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The Heart's Country

by Mary Heaton Vorse · English · Gutenberg #36919 · 322,449 chars · public domain (US)

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Title: The Heart's Country

Author: Mary Heaton Vorse

Illustrator: Alice Barber Stephens


        
Release date: July 31, 2011 [eBook #36919]

Language: English

Other information and formats: www.gutenberg.org/ebooks/36919

Credits: Produced by Suzanne Shell, Sam W. and the Online Distributed
        Proofreading Team at http://www.pgdp.net


*** START OF THE PROJECT GUTENBERG EBOOK THE HEART'S COUNTRY ***




Produced by Suzanne Shell, Sam W. and the Online Distributed
Proofreading Team at http://www.pgdp.net









                 THE HEART'S COUNTRY

                          BY
                  MARY HEATON VORSE


                WITH ILLUSTRATIONS BY
                ALICE BARBER STEPHENS


                    [Illustration]


                 BOSTON AND NEW YORK
               HOUGHTON MIFFLIN COMPANY
            The Riverside Press Cambridge
                         1914




  COPYRIGHT, 1913, BY THE CROWELL PUBLISHING COMPANY
       COPYRIGHT, 1914, BY MARY HEATON O'BRIEN

                 ALL RIGHTS RESERVED

                _Published April 1914_




  [Illustration: YOU MUST COME!
      (p. 151)]




    By Mary Heaton Vorse

    THE HEART'S COUNTRY. Illustrated.
    THE VERY LITTLE PERSON. Illustrated.
    THE BREAKING IN OF A YACHTSMAN'S WIFE. Illustrated.

    HOUGHTON MIFFLIN COMPANY
    Boston and New York




CONTENTS


    CHAPTER            PAGE
    Prologue              1
           I              5
          II             17
         III             24
          IV             30
           V             36
          VI             43
         VII             50
        VIII             58
          IX             68
           X             85
          XI             97
         XII            112
        XIII            119
         XIV            128
          XV            146
         XVI            153
        XVII            168
       XVIII            187
         XIX            195
          XX            203
         XXI            221
        XXII            230
       XXIII            248
        XXIV            253
         XXV            261
        XXVI            276
       XXVII            282




ILLUSTRATIONS


    "You must come!" (page 151)                     _Frontispiece_

    "I Hate your Society, anyway! I never did
        want to be an Old Maid!"                                40

    "She is very lovely"                                       108

    She towered above Ellen, an Avenging Fate                  176


    From drawings by Alice Barber Stephens.




THE HEART'S COUNTRY




PROLOGUE


The actors in this drama are dead, or else life has turned them into
such different beings that their transformation is hardly less than
that of death itself. Their thoughts are scattered to the winds, or
live, oddly changed, in the bodies of their children--the girl who
brought me the journals and packages of letters smiled up at me with
the flashing smile of Ellen.

This girl, with a gesture of the hand, opened for me the gates of the
past, and when she was gone I walked through them with beating heart,
back over the steep path of years. This little package of
long-forgotten papers which she had given me, and of whose contents
she was ignorant, were a strange legacy, for it was my own youth that
I found in them and the youth of Ellen.

As I went over the scrawled journals and through the packages of
letters, the land of memory blossomed for me and the tears that came
to my eyes thawed the ice of many years. Ellen herself had forgotten
her youth; she may not have remembered that in the bottom of an old
trunk she had left for me things which she could not bear to
destroy--for there they found them after her death with a letter
addressed to me. As I read on, it was as though I had before me the
broken pieces of her heart, and as I looked, my own childhood and even
my girlhood lived again.

I had often looked for my girlhood and had never found it. Those years
when women are in the making--that land of glamour--are the hardest
thing of all for grown-up people to understand. Nothing stays fixed
there, all the emotions are at their point of effervescence and their
charm is their evanescence. The very power of early youth is in the
violence of its changes; it is the era of chaos in the souls of
people; when they are in the making; when the crust is only forming,
and the fire may break forth at any moment; and when what seems most
secure and fixed trembles under the feet and disappears in some
new-made gulf of the emotions. Then, too, in our youth they teach us
such cruel things, we spend ourselves in trying to keep alive such
spent fires, and no one tells us that it is anything but noble to live
under the destructive tyranny of love. We have to find our way alone--

The thought came to me that I would try to write a sort of story of my
friend. And yet, although I had before me the picture of a heart in
the making, I have taken up my pen and laid it down again because it
is not a story which "marches." Its victories and defeats went on in
the quiet of Ellen's heart, but I have learned that this silent making
and marring of the hearts of women means the fate of all men forever.

I fancy that women will have another bar of judgment and that the
question asked us there will be: "Have you loved well? Were you small
and grudging and niggardly? Did you make of love a sorry barter, or
did you give with such a gesture as spring makes when it walks
blossoming across the land?" I do not think that old age often repents
the generosities of its youth; perhaps it is my own too careful
sowing that makes me wish to write the life of my friend, who asked
only to spend herself and her own sweetness with both reckless hands.




CHAPTER I


Ellen and her mother drove in a "shay" to take possession of the old
Scudder house, which had been vacant long enough to have a deserted
and haunted look. It was far back from the street and was sentineled
on either side by an uncompromising fir tree. Great vans, of the kind
used in that early day to move furniture from one town to another,
disgorged their contents on the young spring grass, and though Mildred
Dilloway and Janie Acres and I walked to the village store and back on
a half-dozen errands, we saw nothing of the new little girl that day;
but there remains in my mind the memory of her little mother, a
youthful, black-clad figure, moving helplessly, and it seemed at
random, among her household effects that squatted so forlornly in the
front yard and then started on their processional walk to the house,
impelled by the puissant force of Miss Sarah Grant.

Ellen's account of this time is as follows:--

    "We are going to live by ourselves, though we can't afford it,
    because we are ourselves, mamma says, and will really give less
    trouble this way, though my aunt and uncle think not. 'I want
    you to win your aunt and uncle,' she said to me. It will be so
    much easier for me to win them if they don't know me too well.
    That is one of her reasons for not living in the house with
    them. 'They would find us so slack that we should become a thorn
    in their flesh.' 'Couldn't we stop being slack?' I said. Mamma
    looked at me, and after a long time she said, 'You and I, Ellen,
    will always be slack inside. Material things don't interest us.'
    My mother doesn't know me. I like some material things, like
    ploughing. I said to her: 'Wouldn't _they_ be a thorn in _our_
    flesh?' She tried not to smile, and said quite sternly: 'Ellen,
    you must never think of your dear aunt and uncle in that way.'
    If it is so, why shouldn't I think so, I wonder? As soon as I
    saw them I knew what mother meant. They are very nice and I love
    them, but they have never leaned over the gate to talk to
    peddlers. A lost dog wouldn't be happy in their home. We have
    never had any dogs but lost ones. And Aunt Sarah didn't like
    Faro's name or his ways. I like Aunt Sarah. She says just what
    she feels like saying. Mother doesn't. Mother says the things
    she wants to feel like saying. I annoyed my Aunt Sarah by
    forgetting to come home to help, and mother said, 'Oh, dear, why
    did you need to go and read the Bible to that woman next door
    when we were moving in, and I wanted your aunt to have a high
    opinion of you?' I said, 'She had the rheumatism.' Aunt Sarah
    said, 'Does she read with her knee; and how came you there
    anyway, Ellen?' I said, 'By the back door, because I like back
    doors and I hate going in front doors.' Aunt Sarah looked at me
    very sharply and said, 'That child of yours, Emily, is just such
    a child as I should expect you to have, reading the Bible to
    strangers who have the rheumatism when a pair of willing hands
    would have been useful at home.' The way she looked at me, I
    knew deep inside she didn't really mind, so I suddenly kissed
    her. Later mother said, 'Mercy! I would never have dared to kiss
    your Aunt Sarah like that.' I told her I knew Aunt Sarah wanted
    me to. 'How can you tell?' asked mother; but I always know
    things like that. It makes me feel rather vain, and vanity is a
    sin. My Uncle Ephraim is like a picture and so is the big house
    they live in. I had a moment that mamma called 'flesh-pottish'
    and longed to live there. 'That's just it, Ellen,' she said.
    'They are like pictures, and you and I would be sure to injure
    their lovely surfaces. We are not violent, but so careless.'"

After this arduous day I remember Miss Sarah popped down in my
grandmother's sitting-room. Said she: "I'm all out of breath." My
grandmother waited for further information. "I've been settling," Miss
Sarah informed her with that frankness that kept all the older ladies
in town in a state of twittering expectation. "I've been settling my
do-less sister and her do-less child." She spoke in some exasperation.

My grandmother allowed a long pause and said reflectively:--

"You'd make any one do-less, Sarah."

And, indeed, Miss Sarah Grant was one of those energetic ladies who
leave no place for the energies of others to expand. But here the wind
shifted and her irritation disappeared.

"Oh, my dear," she said, "it's too sad. Those children are as little
fit to take care of themselves and to live alone as young robins in
the nest."

"The Lord looks after such," said my grandmother.

"Well," replied Miss Sarah, with asperity, "you may be sure that after
what I've seen of this world I'm not going to leave it with the Lord."
She was on terms of familiarity with the Deity that even permitted
criticism of his ways. Then she said: "Send Roberta soon to see that
poor, fatherless Ellen of mine."

This my grandmother did, shortly afterwards, and I started forth on my
first visit to the "poor, fatherless Ellen" at the slow and elegant
gait of a hearse with plumes. We were not far removed from that period
when young ladies employed their leisure by limning lachrymose females
weeping over urns. We were therefore expectant of a certain pomp of
mourning; long, black draperies were the least we demanded. Ellen, I
learned, was in the apple orchard, and thither I bent my solemn
footsteps.

It was in full bloom, one tree after another looking like bridal
nosegays of some beneficent giant. All was quiet save for the droning
of honey-bees. Suddenly two inches above my head there burst forth the
roars of an infant of tender years. I looked up and there I beheld my
tragic heroine. Her dress was of blue, checked gingham, a piece of
which was caught on a twig of the apple tree and rent nearly in a
three-cornered tear. One stocking was coming down in a manner
unbecoming to any girl. Her hair was plaited in two neat little
"plats," as we used to call them, and tied tightly with meager
ribbons; but though I took these things in at a glance, that which
naturally most arrested my attention was the fact that Ellen cherished
to her bosom a large, red-headed infant, whom I immediately recognized
as being one of the brood of the prolific Sweeneys.

The child ceased roaring for a moment, upon which Ellen remarked to me
with grave self-composure:--

"How do you do? I suppose you have come to play with me, but my
brother and I can't come down for a moment until I have managed to get
my dress from that twig. Perhaps you could come up and undo it, or if
you could perhaps come and get him--"

"Your brother!" I cried. "That's one of the Sweeney children."

Ellen's eyes flashed. "It _is_ my brother," she insisted. "You can see
for yourself it's my brother. Would one have taken anything but one's
brother up a tree? I have to take care of him all the time."

Said I: "I've known the Sweeney boys all my life; there are seven of
them and the third but one biggest always takes care of the smallest.
There's one littler 'n this."

"Oh, there _is_!" said Ellen. Her brow darkened. "And I got up the
tree with this large, hulking thing in my arms--and goodness knows how
I ever did get up it!" She spoke with vigor and precision.

"Aha!" I cried, "you say yourself it's a Sweeney."

"I say nothing of the kind," rejoined Ellen. "This is my brother.
Come," she wheedled, "why won't you say it's my brother?"

I bit my lip; I wanted to go, for I was not used to being made game
of. Moreover, I disapproved of her present position extremely. There
was I, my mouth made up, so to speak, for a weeping-willow air,
lachrymose ringlets, dark-rimmed eyes, and black raiment, and I had
encountered fallen stockings, torn blue gingham, and the Sweeney baby,
and the whole of it together up a tree.

Ellen now looked down on me. Her generous mouth with its tip-tilted
corners--an exotic, lovable mouth, too large for beauty, but of a
remarkable texture and color--now drooped and her eyes filled,--filled
beautifully, and yet did not brim over. And for all the droop of the
mouth, the saddest little smile I have ever seen hovered about its
corners.

"Won't you _please_ say that this is my brother?" she pleaded.

Though I knew it was the Sweeney baby and though I knew she was
play-acting all of it, stubborn and downright child though I was,
something gripped my heart. Though I couldn't have then put it into
words, there was a wistfulness and a heart-hunger about her that
played a game with me. It was my first encounter and my first
overthrow.

"Have it your brother," said I in a surly fashion.

When we had got the baby down from the tree, Ellen finished me by
looking at me with her sincere, sweet eyes in which there was a hint
of tears, and saying softly: "Once I had a little brother who died."
That was all. She turned her face away; I turned my face away; our
hands met. It was as though she was explaining to me her insistence on
the Sweeney baby.

It was her look and this silent and averted hand-clasp that brought me
to my feet in a very torrent of feeling when Alec Yorke, an engaging
youth of eleven summers, came ramping through the orchard shouting:--

"Oh, you'll get it! You'll get it! Mrs. Sweeney's given Ted a good one
already--she's after you!"

It was not the gusto in his tone at her ultimate fate that irritated
me, but this taking away of Ellen's baby brother.

"Mrs. Sweeney's got nothing to do with this baby!" I cried. "It's
Ellen's brother!"

I bent down and picked up a stone and threw it at Alec. Ellen did the
same. In one second we had performed one of those amazing sleights of
hand that are so frequent and so disconcerting at this moment of
girlhood. A moment before we had been swimming along the upper levels
of sentiment and crossing the tender, heart-breaking line of the love
of women for little children; now our teary mistiness vanished and we
were back at the green-apple-hearted moment of childhood. That
afternoon I had already been a young lady with all the decorous
manners of eighteen; I had been no age,--just a woman whose heart is
touched with pity and affection; and now I was just stern, hard
twelve, and I threw a rock at my little friend, Alec Yorke. So did
Ellen.

Together, with hoots and pebbles, we drove the invading male from our
midst. Ellen, I remember, had a "Yip! Yip! Yip!" which was
blood-thirsty and derisive at once. She barked it out like a terrier
gone mad. I remember also her crying out in a ferocious agony of
desire: "Oh, if I get near you, won't I _spit_ on you!"

These were her first words to Alec. He said in later years that their
first meeting was indelibly engraven on his memory. He retreated over
the fence vanquished by superior force, but with his head well up and
his thumb to his gallantly tilted nose. Here Ellen turned to me, the
light of victory flashing from her eyes, which fought with my
interrogatory gaze, filled with tears again, and at last sought the
distance.

"_I never had a little brother_," she muttered thickly.

Anger surged over me and then died as quickly as it had come. Again
she had me. The quiver in her voice showed me what her sincerity had
cost her, and so did her next words:--

"I wanted one so always that I just had to make-believe."

Here one had the heart of truth, stripped of the spirit of
make-believe which it had clothed in quaint and absurd garments. Again
I squeezed Ellen's hand in mine.

I tell all these things in detail because this was so Ellen. She had
this dual nature which fought forever in her heart,--the passion for
make-believe and the fundamental need of telling the truth,--always to
herself, and often embarrassingly to those she loved.

She comments as follows on this episode, unconsciously showing me as
the young prig I was:--

    "The moment Roberta picked up a rock to fight for my brother, I
    knew I should have to tell her the truth. I saw right away how
    good Roberta was. She has very lovely blue eyes and her hair is
    so smooth and shiny that I don't believe she musses it when she
    sleeps. She looked at me so straight and her eyes were so round
    that it was very hard work to tell her that the Sweeney baby was
    not my brother, but I gritted my teeth and did it. The rest was
    easy on account of her soft heart."




CHAPTER II


The heart of man is mysterious. Why a passionately expressed desire to
spit upon one should be alluring, God knows--I don't. It was fatal to
Alec. I see him now jumping up and down outside the fence, shouting
forth: "Ya ha! Ya ha! You can't get me!"--or wooing Ellen by the
subtle method of attaching a hard green apple to a supple stick and
flinging it at her. The relations of these two, as you can see, were
deep from the first.

Ellen, more than any of the rest of us, had sharp recrudescences back
to little girlhood just as she flamed further ahead on the shimmering
path of adolescence. Thus she covered a wide gamut of years in her
everyday life. I think it is this ability to roam up and down time
that makes life interesting, more than any other thing.

So when Janie Acres and Mildred Dilloway and Ellen and I would be
sitting under the trees discussing the important affairs of life,
Ellen would suddenly be moved to arise with her ear-rending "Yip!
Yip!" and "career" (I use Miss Sarah's word) across the landscape. Her
frocks, because of her mother's dislike to the dull work of letting
down tucks and hems, were shorter than those worn in my decorous young
days, and her thin little legs measured the distance like a pair of
dividers. There was an intensity to her flight that made one think of
a projectile.

From the excursions into tenderness that our little quartette of girls
was always making, from our sudden flashes of maturity, Ellen would
suddenly leap with both feet into full childhood. I remember sudden
jumps from high lofts and swinging from trees and the slipping off of
shoes and stockings for the purpose of wading in brooks. And these
impassioned returns to the golden age were always heightened by the
presence of Alec. Such "performances" were, of course, severely
criticized. New England at that time was staider than it is to-day; a
higher standard of what was named "decorum" was demanded of the young,
and yet smiles flickered around mouths while brows frowned when Ellen
played.

As I read Ellen's journal at this time, it is as though I could see
her growing up as the tide comes in; the receding wave toward
childhood meant Alec to her. He was a loosely built lad with a
humorous and smiling mouth. His shaggy mane of hair, which boys wore
longer in those days than they do now, gave him the appearance of a
lion's cub. His whimsical temperament and his easy disposition he got
from his mother. She was a placid woman who had spent her life in
adapting herself to the difficult temperament of Mr. Yorke, and it was
her boast that there was no other woman living who could have got on
with her husband without being fidgeted into an early grave. When Miss
Sarah opined that if she put her mind on that and on nothing else, she
could get on with any man living, Mrs. Yorke replied nothing, but said
afterwards to my grandmother:--

"Poor Miss Sarah! Ain't it queer about these unmarried women; no
matter how intellectual they be! It ain't puttin' your mind on it ever
made a woman get on with the man she's married to."

Whatever the knack was that made a woman accomplish this feat, Alec
had had imparted by his mother.

"Learnin' you to get on with your pa real easy an' smilin' is goin' to
help you a lot in life, Alec," the good woman had told her son. "Mebbe
it'll be worth more to you than as if we had money to leave you."

Understanding the virtues in a good but crotchety and trying man, had
bred in Alec a tolerant and humorous spirit of the kind that most
people don't ever acquire at all, and that Youth seldom knows. It made
him kind to boys younger than himself, and also made it easy for his
mother to make him play the part of nurse to smaller brothers and
sisters and also to nieces and nephews, for Mrs. Yorke's married
sister lived next door to her. It was the constant presence of a small
child in Alec's train that made Ellen discover the mystery about him.

"There's a deep mystery about Alec," Ellen told me. "Every day he
comes and leaves his baby with me at a certain time and runs off
rapidly toward the Butlers'."

Now I had seen Alec Yorke grow up; he was younger than I, and you
know the scorn that a girl of thirteen can have toward a boy a year
her junior and half a head shorter than she. At that time he fits into
no scheme of things; there is no being on earth who arouses one's
sentiment less. As a sweetheart he is impossible; equally impossible
is he as an object on which to lavish motherly feelings. For me, Alec
was a mere plague; he lured Ellen from me into skylarkings in which I
had no part, nor did I wish to have, having, by the New England
training of that day, already had my childhood taken from me. It was
not mystery that I had ever connected with Alec, but a baffling sense
of humor and an intensity in the way he could turn hand-springs. There
was a fire in his performance of cart-wheels that seemed to let loose
all that was foolish and gay, and, from the point of view of the
grown-ups of the time, reprehensible in Ellen. So it was obvious to me
that any mysterious doings of Alec's meant no good.

"We ought to find out," said I, "what he's about."

"Oh, Roberta!" pleaded Ellen; "then it wouldn't be a mystery any
more."

"We ought to find out what he's doing," I pursued, "and get him to
stop it. We should use our influence even if he is young."

We, therefore, stealthily made after Alec. He went out through a hole
in the fence of the Scudder place, circled a little wood, scaled some
outhouses of the Jones's, and in this circuitous method came back to
old Mrs. Butler's, next door, and there he lay on his stomach in the
woodshed, at a little distance. With a reappearance of guilty stealth,
he looked around and seeing no one he dove suddenly into Mrs. Butler's
house. Mrs. Butler was stricken with rheumatism and lived entirely on
the first floor, so by the simple method of flattening our noses
against the window-pane we might find out anything that was afoot. We
fathomed the mystery. There stood Alec, doing old Mrs. Butler's back
hair. He combed it out as best he might, while she punctuated the
performance with such remarks as these: "Lor! child, remember it's
hair in your hands, not a hank of yarn." Then she would groan, "Oh,
the day that I lost the use of my arms over my head and must go
through this!" All of which Alec bore with patience.

