Riding and Driving
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Title: Riding and Driving
Author: Edward L. Anderson
Price Collier
Contributor: T. Suffern Tailer
Release date: July 16, 2014 [eBook #46302]
Most recently updated: October 24, 2024
Language: English
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*** START OF THE PROJECT GUTENBERG EBOOK RIDING AND DRIVING ***
_THE AMERICAN SPORTSMAN'S LIBRARY_
_EDITED BY_
_CASPAR WHITNEY_
RIDING AND DRIVING
[Illustration]
[Illustration]
The Gallop-change from Right to Left. The horse, having been in
gallop right, has just gone into air from the right fore leg. The
right hind leg was then planted, which will be followed in turn by
the left hind leg, then the right fore leg, and lastly the left
fore leg, from which the horse will go into air; the change from
gallop right to gallop left having been made without disorder or a
false step.
RIDING AND DRIVING
RIDING
BY
EDWARD L. ANDERSON
AUTHOR OF "MODERN HORSEMANSHIP," "CURB, SNAFFLE, AND
SPUR," ETC., ETC.
DRIVING
HINTS ON THE HISTORY, HOUSING, HARNESSING
AND HANDLING OF THE HORSE
BY
PRICE COLLIER
New York
THE MACMILLAN COMPANY
LONDON: MACMILLAN & CO., LTD.
1905
_All rights reserved_
COPYRIGHT, 1905.
BY THE MACMILLAN COMPANY.
Set up and electrotyped. Published April, 1905.
_Norwood Press
J. S. Cushing & Co.--Berwick & Smith Co.
Norwood, Mass., U.S.A._
CONTENTS
RIDING
BY EDWARD L. ANDERSON
CHAPTER PAGE
I. BREEDING THE SADDLE-HORSE 3
II. HANDLING THE YOUNG HORSE 20
III. THE PURCHASE, THE CARE, AND THE SALE OF
THE SADDLE-HORSE 30
IV. SOME SADDLE-HORSE STOCK FARMS 47
V. THE SADDLE--THE BRIDLE--HOW TO MOUNT 54
VI. THE SEAT--GENERAL HORSEMANSHIP 64
VII. AMERICAN HORSEMANSHIP--OUR CAVALRY 78
VIII. HOW TO RIDE--THE SNAFFLE-BRIDLE--THE
WALK AND THE TROT--SHYING--THE CUNNING
OF THE HORSE--SULKING--REARING--DEFEATING
THE HORSE 85
IX. WHAT TRAINING WILL DO FOR A HORSE--THE
FORMS OF COLLECTION 103
X. THE SPUR 109
XI. SOME WORK ON FOOT--THE SUPPLING 112
XII. THE CURB-AND-SNAFFLE BRIDLE--GUIDING BY
THE REIN AGAINST THE NECK--CROUP ABOUT
FOREHAND--UPON TWO PATHS 121
XIII. THE GALLOP, AND THE GALLOP CHANGE--WHEEL
IN THE GALLOP--PIROUETTE TURN--HALT IN
THE GALLOP 127
XIV. BACKING 135
XV. JUMPING 138
XVI. GENERAL REMARKS 147
DRIVING
BY PRICE COLLIER
INTRODUCTION I
I. ECONOMIC VALUE OF THE HORSE 159
II. THE NATURAL HISTORY OF THE HORSE 169
III. THE EARLY DAYS OF THE HORSE IN AMERICA 179
IV. POINTS OF THE HORSE 195
V. THE STABLE 211
VI. FEEDING AND STABLE MANAGEMENT 225
VII. FIRST AID TO THE INJURED 239
VIII. SHOEING 251
IX. HARNESS 259
X. THE AMERICAN HORSE 284
XI. A CHAPTER OF LITTLE THINGS 300
XII. DRIVING ONE HORSE 315
XIII. DRIVING A PAIR 333
XIV. DRIVING FOUR 353
XV. THE TANDEM 392
XVI. DRIVING TANDEM. By T. Suffern Tailer 401
BIBLIOGRAPHY 427
INDEX 429
ILLUSTRATIONS
RIDING
BY EDWARD L. ANDERSON
The Gallop-change from Right to Left. The horse, having
been in gallop right, has just gone into air from the
right fore leg. The right hind leg was then planted,
which will be followed in turn by the left hind leg, then
the right fore leg, and lastly the left fore leg, from
which the horse will go into air; the change from
gallop right to gallop left having been made without
disorder or a false step _Frontispiece_
FIGURE FACING PAGE
1. Race-horse in Training. Photograph by R. H. Cox 5
2. Dick Wells. Holder of the world's record for one mile.
Photograph by R. H. Cox. 5
3. Thoroughbred Mare, L'Indienne. Property of Major
David Castleman. Photograph by the author 7
4. Cayuse. Photograph by W. G. Walker 7
5. Abayan Koheilan. Arab stallion, bred by Amasi Hamdani,
Smyri, Sheik of the District of Nagd. Property
of Sutherland Stock Farm, Cobourg, Canada 7
6. Norwegian Fiord Stallion. Imported by the author 9
7. Mafeking, 16.2, by Temple out of a Mare by Judge Curtis.
The property of Colin Campbell, Esq., Manor House,
St. Hilaire, Quebec, Canada. This splendid animal
has been hunted for three seasons with the Montreal
Fox Hounds. He shows great power and quality, and
is master of any riding weight 9
8. Prize-winning Charger. Property of Major Castleman.
Photograph by the author 9
9. Morgan Stallion, Meteor. Property of Mr. H. P. Crane.
Photograph by Schreiber & Sons 9
10. Mademoiselle Guerra on Rubis, a Trakhene Stallion 10
11. Highland Denmark. Property of Gay Brothers, Pisgah,
Kentucky. The sire of more prize winners in saddle
classes than any other stallion in America. Photograph
by the author 10
12. Brood Mare, Dorothy. Owned by General Castleman.
This mare has a record of first prize in nearly seventy
show rings 12
13. Cecil Palmer, American Saddle-horse, Racking. Owned
and ridden by Major David Castleman. Photograph
by the author 12
14. The Cavesson. Photograph by the author 23
15. The Horse goes about the Man at the Full Length of the
Cavesson Rein. Photograph by the author 23
16. Elevating the Head of the Horse with the Snaffle-bit.
Photograph by M. F. A. 26
17. Dropping the Head and Suppling the Jaw. Photograph
by M. F. A. 26
18. Bending Head with Snaffle. Photograph by M. F. A. 28
19. A Leg Up. Photograph by M. F. A. 28
20. Silvana. An English half-bred mare, imported by the
author. Photograph by M. F. A. 37
21. Montgomery Chief, Champion Saddle Stallion of America.
Property of Ball Brothers, Versailles, Kentucky.
Photograph by the author 37
22. Riding-house of the Author 44
23. Garrard. Two years old. Owned and ridden by Major
David Castleman. Photograph by the author 51
24. Carbonel. Four years old. Owned and ridden by Major
David Castleman. Photograph by the author 51
25. High Lassie. Two years old. Owned by Gay Brothers,
Pisgah, Kentucky. Photograph by the author 53
26. Mares and Foals. Gay Brothers. Photograph by the
author 53
27. Stirling Chief. Property of Colonel J. T. Woodford, Mt.
Stirling, Kentucky. Photograph by the author 55
28. Stirling Chief in the Trot. Photograph by the author 55
29. Double Bridle Fitted. Photograph by the author 58
30. Mounting with Stirrups. Photograph by M. F. A. 58
31. Mounting without Stirrups. Photograph by M. F. A. 60
32. Mounting without Stirrups. Photograph by M. F. A. 60
33. Dismounting without Stirrups. Photograph by M. F. A. 60
34. Jockey Seat. Photograph by R. H. Cox 62
35. Pointing the Knees above the Crest of the Horse.
Photograph by M. F. A. 62
36. Dropping the Knees to take the Seat without Stirrups.
Photograph by M. F. A. 65
37. The Seat. Photograph by M. F. A. 65
38. Leaning Back. Photograph by M. F. A. 65
39. German Cavalry. Photograph by O. Anschutz 67
40. Monsieur Leon de Gisbert. Photograph by the author 69
41. Monsieur H. L. de Bussigny. Formerly an officer of the
French Army 69
42. Chasseurs d'Afrique 71
43. Spahis. Arabs in the Algerian army of France 71
44. A French Officer. Good man and good horse 73
45. French Officers 73
46. Italian Officers. The horsemanship here exhibited is
above criticism. Courtesy of the Goerz Co. 73
47. Italian Officers 73
48. An Italian Officer. The pose of the horse proves the
truth of the photograph 73
49. Trooper Royal Horse Guards. Photograph by F. G. O.
Stuart 76
50. Scots Grays. Tent Pegging. Photograph by F. G. O.
Stuart 76
51. General Castleman 78
52. Mr. C. Elmer Railey 80
53. A Rider of the Plains. Photograph by W. G. Walker 80
54. Colonel W. F. Cody, "Buffalo Bill." Photograph by
Stacy 83
55. An American Horseman 83
56. Troopers of the Fourth and the Eighth Cavalry, United
States Army. Photograph by the author 85
57. Captain W. C. Short. Instructor of Riding at Fort Riley.
Photograph by the author 85
58. Three Officers at Fort Riley. Photograph by the author 87
59. The Small Pony is but a Toy. Photograph by Mary
Woods 90
60. Up to Ten or Twelve Years of Age Girls should ride in
the Cross Saddle to learn the Effects of the Aids.
Photograph by the author 90
61. The Alertness of In Hand. Photograph by R. H. Cox 92
62. In Hand in Walk. Photograph by M. F. A. 92
63. United Halt, between Heels and Hand. Photograph by
M. F. A. 94
64. In Hand in Trot. Photograph by M. F. A. 94
65. Preventing the Horse rearing by bending the Croup to
One Side. Photograph by M. F. A. 97
66. Rearing with Extended Fore Legs. Photograph by
Walker 97
67. Major H. L. Ripley, Eighth Cavalry, United States Army.
Horse rearing with bent fore legs 101
68. Rolling up a Restive Horse 101
69. Closely United. Photograph by M. F. A. 102
70. Half-halt. Photograph by M. F. A. 102
71. The Scratch of the Spur. Photograph by M. F. A. 108
72. Halt with the Spurs. Photograph by M. F. A. 108
73. Direct Flexion of the Jaw. The snaffle holds the head up.
The curb-bit, with the reins drawn toward the chest
of the horse, induces the animal to yield the jaw, when
the tension upon the reins is released and the animal
so rewarded for its obedience. Photograph by
M. F. A. 112
74. The Result of the Direct Flexion of the Jaw. Photograph
by M. F. A. 112
75. Bending Head and Neck with the Curb-bit. Photograph
by M. F. A. 115
76. Bending Head and Neck with the Curb-bit. Photograph
by M. F. A. 115
77. Carrying the Hind Legs under the Body. Photograph by
M. F. A. 117
78. Croup about Forehand, to the Right. Photograph by
M. F. A. 117
79. Croup about Forehand, to the Right. The left fore leg
the pivot. The head bent toward the advancing
croup. Photograph by M. F. A. 119
80. In Hand in Place. Photograph by H. S. 119
81. The Indirect Indication of the Curb-bit. To turn the
horse to the right by bringing the left rein against the
neck of the horse. The rider's hand carried over to
the right, the thumb pointing to the right shoulder 122
82. The Indirect Indication of the Curb-bit. To turn the
horse to the left. The rider's hand is carried over to
the left, the thumb pointing to the ground over the
left shoulder of the horse 122
83. Reversed Pirouette, to the Left. The hind quarters are
carried to the left, about the right fore leg as pivot, the
head bent to the left 124
84. Passing on Two Paths to the Right. The forehand
slightly in advance of the croup. The head of the
horse slightly bent in the direction of progress 124
85. The Gallop. The horse in air 126
86. The Hind Legs are committed to a Certain Stride in the
Gallop before the Horse goes into Air 126
87. Gallop Right. The change must be begun by the hind
legs as soon as they are free from the ground. The
last seven photographs by M. F. A. 126
88. The Wheel in the Gallop. In two paths, the hind feet
on a small inner circle 131
89. The Pirouette Wheel. The inner hind leg remains in
place as a pivot 131
90. Backing. Taking advantage of the impulse produced by
the whip tap to carry the mass to the rear. Photograph
by M. F. A. 135
91. Backing. The same principles are observed. Photograph
by M. F. A. 135
92. Jumping In Hand. Photograph by M. F. A. 138
93. The Narrow Hurdle. Photograph by M. F. A. 138
94. Jumping In Hand. Photograph by M. F. A. 138
95. Jumping a Narrow Hurdle. Photograph by M. F. A. 142
96. Jumping a Narrow Hurdle. Photograph by M. F. A. 142
97. Hurdle-racing. Photograph by R. H. Cox 151
98. Thistledown. Four years old. Property of Mr. A. E.
Ash brook. Record of seven feet one and three-quarters
inches. Photograph by E. N. Williams 151
99. Denny Racking. Property of Mr. J. S. Neane. Photograph
by the author 154
100. Denny at the Running Walk. Photograph by the author 154
101. Casting a Horse without Apparatus. Photograph by
M.F.A. 154
DRIVING
BY PRICE COLLIER
PLATE
I. Protorohippus 167
II. Development of Horse's Foot From Toes to One 167
III. Neohipparion 170
IV. Skull of Horse Eight Years Old 170
V. Teeth of Horse 195
VI. Teeth of Horse 197
VII. Polo Pony 199
VIII. Light-harness Horse 199
IX. Harness Type 202
X. Flying Cloud, Harness Type 202
XI. Children's Pony 204
XII. Children's Pony 204
XIII. Good Shoulders, Legs, and Feet 206
XIV. Heavy-harness Types 206
XV. Stable Plan 219
XVI. Skeleton of the Horse 245
XVII. Internal Parts of the Horse 245
XVIII. External Parts of the Horse 252
XIX. Foot of the Horse 252
XX. Bridoon Bit; Double-ring Snaffle-bit; Half-cheek
Jointed Snaffle-bit 261
XXI. Bit found on Acropolis; date, 500 B.C. 261
XXII. Single Harness 263
XXIII. Elbow-bit; Liverpool Bit; Buxton Bit; Gig-bit 266
XXIV. Swale's Patent Bit 268
XXV. Brush Burr 268
XXVI. Plain Burr 268
XXVII. Hambletonian 293
XXVIII. George Wilkes 293
XXIX. Driving a Pair 341
XXX. Driving a Pair 348
XXXI. Positions of Whip 357
XXXII. Driving Four 364
XXXIII. Pony Tandem 391
XXXIV. Tandem Dog-cart 394
XXXV. High and Dangerous Cocking-cart 394
XXXVI. Tandem of Mr. McCandless 404
XXXVII. Tandem of Mr. T. Suffern Tailer 404
RIDING
BY EDWARD L. ANDERSON
RIDING
CHAPTER I
BREEDING THE SADDLE-HORSE
The thoroughbred is universally recognized as the finest type of
the horse, excelling all other races in beauty, in stamina, in
courage, and in speed; and, further, it is capable in the highest
degree of transmitting to its posterity these valuable qualities.
Indeed, the greatest virtue possessed by this noble animal lies
in its power of producing, upon inferior breeds, horses admirably
adapted to many useful purposes for which the blooded animal itself
is not fitted.
In England and upon the continent the thoroughbred is held in
high esteem for the saddle; but, as General Basil Duke justly
remarks, it has not that agility so desirable in a riding-horse,
and because of its low action and extended stride it is often
wanting in sureness of foot, and in America we prefer to ride the
half-breed with better action. Occasionally the thoroughbred is
found that fills the requirements of the most exacting rider, and
the author has had at least six blood-horses that were excellent
under the saddle. One of these, represented by a photograph in a
previous work, in a gallop about a lance held in the rider's hand,
gave sufficient proof of quickness and suppleness. However, it is
admitted on all hands that the horse which most nearly approaches
the thoroughbred, and yet possesses the necessary qualities which
the superior animal lacks, will be the best for riding purposes.
Although every thoroughbred traces its ancestry in the direct male
line to the Byerly Turk, 1690, the Darley Arabian, _circa_ 1700, or
the Godolphin Barb, _circa_ 1725, and "it is impossible to find an
English race-horse which does not combine the blood of all three,"
the experience of modern horsemen points to the fact that the
blood-horse is as near to the Eastern horse as we should go with
the stallion in breeding for the race-course or for ennobling baser
strains.
In view of the great influence that these three horses had almost
immediately upon English breeds, this present exclusion of the
Eastern stallion is striking; but it means simply that the
race-horse of our day has more admirable qualities to transmit than
the sire of any other blood.
[Illustration: FIG. 1.--RACE-HORSE IN TRAINING]
[Illustration: FIG. 2.--DICK WELLS. HOLDER OF THE RECORD FOR ONE
MILE]
The Bedouin Arabian of the Nejd district, supposed to be the purest
strain of the race and the fountainhead of all the Eastern breeds,
has become degenerate during the past two hundred years; too often
horses of this royal blood are found undersized, calf-kneed, and
deficient in many points. Notwithstanding the virtues that such
animals may yet be able to transmit, I venture to say that the
disdained "Arab" of Turkey, Persia, Egypt, and even that of Europe,
as well as the so-called Barb, are better and more useful horses,
and it is from these impure races that nearly all of the Eastern
blood has come that has found its way into the crosses of European
horses during the past hundred years or more. Indeed, if we may
believe the statements of the partisans of the Eastern horse, but
very little of the best Arab blood has been introduced into Europe.
The Darley Arabian, the ancestor of the best strains in the world,
was doubtless of pure desert blood. His color, form, and other
characteristics have always satisfied horsemen that his lineage
could not be questioned.
In crosses of thoroughbred strains and desert blood the stallion
should be of the former race; but in bringing Eastern blood into
inferior breeds the blood of the latter should be represented by
the mare. All good crosses are apt to produce better riding-horses
than those of a direct race.
From the fossil remains found in various parts of the world
it is certain that the horse appeared in many places during a
certain geological period, and survived where the conditions were
favorable.
But whether Western Asia is or is not the home of the horse, he
was doubtless domesticated there in very early times, and it was
from Syria that the Egyptians received their horses through their
Bedouin conquerors. The horses of the Babylonians probably came
from Persia, and the original source of all these may have been
Central Asia, from which last-named region the animal also passed
into Europe, if the horse were not indigenous to some of the
countries in which history finds it. We learn that Sargon I. (3800
B.C.) rode in his chariot more than two thousand years before there
is an exhibition of the horse in the Egyptian sculptures or proof
of its existence in Syria, and his kingdom of Akkad bordered upon
Persia, giving a strong presumption that the desert horse came
from the last-named region, through Babylonian hands. It seems,
after an examination of the representations upon the monuments,
that the Eastern horse has changed but little during thousands of
years. Taking a copy of one of the sculptures of the palace of
Ashur-bani-pal, supposed to have been executed about the middle
of the seventh century before our era, and assuming that the
bare-headed men were 5 feet 8 inches in height, I found that the
horses would stand about 14½ hands--very near the normal size of
the desert horse of our day. The horses of ancient Greece must have
been starvelings from some Northern clime, for the animals on the
Parthenon frieze are but a trifle over 12 hands in height, and are
the prototypes of the Norwegian Fiord pony--a fixed type of a very
valuable small horse.
[Illustration: FIG. 3.--THOROUGHBRED BROOD-MARE]
[Illustration: FIG. 4.--CAYUSE]
[Illustration: FIG. 5.--DESERT-BRED ARAB STALLION]
The horse was found in Britain from the earliest historical times,
and new blood was introduced by the Romans, by the Normans, and
under many of the successors of William the Conqueror. The Turkish
horse and the barb, it is understood, were imported long before the
reign of James I., when Markham's Arabian, said to be the first
of pure desert blood, was brought into the country; but from that
time many horses were introduced from the East, of strains more
or less pure. The Eastern horse was the foundation upon which the
Englishman reared the thoroughbred, but we must not lose sight of
the skill of the builder nor of the material furnished by native
stock. The desert strains furnished beauty, courage, and stamina;
the native blood gave size, stride, and many other good qualities;
the English breeder combined all these and produced what no other
nation has approached, the incomparable thoroughbred.
