an elegantly worded quatrain. The Prince read it with indescribable
emotion:--

        "Two flowers bloomed on the banks of a stream. But,
        alas! the stream divided them.

        "In each corolla lay a drop of dew, the shining spirit
        of the flower.

        "Upon one of them the sun fell; he made it sparkle. But
        she thought: Why am I not on the other bank?

        "One day these flowers hung their heads to die. They
        let fall their luminous soul like a diamond. Then the
        two drops of dew met at last, and were mingled in the
        stream."

"She gives me a tryst," cried the Prince, "farther away, later on,
in another life. Then she has guessed my love! She loves me, then! O
Death! can you not hasten? Can you not bring nearer the celestial hour
of our reunion?"

The Prince may have thought his wishes granted; for, falling back on
his cushions, he lost consciousness.




CHAPTER XI.

THE WARRIOR-QUAILS.


In a delightful landscape in the midst of a thick wood stands the
summer residence of the Kisaki, with its pretty roofs of gilded bark.
The thick foliage of the lofty trees seemed loath to make way for those
glittering house-tops, which projected on every side of the palace,
shading a broad veranda, whose floor was covered with carpets, and
strewn with silk and satin cushions worked in gold.

The prospect is not extensive, and the dwelling seems shut in by cool
green vegetation. Emerald reeds flaunt their slender leaves like
banners on the breeze, uprearing silvery, flaky plumes. Orange-bushes
bloom beside tall bamboos, and mingle their sweet-scented flowers with
the red blossoms of the wild cherry. Farther away, large camelias
climb the trees; at their feet big red leaves, covered with light
down, unfold beside tall heaths, so delicate, so airy, that they look
like tufts of green feathers. Above this first plane of verdure,
palms, bananas, oaks, and cedars interlace their branches and form an
inextricable network, through which the light filters, tinged with a
thousand varying hues.

A brook glides slowly over a bed of thick moss, and its crystal stream
is slightly troubled by a water-hen of lovely plumage, who just ruffles
it with her wings as she chases a dragon-fly, whose slim body flashes
forth metallic reflections.

But more brilliant and more splendid than the flowers, the velvety
moss, or the silvery shadows on the stream, are the dresses of the
women who sit on the veranda.

The Kisaki, surrounded by her favorite ladies and a few young lords,
the noblest of the Court, is witnessing a quail-fight.

On account of the heat, the sovereign wears a light robe of
pigeon-colored silk gauze,--a shade of green which she alone has the
right to use. In place of the three plates of gold which form her
crown, she has arranged in her hair three daisies with silver leaves.
Over her left ear, from the head of a long pin buried in her hair,
hangs, at the end of a slender gold chain, a huge pearl of rare beauty
and perfect shape.

Two young boys, in costumes differing only in color, crouch upon their
heels, face to face, watching the contest between the pretty birds,
ready to pick up the dead and bring forward fresh combatants.

"How little chance of winning I have," said a lord with an intellectual
cast of countenance, "I, who dared to bet against my Queen!"

"You are the only one who was so bold, Simabara," said the Kisaki; "but
if you win, I am sure that every one will bet against me in the next
fight."

"He is likely to triumph," said the Prince of Tsusima, husband of the
beautiful Iza-Farou-No-Kami.

"What!" cried the Kisaki, "have I so nearly lost?"

"See, your champion weakens!"

"Courage! one more effort! courage, little warrior!" said the Queen.

The quails, with bristling feathers and neck outstretched, paused for a
moment, gazing motionless, each at the other, then sprang to the attack
again; one of them fell.

"Ah! all is over," cried the Queen, rising to her feet; "the bird is
dead! Simabara has won."

Young girls now handed about sweetmeats and delicacies of various
kinds, with tea gathered on the neighboring mountains; and the sports
ceased for a time.

Then a page approached the Kisaki, and told her that a messenger had
been waiting for some moments with news from the palace.

"Let him enter," said the sovereign.

The messenger advanced, and prostrated himself.

"Speak," said the Kisaki.

"Light of the World!" said the man, "the embassy from the Shogun has
arrived."

"Ah!" exclaimed the Kisaki. "And who are the princes that compose it?"

"The Princes of Nagato, Satsuma, Ouesougi, and Satake."

"It is well!" said the Kisaki, dismissing the messenger by a sign.
"These gentlemen will weary of waiting for an audience," she continued,
addressing the princes grouped about her. "The Mikado, my divine
master, is at the summer-palace with all his wives and his Court;
the Dairi is almost deserted. Tsusima, go, seek out these princes,
and conduct them hither; they shall share our sports. Let pavilions
be prepared for them within the limits of the residence," she added,
turning to her women.

Her orders were transmitted to the interior of the house, and the
Prince of Tsusima, bowing profoundly, withdrew.

The Dairi was not more than half-an-hour's journey away from the
summer-palace, so that an hour was all-sufficient time to go and come.

"Prepare a fresh combat," said Kisaki. The fowlers cried aloud the
names of the combatants:

"Gold Spur!"

"Rival of Lightning!"

"Gold Spur is a stranger," said the sovereign. "I will bet on Rival
of Lightning; I consider him matchless: he killed Coral Beak, who had
slaughtered untold adversaries."

All the spectators followed the Queen's example.

"If that is so," she cried, laughing, "I will bet alone against you
all; I will join myself to the fortunes of Gold Spur."