We made off a little shamefacedly while Ellen hissed in my ear, with
fine logic: "There, Roberta Hathaway, that's what you get by snooping
into people's business." We never mentioned Alec's mystery to him,
though from time to time Ellen would seem maddeningly knowing.




CHAPTER III


When Mrs. Payne had been in our village less than a year and the
interest of the village in the "do-less" sister of Miss Sarah had
somewhat dwindled, it flamed up again. Mrs. Payne had a visitor, to
our country eyes a splendid-looking, middle-aged gentleman. He put up
at the little inn and called on Mrs. Payne and brought her such little
trifles as a man might bestow upon a lady; sweets also he brought for
Ellen, and a most elegant little needlecase with a gold thimble,--an
incongruous gift, for since Ellen learned the use of the needle she
had abhorred it; if she lived to-day she would have darned her
stockings with a sail needle and dental floss. There went through the
town, "He's courting the widow," for he came again and again, and in
the mean time, according to the postmistress, there arrived letters
and a package or two.

Concerning this episode Ellen writes:--

    "I wish aunts were made of different stuff. When Aunt Sarah
    comes down here looking like a gorgon, I know that she has come
    to make my mother cry and I am very glad that I called her 'old
    gorgon-face' right before her one time, though it is a rude way
    to address one's female relatives and I apologized to her
    afterwards, and now I think I will have to undo my apology
    because I feel so glad and happy every time I think I called her
    it. I couldn't help hearing because I was in the next room, and
    anyway I didn't mind if I did hear it. She said to my mother: 'I
    suppose you've made up your mind already what to do about Mr.
    Dennett.' 'About Mr. Dennett?' said my mother, and she sounded
    frightened,--she is much more frightened of my Aunt Sarah than I
    am. 'Even you can't be such a ninny,' said my aunt, 'as to think
    he comes here for nothing. A man of his age doesn't come from
    Springfield for the purpose of an afternoon's conversation.' 'I
    hadn't faced it that way,' said mamma. 'Pooh! Pooh!' said my
    aunt. 'There's a limit to even your folly; I hope you have
    planned to do the sensible thing and if you have not, you should
    save him the humiliation of declaring himself, which he'll do
    now very soon, no doubt.' 'He pretended business brought him
    here,' said my mother. 'Business, indeed,' said Aunt Sarah, and
    she made a noise like a snort, which if I made she would
    consider very rude. I wish there was one day a year when
    children could tell their aunts how rude they are at times, just
    as their aunts tell them every day in the week. 'The business of
    courting is what he is about, and with an atom of honesty you
    must know it, and now I want to know what you are going to do.'
    'It's rather hard; I'm going to call Ellen,' said my mother; and
    I had to move rather rapidly not to be found too near the door,
    which showed me that I was listening, which one ought never to
    do. 'Ellen,' said my mother; and my aunt then said a word which
    I am not allowed to say. 'Squizzelty Betsey,' said she, 'what
    has Ellen to do with it?' 'I'm going to consult with Ellen'; and
    then, when I was in the room, 'Ellen,' she said, 'your aunt
    seems to think that Mr. Dennett wishes to become a new father to
    you. How do you like this idea?' 'Would you have to keep house
    for him,' I said, 'the way you did for dear papa?' 'More so,'
    said my mamma. 'I don't think we should be happy then,' said I.
    At this Aunt Sarah rocked back and forth and she groaned as
    though her stomach hurt her. While my aunt was groaning, I could
    see my mother turn her back and I knew by her actions that she
    was putting her handkerchief to her mouth to keep from laughing,
    and which I have often seen her do when my aunt was here. 'It
    made us both very nervous,' I explained to her, 'getting meals
    exactly on time and doing all the things that a man has a right
    to have perfect in his own house, which is what papa used to
    say, but we have not, since we've lived together, had to have
    anything perfect at all; we never think of meal-times or any
    other sad things.' 'Listen, Ellen,' said my aunt; 'you are
    almost more sensible and grown-up than your mother; your mother
    is still a young woman, a long life of loneliness confronts
    her,--more than that, a cramped financial situation. You'll
    always have to go without and without and without. It would be
    from every point of view a dignified and suitable alliance and
    one which your mother should be happy to make and which any
    woman of her age and position and an atom of sense would do.'
    Here my mother flung out her hand in the air as though she were
    throwing away something and were glad to do it. I wish I could
    see her do that again. 'I respect him and I like him, and his
    liking for me touches me and flatters me, but oh! the running of
    a big house; but oh! the pent-up city streets.' 'And I say so,
    too,' I cried. Then she suddenly drew me to her and stood me at
    arm's length from her, and she said to me, 'Ellen, promise me
    when you grow up, and when your blood shall leap high, and
    nothing happens in this little town, and when the world calls to
    you, that you won't blame me.' And my aunt said, 'Don't worry,
    Emily; plenty will always happen where Ellen is.' I hugged and
    kissed her and promised hard. Now there will be no more
    presents, and no more bon-bons, for mother is going to shock him
    so he will not want to come again, which she thinks is a good
    way to save his vanity, but Aunt Sarah said: 'Emily, you are
    incorrigible.' But we are both, my mother and I, very sorry to
    lose our good friend. 'Can't men be friends with you,' I asked,
    'without wanting to marry you?' And my mother said, 'It seems
    not, dear.' But when I grow up it is going to be different with
    me."




CHAPTER IV


Ellen wrote about this time:--

    "Grandma Hathaway, Aunt Sarah and mamma, all don't know what to
    do about me. I should be much grown-upper than I am. 'Mercy,'
    said Aunt Sarah, 'that great girl of yours, Emily, acts so that
    she makes me tremble for fear she will some day swing by a tail
    from a bough, like a monkey.' [Here we see Miss Grant
    foreshadowing the Darwinian theory.] They don't know I try to be
    good, but I do try; but when joy gets into my feet I have to
    run, and I love to feel like that. I think I only try to be good
    when I am not happy. I have said my prayers about it, and the
    awful thing is when I say my prayers I feel as if God said:
    'Never mind, Ellen, run if you like.' They always say to me:
    'Why can't you sit and sew under the trees with the other
    girls?' Oh, if they only knew what we talked about when we sit
    and sew! And even Roberta does, though she disapproves of all
    silliness. I have never seen any girl disapprove of all
    silliness as does Roberta. But what we sit and talk about is
    _beaux_, though Roberta doesn't call hers that, and he isn't.
    And when Roberta talks so beautifully, I often talk the same
    way, but deep in my heart I know I wish I had a real beau, like
    the grown-up girls we talk about. It's strange, though, that
    Roberta has none, because she has more of one than any of the
    rest of us, because she writes notes to Leonard Dilloway and he
    carries home her books. When I said, 'He is your beau,' she was
    very shocked. 'I wish you would not speak so to me,' she said,
    'it pains me. I shall never love, anyway, but once. I am far too
    young to think of such things.' 'Why do you do it?' I asked her.
    This made her cross. 'I don't,' she answered. 'Leonard is my
    friend.' But the rest of us know she is in love. So when they
    talk to me about being a hoyden and ask me to sit and sew, I
    feel like a hypocrite, because I know that young girls like us
    are much more grown-up than they were when Aunt Sarah and
    Grandma Hathaway were young, and that they would dislike one as
    much as the other. Though I am young in actions I have such old
    thoughts that I am surprised and wish I could help being proud
    of myself for them. I have older thoughts than Janie or Mildred,
    or even Roberta. Roberta sounds older, but her thoughts are tied
    with strings while mine are not."

This sketch of hers is an accurate picture of the conversations
between young girls that are going on forever and ever when three or
four long-legged youngsters are together. Their talk leads inevitably,
as did ours, toward their business in life. To the lads we were
adventures--not to be confused with the real business they had to do
in the world; to us they were life itself.

Like all young girls, we lived in a close little world of our own. No
one entered it, nor could we come out toward others'. We were
passionate spectators at the feast of life, picking up the crumbs of
experience which came our way; for in our civilization we are treated
as children at an age when Juliet ran away for love, and Beatrice set
Dante's heart to beating. And yet our hearts beat, and we were tragic
and ineffectual Juliets, appearing on our balconies to youths who saw
only the shortness of our skirts. We knew without knowing that our
little lean arms were to be the cradles of the unborn generation.
Forever and ever we tried to tell those whom we met, "I am Eve," and
couldn't, not knowing the way past the angel with the flaming sword of
self-consciousness.

It was the great adventure of Janie Acres which made us conscious of
our absorption in boys. There had been a merry-making which took place
in a barn, and in talking it over afterwards, we recounted the
conversation of each boy who had spoken to us, giving the impression
of having snubbed them one and all; which, indeed, we often did, but
against our wills, because embarrassment made us gruff.

Janie had the adventure of hiding in the same corn-bin with a lad, and
what occurred in the corn-bin she was coy of telling. When pressed,
she flushed and looked the other way. It was Ellen who brought the
utter innocence and lack of romance to light with her merciless
truthfulness.

"Did he kiss you?" asked she.

We were shocked at her frankness. We never spoke of such things as
kisses directly. The delicacy of our little souls was deeply wounded.

And Janie replied:--

"Well, not exactly. But," she faltered, "he would have if I had stayed
there."

"How do you know?" asked Ellen coldly.

Thus it was she pricked the bubble of sentiment. We were all rather
horrified, immensely interested and rather envious. We now perceived
our sentimentality. We ourselves were shocked a little by some of our
temerities, for in the wide conspiracy of silence around us we
imagined we were the only adventurous ones in the world.
Characteristically, it was I who suggested that momentous association,
the "Zinias," or "Old Maid Club."

Ellen wrote:--

    "We made up our minds that we were always to be true friends of
    men and lift their minds up as women should. We are going to
    think only of our studies, our homes, and of religion. Roberta
    says we may as well begin now, for we are getting older every
    minute, and one of us is already fourteen. And before we know it
    we will be thinking of nothing but boys. We have only to look
    around us to see what such things lead to. Patty Newcomb and
    Elizabeth Taylor and all those big girls are both forward and
    bold. When I said, 'Roberta, isn't noticing everything they do
    and talking about it just the same as talking about boys?' she
    said at once, 'It is not the same at all,' in the tone that I
    know she doesn't want me to say anything more. And when I said,
    'Oh, Roberta, aren't we rather young yet to think about being
    old maids?' she replied sternly, 'It is never too young to
    begin.'"

I feel rather sorry now for the stern, little Roberta. I feel sorry,
too, for Janie Acres and her kiss that never was. She would have been
so proud of it; it would have been her proof that she was a young
lady.




CHAPTER V


No sooner had Ellen covenanted "Thou shalt not!" than off she went on
her first adventure,--a trifling one but bleeding. She walked one day
to the academy with Arthur McLain. He wore long trousers. Of this
fatal occurrence Ellen remarks touchingly: "I tried very hard to be
interesting, but I chose the wrong thing." It is a mistake frequently
made by grown men and women. Alas! capricious fate that governs these
things turned my sweet, unconscious Ellen to one forever on the alert
for the appearance of this long-legged quidnunc.

I will give three or four paragraphs from her journal:--

    "I asked Aunt Sarah if she wanted me to get her some more yarn
    when hers ran short. She answered, 'Yes, you may, though I wish,
    Ellen, my dear child, that you were as eager to do your work as
    you are to wait on others.' But I knew all the time that I
    offered to go because I hoped that I should see him, and I
    should have told my aunt that that was why I offered."

A few days later comes the touching little expression of the desire of
the eyes:--

    "Last week I walked all over town to catch glimpses of him. I
    went to the post-office, and he wasn't there; I went down past
    the school-house and past his house, and whenever I saw a boy
    coming toward me, it was hard to breathe. The whole day was
    empty and I thought it would never be night."

Again:--

    "To-day I saw him; he passed by me and just said, 'Hulloa,
    Ellen.' When I stopped for a moment, I thought he would speak to
    me. In school this morning he stopped and talked, but all my
    words went away and I seemed so stupid. At night I make up
    things I would like to say to him, and when he stops for a
    moment,--oh, he stops so seldom,--I forget them all."

Throughout all this, not once does she use the word _love_. From that
terrible and impersonal longing, unaware of itself and unrecognized,
Ellen walked out toward the long-trousered boy. She spread before him
as much as she could of her little shy sweetnesses. She walked up and
down the silent streets waiting for him. Later she writes: "I had no
single reason in the world for liking him."

I was with Ellen at the moment of her disillusion. We were out walking
together when Arthur McLain came toward us. Ahead of us, tail wagging,
ran the beloved mongrel Faro. He stopped to sniff at Arthur. Arthur
shooed him away. He was a lad timid about dogs, it seems. Faro saw his
nervousness, and, for deviltry, barked. Arthur kicked at him with the
savageness of fear.

I can see Ellen now gathering her dog to her with one regal sweep of
the hand and walking past the boy, her head erect, her cheeks scarlet.

"I _hate_ a coward," she said to me in a low, tense voice; and later
with a flaming look, "I would have killed him with my _hands_ if he
had hurt Faro," she cried.

So humiliated was she that she says no word in her journal for her
reason for her change of heart. She could not forgive him for having
made a fool of herself about him--about one so unworthy. For of all
things in the world hard to forgive, this is the hardest.

    "I would be glad if he were dead. Oh, I know I am awful, but it
    is like that. Think of him walking around this town day by day,
    and I will have to meet him; when I go uptown, when I go to
    school, I will be avoiding him exactly the way I used to look
    for him. Oh, if he would only go away."

It is not only Ellen who would like to slay the dead ghosts of
unworthy loves.

    "He walks up and down, and doesn't know I have looked at him.
    Oh, if he knew that, I think I should die [her journal goes on].
    He walks up and down and doesn't know that I so hate the sight
    of him. I don't hate him, but just the sight of him--so awfully
    I hate it. Everything he does seems to me so tiresome; his loud
    laugh makes me feel sick, and he doesn't know anything. I
    make-believe to myself that he walked all over town after me and
    got in my way and annoyed me until I said, 'I will be very glad,
    Arthur, if you would cease these undesired attentions.' How
    could he cease anything he had never begun, for it wasn't at all
    like that it happened. I should feel so much happier if I only
    could have hurt him, too."

This experience, so phantasmal and yet so poignant, led to the Zinias'
premature death. Conscience invaded Ellen now that disillusion had
done its blighting work. There came a day when she could no longer
keep to herself her deviation from the precise morals demanded by the
Zinias.

It was after a walk toward evening up the mountain, full of pregnant
silences, that she confessed:--

"You would despise me, if you really knew me. I'm not the kind of a
girl we are trying to be."

[Illustration: I HATE YOUR SOCIETY ANYWAY! I NEVER DID WANT TO BE AN
OLD MAID]

It shocked me and thrilled me at the same time.

"What have you been doing?" I asked her.

"I can't tell you," she told me. "You would despise me too much."

"Why, Ellen!" I cried. "Tell me about it."

"No! No!" she said; and she buried her face in the moss in a very
agony of shame. "I can't tell a human soul."

And she still left me with a feeling of having had an interesting
sentimental experience. Thus may we, when young, rifle sweetness from
the blossom of despair.

It was communicated to the other two Zinias that Ellen's conduct had
been unbecoming a sincere old maid, and when they turned on her,
instead of shame, she had for them: "I hate your society, anyway! I
never did want to be an old maid!"

As I look back, this adventure closes for us a certain phase of life
as definitely as though we had shut the door. We all realized, though
we were not honest enough to say it aloud, that we too didn't wish to
be old maids. And all this happened because an unlovable boy had made
Ellen like him. So much at the mercy of men are women! Just a shadow
of the Cyprian over us and we blossomed. It was the shadow of a
shadow; it had not one little objective event to give it substance,
yet the Zinias withered.




CHAPTER VI


With a deep revulsion of feeling, Ellen gave up girls, sewing, and
Zinias, and made a dash into childhood with Alec Yorke. Alec at this
time was a strong lad of thirteen, a head shorter than Ellen. I
remember even then he seemed more a person than the other boys, though
at the monkey-shining age.

They egged one another on until the ordinary obstacles that stand in
people's way did not exist. They became together drunken with the joy
of life. In this mood, they disappeared together one day, to the
scandal of Miss Sarah. She was particularly annoyed because Mrs. Payne
refused to be disturbed by the event.

"While he and Ellen are off together, they are somewhere having a good
time. Why should I worry?" said she. They had come together to find
out if Ellen was at my house.

"If I had known Ellen was gone with Alec, Sarah, I should never have
gone to look for her. I wasn't worried about her, anyway; I only
wanted company," said she, with more asperity than usual.

The two returned at sunset, the glamour of a glorious day about them.
They merely told vaguely: "They had been off on the mountain."

It leaked out that they had been as far as the village, ten miles
away, and that the peddler had given them a lift back. This last was a
scandal.

An Irish peddler lived on the outskirts of our village, and this was
before the day when foreigners were plenty. He lived contrary to our
American customs,--the pig roamed at will, in friendly fashion,
through his cabin. He sang in Gaelic as he drove his cart with its
moth-eaten, calico horse,--songs that were now wildly sad, now wildly
gay. He was alien, so we disapproved of him.

I remonstrated with Ellen on this.

"I like him," was her only answer.

This had not been all the adventure, nor was this the end of it. To
tell the story in Ellen's own words:--

    "Alec and I were picking currants at Aunt Sarah's when I heard
    a voice behind me, and I never knew before what it meant when I
    read in books, that 'their hearts were in their mouths.' I
    thought mine would beat its way right out of me and lie thumping
    at my feet when I heard a voice say: 'Oh, here are my little
    friends from Erin's Isle.' I suppose it is because I am very bad
    that it never occurred to me until that minute that fooling a
    minister, by pretending to be the peddler's children, was not
    right, especially when it was Alec's and my singing songs in
    what we made him believe was Gaelic that made him buy so many
    more things. I wonder if all people who do wrong only feel badly
    when they are found out? I turned around and I thought I should
    fall, for my mother was with him, and Aunt Sarah and uncle and
    our own minister. Uncle Ephraim had not heard what he said, and
    now, 'Permit me, Mr. Sweetser,' he said, 'to present my little
    niece, Ellen, Mrs. Payne's little daughter, and our neighbor,
    Master Alec Yorke.' I saw him wondering if we really could be
    the same children, because, while we were playing that we were
    the peddler's children, we had taken off our shoes and stockings
    to make ourselves look like wild Irish children, and had
    succeeded very well, indeed. I thought for a moment that perhaps
    he wouldn't say anything, but Aunt Sarah's ears were open. 'What
    was that? Did I hear you say "your little friends from Erin"?
    Have you seen these children before?' This was an awful moment.
    'These are the same children that came with the Irish peddler to
    my house.' 'Ha! Ha! I knew that those children were gone for no
    good, Emily, and that they were strangely silent about their
    exploits,' Aunt Sarah said. 'Do you mean,' said Uncle Ephraim,
    'that my niece and Horace Yorke's son made believe to be the
    children of a drunken, Irish peddler, and thus appeared before
    you?' 'Not only that,' said Mr. Sweetser sadly, 'but they sang
    to us in Gaelic.' 'Gaelic,' snorted Aunt Sarah; 'never a word
    does she know of Gaelic. I have heard her making up gibberish to
    the tunes that that peddler sings on his way.' Here Alec acted
    extremely noble, though it annoyed me very much, and I am sure
    that I am a very ungrateful girl that it did annoy me. He spoke
    right up and said: 'Mr. Grant, it is all my fault. It was I who
    thought of being children of the Irish peddler and I who
    suggested that we hop on his cart. I should take all the blame.'
    There was not one word of truth in this, for we had often ridden
    with the peddler before, and the idea of playing that we were
    his children was my own, and without thinking I told them so.
    'Let us say no more about this childish prank,' said Mr.
    Sweetser. 'These children have shown real nobility, the little
    lad in desiring to shield Miss Ellen and Miss Ellen in not
    permitting herself to be shielded.' Well, I knew that we should
    have more of it and plenty later, and we did when Aunt Sarah
    came ravening--there is no other word to use for it, though I
    know it is not polite--down to our house. It all oppressed me
    very much, even though Alec whispered: 'We can make-believe we
    are being persecuted by the Philistines.' I know I have
    disgraced the family, but I shall never understand why riding
    with the peddler should do this. If our family is any good, it
    should take more than this. Uncle Ephraim and Aunt Sarah have
    said that I am really too old to act as I do. When I answer,
    'But if I act so, doesn't it show that I am not too old, Aunt
    Sarah?' she says: 'Mercy, my child, as tall as any flagpole and
    with legs like a beanstalk, you've got to be acting like a young
    lady. We can't have young women of our family getting a
    ridiculous name.' This means that I must give up Alec. 'Why you
    want that child around all the time is incomprehensible to me,'
    said my aunt. 'You are a good head higher than he is.' People
    are always measuring things in length and breadth. How can one
    measure one's friends by the pound? Roberta agrees with them.
    She thinks I am giddy, and feels that she must be good for me. I
    love Roberta more than any other earthly being beside mamma, but
    when Roberta tries to be good for me, I am so wicked that I try
    to be bad for Roberta, and can very easily be so."

