Burlesques
by H. M. Bateman · English · Gutenberg #39604 · 28,458 chars · public domain (US)
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Title: Burlesques
Author: H. M. Bateman
Release date: May 3, 2012 [eBook #39604]
Language: English
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Credits: Produced by Chris Curnow, Mark Young and the Online
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*** START OF THE PROJECT GUTENBERG EBOOK BURLESQUES ***
Produced by Chris Curnow, Mark Young and the Online
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[Illustration]
[Illustration]
BURLESQUES
[Illustration MR. GEORGE GRAVES IN "PRINCESS CAPRICE"]
BURLESQUES
BY
H. M. BATEMAN
WITH AN INTRODUCTORY NOTE BY A. E. JOHNSON
[Illustration]
LONDON
DUCKWORTH & CO.
3 HENRIETTA STREET, COVENT GARDEN
[Illustration _First Published 1916_]
PRINTED IN GREAT BRITAIN BY WM. BRENDON AND SON, LTD.
PLYMOUTH, ENGLAND
[Illustration]
INTRODUCTORY NOTE
Mr. H. M. Bateman possesses in remarkable degree that
rare gift, a real power of comic draughtsmanship. He is
capable not only of comic vision, but of comic expression.
His "line" is an instinctive expression of the comic: it reveals an
innate feeling for the essentially humorous. To put it briefly, if
somewhat vaguely, he "draws funnily." He is the terse and witty
pictorial _raconteur_--a shrewd observer who can sum up a character,
or conjure up a scene, with a few strokes of such penetrating insight
that they carry instant conviction.
Humour of the kind which the drawings in this volume embody
is so spontaneous, and the expression of it so direct and incisive,
that there is perhaps a tendency to overlook the intensity of the effort
which produces the seemingly effortless result. Mr. Bateman's
method is sometimes described as caricature, but that is to miss its
true significance, though the term may seem, upon the surface,
appropriate enough. Caricature is the art of inducing humour, by
dint of satirical exaggeration, in a subject not necessarily humorous
of itself. Mr. Bateman's more difficult function is to reveal humour,
not to impose it.
There is no trace of the self-conscious humorist in these drawings.
Facetiousness is a quality conspicuously and gratefully absent. The
artist's only concern is to pluck the very heart out of his subject, and
that his mind has a trend towards the humorous aspect of life is merely
accidental. For it is the humour of life, not merely of men, that
attracts him, and even when he deals with seemingly quite trivial
subjects, there is nothing petty or trite about his comic treatment of
them.
He generalises. His observations are of types, not of individuals,
of situations rather than of scenes. He draws for us people whom
we all know but none of us have actually seen, for when he portrays
a type his sketch embodies all the salient characteristics that go to
make that type. If he draws a plumber, for example, he shows us
the Compleat Plumber--more like a plumber than any plumber ever
was. And as with character, so with action--whatever Mr. Bateman
elects to make his puppets do, they do it with an intensity and vigour
beyond all practical possibility, but not (and this is the artist's secret)
beyond the bounds of imagination and belief. When a man is seen
running in a Bateman drawing he does not merely run--he _runs_; if
he slumbers, one can veritably hear him snore! The intensity of the
artist's imaginative effort visualises for us that which cannot humanly
be, but would be if it could.
Pictorial exponents of the comic art are few, for of so-called
"humorous drawings" not many are inspired by the true comic spirit.
It is a fortunate opportunity, therefore, which the present volume
provides of preserving in collected form so much that bears the
evident stamp of the real thing.
