Gutenberg · e01.org

← catalogue

Molly Brown's Freshman Days

by Nell Speed · English · Gutenberg #36684 · 324,639 chars · public domain (US)

The Project Gutenberg eBook of Molly Brown's Freshman Days
    
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: Molly Brown's Freshman Days

Author: Nell Speed

Illustrator: Charles L. Wrenn


        
Release date: July 10, 2011 [eBook #36684]

Language: English

Other information and formats: www.gutenberg.org/ebooks/36684

Credits: Produced by Stephen Hutcheson, Rod Crawford, Dave Morgan,
        eagkw and the Online Distributed Proofreading Team at
        http://www.pgdp.net


*** START OF THE PROJECT GUTENBERG EBOOK MOLLY BROWN'S FRESHMAN DAYS ***




Produced by Stephen Hutcheson, Rod Crawford, Dave Morgan,
eagkw and the Online Distributed Proofreading Team at
http://www.pgdp.net






[Illustration: "I think my trunk is on this train," she
said.--_Page 7._]




  MOLLY BROWN'S
  FRESHMAN DAYS

  By
  NELL SPEED

  _WITH FOUR HALF-TONE ILLUSTRATIONS
  BY CHARLES L. WRENN_

  NEW YORK
  HURST & COMPANY
  PUBLISHERS




  Copyright, 1912,
  BY
  HURST & COMPANY




CONTENTS


  CHAPTER                                            PAGE

      I.  WELLINGTON                                    5

     II.  THEIR NEIGHBOR                               19

    III.  THE PROFESSOR                                32

     IV.  A BUSY DAY                                   46

      V.  THE KENTUCKY SPREAD                          62

     VI.  KNOTTY PROBLEMS                              75

    VII.  AN INCIDENT OF THE COFFEE CUPS               86

   VIII.  CONCERNING CLUBS,--AND A TEA PARTY           99

     IX.  RUMORS AND MYSTERIES                        115

      X.  JOKES AND CROAKS                            130

     XI.  EXMOOR COLLEGE                              140

    XII.  SUNDAY MORNING BREAKFAST                    152

   XIII.  TRICKERY                                    164

    XIV.  AN INSPIRATION                              177

     XV.  PLANNING AND WISHING                        188

    XVI.  THE MCLEAN SUPPER                           204

   XVII.  A MIDNIGHT ADVENTURE                        216

  XVIII.  THE FOOTBALL GAME                           230

    XIX.  THREE FRIENDS                               241

     XX.  MISS STEEL                                  255

    XXI.  A BACHELOR'S POCKET                         266

   XXII.  CHRISTMAS--MID-YEARS--AND THE WANDERTHIRST  276

  XXIII.  SOPHOMORES AT LAST                          291




ILLUSTRATIONS


  "I think my trunk is on this train," she said.    _Frontispiece_

                                                              PAGE
  "I wish you would tell me your receipt for making friends,
  Molly," exclaimed Nance.                                      51

  "I'm scared to death," she announced. Then she struck a
  chord and began.                                              60

  It was quite the custom for girls to prepare breakfasts in
  their rooms.                                                 152




Molly Brown's Freshman Days




CHAPTER I.

WELLINGTON.


"Wellington! Wellington!" called the conductor.

The train drew up at a platform, and as if by magic a stream of girls
came pouring out of the pretty stucco station with its sloping red
roof and mingled with another stream of girls emptying itself from the
coaches. Everywhere appeared girls,--leaping from omnibuses; hurrying
down the gravel walk from the village; hastening along the University
drive; girls on foot; girls on bicycles; girls running, and girls
strolling arm in arm.

Few of them wore hats; many of them wore sweaters and short walking
skirts of white duck or serge, and across the front of each sweater was
embroidered a large "W" in cadet blue, the mystic color of Wellington
University.

In the midst of a shouting, gesticulating mob stood Mr. Murphy, baggage
master, smiling good naturedly.

"Now, young ladies, one at a time, please. We've brought down all the
baggage left over by the 9.45. If your trunk ain't on this train, it'll
come on the next. All in good time, please."

A tall girl with auburn hair and deep blue eyes approached the group.
There was a kind of awkward grace about her, the grace which was hers by
rights and the awkwardness which comes of growing too fast. She wore a
shabby brown homespun suit, a shade darker than her hair, and on her
head was an old brown felt which had plainly seen service the year
before.

But knotted at her neck was a tie of burnt-orange silk which seemed to
draw attention away from the shiny seams and frayed hem and to cry
aloud:

"Look at me. I am the color of a winter sunset. Never mind the other old
togs."

Surely there was something very brave and jaunty about this young girl
who now pushed her way through the crowd of students and endeavored to
engage the attention of the baggage-master.

"I think my trunk was on this train," she said timidly. "I hope it is.
It came from Louisville to Philadelphia safely, and when I re-checked it
they told me it would be on this train."

Now, Murphy, the baggage master, had his own peculiar method of
conducting business, and it was strictly a partial and prejudiced one.
If he liked the face of a student, he always waited on her first,
regardless of how many other students were ahead of her; and, as he told
his wife later, he "took a fancy to that overgrown gal from the fust."

"I beg your pardon, but Mr. Murphy is engaged," put in a haughty looking
young woman with black eyes that snapped angrily.

"Now, Miss Judith," said the baggage master, who knew many of the
students by name, "don't go fer to git excited. I ain't made no promises
to no one. It's plain to see this here young lady is a newcomer, and, as
sich, she gits my fust consideration."

"Oh, please excuse me," said the girl in shabby brown. "I'm not used
to--I mean I haven't traveled very much."

Judith turned irritably away.

"I should think you hadn't," she said in a low voice, but loud enough to
be overheard. "Freshies have a lot to learn and one is to respect their
elders."

The new girl put down her straw suit case and leaned against the wall of
the station. She looked tired and there was a streak of soot across her
cheek. The trip from Kentucky in this warm September weather was not the
pleasantest journey in the world. While she waited for Mr. Murphy to
return with news of her trunk, her attention was claimed by two girls
standing at her elbow who were talking cheerfully together.

"Yes," said one of them, a plump, brown-eyed girl with brown hair,
a slightly turned-up nose and a humorous twitch to her lips, "I have a
room at Queen's cottage. It's the best I could do unless I went into one
of the expensive suites in the dormitories, and you know I might as well
expect to take the royal suite on the Mauretania and sail for Europe as
do that."

The other girl laughed.

"You'd be quite up to doing anything with your enterprising ways, Nance
Oldham," she exclaimed.

"Oh, are you going to Queen's cottage?" here broke in the girl in shabby
brown. "I'm there, too. My name is Molly Brown. I come from Kentucky. I
feel awfully forlorn and homesick arriving at the University station
without knowing a soul."

There was a kind of ringing note to Molly Brown's voice which made the
other girls listen more closely.

"I wonder if she doesn't sing," thought Nance Oldham, giving her
a quick, scrutinizing glance. "Yes, I am at Queen's cottage," she
continued aloud, "but that's about all I can tell you. I feel like a
greeny, too. We'll soon learn, I suppose. This is Miss Brinton, Miss
Brown."

Caroline Brinton was rather a nondescript young person with dreamy eyes
and an absent-minded manner. She came from Philadelphia, and she greeted
the new acquaintance rather coldly.

"Your trunk ain't here, yet, Miss," called the baggage master. "Like
enough it'll come on the 6.50."

Molly looked disturbed, while the black-eyed Judith standing nearby
flashed a triumphant smile, as much as to say:

"It only serves you right for pushing in out of turn."

"What are we to do now?" she asked of her new friends, rather
helplessly.

"Take the 'bus up to Wellington," said brisk Nance Oldham. "I know that
much. There's one filling up now. We'd better hurry and get seats."

The three girls crowded into the long, narrow side-seated vehicle
already half filled with students. Even at this early stage in their
acquaintance, the bonds of loneliness and sympathy had drawn them
together.

"I'm a stranger in a strange land," Molly Brown had confided to the
listening ear of Nance Oldham. "I had made up my mind not to be
homesick. I really didn't know what the feeling was like, because I have
never had a chance to learn. But I know now it's a kind of an all-gone
sensation. I suppose little orphans have it when they first go into an
orphan asylum."

"Oh, you'll soon get over it," answered Nance. "It's because you live so
far away. Kentucky, didn't you say?"

Molly nodded and looked the other way. The memory of an old brick house
with broad piazzas and many windows blurred her vision for a moment.
But she resolutely pressed her lips together and began to watch the
passing scenery, as new and strange to her as the scenery in a foreign
land.

The road leading to Wellington University skirted a pretty village and
then plunged straight into the country between rolling meadow lands
tinged a golden brown with the autumn sun. And there in the distance
were the gray towers of Wellington, silhouetted against the sky like
a mediaeval castle.

Molly Brown clasped her hands and smiled a heavenly smile.

"Is that it?" she exclaimed rapturously.

"It must be," answered Nance, who also felt some quiet and reserved
flutterings.

"It is," said Miss Brinton. "I came down to engage my room, so I know."

In the meantime, there was a busy conversation going on around them.

"I'm going to cut gym this year. It interferes too much," exclaimed
a tiny girl with birdlike motions and intelligent, beady little eyes as
bright and alert as the eyes of a little brown bird.

But evidently Molly was not the only person who had noticed this
resemblance, for one of the students called out:

"Now, Jennie Wren, you must admit that gym never had any charms for you
and it's a great relief to give it up."

"Of course she must," put in another girl. "The only exercise Jennie
Wren ever takes is to hop about on the lawn and prune her feathers."

"Never!" cried Jennie Wren. "I never wear them, not even quills. I
belong to the S. P. C. A."

"Is there much out-of-door life here?" asked Molly Brown, of a tall,
somewhat older girl sitting opposite her.

"This new girl may have timid manners," thought Nance Oldham; "but
she is not afraid to talk to strangers. I suppose that's the friendly
Southern way. She hasn't been in Wellington a quarter of an hour and she
has already made three friends,--Caroline and the station-master and
me. And now she's getting on famously with that older girl. What I like
about her is that she isn't a bit self-conscious and she takes it for
granted everybody's going to be kind."

"Oh, yes, lots of it," the older girl was saying to Molly kindly. "If
you have a taste for that kind of thing, you may indulge it to your
heart's content. There is a splendid swimming pool attached to the gym,
and there are golf links, of course. You know they are quite famous in
this part of the world. Then, there are the tennis courts, and we'll
still have some canoeing on the lake before the weather gets too cold
and later glorious skating. Besides all that, there are perfectly
ripping walks for miles around. The college has several Saturday
afternoon walking clubs."

"But don't these things interfere with--with lectures?" asked Molly, who
was really quite ignorant regarding college life, although she had
passed her entrance examinations without any conditions whatever.

The older girl laughed pleasantly. She was not good looking, but she had
a fine face and Molly liked her immensely.

"Oh, no, you'll find there's plenty of time for everything you want to
get in, because most things have their season, and most girls
specialize, anyhow. A golf fiend is seldom a tennis fiend, and there are
lots of walking fiends who don't like either."

Molly's liking for this big girl and her grave, fine face increased as
the conversation progressed. She had a most reassuring, kindly manner
and Molly noticed that the other girls treated her with a kind of
deferential respect and called her "Miss Stewart." She learned afterward
that Miss Stewart was a senior and a member of the "Octogons," the most
coveted society in the University. She led in all the athletic sports,
was quite a wonderful musician and had composed an operetta for her
class and most of the music for the class songs. It was whispered also
that she was very rich, though no one would ever have guessed this
secret from Mary Stewart herself, who was careful never to allude to
money and dressed very simply and plainly.

The omnibus now turned into the avenue which led to the college campus
and there was general excitement of a subdued sort among the new girls
and greetings and calls from the older girls as they caught glimpses of
friends strolling on the lawn.

"Queen's Cottage," called the driver and Molly stood up promptly,
shrinking a little as twenty pairs of eyes turned curiously in her
direction.

Then the big girl leaned over and took her hand kindly.

"Won't you look me up to-morrow?" she said. "My name is Mary Stewart,
and I stop at No. 16 on the Quadrangle. Perhaps I can help you get
things straightened out a bit and show you the ropes."

"Oh, thank you," said Molly, with that musical ring to her voice which
never failed to thrill her hearers. "It's awfully nice of you. What time
shall I come?"

"I'll see you in Chapel in the morning, and we'll fix the time then,"
called Miss Stewart as Molly climbed out, dragging her straw telescope
over the knees of the other passengers, followed by Nance Oldham, who
had waited for her to take the initiative.

As the two girls stood watching the disappearing vehicle, they became
the prey to the most extreme loneliness.

"I feel as if I had just left the tumbrel on the way to my execution,"
observed Molly, trying to laugh, although the corners of her mouth
turned persistently down.

"But, anyway, I'm glad we are together," she continued, slipping her arm
through Nance's. "Queen's Cottage does seem so remote and lonesome,
doesn't it? Just a thing apart."

The two girls gazed uncertainly at the rather dismal-looking shingled
house, stained brown and covered with a mantle of old vines which
appeared to have been prematurely stripped of their foliage. It was
somewhat isolated, at least it seemed so at first. The next house was
quite half a block on and was a cheerful place, all stucco and red roof
like the station.

"Well, here goes," Molly went on. "If it's Queen's, why then, so be it,"
and she marched up the walk and rang the front door bell, which
resounded through the hall with a metallic clang.

"Shure, I'm after bein' wit' you in a moment," called a voice from
above. "You're the new young ladies, I'm thinkin', and glad I am to see
you."

There was the sound of heavy footsteps down the stairs and the door
was opened by Mrs. Murphy, wife of the baggage master and housekeeper
for Queen's Cottage. She was a middle-aged Irish woman with a round,
good-natured face and she beamed on the girls with motherly interest
as she ushered them into the parlor.

"Since ye be the fust comers, ye may be the fust choosers," she said;
"and if ye be friends, ye may like to be roommates, surely, and that's
a good thing. It's better to room with a friend than a stranger."

The two girls looked at each other with a new interest. It had not
occurred to them that they might be roommates, but had not they already,
with the swiftness peculiar to girls, bridged the gulf which separates
total strangers, and were now on the very verge of plunging into
intimate friendship? Would it not be better to seize this opportunity
than to wait for other chances which might not prove so agreeable?

"Shall we not?" asked Molly with that charming, cordial manner which
appeared to win her friends wherever she went.

"It would be a great relief," answered Nance, who was yet to learn the
value of showing real pleasure when she felt it. Nevertheless, Nance,
under her whimsical, rather sarcastic outer shell, had a warm and loyal
heart.

Thus Molly Brown and Nance Oldham, quite opposites in looks and
temperaments, became roommates during their freshman year at Wellington
College and thus, from this small beginning, the seeds of a life-long
friendship were sown.

The two girls chose a big sunny room on the third floor looking over a
portion of the golf links. Molly liked it because it had blue wallpaper
and Nance because it had a really commodious closet.




CHAPTER II.

THEIR NEIGHBOR.


Molly Brown was the youngest member of a numerous family of older
brothers and sisters. Her father had been dead many years, and in
order to rear and educate her children, Mrs. Brown had been obliged to
mortgage, acre by acre, the fine old place where Molly and her brothers
and sisters had been born and brought up. Every time anybody in the
Brown family wanted to do anything that was particularly nice, something
had to go, either a cow or a colt or a piece of land, according to the
needs of the moment. A two-acre lot represented Molly's college
education--two perfectly good acres of orchard.

"If you don't bring back at least one golden apple in return for all
these nice juicy ones that are going for your education, Molly, you are
no child of mine," Mrs. Brown had laughingly exclaimed when she kissed
her daughter good-bye.

"I'll bring back the three golden apples of the Hesperides, mother, and
make the family rich and happy," cried Molly, and from that moment the
three golden apples became a secret symbol to her, although she had not
decided in her mind exactly what they represented.

"But," as Molly observed to herself, "anybody who has had two acres of
winter sweets, pippins and greenings spent on her, must necessarily
engage to win a few."

Those two fruitful acres, however, while they provided a fund for an
education, did not extend far into the margin and there was little left
for clothes. That was perhaps one of the reasons why Molly had felt so
disturbed about the delay in receiving her trunk.

"I can stand traveling in this old brown rag for economy's sake," she
thought; "but I would like to put on the one decent thing I own for my
first day at college. I was a chump not to have brought something in my
suit case besides a blouse. However, what's done can't be undone," and
she stoically went to work to remove the stains of travel and put on
a fresh blue linen shirtwaist; while Nance Oldham, who had been more
far-sighted, made herself spic and span in a duck skirt and a white
linen blouse. She had little to say during the process of making her
toilet, and Molly wondered if, after all, she would like a roommate so
peculiarly reserved and whimsical as this new friend. She hoped there
would be lots of nice girls in the house of the right sort, girls who
meant business, for while Molly meant to enjoy herself immensely, she
meant business decidedly, and she didn't want to get into a play set and
be torn away from her studies. As these thoughts flitted through her
mind she heard voices coming up the stairs.

"Now, Mrs. Murphy, I do hope you've got something really decent. You
know, I hadn't expected to come back this year. I thought I would stay
in France with grandmamma, but at the last moment I changed my mind, and
I've come right here from the ship without engaging a thing at all. I'll
take anything that's a single."

The voice had a spoiled, imperious sound, like that of a person in the
habit of having her own way.

"I have a single, Miss, but it's a small one, and they do say you've got
a deal of belongings."

"Let's see it. Let's see it, quick, Granny Murphy," and from the noise
without our two young persons judged that this despotic stranger had
placed her hands on Mrs. Murphy's shoulders and was running her along
the passage.

"Now, you'll be giving me apoplexy, Miss, surely, with your goings-on,"
cried the woman breathlessly, as she opened the door next theirs.

"Who's in there? Two freshies?"

"Yes, Miss. They only just arrived an hour ago."

"Greenies from Greenville, Green County," chanted the young woman, who
did not seem to mind being overheard by the entire household. "Very
well, I'll take this little hole-in-the-wall. I won't move any of my
things in, except some books and cushions. And now, off wit' yer. Here's
something for your trouble."

"Oh, thank you, thank you, Miss."

The two girls seemed to hear the Irish woman being shoved out in the
hall. Then the door was banged after her and was locked.

"Dear me, what an obstreperous person," observed Nance. "I wonder if
she's going to give us a continuous performance."

"I don't know," answered Molly. "She'll be a noisy neighbor if she does.
But she sounds interesting, living in France with her grandmamma and so
on."

Nance glanced at her watch.

"Wouldn't you like to go for a stroll before supper? We have an hour
yet. I'm dying to see the famous Quadrangle and the Cloisters and a few
other celebrated spots I've heard about. Aren't you?"

"And incidentally rub off a little of our greenness," said Molly,
recalling the words of the girl next door.

As the two girls closed the door to their room and paused on the
landing, the door adjoining burst open and a human whirlwind blew out
of the single room and almost knocked them over.

"I beg your pardon," said Nance stiffly, giving the human whirlwind
a long, cool, brown glance.

Molly, a little behind her friend, examined the stranger with much
curiosity. She could not quite tell why she had imagined her to be
a small black-eyed, black-haired person, when here stood a tall, very
beautiful young woman. Her hair was light brown and perfectly straight.
She had peculiarly passionate, fiery eyes of very dark gray, of the
"smouldering kind," as Nance described them later; her features were
regular and her mouth so expressive of her humors that her friends could
almost read her thoughts by the curve of her sensitive lips. Even in
that flashing glimpse the girls could see that she was beautifully
dressed in a white serge suit and a stunning hat of dull blue, trimmed
with wings.

But instead of continuing her mad rush, which seemed to be her usual
manner of doing things, the young woman became suddenly a zephyr of
mildness and gentleness.

"Excuse my precipitate methods," she said. "I never do things slowly,
even when there's no occasion to hurry. It's my way, I suppose. Are you
freshmen? Perhaps you'd like for me to show you around college. I'm
a soph. I'm fairly familiar."

Nance pressed her lips together. She was not in the habit of making
friends off-hand. Molly, in fact, was almost her first experience in
this kind of friendship. But Molly Brown, who had never consciously done
a rude thing in her life, exclaimed:

"That would be awfully nice. Thanks, we'll come."

They followed her rather timidly down the steps. Across the campus
the pile of gray buildings, in the September twilight, more than ever
resembled a fine old castle. As they hastened along, the sophomore gave
them each a quick, comprehensive glance.

"My name is Frances Andrews," she began suddenly, and added with a
peculiar intonation, "I was called 'Frank' last year. I'm so glad we are
to be neighbors. I hope we shall have lots of good times together."

Molly considered this a particular mark of good nature on the part of an
older girl to two freshmen, and she promptly made known their names to
Frances Andrews. All this time Nance had remained impassive and quiet.

Ten girls, arm in arm, were strolling toward them across the soft green
turf of the campus, singing as in one voice to the tune of "Maryland, My
Maryland":

     "Oh, Wellington, My Wellington,
      Oh, how I love my Wellington!"

Suddenly Frances Andrews, who was walking between the two young girls,
took them each firmly by the arm and led them straight across the
campus, giving the ten girls a wide berth. There was so much fierce
determination in her action that Molly and Nance looked at her with
amazement.

"Are those seniors?" asked Nance, thinking perhaps it was not college
etiquette to break through a line of established and dignified
characters like seniors.

"No; they are sophomores singing their class song," answered Frances.