This episode stopped the free skylarking with Alec. As you have seen,
it was explained to Ellen that since she was fourteen and nearly a
young lady, she must behave as such. When I think how many lovely
spontaneities have been offered on the sad and drab altar of young
ladyhood, I could weep, as Ellen did. Alec's suggestion that they were
being persecuted by the Philistines did not comfort her, and little
Mrs. Payne said sadly:--

"Your aunt and uncle are right, Ellen, and I suppose I'll have to
punish you to satisfy them, but I can't help knowing that you must
have had a perfectly wonderful day, and they are few in this world.
Don't let your punishment cloud your memory."




CHAPTER VII


Look back and see if you can remember when it was you drifted from
that part of the river of life that is little girlhood to that time
when you recognized that you were grown up, and the eyes of men rested
on you speculatively, interestedly, and your parents foreshadowed
these things by an irritating watchfulness that you did not
understand. The picture of Ellen that comes to me oftenest is one of
her progress through the streets, her hair in an anguished neatness,
from her desire to escape Miss Sarah's critical censure, her skirts
longer now, and behind her perpetually screeled the three motherless
babes of our not long widowed minister. He was a middle-aged man,
ineffectual except for some occasional Gottbetrunkener moments. From
my present vantage-point I now recognize him to be one of the brothers
of St. Francis by temperament. He had a true poetic sense, and Ellen
would go to his house for the purpose of washing dishes and helping
about, performing her labors with the precision which she had only for
the work of other people, her own room, to my anguish, being a whited
sepulcher of disorder, outwardly fair to the glance of her Aunt Sarah,
while dust lay thick in every unobservable spot. It was I who kept her
bureau drawers in order.

She writes:--

    "I just can't waste a minute indoors. I don't know why grown
    people have so many things to do. When I get married I am going
    to live in a tent and have just one cupboard where I keep
    everything, with doors that can't be seen through. Roberta
    wrings her hands, but she would wring them more if she knew that
    I have from earliest childhood learned to sleep quietly in my
    bed as it takes less time to make it when I get up. And mother
    doesn't care one bit more than I. I am so glad. She so
    frequently says: 'Ellen, this is too sweet a day to cook'; and
    we eat bread and milk all day, and don't even light the stove,
    though there have been moments when I have been glad that there
    is a big kitchen in which they are always cooking, up at my Aunt
    Sarah's. We would get things done much better if it were not for
    reading aloud, but so frequently mother finds things she wants
    to read, and then we go on, but not on and on like Mr. Sylvester
    and I. We began reading poetry the other day--how shall I tell
    it? And he read and I read, and he read and I read, until we
    understood everything we were reading, the very heart. We felt
    as if we had made the poetry--just knowing it for ourselves, and
    it was us. By pretending I am Mr. Sylvester's second wife sent
    by the Lord to take care of his motherless children, I find I
    can do housework very well, for me, though I feel rather guilty
    when I look at him, for I know that even he might be exasperated
    at the thought of me as his second wife. But one has to do
    something."

Some weeks later this occurs:--

    "Now I have learned to work so beautifully and have done so
    well, besides taking care of the children and then baking, I
    feel it isn't fair not to do it at home. Oh, how hard it is to
    do work for one's self. I know I should think I am doing it for
    my mother, and when I was very little I used to pretend that I
    was a poor child who supported her mother; but the little silly
    pretenses of childhood are now impossible for me since I am so
    much over fifteen."

It was at this time that we began to be allowed to go to the young
people's parties, because with us there was no fixed and rigid time
when girls come out. They went when their legs were long enough and
when they had learned to fold their hands properly in their laps and
sit with decorum, which with Ellen and myself occurred somewhere
toward sixteen. Ellen writes of one of these parties:--

    "I am sitting waiting to go. I have a new pale-blue dress with
    little ruffles--little, tiny ruffles. Aunt Sarah is disgusted
    that mother put so much work into my dress because it isn't
    practical, when we need so many things, for her to waste her
    eyes. And it is true, but oh, how much more fun it is to work on
    ornaments than useful things, and parties are like ornaments. I
    think they are like jewels, and a great, big, enormous party,
    with lights and flowers, like one reads about in books, must be
    like having strings of pearls. All I hope is that I will act
    politely, and not show how pleased I am, because if I did I
    should shout and sing. My Aunt Sarah said: 'Ellen, please, my
    child, don't make me feel as if you were going to burst into
    flame or perhaps slide down the banisters.' And, indeed, I often
    look in the glass and wonder that I can look so quiet and
    unshining."

It was in this high mood that Ellen met Edward Graham. I know now that
he must have been an honest lad, square-cornered, solid, with an
awkward, bearish, honest walk, nice, kind eyes, and a short mop of
wiry, glinting curls as his only beauty, which fitted his head like a
close-clinging cap, stopping abruptly instead of straggling down
unkemptwise, as hair is apt to do, on the back of his neck and
temples. It was Ellen who noticed this and wrote about it. He must
have been not over one-and-twenty, but he was instructor at the
academy in chemistry and mathematics.

Well do I remember hearing this conversation at the other side of a
vine-trellis at this party. In her low, pensive voice Ellen was
saying: "I lived by the sea; it was in my veins. The noise of its
beating is in my heart. One cannot live inland when one has been a
lighthouse-keeper's daughter."

Rage and anger surged in me, for Ellen had made but three visits to
the sea in all her days, and one of which occurred when she was too
small to remember it. As you may gather from this, her father had not
been a lighthouse-keeper. I stamped my foot; a little-girl _mad_
feeling came over me. I took my saucer of goodies and my cake firmly
in my hand and went to confront her then and there. She had talked so
beautifully about truth and life that very afternoon.

I couldn't do it. The little sarcastic remark that anger had invented
for me died still-born. She was too lovely; something almost
mystically beautiful radiated from her whole little personality. "I am
so happy," she seemed to say. "Let me stay happy one moment more."
There was always about her this heart-rending quality. It was not
until I could draw her by herself that I spoke to her, and then my
remonstrance was gentle.

"You must tell him the truth," I insisted kindly.

And Ellen wrung her hands and said:--

"Oh, Roberta! you make my heart feel like a shriveled-up little leaf;
you make me feel like a bad dream, like when you find yourself in
company without your clothes."

But I repeated inexorably:--

"You _must_ tell him."

I can see her now drooping up to him and the appealing glance of her
large eyes. Presently I saw him take both her hands in his, and then
she came toward me, her feet dancing, a glad, naughty look in her
eyes. She answered my glance of inquiry with:--

"He asked me why I told him what I did, and, since I was telling the
whole truth, I answered, 'I wanted awfully to have you like me.'"

That, you see, is what I got for interfering with my friend and
torturing her.




CHAPTER VIII


The next few weeks there were very few entries.

Ellen was very bad at mathematics, and her uncle, who rarely left his
seclusion to interest himself in her affairs and who merely enjoyed
her personality, thought it would be a fine plan if this responsible
young man should give his Ellen lessons. Mr. Grant was advanced in his
theories concerning the female brain, which, he said, lost its
vagueness and inexactnesses through a mathematical training. Ellen
merely makes a note of this.

There are very few entries in her journal at this time, for she was
playing with the great forces of life. God help us all! We didn't know
passion when it came to us, nor how should we? It was the warp on
which were woven all our generous impulses, all our high idealisms,
making in all the shimmering garments in which we clothed our fragile,
newborn spirits.

Ellen walked in a magic circle of her own ignorance, never dreaming
of love or of being in love. So absorbed was she that it seemed like
some one walking down a road that leads directly into a swift-flowing
river, and not knowing that the river was there until one had walked
directly into it. So close is the so-called silly moment of girlhood
to the moment of full development, that when the change comes it
sometimes takes only overnight. It was only a few pages, after all,
that separated Ellen, who managed to do the minister's dishes by
pretending that she was his second wife, from the Ellen who wrote:--

    "I don't know how to begin what I am going to say. I thought
    everybody in the world must know what had happened to me. I
    thought my face must shine with it. I thought I must look like
    some one very different from myself,--like a woman, perhaps. I
    came home through Lincoln Field and squeezed myself through a
    hole in the fence so no one could see me. I came up the back way
    to my room and locked the door. My heart beat both ways at once
    when I looked in the glass, but I looked just the same as before
    I went out--as before he kissed me. I went downstairs and my
    hand seemed too heavy to open the door and go in where I heard
    their voices. I was afraid to go because I felt: 'They will
    know, they will know!' Mr. Sylvester and mamma and Aunt Sarah
    were there. 'Where have you been?' said mamma. And I could not
    answer. I felt I had been gone so long and so far. I could hear
    the blood beating in my ears, and when my aunt said: 'I wish,
    Ellen, you would stand up straighter,' I could hardly lift my
    head."

    Next day there is an entry: "I didn't know we were engaged until
    he told me, 'Why, of course, we are.'"

Thus simply does youth plight its troth. They had been together and he
had kissed her, and so, of course, they were engaged. Of course, they
were ready to fight the long battle of life side by side, and she who
had given so much in her kiss had walked out past the doors of
girlhood; through that one light touch she felt that her whole life
must be then surrendered to the boy who had had the magic word for
her. They decided to tell no one on account of their youth.

No sooner did this honest lad have my rainbow Ellen in his hands than
he started in trying to make some one else of her. I read her journal
that follows with a certain heartache because I was not blameless in
this matter. I, too, wanted to take this gay and shimmering child and
turn her into something else; trim her generosities and check her
impulses.

Another thing that makes me rage is the fact that my knowledge of the
lives of men teaches me that, had Ellen had one little affectation in
which to clothe herself, her young lover would have been on his knees
before her instead of being the pedantic young master. Ellen's journal
at this time varies from a thing glittering with life, from being
drunk with the heady wine of being beloved for the first time, to a
book of copy-book maxims, beginning with: "Edward says I must read--or
do--or act--or mustn't."

Poor young man! He wrote her decalogues by the dozen, and yet the
tragedy of him is that he tasted her special quality and loved her
while trying to kill it. The youth of Ellen and her high joy of living
carried him along in spite of himself, though he always made Ellen pay
for his happiness by lectures on the seriousness of life.

It was here that Alec began to perceive the place he had in her life.
They had a game they played that they called "Two Years Ago," in which
they outdid their own childish pranks. Ellen remarks ingenuously:--

    "I suppose that I ought to tell Edward how Alec and I rest
    ourselves from growing up, but there is no place in him to tell
    this to. I tried it with Roberta, and she just understood what
    it was about, but doesn't see why I want to do it; and I don't
    know myself exactly, except that I just have to."

Then from one day to another Alec was sent West to an uncle and two
weeks later, as had been planned, Edward left. He was to go away for
a year and a half, and then come back and formally ask for Ellen's
hand. It shocked Ellen terribly that she missed Alec most.

Through all the year and a half that followed, Ellen never told me
anything of what was in her mind, nor did she tell her mother, and
here is the characteristic of their young girlhood that people seem to
forget--this nameless reticence. So, alone, she went through the
crucial thing that falling out of love always is. Another girl in her
situation might have deceived herself, the idea of a grown-up lover
was such a pleasant one to a girl of Ellen's age. Ellen was unaware of
the disillusion she was preparing for herself. She writes, appalled:--

    "I don't know what has happened to me, I can only describe it by
    saying I have waked up. I know now that I am not in love with
    Edward and I just understood this from one day to another. He
    has not done anything at all. He writes me just the way he
    always has. He hasn't changed, so I suppose I am fickle and bad,
    and that I can't trust myself, for if this wasn't real, I don't
    know what can be real, and yet I feel as though I had never
    loved him at all. I sometimes wonder if I should have become
    engaged to some other person if it had happened that some other
    person had kissed me."

Write him of her change of heart she could not, for as time went on
apparently the memory of her became dearer to the boy. Good and slow
and pedantic, he yet realized what a lovely thing life had put into
his hands, and he longed to keep it, and he communicated this
ever-growing longing to Ellen. She so wanted to keep faith with
herself and to live up to all the things about "one love and only one
love" that books from all time have taught young girls they ought to
feel. She felt a great need of talking about it with some one and
could not bring herself to do it.

    "If I could only tell some one and ask what to do, but it seems
    disloyal. Roberta wouldn't understand and some way I don't want
    to worry my little mother. Sometimes I feel as if I did tell
    her without saying any words, when I sit beside her and hold her
    hand and feel afraid. The other night we sat alone in the dark.
    The smell of honeysuckle vines was so sweet that I shall never
    smell it again without thinking how soft her hand felt in the
    dark. She said: 'When I was your age, I used often to want to
    tell my mother things and didn't dare. My mother was more like
    your Aunt Sarah.' My heart beat so when she said this that it
    seemed as if she could hear it, but I only pressed her hand and
    kissed it. Then she said to me: 'You have seemed a little
    absent-minded lately, my darling child; have you anything on
    your mind, Ellen?' And I said in a low voice, and blushing,--and
    I took my face off her hand for fear she would feel me blush
    against it,--'What should I have?'"

As I read her cramped little handwriting a sudden wave of shame creeps
over me as though I had gone back; I remember her so well; I was so on
the outside; I loved her so truly. Meantime, as every day shortened
the distance that separated them, a certain dread encompassed Ellen;
she visualized their approach one to another in this way:--

    "It was as if I was standing still and he was standing still,
    and that the space between us was being shortened by little
    jerks, and each jerk was as a day that makes us come nearer and
    nearer. I don't want to see him--oh, I don't want to see him. I
    don't know what I'm going to say to him--perhaps nothing. He
    will look at me kindly--oh, kindly and critically,--and then I
    shall be afraid; afraid of hurting him--afraid of him."

A little later she writes again:--

    "If I go on feeling undecided as to what I shall do, something
    will snap inside my head. I can't feel so uncertain. He wrote to
    me lately, 'Ellen, my life would be utterly worthless without
    you.' I cannot ruin any one's life, and my life is pretty
    worthless, anyway, so I am going to stand by my first promise,
    which is the only brave thing to do. Now that I have decided
    that, I feel at peace. I loved him once and my love will come
    back."

She adds touchingly, "I have two weeks before he comes"; but these two
weeks of respite were denied her. I was going down to Ellen's when I
met Edward Graham on his way there also.

"I've come to surprise Ellen," he said. So it happened that it was I
who went to her with the words, "Edward Graham's waiting for you
downstairs," and wondered at the sudden ebb of color from her face.




CHAPTER IX


It was with her mind utterly made up as to what course to take that
she went to her ordeal. She was going to offer herself a little, white
offering before the altar of the fetish which decrees that we shall
keep our promises. Herding her to this doom were all the cruel things
which we teach our young girls. In New England in my day we did not
joke about engagements. In her innocence, having given her lover her
mouth to be kissed and her hand to be held, and having promised to be
his, she had definitely decided that in the sight of God she was his,
and so she dressed herself in her best that she might please him.

I suppose that had I made up my mind to do what Ellen did at that age,
I should have gone through to the iniquitous end, shut my eyes and
quieted my rebellious spirit with sophistries. I should have done
according to whichever part of the strange anomalous teaching which we
give young girls that I believed in most. Had I believed most that it
is the crime of crimes to marry without love, I should have frankly
made up my mind to break the engagement, but had I believed that one
may love but once, and that an engagement is a marriage of the spirit,
and that in giving this I had given so much to one man that I had
nothing left for any other,--it is strange, but this is still taught
to girls to-day,--I should have traveled that terrible road. For girls
as young as Ellen have to find their way around through a world that
is hung with a cobweb of lies, which is put there to screen us from
the real world. The suffering that the unlearning of these lies has
given to girls of our class from all time is greater than the
suffering through which we must pass to come to a wider religious
belief.

Ellen might make up her mind as to what to do, but she lived by
instincts. She writes about it:--

    "I couldn't. All day I pretended to myself that I was glad he
    was coming, and that as soon as I saw him everything would be
    all right, but it is a terrible, awful thing. He cares. He put
    his arms out toward me and said: 'Ellen, oh, Ellen!' All I could
    say--I was so cruel, so stupid--was, 'Don't, don't'; and I meant
    I didn't want him to touch me. And then he said, and it was
    worse because he has grown much older looking, 'I don't
    understand. What's the matter, Ellen?' I said, 'I can't marry
    you; I don't love you.' He said: 'Why, what have I done?' What
    could I tell him? It was just that he was he and I was I, and
    that's no reason, and yet it is the only reason in the world
    that you can't change, and that's why you love people and that's
    why you don't love them. We both stood and just stared at each
    other. While I looked at him all the color went out of his face
    and it grew gray. 'When did it happen, Ellen?' he said. 'I don't
    know,' I told him; 'it just went out.' 'You might have told me.'
    'I meant never to tell you,' I said; and then his color all came
    back to his face and this was worse than before. 'You meant to
    marry me just the same? Then you _do_ care for me; it's just an
    idea you've gotten; it's just because we have been apart so
    long. Let's just go on just as you meant to, Ellen, if there is
    no one else.' He opened his arms as if he wanted to hide me from
    myself in them, but I don't know what happened to me. I just
    said, 'No-no-no-no,' and ran out of the room, and out of the
    house up into the orchard. I didn't notice, but threw myself
    down under the tree and cried and cried. I don't know how long I
    was there, but I heard my mother saying: 'Ellen, Ellen,' and the
    sound of her footsteps coming toward me, but I couldn't stop
    sobbing so that she wouldn't find me like that. She heard me and
    came to me and said, 'Why, Ellen darling! Child, it is as wet as
    a river here.' She felt my dress and at first it seemed to me
    that it must be wet with my tears, but it was just the grass.
    'What is it, Ellen?' she said to me, and I told her that we had
    been engaged and that I had just seen Edward, and told him that
    I didn't want to marry him; and she just folded me in her arms
    and said, 'Why, darling, you needn't'; and she comforted me, and
    I felt all safe from everything and just like a very little
    girl. Not many people can feel like that with their mothers,
    but I don't think unless you can that your mother's a mother to
    you really. I couldn't go on feeling safe and rested forever.
    I've broken faith with myself. I can't count on myself any more.
    It's a terrible thing not to be able to count on people you
    love, but it's worse not to be able to count on yourself. I
    couldn't do what I thought was right; how do I know I will be
    able to keep from doing what's wrong? I think I will try and
    give up being good, because most of the things people think are
    good I don't understand why. I might have saved myself all that
    suffering and been happy and low-minded, comfortable and
    contented, and I think I will be from now on."

I well remember this epoch in Ellen's life; she must have been between
eighteen and nineteen when she gave up hope of herself and went out to
be comfortable, low-minded, and happy, for she told me about this
spiritual change in her. It was a crisis with Ellen, a spiritual
crisis as important as the time in a boy's life when he makes a breach
in the "Thou Shalt Nots" that have guarded him around, and surrenders
himself to the heady wine of living and says to himself: "I am a
sinner; now let's see what there is in sin."

Just about the time Ellen broke her engagement, a boy named Landry lay
heavily on my conscience. At this time, also, Ellen was engaged and
yet was unhappy, and yet all I knew about Ellen was that there was
something weighing heavily on her mind, and all she knew about me was
my outward principles in this matter and none of my inward storm and
stress. I can remember very well the never-ending conversations we had
at this time. I suppose all young girls who are not on terms of
familiarity with their own souls thus cloak their real feelings from
each other. For there is happily nothing more usual than that
shivering, shrinking, spiritual modesty which can tell of no event in
life that implicates another human being. Later the weaker women
outgrow it shamefully, or the finer ones among us replace it with a
beautiful frankness. There are some happy girls who have been so
simply brought up that they have never felt the need for the
ambiguities of life as Ellen and myself did. The facts of the case
were these: Released from the torturing thought of Edward Graham, the
breath of life blew through Ellen in a storm, while I was being
discreetly courted by George Landry. I had never had a tumultuous
suitor, on account of my being matter-of-fact in my attitude toward
the boys I knew or instinctively withdrawing myself from any
sentimental approach. But now this sentimentally inclined youth had
called on me and shown a recurring disposition to try and hold my hand
when we were alone together. We read a great deal of poetry also and
with deep emphasis. Thus does Satan trick the unwary. I, Roberta, the
straightforward; I, the hater of philandering, and who sincerely felt
that a self-respecting woman should be proposed to only by a man she
would willingly accept as her husband, read verses far-gazing at
distant horizons and with gentle underscorings whose audacity set my
heart to beating. That I had gone into this slow-moving and decorous
little flight of sentiment seemed so contrary to my ideals that I
felt I must give up my friend and his poetry-reading and forego the
heart-throbbing performance of having my hand gently captured and as
gently withdrawing it again, both of us apparently blankly unaware of
the actions of our respective hands. Ellen and I would discuss our
affairs in ambiguities like this:--

"There's a doom threatening me," Ellen would confess.