We accept the thoroughbred as we find him. No man can say exactly
how he was produced. The great Eclipse (1764) has upward of a dozen
mares in his short pedigree (he was fourth in descent from the
Darley Arabian) whose breeding is unknown and which were doubtless
native mares, for already the descendants of Eastern horses were
known and noted. What is true of the breeding of Eclipse is true of
many of his contemporaries who played prominent parts in the studs
of their day.
For more than one hundred years no desert-bred stallion has had
any marked influence upon the race-horse directly through a
thoroughbred mare. In the first decade of the last century a barb
stallion bred to a barb mare produced Sultana, who brought forth
the granddam of Berthune to Sir Archy. Berthune was much sought
after as a sire for riding-horses; besides this barb blood he had
strains of Diomed and of Saltram in his veins, all of which were
desirable for saddle-horses.
Breeds of animals deteriorate rapidly through lack of nourishment
and from in-and-in breeding. It is questionable whether a
degenerate race may be restored, within measurable time, by the use
of any appreciable amount of its own blood; it is certainly bad
policy to found a breed upon poor stock. The better plan would be
to form the desired type from new strains. One hundred years ago
Lewis and Clark found upon the plains of the Northwest "horses of
an excellent race, lofty, elegantly formed, and durable," but one
could hardly hope to replace such animals from the cayuse ponies,
their descendants, without the introduction of superior blood in
such quantities as practically to obliterate the inferior.
[Illustration: FIG. 6.--NORWEGIAN FIORD STALLION]
[Illustration: FIG. 7.--HEAVY-WEIGHT HUNTER]
[Illustration: FIG. 8.--CHARGER]
[Illustration: FIG. 9.--MORGAN STALLION]
Some of the range horses of Washington and of Oregon are fairly
good animals, and these have more or less of the bronco blood,
but all that can be said of the influence of the wild horse is
that its descendants can "rustle" for a living where an Eastern
horse would starve, and the same thing can be said of the donkey.
Admitting that for certain purposes inferior blood must sometimes
be introduced for domestic purposes, the better the breeding the
better the horse will be. _Bon sang bon chien._
The mustang of the southern central plains maintains many of
the good qualities of its Spanish ancestors, and is a valuable
horse for certain purposes, but we need not consider this animal
in breeding for the saddle when we have so many other strains
infinitely superior. Polo and cow ponies are not within our intent.
Types and families of horses are produced either by careful
"selection and exclusion," or by the chances of environment In the
first manner was brought about the thoroughbred, the Percheron, the
Orloff, the Trakhene, the Denmark, and every other race or family
of real value.
All over the world isolated groups of horses may be found which
have become types by an accidental seclusion, and these from
various causes are usually undersized and often ill-formed.
Such are the mustang and its cousins on the plains, many breeds
in Eastern Asia, the Norwegian Fiord pony, the Icelander, the
Shetlander, etc., the last-named three being, it is supposed,
degenerates of pure desert descent from animals taken north from
Constantinople by the returned Varangians in the eleventh century.
In breeding for the saddle, or for any other purpose, the mare
should be nearly of the type the breeder desires to obtain, and she
should be of strong frame, perfectly sound, of healthy stock, and
with a good disposition. If her pedigree be known, the stallion,
well-bred or thoroughbred, should be selected from a strain which
has been proved to have an affinity with that of the mare. The
mingling of certain strains is almost as certain to produce certain
results--not, be it understood, everything that may be desired--as
does the mixing of chosen colors on the palette. That is to say,
size, form, action, and disposition may ordinarily be foretold by
the mating between families that are known to nick. The stallion
should be no larger than the mare, of a family in which there is
no suspicion of transmissible disease, and of good temper, and it
certainly should not be lacking in the slightest degree in any
point where the mare is not fully developed. The mare might be the
stronger animal, the stallion the more highly finished.
[Illustration: FIG. 10.--TRAKHENE STALLION]
[Illustration: FIG. 11.--TYPICAL DENMARK STALLION]
Where the mare's pedigree is unknown, and the matter is purely
an experiment, or where she is undoubtedly of base breeding, the
stallion, while of superior blood, should not vary greatly from her
type. Peculiarities in either parent are almost certain to be found
in an exaggerated form in the foal.
It would be difficult to imagine a better horse, for any
conceivable purpose except racing, than a first-rate heavy-weight
hunter; yet he may be called an accident, as there is no such
breed, and his full brother may be relegated to the coach or even
to the plough. The large head and convex face almost invariably
found in the weight carrier, and in the "high-jumper," are derived
from the coarse blood which gives them size and power; but these
features are indications of that courage and resolution which give
them value--characteristics which in animals of wholly cold blood
are usually exhibited in obstinacy. Indeed, while the English
horse, each in its class, has no superior, Great Britain has no
type or family of saddle animals such as our Denmark, unless one
except cobs and ponies.
Of course, where two animals of the same or of similar strains, and
bearing a close resemblance to each other, are mated, the type
will be reproduced with much greater certainty than where various
strains are for the first time brought together; but even in good
matches a foal may show some undesirable feature derived from a
remote ancestor. Some marks or characteristics of a progenitor
reappear at almost incredible distances from their sources. That
Boston's progeny should be subject to blindness, or that Cruiser's
descendants should be vicious, or that the offspring of whistlers
should prove defective in their wind, are reasonable expectations;
but that the black spots on the haunches of Eclipse should be
repeated upon his descendants of our day, as is doubtless the case,
exhibits an influence that is marvellous. Stockwell (1849) and many
others of Eclipse's descendants had those ancestral marks, but
Stockwell had many strains of Eclipse blood through Waxy, Gohanna,
and other progenitors. When a chestnut thoroughbred shows white
hairs through its coat, that peculiarity is ascribed to Venison
(1833) blood, if by chance that stallion's name may be found in its
pedigree.
[Illustration: FIG. 12.--BROOD-MARE OF SADDLE STRAINS]
[Illustration: FIG. 13.--CECIL PALMER RACKING]
Where undesirable qualities appear in the products of crosses in
breeding for a type, they are bred out in breeding up, or the
failures are permitted to die out. It is not probable that any
one who was desirous of breeding a horse suitable for the saddle
would select a very inferior mare, for, even though her pedigree
were unknown, the qualities which suggested her selection would
prove her something better. It cannot be denied that occasionally a
literal half-breed, by a thoroughbred on common stock, turns out a
good animal, and such a cross is often the foundation of valuable
types; but the chances are too remote to induce one to try the
experiment solely for the produce of the first cross. It is rarely
the case that a horse may be found in a gentleman's stable that
has not either a liberal, direct infusion of thoroughbred strains,
or is not itself a representative of some family which owes its
distinction to the blood-horse.
I am schooling a pretty little mare, picked up by chance, for the
illustrations of the chapters on riding and training. I believe
that Daphne is out of a Morgan mare by a Hambletonian stallion, and
that her symmetry comes from the dam. It is greatly to be regretted
that the so-called Morgans have been so neglected that it is not
easy to find horses with enough of the blood to entitle them to
bear the family name. The Morgan, although rather a small horse,
was an admirable animal, good in build, in constitution, in action,
and in temperament, and its blood combined well with that of the
old Canadian pacing stock (of which the original Copperbottom was
an example), with Messenger strains, and with those of some other
trotting families.
At the Trakhene stud in Germany a distinct breed has been obtained
by the admixture of thoroughbred and Eastern blood. How long
it took and how many crosses were made to establish the type I
cannot say, but it is understood that in the first crosses the
stallions were of English blood, the mares of desert strains. These
Trakhene horses, usually black or chestnut, are very beautiful
animals--large, symmetrical, and of proud bearing. They are
sometimes used as chargers by the German emperor and his officers,
and in this country they are somewhat familiar as liberty horses in
the circus ring. It is said that the Trakhene is not clever upon
his feet and that he is not safe in easy paces, which is likely
enough, for both the blood-horse and the Arab are stumblers in the
walk and in the trot.
In the province of Ontario, Canada, and in the states of Maine and
New York, very fine horses are bred for various purposes; and from
among these are found good hacks and the animals best suited to
the hunting-field that America affords. These Northern horses have
good constitutions and, it is thought, better feet than those found
beyond the Alleghanies, and the best examples fill the demands of
the most critical horseman; but in none of the Northern states can
it be said that a breed or family exists that produces a type of
hack or hunter, while in the Blue Grass region south of the Ohio we
find the Denmarks splendidly developed in every point and with a
natural grace and elasticity that make them most desirable for the
saddle.
For quite a century the riding-horses of Kentucky have been
celebrated in song and story. In the days when bridle-paths were
the chief means of intercommunication throughout this state, the
pioneer made his journeys as easy as possible by selecting and by
breeding saddle-horses with smooth gaits, the rack and the running
walk. These movements had been known in the far East and in Latin
countries from time immemorial, but it remained for the Kentuckian
to perfect them.
Some fifty odd years since a stallion called Denmark was introduced
into Kentucky, and from him there has descended a type of
saddle-horse which is everywhere held in esteem, for the Denmark
horse of to-day has no superior for beauty of form, for docility,
for graceful movements and, indeed, for every good quality which
should be found in a riding animal. Denmark had been successful
on the race-course; he was by imported Hedgeford, and if it be
true that there was a stain upon the lineage of his dam, there
had been a very successful cross, for the great majority of the
saddle-horses of Kentucky boast Denmark as an ancestor. More than
nine-tenths of this family trace to the founder's son, Gaines's
Denmark, whose dam was by Cockspur, and, probably, out of a pacing
mare.
The American Saddle-horse Breeders' Association has undertaken
to improve the riding-horses of this country by the formation of
a register and by the selection of foundation stallions whose
progeny under certain conditions shall be eligible for registry.
Their primary object is to encourage the breeding of the gaited
saddle-horse, that is, the animal which, from inherited instincts
or natural adaptability, may readily be taught to rack, to pace, to
go in the running walk and in the fox-trot; but at the same time
General Castleman, Colonel Nall, and the other gentlemen engaged
with them, are exercising great influence for good upon the horse
of the three simpler gaits.
The pedigrees of the foundation sires of this register show many
strains of the blood of Saltram and of Diomed, a fair share of
that of the Canadian pacer, and enough, doubtless, of that of the
Morgan. A fabric woven of such threads must prove of national
importance; for, although the registry is open to all horses which
can show five saddle-gaits, it should be remembered that such an
exhibition is almost a certain proof of the desired breeding and
is a certain proof of quality. We may, then, hope for a typical
American saddle-horse,--a race that shall have no superior,
representatives of which shall be found wherever the horse
flourishes.
I am no advocate for any paces other than the walk, the trot, and
the gallop, these being the only movements in which the rider
can obtain immediate and precise control over the actions of
the horse. The riding-horse must be managed by reins and heels;
no motions or signs are so exacting, so unmistakable in their
demands, and it is impossible readily to obtain movements from a
horse that is confused by eight or even five gaits, particularly
when some of these gaits require an extension of the animal's
forces incompatible with the union required in quick turns and in
immediate obedience. It must, however, be acknowledged that the
rack, the running walk, and the fox-trot have had a beneficial
influence upon the Kentucky saddle-horse. In the first place,
these paces required selection in the breeding, and, secondly, the
discipline implied by the training, through many generations, has
had its effect upon the tempers and dispositions of these splendid
animals.
A brood mare should always be well nourished, but not over fed,
and, from the time it is able to eat, the foal should have its
share of oats as well as of succulent, nutritious grasses, and of
sound hay when grazing is impracticable. Our cavalry officers, and
horsemen in general, bear testimony to the endurance of animals
bred in Kentucky. This vigor is due to the rich blue-grass pastures
and to the liberal feeding of the mare and her offspring.
It would appear, upon first viewing the subject, that a horse bred
upon rough pasture-land would be more sure of foot than one bred
on smooth plains; but that is not always the case. It is true that
the animal bred on uneven ground learns to look after itself,
and becomes very clever on its feet when obstacles exist, but
mountain-bred horses are often stumblers on level roads, in the
walk and in the trot. The fact is, that sureness of foot depends
upon the manner in which the horse extends and plants its feet,
moderate action being the safest, either extremes of high or low
action, of short or long strides, militating against the animal's
agility. The reason that horses stumble ten times in the walk to
once in the trot is because in the first-named pace the pointed toe
is usually carried along close to the ground before the fore foot
is planted. When the rider unites the horse, this defective action
is obviated. During the past twenty years I have taken thousands of
photographs of the moving horse in studying the question of action,
and I am satisfied that the horse which plants its fore foot with
the front of the hoof vertical will stumble; that the horse which
straightens its joints and brings the heel to the ground first will
travel insecurely and slip on greasy surfaces. I had an example of
the last-named in my stable, and the animal several times "turned
turtle," as I might have anticipated. Fair action, with fairly bent
joints which bring the feet about flat to the ground, the hind legs
well under the mass, is the safest form in which the horse moves.
CHAPTER II
HANDLING THE YOUNG HORSE
Before the horse can be taught obedience to the bit and spur it
must go through a preliminary course of handling, by which the
man obtains mastery over the animal. This work is usually called
"breaking-in," and it is a matter of regret that it is almost
always conducted in an unnecessarily harsh and rough manner, with
the result that many horses are made vicious, or are in other ways
spoiled, through the ignorance and cruelty of those who have charge
of their early education.
A lively colt is shy, suspicious, and curious, easily amused,
and as easily bored; by recognizing these characteristics and
conducting his work with reference to them, the trainer will
find success easy and agreeable. After the man has gained the
confidence of the animal, he will find that the young horse
takes great interest in lessons that are varied and not too long
continued, and there need be no resistances aroused on the part
of the pupil. Except in the very rare cases of animals that are
naturally vicious, and such are insane, the training of a horse
may be carried on without friction. The faults and vices in a horse
usually arise from the efforts of the nervous animal to avoid
injudicious restraints before it has been taught by easy steps to
yield instinctively to the demands of its trainer. Later misconduct
is almost always due to want of firmness and decisive action on the
part of the rider. The horse is incapable of that real affection
for man such as the dog evinces toward the worst of masters; it is
of low intelligence, the boldest of them being subject to panics,
but there are few which lack a low craft that enables them to take
advantage of every slip or mistake the man may make. A sufficient
amount of work and careful treatment will keep a sane horse steady,
but when at all fresh most horses are untrustworthy if the man's
control be lost. I do not find it necessary to punish my horses;
the whip, spur, and reins are employed to convey demands; a harsh
word answers every requirement for correction, and the animal
cannot resent it as it may the blows of the whip or the stroke
of the spur. The photographs of a number of these animals in my
various works in almost every possible movement prove how exact is
the obedience they render under this course of treatment. When some
old favorite refuses to walk into a coal-pit, or voluntarily turns
up some well-known road, the fond owner is too apt to confuse
instinct or habit with brilliant mental operations, and place
too much faith in its good inclinations; but the fact is that in
handling this animal we must neglect its will and obtain control
over its movement by cultivating the instinctive muscular actions
which follow the application of the hand and heel. I have a great
admiration for the horse, for its beauty, for its usefulness, for
its many excellent qualities, but I do not permit this sentiment
to blind me to its shortcomings. Some horses are so good that they
inspire an affection which they cannot reciprocate. Since I began
this book I lost Silvana, a well-bred English mare which I had
owned for eighteen years. She was a very beautiful animal, of high
spirit, exact in all the movements of the manège, and of so kind
a disposition that she was never guilty of mutinous or disorderly
conduct.
Regardless of the treatment it has received previously, the young
horse should be "broken to ride," when strong enough to bear the
weight of a rider, by some method similar to that which follows.
[Illustration: FIG. 14.--THE CAVESSON]
[Illustration: FIG. 15.--LONGEING ON THE CAVESSON]
But first I wish to say a word about casting the horse, by what
is usually called "The Rarey System." Many people believe that
to throw the horse is a sure cure for every vice and spirit of
resistance. The fact is that a horse is confused, surprised, and
humiliated at finding itself helpless, and casting does give the
man temporary control which is often a most important matter,
and may be the beginning of the establishment of discipline; but
mastering the horse permanently cannot be accomplished in a moment,
and unless it be necessary to employ the straps in the handling of
a violent animal I should advise against it. Vices, faults, and
tricks may be remedied only by careful training. I teach many of my
horses to lie down, but, as I shall explain later, I do not employ
any straps or apparatus.
The first step in breaking-in is to give some lessons on the
cavesson. This is a head-collar with a metal nose-band, upon the
front and each side of which are stout rings. To the front ring a
leather longe line fifteen feet long will be fastened, and from
the side rings straps will be buckled to the girth or surcingle at
such lengths as will prevent the horse extending its nose so that
the face is much beyond the perpendicular. The horse thus fitted
should be led to some retired spot where there is level ground
enough for a circle of about forty feet. At first the man, walking
at the shoulder of the horse, should lead it on the circumference
of the circle, to the right and to the left, taking a short hold
of the longe line and being careful that the animal does not get
so far ahead of him as to have a straight pull forward which may
drag him from his feet. From time to time the man will bring the
horse to a halt, and require it to stand quite still, making much
of it by caresses and kind words, picking up the feet and stroking
it gently with the whiphandle all over its body and legs, so that
it will not be alarmed at his future motions, and then continuing
the progress on the circle. Gradually the length of the hold on
the longe line will be increased, until the horse goes about the
man at the full length of the strap. In these exercises, also,
the horse should frequently be brought to a stop, always on the
circumference of the circle, and it should be worked equally to
either hand. The lessons should be given twice every day, at first
for about fifteen minutes each, and increasing the time until a
lesson shall be of three-quarters of an hour's duration. Colored
rugs, wheelbarrows, open umbrellas, paper, and other similar
objects at which a horse might shy should be placed near the path
until the horse is so accustomed to them that it will take no
notice. Under no circumstances should the horse be punished, and
the man should exercise great care that he does nothing to make the
animal fear him. When the horse will go quietly about the man in
the walk and in the very slow trot (it should never be permitted to
go rapidly), the surcingle may be replaced by the saddle, lightly
girthed and the stirrups looped up, the side-lines of the cavesson
being removed. Then, at the end of each lesson on the cavesson,
that instrument should be replaced by a light snaffle-bridle. The
man, facing the head of the horse, should take a snaffle-rein in
each hand and make gentle vibrations toward its chest, so that
he will give the bit a light feeling on the bars of the mouth.
Occasionally he will elevate the head of the horse by extending his
arms upward to their full length, then gently bring the head of the
horse to a natural height, or to that height which he judges will
be the best in which the trained horse should carry it, drawing the
reins toward the animal's chest until its face is perpendicular,
and no farther, and playing with the bit in light vibrations
until the horse takes up the play and gives a supple jaw. He will
also bend the head of the horse to the right and to the left, the
face vertical, and bring it back to the proper position by the
reins, not accepting any voluntary movement from the horse, and
endeavoring to obtain always an elastic resistance from its mouth.
The head of the horse will also be depressed by the snaffle-reins,
until it nearly touches the ground, and then be lifted to the
natural height. All of these movements are of high importance, and
all of them tend to develop the muscles of the neck and chest; but
the elevation of the head and its return to the right height, face
vertical, jaw supple, but not flaccid, produces the best results
in bitting and should be more frequently practised than the others.
If, in these lessons, the horse draws back, it must be made to
come to the man; no good results can be obtained from a retreating
animal.
