Gutenberg · eo1.org

← catalogue

A Lowden Sabbath Morn

by Robert Louis Stevenson · English · Gutenberg #35546 · 33,253 chars · public domain (US)

The Project Gutenberg eBook of A Lowden Sabbath Morn
    
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: A Lowden Sabbath Morn

Author: Robert Louis Stevenson

Illustrator: A. S. Boyd


        
Release date: March 11, 2011 [eBook #35546]
                Most recently updated: January 7, 2021

Language: English

Other information and formats: www.gutenberg.org/ebooks/35546

Credits: Produced by David T. Jones, Ross Cooling and the Online
        Distributed Proofreading Canada Team at
        http://www.pgdpcanada.net (This file was produced from
        images generously made available by The Internet
        Archive/American Libraries.)


*** START OF THE PROJECT GUTENBERG EBOOK A LOWDEN SABBATH MORN ***




Produced by David T. Jones, Ross Cooling and the Online
Distributed Proofreading Canada Team at
http://www.pgdpcanada.net (This file was produced from
images generously made available by The Internet
Archive/American Libraries.)









  A LOWDEN SABBATH MORN

  BY

  ROBERT
  LOUIS
  STEVENSON

  ILLUSTRATED

  BY

  A. S. BOYD

[Illustration]




  A LOWDEN SABBATH MORN

[Illustration: THE PRAYER        p. 16]




  A LOWDEN
  SABBATH MORN

  BY ROBERT LOUIS STEVENSON

  ILLUSTRATED BY A. S. BOYD

  & PUBLISHED AT LONDON BY
  CHATTO & WINDUS MCMIX




  First Illustrated Edition published 1898, and a Second Impression in
  the same year.

  New Edition in 1907; and with Coloured Frontispiece in 1909.


  Printed by Ballantyne, Hanson & Co.
  At the Ballantyne Press, Edinburgh




  TO

  THE MEMORY OF

  ROBERT LOUIS STEVENSON

  THIS BOOK IS DEDICATED

  BY

  THE ILLUSTRATOR




  A Lowden Sabbath Morn


    I

  The clinkum-clank o' Sabbath bells
  Noo to the hoastin' rookery swells,
  Noo faintin' laigh in shady dells,
          Sounds far an' near,
  An' through the simmer kintry tells
          Its tale o' cheer.


    II

  An' noo, to that melodious play,
  A' deidly awn the quiet sway--
  A' ken their solemn holiday,
          Bestial an' human,
  The singin' lintie on the brae,
          The restin' plou'man.


    III

  He, mair than a' the lave o' men,
  His week completit joys to ken;
  Half-dressed, he daunders out an' in,
          Perplext wi' leisure;
  An' his raxt limbs he'll rax again
          Wi' painfue' pleesure.


      IV

  The steerin' mither strang afit
  Noo shoos the bairnies but a bit;
  Noo cries them ben, their Sinday shueit
          To scart upon them,
  Or sweeties in their pouch to pit,
          Wi' blessin's on them.


    V

  The lasses, clean frae tap to taes,
  Are busked in crunklin' underclaes;
  The gartened hose, the weel-filled stays,
          The nakit shift,
  A' bleached on bonny greens for days
          An' white's the drift.


    VI

  An' noo to face the kirkward mile:
  The guidman's hat o' dacent style,
  The blackit shoon, we noo maun fyle
          As white's the miller:
  A waefue' peety tae, to spile
          The warth o' siller.


    VII

  Our Marg'et, aye sae keen to crack,
  Douce-stappin' in the stoury track,
  Her emeralt goun a' kiltit back
          Frae snawy coats,
  White-ankled, leads the kirkward pack
          Wi' Dauvit Groats.


    VIII

  A thocht ahint, in runkled breeks,
  A' spiled wi' lyin' by for weeks,
  The guidman follows closs, an' cleiks
          The sonsie missis;
  His sarious face at aince bespeaks
          The day that this is.


    IX

  And aye an' while we nearer draw
  To whaur the kirkton lies alaw,
  Mair neebours, comin' saft an' slaw
          Frae here an' there,
  The thicker thrang the gate, an' caw
          The stour in air.


    X

  But hark! the bells frae nearer clang;
  To rowst the slaw, their sides they bang;
  An' see! black coats a'ready thrang
          The green kirkyaird;
  And at the yett, the chestnuts spang
          That brocht the laird.


    XI

  The solemn elders at the plate
  Stand drinkin' deep the pride o' state:
  The practised hands as gash an' great
          As Lords o' Session;
  The later named, a wee thing blate
          In their expression.


    XII

  The prentit stanes that mark the deid,
  Wi' lengthened lip, the sarious read;
  Syne wag a moraleesin' heid,
          An' then an' there
  Their hirplin' practice an' their creed
          Try hard to square.