The struggle began. Rival of Lightning rushed forward with the speed
which had won him his name. Usually, he disabled his foe at the
first onslaught; but now he fell back, leaving a few feathers in his
antagonist's beak, the latter being untouched.

"Well done! well done!" was the shout on every side. "Gold Spur begins
wonderfully well!"

Some of the noblemen squatted on their heels, to follow the fight more
closely.

The birds closed for the second time. But nothing was to be seen except
a confused heap of quivering plumes; then Rival of Lightning fell with
bleeding head, and Gold Spur proudly placed one foot upon the body of
his conquered enemy.

"Victory!" cried the Kisaki, clapping her small milk-white hands. "Gold
Spur is the monarch of the day; to him belongs the prize collar."

One of the princesses fetched a black lacquer box containing a gold
ring set with rubies and coral, from which hung a tiny crystal bell.

The victor was brought to the Queen, who, taking the ring in two
fingers, put it round the bird's neck.

Other fights followed; but the Kisaki, strangely absent-minded, paid
little heed to them. She listened to the myriad noises of the forest,
and seemed annoyed by the babbling of the brook, which prevented her
hearing distinctly a very faint and far-off sound. It might have been
the slight clash of swords thrust into a noble's girdle, the crunching
of the sand on one of the paths beneath the tread of approaching
guests, or the sudden snap of a fan rapidly opened and shut.

An insect, a passing bird, drowned this almost imperceptible sound.
However it soon grew louder; everybody heard it. Cheerful voices were
mingled with it.

"Here come the ambassadors!" said Simabara.

Soon after, they heard the clang of arms, as the Princes laid off their
weapons before appearing in the sovereign's presence.

Tsusima came forward from the interior of the house and announced the
noble envoys, who appeared in their turn, and prostrated themselves
before the Kisaki.

"Rise!" said the young woman hastily, "and learn the laws which govern
our little Court of Flowers. Ceremonious etiquette is banished from
it; I am regarded as an elder sister. Every one is free and at ease,
and has no duty, but to devise fresh diversions. The watchword here is
mirth."

The lords rose; they were soon surrounded, and questioned in regard to
recent events at Osaka. The Kisaki cast a rapid glance at the Prince of
Nagato. She was struck by the look of weakness imprinted upon the young
man's whole frame; but she surprised in his eyes a strange gleam of
pride and joy.

"He has read the verses that I gave him," she thought. "How foolish I
was to write what I did!"

Still, she signed to him to approach.

"Rash man!" she cried, "why did you undertake a journey when you are
still so weak and ill?"

"You deigned to protect my life, divine Queen," said the Prince; "could
I longer delay coming to testify my humble gratitude?"

"It is true that my foresight saved you from death, but it did not
succeed in preserving you from frightful wounds," said the Queen. "It
seems as if all your blood had flowed from your veins; you are as pale
as these jasmine-flowers."

She showed him a blossoming spray which she held in her hand.

"You must have suffered greatly," she added.

"Ah! dare I confess to you," cried Nagato, "that to me physical
suffering is a comfort? There is another and far more painful
wound,--that which is killing me, which leaves me no rest or peace."

"What!" said the Kisaki, disguising her profound emotion with a smile,
"is this the way that you obey my wishes? Did you not hear me say that
gayety reigns here? Speak no more of death or sorrow; let your soul
unbend beneath the balmy breath of this beautiful and invigorating
scene. You shall pass some days here; you shall see what a rural
and delightful life we lead in this retreat. We rival in simplicity
our ancestors, the shepherds, who first pitched their tents on this
soil. Iza-Farou," she continued, addressing the Princess, who passed
before the house just then, "I should like to hear a story; call our
companions, and put an end to their political debates."

Soon all the privileged people admitted to the intimacy of the Queen
were assembled. They went into the outer hall of the house. The Kisaki
ascended a low platform, covered with carpets and cushions, and half
reclined upon them. The women took their places on her left, the men on
her right; and servants at once placed upon the ground, before each, a
small gold plate containing dainties and warm drinks.

Through all the open panels the scented air of the woods entered the
spacious room, which was filled with a greenish light, reflected
from the neighboring trees. The walls were wonderfully decorated;
fabulous animals, the bird Foo, the unicorn, and the sacred tortoise
stood out in bold relief from a background of azure, gold, or purple,
and a screen of _cloisonné_ enamel, in tints of turquoise and brown,
described its zigzags behind the dais. There was no furniture, nothing
but thick mats, cushions, and satin hangings ornamented with birds,
embroidered in circles of gold.

"I declare to you at the outset," said the Kisaki, "that I shall
not utter a word. I am seized with an overwhelming laziness and
indifference. Besides, I want to hear stories, and not to tell them."

Loud protests were made against this announcement.

"I am not to be moved," said the Queen, laughing; "you shall not even
persuade me to pronounce a few words of flattery when your stories are
done."

"Never mind!" cried Simabara; "I will tell the story of the wolf
changed into a young girl."

"Do! do!" exclaimed the women; "we like the title."

"An old wolf--"

"Oh! he was old, was he?" said a young princess, with a look of
contempt.

"You know very well that to give shelter to a human soul, an animal
must be old."

"True! true!" cried the listeners; "go on!"