Upon some occasion, after the longeing and bitting lesson has been
given, when there is no high wind to irritate the horse and the
animal seems to be composed, the man should have "a leg up" and
quietly drop into the saddle, having first taken a lock of mane
in his left hand and with the right, in which the reins should
be, grasping the pommel, thumb under the throat of the pommel. He
should then let the horse walk off for a few steps, having a very
slight tension upon the reins, and quietly dismount. If, as is
very unlikely, for the horse will be taken by surprise, though not
frightened, the animal makes a jump or a plunge, the rider must
maintain his seat, keep up the head of the horse, and dismount
when the animal has become quiet. The horse will not rear at this
stage; that is an accomplishment it learns from bad hands, and it
is probable that it will be perfectly quiet. Each day the riding
lesson will be lengthened, and the rider will gradually obtain some
control over its movements by the reins and accustom it to bear the
pressure of his legs against its sides. The longeing will now be
employed to give such exercise as is needed to keep the animal from
being too fresh; and when the riding lessons give sufficient work,
the longe may be dispensed with, to be resumed if the horse falls
into bad habits. But the bitting exercises, previously described,
should be occasionally reverted to as long as the horse is used
under the saddle.
[Illustration: FIG. 16.--ELEVATION OF THE HEAD WITH SNAFFLE]
[Illustration: FIG. 17.--DROPPING HEAD AND SUPPLING JAW]
But one more thing is necessary before the horse is ready for the
higher training which will be described later, and this desideratum
is to confirm the horse in the habit of facing the bit, that is, to
go forward against a light tension upon the reins; for without this
the rider will have little or no government over its movements, as
the bit must have some resistance, slight though it should be, upon
which to enforce his demands. Whenever a rider finds that his hand
has nothing to work against, that the horse has loosened its hold
on the bit and refuses to face it, he may be almost certain that he
has an old offender to manage and that mischief is meant, and will
follow unless he can force the horse up into the bridle.
The horse may best be taught to face the bit in a slow but brisk
trot. The animal must not be started off too abruptly, but the
forward movement should begin in a walk; and this is a rule that
should always be followed, even though it be for a few steps,
unless some good reason for doing otherwise exists. The impulse for
the trot and its continuance may be induced by a pressure of the
rider's legs against the sides of the horse, or by light taps of
the whip delivered just back of the girths.
[Illustration: FIG. 18.--BENDING HEAD WITH SNAFFLE]
[Illustration: FIG. 19.--A LEG UP]
In a measured, regular trot the horse should be ridden in straight
lines, and in circles, first of large, and afterward of decreased,
diameters, the pace being maintained by demanding impulses from the
hind quarters, the hand taking a light but steady tension upon the
reins. No effort will be made to induce the horse to pull against
the hand, but the man should endeavor to get just that resistance
by which he may direct the animal. It does not really matter if
the jaw of the horse does get a little rigid; that can be softened
by the bitting exercises and by future lessons, but the horse must
go into the bridle. In turning to either hand the inside rein will
direct the movement, the outer rein measuring and controlling the
effect of the other; the outside leg of the rider will make an
increased pressure as the turn is being made to keep the croup of
the horse on the path taken by the forehand. On approaching the
turn the horse will be slightly collected between hand and heel,
and as soon as the horse enters upon the new direction it will be
put straight and the aids will act as before. To bring it to a
halt, the legs of the rider will close against the sides of the
horse; he will then lean back slightly and raise his hand until the
horse comes to a walk, and in the same manner he will bring it to
a stop. The hand will then release the tension upon the reins and
the legs be withdrawn from the sides of the horse. To go forward,
the rider will first close his legs against the sides of the horse
and meet the impulses so procured by such a tension upon the reins
as will induce the horse to go forward in a walk. So, to demand the
trot, the increased impulses will first be demanded from the croup,
to be met and measured by the hand. It is an invariable rule, at
this stage and in every stage, that in going forward, backward,
or to either side, the rider's legs will act before the hand to
procure the desired impulses.
CHAPTER III
THE PURCHASE, THE CARE, AND THE SALE OF THE SADDLE-HORSE
Whether it has been procured by rapine, purchase, gift, or devise,
the owner of a really good saddle-horse has something from which
he may derive much pleasure and satisfaction. Nor is such an
animal so rare as the late Edmund Tattersall suggested, when he
gave it as his opinion that a man might have one good horse in
his lifetime, but certainly no more. Almost any horse of good
temper, safe action, and sufficient strength may be made pleasant
to ride. Alidor was a small cart-horse, low at the shoulder, with
a rigid jaw and a coarse head, but he became a charming hack,
and I employed him for the photographs of the first edition of
"Modern Horsemanship." I bought him as a three-year-old, as an
experiment; and when he was four the breeder came to see him and
gave me a written statement that, so great were the changes made
in appearance and action by the calisthenics of his education, the
animal could hardly be recognized.
Of course a man on the lookout for a horse will make an offer
for a desirable animal wherever it may be found, but the most
satisfactory mode of procedure is to go to some reputable dealer. I
have bought horses from dealers in many parts of this country and
in England, France, Germany, and other parts of Europe, and I have
found them desirous of pleasing and as honest as their neighbors. I
once bought a little horse from a trader in Frankfort-on-the-Main,
who told me that I was getting a good bargain, and that in case
I ever wished to dispose of it he would like to have a refusal.
When I was ready to sell, I sent word to the dealer that a friend
had offered me a fair advance over the price I had paid, and to my
surprise he appeared and without remonstrance gave me the amount my
friend had named. I need hardly say the horse was a good one, so I
had been well treated all round.
Much of the friction between purchaser and dealer is usually due to
the manner in which the former conducts his part of the bargain. It
is not agreeable to a fair-minded man to be approached as though
he were a swindler, to be offered one-half of the price he has set
on his property, and then perhaps to have a sound horse returned
because the buyer did not know what he wanted. I do not wish to be
understood as saying that all dealers are honest; I have seen too
many who would not go straight; but it is reasonable to suppose
that most men in a large way of business, who have reputations for
honest dealings to maintain, will "do right" by a customer.
It is a mistake for an ignorant purchaser to take a knowing friend
with him for protection; this will, in the eyes of the dealer,
relieve him in a great measure of responsibility. If the friend is
really a good judge, it is far better to let him act alone, when he
will be considered a client and not an interloper trying to "crab"
a sale, and therefore free to deceive himself and his companion.
Some dealers will not give a warranty of soundness, and a warranty
is too often the cause of disputes and of actions at law to make it
advisable either to give or to demand one. A veterinary examination
and a short trial must suffice. Sometimes the seller requires that
the trial shall take place from his yards, to avoid the risk of
injury to valuable animals and that blackmail so commonly levied by
head grooms and stablemen. In cases where the dealer objected to
sending his horse to another's stables, the author has been in the
habit of offering a fair sum of money for the privilege, the amount
to go on the price of the horse should the sale be effected; and
this proposal has usually been acceptable.
Where a trial has been allowed, or even where the purchase has been
made, if an indifferent horseman, recognizing his deficiencies,
wishes to assure himself of the wisdom of the step he is taking,
let him place a cold saddle upon the horse when it is fresh, and
immediately mount and go upon the road.
If the animal does not buck or shy, and goes fairly well, albeit a
little gay, it is a prize not to be disdained. Many horses, even
with stall courage, will go quietly if the saddle be warmed by half
an hour's contact with their backs, but will plunge or buck if the
rider mounts a saddle freshly girthed. If a fresh horse will stand
the ordeal of a cold panel, it will not be apt to misbehave under
other trials.
Of course the confident rider will make his essay as soon as the
horse comes into his possession, and if the new purchase does not
come up to his expectations, he will hope that his skill may remedy
the faults he discovers.
To go to the breeder implies a journey, to find often only young
horses that are not thoroughly trained and almost always unused
to the sights and sounds of traffic, many of which are fearsome
to a country-bred horse. On the other hand, on such a visit, the
prospective purchaser has a better opportunity of examining the
animals offered for sale, and from a knowledge of the pedigrees
and an examination of the progenitors he will be able to form
some idea of what may be expected in the way of temperament and
development; and it will be a satisfaction to have a fixed price,
although it may not be a low one. Some of the breeders in Kentucky,
Illinois, and Missouri, and perhaps in other parts of the country,
do not send their stock to market until the animals are thoroughly
and admirably trained; and for a man who purposes "making" his own
horse, nothing better could be found than one of the highly bred
youngsters from the Blue Grass region. In the following chapter
a few of the stock farms devoted to the breeding of high-class
saddle-horses are described.
There remains, as sources of supply, the auction, the friend who
has a good horse which he is willing to dispose of, and "the stable
of the gentleman who is breaking up his establishment previously to
a European trip."
It has now become a custom to send very valuable high-class horses
to the auction block, and if a man is looking for something that
has already proved its superiority in the show-ring, he may often
find it his property by nodding to the auctioneer. But, aside from
the fact that such an animal has probably reached its climax,
and that the same experienced care is demanded to maintain its
condition, it is not advisable for a man to purchase such a horse
except for exhibition purposes. In the hands of a poor or even of
a moderately good horseman, the animal will rapidly deteriorate,
for it will be trained beyond his skill; and no rider who wishes
to have a comfortable mount should acquire a horse that has had an
education beyond the stage of being really "quiet to ride," for he
may then bring the animal up to his requirements, whatever may be
the measure of his dexterity. As for the inferior grades of horses
offered under the hammer, it is better to leave them to experts.
Neither the horse of a friend, nor that offered by the coper who
hires a private stable from which to entrap the unwary, is to be
recommended. Such dealings bring sorrow.
The Ideal Saddle-horse! Any man with a trained eye and ear should
be able to recognize it among a herd of others. Its satin robe
should be of a chestnut, bay, or brown color, with a silver star
on the forehead. It should have a fine, thin mane, and a tail just
heavy enough to set off the haunches. It should be of a stature
of no more than 15½ hands at the withers, never more than an inch
less than that height; of symmetrical form,--if anything appears
to be wrong, it is wrong,--with a broad, flat forehead, a face
neither concave nor convex, a small muzzle with nostrils that can
dilate until they show the fire within, while soft hazel eyes beam
forth brightly and kindly. Its pointed ears, beautiful in form,
are set far apart, and by their motions express the moods of the
vivacious animal. The legs, well muscled above, clean and hard
below the knees, are truly placed under the mass, the drivers
capable of propelling the weight of horse and man with vigor,--the
fore legs giving no suggestion that the body is leaning forward,
the hind legs having no appearance of buttressing up the body. The
crest is marked, but not too strongly, and the muscles below it
play like shadows as the animal proudly arches its tapering neck,
which buries itself in broadly divergent jaws. The shoulder slopes
rearward in such a manner as to make the back seem shorter than
it really is, while the gentle dip of the saddle-place invites
one to mount. Its ability to speed under weight is evidenced by a
deep, broad chest, its muscular thighs, its well covered limbs,
and the strong spine which ends in a dock fairly carried from a
nearly level croup. The hoofs are of exactly the right size, the
slope conforming to that of the springy pasterns, pointing straight
forward, and with level bearings. Its paces should be smooth,
even, and regular, four rhythmic beats in the walk, three in the
controlled gallop, two in the trot, while the action should only
be high enough for safe and graceful movements, the stride not
long enough to affect the animal's agility. The temper should "be
bold, be bold but not too bold," unaccustomed objects arousing
the horse's curiosity rather than its fears, while this mettle is
dominated by the rider's hand as it ever finds just that tension
upon the reins that it would meet in bending the end of a willow
branch.
[Illustration: FIG. 20.--SILVANA]
[Illustration: FIG. 21.--MONTGOMERY CHIEF]
While skill in horsemanship and the possession of a good horse
are to be highly considered, all the pleasures of riding are not
confined to the expert with his splendid mount. Many men who are
never able to attain even tolerable proficiency in the art get
a great amount of recreation and satisfaction in the exercise.
The author has a friend who, late in life, and when his figure
had developed beyond the stage where a secure seat might be
practicable, was accustomed to place himself on the back of a quiet
pacing-mare, in one of those saddles with a towering horn on the
pommel and a fair-sized parapet on the cantle. Thus equipped, he
passed many happy hours in going wherever the steady but headstrong
Belle was inclined. When the mare brought forth some three-cornered
progeny from registered sires, her owner's delight was unbounded,
for he was then a breeder as well as a horseman.
No estimate can be made of the real value of a riding-horse, or
what a horse for a specific purpose should cost; these depend on
the man and the horse. A really satisfactory, confidential animal
is worth whatever the man feels that he is able to pay, "even
to half his realm." A horse that costs no more than a hundred
dollars at four or five years old may be made by care and training
of great intrinsic value; while other animals, whose beauty and
striking action have sold them for thousands of dollars, may be
dear at any price. A good horse should bring a fair price, but the
purchaser should be certain that he is paying for the horse, and
not for the privilege of seeing it well ridden by an expert. Except
where horses are bred in such numbers that the cost of the keep
of each is much reduced, there will be very little change coming
to the breeder out of the few hundred dollars that he gets for a
four-year-old of some quality. The exceptional colt which brings an
exceptional price puts up the average of profit, but it is to the
dealer that the long price usually goes.
When one sees the wretched cabins, called boxes, hot in summer,
draughty in winter, in which horses are kept on many of the
breeding farms, and even on some of the race-courses, it is a
matter of wonder that health and condition of the stock can be
maintained under such circumstances. Exposure to the inclemency
of the weather, however, is better than the pampering which city
horses usually find in close and overheated stables.
The stable should be reasonably warm in winter and as cool in
summer as may be, thoroughly ventilated, without draughts, and with
good drainage. The light should be admitted from the rear of the
stalls; certainly a horse should not stand facing a near window
on a level with its head. A gangway should be in the front of the
stalls as well as in the rear, and the horse should be fed through
an opening about sixteen inches wide in the front of the stall.
This narrow opening will be beneficial to the sight of the horse,
and the animal cannot fight its neighbors. For more than half a
century the home stable of the author has had such an arrangement,
which proved perfectly satisfactory. In that stable there were two
rows of stalls facing a middle gangway.
Except for sick or weary horses, the stall is better than the loose
box; in the former, stable discipline is better kept up. In a loose
box an idle horse is apt to become too playful, and horse-play too
often degenerates into something worse, such as biting and kicking.
The floor of the stable should be of hard bricks, or of some
combination of asphalt. The drainage should be to the rear of the
stalls, with a very slight slope. If the drains are made under
the horse, the slopes are multiplied and the inclines are greater
than in the length of the stalls. Always the horse should have an
abundance of dry straw, and for the night this should be renewed
or rearranged, so that the animal shall have a soft, dry bed. The
food should be varied, the quantity depending upon the size of the
horse, the work demanded of it, and its appetite and digestion. For
a horse 15½ hands high, the size in which agility and sufficient
strength are usually found, ten to twelve pounds of oats and the
same quantity of hay should be given daily in three portions, when
in hard work. When the horse is merely exercised, four or five
pounds of oats and six pounds of hay will be sufficient. When it
is found that a horse does not clean out its manger, the feed
should be reduced. In addition to the oats and hay, the horse
should have a few carrots two or three times a week, occasionally
an apple, and a steamed mash of bran and crushed oats about once
a week, as an aperient, given preferably on the eve of some day
of rest. During the spring and summer the animal should have a
handful of fresh grass, not clover, every day; but not more than a
good handful, for a larger quantity might bring on some intestinal
trouble, whereas the titbit is greatly appreciated and is highly
beneficial. These dainties will be received with a good grace from
the master and will encourage friendly relations between horse and
man. Salt should be given in very small quantities two or three
times a week, and the horse should have a frequent supply of pure,
unchilled water, given some time before meals; if it is offered
four or five times a day, it will not be too often.
The horse should be out of the stable, except in very inclement
weather, for at least two hours every day; eight hours of slow
work, with a halt for rest and refreshment after the first three
hours, is not too much for a horse in good condition.
During the Civil War, General John Morgan, after two weeks
of severe campaigning, marched his cavalry command, without
dismounting, a distance of ninety-four miles in about thirty-five
hours. Many of the horses of Kentucky breeding performed this
work without flinching, and were called upon to do further duty
without respite. Notwithstanding the vigor with which General
Morgan conducted this raid into Ohio, he was overtaken by General
Hobson after twenty-one days of hard marching, in which a distance
of about seven hundred and fifty miles was covered. On a previous
occasion General Morgan marched his cavalry ninety miles in about
twenty-five hours. Under somewhat similar circumstances the
"exigencies of the service" have on occasion required the author
to remain in the saddle, with but momentary dismounting, if any,
for from sixteen to eighteen hours, sometimes riding at the gallop,
and the horse, a thoroughbred by Albion, never exhibited distress.
Nor will he ever forget that, on the first day of January, 1863,
he rode a little mustang from daylight until midnight, without
leaving the saddle, except when the horse fell, twice upon a frosty
hillside and once on a bit of corduroy road. But such demands upon
the endurance of a horse, and, if I may say it, of the man, are not
unusual in active military service.
A horse should never be struck or otherwise punished in the stable,
and the first exhibition of cruelty on the part of the groom should
be the cause of his dismissal.
The currycomb should be used only for cleaning the brush, and never
should be applied to the skin of the horse; but so great is the
temptation to use it on a mud-covered animal that it is better
to abolish the instrument. A whalebone mud brush, a strong straw
brush, a smoothing brush, a soft cotton cloth, and several good
sponges, together with some wisps of clean straw, should be the
only articles of the toilet.
The face and nostrils, the dock, and other hairless parts of the
horse should be washed daily; but, except to cleanse sores or for
wet bandages, water should never be put upon the legs of the horse.
Tight bandages are permissible only when applied by a skilled
groom, or under the orders of a veterinary surgeon. Massage,
rubbing the legs of the horse with the hand downward, should take
the place of bandages except when support is really needed, and
then the advice of the professional should be called.
When a horse comes in from a hard day's work, covered with mud,
dry serge bandages may be loosely put on the legs while the other
parts of the body are receiving the services of the rubber. By the
time that the body of the horse is clean the mud upon the legs will
have dried, and, the bandages being removed, the dirt may easily be
brushed out, a good hand-rubbing following. The hoofs should then
be cleaned out and washed, and the horse be placed in its stall
knee-deep in straw. Should a horse be brought in late and really
"done up" by its work, it will be better to give it a pail of warm
gruel, rub dry the saddle-place, and turn it into a warm box-stall
at once, without annoying it with the brushing and handling that
would be necessary to clean it thoroughly. No weary horse, no
matter how dirty it may be, has ever been the worse for a few hours
of complete rest under such circumstances, for the quiet will be of
far more importance than the dressing. But this course should be
followed only under the directions of the master, who should always
see that his overworked horses get the attention they require, if
he does not superintend the general stable work from time to time
as he should.
When the hairs of the tail require cleaning, it is well to use
plenty of unchilled water, pretty well saturated with salt, washing
the dock also with the solution; and this should be used whenever
the horse shows a disposition to rub its tail against the side of
the stall The horse should be dressed in some covered place that
is shut off from the stalls; and the owner should, occasionally at
least, look in on his horses when they are being dressed and at
feeding time; and should he find that he is not master of his own
stables, he should change his groom or give over keeping horses.
This page is being written while the thermometer is playing about
zero and a cold north wind is blustering round the corners of
the house, which state of affairs suggests that, when it can be
afforded, it is expedient to have a covered ride in which horses
may be exercised and trained in stormy weather. An area 35 feet by
70 feet is quite large enough for twelve or more horses, and the
many turns and bends required by the limited space will improve the
horses therein exercised in every particular. Then the otherwise
weary days of winter may be made enjoyable to the horseman by
musical rides, for many pretty and intricate figures may be formed
by ten or twelve riders. My riding-house is 28 feet by 60, and it
is quite large enough for my purposes, as I always work my horses
singly and without an attendant. In London I saw Corradini training
a manège horse in the gangway of a stable, behind a row of stalls;
he had a space of about 8 feet by 30. I believe that the horse was
never galloped until it was ridden in public in the circus ring,
but the schooling it had received made it fit for any movement.
[Illustration: FIG. 22.--RIDING-HOUSE OF THE AUTHOR]
A little study and a little experience should teach a man much
regarding the shoeing of his horse. If the animal has true and
level action, it should have light irons all round. If it shambles,
or if the stride is too confined, the weight of the shoes should
be increased. The upper surface of the iron, which comes next to
the hoof, should be flat; the lower surface may be bevelled from
the outside, or have a groove in which the holes for the nails
are punched. The hind shoes should have very small calks, the
toes being correspondingly thickened to give a level bearing.