"Aren't you a sophomore?" demanded Nance quickly.

"Yes."

"Curious she doesn't want to meet her friends," thought Molly.

But there were more interesting sights to occupy her attention just
then.

They had reached the great gray stone archway which formed the entrance
to the Quadrangle, a grassy courtyard enclosed on all sides by the walls
of the building. Heavy oak doors of an antique design opened straight
onto the court from the various corridors and lecture rooms and at one
end was the library, a beautiful room with a groined roof and stained
glass windows, like a chapel. Low stone benches were ranged along the
arcade of the court, whereon sat numerous girls laughing and talking
together.

Although she considered that undue honors were being paid them by having
as guide this dashing sophomore, somehow Molly still felt the icy grip
of homesickness on her heart. Nance seemed so unsympathetic and reserved
and there was a kind of hardness about this Frances Andrews that made
the warm-hearted, affectionate Molly a bit uncomfortable. Suddenly Nance
spied her old friend, Caroline Brinton, in the distance, and rushed over
to join her. As she left, three girls came toward them, talking
animatedly.

"Hello, Jennie Wren!" called Frances gayly. It was the same little
bird-like person who had been in the bus. "Howdy, Rosamond. How are you,
Lotta? It's awfully nice to be back at the old stand again. Let me
introduce you to my new almost-roommate, Miss Brown," went on Frances
hurriedly, as if to fill up the gaps of silence which greeted them.

"How do you do, Miss Andrews," said Jennie Wren, stiffly.

Rosamond Chase, who had a plump figure and a round, good-natured face,
was slightly warmer in her greeting.

"How are you, Frankie? I thought you were going to France this winter."

The other girl who had a turned-up nose and blonde hair, and was called
"Peggy Parsons," sniffed slightly and put her hands behind her back as
if she wished to avoid shaking hands.

Molly was so shocked that she felt the tears rising to her eyes. "I wish
I had never come to college," she thought, "if this is the way old
friends treat each other."

She slipped her arm through Frances Andrews' and gave it a sympathetic
squeeze.

"Won't you show me the Cloisters?" she said. "I'm pining to see what
they are like."

"Come along," said Frances, quite cheerfully, in spite of the fact that
she had just been snubbed by three of her own classmates.

Lifting the latch of a small oak door fitted under a pointed arch, she
led the way through a passage to another oak door which opened directly
on the Cloisters. Molly gave an exclamation of pleasure.

"Oh," she cried, "are we really allowed to walk in this wonderful
place?"

"As much as you like before six P. M.," answered Frances. "How do you
do, Miss Pembroke?"

A tall woman with a grave, handsome face was waiting under the arched
arcade to go through the door.

"So you decided to come back to us, Miss Andrews. I'm very glad of it.
Come into my office a moment. I want a few words with you before
supper."

"You can find your way back to Queen's by yourself, can't you, Miss
Brown?" asked Frances. "I'll see you later."

And in another moment, Molly Brown was quite alone in the Cloisters. She
was glad to be alone. She wanted to think. She paced slowly along the
cloistered walk, each stone arch of which framed a picture of the grassy
court with an Italian fountain in the center.

"It's exactly like an old monastery," she said to herself. "I wonder
anybody could ever be frivolous or flippant in such an old world spot as
this. I could easily imagine myself a monk, telling my beads."

She sat down on a stone bench and folded her hands meditatively.

"So far, I've really only made one friend at college," she thought to
herself, for Nance Oldham was too reserved to be called a friend yet,
"and that friend is Frances Andrews. Who is she? What is she? Why do
her classmates snub her and why did Miss Pembroke, who belonged to the
faculty, wish to speak with her in her private office?" It was all
queer, very queer. Somehow, it seemed to Molly now that what she had
taken for whirlwind manners was really a tremendous excitement under
which Frances Andrews was laboring. She was trying to brazen out
something.

"Just the same, I'm sorry for her," she said out loud.

At that moment, a musical, deep-throated bell boomed out six times in
the stillness of the cloisters. There was the sound of a door opening, a
pause and the door closed with a clicking noise. Molly started from her
reverie. It was six o'clock. She rushed to the door of antique design
through which she had entered just fifteen minutes before. It was closed
and locked securely. She knocked loudly and called:

"Let me out! Let me out! I'm locked in!"

Then she waited, but no one answered. In the stillness of the twilit
courtyard she could hear the sounds of laughter and talking from the
Quadrangle. They grew fainter and fainter. A gray chill settled down
over the place and Molly looked about her with a feeling of utter
desolation. She had been locked in the Cloisters for the night.




CHAPTER III.

THE PROFESSOR.


Molly beat and kicked on the door wildly. Then she called again and
again but her voice came back to her in a ghostly echo through the dim
aisles of the cloistered walk. She sat down on a bench and burst into
tears.

How tired and hungry and homesick she was! How she wished she had never
heard of college, cold, unfriendly place where people insulted old
friends and they locked doors at six o'clock. The chill of the evening
had fallen and the stars were beginning to show themselves in the square
of blue over the Cloisters. Molly shivered and folded her arms. She had
not worn her coat and her blue linen blouse was damp with dew.

"Can this be the only door into the Cloisters?" she thought after the
first attack of homesick weeping had passed.

She rose and began to search along the arcade which was now almost
black. There were doors at intervals but all of them locked. She
knocked on each one and waited patiently.

"Oh, heavens, let me get out of this place to-night," she prayed,
lifting her eyes to the stars with an agonized expression. Suddenly, the
high mullioned window under which she was standing, glowed with a light
just struck. Then, someone opened a casement and a man's voice called:

"Is anyone there? I thought I heard a cry."

"I am," said Molly, trying to stifle the sobs that would rise in her
throat. "I've been locked in, or rather out."

"Why, you poor child," exclaimed the voice again. "Wait a moment and
I'll open the door."

There were sounds of steps along the passage; a heavy bolt was thrust
back and a door held open while Molly rushed into the passage like a
frightened bird out of the dark.

"It's lucky I happened to be in my study this evening," said the man,
leading the way toward a square of light in the dark corridor. "Of
course the night watchman would have made his rounds at eight, but an
hour's suspense out there in the cold and dark would have been very
disagreeable. How in the world did it happen?"

By this time they had reached the study and Molly found herself in a
cozy little room lined from ceiling to floor with books. On the desk was
a tray of supper. The owner of the study was a studious looking young
man with kindly, quizzical brown eyes under shaggy eyebrows, a firm
mouth and a cleft in his chin, which Molly had always heard was a mark
of beauty in a woman.

"You must be a freshman?" he said looking at her with a shade of
amusement in his eyes.

"I am," replied Molly, bravely trying to keep her voice from shaking. "I
only arrived an hour or so ago. I--I didn't know they would lock----"
She broke down altogether and slipping into a big wicker chair sobbed
bitterly. "Oh, I wish--I wish I'd stayed at home."

"Why, you poor little girl," exclaimed the man. "You have had a beastly
time for your first day at college, but you'll come to like it better
and better all the time. Come, dry your eyes and I'll start you on your
way to your lodgings. Where are you stopping?"

"Queen's."

"Suppose you drink some hot soup before you go. It will warm you up," he
added kindly, taking a cup of hot bouillon from the tray and placing it
on the arm of her chair.

"But it's your supper," stammered Molly.

"Nonsense, there's plenty more. Do as I tell you," he ordered. "I'm a
professor, you know, so you'll have to obey me or I'll scold."

Molly drank the soup without a word. It did comfort her considerably and
presently she looked up at the professor and said:

"I'm all right now. I hope you'll excuse me for being so silly and weak.
You see I felt so far away and lonesome and it's an awful feeling to be
locked out in the cold about a thousand miles from home. I never was
before."

"I'm sure I should have felt the same in your place," answered the
professor. "I should probably have imagined I saw the ghosts of monks
dead and gone, who might have walked there if the Cloisters had been
several hundreds of years older, and I would certainly have made the
echoes ring with my calls for help. The Cloisters are all right for
'concentration' and 'meditation,' which I believe is what they are
intended to be used for on a warm, sunny day; but they are cold comfort
after sunset."

"Is this your study?" asked Molly, rising and looking about her with
interest, as she started toward the door.

"I should say that this was my play room," he replied, smiling.

"Play room?"

"Yes, this is where I hide from work and begin to play." He glanced at
a pile of manuscript on his desk.

"I reckon work is play and play is work to you," observed Molly,
regarding the papers with much interest. She had never before seen
a manuscript.

"If you knew what an heretical document that was, you would not make
such rash statements," said the professor.

"I'm sure it's a learned treatise on some scientific subject," laughed
Molly, who had entirely regained her composure now, and felt not the
least bit afraid of this learned man, with the kind, brown eyes. He
seemed quite old to her.

"If I tell you what it is, will you promise to keep it a secret?"

"I promise," she cried eagerly.

"It's the libretto of a light opera," he said solemnly, enjoying her
amazement.

"Did you write it?" she asked breathlessly.

"Not the music, but the words and the lyrics. Now, I've told you my only
secret," he said. "You must never give me away, or the bottom would fall
out of the chair of English literature at Wellington College."

"I shall never, never tell," exclaimed Molly; "and thank you ever so
much for your kindness to-night."

They clasped hands and the professor opened the door for her and stood
back to let her pass.

Then he followed her down the passage to another door, which he also
opened, and in the dim light she still noticed that quizzical look in
his eyes, which made her wonder whether he was laughing at her in
particular, or at things in general.

"Can you find your way to Queen's Cottage?" he asked.

"Oh, yes," she assured him. "It's the last house on the left of the
campus."

The next moment she found herself running along the deserted Quadrangle
walk. Under the archway she flew, and straight across the campus--home.

It was not yet seven o'clock, and the Queen's Cottage girls were still
at supper. A number of students had arrived during the afternoon and
the table was full. There were several freshmen; Molly identified them
by their silence and looks of unaccustomedness, and some older girls,
who were chattering together like magpies.

"Where have you been?" demanded Nance Oldham, who had saved a seat for
her roommate next to her own.

All conversation ceased, and every eye in the room was turned on
blushing Molly.

"I--I've been locked up," she answered faintly.

"Locked up?" repeated several voices at once. "Where?"

"In the Cloisters. I didn't realize it was six o'clock, and some one
locked the door."

Molly had been prepared for a good deal of amusement at her expense, and
she felt very grateful when, instead of hoots of derision, a nice junior
named Sallie Marks, with an interesting face and good dark eyes,
exclaimed:

"Why, you poor little freshie! What a mediaeval adventure for your first
day. And how did you finally get out?"

"One of the professors heard me call and let me out."

"Which one?" demanded several voices at once.

"I don't know his name," replied Molly guardedly, remembering that she
had a secret to keep.

"What did he look like?" demanded Frances Andrews, who had been
unusually silent for her until now.

"He had brown eyes and a smooth face and reddish hair, and he was middle
aged and quite nice," said Molly glibly.

"What, you don't mean to say it was Epimenides Antinous Green?"

"Who?" demanded Molly.

"Never mind, don't let them guy you," said Sallie Marks. "It was
evidently Professor Edwin Green who let you in. He is professor of
English literature, and I'll tell you for your enlightenment that he
was nicknamed in a song 'Epimenides' after a Greek philosopher, who
went to sleep when he was a boy and woke up middle-aged and very wise,
and 'Antinous' after a very handsome Greek youth. Don't you think him
good-looking?"

"Rather, for an older person," said Molly thoughtfully.

"He's not thirty yet, my child," said Frances Andrews. "At least, so
they say, and he's so clever that two other colleges are after him."

"And he's written two books," went on Sally. "Haven't you heard of
them--'Philosophical Essays' and 'Lyric Poetry.'"

Molly was obliged to confess her ignorance regarding Professor Edwin
Green's outbursts into literature, but she indulged in an inward mental
smile, remembering the lyrics in the comic opera libretto.

"He's been to Harvard and Oxford, and studied in France. He's a perfect
infant prodigy," went on another girl.

"It's a ripping thing for the 'Squib,'" Molly heard another girl whisper
to her neighbor.

She knew she would be the subject of an everlasting joke, but she hoped
to live it down by learning immediately everything there was to know
about Wellington, and becoming so wise that nobody would ever accuse her
again of being a green freshman.

Mrs. Maynard, the matron, came in to see if she was all right. She was a
motherly little woman, with a gentle manner, and Molly felt a leaning
toward her at once.

"I hope you'll feel comfortable in your new quarters," said Mrs.
Maynard. "You'll have plenty of sunshine and a good deal more space
when you get your trunks unpacked, although the things inside a trunk
do sometimes look bigger than the trunk."

Molly smiled. There was not much in her trunk to take up space, most
certainly. She had nicknamed herself when she packed it "Molly Few
Clothes," and she was beginning to wonder if even those few would pass
muster in that crowd of well-dressed girls.

"Oh, have the trunks really come, Miss Oldham?" she asked her roommate.

"Yes, just before supper. I've started unpacking mine."

"Thank goodness. I've got an old ham and a hickory nut cake and some
beaten biscuits and pickles and blackberry jam in mine, and I can hardly
wait to see if anything has broken loose on my clothes, such as they
are."

Nance Oldham opened her eyes wide.

"I've always heard that Southern people were pretty strong on food," she
said, "and this proves it."

"Wait until you try the hickory nut cake, and you won't be so scornful,"
answered Molly, somehow not liking this accusation regarding the
appetites of her people.

"Did I hear the words 'hickory nut cake' spoken?" demanded Frances
Andrews, who apparently talked to no one at the table except freshmen.

"Yes, I brought some. Come up and try it to-night," said Molly
hospitably.

"That would be very jolly, but I can't to-night, thanks," said Frances,
flushing.

And then Molly and Nance noticed that the other sophomores and juniors
at the table were all perfectly silent and looking at her curiously.

"I hope you'll all come," she added lamely, wondering if they were
accusing her of inhospitality.

"Not to-night, my child," said Sally Marks, rising from the table.
"Thank you, very much."

As the two freshmen climbed the stairs to their room a little later,
they passed by an open door on the landing.

"Come in," called the voice of Sally. "I was waiting for you to pass.
This is my home. How do you like it?"

"Very much," answered the two girls, really not seeing anything
particularly remarkable about the apartment, except perhaps the sign on
the door which read "Pax Vobiscum," and would seem to indicate that the
owner of the room had a Christian spirit.

"Your name is 'Molly Brown,' and you come from Kentucky, isn't that so?"
asked Sally Marks, taking Molly's chin in her hand and looking into her
eyes.

"And yours?" went on the inquisitive Sally, turning to Molly's roommate.

"Is Nance Oldham, and I come from Vermont," finished Nance promptly.

"You're both dears. And I am ever so glad you are in Queens. You won't
think I'm patronizing if I give you a little advice, will you?"

"Oh, no," said the two girls.

"You know Wellington's full of nice girls. I don't think there is a
small college in this country that has such a fine showing for class and
brains. But among three hundred there are bound to be some black sheep,
and new girls should always be careful with whom they take up."

"But how can we tell?" asked Nance.

"Oh, there are ways. Suppose, for instance, you should meet a girl who
was good-looking, clever, rich, with lots of pretty clothes, and all
that, and she seemed to have no friends. What would you think?"

"Why, I might think there was something the matter with her, unless she
was too shy to make friends."

"But suppose she wasn't?" persisted Sally.

"Then, there would surely be something the matter," said Nance.

"Well, then, children, if you should meet a girl like that in college,
don't get too intimate with her."

Sally Marks led them up to their own room, just to see how they were
fixed, she said.

Later, when the two girls had crawled wearily into bed, after finishing
the unpacking, Molly called out sleepily:

"Nance"--she had forgotten already to say Miss Oldham--"do you suppose
that nice junior could have meant Miss Andrews?"

"I haven't a doubt of it," said Nance.

"Just the same, I'm sorry for the poor thing," continued Molly. "I'm
sorry for anybody who's walking under a cloud, and I don't think it
would do any harm to be nice to her."

"It wouldn't do her any harm," said Nance.

"Epimenides Antinous Green," whispered Molly to herself, as she snuggled
under the covers. The name seemed to stick in her memory like a rhyme.
"Funny I didn't notice how young and handsome he was. I only noticed
that he had good manners, if he did treat me like a child."




CHAPTER IV.

A BUSY DAY.


The next day was always a chaotic one in Molly's memory--a jumble of new
faces and strange events. At breakfast she made the acquaintance of the
freshmen who were staying at Queen's Cottage--four in all. One of these
was Julia Kean, "a nice girl in neutral tints," as Molly wrote home to
her sister, "with gray eyes and brown hair and a sense of humor." She
came to be known as "Judy," and formed an intimate friendship with Molly
and Nance, which lasted throughout the four years of their college
course.

"How do you feel after your night's rest?" she called across the table
to Molly in the most friendly manner, just as if they had known each
other always. "You look like the 'Lady of the Sea' in that blue linen
that just matches your eyes." She began looking Molly over with a kind
of critical admiration, narrowing her eyes as an artist does when
he's at work on a picture. "I'd like to make a poster of you in
blue-and-white chalk. I'd put you on a yellow, sandy beach, against a
bright blue sky, in a high wind, with your dress and hair blowing----"
And with eyes still narrowed, she traced an imaginary picture with one
hand and shaped her ideas with the other.

Molly laughed.

"You must be an artist," she said, "with such notions about posing."

"A would-be one, that's all. 'Not yet, but soon,' is my motto."

"That's a bad motto," here put in Nance Oldham. "It's like the Spanish
saying of '_Hasta manana_.' You are very apt to put off doing things
until next day."

Julia Kean looked at her reproachfully.

"You've read my character in two words," she said.

"Why don't you introduce me to your friends, Judy?" asked a handsome
girl next to her, who had quantities of light-brown hair piled on top
of her head.

"I haven't been introduced myself," replied Judy; "but I never could see
why people should stop for introductions at teas and times like this.
We all know we're all right, or else we wouldn't be here."

"Of course," said Frances Andrews, who had just come in, "why all this
formality, when we are to be a family party for the next eight months?
Why not become friends at once, without any preliminaries?"

Sally Marks, who had given them the vague yet meaningful warning the
night before, appeared to be absorbed in her coffee cup, and the other
two sophomores at the table were engaged in a whispered conversation.

"Nevertheless, I will perform the introductions," announced Judy Kean.
"This is Miss Margaret Wakefield, of Washington, D. C.; Miss Edith
Coles, of Rhode Island; Miss Jessie Lynch, of Wisconsin, and Miss Mabel
Hinton, of Illinois. As for me, my name is Julia Kean, and I come
from--nowhere in particular."

"You must have had a birthplace," insisted that accurate young person,
Nance Oldham.

"If you could call a ship a birthplace, I did," replied Judy. "I was
born in mid-ocean on a stormy night. Hence my stormy, restless nature."

"But how did it happen?" asked Molly.

"Oh, it was all simple enough. Papa and mamma were on their way back
from Japan, and I arrived a bit prematurely on board ship. I began life
traveling, and I've been traveling ever since."

"You'll have to stay put here; awhile, at least," said Sally Marks.

"I hope so. I need to gather a little moss before I become an habitual
tramp."

"Hadn't we better be chasing along?" said Frances Andrews. "It's almost
time for chapel."

No one answered and Molly began to wonder how long this strange girl
would endure the part of a monologist at college. For that was what her
attempts at conversation seemed to amount to. She admired Frances's
pluck, at any rate. Whatever she had done to offend, it was courageous
of her to come back and face the music.

Chapel was an impressive sight to the new girls. The entire body of
students was there, and the faculty, including Professor Edwin Green,
who gave each girl the impression he was looking at her when he was
really only gazing into the imaginary bull's-eye of an imaginary camera,
and saw not one of them. Molly decided his comeliness was more charm
than looks. "The unknown charm," she wrote her sister. "His ears are a
little pointed at the top, and he has brown eyes like a collie dog. But
it was nice of him to have given me his soup," she added irrelevantly,
"and I shall always appreciate it."

After chapel, when Molly was following in the trail of her new friends,
feeling a bit strange and unaccustomed, some one plucked her by the
sleeve. It was Mary Stewart, the nice senior with the plain, but fine
face.

"I'll expect you this evening after supper," she said. "I'm having a
little party. There will be music, too. I thought perhaps you might like
to bring a friend along. It's rather lonesome, breaking into a new crowd
by one's self."

It never occurred to Molly that she was being paid undue honors. For a
freshman, who had arrived only the afternoon before, without a friend in
college, to be asked to a small intimate party by the most prominent
girl in the senior class, was really quite remarkable, so Nance Oldham
thought; and she was pleased to be the one Molly chose to take along.

The two girls had had a busy, exciting day. They had not been placed
in the same divisions, B and O being so widely separated in the
alphabet, and were now meeting again for the first time since lunch.
Molly had stretched her length on her couch and kicked off her pumps,
described later by Judy Kean as being a yard long and an inch broad.

[Illustration: "I wish you would tell me your receipt for making
friends, Molly," exclaimed Nance.--_Page 51._]

"I wish you would tell me your receipt for making friends, Molly,"
exclaimed Nance. "You are really a perfect wonder. Don't you find it
troublesome to be so nice to so many people?"

"I'd find it lots harder not to be nice," answered Molly. "Besides, it's
a rule that works both ways. The nicer you are to people, the nicer they
are to you."

"But don't you think lots of people aren't worth the effort and if you
treat them like sisters, they are apt to take advantage of it and bore
you afterwards?"