"An old wolf," said Simabara, "lived in a cave near a much travelled
road. This wolf had an insatiable appetite. He therefore frequently
left his cavern, went to the side of the road, and gobbled up a
passer-by. But this mode of procedure was not at all to the taste
of the travellers, and they ceased to frequent that road; so that
little by little it became quite deserted. The wolf meditated long and
deeply, seeking a way to put an end to this state of things. Suddenly
he disappeared, and every one supposed he was dead. Some bold people
ventured along the road, and there they saw a lovely young girl, who
smiled bewitchingly upon them.

"'Will you follow me, and rest in a cool, delightful spot,' she said.

"None thought of refusing; but no sooner had they left the road,
than the young girl returned to her former shape of an old wolf, and
devoured the travellers; then she resumed her fair form and returned to
the roadside. From that day forth not a traveller has escaped the jaws
of the wolf."

The princes loudly applauded this story; but the women protested.

"That is to say that we are dangerous traps hidden beneath flowers,"
said they.

"The flowers are so beautiful that we shall never see the trap," said
the Prince of Tsusima, with a laugh.

"Come!" said the Queen; "Simabara shall drink two cups of saki, for
hurting the feelings of the women."

Simabara merrily drained the cups.

"Formerly," said Princess Iza-Farou, flashing a mischievous glance at
Simabara, "heroes were plenty. There were Asahina, who could seize in
each hand a warrior in full armor and hurl him to a great distance;
Tametomo, with his terrible bow; Yatsitsone, whose only shield was his
open fan; and how many more! Their lofty deeds were the constant theme
of conversation. It was said, among other things, that on one occasion
Sousige, the unrivalled cavalier, returning from a journey, saw several
of his friends crouching round a chess-board; he spurred his horse
over, their heads, and the animal stood motionless on his hind feet in
the centre of the board. The players, struck dumb, thought that the
knight had dropped from heaven. Nowadays I hear nothing to compare with
that."

"Good! good!" exclaimed Simabara; "you would infer that none of us are
capable of such a remarkable feat of horsemanship, and that the age of
heroes is passed."

"That is exactly the idea that I wished to convey," said Iza-Farou,
bursting into laughter; "was I not bound to reply to your impudent
wolf?"

"She had a right to avenge us," said the Kisaki; "she shall not be
punished."

"Flower-of-the-Reed knows a story, but she won't tell it!" cried a
princess, who had been whispering with her neighbor.

Flower-of-the-Reed hid her face behind the loose sleeve of her robe.
She was a very young girl, and somewhat shy.

"Come, speak!" said the Kisaki, "and don't be alarmed; we have nothing
in common with Simabara's wolf."

"Very well! This is my story," said Flower-of-the-Reed, suddenly
reassured. "In the Island of Yezo lived a young man and a maiden who
loved each other tenderly. They had been betrothed from their cradles,
and had never been parted. The girl was fifteen years old, and the
young man eighteen. The date of their marriage was soon to be fixed.
Unhappily the son of a rich man fell in love with the girl, and asked
her father for her hand; and he, heedless of his former promises, gave
it to him. The young couple pleaded in vain; the father was firm. Then
the girl went to her lover in despair.

"'Listen!' said she; 'as we must be parted in this world, death shall
unite us. Let us go to the tomb of your ancestors, and there kill
ourselves.'

"They did as she proposed; they lay down upon the tomb and stabbed
themselves. But the rejected lover had followed them. When he no longer
heard their voices, he approached and saw them stretched out side by
side, motionless, hand in hand.

"While he bent over them, two white butterflies rose from the tomb and
flew gayly upwards, fluttering their wings.

"'Ah!' angrily cried the jealous survivor, 'it is they! They have
escaped me; they escape into glory; they are happy! But I will follow
them, even into heaven!'

"So saying, he seized the dagger which lay upon the tomb, and in his
turn struck himself to the heart.

"Then a third butterfly rose into the air. But the others were far
away; he could never reach them.

"Even now, to this very day, if you look among the flowers, when spring
comes back to us, you will see the two winged lovers pass, side by
side. Look again; you will soon see the jealous one, who follows, but
can never overtake them."

"Indeed," said Iza-Farou, "butterflies are always grouped in that way:
two flutter about together, and a third follows them at a distance."

"I have noticed that peculiarity too, without knowing the reason for
it," said the Kisaki. "The story is pretty; I never heard it before."

"The Prince of Satsuma must tell us something," said Flower-of-the-Reed.

"I!" exclaimed the old man in some alarm; "but I don't know any
stories."

"Yes! yes! you know plenty," exclaimed the women; "you must tell us
one."

"Then I will relate an adventure which happened not long since to the
Prince of Figo's cook."

This announcement provoked a general outburst of merriment.

"You will see," said Satsuma, "you will see that this cook had a good
deal of wit. In the first place, he is very skilful at his trade, which
is not a thing to be despised; and moreover he pays extreme attention
to the minutest details of his work. A few days ago, however, at a
feast to which I went, the servants brought in a bowl full of rice and
uncovered it before the Lord of Figo. What was the latter's surprise to
see in the middle of the snowy rice a black insect, quite motionless,
because it was cooked! The Prince turned white with rage. He summoned
the cook; and seizing the ignoble insect with the tips of his ivory
chopsticks, he presented it to the fellow with a terrible look. There
was nothing left for the unfortunate servant but to rip himself up as
speedily as possible. But it seemed that that operation was not at all
to his liking; for, approaching his master with every sign of the most
lively joy, he took the insect and ate it, pretending to think that
the Prince did him the honor to offer him a taste of the repast. The
guests began to laugh at this display of quick wits. The Prince of Figo
himself could not help smiling, and the cook was rescued from death."