Only so much of the crust or wall of the hoof should be removed
as will give the foot a level bearing, keeping the toe straight
and the face of the hoof with the slope which conforms to that of
the pastern. The bars at the heels should not be cut away, except
upon the recommendation of a veterinary, and the frog and sole
should have nothing removed from them beyond the loose flakes that
show themselves as those parts are renewed. The shoe should then
be made to fit the prepared hoof, and fastened by no more than
five nails, three on the outside quarter, two on the inside, the
protruding ends of the nails being cut off and the exposed points
clinched. The outer wall of the hoof must not be rasped or scraped.
Turned-in toes or toes turned out may be produced by bad shoeing,
or, when natural malformations, be mitigated more or less by good
work, a glance at the foot showing what is required in each case.
So brushing, interfering, overreaching, forging, bowed tendons, and
many other disorders may be produced or prevented. No horse should
be sent to the forge unattended unless the smith is a master of his
craft, a white blackbird. For ice-covered roads and for slippery
asphalt streets, I have found no shoes equal to Dryden's rubber
pads.
When it is no longer advisable to retain a horse, it will usually
be found that a satisfactory sale is even more difficult than a
satisfactory purchase. The saying "first loss is best" applies in
this case with force. If a dealer will not take the animal, it is
better to send it to the auction block than to hold on indefinitely
for a chance buyer. If the seller desires to keep in touch with
the horse and to be kept informed of its future, he will give a
warranty.
CHAPTER IV
SOME SADDLE-HORSE STOCK FARMS
With Lexington, Kentucky, as a centre one may, with a radius of
thirty miles, describe a circumference which will embrace more
fine horses than any area of like extent upon the globe. Here is
the home of the American saddle-horse, a well-bred animal that has
no superior for pleasure riding. There were good saddle-horses
in Kentucky before Denmark, Hedgeford's celebrated son, made
his appearance; but it was largely to the influence of this
stallion upon suitable stocks that the superb animals now under
consideration owe their existence, for few, if any, of these horses
are without some strains of Denmark blood, even a slight infusion
seeming to have great effect. From Kentucky these saddle-horses
have found their way into Illinois, Missouri, Tennessee, and other
states, and have always met with appreciation for their excellent
qualities.
The grazing region of central Kentucky has a gently undulating
surface, watered with pretty streams and artificial lakes; on
every hand are groves of noble trees in sufficient number to
diversify the landscape; and a carpet of rich green turf is spread
over the ground, even where the shade is most dense. The climate,
the nutritious food, and the intelligent care of man have made
these pastures celebrated the world over for the character of the
domestic animals they produce.
Within short railway journeys of Lexington, through a lovely,
smiling country, are a number of stock farms devoted to the
breeding of riding-horses; for, although the stupidity of "the
market" demands that these animals shall be quiet to drive, they
are bred on purely saddle-horse lines, and the breeder hopes that
no animal leaving his hands will ever be called upon to look
through a collar. I have known of one case where a farmer asked the
privilege of taking back a very fine animal at the purchase price
rather than see it put to harness work.
A soldier throughout two wars, an active and efficient park
commissioner in Louisville, the city of his adoption, a man of
extensive travel and one prominent in many affairs, General John B.
Castleman has felt it his duty, as well as his pleasure, to give
much time and attention to the improvement of the saddle-horse.
Emily, winner of the first premium over mares of any age at the
Columbian Exposition, Dorothy, with a clear record in seventy show
rings, Matilda, who met defeat but once in fifty competitions,
and many other fine animals were reared by this gentleman. Some
years since General Castleman removed his breeding establishment
to Clifton Farm, Mercer County, and he has recently placed it in
the hands of his son, Major David Castleman. Here, upon a range
of eight hundred acres, may be found horses of only the most
select strains, bred upon lines which have been proved true after
years of study and experiment. At the head of the stud is Cecil
Palmer, a splendid animal, of perfect paces, and in whose pedigree
may be found the names of Denmark, Cockspur, Whip, Gray Eagle,
Vermont Black Hawk, and other horses whose blood is in the best
representatives of the saddle-animal.
The horses of Clifton Farm are broken to ride at two years of age,
and their education is carried on very slowly and most carefully.
The foal almost invariably takes naturally to "the five gaits," but
no effort is made to force the animal into any particular pace;
and if the influence of some remote trotting ancestor exhibits
itself in an indisposition to take the rack or the running walk,
the animal is not required to accept such accomplishments. The
writer saw Major Castleman ride Garrard, a two-year-old, in the
slow gallop (or canter), the complacency, tempo, and action of
which would have been creditable to a park hack of mature years
and careful training. Indeed, the docility of these riding-horses,
observed everywhere in a rather thorough tour, was remarkable.
A ride of fifteen or twenty minutes from Lexington, upon the
Southern railway, will bring the visitor to Pisgah, where he will
find the establishment of the Gay Brothers, the largest farm
devoted to the rearing of saddle-horses in this country. Here
about three hundred choice animals have the freedom of nearly
one thousand acres of blue-grass pasture. At the head of the
stud is Highland Denmark, a true type of his family, the sire
of more prize winners and fine foals than any stallion in the
state. At the Louisville Horse Show, in 1903, the descendants of
this horse gained first honors in the classes for two-year-olds,
for three-year-olds, for four-year-olds, for the best registered
saddle-horse, and for the championship ($1000 value). He is the
sire of Motto and of Elsa, well known throughout the country.
Highland Denmark is a magnificent animal, 16 hands in height,
of splendid form and graceful movements, docile in temper, and,
although he runs loose and "has not had a stable door shut in his
face" for five years, his beautiful dark bay coat shines like
satin. No stock that the writer saw in Kentucky was in better
condition than that of the Gay Brothers, the foals of the present
year being particularly strong and active.
[Illustration: FIG. 23.--GARRARD, TWO YEARS OLD]
[Illustration: FIG. 24.--CARBONEL, FOUR YEARS OLD]
The Gay Brothers break their horses to saddle at two years of age;
at three years of age their education is enlarged; and at four they
are ready for purchasers, and none of them remain on hand unless
retained for some specific purpose. So great is the demand for
horses of this class, that breeders could readily dispose of more
than double the numbers they can furnish, and dealers and other
purchasers find it difficult to obtain very desirable horses of
four years and upward. Some dealers buy weanlings and yearlings to
make sure of the produce of certain well-known mares, and it is by
no means a rare case that a foal makes its appearance in the world,
the property of some one other than the breeder who has anticipated
its birth.
The saddle-horse farm next in size to that of Gay Brothers is that
of Colonel John T. Woodford, near Mount Sterling, about thirty
miles from Lexington. Colonel Woodford is well and favorably
known, not only throughout his native state, but wherever the
Kentucky saddle-horse finds admirers; and many of his horses are
sold to clients who have never seen his animals, but who rely upon
Colonel Woodford to carry out their wishes. Indeed, more than
one disinterested admirer volunteered the information to the
writer that the purchaser who trusted to Colonel Woodford's choice
was apt to fare better than he who made his own selection with
less knowledge of the animal. At the head of this stud is Forest
Denmark, a famous sire. Then comes Stirling Chief, a fine chestnut
stallion, well bred and truly made, of vigorous but graceful
action, exact paces, and a kind disposition, half-brother to
Montgomery Chief and to Bourbon King, the two most highly admired
stallions of their class. Here, too, are Dickens, a beautiful
horse of a rich brown coat, and Lexington, both Denmarks on the
side of sire and of dam. This breeding is not so usual as might
be supposed, although one of the best judges of saddle-horses in
the state of Kentucky spoke the general sentiment when he said
that a saddle-horse could not have too much Denmark blood. About
one hundred animals of various ages, all of the best strains, fill
up the tale. Colonel Woodford does not break his horses to saddle
until they are in their fourth year, as he desires that they should
have strength and development before they undergo training; but
their excellent dispositions and the handling incident to their
care make them quiet and easy to manage and quick to learn.
[Illustration: FIG. 25.--HIGH LASSIE. TWO YEARS OLD]
[Illustration: FIG. 26.--MARES AND FOALS. GAY BROTHERS]
Five miles from Versailles, a short journey from Lexington, one
finds the farm of the Ball Brothers. This is the home of Montgomery
Chief, the grand horse that has fairly carried off the honors
wherever he has been shown. In 1902 he won the championship at
Louisville, Nashville, Indianapolis, Kansas City, St. Louis, and
Chicago. In 1903, barred at Louisville, he was champion at Kansas
City ($1000 prize), Chicago, St. Louis, and Atlanta. In 1904 he was
first in his class at the St. Louis Exposition. Of imposing size,
great substance, faultless form, golden coat, proud carriage, and
brilliant action, Montgomery Chief is an admirable animal. His
qualities seem too great for everyday use, and he is worthy of
bearing an emperor at the head of a victorious army. If during his
career the country had a more beautiful saddle stallion, it is to
be regretted that no such appearance was made, and this horse must
be considered the greatest of his class and day until his colors
are taken from him in public competition.
It must not be understood that excellent saddle-horses may be found
only on the large stock farms, where the selection is greater and
the chances are greater. There is a good horse for nearly every
holding in the Blue Grass region, and the man who breeds his only
mare may through good luck, aiding good judgment, rear a Montgomery
Chief or a Bourbon King, the last-named, I may say, being a young
horse selected by many of the best judges to bear away the bell in
future contests.
CHAPTER V
THE SADDLE--THE BRIDLE--HOW TO MOUNT
The English or flat saddle, is the only one fit for sport or
pleasure. It gives no trouble in mounting or dismounting, it is the
only form which permits every man to obtain the true seat, and it
is far and away the most comfortable tree when a horse falls with
its rider. It is used by civilians throughout the civilized world,
and by military men in their sports and whenever its use by them is
permissible. Indeed, the nearer the requirements of the military
saddle allow it to approach the English saddle, the better.
The tree of the saddle should have a cut-back pommel to prevent
the withers of the horse from being chafed. The side-bars should
take an even bearing upon each side of the horse's back, a channel
in the panel being made to keep the saddle clear of the spine.
The throat of the tree should not be narrow enough to pinch the
horse; if too broad, it will not be stable. The tree being suitable
in other respects, it will be very easy to bend the lower points
until they embrace the shoulders snugly, and to have a well-fitted
saddle.
[Illustration: FIG. 27.--STIRLING CHIEF]
[Illustration: FIG. 28.--STIRLING CHIEF IN TROT]
The stirrups should be of tempered steel, of large size and not too
light, with the tread at least an inch in breadth. When the panel,
or under stuffing of the saddle, has been found to be right, care
should be taken to preserve it, as it is very difficult to find a
saddler who will replace it exactly. A cloth of felt or a piece
of thin leather under the saddle will preserve the panel for many
years. In places where I have found it impossible to have the panel
satisfactorily fitted, I have removed it altogether, and girthed
the saddle over thick felt numnah, a proceeding which answered
perfectly. Saddle-galls are always due either to an ill-fitting
tree or an ill-fitting rider; they are preventable, they should not
exist.
The saddle having been found to suit the horse, the rider may
consider his own comfort and convenience. It is always better,
where skilful workmen can be found, to buy the tree of the right
length and have the saddle finished to suit horse and rider. The
web foundation of the seat can readily be arranged, before the
pigskin is put on, so that the dip will suit the conformation of
the man. The dip, or lowest point of the seat, should be slight. If
too far to the rear, it will give the man a sensation of falling
back; if too far to the front, it will throw his body forward.
When, sitting upon his buttocks, he finds that he maintains a
perfectly erect seat without restraint, it is just right. Where
saddlers do not know their trade, it only remains to try finished
saddles until the horse and the man are suited.
The whip should be a light, straight, flexible contrivance, with
no more of a lash than a silken tip. The use of the crop, except
in the hunting-field, is an absurdity. Fashion dictates that the
whip should be held nearly straight in the right hand and pointing
across the withers of the horse; but Fashion is not a horseman. As
the whip should give strokes upon the forehand of the horse only
under exceptional circumstances, common sense dictates that the
instrument should be held point down, so that it may be applied
with facility against the side of the horse just back of the
girths--the proper place for its effects to produce increased
impulses from the croup. With a woman the riding rod takes the
place of the right leg of the horseman, and it is impossible to use
it in that manner if it is held across the shoulders of the horse.
There are but two bridle bits for riding purposes. The first and
most useful is the snaffle, a smooth, round mouthpiece, jointed
in the middle, with rings, and, where it is employed alone, with
cheek-pieces also on the ends. The snaffle is the bit for the
beginner, because he can do little harm with it; and it is the bit
for the accomplished horseman, because in his hands it has a great
range of effects.
The curb-bit should never be used without the snaffle, as there
are often occasions when the powers of the curb-bit alone are
ineffectual, and the snaffle must go to its assistance. The
mouthpiece of the curb-bit is rigid, with a raised middle, or
"port," to give ease to the tongue of the horse and to let the
mouthpiece come down upon the bars of the animal's lower jaw. Upon
each end of the mouthpiece is an arm, the upper branch of which has
a fixed ring for the cheek-piece of the bridle, the lower branch
having a loose ring to receive the rein. The lower branch of this
arm, measuring from the middle of the mouthpiece to the middle of
the lower ring, should be 3½ inches in length. The upper branch,
measuring from the middle of the mouthpiece to the highest part of
the ring, into which the headstall is buckled, should be 1¾ inches
in length, the assumed depth of the lower jaw of the horse. These
measurements are as nearly exact as may be, to get the effects of
a lever of the second class upon such a yielding and changeable
thing as the head of the horse, the animal being, say, 15½ hands
high, of normal form. Upon the ring of the upper branches metal
hooks are fastened, and to these the curb-chain is attached. When
the curb-chain, its links twisted until the chain is flat, fits
properly in the chin groove of the horse, directly opposite to the
cannons of the bit, that point becomes the fulcrum of the lever,
and the power being applied through the reins to the long branches,
the effects are applied to the bars of the lower jaw. The width of
the mouthpiece will depend upon that of the animal's jaw; it should
not be so narrow as to pinch the muzzle between the branches, nor
so wide as to have an annoying play.
To place the double bridle upon the horse, the groom should
approach the animal on the near side, his left arm carrying the
bridle by the head-piece and reins. Then, the stall halter having
been removed, he will pass the reins over the head of the horse
until they rest upon the neck near the withers; taking the bridle
in the right hand by the head-piece, so that the nose of the horse
goes between the cheek-pieces, he will raise the bridle until the
bits are about to touch the animal's lips; then, opening its mouth
with the thumb of the left hand, he will gently insert the bits and
slip the head-piece over the poll of the horse and see that the
ears are free, finally fastening the throat-lash loosely.
The bridle should be so fitted that the snaffle lies snugly up
in the corners of the horse's mouth without pressing against the
lips. The curb-bit, lower in the mouth, should rest upon the bare
bars just above the tusks of the horse or the place where they are
usually found in the male. The curb-chain should not be fastened
until the rider is about to mount, and a horse should never be led
while the curb-chain is hooked on both sides.
[Illustration: FIG. 29.--DOUBLE BRIDLE FITTED]
[Illustration: FIG. 30.--MOUNTING WITH STIRRUPS]
In hooking up the curb-chain it should first be seen that on the
far side it is outside of the snaffle; then it should be twisted
until it is quite flat and hooked up on the near side outside of
the snaffle, at just such a length as to lie smoothly in the chin
groove. To test the accuracy of this the curb-reins should be
seized under the jaw of the horse and drawn toward its chest. If
the bit stands stiffly, the chain is too tight. If the branches of
the curb-bit come back in a line with the reins or anywhere near
it, the chain is too loose. The chain will be found to be of the
right length when, maintaining its place in the chin groove, a
slight tension upon the reins gives such a pressure upon the jaw of
the horse. If the curb-chain be not brought from one hook to the
other on the outside of the snaffle, it will interfere with the
action of both bits and will pinch the lips of the horse. On more
than half of the saddle-horses I look at, this important rule is
not observed.
It is the usual and better custom to have the horse turn in its
stall when the halter is taken off, and to bridle it as it stands
with tail to the manger. Then the horse is led to the gangway
and the saddle put on; if the saddling has not been done some
half-hour previously, as is to be recommended.
In saddling the horse the first care is to see that the panel
is perfectly clean and dry, then that the hairs on the back of
the horse lie smoothly; the saddle, with the girths and stirrup
leathers crossed over the seat, should be lifted gently on to the
back of the horse, and put exactly in the saddle-place, which is as
far forward as it will remain fixed and yet clear the withers and
give the shoulders free play.
Unless a rider is accustomed to mounting, and that in some settled
manner, it is often a very awkward performance. Provided he does
not pull at the cantle and so bring the saddle awry to gall the
horse, it does not matter greatly how he gets safely on the back of
the horse. He may, standing on the near side of the horse, either
take the reins in his right hand and with it clasp the pommel of
the saddle, insert his left foot in the stirrup, spring from the
ball of the right foot, and, seizing a lock of the mane, steady
himself until he carries his right leg over the croup and so sink
into the saddle; or, facing to the rear, he may take the reins in
his left hand and with it seize a lock of the mane, then, inserting
his left foot in the stirrup, spring from the right foot, and as
he rises take hold of the pommel of the saddle, carry his right
leg over the back of the horse, and when he has found his seat
transfer the reins to his right hand. By the former manner he will
have the advantage of being able to control the horse, in case it
goes forward, as the right hand, holding the reins, may readily be
freed from the pommel. The latter mode is, perhaps, less difficult,
especially with a tall horse. If the animal is restless, the rider
may have "a leg up," as the jockeys do, by taking grasps of the
mane and pommel and having an attendant seize his left leg above
the ankle and aid him in rising to the position from which he may
carry his right leg over.
[Illustration: FIG. 31.--MOUNTING WITH STIRRUPS]
[Illustration: FIG. 32.--MOUNTING WITHOUT STIRRUPS]
[Illustration: FIG. 33.--DISMOUNTING WITHOUT STIRRUPS]
In dismounting with the stirrup, the rider should first release
his right foot; then, transferring the reins to his right hand, he
should with it seize the pommel and with his left hand take a lock
of the mane; then, taking his weight upon his left foot, supported
by his hands, he should carry his right leg over the croup, face
the horse, and come gently to the ground on his right foot, finally
releasing his left foot and his holds upon mane and pommel, the
reins being retained, to control the horse.
Any man of ordinary activity should be able to vault into the
saddle without the aid of the stirrup or the assistance of a groom,
whether the horse be standing or moving, even in the gallop.
Indeed, by taking advantage of the movements of the animal, a man
may more readily vault into the saddle of a horse that is not at
rest than when it is standing quietly, provided that he can get at
the near shoulder of the horse and secure his clasps upon the mane
and the pommel. That is, if he can get the proper holds, from the
right position, no horse can prevent his gaining his seat.
To vault into the saddle, the man should stand facing the near
shoulder of the horse. In the left hand he should take a lock of
the mane, halfway between the ears and the withers, and, with the
right hand resting on the front of the saddle, he should grasp the
throat of the pommel, thumb under, fingers pointing to the ground
over the right side of the horse. Then, springing from the balls of
both feet, he should take his weight upon his extended arms and,
carrying his right leg over the croup of the horse, sink into his
seat. Should the horse be plunging or moving, the man will mark
the time of some forward impulse, and springing with it reach the
saddle without making the exact position on the extended arms; in
other words, he will throw himself upon the horse as it pulls him
forward. Always in mounting, by this or by any other method, except
that secondly described, the reins should be taken in the right
hand and held by pressure against the pommel, so that in case of
failure the rider will be able to control his horse; when his seat
is secured, the rider will pass the reins into the bridle-hand.