"A doom?" asked I, impressed by the sinister darkness of the word.

"Fate has tangled up my life," Ellen averred. "I have been deceived in
myself, and now that I know what I am, I don't care."

"What sort of fate?" I then made bold to ask.

"One that will influence my whole life because it has made me glad I'm
not good like I tried to be. I love the feeling of having gotten rid
of goodness, Roberta"; and Ellen flashed me the smile of a naughty
angel, and turned from me to wipe the nose of the youngest Sylvester
baby, Prudentia, who accompanied us on our woodsy rambles. "Can you
always decide everything in your life?"

"Indeed I cannot," I answered quickly. "I must give up a thing that's
sweetest and dearest in life to me, and I can't decide to do it--I am
not strong."

"Oh, Roberta!" Ellen cried out. "You are so much stronger than I, for
I decided and did the opposite thing."

"What did you want to do?"

"The thing I did do," poor Ellen cried, tears welling up to her sweet
eyes. "I wanted to do what I wanted to do, and yet before I so wanted
to do what was right." Then, with her little fists pounding on the
moss on which we were sitting, she said: "And mighty often, Roberta
Hathaway, what people want to do seems to me the really right thing to
do."

As I grow older, it seems to me so very often that what people want is
really the right thing. There are so many needless sacrifices made in
life,--sacrifices that do good to no one and cripple and maim one.

       *       *       *       *       *

I might have saved myself the worry of giving up the "sweetest and
dearest thing in life," for I had an experience which showed me what a
solemn young fool I was.

If Ellen and I had this intense spiritual modesty, Janie Acres was
not so afflicted. She was always prolific in detail of any sentimental
adventure which she had, and was generally only quiet when she had
nothing to tell. Ellen summed this characteristic up in her
observation on Janie's character:--

    "When Roberta and I don't say anything it is because we have too
    much to say, but when Janie acts as if she knew how God made the
    world, it is a sure sign she has nothing to tell."

Poor Janie Acres! Through all this long stretch of years I can see her
perpetually heart-hungry, wishing for experiences her very eagerness
denied her; longing for sympathy, companionship, and love, and when
such things came her way, killing them. She had a curious jealousy
which was kept from its full bloom by her confidence in herself. When
Janie hadn't sufficient sentimental experiences she would invent them.
And it was because of her inventions that my little experience which I
was taking so seriously was turned to ashes before me.

This trait of Janie's was an incredible one to me. I, who so
diligently hid all trace of any sentiment in my life, could never
comprehend a temperament that would not only share all its secrets
with its friends, but who also invented them; and it was only when
Janie had repeatedly emphasized George Landry's attentions to her at
moments when I had been reading poetry with him that I realized this.
I listened with the gravest feeling of superiority to Janie's artless
prattle. If George Landry walked up the street with her, it was an
event. I think if she had refused to have him accompany her to a
Sunday-School picnic she would have recounted it to us as the refusal
of a proposal of marriage.

In some obscure way Janie's interest in George Landry quickened my own
feeling and gave me emotions of vast superiority which were very bad
for me. All this is brought vividly back to me by this page of Ellen's
journal which recounts the final denouement:--

    "We have been having an awful time this afternoon, and I don't
    think that any of us will feel the same ever again. Roberta has
    been crying in my arms and says she feels soiled, but she has
    acted so nobly that it will be a comfort to her, because being
    noble is always a comfort to Roberta--and to almost anybody
    else. George Landry has been a friend of Roberta's for some
    time, and when the other girls have joked her about it she has
    been very stern, and I've believed everything Roberta has said
    because I think it is horrid to do anything else. But Janie has
    been talking about George, too, in the way she goes on about
    anybody that notices her, only who could tell that Janie would
    talk about those who don't notice her in the least? This
    afternoon we were all talking together, and she began: 'Last
    night George Landry came past my house and I pretended not to
    notice him, and he stopped and said, "Can I come in?" And I
    said, "No, it was too late."' 'What time was it?' asked Mildred
    Dilloway. 'Oh, it was about eight o'clock, and he stayed and
    talked and talked and leaned clear over the gate, and I kept
    backing away, and if mother hadn't called me from the house,--'
    Here Mildred broke in and said: 'Janie Acres! I don't see how
    you can tell things like that! George Landry was at my house all
    yesterday evening.' 'Well, it was the evening before that,' said
    Janie. 'Well, it wasn't the evening before that,' said Mildred,
    'because he was at my house all the evening before, too.' 'I
    thought your mother was so particular,' began Janie; but Mildred
    wouldn't let her change the subject the way Janie knows how to
    do, and she said: 'The way you have gone on about George Landry
    has almost made trouble between George and myself. It has made
    me feel quite suspicious at times. But now I have caught you at
    it.' Janie blushed very hard and said: 'You are very spiteful,
    Mildred, about it. George Landry does like me and I haven't told
    you anything that wasn't so. Perhaps it wasn't so late when he
    leaned over my gate.' 'He wasn't anywhere near your old gate,'
    said Mildred, 'and I might just as well tell you--' And here
    Mildred, who is very soft when she loses her temper, and begins
    to cry, did all these and made us all very much embarrassed.
    'And I might as well tell you--and you can see how much you
    have hurt me--he kissed me good-night. So you can see whether
    it's nice of you to pretend that George Landry is interested in
    you or not.' We were all perfectly quiet for a minute, and then
    it was that Roberta made her great sacrifice. Mildred was still
    crying from excitement and Janie was at a loss for something to
    say for once, and looking very frowning-browed and jealous.
    'Girls,' Roberta said, 'I have something to tell you. And you,
    Mildred,--whether George has been attentive to Janie I don't
    know, but--' 'He walked home with me yesterday afternoon,' said
    Janie. 'He did not,' replied Roberta firmly; 'he did not. He was
    at my house all yesterday afternoon, and we were reading poetry
    and he held my hand.' If Roberta had been the least like
    Mildred, she would have cried, too, but she stood there straight
    and held her head up as beautiful as an avenging fate. What she
    said stopped Mildred's tears, and she sprang to her feet and
    stamped her foot, and said: 'Well, if he did that and then came
    to my house and did what he did in the evening, he's a pig!' And
    she stamped her foot again. 'I said the truth anyway'; and she
    glared at Janie who now said, 'I was just trying to tease both
    of you.' But Mildred snapped, 'You were trying to lie to both of
    us.' And Janie stuck her head on one side in the most provoking
    way and said, 'I don't want your horrid beau anyway.' It was all
    very painful, especially to Roberta. She said: 'We must never
    any of us speak to him again. He is unworthy of our notice.
    Except to spare you more pain, Mildred, I would not have told
    you about this at all, and I am very much ashamed of myself, and
    it serves me right. I shall never let any one hold my hand again
    as long as I live.' None of us knew that any boy could be so
    double-faced, and we all have agreed, and Janie Acres, too, that
    we shall act as though he did not exist at all, which will save
    our dignity and we hope will teach him something."

When other people write our lives, they tell the dates of our births,
marriages, and deaths; they note the year we went to college and when
we left, and all the other irrelevant things; no one says that it was
at such and such a moment that his soul was born, or that the baptism
of fire that turned away the selfishness of this woman came at such a
time. We keep these great and obscure birthdays and many minor ones to
ourselves, and this droll little episode was the definite ending for
us of little-girlhood. In our town we dawdled along in what the
Germans call the "back fish" age until some such thing has happened,
for we had no custom of girls coming out all of a sudden full-blown
young ladies; we had to win our spurs in a way.

We thought of ourselves as grown up, to be sure. Mildred Dilloway had
had a very melodramatic love-affair with one of the lads in the
seminary who had gotten into some sort of a scrape and was expelled
from school. He had urged Mildred to fly with him. Alas! that women
should be so practical. Even young as she was, she asked, "Where?" and
when he had no special place to propose beyond his parents' house, to
which he was then repairing, she had laughed at him, but in spite of
all our experiments in sentiment we had remained immature in spirit.
Now, suddenly, through the actions of this soft youth, George Landry,
we found ourselves in an absurd position. The grown woman in us came
to life; we wanted to vindicate ourselves in our own eyes; and it was
during the next few months that we found ourselves suddenly grown up
and the world's attitude toward us suddenly changed. From being the
little girls who accepted the casual kindnesses of older men in a
panic of gratitude, suddenly our position was of those who are sought
out.




CHAPTER X


Ellen's formal renouncing of goodness helped us find our place in the
grown-up world. Her gayety had always made her overstep the bounds of
perfect decorum demanded of young women in my generation, and she set
about carrying out her resolution which she told me about. I remember
well the shocked sort of quiver with which I recognized myself, even
staid Roberta, in her question:--

"Roberta, when you're in company, don't you ever want to do foolish
things? When you see a lot of solemn people saying good-bye
downstairs, don't you want to slide down the banister into their
midst? When Edward Graham used to lecture me, again and again I've
wanted to take his hand and skip down the street singing, 'Hippity Hop
to the Barber Shop,' and see what he'd do. I've always wanted to do
all the foolish things I've thought of when I was in company, and now,
Roberta, I'm going to!"

I had had these erring impulses. Who has not? In each of us there is
a hinterland where thoughts as fantastic as anything that happens in
dreams gambol around with the irresponsibility of monkeys. Ellen
translated a certain amount of these into action--and see what
happened.

This is what makes virtue so discouraging in an imperfect world. It
was her naughtiness which advertised to the world of men, "I am a
sweet and adorable person; I can make you laugh, and I can make you
dream, and I have no fear." Ellen now acted before strangers with the
inspired foolishness which most of us keep for those best known to us.
Even for them this mad spirit is not at our beck and call, but must
wait for the time and place to bring it out. Youth, empty of such
lovely, high-spirited, and drunken moments, must be very sad.

The divine folly of such mirth is only for the partaker; one must feel
the wine of life coursing through one to understand its spiritual
significance. Joy-drunken young people seem to outsiders silly, if
they don't seem wanton; and while the things that we did would seem
mild enough if I told them, they set our little New England town by
the ears during the year that followed.

Our little coterie gradually acquired the reputation of giddiness
among the older people, while we steadily became leaders among those
of our own age, and Ellen the central flame around which we revolved.
I myself thought her too audacious, and even when carried away by her
I used to remonstrate seriously with her. This accomplished nothing,
but it eased my own conscience.

Edward Graham, who had come back to teach in the academy, also
lectured Ellen continually. He was one of those tenacious men who
desire a thing all the more when they have lost it, and I think the
full flowering of his affection for Ellen only came after he knew he
couldn't have her. I think it might never have come otherwise. His
love for her was deep and fundamental, and the sort of love men treat
like the air they breathe; but had she married him and been the docile
wife she would have been, he might never even have known himself to
what extent he cared, and still less have shown it to her. They
continued to see much of each other, because he had put to her the
plausible story that they could still be friends, and she, of course,
eagerly assented, wishing to make what little reparation she could,
and not realizing that at the back of his mind was a determination to
win her at whatever cost.

Now her growing popularity and light-mindedness caused him anguish.
Her growing popularity aroused in him a leaden jealousy. He alternated
from mad blame to pleading affection. His devotion to her was a
continual pain, and yet in her gentleness she didn't know how to
escape it, and his criticisms bred in her a certain defiance of the
world and of conventions and made her more extravagant. I suppose it
was because it came as a climax of a number of smaller follies that
the town took so much notice of the famous "Young People's Party,"
given by the gentle Mr. Sylvester. I well remember the next day. I see
myself demure in my grandmother's kitchen, demure and gingham-aproned,
my hands in dough, my hair sleek under its net. I see Ellen, a blue
ribbon around her hair, a sparkle in her eye, her little feet
crossed, with all the look of the cat which has swallowed the canary,
and is glad of it. This is what sin had brought her to, you see. Mrs.
Payne sat, sweet and helpless-looking, in one chair, and my
grandmother creaked portentously back and forth, her hands folded on
the place she called her waist-line, saying to Sarah Grant:--

"It couldn't have been _hens_, Sarah."

"It was hens," said Miss Sarah accusingly. "They went out to the
hen-yard and brought each hen into the house, and they flew around and
broke two vases." Her eyes meantime had not quitted Ellen, who at this
inopportune moment snickered with happy recollection. "Ellen," her
aunt broke off accusingly, "did _you_ think of bringing those hens
into the house?"

"We were hawking," explained Ellen. "I brought mine in on my wrist and
it flew across and perched on John Seymore's shoulder. That's how we
told off partners for 'Authors'; everybody got a hen, and on whichever
boy's shoulder it perched,--and often it wouldn't perch,--that's what
really happened." She laughed; her mother laughed; I laughed.

Whoever reads this will sympathize with Aunt Sarah, because it
doesn't seem witty for a grown company of young men and young girls to
have behaved that way in the house of their minister. It had been a
golden moment, I assure you,--a party that stood out;--and if ever the
laughter of the Greeks was heard in that staid, old New England town
it was when Ellen Payne stood aloft on the hassock, a squawking hen
trembling indignantly on her wrist; and she at that moment looked both
beautiful and absurd. Miss Sarah Grant saw nothing of all this.

"I am chagrined," she said. "Have you no respect for life?" And she
walked away heavily.

Ellen spent the afternoon gathering expiatory pond-lilies of which her
aunt was as a rule fond. She waded in the pond during the whole
afternoon, her skirts trussed up scandalously, emerging with a
stocking of black mud on either foot. She was sunburned, she was
mosquito-bitten, she was happy, she sung aloud for joy on her way
home; and when she left the offering at her aunt's door, this lady
said: "These are very pretty, Ellen, and I thank you, but I wish, my
dear, that you had made me some little gift that is a testimony of
your industry."

It was on our way home that we were stopped by some women from the
other church, who asked me:--

"Roberta, is it really true that you and Ellen started to bring in
_hens_ to the _minister's house_ at the Young People's Party?"

"Roberta never started it," said Ellen, who was easily drawn in ways
like this.

"We thought they were joking when they told us," said Mrs. Mary Snow,
who was a widow and very precise.

"Well," said Miss Amelia Barton, "I should think Mr. Sylvester would
have prevented it."

"Mr. Sylvester enjoyed it, the fowls enhanced the party," said Ellen.
I pulled her along. "Hateful gossips," she said. As we passed the
house where Edward Graham was living, this illustrious young man
joined us for the purpose of saying:--

"You remember, Ellen, I told you at the party, when I first saw you
coming in with the hen, that you had far better leave it outside. The
whole town is talking and buzzing."

"The whole town disgusts me deeply," cried Ellen, "and so does any one
who lets the buzzing reach my ears."

"You ought to want to know the reaction of the things you do,"
retorted Graham, whose belief in his moralities made him irritable
when attacked. "You are criticizing Mr. Sylvester for permitting it
and I think you went much too far."

When Edward Graham moralized on the subject Ellen replied
flippantly:--

"It is that you and everybody else criticize anything you're not used
to. What's the harm in hens; what evil does bringing a hen into the
minister's house lead to? Does it make you want to go and take the
amber beads off a baby's neck just because I brought in a hen and it
perched on John Seymore's shoulder? John Seymore didn't mind it, and
he's studying for the ministry. It is people like you, who talk about
an innocent thing like a hen, and fuss over it as if it was something
bad, who do harm," cried Ellen; and she swept me along with her. She
comments in this fashion about the episode:--

    "At the party we were all very happy, and there's no rule that
    says that a thing must be of a worthy sort before we may laugh
    at it. That's one of the nice things about laughing, there's no
    rhyme or reason to it. It was not among those things that mother
    talks of that undermine our fineness of perception. But Mr.
    Sylvester didn't realize how people were going to feel about it,
    and now they are all talking and tongue-wagging as though
    something terrible had happened. Am I wrong, or are they? I
    think they are, and I hate them for it, and I feel as though
    that was the worst thing I had done, because I hate poor Edward
    Graham and I hate Mrs. Snow and Miss Barton because of their
    smallness and injustice; and aren't they more wicked to talk
    about innocent things and gossip about young people and make
    those who are happy feel uncomfortable and sinful? It makes me
    want to break a window when I think how virtuous they feel."

We hadn't heard the last of the talk concerning the "Hen Party."
Rumors of it reached our ears from all sides. I suppose our elders
exaggerated the talk, that we might learn decorum. Personally I could
not imagine, any more than Ellen could, just what harm the hens had
been supposed to have done us. One of the hardest things for me now to
understand is the annoyance so many people feel at the sweet, noisy
fun of young people. It seems to me the very laughter of fairyland,
but older people have a way of turning the fairy coach of mirth into a
pumpkin drawn by mice, and are proud of themselves for doing this.

It is strange that the ages of men have rolled on one after the other
without this being a basic principle laid down to all parents--you
can't disapprove a child into the paths of virtue any more than you
can scold a man into loving his wife.

There are a great many young people who are made reckless and sullen
by such disapproval, though Ellen was saved from the harm that Edward
Graham and the public opinion of which he was the voice might have
done her by the utter sympathy of her little mother. She joined in
all our little gayeties; she laughed with us. So did Mr. Sylvester. He
attended the next two or three young people's parties, explaining to
Ellen with his gentleness: "They say, my dear, that I'm not a fit
guide for youth, so I am going to try and learn to be so by being more
with you."

Of course, for their pains, these two grown-up children of God were
called overindulgent; it was prophesied that they would spoil us; yet
it was this that kept Ellen's audacities always sweet.

However, even so, Ellen's future destiny was despaired of by Edward
Graham.

"Ellen is in danger of becoming a jilt," he told me.

"She can't help it if people like her," said I; for I, myself, had
changed a great deal from that rigorous opinion that one should be
proposed to only by the man one intends to marry.

"Ellen has altered very much in the three years I have known her,"
said Edward.

"She has grown up," said I.

"She has not grown up in the way I hoped to see her."

"Then, why don't you turn away your eyes from the offensive
spectacle?" I asked him cruelly, not knowing that this--poor
fellow--was just what he couldn't do. But even I was inclined to agree
with Edward Graham.




CHAPTER XI


The old Scudder place in those days was full of laughter and young
people. We were happier there than any place else, and I have never
known any parties gayer than those, where the only refreshments were
weak lemonade and occasionally a batch of cookies. I remember once or
twice on great occasions Miss Sarah Grant provided "refreshments."

There came a time when I agreed with Edward Graham that Ellen was
going too far. This night I remember we were playing hide-and-seek all
through the house--and you may be sure it was only in little Mrs.
Payne's house that such a thing would be allowed; for, oh! how sacred
the guest-room in my day and how solemn and suggestive of a funeral
the parlors in all the rigor of their horsehair. The Scudder house was
a magnificent place for hide-and-seek,--the ell connected with the
front of the house by what was known in my day as a "scoot
hole,"--sort of a half-sized door,--and more doors opened from
downstairs to the outside air than any house I have ever seen. I was
hiding in one of the rooms when I heard the sound of running, and
Ellen dashed in, John Seymore in hot pursuit, Ellen's laughter
trailing out gay-hearted, careless, and irresistible.

"Now, I've got you," cried John Seymore's voice; and to my horror and
scandal, he kissed her and Ellen merely laughed, laughed as she might
have had she been ten instead of twenty, having run away breathless
from a kiss that she expected to get in the end, and over which she
was only making a mock panic. It was a romping sort of a performance,
because Ellen had slipped away from him without any sentiment, but I
was shocked and pained--and, besides, I liked John Seymore and he
liked me, and I didn't think such levity was becoming in one who was
to become a minister. I sought Ellen out.

"I saw you," said I.

"I heard you under the bed," said Ellen.

"That's why you went out?"

"I didn't want to embarrass you," said she, grinning a naughty
little-girl grin at me.

"You ought to be ashamed," I admonished.

"Do I look it?" asked Ellen.