A. E. J.
[Illustration]
[Illustration]
LIST OF DRAWINGS
PAGE
THEY CALL IT "FAME" 1
MAESTROS: THE IMPRESSIVE 3
MAESTROS: THE UNEMOTIONAL 5
MAESTROS: THE SENTIMENTAL 7
THE WINTER VEST 9
THE MAN WHO WON A MOTOR-CAR 11
THE ACCOMPANIST WHO DID HER BEST 13
THE POTTER-ABOUT-THE-HALL-ALL-DAY
PERSON 15
THE GRUMBLE-AT-THE-FOOD-AND-EVERYTHING-ELSE
PERSON 17
"I REMEMBER IN 1870----" 19
THE TEMPER 21
GENUINE ANTIQUES 23
SIGHTS UP IN TOWN 25
SIGHTS DOWN IN THE COUNTRY 27
LITTLE TICH 29
THE BLUE 31
PREPARATIONS FOR A GREAT OFFENSIVE 32, 33
GARCON! 35
MAN AND WIFE 37
SPEECHMAKERS: THE FAITHFUL OLD
DOG 39
SPEECHMAKERS: THE WORM 41
TWINS 43
PLATONIC 45
ALL THIS FOR 3D., 6D., AND 1/- 47
THE MISSED PUTT 49
THE MAN WHO ONLY WANTED TWO
HALFPENNIES FOR A PENNY 51
PSYCHIC: GLOOM 53
LOST--A PEKINESE DOG 55
DANCERS AND DANCES: SPANISH 57
DANCERS AND DANCES: AMERICAN 59
DANCERS AND DANCES: ORIENTAL 61
THE PUBLIC LIBRARY 63
MERELY A MATTER OF SECONDS 65
A HEART TO HEART TALK 67
HOW I WON THE MARATHON 69
99 deg. IN THE SHADE 71
[Illustration]
_The drawings contained in this book originally appeared, with some
exceptions, in "The Sketch," "London Opinion," "The Graphic," "The
Bystander," "Printer's Pie" and "Illustrated Sporting and Dramatic
News." The author is indebted to the proprietors of these journals for
permission to issue them in this volume._
[Illustration THEY CALL IT "FAME"]
[Illustration]
[Illustration MAESTROS
I. The Impressive: Rachmaninoff's "Prelude"]
[Illustration]
[Illustration MAESTROS
II. The Unemotional: Bach's "Italian Fugue"]
[Illustration]
[Illustration MAESTROS
III. The Sentimental: A Chopin Nocturne]
[Illustration]
[Illustration STUDIES OF A RESPECTABLE MIDDLE-AGED GENTLEMAN WEARING A NEW
WINTER VEST FOR THE FIRST TIME]
[Illustration]
[Illustration THE MAN WHO WON A MOTOR-CAR]
[Illustration]
[Illustration THE ACCOMPANIST WHO DID HER BEST]
[Illustration]
[Illustration HOTEL HOGS
The potter-about-the-hall-all-day-and-watch-the-new-arrivals person]
[Illustration]
[Illustration HOTEL HOGS
The grumble-at-the-food-and-everything-else person]
[Illustration]
[Illustration "I REMEMBER IN 1870----"
London clubmen in war-time parading for practice in writing to the papers]
[Illustration]
[Illustration THE TEMPER]
[Illustration THE GOBLETS\]
[Illustration GENUINE ANTIQUES]
[Illustration]
[Illustration SIGHTS UP IN TOWN]
[Illustration]
[Illustration SIGHTS DOWN IN THE COUNTRY]
[Illustration]
[Illustration LITTLE TICH]
[Illustration]
[Illustration THE BLUE]
[Illustration PREPARATIONS FOR--]
[Illustration --A GREAT OFFENSIVE]
[Illustration]
[Illustration "GARCON!"]
[Illustration]
[Illustration MAN AND WIFE]
[Illustration]
[Illustration SPEECHES AND THEIR MAKERS
The Faithful Old Dog]
[Illustration]
[Illustration SPEECHES AND THEIR MAKERS
The Worm]
[Illustration]
[Illustration TWINS]
[Illustration]
[Illustration PLATONIC]
[Illustration]
[Illustration ALL THIS FOR 3D.\, 6D.\, AND 1/-]
[Illustration]
[Illustration THE MISSED PUTT]
[Illustration]
[Illustration]
[Illustration THE MAN WHO ONLY WANTED TWO HALFPENNIES FOR A PENNY]
[Illustration]
[Illustration PSYCHIC]
[Illustration]
[Illustration LOST--A PEKINESE DOG]
[Illustration]
[Illustration]
[Illustration DANCERS AND DANCES
Spanish]
[Illustration]
[Illustration DANCERS AND DANCES
American]
[Illustration]
[Illustration DANCERS AND DANCES
Oriental]
[Illustration]
[Illustration THE PUBLIC LIBRARY]
[Illustration]
[Illustration MERELY A MATTER OF SECONDS]
[Illustration]
[Illustration A HEART-TO-HEART TALK]
[Illustration]
[Illustration HOW I WON THE MARATHON]
[Illustration]
[Illustration]
[Illustration 99 deg. IN THE SHADE]
[Illustration]
* * * * *
Transcriber's Notes
Obvious punctuation and spelling errors repaired.
Italic text is denoted by _underscore_ and bold text
by =equal signs=.
The following numerous errors were left as is:
endquote missing punctuation
No punctuation at para end
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