[Illustration: FIG. 34.--THE JOCKEY SEAT]
[Illustration: FIG. 35.--POINTING KNEES ABOVE THE CREST OF THE
HORSE]
To dismount without stirrups, the rider should transfer the
reins to his right hand, take the holds on mane and pommel as in
mounting, lean far forward, and, taking his weight upon his flexed
arms, carry his right leg back over the croup to the near side, and
drop gently to the ground.
In dismounting from a moving horse--and this can readily be done
even at a moderate gallop--the rider should be ready to take a few
steps in the direction of progress as he reaches the ground, in
order that he may maintain his equilibrium.
CHAPTER VI
THE SEAT--GENERAL HORSEMANSHIP
The most important thing in horsemanship is the acquirement of a
stable seat, for without it not only is the rider insecure, but it
is impossible that the hand should act with lightness and precision
if his seat is so feeble that under any circumstances he should
depend upon the reins for maintaining his position on the horse.
Whether it be for pleasure, sport, or war, a man has one seat that
is the best possible. This is readily obtained, even upon mounting
the horse for the first time; but to keep it exactly under the more
or less vigorous movements of the horse requires long practice and
a suppleness of the body in every part, that comes from carefully
followed exercises in the saddle.
The seat about to be described was that of the earliest riders,
represented by Pheidias, described by Xenophon, employed by the
Bedouins and other Eastern horsemen, when no cumbrous trees with a
dip of varying parts of a circle interfered with a position that
was safe, natural, and rational,--the seat in use before those
saddles which held the rider between high pommels and high cantles
demanding a standing posture in the stirrups that prohibited the
grasp of the knees and thighs and the pliancy of the body which
gives friction and balance to the mounted man.
[Illustration: FIG. 36.--SEAT WITHOUT STIRRUPS]
[Illustration: FIG. 37.--SEAT WITH STIRRUPS]
[Illustration: FIG. 38.--LEANING BACK]
I may say here that the saddletree was not used until the Romans
introduced it sometime in the fourth century, and the stirrup
followed in the seventh century, first as an aid in mounting and
finally as a support. The Greeks and their ancestors and the
horsemen of the Euphrates Valley rode upon cloths and skins,
without stirrups and without trees. The first mention of the horse
that we find upon the monuments is supposed to date about 3800
years before our era. The first representation of the horse is upon
a little wooden disk now in the British Museum, in which two horses
attached to a chariot by harnesses that closely resemble those now
in use are shown; and this work is ascribed to Aahmes I. (about
1700 B.C.) and suggests that the animal was introduced into Egypt
by the Hyksos (possibly Bedouins), as they had possession of the
country previously. I cannot find any representations of mounted
men earlier than the sculptures upon the Assyrian monuments,
attributed to the middle of the seventh century B.C. It would seem
from the inscriptions and from historical writings that, both in
war and in the chase, the horse was in very early times first and
most frequently used in harness; and there can be no doubt that
in ancient days chariots were employed in charging bodies of the
enemy just as modern cavalry are used. The residents of mountainous
countries, I venture to say, were the first to use cavalry.
Wherever the ancient rider is shown upon the monuments, before the
introduction of the saddletree, he has exactly the seat of the
modern, the only possible seat upon a flat or treeless saddle.
The variations which appear in the seats of modern horsemen
are observable in the positions of the lower parts of the leg
from the knee down, and such may be passed over as negligible
quantities, for the principles are everywhere observed; and while
it is doubtless better that there should be no deviations from
the canons of the art in any particular, circumstances sometimes
demand trifling changes, as when the soldier's kit requires the
lower parts of his legs to be carried unduly to the rear of the
perpendicular, or when the cross-country rider drives his feet
home, to secure the irons, and so obtains rigid, insensible bearing
instead of the lively, springy contact of the balls of the toes. It
is like walking on the heels. For the best results, that pressure
only should be given to the tread of the stirrup that will hold
the iron with an elastic touch; _any undue weight will force_ _the
seat_, as can plainly be understood. This forcing of the seat is
usually avoided by the rider carrying his feet to the rear when
the horse springs in jumping, and then he depends upon his true
seat without the aid of the stirrups; where this is not done, the
rider does not stick very closely to his saddle, as many of the
photographs of leaping horses show. I do not say that it is not
necessary on occasion to ride with the feet home, but I do say,
that it gives a stiff seat, and that it should only be followed
when the necessity arises; certainly not for pleasure riding, where
that mode, as well as the crop, are unsuitable.
[Illustration: FIG. 39.--GERMAN CAVALRY]
On page 200 of that admirable work, "Horses, Saddles, and Bridles,"
General Carter gives a photographic illustration of the American
military seat, which is an absolutely perfect representation of the
seat about to be described. The photographs of the best riders of
the various countries reproduced here exhibit the same type; and it
will be observed that where the most violent exertions of the horse
are to be expected the saddle is of the English form, for in it the
friction and balance which insure firmness are found in the highest
degree.
The flat race jockey is a striking exception to what has been
said of horsemen's seats, and the ridiculous and tottering pose
he assumes is to throw as much of the weight as possible on
the shoulder of the sprinter, in order that the drivers of the
hind quarters may have free play. But when the Jock comes to
steeplechasing, he lengthens his stirrup leather and rides like a
man.
The man may find his own best seat in the following manner:
mounting the horse, he should sit down in the saddle, taking his
weight upon his buttocks, while he holds his body erect, the
shoulders held back squarely, his chin slightly withdrawn, while
his arms hang down loosely. He should then, without disturbance in
any other part of his body, raise his legs upward and inward until
the points of his knees meet above the crest of the horse. From
this position he will drop his legs slowly until the inner sides
of his thighs and the flat inner surfaces of his bent knees take
every possible point of contact with the saddle, the lower parts
of the legs hanging without stiffness. There can be no question
with regard to the height and position of the knees. Should they
be too high, the upper surfaces of the thigh will have contact
with the saddle; should they be too low, the under surfaces of
the thigh will find the saddle, when the points of the knees take
this hold. The jockey seat is the extreme type of the first-named
condition, the armor-clad knight an extreme type of the latter.
The length of the stirrup leathers will be right when the tread
of the iron strikes the heels. When the rider's feet are inserted
in the stirrups, it will be found that without effort they are
parallel with the sides of the horse, and very slightly in rear
of the perpendicular. From this erect position upon his buttocks,
together with the grasp of the knees and thighs, the rider has
the strongest and best possible seat that can be obtained through
weight, balance, and friction; and from it the upper part of the
body may, without affecting his stability, be bent forward or
back, or swayed from side to side, as circumstances may require,
while the lower parts of his legs are free to apply the calf or
the heel with rapidity and precision to the sides of the horse.
How much of this bending or this swaying of the body may sometimes
be required is exhibited by the photograph of the Italian cavalry
officer who rides down the face of a cliff, or by that of the rider
who makes a wheel, or pirouette volte, at a rapid pace. From this
seat the soldier may rise high enough to give force to the blow of
his sabre; the hunter may send his feet home in the irons without
lengthening the leathers, and every horseman will have the greatest
security in the saddle that his skill in riding makes possible.
[Illustration: FIG. 40.--A PUPIL OF SAUMUR, M. DE GISBERT]
[Illustration: FIG. 41.--THAT MASTER OF THE ART, M. DE BUSSIGNY]
There must be no rigidity; from that elastic touch of the ball of
the foot, throughout his whole body, the man must be supple and
unconstrained. Stiffness in any part will destroy the essential
harmony, and prohibit grace and ease.
Dancing and calisthenics go far in producing that suppleness,
facility, and agility so necessary for excellence in horsemanship,
and gymnastic exercises upon the back of the horse are of great
assistance in acquiring balance and firmness of grip. Some of these
more important mounted exercises are now given, and others will
occur to the man who cares to take the trouble to ride well. I may
say here that I know men who have been riding from twenty to thirty
years and through carelessness and want of instruction are but
little better horsemen than mere beginners.
A very quiet horse should be saddled and bridled and taken to some
retired place, if it be a bit of soft ground there would be no
harm, or be brought into the riding-house where there are no other
horses except those being used for a like purpose.
The man will then mount and take the position of "the seat without
stirrups," his arms hanging down loosely. He should then, without
disturbing the position of the seat, and without struggling, bend
forward until one or the other shoulder touches the crest of the
horse, regaining the erect position slowly and gently. He should
in a like manner lean backward, until his shoulders rest upon the
croup of the horse, and then rise as before.
[Illustration: FIG. 42.--CHASSEURS D'AFRIQUE]
[Illustration: FIG. 43.--ARABS IN FRENCH SERVICE]
The rider will then lose his seat, to the right or to the left, as
far as he may without falling, and regain the saddle by a twist
of the body and buttocks and grasp of the thighs, without taking
any assistance from his hands. This exercise is valuable in giving
the rider the power of regaining his seat, should it be by chance
disturbed, without pulling on the mouth of the horse.
From the seat before described, the rider will carry his right
leg over the crest of the horse, then he should turn to the left
so that both legs are hanging on the near side of the horse, then
carry the left leg over the croup of the horse, which brings his
face to the rear, then carry over the right leg to the far side of
the horse, and finally resume the seat by carrying his left leg
over the crest of the animal. In a similar manner the turn should
be made to the right, and in neither case may aid be sought from
the hands.
None of these exercises are difficult; after more than fifty years'
work in the saddle I do them with ease, and a boy or a young man
should find themselves perfect after a few trials. Beginners should
practise them daily, and no horseman who hopes to keep up his
suppleness in the saddle should neglect them for any length of time
as long as he rides. It is not necessary to be a contortionist,
nor will it answer to be an ossified freak.
I dare not say how old a man may be and yet retain all of those
powers which make him a skilful horseman. I know many riders who
are well up in the "sixties," who do not appear to have lost any of
their adroitness. That master of the art, De Bussigny, is no longer
very young, although no one would believe the fact on seeing him on
a horse. I saw James Newsome riding and training when he was far
past seventy. I remember being present when that gallant gentleman,
Count Taubenheim, equerry to the late king of Würtemberg, already
past ninety years of age, rode in a quadrille before the present
emperor of Germany and gained deserved applause for his admirable
performance.
We have inherited from the English many undesirable prejudices,
among them the belief that no "foreigner" can sit a horse. In
every country of continental Europe the majority of men who are
accustomed to ride are thorough horsemen, some of them of the
highest distinction, because upon the continent riding is looked
upon and practised as an art which requires application. The
English breed the best horses in the world, they manage those
in harness marvellously well, and there are no bolder or more
determined horsemen; but it must be acknowledged that there are
riders in Italy, Germany, France, and Austria who equal them
in boldness and determination and surpass the best of them in
dexterity and knowledge of the art. The literature of the various
countries bears out what has been written above, for until very
recently the English works on horsemanship were crude beyond
belief, and any improvement that has taken place is due to the
influence of foreign authors.
[Illustration: FIG. 44.--FRENCH OFFICER]
[Illustration: FIG. 45.--FRENCH OFFICERS]
[Illustration: FIG. 46.--THE FAULTLESS HORSEMANSHIP OF ITALIANS]
[Illustration: FIG. 47.--ITALIAN OFFICERS]
[Illustration: FIG. 48.--AN ITALIAN OFFICER]
In America there has been, until very recently, but little interest
in horsemanship except in some of the Southern states, and among
soldiers and the few devoted to polo and hunting; but the horse
shows, now so general throughout the country, have excited great
interest in the horse; the riding-schools offer intelligent
instruction, and between them there will be fostered, let us hope,
a taste and inclination for good horses and riding. This subject
will be treated at greater length in the following chapter.
The German foot-soldier is very stiff in his movements, at least
on parade, and there is a certain stiffness about the trooper that
detracts from his appearance in the eyes of the critic, but his
seat is firm, and he handles his horse with precision. His officer
is usually a very fine horseman, riding boldly and easily and with
a knowledge of the niceties of the art. Steeplechasing and racing
are practised largely throughout the German Empire; they are
encouraged by the authorities and are participated in by nearly all
of the younger army men. Every one who has there witnessed these
sports has seen some magnificent examples of ready and skilful
horsemanship. I must confess to sharing the favorable opinion of
the late emperor regarding the German lieutenant. How he finds time
with such conscientious devotion to his manifold duties to make his
frequent and splendid appearances in public is marvellous. He is,
perhaps, a little haughty with strangers, and undoubtedly more than
a little arrogant with civilians, failings due to his education,
but he is devoted to his profession, a high-minded gentleman, and
brave cavalier. No cavalry ever made a better record than did that
of Germany in the last war with France.
In France, from a very early period, a widespread interest was
taken in systematic horsemanship that has not abated, and both
the military and civil life furnish many excellent horsemen. In
the Bois, in the exhibitions on the Champs-Élysées, at the races
and steeplechases about Paris, and elsewhere, one may see good
riding under the most favorable circumstances. The troopers of the
French army are less rigid in their saddles than are the Germans,
and they move with a rapidity and precision that must make them
a formidable force in the attack. The French are now disposed to
disavow their obligations to Baucher, but the fact is that all that
is good in their systems was invented or formulated by that master,
although they did not follow him through the useless refinements
of his later years, and all modern methods, military or civil,
are founded upon Baucher's method. No country has furnished such
instructors in the art of horsemanship as did France in Pluvinel,
La Broue, Sollisel, Guerinière, Baucher, Raabe, and D'Aure, or the
equal of any one of them.
While the average rider of Italy may not surpass his brethren of
other countries, the Italian army of to-day furnishes the most
daring and the most skilful horsemen in Europe. Much of this
excellence is due to the instruction and exercises of the military
riding-school in Rome, and the admiration which the feats of these
officers have gained, has aroused the emulation of those in the
other provinces of the empire, and, it may be said, great interest
among horsemen throughout the world.
In considering the horsemanship of continental Europe, where nearly
everybody who rides is, or has been, in the army, one's mind
naturally turns to the military; but this is not so of England
where the majority is with the civilians, and there we look upon
the hunting-field, the steeplechase course, the polo grounds, or
the pleasant Row.
The British horseman is a sportsman, and a good sportsman, for,
although he does not often have to submit to defeat, he takes
it like a man and is ready with equal mind for another trial.
His insular prepossessions have awakened so much animosity in
the minds of other nations that they find it hard to be just to
him; and after all these years of reciprocities he is about as
greatly misunderstood by European nations as they are by him. As
a consequence, he jeers and sneers at all foreigners, and they
deny that he is a fair-minded sportsman or a good horseman. I am
speaking now of the general public who form, or at least express,
national opinions, for it is known that there is often good feeling
between those members of the various nations who meet on the same
social plane.
[Illustration: FIG. 49.--TROOPER, ROYAL HORSE GUARDS]
[Illustration: FIG. 50.--TENT PEGGING. SCOTS GRAYS]
An English sportsman, at his best, is a bold, strong, determined
rider, and this can be said of a greater proportion of British
horsemen than of those of any other country; but he despises
all refinements, and many things which upon the continent are
considered essentials; he looks upon circus tricks as beneath his
notice; the consequence is that he falls behind in a field in which
he should be first. His primary object in riding is to get across
a difficult country, and do it quickly, and he succeeds; he is
encouraged by his favorite authors, who know nothing beyond this,
to believe that nothing remains. I think that the observer who has
seen the sportsman ride will be disappointed with the horsemanship
of British troopers; he will, I think, see that the officers, as
a rule, ride well and gracefully, but that the men do not ride as
skilfully as they should, their instruction being turned over to
riding-masters who follow primitive regulations. However, there can
be no doubt that the British soldier will always maintain that high
reputation for valor which even his enemies grant.
CHAPTER VII
AMERICAN HORSEMANSHIP--OUR CAVALRY
I have said that in this country until very recent years
comparatively little interest was taken in riding except in some
of the Southern states and in the army. This was not because
aptitude for the exercise was confined to certain districts, for
the hunt, polo, and riding clubs, and the horse shows, now so
general throughout the continent, are proving that everywhere our
countrymen have the ability to make good horsemen. In the East
there is, for example, Mr. Foxhall Keene, who has a world-wide
fame as a thorough sportsman and a splendid rider; and although
he has perhaps no superior among these there are in New York and
Massachusetts riders of the very first force.
When the subject of riding is broached, our minds naturally turn to
Kentucky.
[Illustration: FIG. 51.--GENERAL CASTLEMAN]
From a long line of good horsemen the Kentuckian inherits a love
for the animal and a talent for riding, and from childhood he is
accustomed to the saddle. His work in breeding and in training
has placed his country under a debt of gratitude. Those who are
well capable of judging say that the sight of General Castleman
upon a charger of his own breeding is something to remember. Mr.
Charles Railey is unrivalled in showing the graceful movements of
a well-balanced saddle-horse, and all of his family are skilled in
the art of riding. These names are mentioned because they are so
widely known, but there is no part of the state in which one may
not see that the words "Kentuckian" and "horseman" are synonymous.
The writer has no intention of slighting Virginia, Missouri, and
Illinois, the first-named the cradle of horsemanship in this
country, the latter two rapidly taking prominent places in the
breeding and in the training of the riding-horse, but the limits of
this work prevent full justice being done to all.
I have nothing but admiration for the skill and daring of the
riders of the Western plains, but their bits, their saddles, and, I
may say, their horses are unsuited to the uses we are considering,
and we can give them only our applause.
Colonel Cody, who was a "pony express rider" before the days of the
transcontinental railway, was a bold and tireless horseman. On one
occasion, his reliefs having been killed or driven off by Indians,
he went three hundred and twenty-two miles in thirty-two hours of
continuous riding. He is still a strong and graceful horseman,
having adopted the military seat, and is one of the best known and
most picturesque figures of our day.
The mention of Indians reminds me that they are the real American
horsemen. My acquaintance with the red man is mostly of rather a
vicarious character, somewhat similar to Mark Twain's pedestrian
excursions. My grandfather, Lieutenant-colonel Richard Clough
Anderson, 6th Virginia Continental Line, went to the Falls of the
Ohio, now Louisville, Kentucky, in the year 1784, and was one of
that band of pioneers who upheld and advanced the border. Since
then there has been little or no time when some member of the
family, or close friend, has not been in contact with the Indian.
When the red man began to break and ride the wild horse, it would
be difficult to say. The woodland and border savages used horses
stolen from the whites, but Lewis and Clark found the Western
tribes using the mustang, broncho, cayuse, or whatever the title of
the free horse may be, as early as 1804. Excepting the Comanches
and some of the Sioux, the Indians, I am told, were neither very
bold nor very skilful riders, although they managed their horses
with sufficient dexterity to make them dangerous enemies, but they
had no mercy upon their beasts and no sentimental regard for them.
[Illustration: FIG. 52.--MR. C. ELMER RAILEY]
[Illustration: FIG. 53.--A RIDER OF THE PLAINS]
The story of the United States cavalry explains, in brief,
the remarkable efficiency it has maintained in spite of the
disadvantages with which it has been burdened--single bridles,
short service, and changeable riding instructions. Up to 1861 the
corps consisted of but five regiments, commanded by the most select
body of officers in any service, gentlemen who had passed through
the best military college in the world, or who were especially
fitted for the duty to which they were assigned. Between the Civil
War and the recent war with Spain five more regiments were added,
which were soon assimilated through tradition and example, and
the still small body of mounted men kept and augmented, during a
most trying period of great battles and severe Indian campaigns,
its splendid reputation. In 1891 five more regiments were added,
and these were readily taken up by the ten existing organizations,
now forming a fair force which is a credit to our army, and which
should be changed only by graduated increase, say with one or two
regiments armed with that unwieldy, but fear-provoking, weapon, the
lance.
Before undertaking the present chapter I went to Fort Riley,
Kansas, to visit the School of Application for mounted service, to
gain information regarding our cavalry, and to obtain photographs
for the illustration of this book.
Unfortunately, the weather proved so bad that I could take
advantage of but few of the opportunities for using my camera, so
kindly offered me by Colonel Steevers, the commandant; but in the
short, infrequent periods of good light I procured the pictures
which adorn these pages, and otherwise I saw much that was of great
interest.