Molly smiled.

"I've never been troubled that way," she said.

"Now, don't tell me," cried Nance, warming to the argument, "that that
universally cordial manner of yours doesn't bring a lot of rag-tags
around to monopolize you. If it hasn't before, it will now. You'll see."

"You make me feel like the leader of Coxey's Army," laughed Molly;
"because, you see, I'm a kind of a rag-tag myself."

Her eyes filled with tears. She was thinking of her meagre wardrobe.
Nance was silent. She was slow of speech, but when she once began, she
always said more than she intended simply to prove her point; and now
she was afraid she had hurt Molly's feelings. She was provoked with
herself for her carelessness, and when she was on bad terms with herself
she appeared to be on bad terms with everybody else. Of course, in her
heart of hearts, she had been thinking of Frances Andrews, whom she felt
certain Molly would never snub sufficiently to keep her at a distance.

The two girls went about their dressing without saying another word.
Nance was coiling her smooth brown braids around her head, while Molly
was looking sorrowfully at her only two available dresses for that
evening's party. One was a blue muslin of a heavenly color but
considerably darned, and the other was a marquisette, also the worse
for wear. Suddenly Nance gave a reckless toss of her hair brush in one
direction and her comb in another, and rushed over to Molly, who was
gazing absently into the closet.

"Oh, Molly," she cried impetuously, seizing her friend's hand, "I'm a
brute. Will you forgive me? I'm afraid I hurt your feelings. It's just
my unfortunate way of getting excited and saying too much. I never met
any one I admired as much as you in such a short time. I wish I did know
how to be charming to everybody, like you. It's been ground into me
since I was a child not to make friends with people unless it was to my
advantage, and I found out they were entirely worthy. And it's a slow
process, I can tell you. You are the very first chance acquaintance I
ever made in my life, and I like you better than any girl I ever met.
So there, will you say you have forgiven me?"

"Of course, I will," exclaimed Molly, flushing with pleasure. "There is
nothing to forgive. I know I'm too indiscriminate about making friends.
Mother often complained because I would bring such queer children out to
dinner when I was a child. Indeed, I wasn't hurt a bit. It was the word
'rag-tag,' that seemed to be such an excellent description of the
clothes I must wear this winter, unless some should drop down from
heaven, like manna in the desert for the Children of Israel."

Without a word, Nance pulled a box out from under her couch and lifted
the lid. It disclosed a little hand sewing machine.

"Can you sew?" she asked.

"After a fashion."

"Well, I can. It's pastime with me. I'd rather make clothes than do lots
of other things. Now, suppose we set to work and make some dresses. How
would you like a blue serge, with turn-over collar and cuffs, like that
one Miss Marks is wearing, that fastens down the side with black satin
buttons?"

"Oh, Nance, I couldn't let you do all that for me," protested Molly.
"Besides, I haven't the material or anything."

"Why don't you earn some money, Molly?" suggested Nance. "There are lots
of different ways. Mrs. Murphy, the housekeeper, was telling me about
them. One of the girls here last year actually blacked boots--but, of
course, you wouldn't do anything so menial as that."

"Wouldn't I?" interrupted Molly. "Just watch me. That's a splendid idea,
Nance. It's a fine, honorable labor, as Colonel Robert Wakefield said,
when his wife had to take in boarders."

Molly slipped on the blue muslin.

"It really doesn't make any difference what she wears," thought Nance,
looking at her friend with covert admiration. "She'd be a star in a
crazy quilt."

The two girls hurried down to supper. Molly was thoughtful all through
that conversational meal. Her mind was busy with a scheme by which she
intended to remove that unceasing pressure for funds which bade fair to
be an ever-increasing bugbear to her.

No. 16 on the Quadrangle turned out to be a very luxurious and
comfortable suite of rooms, consisting of quite a large parlor, a little
den or study and a bedroom. Mary Stewart met them at the door in such a
plain dress that at first Molly was deceived into thinking it was just
an ordinary frock until she noticed the lines. And in a few moments
Nance took occasion to inform her that simplicity was one of the most
expensive things in the world, which few people could afford, and
furthermore that Mary Stewart's gray, cottony-looking dress was a dream
of beauty and must have come from Paris.

There were six or seven other girls in the crowd, including that little
bird-like, bright-eyed creature they called "Jennie Wren," whose real
name was Jane Wickham. The only other girl they knew was Judith Blount,
who had been so snubby to Molly the day before about the luggage.

All these girls were musical, as the freshmen were soon to learn, and
belonged to the College Glee Club.

"What a pretty room!" exclaimed Molly to her hostess, after she had been
properly introduced and enthroned in a big tapestry chair, in which she
unconsciously made a most delightful and colorful picture.

"I'm glad you like it. I have some trouble keeping it from getting
cluttered up with 'truck,' as we call it. It's about like Hercules
trying to clean the Augean Stables, I think, but I try and use the den
for an overflow, and only put the things I'm really fond of in here.
That helps some."

"They are certainly lovely," said the young freshman, looking wistfully
at the head of "The Unknown Woman," between two brass candlesticks on
the mantel shelf. On the bookshelves stood "The Winged Victory," and
hanging over the shelves on the opposite side of the room was an immense
photograph of Botticelli's "Primavera." The only other pictures were two
Japanese prints and the only other furniture was a baby grand piano and
some chairs. It was really a delightfully empty and beautiful place, and
Molly felt suddenly strangely crude and ignorant when she recalled the
things she had intended to do to her part of the room at Queen's Cottage
toward beautifying it. She was engaged in mentally clearing them all
out, when a voice at her elbow said:

"Are you thinking of taking the vows, Miss Brown?"

It was Judith Blount, who had drawn up a chair beside her's. There was
something very patronizing and superior in Miss Blount's manner, but
Molly was determined to ignore it, and smiled sweetly into the black
eyes of the haughty sophomore.

"Taking what vows?" she asked.

"Why, I understood you had become a cloistered nun."

Molly flushed. So the story was out. It didn't take long for news to
travel through a girl's college.

"I wasn't cloistered very long," she answered. "And the only vow I took
was never to be caught there again after six o'clock."

"How did you like Epimenides? I hear he's made a great joke of it," she
continued, without waiting for Molly to answer. "He's rather humorous,
you know. Even in his most serious work, it will come out."

"I don't think there was much to joke about," put in Molly, feeling a
little indignant. "I was awfully forlorn and miserable."

"The real joke was that he called you 'little Miss Smith,'" said Judith.

Molly's moods reflected themselves in her eyes just as the passing
clouds are mirrored in two blue pools of water. A shadow passed over her
face now and her eyes grew darker, but she kept very quiet, which was
her way when her feelings were hurt. Then Mary Stewart began to play on
the piano, and Molly forgot all about the sharp-tongued sophomore, who,
she strongly suspected, was trying to be disagreeable, but for what
reason for the life of her Molly could not see.

Never before had she heard any really good playing on the piano, and it
seemed to her now that the music actually flowed from Mary's long,
strong fingers, in a melodious and liquid stream. Other music followed.
Judith sang a gypsy song, in a rich contralto voice, that Molly thought
was a little coarse. Jennie Wren, who could sing exactly like a child,
gave a solo in the highest little piping soprano. Two girls played on
mandolins, and Mary Stewart, who appeared to do most things, accompanied
them on a guitar. Then came supper, which was rather plain, Molly
thought, and consisted simply of tea and cookies. "I suppose it's
artistic not to have much to eat," her thoughts continued, but she made
up her mind to invite Mary Stewart to supper before the old ham and the
hickory nut cake were consumed by hungry freshmen.

"It seems to me that with such a voice as yours you must sing, Miss
Brown," here broke in Mary Stewart. "Will you please oblige the
company?"

"I wouldn't like to sing after all this fine music," protested Molly.
"Besides, I don't know anything but darky songs."

"The very girl we want for our Hallowe'en Vaudeville," cried Jennie
Wren. "What do you use, a guitar or a piano?"

"Either, a little," answered Molly, blushing crimson; "but I haven't any
more voice than a rabbit."

"Fire away," cried Jennie Wren, thrusting a guitar into her hands.

Molly was actually trembling with fright when she found herself the
center of interest in this musical company.

[Illustration: "I'm scared to death," she announced. Then she struck a
chord and began.--_Page 60._]

"I'm scared to death," she announced, as she faintly tuned the guitar.
Then she struck a chord and began:

     "Ma baby loves shortnin',
      Ma baby loves shortnin' bread;
      Ma baby loves shortnin',
      Mammy's gwine make him some shortnin' bread."

Before she had finished, everybody in the room had joined in. Then she
sang:

     "Ole Uncle Rat has come to town,
      To buy his niece a weddin' gown,
          OO-hoo!"

"A quarter to ten," announced some one, and the next moment they had all
said good-night and were running as fast as their feet could carry them
across the campus, "scuttling in every direction like a lot of rats," as
Judith remarked.

"Lights out at ten o'clock," whispered Nance breathlessly, as they crept
into their room and undressed in the dark. It was very exciting. They
felt like a pair of happy criminals who had just escaped the iron grasp
of the law.

When Molly Brown dropped into a deep and restful sleep that night, she
never dreamed that she had already become a noted person in college,
though how it happened, it would be impossible to say. It might have
been the Cloister story, but, nevertheless, Molly--overgrown child that
she may have seemed to Professor Green--had a personality that attracted
attention wherever she was.




CHAPTER V.

THE KENTUCKY SPREAD.


"Molly, you look a little worried," observed Nance Oldham, two days
before the famous spread was to take place, it having been set for
Friday evening.

Molly was seated on her bed, in the midst of a conglomerate mass of
books and clothes, chewing the end of a pencil while she knitted her
brows over a list of names.

"Not exactly worried," she replied. "But, you know, Nance, giving a
party is exactly like some kind of strong stimulant with me. It goes
to my head, and I seem to get intoxicated on invitations. Once I get
started to inviting, I can't seem to stop."

"Molly Brown," put in Nance severely, "I believe you've just about
invited the whole of Wellington College to come here Friday night. And
because you are already such a famous person, everybody has accepted."

"I think I can about remember how many I asked," she replied penitently.
"There are all the girls in the house, of course."

"Frances Andrews?"

Molly nodded.

"And all the girls who were at Miss Stewart's the other night."

"What, even that girl who makes catty speeches. That black-eyed Blount
person?"

"Yes, even so," continued Molly sadly. "I really hadn't intended to ask
her, Nance, but I do love to heap coals of fire on people's heads, and
besides, I just told you, when I get started, I can't seem to stop. When
I was younger, I've been known to bring home as many as six strange
little girls to dinner at once."

"The next time you give a party," put in Nance, "we'd better make out
the list beforehand, and then you must give me your word of honor not to
add one name to it."

"I'll try to," replied Molly with contrition, "but it's awfully hard to
take the pledge when it comes to asking people to meals, even spreads."

The two girls examined the list together, and Molly racked her brains to
try and remember any left-outs, as she called them.

"I'm certain that's all," she said at last. "That makes twenty, doesn't
it? Oh, Nance, I tremble for the old ham and the hickory nut cake. Do
you think they'll go round? Aunty, she's my godmother, is sending me
another box of beaten biscuits. She has promised to keep me supplied.
You know, I have never eaten cold light bread in my life at breakfast,
and I'd just as soon choke down cold potatoes as the soggy bread they
give us here. But beaten biscuit and ham and home-made pickles won't be
enough, even with hickory nut cake," she continued doubtfully.

"I have a chafing dish. We can make fudge; then there's tea, you know.
We can borrow cups and saucers from the others. But we'll have to do
something else for their amusement besides feed them. Have you thought
of anything?"

"Lillie and Millie," these were two sophomores at Queen's, "have a stunt
they have promised to give. It's to be a surprise. And Jennie Wren has
promised to bring her guitar and oblige us with a few selections, but,
oh, Nance, except for the eatin', I'm afraid it won't be near such a
fine party as Mary Stewart's was."

"Eatin's the main thing, child. Don't let that worry you," replied Nance
consolingly. "I think I have an idea of something which would interest
the company, but I'm not going to tell even you what it is."

Nance had a provoking way of keeping choice secrets and then springing
them when she was entirely ready, and wild horses could not drag them
out of her before that propitious moment.

On Friday evening the girls began to arrive early, for, as has been
said, Molly was already an object of interest at Wellington College, and
the fame of her beaten biscuits and old ham had spread abroad. Some of
the guests, like Mary Stewart, came because they were greatly attracted
toward the young freshman; and others, like Judith Blount, felt only an
amused curiosity in accepting the invitation. As a general thing, Judith
was a very exclusive person, but she felt she could safely show her face
where Mary Stewart was.

"This looks pretty fine to me," observed that nice, unaffected young
woman herself, shaking hands with Molly and Nance.

"It's good of you to say so," replied Molly. "Your premises would make
two of our's, I'm thinking."

"But, look at your grand buffet. How clever of you! One of you two
children must have a genius for arrangement."

The study tables had been placed at one end of the room close together,
their crudities covered with a white cloth borrowed from Mrs. Murphy,
and on these were piled the viands in a manner to give the illusion of
great profusion and plenty.

"It's Molly," laughed Nance; "she's a natural entertainer."

"Not at all," put in Molly. "I come of a family of cooks."

"And did your cook relatives marry butlers?" asked Judith.

Molly stifled a laugh. Somehow Judith couldn't say things like other
girls. There was always a tinge of spite in her speeches.

"Where I come from," she said gravely, "the cooks and butlers are
colored people, and the old ones are almost like relatives, they are so
loyal and devoted. But there are not many of those left now."

The room was gradually filling, and presently every guest had arrived,
except Frances Andrews.

"We won't wait for her," said Molly to Lillie and Millie, the two
inseparable sophomores, who now quietly slipped out. Presently, Nance,
major domo for the evening, shoved all the guests back onto the divans
and into the corners until a circle was formed in the centre of the
room. She then hung a placard on the knob of the door which read:


                MAHOMET, THE COCK OF THE EAST,

                            _vs._

              CHANTECLER, THE COCK OF THE WEST.


There was a sound of giggling and scuffling, the door opened and two
enormous, man-sized cocks entered the room. Both fowls had white bodies
made by putting the feet through the sleeves of a nightgown, which was
drawn up around the neck and over the arms, the fullness gathered into
the back and tied into a rakish tail. A Persian kimono was draped over
Mahomet to represent wings and a tightly fitting white cap with a point
over the forehead covered his head. His face was powdered to a ghastly
pallor with talcum and his mouth had been painted with red finger-nail
salve into a cruel red slash across his countenance. Chantecler was of
a more engaging countenance. A small red felt bedroom slipper formed his
comb and a red silk handkerchief covered his back hair. The two cocks
crowed and flapped their wings and the fight began, amid much laughter
and cheering. Twice Chantecler was almost spurred to death, but it was
Mahomet's lot to die that evening, and presently he expired with a
terrible groan, while the Cock of the West placed his foot on Mahomet's
chest and crowed a mighty crow, for the West had conquered the East.

That was really the great stunt of the evening, and it occupied a good
deal of time. Molly began carving the ham, which she had refused to do
earlier, because a ham, properly served, should appear first in all its
splendid shapely wholeness before being sliced into nothingness.
Therefore she now proceeded to cut off thin portions, which crumbled
into bits under the edge of the carving knife borrowed from Mrs. Murphy.
But the young hostess composedly heaped it upon the plates with pickle
and biscuit, and it was eaten so quickly that she had scarcely finished
the last serving before the plates were back again for a second
allowance.

During the hot fudge and hickory nut cake course, the door opened and a
Scotch laddie, kilted and belted in the most approved manner entered the
room. His knees were bare, he wore a little Scotch cap, a black velvet
jacket and a plaidie thrown over one shoulder. But the most perfect part
of his get-up was his miniature bagpipe, which he blew on vigorously,
and presently he paused and sang a Scotch song.

"Nance!" cried several of the Queen's Cottage girls, for it was
difficult to recognize the quiet young girl from Vermont in this rakish
disguise.

In the midst of the uproar there was a loud knock on the door.

"Come in," called Molly, a little frightened, thinking, perhaps, the
kindly matron had for once rebelled at the noise they were making.

Slowly the door opened and an old hag stepped into the room. She was
really a terrible object, and some of the girls shrieked and fell back
as she advanced toward the jolly circle. Her nose was of enormous
length, and almost rested on her chin, like a staff, like the nose of
"The Last Leaf on the Tree." Also, she had a crooked back and leaned
heavily on a stick. On her head was a high pointed witch's cap. She wore
black goggles, and had only two front teeth. The witch produced a pack
of cards which she dexterously shuffled with her black gloved hands.
Then she sat down on the floor, beckoning to the girls to come nearer.

"Half-a-minute fortune for each one," she observed in a muffled,
disguised voice, but it was a very fulsome minute, as Judy remarked
afterward, for what little she said was strictly to the point.

To Judith Blount she said:

"English literature is your weak point. Look out for danger ahead."

This seemed simple enough advice, but Judith flushed darkly, and several
of the girls exchanged glances. Molly, for some reason, recalled what
Judith had said about Professor Edwin Green.

Many of the other girls came in for knocks, but they were very skillful
ones, deftly hidden under the guise of advice. To Jennie Wren the witch
said:

"Be careful of your friends. Don't ever cultivate unprofitable people."

To Nance Oldham she said:

"You will always be very popular--if you stick to popular people."

It was all soon over. Molly's fortune had been left to the last. The
strange witch had gone so quickly from one girl to another that they had
scarcely time to take a breath between each fortune.

"As for you," she said at last, turning to Molly, "I can only say that
'kind hearts are more than coronets, and simple faith than Norman
blood,' and by the end of your freshman year you will be the most
popular girl in college."

"Who are you?" cried Molly, suddenly coming out of her dream.

"Yes, who are you?" cried Judith, breaking through the circle and
seizing the witch by the arm.

With a swift movement the witch pushed her back and she fell in a heap
on some girls who were still sitting on the floor.

"I will know who you are," cried Jennie Wren, with a determined note in
her high voice, as she grasped the witch by the arm, and it did look for
a moment as if the Kentucky spread were going to end in a free-for-all
fight, when suddenly, in the midst of the scramble and cries, came
three raps on the door, and the voice of the matron called:

"Young ladies, ten o'clock. Lights out!"

The girls always declared that it was the witch who had got near the
door and pushed the button which put out every light in the room. At any
rate, the place was in total darkness for half a minute, and when Molly
switched the lights on again for the girls to find their wraps the witch
had disappeared.

In another instant the guests had vanished into thin air and across the
moonlit campus ghostly figures could be seen flitting like shadows over
the turf toward the dormitories, for there was no time to lose. At a
quarter past ten the gates into the Quadrangle would be securely locked.

Nance lit a flat, thick candle, known in the village as "burglar's
terror," and in this flickering dim light the two girls undressed
hastily.

Suddenly Molly exclaimed in a whisper:

"Nance, I believe it was Frances Andrews who dressed up as that witch,
and I'm going to find out, rules or no rules."

She slipped on her kimono and crept into the hall. The house was very
still, but she tapped softly on Frances' door. There was no answer, and
opening the door she tiptoed into the room. A long ray of moonlight,
filtering in through the muslin curtains, made the room quite light.
There was a smell of lavender salts in the air, and Mollie could plainly
see Frances in her bed. A white handkerchief was tied around her head,
as if she had a headache, but she seemed to be asleep.

"Frances," called Molly softly.

Frances gave a stifled sob that was half a groan and turned over on her
side.

"Frances," called Molly again.

Frances opened her eyes and sat up.

"Is anything the matter?" she asked.

Molly went up to the bedside. Even in the moonlight she could see that
Frances' eyes were swollen with crying.

"I was afraid you were ill," whispered Molly. "Why didn't you come to
the spread?"

"I had a bad headache. It's better now. Good night." Molly crept off to
her room.

Was it Frances, after all, who had broken up her party?

Molly was inclined to think it was not, and yet----

"At any rate, we'll give her the benefit of the doubt, Nance," she
whispered.

But there were no doubts in Nance's mind.




CHAPTER VI.

KNOTTY PROBLEMS.


"I tell you things do hum in this college!" exclaimed Judy Kean, closing
a book she had been reading and tossing it onto the couch with a sigh of
deep content.

"I don't see how you can tell anything about it, Judy," said Nance
severely. "You've been so absorbed in 'The Broad Highway' every spare
moment you've had for the last two days that you might as well have been
in Kalamazoo as in college."

"Nance, you do surely tell the truth, the whole truth and nothing but
the truth," said Judy good naturedly. "I know I have the novel habit
badly. It's because I had no restraint put upon me in my youth, and if I
get a really good book like this one, I just let duty slide."

"Why don't you put your talents to some use and write, then?" demanded
Nance, who enjoyed preaching to her friends.

"Art is more to my taste," answered Judy.

"Well, art is long and time is fleeting. Why don't you get busy and do
something?" exclaimed the other vehemently. "What do you intend to be?"

Judy had a trick of raising her eyebrows and frowning at the same time,
which gave her a serio-comic expression and invested her most earnest
speeches with a touch of humor. But she did not reply to Nance's
question, having spent most of her life indulging her very excellent
taste without much thought for the future.

"What do you intend to be?" she asked presently of Nance, who had her
whole future mapped out in blocks: four years at college, two years
studying languages in Europe, four years as teacher in a good school,
then as principal, perhaps, and next as owner of a school of her own.