"Good! good!" cried all the listeners; "there's a story which cannot
offend any one."

"It is Nagato's turn," said Tsusima, "he must know delightful stories."

Nagato started as if aroused from a dream; he had heard nothing,
noticed nothing, absorbed as he was in the ecstatic contemplation of
the goddess whom he adored.

"You want a story?" he asked, looking at the company as if he saw them
for the first time.

He reflected for a few seconds.

"Very well; you shall have one," he said.

"There was once a tiny pond, born upon a day of storm and tempest. It
was formed upon a mossy bed, and violets and pretty flowering-shrubs
surrounded it and bent over it. The clouds, its kindred, had not yet
quite dispersed, when the birds came, dipping the tips of their wings
in its waters, and delighting it with their songs. It was happy, and
rejoiced in life, finding it good. But soon the clouds vanished, and
something marvellously dazzling appeared high overhead. The water
sparkled; diamond-like ripples traversed its surface; it was changed to
a magnificent casket of jewels. But the clouds came back, the vision
disappeared. What sorrow then, and what regrets! The pond found no more
pleasure in the songs of the birds; he despised the reflections cast
upon his bosom by the flowers on his shores; everything looked dark and
ugly to him. At last the sky cleared again, and this time for a long
period. The bright wonder reappeared; the pond was again penetrated
with warmth, splendor, and joy; but he felt that he was dying beneath
those golden darts, which grew more and more fiery. Yet if a light
branch threw its shadow over him, if a fine mist sprang up and served
him as a shield, how he cursed them for delaying his delicious
annihilation for one moment! The third day he had not one drop of water
left: the pond had been swallowed by the sun."

This tale plunged the princesses in sweet reveries. The men declared
that Nagato had invented a new form of story-telling, and that his
improvisation ought to be put into poetry.

The Queen, who understood that the Prince spoke for her ear alone,
almost involuntarily threw him a look full of melancholy pleasure.

The day neared its close. Two princesses now knelt before the Kisaki,
to take her orders for the next day's diversions.

"To-morrow," said she, after a few moments' consideration, "we will
have a rustic breakfast and a poetic contest in the western orchard."

The party soon broke up, and the embassy was conducted to the
pavilions, embowered in shrubs and flowers, which had been assigned to
it.




CHAPTER XII.

THE WESTERN ORCHARD.


When the Prince of Nagato woke next day he experienced a feeling of
well-being and of joy to which he had long been a stranger. Yielding
to the brief and idle revery which is like the dawn of wakening
consciousness, his eye wandered over the dancing shadows of the leaves
without, cast upon the closed blinds by the sun. Myriads of birds
warbled and chattered, and one might almost think that the light itself
sang in that medley of clear voices.

The Prince thought of the happy day which lay before him; it was an
oasis in the dry and burning desert of his love. He repulsed the
thought of speedy departure, with its train of attendant griefs, to
give himself wholly up to the delights of the present; he was calm and
happy.

The night before, his mind full of memories, his heart filled with
emotion, he knew that sleep would hold persistently aloof. He therefore
ordered a drink to be prepared which would prevent insomnia. A secret
feeling of coquetry led him to avoid a feverish night. He was aware
of his own beauty, having been told of it frequently; and the glance
of every woman he met repeated the story daily. Had not his grace
of person and of face, the charm which emanated from him, had their
share in attracting the favorable notice of the Queen? They therefore
deserved to be guarded from the inroads of fever and fatigue.

Calling his servants, the Prince demanded a mirror, and examined
himself with eager haste.

But the first glance allayed his fears. His pallor had recovered the
warm tints of which illness had robbed it; the blood returned to his
lips; and yet his eyes still retained something of their feverish
lustre. He paid an almost childish attention to the details of his
dress, choosing the sweetest perfumes, the softest garments, of the
faint but clear blue tint which he preferred.

When he left his pavilion at last, the guests were already assembled
before the Kisaki's palace. His arrival caused a sensation. The men
went into raptures over his toilette; the women dared not speak. But
their silence was most flattering; it might be translated thus: He is
worthy to be loved, even by a queen; for that perfectly beautiful body
is the temple of the most refined spirit and the noblest heart in the
kingdom.

The Princess Iza-Farou-No-Kami approached Nagato. "You have not asked
me for news of Fatkoura, Prince," said she.

The Prince had never thought of Fatkoura, nor had he even noted her
absence.

"She was ill yesterday," continued the Princess; "but the announcement
of your arrival restored her to health. Depressed as she has been
for some time, your return may perhaps console her. You will see her
directly; she is with the Kisaki. She is on duty this week. Well! have
you nothing to say?"

The Prince knew not what to say; in fact, Fatkoura's name roused both
remorse and weariness in him. He reproached himself for inspiring this
woman with love for him, or rather for appearing to respond to the love
which he guessed she felt. He had used this false passion as a screen
between the curious gaze and the sun of his real love. But he no longer
had the strength to keep up his _rôle_ of fond lover; and instead of
the pity and friendship which he strove to feel for his unfortunate
victim, Fatkoura only inspired him with deep indifference.