The school of equitation, to which branch I gave my attention
chiefly, is under the direction of Captain W. C. Short, a splendid
horseman, and both his scholars and the senior officers spoke
in the highest praise of the good results which had followed
his instruction. When a regular, simple, but complete method of
horsemanship becomes general throughout the mounted service,
a cavalryman may be made efficient in less than half the time
required by less finished systems which may be varied with each
change in the company commander.
[Illustration: FIG. 54.--"BUFFALO BILL," COLONEL W. F. CODY]
[Illustration: FIG. 55.--AN AMERICAN HORSEMAN]
I saw a few of the graduates from the school of equitation in
such movements as a cavalryman might be called upon to make,
pirouettes, side movements, etc., and also in jumping. The riding
was excellent, and the horses showed far better training than is
usually found in officers' chargers. While at the fort, it so
happened that I saw but two troops mounted. One morning Captain
Rutherford's troop, of the Fourth Cavalry, passed me in going out
to target practice, and I was greatly pleased with the appearance
of the men, as they bore themselves with easy, graceful, but strong
seats, the stirrup leathers two or three holes shorter than in
former days, and just right to my way of thinking, while the neat
service uniform was a wonderful improvement over the old blue
blouse and baggy trousers,--as old Pepys would have said, "a pretty
sight." Later in the day I saw a quick drill, trot and gallop,
of Troop K, Eighth Cavalry, under Lieutenant George Williams.
I was told that, owing to the interruptions incident to target
practice, the men and horses were not in the best condition for
this work; but there was no occasion for adverse criticism, and
the performance compared most favorably with similar movements
I had witnessed with "crack" companies of European cavalry. On
another occasion some of the men of Troop L, Eighth Cavalry, under
the direction of Lieutenant Duncan Elliott, gave an exhibition
of daring horsemanship. "Roman standing races" upon two horses,
vaulting upon and over two and three galloping horses, standing
upon the bare back of a horse while leaping the bar, and, finally,
the riding of horses which "bucked" violently, were features
of this entertainment, which was concluded without an error or
an awkward motion. Visits to the farriery, to the school for
veterinary studies, to the pack-train, and to the targets filled
in the time pleasantly and profitably. On the whole, one must
be a very unobservant, unappreciative visitor who would not be
impressed with the great value of the School of Application, not
only in the branch upon which I have touched, but in everything
relating to the mounted service.
[Illustration: FIG. 56.--TROOPERS, FOURTH AND EIGHTH CAVALRY,
U.S.A.]
[Illustration: FIG. 57.--CAPTAIN SHORT, RIDING INSTRUCTOR, FORT
RILEY]
CHAPTER VIII
HOW TO RIDE--THE SNAFFLE-BRIDLE--THE WALK
AND THE TROT--SHYING--THE CUNNING OF THE
HORSE--SULKING--REARING--DEFEATING THE HORSE
Among my earliest recollections are those of a Shetlander, "Billy
Button," upon which I used to disport myself on the gravel footwalk
in front of our house. My children, also, have been accustomed
to horses from infancy. These youthful experiences are doubtless
useful in teaching confidence and, what is of equal importance,
discretion. If he is not in terror of all such animals, it is the
inexperienced person who exhibits too much boldness and places
himself unnecessarily at the heels of a horse or overrates his
powers of control. But a boy will never learn to _ride_ upon a
diminutive pony or upon any dull, slow-moving horse; from them he
does not get the seat that quick motions quickly give, and his hand
will be spoiled by the hard mouth or the "no mouth" of a sluggish
beast.
Eight or ten years of age is as early as children should receive
orderly lessons in horsemanship. It is useless to give instructions
before the child is old enough to understand them or strong enough
to carry them out. Indeed, I think that most riding masters would
prefer taking an active boy of sixteen or eighteen years of age who
had never been on a horse in place of one much younger who had been
riding at his own sweet will. Aside from want of vigor, the latter
would almost certainly have faults difficult to correct.
I advocate the use of the Shetland or other small pony as an
amusing and valuable toy for very young children; but when they are
old enough to receive instruction in riding, the pony should be
devoted to harness, where he is really useful and often ornamental,
and something larger should be procured for the rider.
A retired polo pony, or some quick but steady animal of that
type, is an admirable successor to the Shetland for a child's
riding. When I was a boy we used to get ponies from the Indian
country, I think they were called Cherokees, that were simply
perfection--pretty, nimble, and free from all vices. Mounted upon
them, a number of boys would together scamper over the hills,
avoiding the monotony of the roads, to try conclusions in speed, in
jumping logs, low fences, and such obstacles, and in other exploits
that gave firm seats and confidence. Then, sometime in the late
'50's, Henri Franconi opened a riding-school and initiated us in
the manège, and we began to break and train horses.
[Illustration: FIG. 58.--CAPTAIN W. C. SHORT, CAPTAIN GUY HENRY,
LIEUTENANT GEORGE WILLIAMS]
Girls should occasionally be placed upon a cross-saddle until they
reach the age of ten or twelve years, so that they may learn the
employment of the aids; but there is no more ungraceful position
that a grown woman can take than to mount a horse astride; she has
a far firmer seat in the side-saddle, and when she is a good rider
never shows to greater advantage.
Any man may learn to ride with safety and comfort at any age as
long as he has the necessary activity; and there are many men of
forty, or even of fifty, who would be able to ward off old age for
a long time, and have a pleasurable, wholesome exercise, by riding
horses that do not require too much skill in their management.
For one to excel in horsemanship, certain physical qualifications
and a rare gift, aptitude for the art, are required. I have often
heard William Fritz of Stuttgart say at an early lesson, "That
boy will never make a rider," or, less frequently, "Ah! here we
have a good one;" for that experienced teacher soon recognized the
possession of the necessary adroitness or the want of it.
But even where one has every natural advantage, he will never
become a horseman without some instruction in the general
principles of the art. These have been formulated, after centuries
of experiment, and it is impossible that any one should acquire a
useful knowledge of them by his unaided endeavors. The worst rider
who ever mounted a horse imitated other, and of course better,
horsemen when he essayed to get outside of the animal; but he
doubtless thought that he was his own instructor, and it is the man
of such reasoning powers who refuses to learn. We know that in the
history of the world there was but one "natural rider," the brother
of the first oyster-eater, who in the dawn of the quaternary period
rode his family dinner, a broken-down, prehistoric horse, to his
cave home. Since that event riding has been an art handed down by
tradition and imitation.
The aptitude of which I speak is indicated by suppleness of the
body, deftness of hands and legs, and the faculty of obtaining an
understanding with the horse. Rigidity in any part will prevent
one becoming a good horseman. The aids (hands and heels) must
be applied with celerity and precision, and the rider must feel
what the horse is doing and what it purposes to do. All of these
things demand long and carefully conducted practice, but their full
acquirement is denied to most men; otherwise we would have more
such masters as De Bussigny.
From long practice in applying the aids the thorough horseman can
use hands and legs without conscious thought, and he would often
find it difficult to say offhand what he had done under certain
conditions. His movements become as impulsive as those of the
skilled pianist, who methodically touches thousands of keys with
such marvellous rapidity that it seems impossible that his mind can
even follow his fingers.
The trained horse under the trained rider moves at the master's
will; the two are one, it is the centaur. The intent is one with
the action, there is no time for consideration, thought has been
expended in early practice and has produced those instinctive
motions of the man which are always right and always instantly
obeyed instinctively.
From the first, it should be known that riding is the production by
the rider's heels of impulses which are met, governed, and directed
by his hand. Therefore the secret of success in horsemanship is
_that the spur must always precede the hand_, whether it be to
advance, to turn, or to go backward. If the hand is not given
impulses, it is powerless, and the horse is not under control.
Whenever the word "spur" is used, it indicates such effect of the
leg aid as the condition requires, whether it be the pressure of
the calf against the side of the horse, the tap of the heel, or the
prick of the sharp rowel.
The beginner should use the simple snaffle-bridle, for it has a
much wider range of effects than the curb-bit, and with it he can
do less damage to the horse and to himself when he hangs on to
the reins to aid his seat or uses more force than is requisite.
The instructions contained in this chapter, I should say, are
primarily intended for the behoof of the tyro, but they would not
be superfluous for ninety-nine hundredths of those who fancy they
can ride.
The general principles of horsemanship are so few and so simple
that any one should readily master them; afterward it is a mere
matter of practice and aptitude. It is a matter of surprise that so
many men ride, and yet do not think it worth while to investigate
the principles of the art which they think they follow.
[Illustration: FIG. 59.--THE SMALL PONY IS BUT A TOY]
[Illustration: FIG. 60.--UNTIL TEN OR TWELVE, GIRLS SHOULD RIDE
ASTRIDE]
The rider, having taken his position upon the horse, as has been
described, for the seat, he will take a snaffle-rein in each hand,
the loose ends toward his thumbs and held by them, the reins
passing through the breadth of his hands, which are held knuckles
up, close together, to assist each other, and take a gentle feeling
upon the mouth of the horse. He should then quietly close his legs
against the sides of the horse and draw the reins until he has
collected the forces of the animal, so that it will be able to
go forward in a measured pace and not in the loose and disunited
condition that would ensue were it driven on before it had been
prepared. This collection will be evidenced by the alertness of the
impulses and by the movements of its muscles, as the horse arranges
the bearers to take each its share of the weight. To advance at
a walk the rider will increase the pressure of his legs, or give
a gentle tap of the whip behind the girth, until he produces the
necessary impulses, which should be met by the hand in such a
manner that the horse will proceed in an evenly cadenced walk. The
movements of the horse are due to the changes of the centre of
gravity produced by the impulses, and the legs make corresponding
changes of position in order that they may support the mass as it
passes over them in any direction. As the violence and rapidity of
the changes of the centre of gravity increase, so does the speed
and also the changes in the positions of the legs as they are
required to give support. This is all very simple, and the rider
should know at the start how the impulses he demands act, and how
they may be governed.
The lowest form of collection of the forces in which the horse may
move in a regularly cadenced pace, say in the walk, the moderate
trot, and the hand-gallop (sometimes miscalled the canter), is
the state which we call "in hand." When the horse hangs upon the
bridle and shambles along, it is out of hand, and renewed exertion
should be called for from the hind quarters, which should be met
and measured by the bit. When the animal proceeds in free and even
strides, its head fairly elevated, its face about perpendicular
to the ground, and there is a light, elastic tension against the
reins, it is "in hand," and between heels and hand should be kept
so.
If a horse is "out of hand," it is not only careless in raising
its feet, but the bearers are not moved rapidly enough for the
preservation of the centre of gravity, and so the animal is very
apt to stumble and fall. When in hand, a horse goes as safely as
is possible for that particular horse, action and strength being
considered.
What has been recommended above will not be accomplished perfectly
when the rider mounts a horse for the first time. It is the goal
for which he should strive, and when he has reached it, he has made
good progress in the art.
[Illustration: FIG. 61.--THE ALERTNESS OF IN HAND]
[Illustration: FIG. 62.--IN HAND AT THE WALK]
It is while riding at the walk that the rider may best obtain the
seat and that ease and pliancy which is so greatly to be desired.
It also gives him a better opportunity of practising the various
applications of his hands and heels than would be practicable in
more vigorous movements. A story is told of a certain master of the
art, who, in reply to the question how long it would take for a
man to acquire a good seat, replied, "Fifteen years at the walk."
If the rider pays strict attention to every detail, maintains,
with occasional guarded relaxations, his position, and studies the
effects of his application of the aids, a liberal deduction might
be made from the above estimate of the time required to acquire
proficiency in the most important feature of horsemanship. It is
true that a man should, and probably will, learn something nearly
every time he mounts a horse, for "art is long," but an apt pupil
should become a very good horseman, without confining himself to
the walk, in two or three years, and be able to ride fairly in a
much shorter time.
It is not to be understood that a proficient should never let his
horse go out of hand, for occasionally it will be a relief to horse
and man to be free from all constraint; but this liberty should
never be given to a leg-weary animal or upon rough or slippery
ground, or in descending steep slopes. The Italian riders, in
taking their horses down precipitous hillsides, put the animals
straight, the horses closely united.
In the walk the rider will proceed in straight lines, in circles
and curves of varying diameters, and in turns to either hand. The
pace should be even and regular, and the impulses from the croup
kept up so that the horse will not become heavy in hand. The
forehand will be kept light and the jaw pliant by light tensions
upon the reins, with occasional vibrations made by a play of the
fingers upon the reins. A very little practice will show what these
vibrations should be.
In turning to the right the movement will be directed by the
right rein, its effects measured and restrained by the left rein,
while the outside or left leg of the rider will give an increased
pressure against the side of the horse to keep the croup from
swaying out. The whole body of the horse should conform to the
arc of the path followed. In making short turns, the horse should
first be collected a little more closely, and as soon as the animal
enters upon the new direction it should be put straight and be
ridden in exactly the same form as it had before the turn was made.
The turn to the left will be made in the same manner,--the left
rein, guarded in its effects by the right, demanding the turn, the
right leg of the rider keeping the croup upon the path.
In bringing the horse to a halt from the walk, the rider should
close his legs against the animal's sides, lean back slightly,
and raise the bridle-hand. This will bring the horse to a stop in
a finished manner, with its hind legs under the mass, ready to
furnish impulses for further movements. The tension upon the reins
should then be relaxed and the legs of the rider withdrawn.
[Illustration: FIG. 63.--UNITED HALT]
[Illustration: FIG. 64.--IN HAND IN TROT]
It is a rule, without exception, that when one rein or heel is
applied, the other rein or heel must be prepared to guard its
effects from being answered in too great a degree.
The walk is a pace of four beats, one foot being planted after
another at regular intervals. If the right fore foot comes to the
ground first, it is followed by the left hind foot, then the left
fore foot is planted, and lastly the right hind foot. Then a new
stride begins. In every stride the mass is borne by two legs or
by three legs; just before a fore foot is planted, its diagonally
disposed hind foot leaves the ground; at that moment the two legs
bear the weight; when the fore foot is planted, three legs bear
the weight. By stride we mean the movement that covers the ground
from the time a certain foot comes to the ground until it is again
planted. Through moment photography we have gained a knowledge,
not only in every phase of the ordinary paces of the horse, but
practically of every movement the animal is capable of making; and
through the same medium I was able to explain, for the first time,
the gallop changes, which very important movement was previously
not understood, and was procured only by tentative experiments with
each horse trained to make it.
When, the horse having been in the walk, the speed is increased, a
different movement of the legs must take place to keep the bearers
under the centre of gravity, and the diagonally disposed hind leg
acts in unison with a fore leg, when we have a pace in which the
horse springs from one pair of legs to the other, which gives the
trot. In the trot we have a gait of two beats, as the horse takes
the weight upon the right (or left) fore leg, and the left (or
right) hind leg after each spring, going into the air as each pair
of bearers leaves the ground.
The horse should be ridden in the trot in exactly the same manner
as in the walk, except that in the turns the horse should be more
closely united between hand and heels, particularly as the rate of
speed is increased. As far as the rapidity of the movement will
permit, the state of collection described as "in hand" should
be observed. In trotting or in galloping at great speed a horse
must extend itself too much to permit any such condition of its
forces as that indicated; but if at sharp turns the flying horse
is not somewhat brought together, so that it may have the bearers
under the centre of gravity, as the mass leans inward, a fall will
probably result, almost certainly if the horse be galloping with
the outside legs taking the advanced strides.
[Illustration: FIG. 65.--THE PREVENTION OF REARING]
[Illustration: FIG. 66.--REARING WITH EXTENDED FORE LEGS]
But the horse should not be put into the gallop until it has been
drilled in the double bridle, and has been taught the various forms
of collection which prepare it for that pace; and we shall hope
that even the rapid trot will not be undertaken by the beginner
until he is quite sure of himself at lower rates of speed, or
he will acquire faults difficult to remedy. When an indifferent
rider is in the habit of speeding a horse in the trot, he almost
invariably takes his weight upon his spine, arches the body, holds
his arms stiffly forward, loosens his knee contacts, and has about
the same security in the saddle that a bag of meal laid upon it
would have.
To reduce the speed in the trot or to bring the horse to a halt
from that pace, the rider should close his legs against the sides
of the horse, lean back slightly, and, raising the hand, increase
the tension upon the reins until the animal answers his demands
by reduced speed. Then the increased tension upon the reins is
relieved, and the legs of the rider withdrawn from the horse, and
the slower trot having been obtained, the halt may be made from it;
in the latter case the animal should be first put into the walk,
and then brought to a stop as before described.
Nearly every horse will shy if "a bit above himself" from want of
work, and many horses, otherwise quiet, shy habitually at some
favorite object, either flying paper, a high wagon, an automobile,
or some such thing. If the head of the horse be turned away from
that which offends it, the animal may not only be made to pass it,
but it will not be nearly so apt to jump down an embankment or run
into some other danger, in its efforts to avoid that which caused
its fright or pretended fright.
Horses show much cunning in alarming a timid rider, and such an
unfortunate is unmasked at once. Some horses will endeavor to rub
a rider's knees against a wall, when they may readily be foiled
by having the head drawn into the wall; others will misbehave on
slippery pavement; others will refuse to go in desired directions.
Indeed, their mischievous tricks are so various that it is
impossible to name them. It is seldom that they even try these
performances with a determined horseman, and I have heard trainers
say of horses sent to them to be cured of vices, that they could
find nothing wrong with the animals.
If a horse sulks and refuses to move, sticking out its nose stiffly
and spreading its legs as if to brace itself against being forced
forward, the rider should not resort to punishment, as it is
probable that the animal would retaliate by violent misconduct. If
the animal can be induced to move its croup to the right or left,
the rigidity will disappear and the forward progress be obtained. I
have known cases where the horse, under such a condition, has been
made to go forward by being ridden into by another horseman.
A horse rears, either because there is too severe a pull upon
the bit, or because it is in terror at something which faces it
unexpectedly, or through an acquired vice. When a horse is about
to rear through vice, it almost always "drops the bit" (that is,
the rider finds there is suddenly no tension upon the reins),
and then thrusts its head in air and tries to rise upon its hind
legs. If the rider sends in one of the spurs before the horse is
balanced upon its haunches, it will induce a movement of the hind
legs which will bring the forehand down, and the horse should then
be pushed forward. Often a horse which is not very keen about it
will make two or three weak essays before it goes quite up, and
just as it makes one of these little rises the prick of the spur is
very effective in bringing the animal down and in a position that
prevents rearing until it is again prepared, before which it should
be driven along. But if the horse has already risen, the rider must
loosen the reins and lean forward; and as soon as the forehand
comes down, he should drive the horse forward in any pace or action
that it will take, to procure better regulated movements later. If
the rider finds by a sinking of the croup that a rearing horse is
falling backward, he should release his feet from the stirrups,
seize the mane and pommel, drop from the saddle, and throw himself
away from the animal as it topples over. I have cured a horse,
apparently confirmed in this vice of throwing itself backward, by
a thorough course of suppling; and it was afterwards ridden in
various games and exercises which involved the pirouette, but the
reformed animal never attempted to rise higher than was demanded.
Whether the horse falls back intentionally or not I cannot say.
But horses that have a habit of rearing so that they fall over
are not rare. In the far West those that fight the air are called
sunfishers, and none are more resolute or more dangerous. I read
somewhere recently that if a horse kept its fore legs bent and
down, it would not fall over, but that when its fore legs were
extended upward and fought the air, it would come over on its back.
I have frequently seen rearing horses in both poses which did not
fall and which had no intention of falling, and I have had a horse
throw itself over without giving me the preliminary notice of
extending its fore legs in air. The elder Henri Franconi's Johnster
and Bayard, and Miss Emma Lake's Bonnie Scotland, were well-known
examples of horses which reared safely with extended fore legs; the
other mode is not uncommon, but the horse does not usually rise to
a dangerous height while the knees are bent.