Suddenly there rushed over me most poignantly the memory of all our
immature aspirations for the uplifting of those we knew. In a great
wave of sadness I felt that we were wasting our lives--and the boy
that liked me most of all had kissed Ellen in a romp. Twelve o'clock
had struck for me. I was little Cinderella.

I suppose I must have shown Ellen all I felt, for she had seen the new
look in my eyes and all her impishness vanished, and she cried out:
"Oh, Roberta dear!"--when we both heard voices shouting:--

"It's Alec! It's Alec Yorke!" And in strolled a grown-up youth with
wide shoulders, and a fine, open-air, swinging way with him, and on
top of it was perched the head of Alec Yorke, only Alec made over with
that incredible change that comes between fifteen and eighteen years.
He was a man grown, but from this face, so masculine in its youthful
quality, looked the touching young eyes of Alec, blue and sweet, and
fearless, angry blue. He was seized with a dumb shyness and shook
Ellen's hand over and over again, while his eyes rested on her as if
the sight of her fed the soul of him. After a while they drifted off
together. Ellen wrote about this meeting:--

    "I can't tell how strange this meeting with Alec has been. It
    was as though my dearest friend had been changed over and I had
    to find _my_ Alec in this new grown-up boy, who was the same and
    so different; even his voice was different. And then all at once
    he began to tell me how much he cared for me, and I feel so
    ashamed. I feel ashamed just because he says that the memory of
    what I am like has kept him from doing things that he shouldn't;
    he said I've always seemed to him like a white light burning in
    his life. I seemed to myself so very silly. I have never had any
    one talk to me as he did. Every one else who has cared for me
    has wanted something for themselves and he wanted nothing. I
    know now that I've never cared for any one in my life, for the
    way I care means nothing compared to the way he cares for me.
    What little bit of love I had for Edward was nothing. I feel
    ashamed because I know so little beside this boy who is so sweet
    and knows so much. He doesn't even expect I shall care for him.
    He only wants to make me proud that he should have ever cared
    for me, and to be something just for that. The things he said
    were all very young and very quixotic, perhaps, but how much
    more beautiful than the things that older spirits think of
    saying, and if I ever care for any one, I pray to God that I
    shall only think of what I can give. We sat there for a long
    time, and he held my hand in his and told me again and again
    about myself, and it was as if I had seen a reflection of the me
    that I might be and that I ought to be in the dear things he
    said; and when I said: 'Oh, Alec, you don't know me; you have
    forgotten me,' he said, 'I look at you, Ellen; you're sweeter
    than you were, sweeter than even I remember you.' But everything
    he said he said in just a few words that were hard for him to
    say, but each little, difficult sentence had his true self in
    it, as though he had distilled his soul for me, and I am so
    light-minded and have been so careless and I have tried so
    little, but if any one can feel about me as Alec does, I can
    try, even though I can't care for him, to be a little bit more
    the person he thinks I am. I have found the only reason I've
    ever yet found for acting the way people want you to act, and
    that is to please the ones you love. Some of the foolish things
    you do may hurt some one you really care for. Roberta was
    shocked because John Seymore kissed me; but I know we were just
    romping, and at most, perhaps, I was a little bold. It is funny
    that just a little boy should open my heart so. Mother and Mr.
    Sylvester love the me I am, or rather a younger me--the naughty
    little girl whose naughtiness they know don't make much
    difference; but somehow he has seen the sweetest person I ever
    am. I feel I have been a long way off from her, just being
    trivial and playing the same game over again and not going on. I
    haven't felt before for very long that Life was a glorious
    battle, and that every day, and all one's days, one must fight
    an obscure and ever-encroaching enemy. I've got to go back to
    the mountain. I have been seeing things close to and putting the
    emphasis on little things. I wish I could write a letter to
    everyone I am fond of. I think it would go like this: 'Dear
    People: I am going to make you a present of all the small things
    I do that you don't like. It will be the things I do, not the
    way I feel, but when I feel so happy that I want to run down
    Main Street, I won't run any more. I don't think these little
    things matter, but as I haven't many things to give, I give you
    my foolish impulses.'"

I can't say that I remember any marked change of action in Ellen
because of her change of heart, and I still had that rather breathless
feeling when I perceived that she was what she called "happy in her
feet," by which she meant that then it was she was so happy that she
must go romping through our staid, little town, a graceful harlequin.

It was just now, however, that she learned something about Miss Sarah
Grant that touched her and made her wish to put her newborn feelings
toward life into immediate action. Miss Grant, who had always lectured
us severely, it now seemed had defended Ellen against all comments.

"I enjoy the child's high spirits," we found her to have said. "This
town should not expect conventional actions from the Grants in
inessentials."

Finding this out, Ellen said to me:--

"She wants a sign of my industry; I'm going to _buy_ her something
beautiful."

"What with?" I asked, because actual money was scarce in the Payne
household, and their tiny income was eked out by trading eggs and
other things at the store; for in a day when most people raised
everything themselves it was desperately hard for two ladies to make
actual money.

"Well," considered Ellen, "Mrs. Salesby has gone away."

Mrs. Salesby was a gentlewoman who copied Mr. Sylvester's sermons, his
handwriting being quite illegible. The sum paid for this work was
trifling, the work demanded, long and laborious, and Ellen's
handwriting I might call temperamental. Mr. Sylvester was at this time
having a book of his sermons, which he called "Thoughts on Life,"
copied. So for long hours Ellen shut herself in Mr. Sylvester's
dust-covered study and copied the inspired wanderings of his spirit
which was what his sermons really were.

Living in such intimacy with his thoughts had a further effect on her
mind. They were the musings of a mystic who was not too acquainted
with the infantile tongue which mysticism must perforce employ since
it forever and ever has tried to impress the emotions for which the
spoken language has not yet coined exact phrases. Something of his
inner meaning came to Ellen. She worked on with a serene joy.

At this time also Edward Graham ceased to be a disturbing presence in
her life; for feeling the need of showing Alec the sort of a girl she
was she told him her whole little story and he had applied to it the
youth's rule-of-thumb logic and saw the thing as it really was. He
gave Ellen the first sensible talk she had ever had on her relations
with men.

As for Ellen's calm acceptance of Alec's devotion, she used the
sophistries with which women from all time have accepted the sweet,
undimmed love of those whom they consider boys. "He would, of
course,"--writes the candid Ellen,--"have cared for some one anyway at
this time, and it is better that he should care for me because I place
real value on his affection and try myself to be good so that I shall
never hurt them."

Through months of toil she had at last acquired the few dollars
necessary to buy the present, and something "boughten" at that moment
had a tremendous value. Gifts were much fewer, and such gifts as there
were were of course made at home.

The first afternoon after her long task was over, Ellen went up the
mountain to reflect. Our mountain and our river were two things which
moulded the souls of us. The austere mountain drew my eyes toward God,
and how often I lost my personal grievances as I mingled my bemused
little spirit in the swirling river, which, after one looked at it
long enough and steadily enough, seemed at last to absorb one in
itself and float one down seaward. I knew that Ellen was on the
mountain and Alec and I walked up to meet her. She was on what we call
"Oscar's Leap," a place where the mountain seemed cleft away above the
river, as though with some giant's knife, and just above there was a
clear platform, surrounded by trees and bushes. Our tradition had it
that Oscar, one of the chiefs, leaped his horse into the river below
to escape from his enemies.

This night the river was turned to a mighty sheet of burnished
crimson, as the sun set just beyond the black bulk of the mountain.
Our peaceful town took on an apocalyptical aspect. One felt that among
the serene silence of departing day, the end of the world had come,
and in some way the very silence of its coming made it more awesome,
for its color demanded cataclysmal sounds. Ellen said once: "It tears
one through like the noise of trumpets."

Presently Ellen came down the road toward us, the last slanting rays
of the sun outlining her in the light. She didn't see us as she came
toward us, as we stood in the shadow. As I look back at that time it
seems to me that she forever moved in a pool of light that came from
the radiance of her own spirit. There was a little hush over both Alec
and myself.

He said: "She is very lovely."

And I answered: "She has been on the mountain."

I felt, indeed, as if Ellen had gone there to commune with God.

    "When I came from the mountain to-day," she writes, "the world
    had a new look, as if I had never seen it before. I wish the
    river had a face so I could kiss it. I had to hold my hands
    tight so that I shouldn't fling them around the necks of Alec
    and Roberta; I took it for a good omen that the two that I love
    most should be waiting there for me. I have made a wonderful
    friend. Though I have never seen him before, yet I have known
    him always. I was sitting above Oscar's Leap, thinking hard,
    meditating on the beautiful things in life, which if you think
    hard enough about, Mr. Sylvester says, you will become like, but
    to do this you must feel like a little child, very small and
    humble and believing. I think I was nearer feeling this than I
    have since I was really little, when I looked up and saw him
    standing there. I had been thinking so hard I hadn't heard him
    come even; he was just there as if I had thought him into life,
    and I was no more afraid of him than as though I had always
    known him, although a stranger frightens me as a rule, unless
    I'm feeling foolish. He said: 'I have been watching you a long
    time; I've been watching you think'; and I just smiled at him
    and he sat down there beside me, and then it was as if all the
    things I had never been able to say to any one came to me,
    crowding to my lips. I don't know if I said them or not, because
    I don't remember exactly what we talked about. We made friends
    the way children make friends. I felt that if I knew him a
    little more only, he would know me more as I am than any one in
    the world, because the me, that my own people know, is so mixed
    up with that gone-forever person that used to be myself. I wish
    I could remember more what we said to each other, but the
    meaning of them is like Mr. Sylvester's sermons--we haven't got
    words for them yet; but I remember one thing that seems to me
    like the truth of truths. He said to me, 'Ellen, I am coming
    back to find you; it was more than chance that led me here this
    afternoon.'"

[Illustration: SHE IS VERY LOVELY]

In all that she writes about him during the next two weeks, where he
crosses and recrosses the pages of her journal continually,--for she
wrote an almost day-to-day account, Time at that moment held its
breath and gave her space to look at the treasure that had fallen
into her hands,--she never once mentions the word "love." She merely
waited for the coming of her friend. During this time little bits of
their conversation creep out. They had told each other exactly nothing
about their lives, drowned as they had been in the poignancy of their
encounter.

I thought in my innocence that the white radiance of her, that was so
apparent to me who loved her so, was the blossoming of religion in her
spirit. One afternoon we had been notified that Ellen's gift had come
for her aunt. It had been sent direct from the city, very beautiful
toilet and cologne bottles, I remember it was, of the massive kind
with which ladies' dressers were then always supplied. We had it all
planned that we were to sit there while Miss Sarah undid her parcel,
and finally, after she had wondered who could have sent her this gift,
with a gesture Ellen was to tell her, but while Miss Sarah was about
to open the parcel, the wide door of the stately drawing-room opened.
A young man was framed in it. He stood there looking at Ellen, who was
sitting on a low hassock; she looked at him. It seemed to me that a
breathless silence elapsed before Miss Sarah looked up, while these
two talked mutely. I have only one other time in my life seen a look
on any human face that was like hers. It was that of one who in
another minute must hide her face in her hands to screen her eyes from
the sight of the glory of the Lord.




CHAPTER XII


Thus they stood through an eternity of understanding, which in the
actual flight of time was only the moment that it took for Miss Sarah
to turn around, but it seemed to me that her glad little cry of
surprise: "Why, it must be Roger!" was echoed deep in Ellen's heart;
and turning to Ellen she said:--

"This is Mr. Roger Byington. You remember, Ellen dear, I told you he
was going to stay with us.--But what a surprise--we didn't expect you
until this afternoon."

"I started a day earlier so that I could walk over the mountain. I
walked the last stage." He looked at Ellen, whose eyes had never once
left him and who had the look of having seen a miracle. So poignant
seemed her look to me, so much did it tell me, that I remember I had
the wish to stand between her and this strange young man, so that her
heart shouldn't be revealed to him, and between her and her Aunt
Sarah, so that she would notice nothing; but I might have spared
myself the pains. In a moment Aunt Sarah was leading him away to seek
for Mr. Ephraim Grant.

I knew without Ellen telling me that this must be her friend of the
mountain. She had told me about him in all naivete. It had seemed to
me sort of an Ellenesque thing to have happened, charming and
delightful, though I had paid no attention to her belief that he was
coming back.

"Did you know Mr. Byington was the one, Ellen?" I asked.

She shook her head. "How could I guess?"

We had been told that old friends of Miss Sarah's had written asking
for a boarding-place for their son, who was reading law after his
return from abroad and wished a quiet place where he might study, and
that Miss Sarah had invited him to stay at her house, but naturally I
had not connected him with Ellen's stranger.

Once in a long time things turn out the way that we dream that they
will. Once, perhaps, in a lifetime all the dreamed-of and expected
things focus themselves into one full moment. At such times the doors
of our spirits open and we find the hidden roads to the spirits of
others, and this was what happened to Ellen. Instead of Roger's
arrival dimming her present, everything came about as she had planned
and it all worked in together into one marvelous day. For once Age
understood Youth, for when Miss Sarah learned how this money had been
laboriously come by, she said:--

"Ellen, you have the heart of a child, for only a child would have
treasured up my word that I meant and didn't mean, and I think, my
dear, I've often scolded you for this very reason. You are a darling
child, Ellen, but a trying one, and I hope you'll never grow up."

When Roger came back with Mr. Grant, "Look, young man," she said. "Do
you know what this is? This is one of the rarest things in the world;
it's a true gift. You have probably never made one in your whole life;
you and your family go in and plank down your money and buy something
pretty and go away. Now, whenever I look at this, Ellen, I shall think
of your patience and self-denial,--yes, and your industry, and oh,
dear, dear! I shall never be able to scold you again, which, as I
know, you will often deserve."

We sat there for a half-hour and I felt as though I were in the midst
of a story, with my Ellen for the heroine.

Roger won us all that afternoon. In conversation he was the most
delightful person in the world. There was about him a certain, subdued
arrogance when he wasn't talking, which changed when he smiled into
the most delightful sunny winsomeness. He listened to those much older
and those much younger than himself with an absorbed interest that
gave the speaker the sensation of saying something of deep interest.
Later we learned that this young prince and a trying bad little boy
were the same person, but that day we only saw the young prince. I
know that I myself had the impression of having had the window of Life
suddenly thrown open wide, for with unconsciousness of what he was
doing, he took us sweeping up and down the world. He had traveled a
great deal in a day when traveling was much more of an adventure, and
he had had adventures and real ones, as one of his temperament would
be bound to have. He made one feel that one was living with a higher
vitality, as Ellen did, and the way Ellen affected me then and later
was as though she were a beautiful jewel that I had seen in the sun
for the first time. On this first day she sat there shining with soft
radiance and saying almost nothing, becoming, it seemed to me,
transfigured before my eyes.

After a while Ellen rose to go, and Roger accompanied us, and I had to
stay with them, having no pretext for leaving, as my house was beyond
Ellen's down the street; but it seemed to me that, without meaning to,
they subtly shut me out by the very way that they included me in their
laborious conversation, for as soon as we three were walking down the
sidewalk, under the great double row of elms which bordered our
street, their touching courtesy made a stranger of me as nothing else
could have done. Ellen wrote:--

    "The first thing he said to me when we were alone was, 'Ellen, I
    thought you were a little girl and you're grown up. When you
    meet strange men on the mountains and they say to you politely,
    "May I ask your name?" do you answer, "Why, I am Ellen"?' I had
    forgotten that I had said that. I suppose I did look young, with
    my hair down and my brown dress that's so much too short for me.
    'I came back to find a wonderful little girl; where is she?' I
    answered,--and my heart was beating at my boldness,--'She grew
    up while you were away.' 'Oh, Ellen, Ellen!' he said to me,
    'those were the longest weeks in all the life I've lived, and
    it's strange it should have been your aunt's house that I should
    have come to. It is as if I had been led by the hand, first, to
    you on the mountain, and now, to you here.' And then he looked
    at me and said, 'Ellen, you focused all my life for me that day
    on the mountain. I've spent two weeks clearing from my life
    worthless trash, all the debris that a man accumulates living as
    many years in the world as I have.' And he has really lived in
    the world, ever since boys here are nothing but boys. He told
    me, 'When I went by I stopped at our place on the mountain. Have
    you been back?' 'Yes,' I said, and I looked down. 'Look at me,'
    he said, and it seemed to me he drew my eyes to his. 'Have you
    been there often?' 'Yes.' 'How often, Ellen?' and I shook my
    head. I felt as though I was dying of shame, for I had been
    there every day at sunset. What if he knew how I had worked to
    get everything done so I could fly up there at sunset? I felt as
    if his eyes were burning down into my heart and he said, as
    though he could read my thoughts, 'Every sunset I remembered the
    way I saw you there. I ought to have seen you there again,
    Ellen; I wanted to take you and fly up there, and I am going to
    get a good mark in heaven for having been so nice to your aunt
    and uncle, and even to your nice little friend, for being so
    terribly in my way.' And all of a sudden he looked like a
    naughty, bad, little boy, which made me laugh at him, and made
    me feel on earth again;--and now I'm going to see him at sunset.
    I feel as if I had never been alive before. I went in and kissed
    mother and she said: 'Was your aunt pleased with the present,
    dear?' I had forgotten all about my aunt and all about the
    present. It was as though I had returned from a very far-off
    country."




CHAPTER XIII


That afternoon we were all quilting at our house and Miss Sarah was
pleased enough to give an account of her guest.

"I've had a long letter from Lucia Byington," she said to my
grandmother, "explaining that precious scapegrace of a son of hers,
but I can tell Lucia she might have spared herself the pains. The
minute I clapped my eyes on him I knew all about him, having known his
father and mother. He has all her charm and her willfulness, with the
iron will and talent of his father. I suppose, because I'm an old
maid, I can't understand why a man can't bring up a high-metaled son,
exactly like himself, without being at odds with him. But there! He
expects his son to start where he's left off, with all the sobriety
and solemnity of an aged Solomon. And why people like Lucia and David
should expect not to have trouble with their children, I don't know.
And as for David, he fights his own youth in the boy. Now the time
had come for Master Roger to stop skylarking over the earth; he was
holding out; leave town he wouldn't. They had words; he slung a
knapsack on his back and went off, and wasn't heard from for a week,
and then came back as meek as the Prodigal."

You may be sure that Ellen and I had our ears wide open to this story,
knowing as we did why it was that Roger had suddenly become the docile
son. We were so self-conscious that our eyes did not dare seek one
another's, and we sewed together the large, gay squares of patchwork
with the precision of little automatons.

My grandmother spoke up:--

"Well, Sarah, I half dislike having your stormy petrel in our little
town. I saw him this morning, and he seemed to me a restless-looking
bird. He'll be turning the silly heads of our girls next."

"Let me catch him at it, or them, for that matter!" cried Miss Sarah.
"He's here for _work_, and not to worry me with such-like goings-on!
You may be sure that his family have had trouble enough with him in
such imbroglios already."

We had tea early and did the dishes and fell to our quilting again. I
noticed Ellen becoming more and more abstracted until finally Miss
Sarah said:--

"Well, Ellen, try to bring your mind back to your work. Years haven't
taken your habit of 'wool-gathering' from you."

Ellen wrote about this:--

    "When I was a little girl I was more afraid of the setting sun
    than anything in the world and now I know why, for I was waiting
    always for this moment to come, when the sun, red and round and
    menacing, set right before my eyes and I stared hopelessly and
    hopelessly into it, not able to move. I had that awful leaden
    feeling of wanting to move and not being able to, as though I
    had been quilting through the ages and listening to stories
    about Roger, a strange and distorted Roger, who was as
    infinitely far away from me as the sun, and yet that I must go
    to him. I knew he was there at Oscar's Leap, and I felt as if he
    called my soul out of my body and my body suffered. I tried to
    tell myself that there was to-morrow. I tried to tell myself how
    foolish I am to be so broken in two that I must needs go and
    keep my word with this man that I've seen only twice in my life;
    but though I have only seen him twice, I've known him always, as
    I said before. There's no friend as dear and close as he in all
    the world. Oh, beautiful day that I can never have! The things
    that we would have said to each other to-night, we will say them
    another time, but not in the same way. This day is lost to me
    and I can never have it back again."