The arrival of the Kisaki enabled him to dispense with any answer to
Iza-Farou. The Queen advanced from the veranda, greeting her guests
with a gracious smile as they bent one knee to the ground.

As they were to climb a mountain and pass over narrow paths, the Kisaki
had donned a less ample robe than she usually wore. Her sea-green gown
was of crape, wrinkled slightly, like the surface of a lake ruffled
by the wind; a broad cloth of gold girdle bound her waist and formed
a huge knot at the back. A branch of chrysanthemum in full bloom was
embroidered upon one end of this sash. The Queen had in her hair large
pins of light tortoise-shell elaborately wrought, and on her brow was a
small round mirror surrounded by a row of pearls.

Soon a magnificent chariot, drawn by two black buffaloes, approached
the palace. This chariot, surmounted by a roof and covered with
gilding, looked like a summer-house. It was closed by blinds, which the
Kisaki ordered to be raised.

The princesses and lords took their places in norimonos drawn by a
large number of men in rich array, and they set joyously forth. The
day was superb, a light breeze cooled the air, and they would not be
troubled by the heat.

At first they passed through the gardens of the royal residence. The
chariot thrust aside the straggling branches which grew across the
paths, it frightened away the butterflies, and broke the flowers
from their stems. Then they reached the wall that surrounds the
summer-palace, and went through the lofty gateway crowned by the
Mikado's bird, the Foo-Houan,--a mythological creature which took part
in the creation of the world. They then followed the wall along its
exterior; next they took a road bordered by tall trees and leading to
the mountains. There the whole Court got down to continue the journey
on foot. They formed into groups, servants opened parasols, and the
ascent of the mountain was merrily begun. The Kisaki walked first.
Alert and active as a young girl, she ran a few steps, gathered wild
flowers from the bushes; then, when she had too large a collection, she
threw them away. The merry company chatted and laughed; each one walked
at his own pace. Here and there a lord took off the lacquered hat which
looked like a circular shield and hung it at his belt; then he fixed
his open fan in his hair twisted like a rope, so that it projected like
a penthouse over his forehead.

At times an opening in the bushes revealed the city, which seemed to
spread out as they rose higher and higher; but they did not stay to
gaze, for their first stop was to be on the terrace before the temple
of Kiomidz,--that is, the temple of pure water,--whence the view is
very fine. This temple rests on one side upon immensely tall pillars of
wood, reaching down to the very foot of the mountain; on the other it
is supported by a rough hewn rock. It shelters beneath its broad roof,
covered with blue porcelain tiles, a divinity with a thousand arms.

Upon the terrace, covered with large pebbles, which extends in front of
the temple, camp-stools had been arranged, that the noble party might
rest, and enjoy the beauty of the view at their ease.

They soon arrived and took their places.

Kioto lay before them, with its countless low but elegant houses,
encircling the vast park of the Dairi,--a lake of verdure from which
rose here and there, like an islet, a broad and magnificent roof. The
eye could readily follow the clear line traced around the park by the
walls.

To the south of the city a river, the Yedogava, glistened in the
sun. The plain, rich and well cultivated, stretched beyond. Another
watercourse, the Wild Goose River, flows through the heart of the town,
near the fortress of Nisio-Nosiro, which rears its lofty ramparts and
its square tower, crowned by a roof with upturned edges.

Behind the city lay a semicircle of high hills covered with vegetation
and with temples of every sort, rising one above the other on the
slopes, scaling them, and half hidden in foliage and flowers. The
nobles pointed out to one another the temple of Iasacca, or the Eight
Escarpments; the tower of To-Tse, with its five series of airy roofs;
the chapel of Guihon, containing nothing but a round metal mirror, and
surrounded by a vast number of pretty houses, to which people repair
for tea and saki; then, lower down, nearer the plain, on the road
that loads to Fusimi, the colossal pagoda of Daibouds, very lofty,
very splendid, and containing within its gardens the temple of the
Thirty-three thousand three hundred and thirty-three Idols,--a very
long and narrow building.

The party went into ecstasies over the beauty of the situation. They
delighted to lose their way in fancy in the complicated network formed
by the city streets, filled with a brilliant throng, the enclosures and
the courtyards, which from that height seemed like open boxes. With a
single glance they traversed all Kioto; beside the river they saw a
large open space, surrounded by a palisade, that was the parade-ground
of the Knights of Heaven, some of whom were now galloping about the
enclosure, their embroidered robes, their lances, and helmets flashing
in the sun.

The dark, green mountains stood out in bold relief against the clear
blue sky; some more distant peaks were violet hued; the atmosphere was
so pure that the little city of Yodo was plainly visible, joined to
Kioto by the long ribbon-like road crossing the golden fields.

The Kisaki rose.

"Let us be off!" she cried. "We must not linger here too long; we must
drink, higher up, the water of the cascade of Otooua, which gives
prudence and wisdom,--so the bonzes claim."

"Is there no fountain whose water has the power to make men
light-hearted and careless?" said Simabara; "I would rather wet my lips
in that."

"I don't see what you would gain," said a princess, laughing; "if there
be such a fountain, you have most certainly tasted its waters."

"If there were one which made us forget life, and believe in a dream
without awaking," said the Prince of Nagato, "I would drink to
intoxication of it."

"I would content myself with that which gives prudence, were I in your
place," said Fatkoura, who had not yet exchanged a word with Nagato.