[Illustration: FIG. 67.--REARING WITH BENT FORE LEGS]
[Illustration: FIG. 68.--ROLLING UP A RESTIVE HORSE]
Should a horse decline to leave its companions or to go in a
certain direction, the rider should turn it around sharply three or
four times upon the side in which he finds least resistance, when
the animal becomes so confused that it may be ridden wherever the
man chooses. This in Germany is called "rolling up," and is often
practised in the cavalry, where every horse must be disciplined to
leave the ranks singly--a very difficult thing to obtain in any
other manner.
I have never seen the time when a safely trained horse of good
disposition could not be found after a little search; and it is
very foolish for any one but an expert or a professional horseman
to mount a wicked brute. A really vicious horse will try the nerve
of any man, but fortunately they are not frequently met outside
of the ranches, and they become rarer as time goes on. Yet all
of us have seen the young person of limited experience, and even
less skill, who would boast of being able to ride anything and was
desirous of dominating a bad horse.
Every horse that is lively enough to make a safe and agile riding
animal will become fresh and disorderly if it does not get work
enough. If it be not ridden sufficiently, it should be longed on
the cavesson rein, or turned into a paddock. The most careful
riding master I have ever known--and in my wanderings I have kept
my horses in more than a score of riding-schools--was accustomed
to turn his fresh horses, one by one, for a little time into the
"ring," and, after some play, the horses would be perfectly quiet
for the most timid and inexperienced pupil.
[Illustration: FIG. 69.--CLOSELY UNITED]
[Illustration: FIG. 70.--HALF-HALT]
CHAPTER IX
WHAT TRAINING WILL DO FOR A HORSE--THE FORMS OF COLLECTION
A great deal of the neglect in training horses properly is due to
the fact that most people--by very far the greater number--are
deterred by the imaginary difficulties presented by the rules and
by the practice involved, and in consequence there is not one horse
in a thousand that is even agreeable to ride.
The fact is, there is no more difficulty in acquiring a knowledge
of the rules of training than of the first three numbers of the
multiplication table; and the practice of them is far more pleasant
and a great deal easier than the daily labor of buttoning one's
boots.
Owing to the changes in the centre of gravity, due to the rider's
weight and position, the normal, well-formed horse must be given an
artificial carriage to enable it to bear the man in easy, light,
and cadenced paces. Whether the rider is aware of the fact or not,
this correction always takes place, usually through tentative
and chance-directed efforts, before the animal becomes safe and
pleasant to ride. Horses that are ill-formed or awkward may be so
greatly improved in bearing and action, that their defects are
nullified to such an extent that many apparently hopeless cases may
be made very satisfactory riding animals. All horses are benefited
in carriage, in disposition, and in form by a course of schooling.
What can be done to correct physical defects in a horse by a short
term of schooling would appear incredible to one not initiated
in the art. Weak parts may be strengthened, strong muscles may
be developed from those that are deficient, poor action may be
improved, and the general appearance and motions of any animal
changed for the better by simple exercises, which at the same time
establish absolute discipline.
These changes are procured from suppling the horse. By suppling is
meant _overcoming the resistances of the horse, whether they be
active or passive, intentional or physical, so that all opposition
and rigidity are removed, and the animal becomes obedient and
pliant in every part_.
If the reader will think of the forehand (controlled by the reins),
and the hind quarters (controlled by his heels), as two parts to
be brought to act together, so balanced that neither extremity is
embarrassed, and the point of union and balance, the centre of
gravity, is directly under the rider, he will see how the horse
may be made to move lightly and easily.
Suppose the horse be low in the forehand and goes too much on the
shoulders when in action,--a miserable condition of affairs. The
defects suggest the remedies. The hind legs will be carried under
the body to depress the croup, the forehand will be raised and its
forces carried to the rear, until the weight and forces are brought
to the desired point of union and balance.
Or, let us take the case of a horse high and strong in the
forehand, but low and weak in the hind quarters. Here the hind
legs should be brought up to that point where, without lowering
the croup, they have the greatest impulsive power, and the forces
of the forehand should be carried back only far enough to balance
these inferior forces of the rear. Of course, in this case
particular attention should be paid to strengthening the loins and
hind quarters by the exercises hereafter to be explained.
Therefore, if the horse "goes upon its shoulders" and hangs upon
the hand, the forces of the croup are too strong for the forehand,
and the latter part should be elevated while the hind legs should
be carried under the body of the horse to lessen their effect
sufficiently to produce balance in the extremities. But if there be
feeble and constrained action in the hind legs, the forehand is
too high and strong, and the centre of gravity too far to the rear,
and this state must be remedied.
The power to effect the conditions described will be obtained by
subduing all resistances; the jaw of the horse, and all those parts
in front of the rider, will be made pliant and obedient to the
reins; the hind quarters will be dominated by the rider's heels.
In the preceding chapter the condition of collection known as "in
hand," the lowest form in which smooth, even, safe, and regular
paces may be made, was described for the walk and the trot. Unless
some closer form of collection is employed for one or another
reason, the ordinary gallop of three beats or "hand gallop" should
always be performed "in hand"; that is, there should be such
a collection of the forces that the pace is even, steady, and
cadenced, no undue weight upon the shoulders, the crest curved,
the face of the horse about perpendicular to the ground, the jaw
supple, and as a matter of course the horse always under complete
control. The trainer should ever bear in mind that whenever there
is any disorder or misconduct the earlier lesson should be reverted
to, until the horse is _absolutely obedient_ under all conditions.
When the horse has been habituated to maintain the state of
collection known as "in hand," in the walk, trot, and gallop, it
should be taught the closer forms of union.
From time to time the rider should, while in a slow but nimble
trot, bring the horse to closer forms of collection, the heels
maintaining the impulses, the hand with vibratory plays upon the
reins, keeping the forehand light and lithe. As the forces are more
nearly brought to a point of union and balance under the rider,
the speed will decrease, and when these forces of the extremities
are absolutely united and balanced for a moment, the half-halt
will be produced, when the horse is prepared for a movement in any
direction. But this _half-halt_ may be held for only a moment,
while the muscles are in play, and at least one leg is flexed, or
the horse will become heavy, the feet will come to the ground,
and a complete halt will ensue, when the tension upon the reins
should be eased and the heels be withdrawn from the sides of the
horse. When the forces of the extremities of the trotting-horse are
as closely united as is compatible with a forward movement, any
increased impulses will be turned into height of action under the
body, and the animal will seem to grow under the rider, as with
curved crest, in which the quivering muscles prove the pliancy
of the mass, the horse goes from one pair of diagonally disposed
legs to the other in a slow, measured, brilliant trot--the most
beautiful effect possible to obtain.
These closer forms of collection may be produced in a very slow
gallop in exactly the same manner as in the slow trot; and the
gallop in this case becomes one of four beats as each leg follows
the other in regular intervals. The _half-halt_ may, and should in
practice, be made from the slow gallop by a very close collection,
the union and balance of the forces, and the gallop be renewed in
some form immediately, before the horse becomes heavy and the full
halt ensues. The half-halt in the gallop has a variety of important
uses, such as a preliminary step for making the gallop change, for
making the gallop wheels, etc.
[Illustration: FIG. 71.--THE SCRATCH OF THE SPUR]
[Illustration: FIG. 72.--HALT WITH THE SPURS]
CHAPTER X
THE SPUR
Baucher says, somewhere, that to give an indifferent horseman the
spur is as bad as to give a razor into the hands of a monkey. There
is not one rider in ten thousand who knows how to give the sharp
rowel, or is aware of its true uses. Improperly and too frequently
applied, the spur makes the horse sluggish and never answers its
real and full significance. The rider's leg and heel, or the sharp
rowel when necessary--a rare occasion--gives the horseman control
over the impulses which produce action, and over all the movements
of the hind quarters. The sharp rowel, indeed any form of the leg
aid, should never be given with a kick or a thrust. The lower
part of the rider's leg should be carried back until the scratch
or prick can be given by the elevation of the heel. To enable the
rider to do this with precision requires much practice in the use
of the leg below the knee, so that even in violent movements he
may be able to give just the effect the occasion requires. The
lower leg of the rider demands the forward movement, demands
the movement to the rear, and that to either side, and also
the collections, including the half-halt and the finished halt
These results cannot be produced properly by a thoughtless or an
unskilful use of an aid, which should always be applied at the
right moment, with the right touch, and in the right place.
For the comfort, not to speak of the safety, of its rider, every
horse should be taught to bear the prick of the spur without
violent outbursts; and this is more important for the poor horseman
than for him who is skilful. The most nervous animal may be
taught to bear the application of the rowel with complacency, and
without such discipline it would be impossible to make the gallop
changes, and many other movements directed by the spur, smoothly
and uniformly. On some occasion when the horse is going quietly, it
having previously been accustomed to the pressure of the rider's
legs and to that of the sides of his heels, the rider should carry
a leg close to the flank of the horse and give a scratch with the
rowel just behind the girths, as he is making a turn or demanding a
bend of the croup. The animal should be quieted by caresses after
this attack, and then the spur should be applied to the other
side in the same way, and the horse be made much of. In time both
spurs should be used in bringing the horse to a halt The finished
horseman can demand the most perfect repose from the most spirited
horse by the use of this instrument. Used as directed, the animal
will not only be steady when the scratch is given, but also quick
and ready in obedience to the milder forms of the leg aid, the
pressure of the leg or of the side of the heel, and it will be
rarely the case that the more severe form will be necessary. In
riding my trained horses the rowels are removed from the spurs; and
I have had horses that were always free and lively in their actions
and perfect in manège movements that had not felt the sharp spur
for many years. Some horses will "shut up" and refuse to increase
their speed when punished with the spur; and in all cases its
severe attacks are as useless as they are cruel.
To produce the impulses for movements forward or to the rear, this
aid should be applied immediately behind the girths. There is an
old French saying that a torn girth shows good horsemanship. To
bend the croup, as in the side movements upon two paths and in the
gallop changes, the spur should take touch on the flank four or
five inches behind the girths.
CHAPTER XI
SOME WORK ON FOOT--THE SUPPLING
It has been said that the term "suppling" indicates the vanquishing
of all the resistance offered by the horse, whether voluntary or
involuntary. The control which this gives over the actions of the
animal is produced by cultivating its instinctive yieldings to the
application of the bit and spur until obedience becomes a natural
impulse and the animal does not dream of opposition. The lessons
are given in such a manner that there are no struggles against
restraint, no fears are caused, and there are no punishments to
arouse animosity. Indeed, any rough treatment will defeat the
object of the trainer, who requires nothing more than patience to
insure his success.
[Illustration: FIG. 73.--DIRECT FLEXION OF THE JAW]
[Illustration: FIG. 74.--THE RESULT]
For example, when the bit comes against the horse's mouth, the
first impulse is to avoid the pressure and to yield the jaw; the
second impulse is to resist the confinement. By the cultivation
of the first instinctive yielding of the jaws the trainer obtains
absolute control over the mouth of the horse, and by successive
exercises, properly arranged, over the whole of those parts in
front of the saddle. In like manner, when the leg or heel of the
rider is applied to the flank of the horse, its first impulse is to
move forward the hind leg of the side attacked, and bend the croup
over to the other side; the second impulse will be to come against
the leg or heel in resistance. By cultivating the first impulse
on the application of the spur the rider obtains control over all
those parts of the horse behind the saddle. So, between hand and
heels, the man may obtain perfect, because instinctive, obedience
from the trained animal. Beyond keeping on friendly terms with the
horse, and the avoidance of everything that would start its fears,
no trust is to be placed in the animal's voluntary dutifulness, for
what is desired may be demanded, and the good-will of a horse is a
very slender reed upon which to lean. My horses know my footsteps,
and show recognition of my voice, but I have never permitted their
blandishments to lead me to trust one of them beyond control
without finding cause for regrets sooner or later.
Much of the work in suppling the horse can be done far more quickly
with the trainer on foot than from the saddle. Indeed, almost all
the education of a riding-horse might be carried on without the
trainer mounting at all, and that very expeditiously; the finishing
lessons under the saddle would be required to transfer the
indications of the whip to the rider's heels. The handling that
would be given by the trainer on foot would prepare the horse for
anything that might follow, and I have always found that the longer
the horse was worked in hand, the better were the results. That
is, if the horse be longed carefully; be driven before the trainer
in a long pair of reins attached to a snaffle-bridle; be taught to
yield the jaw, the head, and the neck to the bits; and be made to
bend the croup and to bring the hind legs under the body at the
application of the whip, there will be very little left to do when
the man mounts.
I shall now describe the least amount of work that the trainer
should perform on foot, as few men will have the patience to carry
the system farther; but as the principles are always the same any
one who desires to try the experiment may readily carry on the
training in hand to its utmost limit.
[Illustration: FIG. 75.--BENDING HEAD AND NECK WITH CURB-BIT]
[Illustration: FIG. 76.--BENDING HEAD AND NECK WITH CURB-BIT]
When the young horse--or any horse, for that matter--is going well
in the snaffle-bridle, the animal should be given daily lessons
in the double bridle (curb and snaffle) in the following manner:
the curb-chain being removed for the early lessons, the trainer
should stand at the head of the horse on the right, or off, side,
and take the right snaffle-rein in his right hand, while the left
hand grasps the two curb-reins at equal lengths under the chin of
the horse a few inches from the bit. Then, extending his right arm
away from the nose of the horse and drawing the curb-reins toward
the chest of the animal, he will, with just so much force as is
necessary, induce the horse to open the mouth and relax the lower
jaw, the head being held up by the snaffle-rein. As soon as this
is accomplished the tensions upon the reins should be released
and the horse rewarded by caresses. The snaffle must keep the
head of the horse at the proper height, for the tendency of the
curb is to depress the head, and the face of the horse should be
kept about vertical to the ground, certainly not any nearer the
chest. From time to time the trainer will release the tension upon
the snaffle-rein and draw the curb-reins, as before, in gentle
vibrations toward the neck of the horse to test the progress of
his work. When the horse curls the upper lip, and the reins always
find nothing more than a light, elastic feeling upon the lower
jaw, the crest being curved and the face held perpendicularly to
the ground, the man will know that the object of his work has been
accomplished, and it remains for him to maintain this condition by
constant practice until it becomes habitual. If at any time the jaw
becomes rigid, or there is any resistance, a return should be made
to the exercises with the two bits, as in the beginning. It is a
rule observed by all trainers that when a horse does not perform
perfectly that which is desired, to "go back to number one," the
first lesson.
The same work should be done with the trainer standing on the
left side of the horse, when his left hand will hold the left
snaffle-rein, his right the curb-reins. These exercises, and those
which follow, should be given at least once every day, twice or
thrice will be better, and each exercise should be followed no
longer than for five minutes, so that the horse may not be fatigued
or annoyed by the monotony.
Standing at the head of the horse, on the right side, the trainer
should take a rein of the curb-bit in each hand, near the branches,
and turning the bit in the mouth of the horse, right branch
forward, bend the animal's head toward the left; at first making a
slight turn only, and by steps increasing the bend until the face
of the horse looks to the rear. As soon as the head of the horse
is bent sufficiently to satisfy the trainer, he should take equal
tensions upon the bit, straighten it in the mouth of the horse,
and by gentle vibrations induce the horse to yield the lower jaw
so that the reins shall find no more than an elastic feeling upon
that part as the face is turned to the rear. The horse must never
be allowed to bring its head straight after this bend has been
demanded, but the trainer should quietly bring it back into the
normal position by means of the reins. In a similar manner the head
of the horse should be bent to the right, the trainer standing at
the head of the horse on the left side. After the horse has been
habituated to bend the head by means of the curb-bit to the right
and to the left, its face perpendicular to the ground and its jaw
pliant, it will be made to do the same by the snaffle, the reins of
that bit held as were those of the curb-bit.
[Illustration: FIG. 77.--CARRYING HIND LEGS UNDER THE BODY]
[Illustration: FIG. 78.--CROUP ABOUT FOREHAND, TO THE RIGHT]
These lessons, in addition to those recommended in Chapter II.,
will give the man complete control over the forehand of the horse,
making the mouth light and compliant, and developing and suppling
the muscles of the neck greatly to the improvement of the horse in
grace and in appearance.
Two very simple exercises will give control of the hind quarters,
when the completion of the education of the horse will be a mere
matter of repetition and riding, as the discipline necessary for
demanding instant and exact obedience will have been put in train.
To make the horse carry its hind legs under the body, the man
should stand on its left side facing the saddle; then, taking the
snaffle-reins held under the chin of the horse at equal lengths
in his left hand, he should give some light taps of a slender
whip upon the animal's croup, preventing a forward movement by
a tension upon the snaffle-reins. At first the trainer should be
satisfied when the horse brings its hind feet forward a few inches,
but in time the animal should by gradual steps be induced to carry
its hind legs so far under the mass that the four feet might stand
upon a handkerchief. To transfer the indications of the whip to
the heels, the rider should mount, and, as he taps the horse on
the rump with the whip held behind his back, he should apply his
heels to the animal's sides until the hind legs are carried forward
sufficiently to satisfy his demands, while a forward movement is
prohibited by a tension upon the snaffle-reins held in the left
hand. Gradually the employment of the whip should cease and the
horse be made to carry the hind legs under the mass to any extent
by the pressure of the rider's heels. After the horse has carried
its hind legs under the mass, the man should release the tension
upon the reins, and by permitting the forehand to advance, let the
animal take a natural position.
[Illustration: FIG. 79.--CROUP ABOUT FOREHAND, TO THE RIGHT]
[Illustration: FIG. 80.--IN HAND IN PLACE]
To make the horse carry the croup around the forehand, the trainer
should stand at the left side of the horse, facing the saddle,
with his left hand he should take a grasp of the snaffle-reins
under the chin of the horse and bend the head slightly away from
him, and with the whip he should give a light tap or taps on the
side of the horse just behind the girth. When the horse makes one
step with the croup away from the man, the forehand held in place
by the snaffle-reins, the whip taps should cease, and the horse
be rewarded by caresses. Another step from the croup will then be
demanded, and step by step the croup will be carried to the right
completely about the stationary forehand, the left fore leg acting
as the pivot, the right fore leg being brought forward to conform
to the movement by light taps of the whip, the head of the horse
bent toward the advancing croup. The horse must not be permitted to
volunteer a step, but every step should be made on the demand of
the trainer.
In the same manner the horse should be made to carry the croup to
the left about the right fore leg as the pivot, the trainer holding
the snaffle-reins in the right hand, the whip in the left, and
standing on the right side of the horse.
It will be well for the rider to mount the horse in place, at this
stage, and to conduct the suppling and bending exercises just
described, from the saddle. That is, from the saddle he should bend
the head of the horse to either hand, first with the curb-bit and
then with the snaffle-bit, bringing the head back to the normal
position by means of the reins; he should elevate the head, and
then by dropping the hand and playing with the reins bring the
face of the horse vertical to the ground, with the jaw pliant in
answer to either bit; he should induce the horse to carry the croup
about the forehand to either side at the application of his heel,
enforced, if necessary, by the whip held behind the rider's back,
the outer fore leg acting as pivot; and, finally and frequently
between the pressure of his legs and gentle vibrations of the
reins, he should unite and balance the forces of the horse so that
by the working of the muscles under him, as the horse arranges the
bearers, he may know that the animal is ready to move in hand.
CHAPTER XII
THE CURB-AND-SNAFFLE BRIDLE--GUIDING BY THE REIN AGAINST THE
NECK--CROUP ABOUT FOREHAND--UPON TWO PATHS
If but one bit is used in riding, it should be the snaffle, for
it has a much wider range of effects than the curb-bit, and the
latter, when employed alone, tends to lower the head of the horse,
and has other defects. It is better, however, to have both bits, as
together they answer every requirement. With the snaffle the rider
may raise or depress the forehand, freshen and relieve the mouth
of the horse occasionally from the restraint of the curb-bit, and
counteract the defective action of the latter, prepare the horse
for obedience to the indications of the more severe mouthpiece, and
give many other results which will show themselves in practice.
The curb-bit gives more power to restrain the horse, applies the
pressure of the mouthpiece upon the proper place, which the snaffle
does not always do, and by it the rider may more readily keep the
nose of the horse down so that the face of the animal shall be
vertical and thereby insure the right power upon the right place.