She tells this of the time when next she saw him:--

    "It seemed to me as though he leaped at me, there was such
    gladness in his face, although any one across the street would
    have said he just walked. He said, 'Oh, Ellen, Ellen!' as he did
    before; and then, 'I've been waiting ever since I saw you'; and
    then his face turned stern, and he said, 'Ellen, why didn't you
    come? Are you like other women; while I've been away did that
    candid, little girl learn to hide herself and learn to be false
    to her word?' I thought I should cry; tears came to my eyes; it
    seemed so cruel that at the very first I should fail him this
    way, and he saw how I felt and said to me, 'Oh! don't, don't,
    dear.' And for a little while we walked on in silence. 'Where
    were you, Ellen?' he asked me; and he stood still in the path
    and said: 'Ellen, are you a coward? What chained you there?
    Didn't you hear me calling to you from the mountain? Couldn't
    you get up and walk out of the room? If you had gone and hadn't
    come back, what would have happened?' And then he looked at me
    in a way I shall never forget, and what he said I shall remember
    all my days, for so I am going to live. 'Ellen,' he said, 'you
    and I in our friendship are not to be tied down by rules.
    Remember, courage opens all doors. Ellen, I threw away many
    things to clear the road that led to you. Let us keep on that
    way, Ellen; put your hand in mine and promise. We'll walk to
    each other straight out of the open door, without fear, won't
    we?' When I got home, I am so foolish and I am so weak and merit
    his friendship so little, that I cried. I don't now understand
    why it was that I stayed this afternoon."

In this brave and heady fashion Roger began his wooing of Ellen. Just
as his whole pose, forward swinging head and relaxed body, gave one
the impression of one ready to make a forward rush at any moment and
seize what it wanted, so was the action of his spirit. It was like the
wine of life to my Ellen. They saw the sunset on the mountain together
every night that they could, and he came down the pasture that led
down from the hill, through the meadow, to the brook back of the
Paynes' house. About these things I knew, for Ellen needed a
confidante. Love overflowed her, and this was no secret, little love
which she carried shyly, a secret lamp by which to light her way,
which she hid as soon as any one appeared; but this was a flaming
thing, as hard to hide as a comet. It swept her up and out and beyond
herself into that over-heaven that only the pure in heart can feel
when they are in love.

It was only a very short time when she stopped deluding herself with
any terms like "her dear friend"; for one of Roger's great strengths,
then and always,--and I think to this day,--was knowing exactly what
he wanted, and taking the shortest way to it, and to get his desire he
was splendid and ruthless, and beware to any one who stood in his way.

It was about now that she began the habit of writing what she called
"Never Sent Letters"; for could she have been with him all the hours
of the day, the day would yet not have been long enough for her, and
they saw one another what seemed to them only now and then. She writes
to him at this time:--

    "What did I do with my time before I met you? The days that I've
    spent before you came have no meaning now to me, and now that I
    am away from you the only preparation is for you. Everything
    that I see, everything that I think, all my thoughts, I save
    them up and give them to you, tiny flowers from the country of
    my heart. I wonder how it is that you can love me ever so
    little, who have so little to give to you who have so much, and
    the only bitterness that I know is that what I have to give you
    is so worthless. You say that you love the joy of life in me. I
    wish I could make all the joy I feel shine out like a flame. I
    wish that I could distill all the love I have for you into one
    cup and then give it to you that you could drink, for entirely
    and utterly I am yours and have been yours always and forever,
    and so shall always be until I am changed over into some one
    else. When I'm with you I don't dare tell you these things for
    fear that I should drown you in myself. Take my life and do what
    you like with it, for without you it is a thing valueless to
    me."

In this way was Ellen's touching prayer answered--that when she loved
any one she wished only to give.

For the time being everything else was blotted out for her; she had
this measureless, sky-wide joy of giving herself and all day long, and
all the time her spirit went out toward him in incense. Her days were
lost in contemplation of the wonder which had happened.

"From the moment I leave him, I walk toward him," she wrote--and in
the interim between she went on apparently with life as before, and
this woke in her a still wonder.

    "It is so very strange to be doing the same things that I was
    before, but all the work I do for my mother, every book I read,
    every word I speak has a meaning that it hadn't. It is as though
    my ear were at the heart of Life and I heard Life beat."




CHAPTER XIV


I saw a good deal of her and so did Alec. Alec at this time was
preparing to work his way through college. Even Roger, who treated the
village youth with the kindly tolerance of a splendid young prince,
treated Alec as an equal. Alec, of course, gave him the whole-hearted
admiration that generous lad does a man.

He guessed Alec's infatuation for Ellen, for Roger was one of those
experienced gentlemen who feel far off any emotional flurry and he had
paired all of us before he had been in town ten days, and that without
having appeared to observe us. So much was he the over-masculine that
nothing of this kind could come near him without his senses
registering it. He could mention John Seymore's name in a way to make
me blush and make me wish to stamp my foot on the ground with outraged
modesty. And as for Edward Graham, it was on his account that Ellen
first learned the terrible anguish that love may bring with it, and
she wrote:--

    "I have learned how foolish I am and how weak. We were both at
    Oscar's Leap looking down into the river. 'I walked up and down
    the earth, Ellen,' he said, 'looking for you, and as I looked
    from one person to another I said, "No, that's not Ellen," and
    then I didn't know your name. I feel that it's strange of me
    that I should not have guessed it.' 'Didn't you ever care,' I
    asked him, 'for any one for a moment?' 'No,' he said, 'how could
    I? Once in a while I saw some one that looked a little like you
    and there I waited longer.' 'But people must have cared for
    you,' I said. 'Not really; some people make a game of things
    like that, Ellen,' he said. And already I felt deeply ashamed,
    that though I am so much younger I should have been so foolish
    as to think I cared once. 'And you, Ellen; you waited the same
    way for me, didn't you? The people who cared for you, you knew
    weren't me.'--And then I told him about Edward. He didn't speak
    for a long time, and then he said: 'Isn't there anywhere on the
    earth a woman so young and so sheltered that she doesn't pass
    from one hand to another and snatch at love, and give a piece of
    herself here and a piece of herself there? But, Ellen, I thought
    you were different'; and the deep and bitter shame that rushed
    over me then I don't think I shall ever forget. He asked me a
    great many questions, and when he found that I was so little
    when it all happened he forgave me. It seems wonderful to me
    that he should have waited."

It seems wonderful to me, as I read this little, pitiful account, that
Ellen with her straight, clear mind should have let herself be so
bemused as to feel that something was wrong which her own inner sense
had told her was not wrong, honest as she had always been with
herself. She lived for the first time by another person's standard for
her. She had given him that most precious thing of all, her inner
judgment of herself. It seems still more wonderful to me that Roger
should have told her such a story, for he had had love-affairs
a-plenty; but I think he was utterly honest in this, and in his
honesty lay his danger and his charm. New emotions, as they came to
him, came with so overwhelming a force that they wiped out not only
the old love, but the memory of it, and when he had fallen in love
with the wild sweetness of Ellen the other experiences in his life
seemed to him only an unimportant outburst of passion. Yet for her he
had the Turk's jealousy: he wished not only for the utter virginity of
the body, but also for the virginity of the spirit to such a point
that he had to make-believe that there had been no Edward in her life
at all before he could "forgive."

They had both imagined that they could keep their love a secret for a
while until Roger should have done a certain amount of work.

"I want my parents to love the idea of Ellen from the first," he told
me, "and I've been so at cross-purposes with them that I want to get
back into their good graces a little before I tell them." And, indeed,
for Roger to have rushed away to a tardy acquiescence of his father's
will and to reappear immediately with a bride, we understood would
strain the patience of an irascible parent. Just how much we learned
from Miss Sarah, whom we heard saying:--

"The boy really seems to have turned over a definite new leaf. Lucia
writes that she has learned that Roger has not even once written to
that woman, whose entanglement with Roger worried them all so. She's
been ill ever since he left, and it serves her right, too. A married
woman of her age should have had better sense than to have let herself
be carried away by an attractive youngster. Young rascal!--to go off
on such a tangent when he was apparently just on the brink of making
an ideal marriage. He and Emmeline Glover, you know, had been
sweethearts for a long time when he got into this scrape."

In such a way were Ellen and I enabled to piece out Roger's life, and
it apparently did not occur to her to make any comparison between
herself and Roger; for in very truth the desire he had for her had
swept from him all his former life until it seemed so paltry and
meaningless that it was no desire of concealment that had led him to
speak so lightly of both of these women. They had walked across his
conversation with Ellen. Ellen had heard Roger's side of these
stories.

"This married woman of whom they speak," she explained to me, "was a
good friend of his and very much older than himself, but people are so
evil-minded in this world. As for Emmeline Glover, he called her a
sweet, little, silver-gray cloud, and another time, a graceful
shadow."

We realized, however, that some time should elapse before Roger should
tell his parents of his new love, or they would think it a weak
passing interest and fail to treat it seriously.

When his interest in a person flagged, he lacked the coxcombry that
makes a man afraid that his lack of interest has broken a woman's
heart. Quite the contrary, he was apt to despise them for having shown
affection for so light a cause. In the world of the affections he
related nothing that had happened to him before to anything which was
happening; each experience was fresh to him, a rising tide that had no
memory of any other tide before.

They might have gone on with their indiscreet friendship indefinitely,
but they counted without themselves. They were caught up, both of
them, in the fierce moving stream that sweeps and swings people out of
the orbit that they have planned. It was impossible to both their
natures, under the stress of what they were feeling, to wish to be
guarded. The clandestine element in their friendship, slight though it
was,--for Ellen's little mother was taken into the secret, how could
she leave her out; she needed to spill some of her happiness over on
every one who came near her,--became very irksome.

Roger told me that he longed to go down Main Street shouting: "I love
Ellen and am going to marry her; I love Ellen." And he would say with
his naughty, little-boy look: "Whenever I hear Aunt Sarah"--for with
what Miss Sarah called his usual impudence, Roger called her "Aunt
Sarah" from the beginning--"talking about what a good boy I am and
'high time, too'"--and here he mimicked Miss Sarah's manner--"I want
to say to her: 'Don't you know, you blind old fossil, that I'm here
because of Ellen--Ellen--Ellen--Ellen, the gentle, that you presume to
correct; Ellen, the joyful; Ellen, the glad of heart?' One of the
strangest things in life to me is the impudence of Age, that dares to
presume to touch so lovely a thing as Youth, and especially the youth
of my Ellen. I can't stand it much longer, Roberta. Think of my
knowing and submitting to my father's standing between Ellen and me.
He's a wise old man, but he's forgotten things more useful than any
that he knows, and I know them!"

And, indeed, he seemed the incarnation of the splendid and arrogant
Knowledge of Youth, and my heart beat that so splendid a youth should
be Ellen's; they seemed then God-appointed for each other.

Roger's direct mind found a way out of the difficulty. They were at
their favorite meeting-place, up above Oscar's Leap, and looking out
at the river which had turned to flame in the sunset light. Ellen
tells about it:--

    "'Oh, Ellen!' he said, 'why can't you put your hand in mine and
    walk out into the sunset with me? I often wonder why, when
    people love each other as we do, why they let anything stand in
    their way.' And then he said: 'Ellen, why shouldn't we--why
    shouldn't we walk out together, just you and me to-night?' And I
    said, 'Very well.' 'Come, then,' said he; and he held out his
    hand, and if I had put my hand in his he would have come with
    me, but I thought then he was joking. He said, 'Ellen, I'm not
    joking; I mean it. Would I joke of such a thing? Why should we
    waste one moment of what is so beautiful? You belong to me,
    Ellen, don't you?' And then he put his arms around me and kissed
    me so that I could hardly breathe, and said, 'Ellen, do you
    belong to me?' I could only hide my head on his shoulder and
    whisper to him, 'Yes'; and he said to me, 'Will you come with
    me, then, bad girl?' And I said, 'How can I?' 'Think about it,
    Ellen,' he said; 'think about it. I'll give you this week to
    think of it in, and at the end of the week it's one thing or the
    other. You come with me and be married or I'll tell them all. Am
    I one to tiptoe around through life, hiding because a
    cross-grained old man who happens to be my father will oppose at
    first something he will in the end be glad of?' He was such a
    bad little boy as he said this that I laughed, though he
    shouldn't speak of his father this way, I am sure, even though
    it is his father's fault. It is a terrible thing when any one as
    sweet and as full of the desire to love people as Roger
    shouldn't have been understood by his parents at home. His
    mother is very sweet, but she has never known how to get at him.
    All the mutinous things in Roger, and all the times when he
    wasn't adjusted to life, should have been loved away and
    understood away. He said to me: 'I've been good only since I
    have known you, Ellen, because no one has loved me before.'
    People have loved me all my life, and Roger, who is so much
    fuller and better than I, has not had my chance."

Here we have the tragedy that all mothers must face. Their sons, that
they have brought up so tenderly and whom they have anguished over,
bring all their mistakes to the beloved to be wept over. If you have
worn a callous place in his spirit, the soft hand of his sweetheart
will find it and she will grieve over it.

All girls are sure of two things: that they understand their men
better than their very mothers do, and that they love them better as
well; and every woman in the world, who is harrowing her soul over her
little son that she is bringing up, may be sure that somewhere else in
the world there is growing up a girl who is later on going to find any
hardness or unkindness that she has left in his spirit. When she had
known him six weeks, Ellen could have brought up Roger better than he
had been. It was her first excuse for his willful idea. At first she
didn't take him seriously, but opposition was the food on which his
will fed. His father said of him that there was almost nothing one
couldn't oppose him into. He thought out all the practical details.
They could drive to the home of a minister he knew and be married at
once and come back after two weeks.

"Oh! why," Ellen wailed,--"why should we make them all unhappy when
all you have to do is to work a month or two more?"

"Yes, and then a long engagement, and then a making of my way; I in
Boston, Ellen, and you here." It was a moment of terrible conflict
for her. She wrote one of the letters to Roger she didn't mean to
send:--

    "Oh, my dear! I told you this afternoon and I want to tell you
    again in this letter how sweet this little hour is to me. It
    seems to be the sunniest place in all of life. The world seems
    to me to stretch ahead wonderful and splendid, and the great
    storms of Heaven whirling through the sky, and the lightning and
    the clouds, and I can hear in my ears the roar of cities and the
    big tumult of seas, and here it is so sweet. Why hurry away from
    it? Here it is so safe. The days of one's life when one is a
    girl and loves one's man are so few. Oh, don't hurry me away.
    Here is sunlight, and out there where you want to go it seems to
    me darkness. I'm a little girl, afraid of the setting sun. I was
    afraid of it and yet I couldn't help looking at it in its awful
    splendor. I couldn't take my eyes off from it, as little by
    little it dropped down behind the mountain, so wonderful and so
    inexorable. My heart chokes the same way when I think of running
    off in the night with you. Let's stay here with our hands in
    each other's and then quietly go out into life together without
    wrenching ourselves away from so many ties and without rending
    everything that links us to this life that we now live. Every
    bit of me, [she writes,] all my soul, all my heart and my mind,
    and all my body wants to go with him as he says, but oh! the
    needless hurt to them. When I said, 'Oh! how could we take our
    happiness at some one else's hurt?' he said, 'Listen, Ellen; the
    hurt is only temporary--just for a moment. Supposing we went
    to-morrow night and then we came back after two weeks married.
    My father, of course, will like you by and by--he just doesn't
    want any one for me now; he wants me to go on working and I am
    working like a giant, and then we would be free to go where we
    want.' Oh, it would be so easy! Nights I can't sleep, and when I
    do I am always deciding and deciding over and over again. When I
    tell him to remember the talk that it will mean, he says to me:
    'Are you afraid?' I tell him, 'No, not for myself; but my mother
    will be left behind and there will be Mr. Sylvester and my aunt
    all to bear talk, so we shall be happy.'"

It seemed as if it was an unequal battle, all the forces of love, and
Ellen's own nature even, waging a conflict with her little, soft
heart. She grew pale under the strain. I noticed it, but I didn't know
the cause, for here was something that naturally she didn't tell me,
being allied with the forces of order as I was. She would have given
him anything that she had to give, from her life on, but she could not
bear to deal him out some one else's happiness with a careless hand.
For his lack of understanding in this she writes:--

    "He's never known what it is to have a home or people that you
    really love about you, or to be part of things."

He was clever in his arguments. Ellen writes:--

    "He fairly argued my soul from my body. He said to me, 'Ellen,
    it is not as though they didn't want us to marry. It's just
    better for us to go together right away. Why should we waste a
    blessed year of our lives?' 'How could I run the risk of being
    the cause of serious trouble between you and your father and
    mother?' I said. 'You'll have to leave those things for me to
    judge,' he answered. 'How could I interfere with your work?' He
    grew almost angry at me. Then he threw his arms around me in
    that way he has, as though he would fairly crush my life from
    me, and he said: 'Ellen, Ellen, for my sake do it. I am not
    stable; I'm weak, and weak with violence. In you I found all the
    things that I haven't, all the sweet and all the true things in
    life, the things that I've been just for a minute at a time,
    when I've been a good little boy. You don't know me, Ellen.
    You've only seen the me that you made, but you can keep that if
    you want to. Don't play with it, Ellen. It's the most important
    thing in life for me to keep the me that you call out. I didn't
    know I could be so happy in a quiet place. I've always asked of
    life more and more, more life all the time and life has meant
    action, adventure, and danger, and all at once I find in you
    more life than anywhere else, and I don't want anything but you.
    Ellen, how can you continue this way to me for an idea, a
    foolish, bad idea, a taught idea? That's where you're not true,
    Ellen. If you were true, you would just put your hand in mine
    and walk away.' 'If there was no one in the world but you, I
    would put my hand in yours and do whatever you told me, but I'm
    not just I alone,' I told him. 'Well, I am just I, just I, and
    frankly in need of you--and in need of you right away. Ellen,
    this conflict with you is destroying me. By to-morrow night you
    must have decided.' I feel as though I had been shaken by a
    great wind. When I hear him crying to me, it seems as though he
    were crying for the safety of his soul; and yet there must be
    something hard in me, because I know that being without me for a
    few months more or less will not destroy a hard thing like
    Roger, and all the time my foolish and weak heart likes to
    pretend that it believes that this is so. But yet, how can I get
    the strength to tell him to-morrow night that I won't do what he
    wants me to? Oh! it is torture unspeakable to be ungenerous in
    any way to the one whom one loves. I can't do it. I've got to
    go, not because I believe down deep in me any argument that he
    has given me,--I was strong as those against it,--but just
    because he wants me to, because I can't help giving him whatever
    it is he asks."

Thus goes the age-old cry. She writes to him:--

    "Oh! my dear, why will you make me make you such a sad gift? Oh!
    my dearly beloved, must I give to you the peace of mind, even
    for a little while, of all those whom I have loved in the world;
    and yet, I know myself that when I give you this that I shall be
    glad of it. Now that I have decided, my heart sings aloud.
    Somehow all that they will suffer seems small to me and
    unimportant beside this great, sweeping gladness that I feel....
    I feel the way that you feel, nothing matters except that we
    should be together. Every day that we spend apart is a day
    wasted--but I can't think of the rest of it. It isn't so
    hard--it isn't so difficult, after all. We will come back and
    everything will be all right, although I feel when I say this as
    if it wasn't I, and that what carried me along was the black
    current of a river on which I was floating, and that I had been
    floating on it for always, only thinking before that I could
    direct my poor, little boat. Now I know that it is something
    quite outside myself that's swinging me on with the strength of
    this fast-rushing stream."




CHAPTER XV


I remember that day very well. Ellen spent the day with me and with
Alec, and we all three lay under the trees together and then Ellen
went on a little tour of inspection. What she was doing really was
saying "Good-bye" to the place that she knew and to us. Her eyes were
bright and shining; I suppose she was thinking, "To-morrow I shall be
where?--to-morrow I shall be who?--and these dear people who love me,
what will they think? Not that I care!" She was so sweet to Alec that
her loveliness melted his poor heart still further.

So sweet she was that, with one of those ironies of fate that are
often more cruel than tragedy, Alec took this time to tell Ellen about
the work he had decided to do. I can see him as he stood under the
apple trees, the sun shining on his mane of hair, the brightness of
his eager eyes contrasting with his self-consciousness, while we two
girls stood there, each absorbed in her own affairs.

"I've looked all around life to see what I could do best--and I guess
I know more about boys than anything else. I sort of know how they
feel inside all the time. I don't forget. So I'm going to teach 'em.
Try and teach 'em the things they want to know most and that they
knock their shins so trying to find the way to. They have a hard time.
I had just one teacher--and he led me out of darkness; and that's what
I'm going to do. It's a business, you know, that means trying to
understand all the time. It's a present to you, Ellen," he added with
his crooked, whimsical smile.

He was so anxious that we should see what he meant, and we were so
polite and innerly so blank. Teaching grubby little boys seemed to us
an uninspiring profession for a splendid youth like Alec. We couldn't
know how many years he had looked ahead. Alec and his gift to Ellen
seem to typify man and woman. Man, who comes with his bright visions
of the future, bestows the gift of his high dreams on girls who see
nothing in them--and are polite. But Ellen was too heart-rendingly
sweet that afternoon to seem anything but understanding. She was
heart-breakingly gay.