Her bitter and satirical voice made the Prince shudder. He did not
reply, but hastened to rejoin the Queen, who was climbing a stone
staircase hewn in the steep side of the mountain.

This staircase, bordered by shrubs whose interlaced branches formed a
verdant canopy above it, led to the cascade of Otooua. The sound of the
water was already audible as it gushed from three fissures in the rock,
and fell from a height into a small pond.

The Kisaki arrived first; she knelt on the grass and dipped her hands
in the clear water.

A young bonze ran forward with a golden cup; but the sovereign
dismissed him with a sign, and advancing her lips, swallowed the water
held in the hollow of her hand, then rose and shook her fingers. A few
drops fell upon her dress.

"Now," said she, laughing, "Buddha himself has no more wisdom than I."

"You laugh," said Simabara; "for my part, I believe in the virtues of
the water: that is why I do not taste it."

They took a very rough path. Its very look made the women utter cries
of alarm. Some declared that they would never risk their lives on such
a road; but the lords went first, and extended their shut fans to the
most timid, and thus the top of the mountain was reached. But then the
cries of distress were redoubled. Before them lay a tiny torrent, which
ran babbling over the stones; it must be crossed by jumping from rock
to rock, at the risk, if one were awkward, of wetting the feet.

The Kisaki asked Nagato to let her lean on his shoulder, and passed
safely over. Some of the women followed her; then turned to laugh,
quite at their ease, at those who dared not venture.

One young princess paused in mid-stream, standing on a rock; she held
close about her the ample folds of her robe; and, half laughing, half
dismayed, would neither go forward nor backward. She only resolved upon
crossing the dangerous ford when her friends threatened to leave her
alone in the middle of the torrent.

There were but a few steps more to be taken ore they reached the
western orchard, which is surrounded by a hedge of tea-plants. The
Queen pushed open a lattice-gate, and entered the enclosure.

It was the most enchanting spot imaginable. The spring, at this
height, is somewhat tardy; and while in the valley the fruit-trees had
already shed all their flowers, here they were in full bloom. Upon
the undulating surface carpeted with thick turf, plum-trees covered
with tiny white stars, apricots, apple-trees, peach-trees with their
pink flowers, cherries decked with dark-red bloom, bent and twisted
and stretched in every direction their dusky branches, whose roughness
formed a marked contrast to the frailty of the petals.

In the middle of the orchard a large carpet was spread on the grass,
and a red satin curtain, held up by gilded poles, flapped above it. A
collation was served on this rug in costly china dishes.

The guests gladly squatted around the trays loaded with dainty
provisions; the walk had given all an appetite. The women arranged
themselves in two groups to the right and left of the Kisaki; the men
took their seats opposite her at a respectful distance.

The most outspoken gayety soon reigned throughout the noble assembly;
laughter bubbled from every lip. They chattered loudly, and no one
heeded the melodies discoursed by an orchestra hidden behind a screen
made from fibres of the reed.

Fatkoura alone wore a gloomy look and remained silent. The Princess
Iza-Farou studied her by stealth with increasing surprise; she also
looked from time to time at the Prince of Nagato, who seemed lost in
a delightful dream, but never turned his eyes in the direction of
Fatkoura.

"What has happened?" murmured the Princess. "He has certainly ceased to
love her; and I thought the wedding was so near at hand!"

The feast ended, the Kisaki rose.

"Now," said she, "to work! Let each one of us draw inspiration from
Nature to compose a quatrain in Chinese characters."

They scattered in various directions beneath the trees; each one
went apart and reflected. Some paused before a blossoming branch;
others walked slowly along, their gaze fixed on the ground, or with
head uplifted towards what could be seen of the sky through the
constellations of snowy or rose-tinted flowers. Some lazy spirits
stretched themselves at full length on the turf and closed their eyes.

The bright and lively hues of their dresses shone forth gayly against
the green, and added one more charm to the landscape.

Soon all the poets were recalled. The time fixed for the framing of
the quatrain had elapsed. They assembled and sat down on the grass.
Servants brought in a huge bronze bowl, upon the sides of which writhed
sculptured dragons in the midst of imaginary shrubbery. This bowl was
full of white fans, decorated only by a slight sketch in one corner.
On one was a tuft of iris; on another a few slender reeds, a cottage
by a lake, over which bent a willow, or a bird grasping a branch of
almond-flowers in his claws.

Each competitor took one of these fans, upon which he was to write
his verse. Brushes and India ink ready mixed were also brought. Soon
the black characters stood in four perpendicular rows upon the white
surface of the fans; the poems were finished. Each poet read his own
quatrain aloud.

The Princess Iza-Farou began:--


                      "THE FIRST FLOWERS.
    "How fleeting, in life, is the time
    When we have only joys, hopes, and no regrets?
    Which is the most delicious moment of spring?
    That when not a single flower has yet faded."

Lively approval hailed this poem.

When silence was restored, Simabara took up the word:--

                       "THE LOVE OF NATURE.
    "I lift my head, and I see a flock of wild geese.
    Among those travellers one, who erst was in the van, now lags
        behind her mates.
    See how she flies behind the rest. Why does she linger thus?
    Because from the heights of heaven she wonders at the beauty
        of the scene."

"Good! good!" cried the listeners.

Some of the princes repeated the last line, shaking their heads with
satisfaction.