"Why, I expect to teach languages," said Nance without a moment's
hesitation.

"Of course, a teacher. I might have known!" cried Judy. "You've
commenced already on me--your earliest pupil!

    "'Teacher, teacher, why am I so happy, happy, happy,
      In my Sunday school?'"

She broke off with her song suddenly and seized Nance's hand.

"Please don't scold me, Nance, dear. I know life isn't all play, and
that college is a serious business if one expects to take the whole four
years' course. I've already had a warning. It came this morning. It's
because I've been cutting classes. And I have been entirely miserable.
That's the reason I've been so immersed in 'The Broad Highway.' I've
been trying to drown my sorrows in romance. I know I'm not clever----"

"Nonsense," interrupted the other impatiently. "You are too clever, you
silly child. That's what is the matter with you, but you don't know how
to work. You have no system. What you really need is a good tutor. You
must learn to concentrate----"

"Concentrate," laughed Judy. "That's something I never could do. As soon
as I try my thoughts go skylarking."

"How do you do it?"

"Well, I sit very still and dig my toes into the soles of my shoes and
my finger nails into the palms of my hands and say over and over the
thing I'm trying to concentrate on."

The girls were still laughing joyously when Molly came in. Her face
wore an expression of unwonted seriousness, and she was frowning
slightly. Three things had happened that morning which worried her
considerably.

The first shock came before breakfast when she had looked in her
handkerchief box where she kept her funds promiscuously mixed up with
handkerchiefs and orris root sachet bags and found one crumpled dollar
bill and not a cent more. There was a kind of blind spot in Molly's
brain where money was concerned, little of it as she had possessed in
her life. She never could remember exactly how much she had on hand, and
change was a meaningless thing to her. And now it was something of a
blow to her to find that one dollar must bridge over the month's
expenses, or she must write home for more, a thing she did not wish to
do, remembering the two acres of apple orchard which had been sunk in
her education.

"And it's all gone in silk attire and riotous living," she said to
herself, for she had bought herself ten yards of a heavenly sky blue
crepey material which she and Nance proposed to make into a grand
costume, also she had entertained numbers of friends at various times
to sundaes in the village. One of the other of her triple worries was a
note she had received that morning from Judith Blount, and the third was
another note, about both of which she intended to ask the advice of her
two most intimate friends.

"What's bothering you, child?" demanded Judy, quick to notice any change
in her adored Molly's face.

"Oh, several things. These two notes for one." She drew two envelopes
from her pocket and opening the first one, began to read aloud:

  "'DEAR MISS BROWN:

  "'Since you come of a family of cooks and are expert on the subject,
  I am going to ask you to take charge of a little dinner I am giving
  to-morrow night in my rooms to my brother and some friends. I shall
  expect you to be chief cook, but not bottle-washer. You'll have an
  assistant for that; but I'd like you to wait on the table, seeing
  you are so good at those things. Don't bother about cap and apron.
  I have them.
                          "'Yours with thanks in advance,
                                            "'JUDITH BLOUNT.'"

The note was written on heavy cream-colored paper with two Greek letters
embossed at the top in dark blue. Judith lived in the Beta Phi House,
which was divided into apartments, and occupied by eight decidedly
well-to-do girls, the richest girls in college, as a matter of fact. It
was called "The Millionaire's Club," and was known to be the abode of
snobbishness, although Molly, who had been there once to a tea, had been
entirely unconscious of this spirit.

Judy and Nance were speechless with indignation after Molly had finished
reading the note.

"What do you think of that?" she exclaimed, breaking the silence.

"It's a rank insult," cried Nance.

"If you were a man, you could challenge her to a duel," cried Judy; "but
being a girl, you'll have to take it out in ignoring her."

"It's written in such a matter-of-fact way," continued Molly, "that I
can't believe it's entirely unusual. After sober, second thought, I
believe I'll ask Sallie before I answer it."

"Speaking of angels--there is Sallie!" cried Judy, as that young woman
herself hurried past the door on her way to a class.

"What is it? Make it quick. I'm late now!" ejaculated Sallie, popping
her head in at the door with a smile on her face to counteract her
abrupt manner. "Who's in trouble now?"

The three freshmen stood silently about her while she perused Judith's
note.

"Did you ever hear of such a thing?" burst out Judy with hot
indignation.

"Oh, yes, lots of times, little one. It's quite customary for freshmen
to act as waitresses when girls in the older classes entertain in their
rooms. The freshies like to do it because they get such good food. I do
think this note is expressed, well--rather unfortunately. It has a sort
of between-the-lines superiority. But Judith is always like that. You
just have to take her as you find her and ignore her faults. You'd
better accept, Molly, with good grace. You'll enjoy the food, too.
To-morrow--let me see, that's New England boiled dinner night, isn't it?
You'll probably have beefsteak and mushrooms and grape fruit and ice
cream and all the delicacies of the season."

"Very well, if you advise it, I'll accept, like a lady," said Molly
resignedly.

"It's customary," answered Sallie, smiling cheerfully and waving her
hand as she hurried down the hall.

"Well, that's settled," continued Molly sighing. Somehow, Judith Blount
did get on her nerves. "Now, the other note is even more serious in a
way. Listen to this."

Before reading it, she carefully closed the door, drew the other girls
into the far end of the room and began in a low voice:

  "'DEAR MISS BROWN:

  "'May I have the pleasure of being your escort to the
  sophomore-freshman ball? Let me know whether you intend to wear
  one of your cerulean shades. The carriage will stop for us at
  eight o'clock. You might leave the answer at my door to-night.

                                     "'Yours faithfully,
                                          "'FRANCES ANDREWS.'"

The girls looked at each other in consternation.

"What's to be done?"

"Say you have another engagement," advised Judy, who was not averse at
times to telling polite fibs in order to extricate herself from a
difficulty. But Molly was the very soul of truth, and even small fibs
were not in her line.

"Hasn't any one else asked you yet?" asked Nance.

"No; you see, it's a week off, and I suppose they are just beginning to
think of partners now."

"All I can say is that if you do go with her you are done for,"
announced Nance solemnly.

Molly sat down in the Morris chair and wrinkled her brows.

"I do wish she hadn't," she said.

"She just regards you as a sort of life preserver," exclaimed Judy.
"She's trying to keep above the surface by holding on to you. If I were
you, I wouldn't be bothered with her."

"Of course, I know," said Molly, "that Frances Andrews did something
last year that put her in the black books with her class. She's trying
to live it down, and they are trying to freeze her out. Nobody has
anything to do with her, and she's not invited to anything except the
big entertainments like this. I can't help feeling sorry for her, and I
don't see how it would do me any harm to go with her. But I just don't
want to go, that's all. I'd rather take a beating than go."

"Well, then you are a chump for considering it!" exclaimed Judy, whose
self-indulgent nature had little sympathy for people who would do
uncomfortable things.

"Then, on the other hand," continued Molly, "suppose my going would help
her a little, don't you think it would be mean to turn her down? Oh, say
you think I ought to do it, because I'm going to, hard as it seems."

Nance went over and put her arms around her friend, quite an unusual
demonstration with her, while Judy seized her hand and patted it
tenderly.

"Really, Molly, you are quite the nicest person in the world," she
exclaimed. Then she added: "By the way, Molly, can you spare the time to
tutor me for a month or so? I don't know what the rates are, but we can
settle about that later. Nance tells me I must get busy or else take my
walking papers. I'd be afraid of a strange tutor. I'm a timid creature.
But I think I might manage to learn a few things from you, Molly, dear."

Did Judy understand the look of immense relief which instantly appeared
on Molly's sensitive face? If she did she made no sign.

"Now, don't say no," she went on. "I know you are awfully busy, and all
that, but it would be just an act of common charity."

"Say no?" cried Molly, laughing lightly. "I can hardly wait to say yes,"
and she cheerfully got out six pairs of muddy boots from the closet,
enveloped herself in a large apron, slipped on a pair of old gloves and
went to work to clean and black them. Molly had become official
bootblack at Queen's Cottage at ten cents a pair when they were not
muddy, and fifteen cents when they were.

When she had completed her lowly job she sat down at her desk and wrote
two notes.

One was to Judith Blount, in which she accepted her invitation to wait
at table in the most polite and correct terms, and signed her name "Mary
Carmichael Washington Brown."

The second letter, which was to Frances Andrews, was also a note of
acceptance.

Then Molly removed her collar, rolled up her sleeves, kicked off her
pumps--a signal that she was going to begin work--and sat down to cram
mathematics,--the very hardest thing in life to her and the subject
which was to be a stumbling block in her progress always.




CHAPTER VII.

AN INCIDENT OF THE COFFEE CUPS.


Molly turned up at the Beta Phi House about five o'clock the next
evening. She wore a blue linen so that if any grease sputtered it would
fall harmlessly on wash goods, and in other ways attired herself as much
like a maid as possible with white collar and cuffs and a very plain
tight arrangement of the hair.

"If I'm to be a servant, I might as well look like one," she thought, as
she marched upstairs and rapped on Judith's door.

"Come in," called the voice of Jennie Wren. "Judith's gone walking with
her guests," she explained; "but she left her orders with me, and I'll
transmit them to you," she added rather grandly. "You are to do the
cooking. Here are all the things in the ice box, and there's the gas
stove on the trunk. Miss Brinton and I will set the table."

Molly gathered that Caroline Brinton, the unbending young woman from
Philadelphia, had been chosen as her assistant.

The tiny ice box was stuffed full of provisions. There was the
inevitable beefsteak, as Sallie had predicted; also canned soup; a head
of celery, olives, grape fruits, olive oil, mushrooms, cheese--really,
a bewildering display of food stuffs.

"Did Miss Blount decide on the courses?" Molly asked Jennie Wren.

"No; she got the raw material and left the rest entirely with you. 'Tell
her to get up a good dinner for six people,' she said. 'I don't care how
she does it, only she must have it promptly at six-fifteen.'"

There were only two holes to the gas stove and likewise only two
saucepans to fit over them, so that it behooved Molly to look alive if
she were to prepare dinner for six in an hour and a quarter.

"Where's the can opener?" she called.

A calm, experienced cook with the patience of a saint might have felt
some slight irritability if she had been placed in Molly's shoes that
evening. Nothing could be found. There was no can opener, no ice pick,
the coffeepot had a limited capacity of four cups, and there was
no broiler for the steak. It had to be cooked in a pan. It must be
confessed also that it was the first time in her life Molly had ever
cooked an entire meal. She had only made what her grandmother would have
called "covered dishes," or surprise dishes, and she now found preparing
a dinner of four courses for six people rather a bewildering task.

At last there came the sound of voices in the next room. She put on the
beefsteak. Her cheeks were flaming from the heat of the little stove.
Her back ached from leaning over, and her head ached with responsibility
and excitement.

"Is everything all right?" demanded Judith, blowing into the room with
an air of "if it isn't it will be the worse for you."

"I believe so," answered Molly.

"Why did you put the anchovies on crackers?" demanded the older girl
irritably. "They should have been on toast."

"Because there wasn't enough bread for one thing, and because there was
no way to toast it if there had been," answered Molly shortly.

No cook likes to be interfered with at that crucial moment just before
dinner.

"Here are your cap and apron," went on Judith. "You know how to wait,
don't you? Always hand things at the left side."

"Water happens to be poured from the right," answered Molly, pinning on
the little muslin cap. She was in no mood to be dictated to by Judith
Blount or any other black-eyed vixen.

Judith made no answer. She seemed excited and absent-minded.

Caroline placed the anchovies while Molly poured the soup into cups,
there being no plates. The voices of the company floated in to her.
Jennie Wren had joined them, making the sixth.

She heard a man's voice exclaim:

"I say, Ju-ju, I call this very luxurious. We never had anything so fine
as this at Harvard. You always could hold up the parent and get what you
wanted. Now, I never had the nerve. And, by the way, have you got a
cook, too?"

"Only for to-night," answered Judith. "We usually eat downstairs with
the others."

"You're working some poor little freshman, ten to one," answered
Judith's brother, for that was evidently who it was. Then Molly heard
some one run up a brilliant scale and strike a chord and a good baritone
voice began singing:

    "'Oh, I'm a cook and a captain bold,
        And a mate of the Nancy brig,
      And a bo'sun tight and a midshipmatemite,
        And the crew of the captain's gig.'"

"Why don't you join in, Eddie? But I forgot. It would never do for a
Professor of English Literature at a girls' college to lift his voice in
ribald song."

Some one laughed. Molly recognized the voice instantly. She knew that
Professor Edwin Green was dining at Judith's that night, and her
inquiring mind reached out even further into the realms of conjecture,
and she guessed who was the author of his light opera.

"Cousin Edwin, will you sit there, next to me?" said Judith's voice.

"Cousin?" repeated Molly. "So that's it, is it?"

Then other voices joined in--Mary Stewart, Jennie Wren and Martha
Schaeffer, a rich girl from Chicago, who roomed in that house.

They gobbled down the first course as people usually dispatch relishes,
and as Caroline removed the dishes, Molly appeared with the soup. None
of the girls recognized her, of course, which was perfectly good college
etiquette, although Mary Stewart smiled when Molly placed her cup of
soup and whispered:

"Good work."

Molly gave her a grateful look, and Professor Edwin Green, looking up,
caught a glimpse of Molly's flushed face, and smiled, too.

"I say, Ju-ju, who's your head waitress?" Molly could not help
overhearing Richard Blount ask when she had left the room.

"Oh, just a little Southern girl named Smith, or something," answered
Judith carelessly.

"That young lady," said Professor Edwin Green, "is Miss Molly Brown, of
Kentucky."

The young freshman's face was crimson when she brought in the steak and
placed it in front of Mr. Blount.

Then she took her stand correctly behind his chair, with a plate in her
hand, waiting for him to carve.

Sometimes two members of the same family are so unlike that it is almost
impossible to believe that blood from the same stock runs in their
veins. So it was with Richard Blount and his sister, Judith. She was
tall and dark and arrogant, and he was short and blond and full of
good-humored gayety. He rallied all the girls at the table. He teased
his Cousin Edwin. He teased his sister, and then he ended by highly
praising the food, looking all the time from one corner of his mild blue
eyes at Molly's flushed face.

"Really," he exclaimed, "a French chef must have broiled this steak. Not
even Delmonico, nor Oscar himself at the Waldorf, could have done it
better. Isn't it the top-notch, Eddie? What's this? Mushroom sauce? By
Jupiter, it's wonderful to come out here in the wilds and get such
food."

Mary Stewart began to laugh. After all, it was just good-natured
raillery.

"Why, Mr. Blount," she said, "there is something to be found here that
is lots better than porter-house steak."

"What is it? Name it, please!" cried Richard. "If I must miss the train,
I must have some, whatever it is--cream puffs or chocolate fudge?"

"It's Kentucky ham of the finest, what do you call it--breed? Three
years old. You've never eaten ham until you've tasted it."

She smiled charmingly at Molly, who pretended to look unconscious while
she passed the vegetables. Judith endeavored to change the subject.

She was angry with Mary for thus bringing her freshman waitress into
prominence. But Molly was destined to be the heroine of the evening in
spite of all efforts against it.

"Old Kentucky ham!" cried Richard Blount, starting from his chair with
mock seriousness, "Where is it? I implore you to tell me. My soul cries
out for old ham from the dark and bloody battleground of Kentucky!"

Everybody began to laugh, and Judith exclaimed:

"Do hush, Richard. You are so absurd! Did he behave this way at Harvard
all the time, Cousin Edwin?"

"Oh, yes; only more so. But tell me more of this wonderful ham, Miss
Stewart."

Molly wondered if Professor Green really understood that it was all a
joke on her when he asked that question.

Suddenly she formed a resolution. Following her assistant into the next
room, she whispered:

"Which would you rather do, Miss Brinton? Go over to Queen's and ask
Nance to give you the rest of my ham or wait on the table while I go?"

"I'd rather get the ham," replied Miss Brinton, whose proud spirit was
crushed by the menial service she had been obliged to undertake that
evening.

The dinner progressed. In a little while Molly had cleared the table and
was preparing to bring on the grape-fruit salad when Caroline appeared
with the remnants of the ham. Molly removed it from its wrappings and,
placing it on a dish, bore it triumphantly into the next room.

"What's this?" cried Richard Blount. "Do my eyes deceive me? Am I
dreaming? Is it possible----"

"The old ham, or, rather, the attenuated ghost of the old ham!"
ejaculated Mary Stewart.

Even Judith joined in the burst of merriment, and Professor Green's
laugh was the gayest of all.

Molly returned with the carving knife and fork, and Richard Blount began
to snip off small pieces.

"'Ham bone am very sweet,'" he sang, one eye on Molly.

"It is certainly wonderful," exclaimed Professor Green, as he tasted the
delicate meat; "but it seems like robbery to deprive the owner of it."

"Now, Edwin, you keep quiet, please," interrupted Richard. "I've heard
that some owners of old hams are just as fond of things sweeter than ham
bones. A five-pound box ought to be the equivalent of this, eh?"

"Really, Richard, you go too far," put in Judith, frowning at her
brother.

But Richard took not the slightest notice of her, nor did he pause until
he had cleaned the ham bone of every scrap of meat left on it.

"Aren't you going to catch your train?" asked Judith.

"I think not to-night, Ju-ju," he answered, smiling amiably. "Edwin, can
you put me up? If not, I'll stop at the inn in the village."

"No, indeed, you won't, Dick. You must stop with me. I have an extra
bed, solely in hopes you might stay in it some night. And later this
evening we might run over--er--a few notes."

He looked consciously at Richard, then he gave Molly a swift, quizzical
glance, remembering probably that he had confided to her and her alone
that he was the author of the words of a comic opera.

Having cleared the table, Molly now returned with the coffee. The cups
jaggled as she handed them. She was very weary, and her arms ached.
When she had reached Professor Edwin Green, Richard Blount, with his
nervous, quick manner, suddenly started from his chair and exclaimed:

"Now, I know whom you remind me of--Ellen Terry at sixteen."

Nobody but Molly realized for a moment that he was talking to her, and
she was so startled that her wrist gave a twist and over went the tray
and three full coffee cups straight on to the knees of the august
Professor of English Literature.

There was a great deal of noise, Molly remembered. She herself was so
horrified and stunned that she stood immovable, clutching the tray
wildly, as a drowning person clings to a life preserver. She heard
Judith cry:

"How stupid! How could you have been so unpardonably awkward!"

At the same moment Mary Stewart said: "It was entirely your fault, Mr.
Blount. You frightened the poor child with your wild behavior."

And Professor Green said:

"Don't scold, Judith. I'm to blame. I joggled the tray with my elbow.
There's no harm done, at any rate. These gray trousers will be much
improved by being dyed _cafe au lait_."

Then Richard Blount rose from the table and marched straight over to
where Molly was standing transfixed, still miserably holding to the
tray.

"Miss Brown," he said humbly, "I want to apologize. All this must have
been very trying for you, and you have behaved beautifully. I hope you
will forgive me. My only excuse is that I am always forgetting my little
sister and her friends are not still children. Will you forgive me?"

He looked so manly and good-natured standing there before her with his
hand held out, that Molly felt what slight indignation there was in her
heart melting away at once. She put her hand in his.

"There is nothing to forgive, Mr. Blount," she said, and the young man
who was a musician pricked up his ears when he heard that soft, musical
voice.

"And I've robbed you of your ham," he continued.

"It was a pleasure to know you enjoyed it," she said.

Presently Molly began clearing the table. Richard sat down at the piano.
It was evident that he never wandered far from his beloved instrument,
and the girls gathered around him while he ran over the first act of his
new opera.

Professor Edwin Green said good night and took himself and his
coffee-soaked trousers home to his rooms.

"You can follow later, Dickie," he called.

As he passed Molly, standing by the door, he smiled at her again, and
Molly smiled back, though she was quite ready to cry.

"The ham was delicious," he said. "Thank you very much."

That night, when Molly had wearily climbed the stairs to her room and
flung herself on her couch, Nance, writing at her desk, called over:

"Well, how was the beefsteak?"

"I didn't get any," said Molly. "Even if there had been any left, I was
too tired to eat anything. I'm afraid I wasn't born to be anybody's
cook, Nance, or waitress, either."

And Molly turned her face to the wall and wept silently.

Lest we forget, we will say now that two days after this episode of the
coffee cups, there came, by express for Miss Molly Brown, a five-pound
box of candy without a card, and the girls at Queen's Cottage feasted
right royally for almost two evenings.




CHAPTER VIII.

CONCERNING CLUBS,--AND A TEA PARTY.


At the first meeting of the freshman class of 19--, Margaret Wakefield
of Washington, D. C., had been elected President.

Just how this came about no one could exactly say. She could not have
been accused of electioneering for herself, and yet she made an
impression somehow and had won the election by a large majority.

"Anybody who can talk like that ought to be President of something,"
Molly had observed good naturedly. "She could make a real inauguration
speech, I believe, and she knows all about Parliamentary Law, whatever
that is."

"She dashed off the class constitution just as easily as if she were
writing a letter home," said Judy.

"That's not so easy, either," added Nance mournfully.

The girls were silent. It had gradually leaked out as their friendship
progressed that Nance's home was not an abode of happiness by any means.
And yet Nance had written a theme on "Home," which was so well done that
she had been highly complimented by Miss Pomeroy, who had read it aloud
to the class. Molly often wondered just what manner of woman Nance's
mother was, and she soon had an opportunity of finding out for herself.