After a while we went in together to Mrs. Payne's house. She and Mr.
Sylvester were standing in the drawing-room with their hands clasped,
and Mr. Sylvester spoke and said, "We may as well tell these dear
children first"; and Ellen's little mother said, as shyly as a girl,
"Mr. Sylvester and I have found very suddenly that we have always
loved each other."

He rejoined with his deep simplicity of manner, "Yes, quite suddenly
we found out that we've been to one another as the air we breathe, and
as the water we drink, and as the sun that shines."

"And so, of course," said the little mother of Ellen, "we will be
married."

She stood there violet-eyed, in her neat, little black dress, as
slender as a girl, more girlish in her looks than many of us for all
her forty years. I don't think that any of the three of us had
realized that people as old as Mr. Sylvester and Mrs. Payne could live
in the land of romance and could fall in love. Like most young people
in their early twenties, we imagined that this great gift of mankind
was for us alone and that it never lightened up the hearts of those
who had already lived and loved; but as these two stood, hand in hand,
there rushed over all of us the feeling that they were just great
children. The look of wonder was in their eyes; they had been living
for so long close to the land of enchantment, and just now had stepped
over its borders into its realization.

"We see no reason for delaying our marriage long. We waited long
enough; we've been close friends for eight years; and you, little
Ellen,"--he spoke as though speaking to a little child,--"you have
been already like a daughter to me and like a little mother to my
children."

"You'll help me now, Ellen, won't you?" pleaded her little mother; and
it was as though they had changed places and Ellen were the older. But
Ellen had them folded in her arms, kissing first one and then the
other, and we all followed suit; and for once the stern conventions of
New England reserve, which held in its iron grip such sweet and
simple spirits as Mrs. Payne and Mr. Sylvester, was broken through.

Now Ellen had a shining face, now everything had all been settled for
her by Life. She could not possibly go away and leave her mother at
such a moment, nor, of course, would Roger ask her this, and for a
moment the light that swept over the country of her heart was dimmed
by the quiet radiance of these two middle-aged people. Glad-footed she
started off to her trysting-place, and what happened there was as
though the sun had been eclipsed in mid-heaven, as though the solid
earth had shaken under her feet. She ran to Roger with this precious
tale of her mother's happiness in her hands, sure that he would
understand. She writes, almost with an unbelief in the fact that she
had herself heard and witnessed:--

    "He wanted me to go with him just the same! He came forward to
    me in that way that always makes me think of leaping flame and
    said: 'You've decided to go, haven't you, Ellen?' And when I
    told him, he said, 'That makes it simpler, doesn't it? They'll
    be so occupied with themselves that they won't care what you
    do. Hooray!' And he laughed like a little boy. I said, 'You
    don't understand; now I can't go; I can't darken her happiness;
    my mother needs me'; and he stood before me, looking at me with
    eyes that burned with anger of his desire. 'Ellen,' he said,
    'decide now, the long engagement with its perils for you and for
    me; my good or their good; our happiness against a few stitches
    put in your mother's clothes.' I said, 'I can't go.' He drew me
    to him and said, 'Ellen, are you coming? You must come'; and I
    felt as if my soul was shuddering out of my body, as if he tore
    me in two, and part of me must go, and I don't know what there
    was in my soul stronger than myself, because all of me never
    wanted to do anything more than to do his will, which was my
    will, too; but I had to say, 'I can't do it.' I know now that
    there are a thousand things that make up this; Mr. Sylvester
    being a minister, it would hurt him to have his daughter--oh!
    what a sweet word--run away. All these things, all the tangled
    and manifold ways in which my life is woven into those beloved
    of me, and now a thousandfold more tightly woven than before
    into the life of this little place, all held me back where the
    inner, beating heart of me cried aloud to go. He stood there
    pleading, and he raged with anger; his words beat me down,
    shivering, like a heavy storm of wind and rain. The love of him
    drew me toward him, as flowers lift up their heads to the sun,
    but something deep down kept saying, 'No, I can't go. No, I
    can't go.' 'Now, I know,' said he, 'at last how little your love
    is worth'; and then he pulled me to him and kissed me roughly,
    and again and again, and then almost threw me from him.
    'Good-bye, Ellen,' he said; and I cried, 'Where are you going?'
    'Oh, not far,' he said; but I felt as if his spirit had gone to
    the end of the world, and he strode without me down the road. I
    am writing like one in a dream, because I can't see and don't
    know what's going to happen to us, and I want to run out into
    the night and run to his house and cry under his window that
    I'll go whenever he says, but then I know, if I did that, that
    at the last moment I would decide I couldn't go."




CHAPTER XVI


While Ellen was going through these hours of anguish her mother and
Mr. Sylvester sat in my grandmother's kitchen, a pair of helpless,
middle-aged children, discussing how they would break the news to Miss
Sarah Grant. They didn't need to explain why Miss Grant would
disapprove of their marriage; she would disapprove of it just as all
the town would, for it was evident that if Mr. Sylvester was going to
marry again it was his duty to himself and to his children to marry a
"capable woman," and you might as well ask a moon-ray or a soft breeze
in the trees to be capable as Ellen's little mother.

"I have suggested," said Mr. Sylvester, "that we let Miss Sarah learn
of it as we shall the rest of the town. A simple and efficacious way
has occurred to me, Mrs. Hathaway, of informing all our friends,--I
shall merely tell Mrs. Snow and Miss Nellie Lee and then nature will
do the rest." He was quite grave and simple-hearted as he said this,
but I know that Alec and I did not dare to meet one another's eyes,
for the good man had mentioned not only two of the most talkative
ladies in town, but also two who had, according to gossip, felt
themselves very capable of taking care of an incapable but godly man.
Mrs. Payne, however, insisted that Mr. Sylvester should himself tell
her sister of their engagement.

"My dear," said Mr. Sylvester, "I trust I am a soldier of the Lord,
but I confess to a feebleness in the knees when it comes to
confronting Miss Sarah, for both of us have been a serious anxiety to
her even in an unmarried state, and what shall we be now when my
housekeeper has gone?"

"And, indeed, my dear, how do you suppose," inquired my grandmother
whose spiritual attitude had been one whose hands and eyes were both
raised to Heaven,--"how do you suppose you are going to take care of
the children?"

Ellen's little mother considered a moment.

"I shall love them," she replied after an interval.

Mind you, this statement was one of sheer anarchy in an age when
discipline was the keynote with children and the superstition still
flourished that one could not properly bring up a child without the
rod.

"Yes," said my grandmother, "I suppose you will love the holes out of
their clothes and love their gingham aprons into being, won't you?"

"I can depend upon Matilda a good deal," considered Mrs. Payne; "but
we have scarcely had time, dear Mrs. Hathaway, to think of the
material side of the question, and the children adore Ellen."

"And so, all together," rejoined Mr. Sylvester, "we shall get along
very well, but our only real trouble is the pain of breaking the news
to Miss Sarah."

"Well," said my grandmother, with brisk sarcasm, "if that's all that's
troubling you, I'll tell her myself. I'll go to her and tell her that
there's going to be a family consisting of two grown people, one grown
girl, and three helpless little children, none of whom realizes that
meals have to be got or housework done."

"Or, indeed," rejoined Mr. Sylvester, "where no one is occupied in
anything but considering the lilies, how they grow."

Upon this the two smiled at each other, for they both had the wisdom
of the simple in their spirits. However, it was apparent to any one
what a helpless menage this would be with the strong hand of Mrs.
Gillig, the housekeeper, removed from it.

The news of the marriage ran through the town the way fire spreads;
from house to house it galloped, then it would seem to skip a space
and then mysteriously break forth afresh, as though by spontaneous
combustion, and their interested chatter hid Ellen from herself a
little. She wrote:--

    "All day I have been receiving calls and answering questions. A
    certain sort of vague envy has mingled itself with a more
    definite commiseration and there has been a great deal of
    affection mingled with everything. They don't know. They all
    talk as though my little mother were a baby, and so she is.
    She's a child of light. She has not grown up and she hasn't
    made me grow up, and I hope I shall never have to, and I want to
    say to all the people, 'Oh, you blind person, you blind person,'
    when they speak in this half-patronizing tone of her. I want to
    say: 'Don't you know how much more she has than you? My mother
    is a happy person to live with; we are poor and our clothes are
    patched,--and sometimes they aren't even patched,--and I suppose
    she's a poor manager, but I am so glad she is because, when we
    do clean, it's because we want to and not to fight it day and
    night.' All through this day that's been so busy, when people
    have knocked at our door on one pretext or another, I've been
    waiting. All day Roger hasn't been to see me; it doesn't seem
    possible that he can be angry at me or stay away from me like
    this; it doesn't seem possible that he shouldn't understand me.
    I'm going up to-night to Oscar's Leap. It seemed to me that all
    the world had his voice to-day. Whenever I heard people talk far
    off, it seemed to me that I heard Roger; every time some one
    knocked on the door my heart leaped and I thought: 'He's coming
    at last.' Twice I walked uptown looking for him, and once there
    was a real errand,--not a make-believe one like when I was a
    little girl and wanted to do something that took me up to Aunt
    Sarah's; Aunt Sarah herself sent me, and how my ears were
    strained for the sound of his voice, and there was no sound at
    all in all the house. Then I did a thing that was very bold. I
    sat down at the piano and opened it and played and began to
    sing, hoping he would hear me, while I waited for the sewing for
    which Aunt Sarah had sent me. Then I heard footsteps on the
    stair and I knew that they weren't Roger's, but yet it seemed to
    me they must be--so much I wanted to see him that the very
    desire of my heart must call him to me--but no. I wonder what
    has happened; I wonder if he's angry; I wonder if he's hurt. I
    couldn't even ask Martha a word about him; I had to keep my
    mouth closed. It is partly my fault that we have to skulk in
    this way. It seems a curious thing that Martha should know if
    Roger was in the house somewhere. But surely he couldn't have
    been in the house or he would have come down when he heard me
    sing. Why should I feel ashamed at having tried to make him
    hear me? If I can go and call Alec from outside his house, why
    is it more wrong for me to go and call for the one whom I shall
    love all my days, and yet somehow I feel that I shouldn't. There
    is some deep instinct in me that makes me know I was wrong."

I suppose it was because of Ellen's absorption in Roger that she
failed to write an aspect of these days that stand out to me as one of
the charming memories of my girlhood, for it so sums up our New
England society of that day. My grandmother had performed the kind
office of announcing the betrothal to Miss Sarah, and this good
woman's reply was characteristic.

"Well," said she, "trust Emily to get into mischief when Ellen gives
us a moment's pause, and what irritates me the most, Sophia, is that I
am not even allowed my just moment of anger. If I sulk, then there
will be talk, to be sure, so I've got to go out and countenance this
marriage of those 'babes of grace' as though it had been my fondest
hope. I, forsooth, have got to go around and smile until my jaws are
fairly dislocated to prevent the magpie chattering that there'll be;
but before my anger cools I'm going down to give Emily a piece of my
mind. When you consider her refusing a decent, advantageous marriage,
and then becoming sentimental at her time of life, it's enough to make
one's blood boil."

Miss Sarah eased her mind by making remarks like this to her sister
and then said she:--

"Sophia Hathaway and I are going to bring our sewing and spend the
afternoon, because you'll see that half the town will be here to find
out what's happened."

So there we were, my grandmother and I, Mrs. Payne, Ellen, and Aunt
Sarah--a solid phalanx.

"We'll answer," Miss Sarah announced, "no questions except those asked
us."

Deacon Archibald and his wife were the first to call. The deacon came
in cheerily, rubbing his hands.

"It was such a fine day," said Mrs. Archibald, "that we thought we'd
repay the many visits that we owe."

"Yes, we are always so remiss in that," chirped Deacon Archibald.

"Won't you be seated? Take this more comfortable chair," said little
Mrs. Payne.

"The weather's been fine lately," remarked the deacon.

"A fine summer, indeed, for the crops," agreed Miss Sarah; "the
tobacco's doing splendidly in the valley."

There came another rap on the door and Mrs. Snow was admitted.

"I thought I'd run in just a moment to see if you had that mantle
pattern," she said.

Mrs. Butler, stiff with rheumatism, came next. A knock was heard at
the back door and I heard her heavy breathing and her "Well, Ellen, I
just ran over to return your mother's hoe that Alec left at my house
when he hoed my potatoes for me, but why he can't take back the tools
himself I can't see. Has your mother got company; invited company, I
mean?--because, Land Sakes! I can _hear_ she's got _company_. I'm not
deaf."

The question that they all longed to ask lay heavy in the air. It was
good and _bona-fide_ gossip that they had heard as coming direct from
Mr. Sylvester himself, but so afraid is New England of making a
mistake and of committing itself, that two other ladies had dropped in
on an errand of one sort or another, or for calls, before Miss Sarah
took advantage of a little pause in the conversation to remark:--

"I suppose every one of you here has come to find out if my sister is
to marry Mr. Sylvester."

There was a little, fluttering chorus of dissent.

"Nonsense," said Miss Sarah, "I know what you wish to ask and what a
bushel more will come to ask before the evening is over, and that's
why I'm staying here; and tell every one that you meet that we shall
be happy to tell them ourselves that such, indeed, is the happy fact."

Miss Sarah spoke with a large and grim geniality, for she always had
the air of one who says, "Mankind, I am about to chastise you for your
weakness, but I realize that I am human as well as you."

Meantime my poor Ellen had heard in each one of these knocks on the
door Roger's knock, and so she continued to hear the next day. She
wrote:--

    "He's gone away, and I have only learned about it by chance.
    Just by chance I heard Aunt Sarah saying: 'As if it wasn't
    excitement enough to have this happen yesterday, that young
    scallawag gets up and leaves me at a moment's notice.' Two of
    his friends came through, it seems, and Roger left with them. He
    left without sending word or sending me any message. He says
    he's gone for a day or two only. Aunt Sarah says she would not
    be surprised if he never came back, but that can't happen. How
    could it happen? Did he think that I had failed him so that he
    doesn't want me any more, or that I lacked so in courage and in
    love of him?... Another day has gone and no word from him. I
    don't think I've ever felt so alone in all my life and so cut
    off from all human help. I know it is wicked of me, but mother's
    happiness hurts me. I want her to be happy, but oh! it hurts me
    to watch it. I wish I could go off by myself somewhere, and yet
    I know that there I will be worse than I am now, with a thousand
    small things to do to somehow fill up the days. Something must
    have happened to him. I watch myself like some other person for
    fear I shall seem sad for a moment, for if I do it will look as
    though I am not pleased about my mother. Oh! I hope that I won't
    hurt their joy in any way. I wonder how women live who have to
    wait long for news of those they love. I seem to move around in
    the world, but I really do nothing but wait. Each time I see my
    aunt I think that she will have news of him; I'm grateful to her
    now if she only tells me he hasn't come. When I am asleep, I'm
    still listening and waiting for him. Something must have
    happened to him, because he must want to see me as I do him. It
    seems to me that no one could hurt any one they loved as much as
    this and be alive."

Here it was for the first time that Ellen tasted that bitter pain of
women, waiting. It sometimes seems to me that this is an anguish in
which we live and of which men know nothing. During the course of a
long life every woman passes so many hours of still agony when she
must fold her hands and smile and wait. We cannot go out seeking the
beloved, but must sit and wait until he comes. Like Ellen, when you
have had a misunderstanding it is not yours to run generously forward;
you can't clap your hat on your head and say, "Here, I'll make an end
to this; I'll go and find her." No, you must sit waiting for the sound
of his footsteps coming toward you; wait until your whole soul is
tense; wait until each sound is part of this hope deferred. All women
know this pain of waiting; and when our time of waiting for a
sweetheart is over, the sons we love go out into the world, and again
we can do nothing but sit still and wait for news of the travelers,
wait for the little, scant messages of love which their careless hands
pen to us in some casual moment. The long days pass and the letters
don't come, and still we wait. We sit and wait for our children to be
born, through the long months, with the black certainty of the birth
that may be death staring us in the face.

Some women get used to waiting. I think that those who do have closed
the doors of their hearts to the keener range of feeling, having
suffered so much that they say to themselves, "Here, I'll suffer no
longer." There are yet others who pass through the pain of waiting,
going by this thorny, bleeding, silent road of doubt and pain to a
higher acquiescence. It is a long way there, and the heart of us must
weep much in silence before we can attain this glorified peace. I have
known the spirits of women to snap like the overstrained strings of a
harp, as they waited with smiles upon their lips.

I am sorry sometimes for all women, and most of all for the impatient,
tender, and flaming spirits of young girls who meet this pain for the
first time.

It is because we have all suffered in this way that the most generous
among us run so eagerly to meet those whom they love. Having tasted
this pain, we wish forevermore to spare others anything like it. The
more shallow-hearted and, perhaps, wiser women, and those who are not
children of light, having tasted it, use the anguish of suspense as a
weapon in the everlasting warfare between man and woman. But there is
hardly a woman grown who could not echo the cry of Ellen when she
wrote:--

    "I do not dare to go out of the house for fear I might miss some
    word of him, and yet how can I stay in the house knowing my own
    thoughts? I wish to fill the gray horror of these empty hours
    with anything that the wayside will bring me; I want to go out
    and play with the children; I want to find Alec and walk with
    him. I try to remember just one thing--that some time to-day or
    to-morrow, or the next day, I shall hear something. _This can't
    go on forever; there has to come an end._"




CHAPTER XVII


I, with my eyes fastened on the romance of Mrs. Payne and Mr.
Sylvester, had noticed nothing; the explanation that Roger had gone
off for a few days with friends was enough for me; but it was Alec,
with a keener vision, who had seen something wrong.

"What ails Ellen?" he had asked me.

"Why--what should?" I asked.

"Roberta," said Alec, "is Ellen in love with Roger?"

"How should I know?" said I.

Alec looked down, kicking the dust before him with the gesture of a
little boy.

"It would be natural if they cared for each other," he continued. Then
he suddenly flung out his hand and said, "If it's so, he won't ever
make her happy."

"Why, Alec, what do you mean?" I said.

"He's only thinking about himself; he's interested only in Roger
Byington," Alec declared with vehemence.

He filled these next days as full of himself as he could; making
Ellen laugh at his fantastic goings-on as he pretended to be the
bulletin which announced how far the gossip had reached. With his
tender second sight he tried to hide Ellen from herself or whatever it
was that was troubling her.

As Ellen said, the trouble couldn't last forever, and the end came
unexpectedly. While we were sitting in the orchard I saw Ellen's hand
go to her heart and her face change color; she sat still a lovely,
quivering thing, with all the soul of her running out to meet Roger,
and he advanced through the sweet clover, swishing at it with a little
cherry wand that he had cut when walking. He had gone away a fairy
prince--his only fault had been loving Ellen too much--and he came
back a naughty little boy. Even I noticed the change in him. There was
an arrogant, willful tilt to his head which belied the lightness of
his disarming manner, and one which said: "First I'll try to coax you
into good humor, but beware of my stubbornness if you find fault with
me too far." He was the male that will not admit that he has faults.
"Be thankful that I'm back at all," was what his bearing implied; "and
we'll ignore also that I've been away, if you please."

Ellen, poor child, had no idea of blaming him, any more than she had
an instinct of hiding her emotions. Never once had she blamed Roger,
even to herself, for going away, and at the sudden end of her suspense
uncontrollable tears came to her eyes. Men have written books about
the folly of the tears of women. Who knows it better than they, poor
things? There are uncontrollable women, of course, who are as
spendthrift with tears as some men of anger. Tears like these of
Ellen's are as unexpected and uncontrollable as a sudden storm, and I,
knowing what it meant when Ellen cried, left them quickly.

Ellen wrote about it:--

    "Oh, the unspeakable shame of having cried. I didn't know I was
    going to; I haven't cried since he has been away; I've only
    waited. He was sweet and tender with me, but he said
    whimsically: 'You, too, Ellen! I've had many a tearful
    home-coming with my mother. If one stays away unexpectedly from
    women, no matter who they are, the first thing they do when you
    turn up again is to find fault with you or else weep over you.'
    Then he held me out at arm's length. 'Ellen, you're not going to
    make of me the sinner that repented.' I don't know what leaden
    weight I have in my heart; it seems all so different; it's like
    a little, commonplace squabble. I'm always disappointing him; he
    has thought me different from all other women and I would so
    like to be, but I am just the same. He didn't even refer to the
    cause of his going away. We talked of this and that and couldn't
    find each other. He looked at me curiously two or three times
    and said, 'Ellen, I thought I should never see tears in your
    eyes.'"