Several other quatrains were read; then the Kisaki repeated hers:--

                       "THE SNOW.
    "The sky is clear; the bees hum o'er the garden beds;
    A balmy breeze blows through the trees;
    It makes the plum-blossoms fall in showers.
    How delightful is the spring snow!"

"You are the master of us all!" was the enthusiastic shout. "What are
our verses beside yours!"

"Our great poet, Tsourai-Iouki,[1] never wrote a more perfect poem than
that," said the Prince of Nagato.

"It was from that poet I drew my inspiration," said the Kisaki, smiling
with pleasure. "But it is your turn to read, Iwakura," she continued,
glancing at the Prince.

Nagato opened his fan and read:--

                          "THE WILLOW.
    "The thing which we love more than all else, we prefer that no one
        else should love.
    It belongs to another.
    So the willow, which takes root in our garden,
    Bends, blown by the wind, and adorns our neighbor's wall with
        its branches."

"The illustrious Tikangue[2] might be your brother," said the Kisaki;
"there is no quatrain in his works superior to that. I wish to preserve
the fan that your hand has illustrated; give it to me, I beg."

Nagato approached the Queen, and, kneeling, offered her the fan.

Fatkoura abruptly recited the following lines, which she improvised on
the spur of the moment:--

    "The pheasant runs through the fields; he attracts all eyes by his
         gilded plumage;
    He cries aloud as he seeks his food.
    Then he turns towards his mate,
    And through love for her he involuntarily betrays the place of
         his retreat to men."

The Queen frowned, and paled slightly. A transport of rage made her
heart palpitate; for she saw that Fatkoura, by this improvisation,
hurled an outrageous insult at Nagato and herself. She slandered her
sovereign with the daring of a soul which has lost all, and offers one
buckler to revenge,--despair.

The Kisaki, feeling her inability to punish, was seized by a vague
terror, and repressed her wrath. If she acknowledged that she
understood the injurious intention of Fatkoura's words, must she
not confess to a guilty prepossession,--an interest unworthy of her
majesty,--in the love to which her beauty had given birth in the heart
of one of her subjects?

She complimented Fatkoura in a very quiet voice upon the elegance
of her poem; then she sent her by a page the prize offered for
competition. It was a charming collection of poems, no longer than a
man's finger; the fashion being for the smallest books possible.

Some hours later, while the Prince of Nagato, leaning over the edge of
the terrace, was gazing down from the mountain top at the setting sun,
which shed its purple glory across the sky, the Kisaki drew near him.

He lifted his eyes to her face, thinking that she wished to speak to
him; but she was silent, her eyes fixed on the horizon, and full of
sadness; she preserved a solemn attitude.

The reflection from the western sky disguised her pallor. She repressed
some painful emotion, and strove to restrain a tear that trembled on
her lashes and dimmed her sight.

Nagato felt a sort of terror; he was sure that she was going to say
something dreadful to him. He would fain have prevented her from
speaking.

"Queen," said he, softly, as if to dismiss the danger, "the sky looks
like a great rose-leaf."

"It is the last falling leaf of day," said the Kisaki,--"of the day
which is sinking into the past, but whose memory our spirits will
preserve as a day of joy and peace,--perhaps the last."

She turned away to hide her tears, which, despite her efforts, flowed
fast.

The Prince's heart was oppressed with inexpressible agony; he was like
the victim who sees the knife at his throat. He dared not speak, lest
he should hasten the sacrifice.

Suddenly the Kisaki turned to him.

"Prince," said she, "I have something to say to you: you must marry
Fatkoura."

Nagato stared at the Queen in dismay; he saw her eyes were wet with
tears, but full of a calm and irrevocable resolve.

He slowly bowed his head. "I will obey," he murmured.

And while she moved quickly away, he hid his face in his hands, and
gave vent to the sobs which were stifling him.



[1] The two latter quatrains are translated from Tsourai-Iouki, one of
the most famous poets of Japan.

[2] An illustrious Japanese poet, author of the verses entitled "The
Willow."




CHAPTER XIII.

THE MIKADO'S THIRTY-THREE DINNERS.


The sublime Son of the Gods was bored. He sat cross-legged on a raised
dais covered with mats, between curtains of gold brocade which hung
from the ceiling and were drawn back in heavy folds on either side. A
succession of rooms opened, one from another, before the monarch's gaze.

He thought that he was very majestic; then he yawned.

The one hundred and ninth Mikado, Go-Mitzou-No, although young, was
excessively fat,--made so, no doubt, by the almost constant inaction of
his life. His face was pale, no ray of sun ever resting on it; several
chins reposed upon his breast; his purple robes fell about him in ample
folds; the lofty plate of gold adorned his brow. At his right were
arranged all the insignia of his omnipotence,--the sword, the mirror,
and the iron tablet.