But the conversation about the new class president continued.

"President Wakefield wants us to have bi-monthly meetings," continued
Judy. "She wishes to divide the class into committees and have a
chairman for each committee--"

"Committees for what?" demanded Molly.

"Dear knows," laughed Judy, "but her father's a Congressman, and she
has inherited his passion for law and order, I suppose. She wants to
conduct a debate on Woman's Suffrage to meet Saturdays. It's to be
called 'The Woman's Franchise Club,' and she wishes to establish
by-laws and resolutions and a number of other things that are Greek to
me, for 'the political body corporate.' She says it's a crying shame
that women know so little about the constitution of their own country,
and in establishing a debating society, she hopes to do some missionary
work in that line."

Judy had risen and was waving her arms dramatically while her voice rose
and fell like an old-time orator's.

"I suppose we ought," said Molly; "but I'd rather put it off a year
or so. There are so many other things to enjoy first. Besides, it will
be four years before I reach the voting age, and by that time I hope
my 'intellects' will have developed sufficiently to take in the
constitution of the country."

"Anyhow," exclaimed Judy, "I'm proud to have a class president who's
such a first-class public speaker, because it takes it all off our
shoulders. Whenever there's a speech to be made or anything public and
embarrassing to be done, we'll just vote for her to do it, because she
will enjoy it so much."

"But are you going to join the debating club?" asked Nance.

"I suppose it's our duty to," replied Molly; "but I do hate to pin
myself down. Suppose we say we'll go to one and listen?"

"Well, you'd better settle it now, because here comes the President
sailing up the walk. She's going the rounds now, I suppose, and in
another two minutes she'll be springing the question on us."

Judy, who was sitting at the front window of her own room, nodded down
into the yard and smiled politely, and the girls had just time to settle
among themselves what they were going to say when there was a smart rap
on the door and President Wakefield entered.

She wore rather masculine-looking clothes, and carried a business-like
small-sized suit case in one hand and a notebook in the other.

"Hello, girls!" she began; "I'm so glad I caught you together. It saves
telling over the same thing three times. I want to know first exactly
how you stand on the woman's suffrage question. Now, don't be afraid to
be frank about it, and speak your minds. Of course, I'm sure that, being
women who are seeking the higher education, you are all of you on the
right side--the side of the thinking woman of to-day----"

Here Judy sneezed so violently that she almost upset the little
three-legged clover-leaf tea table at her elbow.

"How do you feel on the subject, Molly?"

Molly smiled broadly, while Nance cleared her throat and Judy blew her
nose and exclaimed:

"I think I must be taking cold. Excuse me while I get a sweater," and
disappeared in the closet.

"I--I'm afraid I don't know very much about the subject, Margaret. You
see, I was brought up in the country, and I haven't had a chance to go
into woman's suffrage very deeply."

"There is no time like the present for beginning, then," said Margaret
promptly, opening the business-like little suit case. "Read these two
pamphlets and you'll get the gist of the entire subject clearly and
concisely expressed. I will call on you for an opinion next week after
you've had time to study the question a bit."

Molly took the pamphlets and began hastily turning the leaves. She
wanted to laugh, but she felt certain it would offend Margaret deeply
not to be taken seriously, and she controlled her facial muscles with
an effort while she waited for attack No. Two.

"Nance, have you taken any interest in this question?" continued
Margaret, who seemed to have the patience of a fanatic spreading his
belief.

"I know something about it," replied Nance quietly. "You see, my mother
is President of a Woman's Suffrage Association, and she spends most of
her time going about the country making speeches for the National
Association."

"What, is your mother Mrs. Anna Oldham, the famous clubwoman?" cried
Margaret.

Nance nodded her head silently.

"Why, she is one of the greatest authorities on women's suffrage in the
country!" exclaimed Margaret with great enthusiasm. "It says so here.
Look, it gives a little sketch of her life and titles. She is president
of two big societies and an officer in five others. It's all in this
little book called 'Famous Club Women in America and England.' Dear me,"
continued Margaret modestly, "I think I'd better resign and give the
chair to you, Nance. I'm nobody to be preaching to you when you must
know the subject from beginning to end."

Nance smiled in her curious, whimsical way.

"Have you ever eaten too much of something, Margaret," she said, "and
then hated it ever afterward?"

"Why, yes," replied the President, "that has happened to every one, I
suppose. Mince pie and I have been strangers to each other for many
years on that account."

"Well," continued Nance, "I've been fed on clubs until I feel like a
Strausberg goose. I've had them crammed down my throat since I was five
years old. When I was twelve, I was my mother's secretary, and I've sent
off thousands of just such pamphlets as you are distributing now. I
learned to write on the typewriter so I could copy my mother's speeches.
I've been usher at club conventions and page at committee meetings. I've
distributed hundreds of badges with 'Votes for Women' printed on them. I
had to make a hundred copies of mother's speech on 'The Constitution and
By-Laws of the United States,' and send them to a hundred different
women's clubs. So, you see," she added, simply, frowning to keep back
her tears, "I think I'll take a rest from clubs while I'm at college and
begin to enjoy life a little with Molly and Judy."

Margaret Wakefield, who was really a very nice girl and exceedingly
well-bred, leaned over and placed a firm, rather large hand on Nance's.

"I should think you had had enough," she exclaimed, giving the hand
a warm squeeze. Seeing teardrops glistening in Nance's eyes, she rose
and started to the door. "If ever you do want to come to any of the
meetings, you will be very welcome, girls," she said; "but you don't
want to overdo anything in life, you know, and if there are things
that interest you more than Woman's Suffrage you oughtn't to sacrifice
yourselves. People should follow their own bent, I think. Good-bye," she
went on, smiling brightly, "and don't bother to read the pamphlets,
Molly, dear, if you don't want to. It's a poor way to carry a point to
make a bugbear of the subject."

She went out quietly and closed the door.

"I call her a perfect lady," exclaimed Molly, trying not to look at
Nance, but wishing at the same time that her friend would give way just
once and have a good cry.

"Let's cut study this afternoon and take a walk," exclaimed Judy. "Trot
along and get on your sweaters. It's much too glorious to stay indoors.
Nance, can't you do your theme after supper? Molly, you look a little
peaked. It will do you good to breathe the fresh, untainted air of the
pine woods."

Judy, it must be confessed, was always glad of a good excuse to get away
from her books.

"Splendid!" cried Molly with enthusiasm.

"And I'll bring my English tea basket," went on Judy. "Who's got any
cookies?"

"I have," said Nance, now fully recovered.

In five minutes the three girls had started across the campus to the
road and presently were making for the pine woods that bordered the
pretty lake. Everybody seemed to be out roaming the country that
beautiful autumn afternoon. Parties of girls came swinging past, who
had been on long tramps through the woods and over to the distant hills
which formed a blue and misty background to the lovely rolling country.
The lake was dotted with canoes and rowboats, and from far down the road
that wound its way through the valley there came the sound of singing.
Presently a wagon-load of girls emerged into view, followed by another
wagon filled with autumn leaves and evergreens.

"It's the sophomore committee on decoration," Judy explained. Apparently
she knew everything that happened at college. "They are getting the
decorations for the gym. for the ball to-morrow night."

Molly quickly changed the subject. She had had two invitations to go
to the Sophomore-Freshman Ball since she had accepted Frances Andrews'
offer, and several of the sophomores had been to see her to ask her to
change her mind, but, having given her word, Molly intended to keep it,
no matter what was to pay.

"Let's go to the upper end of the lake," she suggested. "It's wilder and
much prettier," and she led the way briskly along the path through the
pine woods.

In a little while they came out at the other end of the small body of
water where the woods abruptly ended at the foot of a hill called "Round
Head," which the girls proceeded to climb. From this eminence could be
seen a widespreading panorama of hills and valleys, little streams and
bits of forests, and beyond the pine woods the college itself, its
campus spread at its feet like a mat of emerald green.

The girls paused breathlessly and Judy put down her tea basket.

"Here's where a little refreshment might be very welcome," she said,
opening her basket of which she was justly proud, for not many girls at
Wellington could boast of such a possession. She filled the little
kettle from the bottle of water she had taken the precaution to bring
along, and they sat down in a circle on the turf. The autumn had been
a dry one, and the ground was not damp. Nibbling cookies and sweet
chocolate, they waited for the water to boil.

"Look, here comes some one," whispered Judy, indicating the figure of
a man appearing around the side of the hill.

"I do hope it's not a tramp," exclaimed Nance uneasily.

Molly Brown hoped so, too, although she said nothing. But she felt
nervous, as who wouldn't in that lonely place? As the man came nearer,
it became plain that he was making straight for them, and he did most
assuredly look like a wanderer of some kind. He was dressed in an old
suit of rough gray, wore an old felt hat and carried a staff like a
pilgrim. The girls sat quite still and said nothing. There had been a
silent understanding among them that it was better not to run. As the
man drew nearer, Molly became suddenly conscious of the fact that across
the gray trousers just above the knees was a deep coffee-colored stain.

The next moment the man stood before them, leaning on his staff, his
hat under his arm. It was "Epimenides Antinous Green."

"Confess now," he said, smiling at all of them and looking at Molly,
whom he knew best of the three, "you took me for a tramp?"

"Not exactly for a tramp," answered Molly; "but for one who tramps."

"What's the difference, Miss Brown?" he asked laughing.

"Oh, everything. Clothes----" she paused, blushing deeply. Her eyes had
fallen on the coffee stain. "Why doesn't he have it cleaned off?" she
thought, frowning slightly. "And--and looks," she continued out loud.

"Even in the walk," Judy finished. "Perhaps we can give you a cup of
tea, Professor," she added politely.

The Professor was only too glad for a cup of tea. He had been roaming
the hills all day, he said, and he was tired and thirsty. While he
sipped the fragrant beverage, he glanced at his watch.

"The truth is, I had an appointment at this spot at four-thirty," he
announced. "I was to meet my young brother George, familiarly known as
'Dodo.' He's at Exmoor College, ten miles over, and was to walk across
the valley to the rendezvous, and I was to conduct him safely to my
rooms for supper. He was afraid to enter the college by the front gate
for fear of meeting several hundreds of young women. He runs like a
scared rabbit if he sees a girl a block off."

"Won't it give him an awful shock when he catches a glimpse of us
waiting here on the hilltop?" asked Molly.

"It's a shock that won't hurt him," replied the professor. "We'll see
what happens, at any rate."

He put his cup and saucer on the ground, while his quizzical eyes, which
seemed to laugh even when his face was serious, turned toward Molly. And
Molly was well worth looking at that afternoon, although she herself
was much dissatisfied with her appearance. Her auburn hair had almost
slipped down her back. Her blue linen shirtwaist was decidedly blousey
at the waist line. "It's because I haven't enough shape to keep it
down," she was wont to complain. Her cheeks were glowing and her eyes as
calmly blue as the summer skies.

"Perhaps we'd better start on," said Nance uneasily. She always felt an
inexplicable shyness in the presence of men, and her friends had been
known to nickname her "old maid."

But before Professor Green could protest that he was only too glad to
have his bashful brother make the acquaintance of three charming college
girls, Judy, ever on the alert, exclaimed, "Look, there he comes around
the side of the hill."

The Professor rose and signaled with his hat, chuckling to himself, as
he watched his youthful brother pause irresolutely on the hillside.

"Come on, Dodo," he shouted, making a trumpet of his hands.

"I believe not this afternoon, thank you," Dodo trumpeted back. "I have
an important engagement at six."

The girls could not keep from laughing.

"It's a shame to frighten the poor soul like that," exclaimed Molly.
"We'll start back, Professor, and leave him in peace."

But the Professor was a man of determination, and had made up his mind
to bring his shy brother into the presence of ladies that afternoon,
very attractive ladies at that, of George's own age, with simple,
unaffected manners, calculated to make a shy young man forget for the
moment that he had an affliction of agonizing diffidence.

"George," called the professor, running a little way down the hillside,
"come back and don't be a fool."

The wretched lad turned his scarlet face in their direction and began to
climb the hill. He was a tall, overgrown youth, with large hands and
feet, and when he stood in their midst, holding his cap nervously in
both hands, while the Professor performed the introductions, he looked
like a soldier facing the battle.

It remained for Molly and Judy to put him at his ease, however, with tea
and cookies and questions about Exmoor College, while the Professor
conversed with Nance about life at Wellington, and which study she liked
best. At last the spirit of George emerged from its shy retreat, and he
forgot to feel self-conscious or afraid. They rose, packed the tea
things and started back. And it was the Professor who carried Judy's tea
basket, while George, glancing from Molly's blue eyes to Judy's soft
gray ones, strolled between them and related a thrilling tale of college
hazing.

"That was a swift remedy, was it not, Miss Oldham?" observed the
Professor, laughing under his breath.

But undoubtedly the cure was complete, for that very evening Molly
received a note, written in a crabbed boyish hand, and signed "George
Green," inviting the three girls to ride over to Exmoor on the trolley
the following Saturday and spend the day. Miss Green, an older sister,
would act as chaperone.

And not a few thrills did these young ladies experience at the
prospect.




CHAPTER IX.

RUMORS AND MYSTERIES.


How many warm-hearted, impetuous people get themselves into holes
because of those two qualities which are very closely allied indeed;
and Molly Brown was one of those people. Carried away by emotions of
generosity, she found herself constantly going farther than she realized
at the moment. Why, for instance, could she not have put Frances Andrews
off with an excuse for a day or so? Some one would surely have asked her
to the Sophomore-Freshman ball.

And if she had only liked Frances, matters would have been different.
If it had been an act of friendship, of deep devotion. But in spite
of herself, she could not bring herself to trust that strange girl,
beautiful and clever as she undoubtedly was, and sorry as Molly was
for her. After all, it was rather selfish of Frances to have obtained
the promise from Molly. Did she think it would reinstate her in the
affections of her class to be seen in the company of the popular young
freshman?

All this time, Molly said nothing to her friends, but on the morning of
the ball she could not conceal from Judy and Nance her apprehension and
general depression. And seeing their friend's lack-lustre eye and
drooping countenance, they held a counsel of war in Judy's small
bedroom.

At the end of this whispered conference, Judy was heard to remark:

"I'm afraid of the girl, to tell you the truth. Her fiery eyes and her
two-pronged tongue seem to take all the spirit out of me."

"I'm not afraid of her," said Nance, who had a two-pronged tongue of her
own, once she was stirred into action. "You wait here for me, and when I
come back, you can go and notify the sophomores of what's happened. Of
course, Molly will get to the ball all right. The thing is to extricate
her from the situation by the most tactful and surest means."

Judy laughed.

"No," she answered, "the thing is not to let Molly know we have saved
her life."

"If Frances hadn't done that witch's stunt and said all those malicious
things at Molly's Kentucky spread, I don't think I should have minded so
much. And do you know, Judy, that the report has spread abroad that she
and Molly had prepared the whole thing beforehand, speeches and all and
were in league together? You see, Molly was the only one who wasn't
hit."

"You don't mean it," cried Judy. "Then, more than ever, I want to spare
the child the humiliation she might have to suffer if she went with
Frances to-night. Go forth to battle, Nance, and may the saints preserve
you."

Nance girded her sweater about her like a coat of mail, stiffened her
backbone, pressed her lips together and marched out to the fray. She
never told even Judy exactly what took place between Frances and her in
that small room, with its bewildering array of fine trappings, silver
combs and brushes, yellow silk curtains at the window, Turkish rugs,
books and pictures. No one had ever seen the room except Molly the night
of the spread, when it was too dark to make out what was in it.

There was no loud talking. Whatever was said was of the tense quiet
kind, and presently Nance emerged unscathed from the encounter.

"She made me give my word of honor not to tell what was said," she
announced to the palpitating Judy, "but she's writing the note to Molly
now; so go quickly and inform someone that Molly has no escort for the
ball."

Judy departed much mystified and Nance remained discreetly away from her
own room until she perceived Frances steal down the hall, push a note
under their door and then hurry back, bang her own door and lock it.

Then, after a moment's grace, Nance marched boldly to their chamber.
Molly was reading the note.

"What do you think, Nance?" she exclaimed with a tone of evident relief
in her voice, "Frances Andrews can't go to-night."

"Indeed, and what reason does she give?" asked Nance, feeling very much
like a conspirator now that she was obliged to face Molly.

"None. She simply says 'I'm sorry I can't go to-night. Hope you'll enjoy
it. F. A.' How does she expect me to get there, I wonder, at the
eleventh hour?"

Nance examined her finger nails attentively.

"Perhaps she's seen to that," she replied after a pause.

"Nance," said Molly, presently, "I'm so relieved that I think I'll have
to 'fess up. It's mean of me, I know, and I feel awfully ungenerous to
be so glad. You see, nobody can ever tell what strange, freakish thing
she's going to do. Of course she was the witch. I knew it from the
conscious look that came into her face when I told her about it
afterwards."

"The mistake she has made is being defiant instead of repentant," said
Nance. "Instead of trying to brazen it out, she ought to 'walk softly,'
as the Bible says, and keep quiet. She is the most embittered soul I
ever met in all my life. If hatred counted for much, her hatred for her
own class would burn it to a cinder."

There was a sound of hurrying footsteps on the stairs and Judy burst
into the room. Her face was aflame and she flung herself into a chair
panting for breath.

"What's your hurry?" asked Molly, slipping on her jacket. "Excuse me, I
must be chasing along to French. Tell her the news, Nance."

No need to tell Judy news, who had news of her own.

"I tell you, Nance," she exclaimed, "there are times when I think the
position of a freshman is one of the lowliest things in life. The first
sophomore I met was Judith Blount. I did feel a little timid, but I told
her what had happened. 'You can tell your friend,' she said, 'that we
sophomores are not so gullible as all that, and if her nerve has failed
her at the last moment, it's her fault, not ours.'"

"Why, Judy," exclaimed Nance, "you didn't know you were jumping from the
frying pan right into the fire when you told that to Judith Blount, who
has never liked Molly from the beginning. It's jealousy, pure and
simple, I think; although there almost seems to be something more behind
it sometimes. She takes such pains to be disagreeable. Was anyone else
there to hear you?"

"Oh, yes. She was surrounded by her satellites, Jennie Wren and a few
others."

The two girls sat in gloomy silence for a few minutes. After that
rebuff, they hardly cared to circulate the bit of news any further in
the sophomore class, which, it must be confessed, had the reputation of
being run by a clique of the most arrogant and snobbish set of girls
Wellington College had ever known.

"Let's go and tell our woes to nice old Sally Marks," suggested Judy,
and off they marched in search of the good-natured funny Sally, whose
room was on the floor below.

"Come in," she called at their tap on the door, and noticing at once
their serious faces, she exclaimed:

"I declare, I am beginning to feel like the Oracle at Delphi. What's the
trouble, now, my children?"

"You ought never to have gone to Judith Blount," she continued after
they had unburdened their secrets. But having gone to her, "it would be
well," so spake the Oracle, "to sit back and hold tight. The news is
certain to spread, and of course only Judith and her ring would believe
that Molly sent you out to find her an escort. There is one thing sure:
Molly is obliged to go to the dance, not only because she has so many
friends, but because she figures, I am told, so largely in 'Jokes &
Croaks,' and it would be sport spoiled if she wasn't there when the
things are read out. Now, trot along, children, I'm cramming for an
exam., and I'm busier than the busiest person in Wellington to-day."

The afternoon dragged itself slowly along. Nance took her best dress out
of its wrappings, heated a little iron and smoothed out its wrinkles.
She lifted Molly's blue crepe from its hanger and laid it on the couch.

"It was made in the simplest possible way out of the least possible
goods in the least possible time," she informed Judy, who had wickedly
cut a class and sat moping in her friend's room. "Isn't it pretty? We
made it together, and I'm really quite puffed up about the result. It's
Empire, you know," she added proudly.

The dress did indeed show the short Empire waist. The round neck was cut
out and finished with a frill of creamy lace which Molly happened to
have, and there had not been much of a struggle with the sleeves, which
came only to the elbow and were to all intents and purposes shapeless.
But the color was the thing, as Molly had said.

"I'd be willing to drown in a color like that," Judy observed. Judy was
quite a _poseuse_ about colors and assured her friends that she could
never wear red because it inflamed her temper and made her cross; that
violet quieted her nerves; green stirred her ambitions, and blue aroused
her sympathies. While they were looking at the dress, Margaret Wakefield
and Jessie Lynch, her roommate and boon companion, after rapping on the
door, sailed into the room.

"We came to consult about clothes," they announced. "Is this to be an
evening dress affair, or what's proper to wear?"

"The best you have," replied Judy, "at least that's what I was told by
the oracular Sally below stairs."

"For the love of heaven, don't tell that to Jessie," cried Margaret. "If
you give her so much rope, she'll be wearing purple velvet and cloth of
gold."

Jessie laughed good-naturedly. She was already considered the best
dressed and prettiest girl in the freshman class, and it was a joke at
Queen's Cottage that she had been obliged to apply to the matron for
more closet room, because the large one she shared with Margaret
Wakefield was not nearly adequate for her numerous frocks. It had been a
constant wonder to the other girls in the house that these two opposite
types could have become such intimate friends; but friends they were,
and continued to be throughout their college course, although Jessie
never could rake up an interest in the U. S. Constitution or woman's
suffrage, either.