Here, indeed, was a shifting of base; they had been playing the higher
harmonies that men and women play together; their spirits had been in
perfect unison; even the tragic parting had had its undercurrent of
understanding, and now here they were with their feet on earth; Ellen
with homesick eyes for the land of lost content and Roger with a
little sneer that she should have let him see that she had no pride
against him. Her absence of coquetry was her undoing. He knew now he
could put her down or take her up at will, and her price was a few
tears. Her spirit stood out in that moment of welcome, shining and
naked, her little shy spirit, the reflection of whose light alone had
been enough for Alec.

From the point of view of age, it is Roger for whom I am sorry, for
with all courage and charm and ability and the swift, pulsing flow of
life in him, life had tainted him already so that this ultimate gift
of herself made him think Ellen too easy of attainment. The situation
was one that had been repeated time and time again, sometimes by men
and sometimes by women. Roger had had his naughtiness and his lack of
consideration and his sudden and impatient vanishing out of a
difficult situation treated by tears and reproaches. Poor Ellen, by
her very innocence, had trodden a path of the emotion familiar to him,
since his way out of difficulties had been a sudden impatient
vanishing. If she could have only had the inspired sense to have
taken his return in a matter-of-course manner, it would have piqued
him, and again Ellen would have won; but how play sorry games like
this with the best beloved? One of the sad things of love is that it
is in absurd and trivial ways like this that it falls from its highest
state and loses its radiance.

From the account of her journal they jogged along a few days at a
slack-water; Ellen groping forever for Roger, Roger a little bored at
the too-eagerly offered heart; their positions oddly reversed; Roger
rather magnificently forgiving Ellen for having annoyed him.

Then suddenly into this doldrums of the emotions burst Miss Grant. A
flaming affection is hard to hide. It shines like a light behind a
closed door,--let two people walk ever so carefully. Now the eyes of
one follow the other and the look is a caress; now some one intercepts
an exchange of glances, and that exchange means, to any one whose
heart has beat fast for love, a promise of everlasting devotion; you
see a girl's hand steal to her fast-beating heart, or the young man
waiting for her with that aching impatience of the young.

So gossip had begun about Roger and Ellen. Some one had seen them
walking down the street so absorbed that they had seen no one else;
another had noticed Ellen walking across the bridge to the mountain
and Roger going before her. Little by little the people who had
separately observed these things had talked together until between
them they had pieced together from broken fragments the whole story,
and then, like a picture thrown unexpectedly on the screen, the gossip
of it came to Miss Grant.

I suppose she had gotten bits of it before, hints and innuendoes, of
the kind people give who are too pusillanimous to face a woman like
Miss Sarah with a point-blank question. The whole thing was focused
one afternoon when she had said lightly to Mrs. Snow that she didn't
know where on earth Roger had passed his time in such a quiet little
town.

"Well, Sarah, if you spent more time down at Emily's, perhaps you'd
know."

To Miss Sarah's hot, "What do you mean?"--

"I mean that wherever Ellen is, Roger's apt to be, and no reason
making such big eyes at me; a very nice sort of thing, I think it."

Miss Sarah merely put on her bonnet and shawl and marched majestically
down the hill. She found Ellen on the back porch, in the midst of a
foam of ruffles she was hemming for her mother's gown. She towered
above Ellen, an avenging fate, whose gray curls bobbed on each side of
her head.

"Ellen, what's this gossip I hear about you and Roger?" she demanded.
Before Ellen had time to reply, as though she read her confession in
the color that mounted to her face, "How could you do such a thing,
Ellen?" she fumed. "Don't you know that Roger Byington came here to
work and settle down; don't you know that he has a marriage already
planned? Don't you see the position you've put your family in, that of
snatching at the fortune of an old friend! A fortune that's destined
elsewhere, and that we were bound, you as well as I, to guard! You've
been deceiving the whole of us!"

Ellen rose to her feet and faced her, her sewing still in her hands,
the blue ruffles around her white frock like a wave of the sea.

"I've deceived no one, Aunt Sarah," said she, with a touch of
sternness in her voice, and just here Roger appeared.

He had heard voices, and had heard his and Ellen's names mentioned,
and he had then seen Miss Grant storming down the hill like some aged
New England Valkyrie and had followed her. He arrived in time around
the side of the house to catch her last words, and the flaming anger
that any one should scold his Ellen blew away forever the flatness
that had for a moment assailed them.

He threw his arms around Ellen as though he would protect her from
everything for all time. "Miss Grant," he said, "the reason I'm here
in this town is Ellen. I walked through here one time and I saw Ellen
and talked with her for a few minutes by the roadside, and so I came
back. No one else I've ever seen in life matters to me--nothing else
but Ellen matters. Please remember that if I amount to anything
_ever_, it will be because of Ellen, and if I fail, it will be because
I have failed Ellen. Had I had my way Ellen would not have been
here now with you; she'd be married to me."

[Illustration: SHE TOWERED ABOVE ELLEN, AN AVENGING FATE]

Ellen wrote:--

    "I don't know what it did to me to have it talked about in the
    open. I felt as if I belonged forever to Roger, as though some
    way this outward profession of faith of his brought out and made
    positive everything that he had said and that I had felt, and
    that we truly belonged to one another."

The old lady measured the young people with an angry gaze.

"Young man," said she, "I consider you've abused my hospitality; you
have put me and my brother and my whole family in a false light before
your parents. You entangle yourself in sentimentalities with a married
woman, you play false with your sweetheart, and when your father
wishes you to reconstruct your life, you throw them both over and
place me in the position of having seemed to connive at a marriage
with my niece. I shall write your mother my disapproval by the next
post, and if Ellen knew as much of your past history as I do, she
wouldn't take this sudden infatuation seriously, and if she had any
dignity she would withdraw at once from this false position."

"Your letter," Roger replied with some heat, "will reach my mother
somewhat after my own. When Ellen's love for her mother overcame her
better judgment and she refused to go with me, I wrote my mother on my
return as I told her I would do; and now, permit me, Miss Grant, to
withdraw from your house which will save your pride in this matter."

It was an old-fashioned quarrel that Youth and Age indulged in, and
Ellen's journal gives more of it, full of stately words and innuendo
and recriminations cloaked in fine-sounding periods, and I think both
Roger and Miss Sarah enjoyed their own rhetoric heartily.

Mrs. Payne heard the noise of the combat, and when Miss Sarah realized
that her sister had been, as she said, "an accomplice," her
indignation knew no bounds, though she admitted:--

"I'll do you justice, Emily; you've so little common sense that I
don't suppose for a moment you thought of anything but the
sentimentality of this ill-governed young man and your Ellen. You
didn't, I suppose, for a moment consider that Ellen is not the sort of
a marriage planned for him by his father."

Mrs. Payne's wide-eyed, "Why shouldn't she be? Ellen's so sweet and
pretty," collapsed the older lady's anger like a pricked balloon, as
nothing else could have done. Ellen's picture of her is this: "Aunt
Sarah flopped down, she didn't sit, and gathered her draperies around
her like a wounded Roman matron."

       *       *       *       *       *

Roger, at Mrs. Payne's words, again put his arm around Ellen and
laughed aloud. He adored their unworldliness. The bad little boy in
him vanished; so did the man of the world who cannot bear generosity
in the beloved. He spoke truly enough when he said all the best things
in him ran out ahead of him to meet Ellen. He said to Miss Sarah
gently:--

"You see, we really care for each other, Aunt Sarah, and I'm awfully
sorry about putting you in a false position, but that doesn't count
very much compared to Ellen's and my happiness, does it? Please
believe me when I tell you that your side of this never occurred to me
and so I'll take myself away to-night." The moment of high-sounding
periods was over.

"Hadn't you better stay?" asked Miss Sarah. "Think of the talk,
Roger."

"I want talk," he said,--"all the talk in the world; I would like
everybody to know how I care for Ellen--I welcome gossip."

    "The way he laughed"--wrote Ellen--"made one feel the way Spring
    looks; I was so proud, and wondered more than ever what I could
    have done to have any one like Roger love me."

During the days when they had been at odds with life, they had taken
pains to have me with them; it was the first time that they had shown
themselves eager for my company together. I had been confidante first
for Ellen and then for Roger, and then again for Ellen, but seldom had
I seen them both at once. Now, after this explanation with Miss Grant,
they unconsciously thrust me aside with no more regard for me than if
I had been a withered flower. I was going to Ellen's to help with the
sewing. I had left her a little lack-luster, a little wistful; Roger
had been sulky and inclined to cynicism; and now they swept down on me
like a splendid young god and goddess, no longer making any effort to
keep the town in ignorance; they took it in in a magnificent gesture,
the way they looked at each other; shouted it aloud, and, as though to
carry out in very truth the words he had spoken to Miss Grant when he
said he would like to shout through the town that he loved Ellen, he
took her hand in his when he saw me and swung it to and fro; and in my
day such an action as this was one which would cause the quiet windows
to bristle with interrogatory eyes. You might be perfectly sure that
there would be quiet slippings through back doors and gossiping under
grape arbors.

That evening I met Roger coming down the street and he stopped to tell
me:--

"We've had it out with Aunt Sarah, and both Aunt Sarah and I have
written to my mother. Now we'll soon have an end to this
shilly-shallying."

"And if your parents don't like it?"

"God help them if they don't," he said. "Any parents I have will
_have_ to like it."

And there was so sinister a note in his voice that I shivered.
Sometimes when he spoke there was a weight to a light word that seemed
like a heavy wind.

It was not long before the town had more to talk about. Mrs. Byington,
in her beautiful and fashionable clothes, was as conspicuous as though
she had come riding in a palanquin. The city and country were much
more apart in those days, and home-made patterns taken from some
remote city ones were passed from hand to hand; dolls dressed in
Boston still carried the mode somewhat; and in our honest village,
loveliness was put by with youth, and lovely was the quality of Mrs.
Byington. At fifty she was tall and slender, her hair a little gray,
her neck graceful like a girl's; she walked swayingly, and age was not
a quality with which she seemed to have reckoned. With the changing
years she had a quality as compelling as youth itself, and this
without the slightest attempt at seeming less than her years.

Ellen writes:--

    "Roger's mother came to see me alone, and before her, so
    beautiful and soft, I felt as though I had been made yesterday.
    It happened that I opened the door for her, and I knew who she
    was and she knew me, for she said: 'Dear child, I know you are
    Ellen; I wanted to come by myself.' She looked at me with
    searching eyes that were a little sad, and all of a sudden I
    felt very sorry for her, for it must be very hard, when you have
    a son that you love, to learn all at once that his life belongs
    to some one else. We sat down and talked a little, and my heart
    beat so that I could hardly say anything, and I felt that I was
    very stupid, and that if Roger could be there he wouldn't like
    the way I was acting, and all of a sudden she put her arms
    around me and kissed me, and said: 'Dear Ellen, you are very
    lovely and very perfect, and, indeed, I knew you would be very
    "something" to send my wild Roger after you at such a rate. You
    love him very much, don't you?' I couldn't speak, and only
    bowed my head; and she said, as though talking to herself rather
    than to me, 'Poor child, it would be better for you if you loved
    him less; he would be more yours.' I asked her what she meant.
    She thought a moment, and then said: 'Perhaps you'll never find
    out; you're so sweet, Ellen; even Roger wouldn't hurt a child.'
    And for a moment I felt a little flaming anger at her for not
    understanding him better. I wanted to tell her that there was
    only sweetness in Roger for those who knew how to find it, but,
    of course, I didn't dare. There was something in her tone that
    made a cold shadow fall over me."

It seemed as though all difficulties were cleared from before them,
when Ellen found herself face to face with what really was the first
important issue of this time. After all, the things in love that count
are not all the obstacles imposed on us from without. It is strange to
me why people have always written of these rather than of those far
more important moments, as when, for instance, one first sees the
beloved face to face as he really is. Love for a moment makes us
transcend ourselves, and Roger was a brave lover, and Ellen had known
nothing of him except Roger the lover, when suddenly she caught a new
glimpse of Roger. She wrote:--

    "I don't know what I'm going to do--nothing I suppose. I've seen
    Roger angry with his mother. It was our last afternoon all
    together and she was talking very seriously with us. She said:
    'Your Ellen is very sweet, Roger. Keep her happiness, and if you
    play fast and loose again, you deserve all the unhappiness the
    world can bring you.' She has wanted me to see him as he is, and
    has talked around the edges of this, and she said to me, 'I came
    here wondering who you were, Ellen, and ever since I saw you
    I've been wondering what Roger will do to you in this new life
    of yours begun so sweetly.' One time she cried out, 'Oh! why do
    women have to marry men?' And then she laughed at herself for
    saying it. Ever since she came Roger has been watching her. He's
    had a critical attitude and is ready to find fault at a
    moment's notice. It was as if the impatience of the whole week
    overflowed. What he said wasn't so much. Oh! he kept within
    bounds before me, but the restrained anger of his manner was as
    though he had struck her, as though he had hurt her, as though
    the force of his anger would throw her from the room. She held
    up her head a little proudly, but she only said, as though to
    bring him to himself, 'Roger, Roger!' warning him, one would
    think, not to lose further control of himself. She spoke as if
    she were used to this wounding, terrible manner, a manner that
    gets its own way in spite of everything; and I stood there
    trembling inside, and I began thinking, 'Who are you, Roger, and
    who am I?' Now it is all at once as if I had an answer to why
    she seemed to pity me, as though she wanted to protect me from
    everything. All my instinct is to run and hide in some place
    where I shall hide from him forever. I know nothing of him or he
    of me."




CHAPTER XVIII


There comes a moment in the life of almost every one when, bewildered,
for the first time they meet an everyday and faulty person in place of
the beloved. Sometimes this is the beginning of a long disillusion; it
is then that many find out that one has not been in love at all, but
only in love with being in love. With young lovers one often calls
this first glimpse the first quarrel. After marriage this slow torment
of becoming accustomed to another personality in the body of the
beloved is called the "time of adjustment."

With Ellen this moment was a severe spiritual crisis. As she had seen
concentrated in the last weeks only the lovable things in Roger, so in
this one moment she had a vision of all in him that was inimical to
happiness and peace. It was as if that blind, voiceless judge that
sits deep within all of us and bids us love, hate, or fear, had been
aroused to its depth, and its final judgment of Roger had been that
here was danger. Had there been any place to run to, she would have
fled, but there was nothing to do but sit still. She dreamed at night
that she saw his face savage in anger, heartless in its desire, and
relentless in its will to get what it wanted from life; and since she
could not leave home to run away from him, she ran from him
spiritually.

When he came to see her next, he could hardly find Ellen in the inert
and docile person who presented herself to his gaze. It was as though
the glance he had given his mother and the tone in which he had spoken
had been to her a prophecy of life to come. She saw him with that
terrible clairvoyance that love gives; she saw clearly what her life
in the hands of this other Roger would mean; and it seemed as if the
very inner spirit of her struggled to free herself from his power.

I, personally, fear the shocks of the spirit as some fear physical
pain, and instinctively I withdrew from the perversities of men, and I
now look shudderingly back on two marriages which I might have made
but for this warning bell which rang over the reefs of the spirit.

Her first movement had been one of flaming indignation; that burned
out, leaving behind it the ashes of a dull, apathetic fear. When he
asked her what was the matter and why, she told him she was afraid of
him. He called himself a brute, he apologized to his mother, but she
remained inert and docile, as aloof as a person who has been stunned
by the spectacle of a great disaster, and, indeed, the flood of her
emotions had ebbed back violently.

In despair Roger came to me.

"I've lost Ellen," he told me. "We've awfully bad tempers in our
family, and my mother didn't understand that since I've known Ellen
there are a whole lot of things in my life that I want to forget. The
me Ellen knows is a different me from the one mother knows."

He had never been as sweet to Ellen as he was now. She had seen before
a brave lover who rushed everything before him and when he was refused
anything would turn into a naughty little boy. Now he was a tender
suppliant asking for mercy, confessing his sins and inventing sweet
and touching things to do for Ellen. I think the men of my day were
crueler as men and warmer as lovers. A man like Roger possessed
himself more of a woman's mind and life than the men of to-day that I
see around me seem able to do with their sweethearts. There was no
little corner of her spirit that he did not wish to occupy, and to
gain admission to her frightened little heart he made himself small
and humble and appealing. Of the sincerity of his wretchedness and his
repentance there was no doubt.

"If she were only angry with me," he said to me, "but she's afraid,
Roberta. It's a terrible thing to see her shrink from me. She doesn't
mean to be unkind. She told me in all seriousness, as if she meant it,
that she thought it would be better for all of us if I left her now.
Why, she's my life, Roberta!"

I was profoundly touched, as who would not have been? Nor did I fail
to repeat this to Ellen. I had told Alec what the matter was, for
seeing Ellen listless and remote he had jumped to the conclusion that
Roger had hurt her in some way, and in Roger's defense I told him the
truth and he put himself stolidly on the side of Ellen's instinct.
Through one long day she and Alec went off together as they had when
they were children, while Roger raged up and down. Ellen wrote:--

    "We played, as we did when I was little, 'Two Years Ago,' and
    for one, beautiful afternoon I forgot how life can hurt. Just
    toward the end Alec cried out to me, 'Oh, Ellen, why can't I be
    older! Why couldn't it have been I? I'd never have hurt you, I'd
    never have made you afraid of me.' And I know that's true, and I
    know, too, that poor Alec could never find a key to the place in
    me that could be hurt. There's something wrong with women, for
    when once one has felt one's pulse beat fast, one can never
    again be content with a sweet and kind affection. One must wish
    forevermore to drown one's self forever and to let the waters of
    life sweep over one's head, however bitter they may be."

Already, though she didn't know it, she was coming back to Roger.
Every day he went to see her with some carefully thought-out little
gift. Every night he wrote her a letter which he sent by me, and she
wrote in answer a letter that she didn't send.

    "I suppose [she writes to Roger] that we can only be cured of
    the worst hurts of all by those who have hurt us. Oh, please
    hide me from yourself! Oh, protect me! from this Roger, since I
    am so afraid of you that my whole spirit shudders away from you.
    Shield me from this, or let me go now while I yet have strength
    to leave you, or else make me forget forever how black life
    could be if I ever saw again the face that you turned then on
    your mother, and that yet was a part of you."

There is nothing truer in the life of the affections than this, that
the wound made by those whom we love can only be cured by them. One
may be sick even to death, and yet the only cure can come from the one
who has poisoned life for us. There is only one other way to cure the
hurt, and that is to stop loving. That's why a great many things
become easier to bear as the years go by. We find men and women
philosophically facing situations which formerly would have stopped
all life for them. These are the dead of heart who have forgotten to
care when they do this, and where one woman gains peace from a higher
understanding of the man she loves, a dozen others find it by ceasing
to love at all.

Ellen made her attempt at escape, and then came back because she
couldn't help it. The one person in the world who could have helped
her was Alec. She was sincere when she told me:--

"If Alec was my brother, and had a home for me somewhere where I need
not see Roger again, I'd go to him."

It was her very docility and lack of resistance that maddened Roger.
He told me:--

"Somehow Ellen has slipped out of my hands into a magic circle; she's
afraid of me. It's as though she lived inside a crystal shell--I can
see her and speak to her, but I can't touch her."

I, myself, was very much disturbed and moved by it all. There was
Ellen who had burned in a fire of happiness, whose very look at Roger
had been a caress, who seemed to give herself to him by the way she
stood,--her arms relaxed as though all her body cried out to him to
take her,--now lost in apathy; nothing that I told her affected her as
far as I could see. After days of this, just as I was giving up hope,
I met them one afternoon, swinging down the street toward me, with the
air of a god and goddess recently let out of prison. Roger had
Prudentia flung on his shoulder, and carried the child aloft as though
she were a flag of triumph. All the explanation I ever had of the
reconciliation was what I had then and there.

"He came down the street," Ellen told me, "with Prudentia on his
shoulder, and said, 'Hello, Ellen,' and I said, 'Hello, Roger,' and he
put out his hand to me and I took it. Why, Roberta, aren't you glad?"
asked Ellen.

"She wanted more pomp and circumstance," Roger jeered at me. "She
wanted you, Ellen, to rush to my arms and say, 'Roderigo, I forgive
thee.'"

They went on; I heard their laughter down the street. That was all the
thanks they gave me.




CHAPTER XIX


Ellen wiped the memory of their misunderstanding completely from her
mind. If she had cared for Roger before, now she burned her bridges
behind her; she swamped herself in her devotion to him. He stayed in
our town until late fall, and during these months he seemed to want no
o

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