With trained horses I seldom draw the curb-reins, for the animals
are so drilled and so sensitive that the snaffle is nearly always
sufficient but the curb-bit is ever ready to enforce its peculiar
powers should there be failure on the part of the snaffle, as,
for example, where the horse throws forward its nose so that the
snaffle takes a bearing in the corners of the mouth and so loses
much of its power.
Ordinarily the curb-bit is used in riding, while the snaffle-reins
lie slack, to be brought into play when necessary; and most horses,
and most riders, require the curb-bit.
[Illustration: FIG. 81.--LEFT REIN AGAINST NECK, TO TURN TO THE
RIGHT]
[Illustration: FIG. 82.--RIGHT REIN AGAINST NECK, TO TURN TO THE
LEFT]
The man, having mounted, will take in his left hand the reins
of the curb-bit divided by the little finger, the reins of the
snaffle divided by the long finger, the loose ends of both pairs of
reins carried through his hand and held by the thumb against the
forefinger, and draw the curb-reins until he can feel the mouth of
the horse. The right hand will be kept on the loose ends of the
reins behind the left, but when it is called upon to assist the
bridle-hand it will act upon the reins in front of the left hand,
except in shortening the reins, when it will draw them through
the bridle-hand from behind. Then, closing his legs against the
animal's sides, the rider should make gentle vibrations of the
curb-reins by a play of his fingers until the pliant jaw and the
working of the muscles under him show that the horse is ready to
move in hand. In this form of collection he should go forward in
the walk. To turn to the right he should bend the head of the horse
with the right snaffle-rein caught in his right hand, and carry the
left hand in which are the curb-reins over to the right until the
outer rein comes against the neck of the horse. When the turn is
begun, he should drop the snaffle-rein, and when the new direction
is entered upon, he should bring the bridle-hand in front of him,
so that there shall be equal tensions upon both curb-reins, and
resume a direct path. In the same manner the turn to the left side
should be inaugurated by the left snaffle-rein, and the bridle-hand
will be carried over to the left until the right curb-rein is
brought against the right side of the neck of the horse. This use
of the curb-reins is called the indirect indications of the bit.
On straight lines the bridle-hand should be held just above the
pommel of the saddle, the thumb uppermost and pointing toward the
horse's ears. No great movement of the bridle-hand should be made
in demanding the turn; when carried over to the right, the thumb
should point toward the rider's right shoulder; when carried over
to the left, the thumb should point toward the ground over the
left shoulder of the horse. By observing these directions the
rein may be brought against the neck of the horse to give the
indirect indications of the bit without too great movement of the
bridle-hand. Gradually the employment of the direct snaffle-rein
to inaugurate the turn will be dispensed with, and the change of
direction will be made by the curb-reins only as they are brought
against the neck of the horse.
In the walk and in the slow trot the horse should be ridden in hand
on straight paths and in circles of varying diameters to accustom
the horse to that form of collection in the curb-bit; and from time
to time closer forms of collection should be demanded, first in the
walk and then in the trot, until the half-halt may be produced and
the advance be again made before the horse grows heavy. Whatever
the form of collection, the jaw of the horse must be kept pliant
and the forces of the two extremities be kept balanced. If the
horse hangs upon the reins, its hind legs must be brought under the
mass to lighten the forehand, and every movement should be light,
even, and regular.
It is poor policy to put the horse into the gallop before its
education has been brought to the point described in the preceding
pages. It is highly important that the horse should be taught a
perfectly controlled gallop, one in which every form of collection
may be observed and in which the rider may demand the lead with
either side and the changes of lead with precision.
[Illustration: FIG. 83.--REVERSED PIROUETTE, TO THE LEFT]
[Illustration: FIG. 84.--ON TWO PATHS, TRAVERSE RIGHT]
The croup about the forehand, or reversed pirouette, prepares the
horse for the movements on two paths, for wheels in the gallop,
for the pirouette volte, and for the gallop changes, all of which
are requisite in a thoroughly trained saddle-horse, when the rider
aspires to have mastery over every movement of the animal.
To make the horse perform the reversed pirouette, the rider should
bring it in hand in place. Then, bending its head slightly to one
side, say the right, he should apply his left leg to the flank and
make the horse carry the croup to the right, about the left fore
leg as a pivot, the bridle-hand keeping the forehand in place, the
heel of the rider demanding each step, the right leg of the rider
controlling the effects of his left leg. In croup about forehand
to the left, the head of the horse should be bent slightly to the
left, the right fore leg of the horse acts as pivot, while the
rider's right leg induces the hind quarters to be carried to the
left around the turning-point.
In the work upon two paths the body of the horse should be placed
diagonally across the line of progress, the forehand slightly in
advance of the croup, the head of the horse bent in the direction
of the movement. In going to the right, the head of the horse will
be bent to the right and the forehand be led along one path,
while the rider's heels carry the croup along a parallel path, the
effects of the acting or left heel being measured and controlled by
the rider's right heel, the forehand about two feet in advance of
the croup. In passing upon two paths to the left, the head of the
horse will be bent to the left, the forehand being led to the left,
and the rider's right leg, its effects measured by the left, will
carry the croup upon a parallel path, so that the body of the horse
shall be diagonally disposed across the line of progress.
In coming to a turn or on a circle, the croup will be slightly
retarded, so that the diagonal position shall be observed
everywhere on the arc or the circumference, if the forehand be
following the longer outer path. But if in turns or circles the
croup be following the outer longer path, the forehand will be
retarded so that everywhere on the arc or the circumference the
diagonal position of the mass shall be observed.
The horse should be ridden on two paths in straight lines, in
turns, and in large and small circles, sometimes the forehand on
the outer circumferences, sometimes the croup following the longer
paths, in the walk, in the slow trot, and in the united trot.
[Illustration: FIG. 85.--GALLOP RIGHT, HORSE IN AIR]
[Illustration: FIG. 86.--GALLOP, HIND LEGS COMMITTED TO A STRIDE]
[Illustration: FIG. 87.--GALLOP RIGHT, WHEN THE CHANGE BEGINS]
CHAPTER XIII
THE GALLOP, AND THE GALLOP CHANGE--WHEEL IN THE GALLOP--PIROUETTE
TURN--HALT IN THE GALLOP
Until the publication of "The Horse in Motion," many of the
movements of the horse were but little understood, and of these the
gallop was prominent by reason of its importance. In these days,
thanks to the quick eye of the camera, there is no action which the
horse is capable of making that may not be clearly shown in every
phase.
There are several forms of the gallop, but the general principles
are the same in all, the variations depending upon the speed and
the state of collection of the horse.
In the hand-gallop of three beats the horse goes into air from a
fore leg used as a leaping-pole; it then brings to the ground the
diagonally disposed hind leg; the other hind leg and its diagonal
fore leg are then planted so nearly together that the hoofs give
the sound of but one beat; then the first acting fore leg comes
to the ground from which the horse again goes into air in a new
stride. The horse is said "to lead" with the legs which are
advanced in each stride; if the horse goes into air from the right
fore leg, it is in _gallop right_, as the fore and hind legs of
that side are advanced beyond the fore and hind legs of the other
side. If the horse goes into air from the left fore leg, it will be
in _gallop left_.
In the full-gallop, or racing pace, the secondly planted hind leg
is brought to the ground an appreciable time before its diagonally
disposed fore leg, and we have a pace of four beats.
The canter, or lope, is a pace of feeble action and of low form of
collection in which the diagonal fore leg is brought to the ground
before the second hind leg is planted.
In the school-gallop, the most finished form of the pace, the horse
is so closely united that the secondly planted hind leg reaches the
ground before its diagonally disposed fore leg, and we have again a
gallop of four beats.
It will be seen, then, that the galloping horse should be in gallop
right in turning to the right, in gallop left in turning to the
left, so that a hind leg will be under the centre of gravity as a
bearer of the weight when the turn is made. If a horse, in gallop
left, be turned shortly to the right, it will almost invariably
fall, for as the horse leans over at the turn there will be no
support under the mass. A horse at liberty instinctively changes
the lead in the gallop as circumstances require; but the mounted
horse cannot be depended upon to make the change voluntarily, and
the rider should demand the change at the proper time.
Before the appearance of "Modern Horsemanship," no one had
described how the horse began the change in the gallop, from
right to left or from left to right, or how it was performed.
Dr. Stillman, the only author who had touched upon the subject,
suggested that the horse changed the lead when in air, but this was
a manifestly incorrect supposition; for the photographs show that
the hind legs are always committed to a certain stride before the
horse goes into air. By riding trained horses in the gallop changes
before the camera, I discovered when those movements were begun and
how they were made, and I was able to explain how the aids should
be applied to produce the changes; for previously, it had been a
matter of experiment and tentative practice with each horse that
had been taught to make the gallop change. The loose explanations
in the riding regulations of every army, and even those of such
authorities as Baucher and others, prove this assertion. I am
somewhat familiar with the writings of nearly all the authors of
standard works on horsemanship, from the days of Grisone to the
present day, and I cannot recall a passage in any one of them that
would indicate a knowledge of how the gallop change was made, or
one that gave a rational explanation of how and why the aids should
be applied.
The gallop changes must have been successfully demanded from time
immemorial, but, as has been said, it was always considered a
difficult performance to procure with certainty and precision, and
in many cases was made as a turn was begun, the forehand beginning
the change which would leave the hind legs false for that stride.
When the photographs proved that the hind legs were committed to a
certain order before the horse left the ground in each leap, it was
apparent that the change must take place in the hind quarters as
soon as the legs of that part were free to change their order; and
that the legs of the forehand must make a corresponding change when
they were free, when the gallop change would be finished in one
stride, without a false step.
To make the horse change, say from gallop right to gallop left, in
any stride, the forces must first be fairly united; the right heel
should be applied when the forehand is down, and as the hind legs
are leaving the ground; immediately thereafter, as the forehand is
rising, the left rein should make a slight play which will insure
the change in the fore legs, and the change will be completed
without a false step and without any disturbance of the pace.
[Illustration: FIG. 88.--WHEEL IN GALLOP]
[Illustration: FIG. 89.--PIROUETTE WHEEL]
The change from gallop left to gallop right may be demanded in a
similar manner, the left leg of the rider and the right rein giving
the indications.
The gallops previously described are those in which the pace is
true, the only forms in which lie ease and safety.
If the horse be in gallop right (or left) and turns to the left (or
right), it is false in the gallop, and may fall.
If the horse has gallop right (or left) in the forehand and gallop
left (or right) in the hind quarter, it is in the cross-gallop,
which is wrong, and the error should be immediately rectified.
To make the horse take gallop right from the halt, the walk, or the
slow trot, the rider should first collect the forces of the animal,
apply the left heel, and make a slight upward play with the right
rein; when given sufficient freedom, the horse will start off with
the legs of the right side leading.
Gallop left will be procured in a similar manner by the use of the
right heel and the left rein.
In a slow, measured, regularly cadenced pace, the horse should be
ridden in the gallop on straight lines and on circles, the rider
being careful that the horse is in the true gallop on the turns.
Habitually the horse should be kept in hand, but from time to time
closer forms of union should be demanded, until the rider can bring
the horse to the half-halt and resume the gallop without struggle
or disturbance in the pace.
In teaching the horse to change from gallop right (or left) to
gallop left (or right) in the beat of the pace, the rider should
put the horse in a slow gallop and after a while bring the animal
to a slow trot for a few strides, and from that pace demand the
gallop with the other side leading. These trotting steps will be
gradually reduced and be replaced by the half-halt, in which the
change should be made; and, finally, disregarding the half-halt,
the rider will be able to demand the change in any stride without
breaking the cadence.
In a slow, united gallop the horse should be ridden on two paths,
on straight lines and on circles, in exactly the same manner as in
the trot, the horse being in gallop right in passing to the right,
in gallop left in passing to the left, the forehand slightly in
advance of the croup.
The wheel in the gallop is produced by following a small circle
on two paths, the croup toward the centre. When the turn is so
short and the union so close that the inner hind leg of the horse
remains on one spot, we have the pirouette wheel,--a very important
movement for the mounted soldier and a valuable one for many
reasons to every horseman.
Many forms of exercise adapted to disciplining the horse in various
ways will suggest themselves to the rider. As, for example, taking
gallop right on a straight line, bringing the horse to a half-halt,
making a gallop wheel, then a change of lead, and returning over
the same path in gallop left. Or, passing on two paths in gallop
left, coming to a half-halt, changing lead, and going off at a
right angle in gallop right. Or, riding in gallop to right (or
left) on a single path on the circumference of a small circle and
changing lead in the beat of the pace to go on a similar circle to
the other hand, making a figure 8 without disturbing the pace.
With a little practice the trained horse may be brought to make
a finished halt in any stride of the gallop without shock or
danger of injury to the animal. The rider, to obtain this, should
accustom the horse to come to a halt from the walk, in answer to
the pressure of his legs and an increased tension upon the reins.
Then the halt should be demanded in the same manner from the trot.
When the horse has been taught the various forms of collection
in the gallop, the rider may bring it to a halt in that pace by
leaning back, closing his legs against the sides of the animal and
raising the bridle-hand, at the moment the hind legs are leaving
the ground. The result of this employment of the aids will be to
induce the horse to carry the hind legs simultaneously under the
mass and so stop the advance; and upon the release of the tension
upon the reins the forehand will take a normal position and the
halt will have been effected in one stride. This position of the
hind legs under the body of the horse gives an elastic bearing that
will prevent any shock that might injuriously affect the houghs of
the animal. All carefully conducted training is assurance against
strains or hurts to the horse, and an animal that has not been
schooled is far more apt to slip or in some way injure itself than
one that has been taught to perform the most violent movements of
the manège. Of the scores of horses I have trained, not one ever
threw a curb or a spavin while in my hands, and all of them were
the better in every way for the work they were called upon to do.
[Illustration: FIG. 90.--BACKING. THE IMPULSE]
[Illustration: FIG. 91.--BACKING]
CHAPTER XIV
BACKING
The saddle-horse should go backward in the walk with the same
freedom and lightness as that with which it advances in that
pace; and it should pass to either hand with precision, the spur
demanding the changes of direction, the bits, acting like a rudder,
guiding the forehand upon the path along which the croup moves.
A few lessons on foot greatly facilitate the teaching of this
movement.
The trainer, standing at the left shoulder of the animal and
grasping the snaffle-reins under the chin of the horse, should,
by means of a few whip taps upon the rump, and the restraint of
the bit, make a fair collection of its forces. Then, after the
animal is standing quietly, he should renew the whip taps upon
the rump until a hind leg is flexed as if for a forward movement;
at this moment the hand should draw the reins toward the chest of
the horse so that the raised hind leg will take one step to the
rear. The horse should be led forward for a few steps, and be again
collected. In the same manner two or more steps to the rear should
be demanded and the horse be made to advance while the centre of
gravity is balanced and easily brought forward, the horse being
kept light and the impulses alert. The steps to the rear will
be gradually increased in number, until the horse will back any
distance evenly and freely, the whip being ready to prevent too
rapid a retreat, and hand and whip maintaining the collection; but
the forward movement must always be demanded before a complete halt
is effected, and an impulse obtained before the horse is called
upon to back.
The rider should then mount and bring the horse in hand. By the
pressure of the heels he should demand an impulse, and when a
hind leg is flexed it should be carried to the rear; the rider's
legs should then close against the sides of the horse, the
hand give freedom, and the animal should be sent forward a few
steps. Gradually the horse should be made to go to the rear for
any distance, every step being demanded by hand and heels, the
latter preventing too rapid or too irregular a movement, the hand
requiring the raised legs to be carried back.
To turn to the right, the left leg of the rider should give an
increased pressure, and the right rein, its effects measured by the
left rein, should give an increased tension upon the horse's jaw,
so that the forehand will follow the croup. The turns to the left
will be made in the same manner, the right heel of the rider and
the left rein exerting the greater influence. In going backward in
the walk, the legs of the horse should follow in regular order,
but the first step to the rear should be made by a hind leg,
because the movement begins with an impulse from the croup; and to
insure this the animal should be collected before the movement is
begun. The horse should not be permitted to become heavy, but, by
demanding a close collection, every step should be light and easy,
and the balance should be such that the animal will be capable of
going forward at any moment.
CHAPTER XV
JUMPING
A very useful apparatus for teaching the horse to jump cleanly and
willingly is a little gate or hurdle, about three feet wide, made
with three bars; the lower one fixed at eighteen inches from the
ground to bind the uprights, which should be about three feet in
height; the other two bars being removable, one to fit in slots two
and a half feet from the ground, the other to fit on the top of the
uprights. But of course any bar will answer the purpose.
With the upper two bars removed, the hurdle should be placed on a
bit of level ground and the horse led over the lower bar two or
three times, the trainer holding the snaffle-reins near the bit.
When the horse has been accustomed to walk over the bar, the man
should take the ends of the reins and let the horse cross in a slow
trot; this the animal will probably do in a leap, when the man
should bring it to a halt and reward it with caresses. Then the
next bar should be placed between the uprights, and the horse, held
by the length of the reins, be brought up at a trot to jump the
hurdle and rewarded for its obedience. After a few lessons given
with the two bars, the third bar should be placed on the uprights
and the horse be made to take the jump of three feet in the same
manner, being rewarded after each leap.
[Illustration: FIG. 92.--JUMPING IN HAND]
[Illustration: FIG. 93.--THE NARROW HURDLE]
[Illustration: FIG. 94.--JUMPING IN HAND]
If the horse attempts to avoid the hurdle by running out at either
side, it should be corrected by a harsh word and brought back to
make another trial; and if it becomes stubborn and persists in its
disobedience, it should be given the first lesson of walking over
the lowest bar. Whenever a horse shows a settled indisposition to
do what is demanded, the trainer should endeavor to get some little
pretence of compliance and give up the work for the day. For if the
horse is not in humor for the work, it is idle to persist.
When the horse is jumping in hand, the trainer must look to it that
the leaps are perfectly made; that is, that the horse rises high
enough in the forehand, and no higher than is requisite to enable
it to clear the obstacle with the fore legs, and that the hind legs
are gathered sufficiently under the body to bring them clear.
Should the horse not bend the fore legs to his satisfaction, the
trainer should touch the fore legs with the whip just below the
knee as the horse rises; and should the horse be careless in the
action of the hind legs, a whip stroke under the belly will make
the animal gather the hind legs under its body.
After the horse takes the hurdle with perfect calmness when held by
the snaffle-reins, the trainer should accustom the animal to jump
over the obstacle while on the longe-rein, the trainer being then
twelve or fifteen feet away from the hurdle. Then, the horse being
habituated to jump the narrow obstacle without reluctance, rugs,
colored cloths, or anything of the kind that might ordinarily alarm
a horse should be placed, first near the hurdle and then upon it,
as the horse jumps it at the length of the longe-line.
The trainer should then mount and ride the horse over the bar fixed
at two and a half feet. He should first take the horse up to the
obstacle in a slow, collected trot, using the snaffle-reins, and
when the horse is by its momentum committed to the jump, he should
give it liberty to take off as it pleases and offer a light support
as the forehand again comes to the ground. If the horse does not
flex the hind legs sufficiently, a whip stroke behind the girths
will induce it to bring the hind legs well under the body. But
as far as is possible the use of whip or spur as the horse jumps
should be avoided, and the animal should be mettlesome and lively
when it approaches the obstacle, and be ready to exert itself with
a will. The top bar should then be placed on the uprights, and the
horse be ridden over the hurdle now three feet high, first in the
slow trot, then from the halt, and finally from the slow gallop.
In the jump from the walk, the trot, and the slow gallop, the rider
should incline his body slightly forward as the horse rises and
bend his body back, more or less depending upon the height of the
drop, as the forehand comes down,--his feet carried to the rear, so
that there shall be no pressure against the stirrup to disturb the
seat. Horses jump in all sorts of forms. Some horses do not rise
until quite under the obstacle, when they squat down, go up almost
perpendicular
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