The two girls really formed a sort of combination of brains and beauty,
and it became generally known that Jessie would hardly have pulled
through the four years, except for the indefatigable efforts of her
faithful friend, Margaret.

Mabel Hinton, a Queen's Cottage freshman, now popped her head in at the
door, which was half open. She was a very odd character, but she was
popular with her friends, who called her "The Martian," probably because
she had a phenomenal intellect and wore enormous glasses in tortoise
shell frames which made her eyes look like a pair of full moons.

"I thought I heard a racket," she said in her crisp, catchy voice. "I
suppose you are all discussing the news."

"News? What news?" they demanded.

She closed the door carefully and came farther into the room.

"Gather around me, girls," she said mysteriously, enjoying their
curiosity.

"But what is it, Mabel? Don't keep us in suspense," cried Judy, always
impatient.

"Well, there is evidence that someone was going to set fire to the
gym. to-night," she began, in a whisper. "This morning a bundle of
oil-soaked rags was discovered in a closet, and then they began to
search and found several other bundles like the first. There was a lot
of excitement, and the Prex came over. They tried to keep it quiet, but
the story leaked out, of course, and is still leaking----" she smiled.

The girls exchanged horrified glances. What terrible disaster might not
have befallen them if the rags had not been discovered?

"Of course it was the work of an insane person," said Margaret
Wakefield.

"Of course, but who? Is she one of the students or some outside person?"

With a common instinct, Judy and Nance looked up at the same moment.
Their glances met. Without making a sound, Judy's lips formed the word
"Frances."

"Is the dance to take place, then?" asked Jessie.

"Oh, yes. It's all been hushed up and things will go on just as usual.
I'm going to look on from the balcony. I shan't mingle with the
dancers, because they knock off my spectacles and generally upset my
equilibrium."

The door opened and Molly appeared in their midst like a gracefully
angular wraith, for her face looked white, her shoulders drooped and
her long slim arms hung down at her sides dejectedly.

"Why, Molly, dear, has anything happened to you?" cried Nance.

"No, I won't say that nothing has happened," answered Molly, sinking
into a chair and resting her chin on her hand. "I have been put through
an ordeal this day, why, I can never tell you, but I am glad you are all
here so that I can tell you about it."

They pressed about her, full of sympathy and friendliness, while Judy,
who loved comfort and recognized the needs of the flesh under the most
trying circumstances, lit Nance's alcohol lamp and put on the kettle to
make tea.

"But what is it?" they all demanded, seeing that Molly had fallen into a
silence.

"I've been with the President for the last hour," she said, "though for
what reason I can't explain. I can't imagine why I was sent for and
brought to her private office. She was very nice and kind. She asked me
a lot of questions about myself and all of Queen's girls. I was glad
enough to answer them, because we have nothing to be ashamed of, have
we, girls?" Molly rose and stood before them, spreading out her hands
with a kind of deprecating gesture. The circle of faces before her
almost seemed abashed under the steady gaze of her clear blue eyes. "It
was a pleasure to tell her what nice girls were stopping at Queen's
Cottage."

"Did she mention?" began Judy and pointed to the dividing wall of the
next room.

"Oh, yes, I was coming to that. But what do I know about----" Mollie
stopped short and caught her breath. Her eyes turned towards the door,
which was opened softly. There stood Frances Andrews.

She had evidently just come in, for she still wore her sweater and tam
o' shanter, and brought with her the smell of the fresh piney air.

"It's all right about your escort for to-night, Miss Brown. You are to
go with Miss Stewart, who has got special privilege from the sophomore
president to take you. Good-bye. I hope you'll have a ripping time. I
shan't see you at supper. I'm going off on the 6.15 train and won't be
back until Sunday night."

There was such a tense feeling in the circle of freshmen as Frances
stood there, that, as Judy remarked afterwards, they almost crackled
with electricity.

It was quite late, and as most of the girls intended to dress for the
party before supper, they took their departure immediately without any
comment.

"Is anything special the matter?" asked Molly, after they had gone and
she was left alone with her friends.

They told her the strange story which Mabel Hinton had reported to them
a little while before.

"But that is the work of a lunatic," exclaimed Molly, horrified.

"And I suppose," went on Nance, "that the reason Prexy sent for you was
that she suspected a certain person, who shall be nameless, and she was
told that you were the only person who had ever been nice to her, and
furthermore that you were going to the dance with her."

"Of course that must be the reason," said Molly, "and of course it's
absurd, I mean suspecting Frances Andrews. She might be accused of many
things, but she is certainly in her right mind. She's much cleverer than
lots of the girls in her class."

"Clever, yes. But should you call her balanced?"

Molly did not answer. She felt anxious and frightened, and a rap on the
door at that moment made her jump with nervousness. It proved to be one
of the maids of the house with two boxes of flowers, both for Molly. One
was pink roses and contained the card of Mary Stewart, and the other was
violets, and contained no card whatever.

She divided the violets in half and made her two friends wear them that
night to the dance.




CHAPTER X.

JOKES AND CROAKS.


"I'm beginning to feel that we shall issue happily out of all our
troubles," cried Judy Kean, bursting into her friends' room without
knocking, "and the reason why I feel that way is because when I am
clothed in silk attire my soul is clothed in joy. Especially when
there's dancing to follow. Button me up, someone, please, so that I may
take a good look at my resplendent form in your mirror. I can't see more
than a square inch of neck in my own two by four."

The girls stood back to admire their friend, who indulged her artistic
fancy in rather theatrical clothes much too old for her, but who usually
succeeded in gaining the effect she sought.

"Dear me, 'she walks in beauty like the night,'" said Molly laughing.
"You look like a charming and very youthful widow-lady, Judy, but how
comes it you are wearing black?"

"Black is for certain types," replied Judy sagely, "and I am one of
them. Next to black my bilious skin takes on a dazzling, creamy tint and
my mouse-colored hair assumes a yellow glint that is not its own."

The girls laughed at their erratic friend, who was, indeed, dressed in
black chiffon, from the fluffy folds of which her vivacious young face
glowed like a flower.

"If you object to me, wait until you see Jessie," cried Judy. "She might
be going to the opera, she is so fine. She is wearing pink satin that
glistens all over like a Christmas tree with little shiny things."

As a matter of fact, Nance, whose well balanced and correct tastes in
most things rarely failed her, was the most suitably dressed of our
girls, in her pretty white lingerie frock.

At eight o'clock that evening Molly rolled away luxuriously in a village
hack with Mary Stewart, holding her roses tenderly and carefully under
her gray eiderdown cape, so as not to crush them.

"I'm awfully glad I was so lucky as to draw you this evening, Molly,"
the older girl was saying.

"I'm the lucky one," answered Molly, her thoughts reverting to the
strange discovery of the morning. "Oh, Miss Stewart, what did Frances
Andrews do last year to get herself into such a mess and be frozen out
by all her class this year?"

"I'll tell you perhaps some day, but not to-night. We want to enjoy
ourselves to-night. Can you guide, Molly?"

"Like a streak. I always guided at home at the school dances, because I
was the tallest girl in my class."

"I'm a guider, too," laughed Mary, "and when two guiders come together,
I imagine it's a good deal like a tug of war."

During the ride over to the gymnasium, neither of the girls mentioned
the thing uppermost in their minds: the attempt to set the gymnasium on
fire that night. Nor was the rumor referred to by anyone at the dance
later. It was a strictly forbidden topic, the President herself having
issued orders.

The great room was a mass of foliage and bunting, Japanese lanterns and
incandescent lights in many colors, and it was really quite a brilliant
affair according to Molly's notions, who had never seen anything but
small country dances usually given at the schoolhouse several miles
from her home. Lovely music floated from behind a screen of palms and
lovely girls floated on the floor in couples, to the strains of the
latest waltz.

"I'm afraid I'm going to be an awful wallflower," thought Molly, feeling
suddenly overgrown and awkward in the midst of this swirling mass of
grace and beauty. "I can't help feeling queer and I don't seem to
recognize anybody."

But Molly had plenty of partners that evening, and after that first
delightful waltz, it was nearly an hour before she caught a glimpse of
Mary Stewart again in the crowd of dancers.

"Isn't it jolly?" called Judy, as they dashed past each other in a
romping barn dance.

"I never thought I could have such a good time at a manless party,"
Jessie Lynch confided to Molly while they rested against the wall later.
"But, really, it's quite as good fun."

"Isn't it?" replied Molly. "I think I never had a better time in my
life. But I'm afraid our roommates and friends are not enjoying it very
much," she added ruefully, pointing to the gallery, where seated in a
silent bored row were Margaret Wakefield, Nance Oldham and Mabel
Hinton.

"Of course," said Jessie, "you would never expect Mabel to join this mad
throng, but I'm surprised at Nance and Margaret."

"Margaret prefers conversation parties, I suppose, and Nance is not fond
of dancing, either. She would always rather look on, she says."

The two girls were standing near the musicians and from the other side
of the screen of palms they now heard a voice say:

"Have you danced with the fantastic Empress Josephine as yet?"

"Not as yet," came the answer with a laugh. "But be careful, she is
near----"

Molly moved away hastily, her face crimson.

Jessie had heard the question also and recognized the voice of Judith
Blount.

"Why, Molly," she exclaimed, glancing at her face, "you don't think they
meant----"

"Yes," said Molly, trying to smile naturally, "I do."

She glanced down at her home-made dress. Perhaps it did look amateurish.
She and Nance had worked very hard over it, but, after all, they were
not experienced dressmakers.

"Why, you look perfectly charming," went on Jessie generously. "The
color is exactly right for you----"

"Yes, color," answered Molly, "but there ought to be something besides
color to a dress, you know. Never mind, I shouldn't be such a sensitive
plant, Jessie. One ought not to mind being called fantastic. It's not
nearly so bad as being called--well, malicious--cruel. I'd rather be
fantastic than any of those things. But I did think the dress was pretty
when we made it."

"Come along, and let's get some lemonade, Molly. Your dress is sweet and
suits you exactly, so there."

Then someone came up and claimed Jessie for the next dance, but Molly
was grateful to the pretty butterfly creature for her assurances and she
resolved to forget all about her dress. As she lingered in the corner,
uncertain whether to stay where she was or join her friends in the
gallery, Mary Stewart made her way through the crowd and called:

"Oh, here you are. Some of the seniors are just outside and want to meet
you. Will you come?"

"I should think I would," replied Molly, joyfully. Fantastic, or not,
she had one good friend among the older girls.

"This is Miss Molly Brown of Kentucky," announced Mary Stewart presently
to a dozen august seniors who shook her hand and began asking her
questions.

"We had two reasons for wanting to meet you, Miss Brown," here put in a
very handsome big girl, who spoke in an authoritative tone, which made
everybody stop and listen. (She was, in fact, the President of the
senior class.) "One of course was just to make your acquaintance, and
the other was to ask if you would do us a favor. We are going to have a
living picture show Friday week for the benefit of the Students' Fund,
and we wondered if you would pose in one of the pictures, maybe several,
we haven't decided on them yet. But that dress must be in one of them,
don't you think so, Mary? One of Romney's Lady Hamilton pictures
for instance, with a white gauze fichu; or a Sir Thomas Lawrence
portrait----"

"You don't think it's too fantastic?" asked Molly.

"What, that lovely blue thing? Heavens, no! it's charming----"

Molly had barely time to thank her and accept the invitation, when she
and Mary were dragged off to make up the big circle of "right and left
all around," which wound up the dance. After this whirling romp, three
loud raps were heard and gradually the noise of talking and laughter
subsided into absolute silence. A girl had mounted the platform. She
carried a megaphone in one hand and a book in the other. She was the
official reader of her class, and now proceeded to recite through the
megaphone all the best and most amusing material from "Jokes & Croaks."
According to time honored custom, the jokes were greeted with applause
and laughter, and the croaks with groans and laughter, and anybody who
groaned at a joke or applauded a croak, if she happened to be caught,
was publicly humiliated by being made to stand up and face the jeers of
the multitude. The girls finally decided, after many ludicrous mistakes,
that the jokes were on the sophomores and the croaks were on the
freshmen. For instance, here was a croak:

     "A lady of notable luck,
      Who cared not for turkey or duck,
        Cried, 'Give me old ham
        And I don't give a slam,
      If it comes from Vermont or Kaintuck.'"

This was greeted with laughing groans, and Molly for the first time
realized the significance of her roommate's name.

Margaret Wakefield figured in several croaks, as "the Suffragette of
Queen's." In fact Queen's girls came in for a good many croaks and began
to wait fearfully for what was to come next. But the witticisms were all
quite good-natured, even the last, which called forth so many merry
groans that they soon ceased to be groans at all and became uproarious
laughter, and Molly, very red and laughing, too, was the centre of all
eyes. This was the croak:

     "They have locked me in the Cloisters,
        They have fastened up the gate!
      Oh, let me out; Oh, let me out.
        It's getting very late.

      'Tis said the ghosts of classes gone
        Do wander here at night.
      Oh, let me out; Oh, let me out,
        Before I die of fright!

      And then there rang a clarion voice.
        It's tone was loud and clear.
      'Oh, dry your eyes and cease your cries,
        For help, I ween, is near.

      But promise me one little thing
        Before I ope the gate:
      Oh, never pass the coffee tray,
        If I am sitting nigh;
      Or, if you pass the coffee tray,
        Oh, then, just pass me by!'"

It was all very jolly and delightful, and for the first time the girls
felt that they were really a part of the college life.

Mary Stewart was very sweet to Molly when she took her home that night,
and the young freshman never realized until long afterwards, when she
was a senior herself, what a nice thing her friend had done; for
sophomore-freshman receptions were an old story to Mary Stewart.




CHAPTER XI.

EXMOOR COLLEGE.


Busy days followed the sophomore-freshman ball. The girls were "getting
into line," as Judy variously expressed it; "showing their mettle; and
putting on steam for the winter's work." The story of the incendiary had
been reported exaggerated and had gradually died out altogether. Frances
Andrews had returned to college, more brazenly facetious than ever,
breaking into conversations, loudly interrupting, making jokes which no
one laughed at except Molly and Judy out of charity. She was a strange
girl and led a lonely life, but she was too much like the crater of a
sleeping volcano, which might shoot off unexpectedly at any moment, and
most of the girls gave her a wide berth.

The weather grew cold and crisp. There was a smell of smoke in the air
from burning leaves and from the chimneys of the faculty homes wherein
wood fires glowed cheerfully.

At last Saturday arrived. It was the day of the excursion to Exmoor, and
it was with more or less anxiety regarding the weather that the three
girls scanned the skies that morning for signs of rain. But the heavens
were a deep and cloudless blue and the air mildly caressing, neither too
cold nor too warm.

"It is like the Indian summers we have at home," exclaimed Molly, when,
an hour later, they turned their faces toward the village through which
the trolley passed.

Mabel Hinton, passing them as they started, had called out:

"Art off on a picnic?"

And they had answered:

"We art."

Some other girls had cried:

"Whither away so early, Oh?"

And they had cried:

"To Exmoor! To Exmoor, for now the day has come at last!" paraphrasing a
song Judy was in the habit of singing.

Indeed the day seemed so perfect and joyous that they could hardly keep
from singing aloud instead of just humming when they boarded the trolley
car.

Through the country they sped swiftly. The valley unfolded itself before
them in all its beauty and the misty blue hills in the distance seemed
to draw nearer. Over everything there was a sense of autumn peace which
comes when the world is drowsing off into his deep sleep.

"Exmoor!" called the conductor at last, and the three girls stepped off
at a charming rustic station. With a clang of the bell which rang out
harshly in the still air, the car flew on.

The three girls looked at the empty station. Then they looked at each
other with a kind of mock consternation, for nothing really mattered.

"Where is Dodo?" asked Judy, with the smile of the victor, since she had
predicted only a few moments before that Dodo might by this time have
become so frightened at his boldness that he would suddenly become
extinct like his namesake, the dodo-bird.

"Well, if Dodo is really extinct," said Molly, "we'll just take a little
walk back through the fields. Epimenides thought nothing of it. He
expects to walk to-day and meet us at lunch."

But Dodo was not extinct that morning, and they beheld him now running
down the steep road as fast as his heavy boots could carry him.

"Behold, his spirit has risen from its fossil remains and he now walks
among us in the guise of a man," chanted Judy.

"Don't make us laugh, Judy, just as the poor soul arrives without enough
breath to apologize," said Nance, and the next instant the embarrassed
young man stood before them blushing and stammering as if he had been
caught in the act of picking a pocket or committing some other slight
crime which required explanation.

"I'm terribly sorry--have you waited long?--the schedule was changed--I
didn't know--you should have come half an hour later--I don't mean
that--I mean I wasn't ready--" he broke off in an agony of embarrassment
and the girls burst out laughing.

"Don't you be caring," said Judy. "We're here and nothing else really
matters."

"I shouldn't have thought the station of a man's college could be so
deserted," observed Molly, looking about the empty place.

Dodo assured her that plenty of people would be there in half an hour,
when the train arrived; just then everybody was either in the village
on the other side of the buildings, or down on the football grounds
watching the morning practice game. There was to be a real game that
afternoon.

"You see, it's only a small college," he went on. "There are only two
hundred and fifty in all. The standards are so high it's rather hard to
get in, but we are heavily endowed and can afford to keep up the
standards," he added proudly.

They climbed the road to the college almost in silence and in ten
minutes emerged on a level elevation or table land which commanded a
view of the entire countryside. Here stood the college buildings, built
of red brick, seasoned and mellowed with time. They were a beautiful
and dignified group of buildings, and there was a decidedly old world
atmosphere about the place and the campus with splendid elm trees.
Molly had once heard Judith Blount refer to Exmoor as that "one-horse,
old-fashioned little college," and she was not prepared for anything so
fine and impressive as this.

Nor was she prepared for the surprise of Miss Green, sister of Professor
Edwin and Dodo. The girls had pictured her a middle-aged spinster,
having heard she was older than the Professor himself, who seemed a
thousand to them. And here, waiting for them, in the living room of the
Chapter House, was a very charming and girlish young woman with Edwin's
brown eyes and cleft chin and George's blonde hair; the ease and
graciousness of one brother and the youthful fairness of the other. She
had come down from New York the night before especially to meet them,
she said.

Rather an expensive trip, they thought, for one day's pleasure, since it
took about seven hours and meant usually one meal and of course at night
a berth on the sleeper.

"At first I thought I couldn't manage it for this week," she continued,
"but Edwin was so insistent and no one has ever been known to refuse him
anything he really wanted."

Edwin! But why Edwin? Why not the youthful and blushing Dodo? So Molly
wondered, while they were conducted over the entire college; the
beautiful little Gothic chapel with its stained glass windows; through
the splendid old library which was much smaller than the one at
Wellington, but much more "atmospheric" as Judy had remarked; then
through the dormitories where they remained discreetly in the corridors,
and finally back to the Chapter House, in which George lodged with some
thirty schoolmates.

There on the piazza was Professor Edwin Green waiting for them. He had
made an early start, he said, and walked the whole distance in less than
three hours. Some other young men came up and were introduced, and the
entire gay party, Nance shyly sticking closely beside Miss Green, went
off to view the village, which was a quaint old place well worth
visiting, they were told.

The train had evidently come in, and crowds of people were hurrying up
the road. There was a sound of a horn and a coach dashed in sight filled
with students wearing crimson streamers in their buttonholes.

"It's a crowd of Repton fellows come over to see their team licked,"
George explained, "but look, Edwin, here comes Dickie Blount. I thought
he was in Chicago."

"Evidently he isn't," said the Professor, his eyes smiling, his mouth
serious. It was Richard Blount, the hero of the ham bone, and he
straightway attached himself to Molly and declined to leave her side
for the rest of the day.

"Don't tell me that that delightful, joking, jolly person is brother to
Judith," whispered Judy in Molly's ear.

Molly nodded.

"There's no family resemblance, but it's true, nevertheless."

Motor cars and carriages of all varieties now began to arrive. The whole
countryside had turned out to see the great game between the two local
college teams, and the Wellington girls pinned green rosettes in their
buttonholes to signify that their sympathies were all for Exmoor.

"It's the most exciting, jolliest time I ever had in all my life," cried
Molly to Professor Green, who walked on her other side. "And to think I
have never seen a football game before in all my life."

"I must draw a diagram for you and show you what some of the plays are,
or you will be in a muddle," said the Professor, looking at her gravely,
almost, as Molly thought, as if she were one of his English Literature
pupils.

At lunch, according to the etiquette of the place, George and his guests
were placed at the senior table. There was no smoking nor loud talking
and the students behaved themselves most decorously, although George
confided to Judy that ordinarily pandemonium prevailed.

After lunch they started for the grounds in a triumphal procession; for
our Wellington freshmen and their chaperone had an escort of at least
four or five young men apiece. Nance looked bewildered and shy and
happy; Judy was never more sparkling nor prettier, and Molly was in her
gayest, brightest humor.

They had hardly left the Chapter House behind them and proceeded in
a snake-like procession across the campus, when a black and prancing,
though rather bony, steed dashed up bearing a young lady in a
faultlessly fitting riding habit. It was Judith Blount.

Nobody looked particularly thrilled at Judith's appearance, not even
Judith's brother, and Judy almost exclaimed out loud:

"Bother! Why couldn't she stay at home just once?"

"How do you do, Cousin Grace?" called Judith from her perch. "I heard
you were going to be down and I couldn't resist riding over to see you."