The Mikado found his existence monotonous. Every action of his life was
arranged in advance, and must be accomplished in accordance with the
most minute etiquette. If he left the precincts of the palace, he was
shut up in a superb vehicle drawn by buffaloes; but he felt suffocated
in that close box, and preferred to remain on his throne. If he wished
to admire the flowers in his garden beds, he must go out in company
with a vast suite, and the annals of the kingdom made careful note
of the event. The greater part of his time was supposed to be passed
in meditation: but to tell the truth, he meditated very little; his
intellect had become blunted. When he tried to think, the strangeness
of the ideas that buzzed confusedly through his brain astonished him.
Some of his fancies were criminal, some ludicrous. The latter amused
him; but he dared not laugh, knowing that he was watched. He would
then strive to bring his mind back to celestial things; but it wearied
him, and he returned to his whimsical dreams. Sometimes he was seized
by an irresistible desire to move about, to run and jump and leap; but
that would ill comport with the silent immobility appropriate to the
descendant of the Gods. One day, however,--or rather one night, the
mysteriously achieved his desire. He slipped out of bed, and while
all around him slept, he performed a wild dance; no one ever knew
it,--at least so he thought. As he never saw anything but the bent
back of his subjects, he may really have supposed that he belonged to
a superior race, and that the common herd of men walked on all fours.
And yet he thought that they sometimes treated him like a child. His
bow and arrows were taken away, because on one occasion, while a
body of delegates from the Shogun lay prostrate before his throne,
he let fly an arrow at the highest dignitary among them. In spite of
the rage which sometimes boiled within him, he dared not rebel; his
inaction, the perpetual association with women, who alone could serve
him, had weakened his courage. He felt that he was at the mercy of his
ministers; he feared lest he should be assassinated.

And yet, at times, an immense pride took possession of him; he felt
divine blood course through his veins; he knew that the earth was not
worthy to be trodden beneath his feet, that the race of men had no
right to behold his face; and he dreamed of making thicker still the
veils which separated him from the world. Then, the very next moment,
he would fancy that perfect happiness lay in solitary rambles over the
mountains, in working in the open air, in being the lowliest of men;
then he would be seized by a vague despair, he would groan and bewail
his fate. But he was soon persuaded that his grief was nothing but a
homesick longing for heaven, his native land.

Just now the Mikado was ready to receive the envoys from Fide-Yori.
They had come to testify the latter's gratitude towards the supreme
ruler, who had conferred the title of Shogun upon him.

The curtains were drawn before the throne; then the princes were
ushered in, falling at once upon their faces, with arms extended in
front of them. After a long delay the curtain was drawn aside.

Profound silence reigned: the princes remained with their faces on the
floor, motionless.

The Mikado considered them from the height of his throne, and made
silent reflections upon the arrangement of the folds of their garments,
on a sash end which had turned over and showed him the wrong side. He
thought that the crest of Satsuma, a cross within a circle, looked like
a dormer window barred by two bamboo slats.

Then he wondered what they would all think if he were suddenly to utter
frantic yells! How he would like to see them jump up, with stupefied
faces!

In a few moments the curtain was again let down; the princes withdrew
backwards. Not one word had been uttered.

After the audience the Mikado left the platform and was stripped of his
very burdensome state dress. Robed once more in simpler garments, he
bent his steps towards the apartments in which he took his meals.

Go-Mitzou-No regarded the dinner-hour as the most agreeable moment
in the day; he prolonged it as much as he possibly could. The Mikado
liked good living; he had a decided preference for certain dishes.
On account of these preferences a terrible difficulty had formerly
arisen. The Son of the Gods could not reasonably be expected to bend
his lofty mind to the details of the kitchen and decide upon the dishes
he would eat; and yet no more could he submit to the caprices of his
cooks or his ministers. After prolonged reflection the Mikado found a
way to reconcile all parties. He ordered that thirty-three entirely
different dinners should be prepared for him every day, to be served
in thirty-three saloons. It then only remained for him to walk through
those rooms, and choose the meal that pleased him best.

Sometimes it happened that after eating one dinner he would go into
another hall and eat a second.

When he crossed the threshold of the first of the thirty-three rooms,
twelve very noble and most beautiful damsels received him. They alone
were entitled to wait upon him. Their hair, in the presence of their
lord, must be undone, and hang dishevelled in the folds of their
trailing garments.

The Mikado had seated himself on a mat before the dinner of his choice,
and had begun to eat, when the Kisaki entered, unannounced. She, too,
when appearing before the supreme master, was obliged to wear her hair
flowing loosely. Her superb black tresses were therefore unconfined,
and fell in waves to the very ground.

The Mikado raised his eyes to her in amazement, and hurriedly swallowed
the morsel that he had in his mouth.

"My beloved companion," said he, "I did not expect to see you!"

"My divine lord," she replied, "I have come to inform you that I shall
very soon lose one of my women; the fair Fatkoura is about to marry."

"Very good! very good!" said the Mikado; "and whom?"

"The Prince of Nagato."

"Ah-ha! I consent to the marriage."

"And what princess do you name to take the place of the one who is to
leave me?"

"I will name any one whom you may select."

"I thank you, master," said the Kisaki; "and I depart from your divine
presence, imploring your pardon for having dared to interrupt your
repast."

"Oh, it's no matter!" said Go-Mitzou-No, who hastened, as soon as his
wife had gone, to make up for lost time.




CHAPTER XIV.

THE HAWKING-PARTY.


Some days after the reception of the embassy, towards the tenth hour
of the morning, the hour of the serpent, a young cavalier rode at full
speed along the road which leads from Osaka to Kioto.

At that hour the road is very crowded; beasts of burden, pedlers,
men and women of the people pass and repass along its entire length.
Peasants carry the produce of their fields to the suburban towns;
they are on their way to Fusimi, Yodo, and Firacca. Merchandise of
every kind is taken from Osaka to Kioto,--rice, salt-fish, metals, and
precious woo

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