"How are you, Judith? I'm so glad to see you," answered Cousin Grace in
a tone without much heart to it. "Why didn't you come sooner? We've just
finished lunch."

"Thanks, I had a sandwich early. I suppose you are off for the grounds.
Go ahead. I'll get Cousin Edwin to help me tie up this old animal
somewhere. We'll follow right behind."

Molly was almost certain that Cousin Edwin was about to place this
office on the shoulders of his younger brother, but glancing again at
the flushed and happy face of Dodo at the side of Judy, the Professor
relented and dropped behind to look after his relation.

Never had Molly been so wildly excited as she was over the football
game that afternoon. It was a wonderful picture, the two teams lined
up against each other; crowds of people yelling themselves hoarse; the
battle cry of the Repton team mingling with the warlike cry of the
Exmoor students. The cheer leaders at the heads of the cheer sections
made the welkin ring continuously. At last a young man, who seemed to
be a giant in size and strength, dashed like a wild horse across the
Russian steppes straight up the field with the ball under his arm, and
from the insane behavior of the green men, including Professor Edwin
Green and his fair sister, Molly became suddenly aware that the game
was over and Exmoor had won.

The cheering section could yell no more, because to a man it had lost
its voice; but, oh, the glad burst of song from the Exmoor students as
they leaped into the field and bore the conquering giant around on their
shoulders. And, oh! the dejection of the men of crimson as they stalked
sadly from the scene of their humiliation.

At last the whole glorious day was over and the girls found themselves
on the way to the trolley station. Richard Blount and his cousin, Miss
Green, had hastened on ahead. They were to take the six o'clock train
back to New York.

"Cousin Edwin, why can't you hire a horse in the village and ride back
to Wellington with me?" asked Judith, when they paused at the Chapter
House for her to mount her black steed.

"Because I'm engaged to take these young ladies home by trolley,
Judith," answered the Professor firmly.

Judith leaped on her horse without assistance, gave the poor animal a
savage lash with her whip and dashed across the campus without another
word.

The ride back at sunset was even more perfect than the morning trip.
The Professor of English Literature appeared to have been temporarily
changed into a boy. He told them funny stories and bits of his own
college experiences, and made them talk, too. Almost before they knew
it, the conductor was calling: "Wellington!"




CHAPTER XII.

SUNDAY MORNING BREAKFAST.


It was quite the custom at Wellington for girls to prepare breakfasts
on Sunday morning in their rooms. There was always the useful boneless
chicken to be creamed in one's chafing dish; and in another, eggs to be
scrambled with a lick and a promise, at these impromptu affairs; and it
was a change from the usual codfish balls of the Sunday house breakfast.

[Illustration: It was quite the custom for girls to prepare breakfast in
their rooms.--_Page 152._]

On this particular Sunday morning, Judy was very busy; for the breakfast
party was of her giving, in Molly's and Nance's room; her own
"singleton" being too small. She was also very angry in her tempestuous
and unrestrained way, and having emptied the vials of her wrath on
Molly's head, she was angrier with herself for giving away to temper.

Although it was Judy's party, Molly, as usual kind-hearted and grandly
hospitable, had invited Frances Andrews. Then she had gone and
confessed her sins to Judy, who flared up and said things she hadn't
intended, and Molly had wept a little and owned that she was entirely
at fault. But what could be done? Frances was invited and had accepted.
To atone for her sins, poor Molly had made popovers as a surprise and
arranged to bake them in Mrs. Murphy's oven. But the hostess being
gloomy, the company was gloomy, since the one is apt to reflect the
humor of the other. However, as the coffee began to send forth its
cheerful aroma from Judy's Russian samovar, discord took wings and
harmony reigned. It was a very comfortable and sociable party. Most of
the girls wore their kimonos, it being a time for rest and relaxation;
but when Frances Andrews swept into the room in a long lavender silk
_peignoir_ trimmed with frills of lace, all cotton crepe Japanese
dressing gowns faded into insignificance.

"There is no doubt that college girls are a hungry lot," remarked
Margaret Wakefield, settling herself comfortably to dispose of food and
conversation and arouse argument, a thing she deeply enjoyed.

"So much brain work requires nourishment," observed Mabel Hinton.

"There is not much brain nourishment at Queen's," put in Frances
Andrews. "I've been living on raw eggs and sweet chocolate for the last
week. The table has run down frightfully."

Sallie Marks was a loyal Queen's girl, and resented this slur on the
table of the establishment which was sheltering her now for the third
year.

"The food here is quite as good as it is at any of the other houses,"
she said coldly to the unfortunate Frances, who really had not intended
to give offence.

"Pardon me, but I don't agree with you," replied Frances, "and I have
a right to my own opinion, I suppose."

Judy gave Molly a triumphant glance, as much as to say, "You see what
you have done."

Everybody looked a little uncomfortable, and Margaret Wakefield, equal
to every occasion, launched into a learned discussion on how many ounces
of food the normal person requires a day.

Once more the talk flowed on smoothly. But where Frances was, it would
seem there were always hidden reefs which wrecked every subject, no
matter how innocent, the moment it was launched.

"Molly, I can trade compliments with you," put in Jessie Lynch, taking
not the slightest notice of her roommate's discourse. "It's one of those
very indirect, three-times-removed compliments, but you'll be amused by
it."

"Really," said Molly, "do tell me what it is before I burst with
curiosity."

"I said 'trade,'" laughed Jessie, who liked a compliment herself
extremely.

"Oh, of course," replied Molly. "I have any number I can give you in
exchange. How do you care for this one? Mary Stewart thinks you are very
attractive."

"Does she, really? That's nice of her," exclaimed Jessie, blushing with
pleasure as if she hadn't been told the same thing dozens of times
before. "I think she's fine; not exactly pretty, you know, but fine."

"I suppose you don't know how her father made his money?" broke in
Frances.

There was a silence, and Molly, feeling that she was about to be
mortified again by something disagreeable, cried hastily:

"Oh, dear, I forgot the surprise. Do wait a moment," and dashed from the
room.

While she was gone, Nance and Judy began filling up the intervals with
odd bits of conversation, helped out by the other girls, and Frances
Andrews did not have another opportunity to put in her oar. Suddenly she
rose and swept to the door.

"You would none of you feel interested to know, I suppose, that Mary
Stewart's father started life as a bootblack----"

"That's what I'm starting life as," cried Molly, who now appeared
carrying a large tray covered with a napkin. "I am the official
bootblack of Queen's, and I make sometimes one-fifty a week at it. I
hope I'll do as well as Mr. Stewart in the business. Have a popover?"

She unfolded the napkin and behold a pile of golden muffins steaming
hot. There were wild cries of joy from the kimonoed company.

"And now, Jessie, I'll take my second-hand, roundabout compliment----"
she began, when Judy interrupted her.

"Won't you have a popover, Miss Andrews?" she asked in a cold,
exasperated tone.

"Thanks; I eat the European breakfast usually--coffee and roll----"

"Yes, I've been there," answered Judy.

"I'll say good morning. I've enjoyed your little party immensely," and
Frances marched out of the room and banged the door.

"I should think you would have learned a lesson by this time, Molly
Brown," cried Judy hotly. "There is always a row whenever that girl is
around. She can't be nice, and there is no use trying to make her over."

"I'm sorry," said Molly penitently. "I wish I could understand why she
behaves that way when she knows it's going to take away what few friends
she has."

"I think I can tell you," put in Mabel Hinton. "Nobody likes her, and
nobody expects any good of her. If you are constantly on the lookout
for bad traits, they are sure to appear. It's almost a natural law.
Everybody was expecting this to-day, and so it happened, of course. If
we had been cordial and sweet to her, she never would have said that
about Mary Stewart or the food at Queen's, either."

"Dear me, are we listening to a sermon," broke in Judy flippantly.

But, in spite of Judy's interruption, Mabel's speech made an impression
on the girls, some of whom felt a little ashamed of their attitude
toward Frances Andrews.

"Did you ever see a dog that had been kicked all its life?" went on
Mabel; "how it snarls and bites and snaps at anybody who tries to pet
it? Well, Frances is just a poor kicked dog. She's done something she
ought not to have done, and she's been kicked out for it, and she's so
sore and unhappy, she snarls at everybody who comes near her."

"Mabel, you're a brick!" exclaimed Sallie Marks. "I started the fight
this morning and I'm ashamed of it. I'm going to make a resolution to be
nice to that poor girl hereafter, no matter how horrid she is. It will
be an interesting experiment, if for no other reason."

"Let's form a society," put in Molly, "to reinstate Frances Andrews, and
the way to do it will be to be as nice as we can to her and to say nice
things about her to the other girls."

"Good work!" cried Margaret Wakefield, scenting another opportunity to
draw up a constitution, by-laws and resolutions. "We will call a first
meeting right now, and elect officers. I move that Molly be made
chairman of the meeting."

"I second the motion," said Sallie heartily. "All in favor say 'aye.'"

There was a chorus of laughing "ayes" and a society was actually
established that morning, Molly, as founder, being elected President. It
consisted of eight members, all freshmen, except the good-natured Sallie
Marks, who condescended, although a junior, to join.

"Suppose we vote on a name now," continued Margaret who wished to leave
nothing undone in creating the club. "Each member has a right to suggest
two names, votes to be taken afterward."

It was all very business-like, owing to Margaret's experienced methods,
but the girls enjoyed it and felt quite important. As a matter of fact,
it was the first society to be established that year in the freshman
class, and it developed afterward into a very important organization.

Among the various names suggested were "The Optimists," "The Bluebirds,"
"The Glad Hands," mentioned by Sallie Marks, and "The Happy Hearts."

"They are all too sentimental," said the astute Margaret, looking
them over. "There'll be so many croaks about us if we choose one of
these names that we'll be crushed with ridicule. How about these
initials--'G.F.' What do they stand for?"

"Gold Fishes," replied Mabel Hinton promptly. The others laughed, but
the name pleased them, nevertheless. "You see," went on Mabel, "a gold
fish always radiates a cheerful glow no matter where he is. He is the
most amiable, contented little optimist in the animal kingdom, and he
swims just as happily in a finger bowl as he does in a fish pond. He was
evidently created to cheer up the fish tribe and I'm sure he must
succeed in doing it."

The explanation was received with applause, and when the votes were
taken, "G.F." was chosen without a dissenting voice.

It was decided that the club was to meet once a week, it's object, to
be, in a way, the promotion of kindliness, especially toward such people
as Frances Andrews, who were friendless.

"We'll be something like the Misericordia Society in Italy," observed
Judy, "only, instead of looking after wounded and hurt people, we'll
look after wounded and hurt feelings."

It was further moved, seconded and the motion carried that the society
should be a secret one; that reports should be read each week by
members who had anything to report; and, by way of infusing a little
sociability into the society, it was to give an entertainment, something
unique in the annals of Wellington; subject to be thought of later.

It was noon by the time the first meeting of the G. F. Society was ready
to disband. But the girls had really enjoyed it. In the first place,
there was an important feeling about being an initial member of a club
which had such a beneficial object, and was to be so delightfully
secretive. There was, in fact, a good deal of knight errantry in the
purpose of the G. F.'s, who felt not a little like Amazonian cavaliers
looking for adventure on the highway.

"Really, you know," observed Jessie, "we should be called 'The Friends
of the Wallflowers,' like some men at home, who made up their minds one
New Year's night at a ball to give a poor cross-eyed, ugly girl who
never had partners the time of her life, just once."

"Did they do it?" asked Nance, who imagined that she was a wallflower,
and was always conscious when the name was mentioned.

"They certainly did," answered Jessie, "and when I saw the girl
afterward in the dressing room, she said to me, 'Oh, Jessie, wasn't it
heaven?' She cried a little. I was ashamed."

"By the way, Jessie, I never got my compliment," said Molly. "Pay it to
me this instant, or I shall be thinking I haven't had a 'square deal.'"

"Well, here it is," answered Jessie. "It has been passed along
considerably, but it's all the more valuable for taking such a
roundabout route to get to you. I'll warn you beforehand that you will
probably have an electric shock when you hear it. You know I have some
cousins who live up in New York. One of them writes to me----"

"Girl or man?" demanded Judy.

"Man," answered Jessie, blushing.

There was a laugh at this, because Jessie's beaux were numerous.

"His best friend," she continued, "has a sister, and that sister--do you
follow--is an intimate friend----"

"'An intimate friend of an intimate friend,'" one of the girls
interrupted.

"Yes," said Jessie, "it's obscure, but perfectly logical. My cousin's
intimate friend's sister has an intimate friend--Miss Green----"

"Oh, ho!" cried Judy. "Now we are getting down to rock bottom."

"And Miss Green told her intimate friend who told my cousin's intimate
friend's sister--it's a little involved, but I think I have it
straight--who told her brother who told my cousin who wrote it to me."

"But what did he write," they demanded in a chorus.

"That one of Miss Green's brothers was crushed on a charming red-headed
girl from Kentucky."

Molly's face turned crimson.

"But Dodo is crushed on Judy," she laughed.

"It may be," said Jessie. "Rumors are most generally twisted."

The first meeting of the G. F.'s now disbanded and the members scattered
to dress for the early Sunday dinner. They all attended Vespers that
afternoon, and in the quiet hour of the impressive service more than one
pondered seriously upon the conversation of the morning and the purpose
of the new club.




CHAPTER XIII.

TRICKERY.


It was several days before the G. F.'s had an opportunity to practise
any of their new resolutions on Frances Andrews. The eccentric girl was
in the habit of skipping meals and eating at off hours at a little
restaurant in the village, or taking ice cream sundaes in the drug
store.

At last, however, she did appear at supper in a beautiful dinner dress
of lavender crepe de chine with an immense bunch of violets pinned at
her belt. She looked very handsome and the girls could not refrain from
giving her covert glances of admiration as she took her seat stonily at
the table.

It was the impetuous, precipitate Judy who took the lead in the
promotion of kindliness and her premature act came near to cutting down
the new club in its budding infancy.

"You must be going to a party," she began, flashing one of her
ingratiating smiles at Frances.

Frances looked at her with an icy stare.

"I--I mean," stammered Judy, "you are wearing such an exquisite dress.
It's too fine for ordinary occasions like this."

Frances rose.

"Mrs. Markham," she said to the matron of Queen's, "if I can't eat here
without having my clothes sneered at, I shall be obliged to have my
meals carried to my room hereafter."

Then she marched out of the dining room.

Mrs. Markham looked greatly embarrassed and nobody spoke for some time.

"Good heavens!" said Judy at last in a low voice to Molly, "what's to be
done now?"

"Why don't you write her a little note," replied Molly, "and tell her
that you hadn't meant to hurt her feelings and had honestly admired her
dress."

"Apologize!" exclaimed Judy, her proud spirit recoiling at the ignoble
thought. "I simply couldn't."

But since her attack on Molly, Judy had been very much ashamed of
herself, and she was now taking what she called "self-control in broken
doses," like the calomel treatment; that night she actually wrote a note
to Frances and shoved it under the door. In answer to this abject
missive she received one line, written with purple ink on highly scented
heavy note paper:

  "Dear Miss Kean," it ran, "I accept your apology.

                                       "Yours sincerely,
                                   "FRANCES LE GRAND ANDREWS."

"Le Grand, that's a good name for her," laughed Judy, sniffing at the
perfumed paper with some disgust.

But she wrote an elaborate report regarding the incident and read it
aloud to the assembled G. F.'s at their second meeting.

In the meantime, Sallie Marks had her innings with the redoubtable
Frances, and retreated, wearing the sad and martyred smile of one who
is determined not to resent an insult. One by one the G.F.'s took
occasion to be polite and kind to the scornful, suspicious Frances.
Her malicious speeches were ignored and her vulgarities--and she had
many of them--passed lightly over. Little by little she arrived at
the conclusion that refinement did not mean priggishness and that
vulgarity was not humor. Of course the change came very gradually. Not
infrequently after a sophomore snub, the whipped dog snarled savagely;
or she would brazenly try to shock the supper table with a coarse,
slangy speech. But with the persistent friendliness of the Queen's
girls, the fires in her nature began to die down and the intervals
between flare-ups grew longer each day.

Frances Andrews was the first "subject" of the G.F.'s, and they were
as interested in her regeneration as a group of learned doctors in the
recovery of a dangerously ill patient.

In the meantime, the busy college life hummed on and Molly felt her head
swimming sometimes with its variety and fullness. What with coaching
Judy, blacking boots, making certain delicious sweetmeats called
"cloudbursts,"--the recipe of which was her own secret,--which sold
like hot cakes; keeping up the social end and the study end, Molly was
beginning to feel tired. A wanness began to show in the dark shadows
under her eyes and the pinched look about her lips even as early as the
eventful evening when she posed for the senior living picture show.

"This child needs some make-up," the august senior president had
exclaimed. "Where's the rouge and who's got my rabbit's foot? No,
burned cork makes too broad a line. Give me one of the lighter colored
eyebrow pencils. You mustn't lose your color, little girl," she said,
dabbing a spot of red on each of Molly's pale cheeks. "Your roses are
one of your chief attractions."

A great many students and some of the faculty had bought tickets for
this notable occasion, and the gymnasium was well filled before the
curtain was drawn back from a gigantic gold frame disclosing Mary
Stewart as Joan of Arc in the picture by Bastien Le Page, which hangs
in the Metropolitan Museum of Art in New York. There was no attempt to
reproduce the atmospheric visions of the angel and the knight in armor,
only the poor peasant girl standing in the cabbage patch, her face
transfigured with inspiration. When Molly saw Mary Stewart pose in this
picture at the dress rehearsal, she could not help recalling the story
of the bootblack father.

"She has a wonderful face, and I call it beautiful, if other people
don't," she said to herself.

As for our little freshman, so dazed and heavy was she with fatigue,
the night of the entertainment, that she never knew she had created a
sensation, first as Botticelli's "Flora," barefooted and wearing a Greek
dress constructed of cheesecloth, and then as "Mrs. Hamilton," in the
blue crepe with a gauzy fichu around her neck.

After the exhibition, when all the actors were endeavoring to collect
their belongings in the confusion of the green room, Sallie Marks came
running behind the scenes.

"Prexy has specially requested you to repeat the Flora picture," she
announced, breathlessly.

"Is Prexy here?" they demanded, with much excitement.

"She is so," answered Sallie. "She's up in the balcony with Professor
Green and Miss Pomeroy."

"Well, what do you think, we've been performing before 'Queen Victoria
and other members of the royal family,' like P. T. Barnum, and never
knew a thing about it," said a funny snub-nosed senior. "'Daily
demonstrations by the delighted multitude almost taking the form of
ovations,'" she proceeded.

"Don't talk so much, Lulu, and help us, for Heaven's sake! Where's Molly
Brown of Kentucky?" called the distracted President.

Molly came forth at the summons. Overcome by an extreme fatigue, she had
been sitting on a bench in a remote corner of the room behind some stage
property.

"Here, little one, take off your shoes and stockings, and get into your
Flora costume, quick, by order of Prexy."

In a few minutes, Molly stood poised on the tips of her toes in the gold
frame. The lights went down, the bell rang, and the curtains were parted
by two freshmen appointed for this duty. For one brief fleeting glance
the audience saw the immortal Flora floating on thin air apparently, and
then the entire gymnasium was in total darkness.

A wave of conversation and giggling filled the void of blackness, while
on the stage the seniors were rushing around, falling over each other
and calling for matches.

"Who's light manager?"

"Where's Lulu?"

"Lulu! Lulu!"

"Where's the switch?"

"Lulu's asleep at the switch," sang a chorus of juniors from the
audience.

"I'm not," called Lulu. "I'm here on the job, but the switch doesn't
work."

"Telephone to the engineer."

"Light the gas somebody."

But there were no matches, and the only man in the house was in the
balcony. However, he managed to grope his way to the steps leading to
the platform, where he suddenly struck a match, to the wild joy of the
audience. Choruses from various quarters had been calling:

"Don't blow out the gas!"

"Keep it dark!"

And one girl created a laugh by announcing:

"The present picture represents a 'Nocturne' by Whistler."

Then the janitor began lighting gas jets along the wall and finally a
lonesome gas jet on the stage faintly illumined the scene of confusion.

The gigantic gilt frame outlined a dark picture of hurrying forms, and
huddled in the foreground lay a limp white object, for Botticelli's
"Flora" had fainted away.

The confusion increased. The President joined the excited seniors and
presently the doctor appeared, fetched by the Professor of English
Literature. "Flora" was lifted onto a couch; her own gray cape thrown
over her, and opening her eyes in a few minutes, she became Molly Brown
of Kentucky. She gazed confusedly at the faces hovering over her in the
half light; the doctor at one side, the President at the other; Mary
Stewart and Professor Green standing at the foot and a crowd of seniors
like a mob in the background.

Suddenly Molly sat up. She brushed her auburn hair from her face and
pointed vaguely toward the hall:

"I saw her when she----" she began. Her eye caught Professor Green's,
and she fell back on the couch.

"You saw what, my child?" asked the President kindly.

"I reckon I was just dreaming," answered Molly, her Southern accent more
marked than ever before.

The President of the senior class now hurried up to the President of
Wellington University.

"Miss Walker," she exclaimed, her voice trembling with indignation, "we
have just found out, or, rather, the engineer has discovered, that some
one has cut the electric wires. It was a clean cut, right through. I do
think it was an outrage." She was almost sobbing in her righteous
anger.

The President's face looked very grave.

"Are you sure of this?" she asked.

"It's true, ma'am," put in the engineer, who had followed close on the
heels of the senior.

Without a word, President Walker rose and walked to the centre of the
platform. With much subdued merriment the students were leaving the
gymnasium in a body. Lifting a small chair standing near, she rapped
with it on the floor for order. Instantly, every student faced the
platform, and those who had not reached the aisles sat down.

"Young ladies," began the President in her calm, cultivated tones that
could strike terror to the heart of any erring student, "I wish to speak
a word with you before you leave the gymnasium to-night. Probably most
of you are aware by this time that the accident to the electric lighting
was really not an accident at all, but the result of a deliberate act by
some one in this room. Of course, I realize, that in so large a body of
students as we have at Wellington University there must, of necessity,
be some black sheep. These we endeavor, by every effort, to regenerate
and by mid-years it is usually not a difficult matter to discover those
who are in earnest and those who consider Wellington College merely a
place of amusement. Those who do consider it as such, naturally, do
not--er--remain with us after mid-years."

To Molly, sitting on the platform, and to other trembling freshmen in
the audience, the President seemed for the moment like a great and stern
judge, who had appointed mid-years as the time for a general execution
of criminals.

"I consider," went on the speaker in slow and even tones, "idleness a
most unfortunate quality, and I am prepared to combat it and to convince
any of my girls who show that tendency that good hard work and only good
hard work will bring success. A great many girls come here preferring
idleness and learn to repent it--before mid-years."

A wave of subdued laughter swept over the audience.

"But," said the President, her voice growing louder and sterner, "young
ladies, I am not prepared to combat chicanery and trickery by anything
except the most severe measures, and if there is one among you who
thinks and believes she can commit such despicable follies as that
which has been done to-night, and escape--I would say to her that she is
mistaken. I shall not endure such treachery. It shall be rooted out. For
the honor and the illustrious name of this institution, I now ask each
one of you to help me, and if there is one among you who knows the
culprit and does not report it to me at once, I shall hold that girl as
responsible as the real culprit. You may go now, and think well over
what I have said."

The President retired and the students filed soberly and quietly from
the gymnasium.

"How do you feel now, dear?" asked President Walker, leaning over Molly
and taking her hand.

"Much better, thank you," answered Molly, timidly.

"Could you hear what I was saying to the girls?" continued the
President, looking at her closely.

"Yes," faltered Molly.

"Think over it, then. And you had better stay in bed a few days until
you feel better. Have you prescribed for her, doctor?"

The doctor nodded. He was a bluff, kindly Scotchman.

"A little anaemic and tired out. A good tonic and more sleep will put her
to rights."

Mary Stewart had telephoned for a carriage to take Molly home, and Judy,
filled with passionate devotion when anything was the matter, hurried
ahead to turn down the bed, lay out gown and wrapper and make a cup of
bouillon out of hot water and a beef juice capsule; and finally assist
her beloved friend--whom she occasionally chastened--to remove her
clothes and get into bed.

"I may not have many chances to wait on you, Molly, darling," she
exclaimed, when Molly protested at so much devotion. "I may not have a
chance after mid-years."

If she had mentioned death itself, she could not have used a more tragic
tone.

"Judy," cried Molly, slipping her arms around her friend's neck, "I'm
not going to let you go at mid-years if I have to study for two."




CHAPTER XIV.

AN INSPIRATION.


"This is like having a bedroom _salon_," exclaimed Molly with a
hospitable smile to some dozen guests who adorned the divans and easy
chairs, the floor and window sills of her room.

Surely there was nothing Molly liked better than to entertain, and when
she had callers, she always entertained them with refreshments of some
kind. Often it had to be crackers and sweet chocolate, and she had even
been reduced to tea. But usually her family kept her supplied with good
things and her larder was generally well stocked.

She lay in bed, propped up with pillows, and scattered about the bed
were text-books and papers.

"You've been studying again, you naughty child," exclaimed Mary Stewart,
shaking her finger. "Didn't Dr. McLean tell you to go easy for the next
week?"

"Go easy, indeed," laughed Molly. "You might as well tell a trapeze
actor to do the giant-swing and hold on tight at the same time. But it's
worth losing a few days to find out what loving friends I have. Your
pink roses are the loveliest of all," she added, squeezing her friend's
hand.

"Tell us exactly who sent you each bunch?" demanded Jessie, passing
a box of ginger-snaps, while Judy performed miracles with a tea ball,
a small kettle and a varied assortment of cups and saucers. "I have
a right to ask you," continued Jessica, "because you asked the same
question of me last Tuesday when two boxes came."

"No suitor sent me any of these, Mistress Jessica," answered Molly,
"because I haven't any. Miss Stewart sent the pink ones, and the
President of the senior class sent the red ones. Judy brought me the
double violets and Nance the lilies of the valley, bless them both, and
another senior the pot of pansies. The seniors have certainly been
sweet and lovely."

"There's one you haven't accounted for," interrupted Jessie.

"The violets?" asked Molly, blushing slightly.

"Oh, ho!" cried Jessie in her high, musical voice, "trying to crawl,
were you? You can't deceive old Grandmamma Sharp-eyes. Honor bright,
who sent the violets?"

"To tell you the truth, I don't know. I suspected Frances Andrews, but
when I thanked her for them, she looked horribly embarrassed and said
she hadn't sent them. I was afraid she would go down and get some after
my break, but thank goodness, she had the good taste not to."

"You mean to say they were anonymous?" demanded Jessie.

"I mean to say that thing, but I suppose some of the seniors who
preferred to remain unknown sent them."

"It's just possible," put in Mary, and the subject was dropped.

"Let's talk about the only thing worth talking about just now," broke
in Judy. "The Flopping of Flora; or, Who Cut the Wires?"

"Why talk about it?" said Molly. "You could never reach any conclusion,
and guessing doesn't help."

"Oh, just as a matter of interest," replied Judy. "For instance, if we
were detectives and put on the case, how would we go about finding the
criminal?"

"I should look for a silly mischief-maker," said Mary Stewart. "Some
foolish girl who wanted to do a clever thing. Freshmen at boys' colleges
are often like that."

"You don't think it was a freshman, do you, Miss Stewart?" cried Mabel
Hinton, turning her round spectacles on Mary like a large, serious owl.

"Oh, no, indeed. I was only joking. I haven't the remotest notion who it
is."

"If I were a detective on the case," said Mabel Hinton, "I should look
for a junior who was jealous of the seniors. Some one who had a grudge,
perhaps."

"If I were a detective," announced Margaret Wakefield, in her most
judicial manner, "I should look for some one who had a grudge against
Molly."

"Of course; I never thought of that. It did happen just as Molly was
about to give the encore, didn't it?"

"It did," answered Margaret.

The girls had all stopped chattering in duets and trios to listen.

"Has any one in the world the heart to have a grudge against you, you
sweet child?" exclaimed Mary Stewart, placing her rather large, strong
hand over Molly's.

The young freshman looked uncomfortable.

"I hope not," she said, smiling faintly. "I never meant to give offence
to any one."

Pretty soon the company dispersed and Molly was left alone with her two
best friends.

"Judy," she said, "will you please settle down to work this instant? You
know you have to write your theme and get it in by to-morrow noon, and
you haven't touched it so far."

Nance was already deep in her English. Molly turned her face to the wall
and sighed.

"I can't do it," she whispered to herself; "I simply cannot do it." But
what she referred to only she herself knew.

In the meantime Judy chewed the end of her pencil and looked absently at
her friend's back. Presently she gave the pad on her lap an impatient
toss in one direction and the pencil in another, and flung herself on
the foot of Molly's couch.

"Don't scold me, Molly. I never compose, except under inspiration, and
inspiration doesn't seem to be on very good terms with me just now. She
hasn't visited me in an age."

"Nonsense! You know perfectly well you can write that theme if you set
your mind to it, Judy Kean. You are just too lazy. You haven't even
chosen a subject, I'll wager anything."

"No," said Judy sadly.

"Why don't you write a short story? You have plenty of material with all
your travel----"

"I know what I'll write," Judy interrupted her excitedly, "The Motives
of Crime."

"How absurd," objected Molly. "Besides, don't you think that's a little
personal just now, when the whole school is talking about the
wire-cutter?"

"Not at all. We are all trying to run down the criminal, anyhow. I shall
take the five great motives which lead to crime: anger, jealousy,
hatred, envy and greed. It will make an interesting discourse. You'll
see if it doesn't."

"The idea of your writing on such a subject," laughed Molly. "You're not
a criminal lawyer or a prosecuting attorney."

"I admit it," answered Judy, "and I suppose Lawyer Margaret Wakefield
ought to be the one to handle the subject. But, nevertheless, I am
fired with inspiration, and I intend to write it myself. I shall not see
you again until the deed is done, if it takes all night. By the way,
lend me some coffee, will you? I'm all out, and I always make some on
the samovar for keeping-awake purposes when I'm going to work at night."

"I don't know what I'm going to do with you, Judy," sighed Molly, as the
incorrigible girl sailed out of the room, a jar of coffee under one arm
and her writing pad under the other.

At first she wrote intermittently, rumpling up her hair with both hands
and chewing her pencil savagely; but gradually her thoughts took form
and the pencil moved steadily along, almost like "spirit-writing" it
seemed to her, until the essay was done. It was half-past three o'clock
and rain and hail beat a dismal tattoo on her window pane. She had not
even noticed the storm, having hung a bed quilt over her window and
tacked a dressing gown across the transom to conceal the light of the
student's lamp from the watchful matron. Putting out her light and
removing all signs of disobedience, she now cheerfully went to bed.

"Motives for crime," she chuckled to herself. "I suppose I'm committing
a small crime for disobeying the ten-o'clock rule, and my motive is to
hand in a theme on time to-morrow."

The next morning when Judy read over her night's work, she enjoyed it
very much. "It's really quite interesting," she said to herself. "I
really don't see how I ever did it."

She delivered the essay at Miss Pomeroy's office and felt vastly proud
when she laid it on the table near the desk. Her own cleverness told her
that she had done a good thing.

"I don't believe Wordsworth ever enjoyed his own works more than I do
mine," she observed, as she strolled across the campus. "And because
I've been _bon enfant_, I shall now take a rest and go forth in search
of amusement." She turned her face toward the village, where a kind of
Oriental bazaar was being held by some Syrians. It would be fun, she
thought, to look over their bangles and slippers and bead necklaces.

In the meantime, Miss Pomeroy was engaged in reading over Judy's theme,
which, having been handed in last, had come to her notice first. Such is
the luck of the procrastinator.

She smiled when she saw the title, but the theme interested her greatly,
and presently she tucked it into her long reticule, familiar to every
Wellington girl, and hastened over to the President's house.

"Emma," she said (the two women were old college mates, and were Emma
and Louise in private), "I think this might interest you. It's a theme
by one of my freshman girls. A strange subject for a girl of seventeen,
but she's quite a remarkable person, if she would only apply herself.
Somehow, it seems, whether consciously or unconsciously, to bear on what
has been occupying us all so much since last Friday."

The President put on her glasses and began to read Judy's theme. Every
now and then she gave a low, amused chuckle.

"The child writes like Marie Corelli," she exclaimed, laughing. "And yet
it is clever and it does suggest----" she paused and frowned. "I wonder
if she could and doesn't dare tell?" she added slowly.

"I wonder," echoed Miss Pomeroy.

"Is she one of the Queen's Cottage girls? They appear to be rather a
remarkable lot this year."

"Some of them are very bright," said Miss Pomeroy.

"Louise," said the President suddenly, "Frances Andrews is one of the
girls at that house, is she not?"

"Yes," nodded the other, with a queer look on her face.

"She's clever," said the President. "She's deep, Emma. It is impossible
to make any definite statement about her. One must go very slowly in
these things. But after what happened last year, you know----"

She paused. Even with her most intimate friend she disliked to discuss
certain secrets of the institution openly.

"Yes," said Miss Pomeroy, "she is either very deep or entirely
innocent."

"Some one is guilty," sighed the President. "I do wish I knew who it
was."

Judy's theme not only received especial mention by Miss Pomeroy, but it
was read aloud to the entire class and was later published in the
college paper, _The Commune_, to Judy's everlasting joy and glory. She
was congratulated about it on all sides and her heart was swollen with
pride.

"I think I'll take to writing in dead earnest," she said to Molly,
"because I have the happy faculty of writing on subjects I don't know
anything about, and no one knows the difference."

"I wish you'd take to doing anything in dead earnest," Molly replied,
giving her friend a little impatient shake.




CHAPTER XV.

PLANNING AND WISHING.


"Mrs. Anna Oldham, the famous suffragette, will speak in the gymnasium
on Saturday afternoon, at four o'clock, on 'Woman's Suffrage.' All those
interested in this subject are invited to be present."

Molly and Judy, with a crowd of friends, on the way from one classroom
to another one busy Friday had paused in front of the bulletin board in
the main corridor.

"Mrs. Anna Oldham?" they repeated, trying to remember where they had
heard the name before.

"Why, Judy," whispered Molly, "that must be Nance's mother. Do you--do
you suppose Nance knows?"

"If she does, she has never mentioned it. You know she never tells
anything. She's a perfect clam. But this, somehow, is different."

Both girls thought of their own mothers immediately. Surely they would
have shouted aloud such news as Nance had.

"Shall we mention it to her, or do you think we'd better wait and let
her introduce the subject?" asked Molly.

"Surely she corresponds with her own mother," exclaimed Judy without
answering Molly's question.

"Her father writes to her about once a week, I know; but I don't think
she hears very often from Mrs. Oldham. You see, her mother's away most
of the time lecturing."

"Lecturing--fiddlesticks!" cried Judy indignantly. "What kind of a
mother is she, I'd like to know? I'll bet you anything Nance doesn't
know at all she's going to be here. I think we ought to tell her,
Molly."

"Poor Nance," answered Molly. "I don't know which would mortify her
most: to know or not to know. Suppose we find out in some tactful
roundabout way whether she knows, and then I'll offer to go in with you
Saturday night and give her mother my bed."

Judy cordially consented to this arrangement, having a three-quarter bed
in her small room, although secretly she was not fond of sharing it and
preferred both her bed and her room to herself.

It was not until much later in the day that they saw Nance, who appeared
to be radiantly and buoyantly happy. Her usually quiet face was aglow
with a soft light, and as she passed her two friends she waved a letter
at them gayly.

"You see, she knows and she is delighted," exclaimed Judy. "Just as we
would be. Oh, Molly, wait until you see my mother, if you want to meet a
thing of beauty and a joy forever. You'd think I was her mother instead
of her being mine, she is so little and sweet and dainty."

Molly laughed.

"Isn't she coming up soon? I'd dearly love to meet her."

"I'm afraid not. You know papa is always flying off on trips and mamma
goes with him everywhere. I used to, too, before I decided to be
educated. It was awfully exciting. We often got ready on a day's
notice to go thousands of miles, to San Francisco or Alaska or Mexico,
anywhere. Papa is exactly like me, or, rather, I am exactly like him,
only he is a hundred times better looking and more fascinating and
charming than I can ever hope to be."

"You funny child," exclaimed Molly; "how do you know you are not all
those things right now?"

"I know I'm not," sighed Judy. "Papa is brilliant, and not a bit lazy.
He works all the time."

"So would you if you only wanted to. You only choose to be lazy. If I
had your mind and opportunities there is no end to what I would do."

Judy looked at her in surprise.

"Why, Molly, do you think I have any mind?" she asked.

"One of the best in the freshman class," answered her friend. "But look,
here are some letters!"

She paused in the hall of Queen's Cottage to look over a pile of mail
which had been brought that afternoon.

There were several letters for the girls; Judy's bi-weeklies from both
her parents, who wrote to her assiduously, and Molly's numerous home
epistles from her sisters and mother. But there were two, one for each
of the girls, with the Exmoor postmark on them.

Molly opened hers first.

"Oh, Judy," she exclaimed, "do you remember that nice Exmoor Sophomore
named 'Upton?' He wants to come over Saturday afternoon to call and go
walking. Dodo has probably written the same thing to you. I see you have
an Exmoor letter."

"He has," answered Judy, perusing her note. "He wishes the honor of my
company for a short walk. Evidently they don't think we have many
engagements since they don't give us time to answer their notes."

"Judy!"

"Molly!"

The two girls looked at each other for a brief moment and then broke
into a laugh.

"Nance's letter must have been from one of the others, Andy McLean,
perhaps, that was why she was so----"

Judy paused. Somehow, it didn't seem very kind to imply that poor Nance
was elated over her first beau.

"Dear, sweet old Nance!" cried Molly, her heart warming to her friend.
"She will probably have them by the dozens some of these days."

"I'm sure I should camp on her trail if I were a man," said Judy
loyally. "But, Molly," she added, laughing again, "what are we to do
about old Mrs. Oldham?"

"Oh, dear! I hadn't thought of that. And poor Nance would have enjoyed
the walk so much more than a learned discourse on woman's rights."

Just before supper time Nance burst into the room. She was humming a
waltz tune; her cheeks looked flushed, and she went briskly over to the
mirror and glanced at her image quickly, while she took off her tam and
sweater.

The girls had never seen her looking so pretty. They waited for her to
mention the note, but she talked of other things until Judy, always
impatient to force events, exclaimed:

"What was that note you were waving at us this afternoon, Nance?"

"Oh, that was from----"

A tap on the door interrupted her and Margaret Wakefield entered.

"Oh, Nance," she cried, "I am so excited over your mother's coming to
speak at college to-morrow afternoon. Isn't it fine of her? It's Miss
Bowles, Professor in Advanced Math., who is bringing her, you know, of
course?"

Except that her face turned perfectly white, Nance showed no sign
whatever that she had received a staggering blow, but her two friends
felt for her deeply and Molly came to her rescue.

"By the way, Nance, dearest," she said, "I thought you might want to
have your mother with you to-morrow night, and I was going to offer you
my bed and turn in with Judy."

"Thanks, Molly," answered Nance, huskily; "that would be nice."

Very little ever escaped the alert eyes of Margaret Wakefield; but if
she noticed anything strange in Nance's manner, she made no comment
whatever. She was a fine girl, full of sympathy and understanding, with
a certain well-bred dignity of manner that is seldom seen in a young
girl.

"It will be quite a gala event at Queen's if Mrs. Oldham eats supper
here," she said gently; "but no doubt she will be claimed by some of the
faculty." Then she slipped quietly out of the room, just in time, for
quiet, self-contained Nance burst suddenly into a storm of weeping and
flung herself on the bed.

"And she never even took the trouble to tell me," she sobbed brokenly.
"She has probably forgotten that I am even going to Wellington."

It was a difficult moment for Molly and Judy. Would it be more tactful
to slip out of the room or to try and comfort Nance? After all, she had
had very little sympathy in her life, and sympathy was what she craved
and love, too, Molly felt sure of this, and with an instinct stronger
than reason, she slipped down beside her friend on the couch and put her
arms around her.

"Darling, sweetest Nance," she cried, "I am sure the message will come.
Perhaps she'll telegraph, and they will telephone from the village. Judy
and I love you so dearly, it breaks our hearts to see you cry like this.
Doesn't it, Judy?"

"Indeed, it does," answered Judy, who was kneeling at the side of the
couch with her cheek against Nance's hand.

It was a comfort to Nance to realize that she had gained the friendship
and affection of these two loving, warm-hearted girls. Never in her life
had she met any girls like them, and presently the bitterness in her
heart began to melt away.

"Perhaps she will telegraph," she said, drying her eyes. "It was silly
of me to take on so, but, you see, I had a little shock--I'm all right
now. You're dears, both of you."

Judy went into her own room and returned in a moment with a large bottle
of German cologne. Filling the stationary wash basin with cold water she
poured in a liberal quantity of the cologne.

"Now, dearest Nance," she said, "bathe your face in that, and then
powder with Molly's pink rice powder, and all will be as if it never had
been," she added, smiling.

The others smiled, too. Somehow, Nance's outburst had done her more good
than harm. For the first time in her life she had been coddled and
sympathized with and petted. It was almost worth while to have suffered
to have gained such rewards. After all, there were some pleasant things
in life. For instance, the note which had come to her that afternoon
from young Andy McLean, son of Dr. McLean, the college physician. To
think that she, "the little gray mouse," as her father had often called
her, had inspired any one with a desire to see her again. It was almost
impossible to believe, but there was the young Scotchman's note to
refute all contrary arguments.

  "DEAR MISS OLDHAM," it said, in a good, round handwriting, "I
  have been wanting so much to see you again since our jolly day at
  Exmoor. I am bringing some fellows over on Saturday to supper at
  my father's. If you should happen to be in about four o'clock,
  may I call? How about a walk before supper? I can't tell you how
  disappointed I'll be if you have another engagement.

                                  "Yours sincerely,
                                          "ANDREW MCLEAN, 2D."

Of course, she would have to give up the walk now, but it was pleasant
to have been remembered and perhaps he would come again.

That night at supper Nance was unusually bright and talkative. She
answered all the many questions concerning her famous mother so easily
and pleasantly that even Margaret Wakefield must have been deceived.

The two sophomores at Queen's were giving a dance that evening, and
while the girls sat in the long sitting room waiting for the guests to

Showing first 200,000 characters. Full text: gutenberg.org/ebooks/36684