    XIII

  It's here our Merren lang has lain,
  A wee bewast the table-stane;
  An' yon's the grave o' Sandy Blane;
          An' further ower,
  The mither's brithers, dacent men!
          Lie a' the fower.


    XIV

  Here the guidman sall bide awee
  To dwall amang the deid; to see
  Auld faces clear in fancy's e'e;
          Belike to hear
  Auld voices fa'in saft an' slee
          On fancy's ear.


    XV

  Thus, on the day o' solemn things,
  The bell that in the steeple swings
  To fauld a scaittered faim'ly rings
          Its walcome screed;
  An' just a wee thing nearer brings
          The quick an' deid.


    XVI

  But noo the bell is ringin' in;
  To tak their places, folk begin;
  The minister himsel' will shuene
          Be up the gate,
  Filled fu' wi' clavers about sin
          An' man's estate.


    XVII

  The tuenes are up--_French_, to be shuere,
  The faithfue' _French_, an' twa-three mair;
  The auld prezentor, hoastin' sair,
          Wales out the portions,
  An' yirks the tuene into the air
          Wi' queer contortions.


    XVIII

  Follows the prayer, the readin' next,
  An' than the fisslin' for the text--
  The twa-three last to find it, vext
          But kind o' proud;
  An' than the peppermints are raxed,
          An' southernwood.


    XIX

  For noo's the time whan pows are seen
  Nid-noddin' like a mandareen;
  When tenty mithers stap a preen
          In sleepin' weans;
  An' nearly half the parochine
          Forget their pains.


    XX

  There's just a waukrif' twa or three:
  Thrawn commentautors sweer to 'gree,
  Weans glowrin' at the bumlin' bee
          On windie-glasses,
  Or lads that tak a keek a-glee
          At sonsie lasses.


    XXI

  Himsel', meanwhile, frae whaur he cocks
  An' bobs belaw the soundin'-box,
  The treesures of his words unlocks
          Wi' prodigality,
  An' deals some unco dingin' knocks
          To infidality.


    XXII

  Wi' sappy unction, hoo he burkes
  The hopes o' men that trust in works,
  Expounds the fau'ts o' ither kirks,
          An' shaws the best o' them
  No muckle better than mere Turks,
          When a's confessed o' them.


    XXIII

  Bethankit! what a bonny creed!
  What mair would ony Christian need?--
  The braw words rumm'le ower his heid,
          Nor steer the sleeper;
  And in their restin' graves, the deid
          Sleep aye the deeper.




  AUTHOR'S NOTE


It may be guessed by some that I had a certain parish in my eye, and
this makes it proper I should add a word of disclamation. In my time
there have been two ministers in that parish. Of the first I have a
special reason to speak well, even had there been any to think ill. The
second I have often met in private and long (in the due phrase) "sat
under" in his church, and neither here nor there have I heard an unkind
or ugly word upon his lips. The preacher of the text had thus no
original in that particular parish; but when I was a boy he might have
been observed in many others; he was then (like the schoolmaster)
abroad; and by recent advices, it would seem he has not yet entirely
disappeared.




  ILLUSTRATOR'S NOTE


I am not certain of the particular parish Stevenson had in his mind when
he wrote this poem, but I am certain that the description is typical of
almost any Scottish rural parish, Lowden (that is, _Lothian_) or other.
In illustrating the verses it has seemed to me, therefore, unnecessary
to make portraits from any one locality. I fancy the writer looked back
to the period of his boyhood and to the people he knew in more than one
part of his native country, so I have tried to depict that period and
that class of people as I remember them in various counties of his land
and mine.

  A. S. B.

[Illustration]

  _The clinkum-clank o' Sabbath bells
  Noo to the hoastin' rookery swells,
  Noo faintin' laigh in shady dells,
          Sounds far an' near,
  An' through the simmer kintry tells
          Its tale o' cheer._

[Illustration]

  _An' noo, to that melodious play,
  A' deidly awn the quiet sway--
  A' ken their solemn holiday,
          Bestial an' human,
  The singin' lintie on the brae,
          The restin' plou'man._

[Illustration]

  _He, mair than a' the lave o' men,
  His week completit joys to ken;
  Half-dressed, he daunders out an' in,
          Perplext wi' leisure;
  An' his raxt limbs he'll rax again
          Wi' painfue' pleesure._

[Illustration]

  _The steerin' mither strang afit
  Noo shoos the bairnies but a bit;
  Noo cries them ben, their Sinday shueit
          To scart upon them,
  Or sweeties in their pouch to pit,
          Wi' blessin's on them._

[Illustration]

  _The lasses, clean frae tap to taes,
  Are busked in crunklin' underclaes;
  The gartened hose, the weel-filled stays,
          The nakit shift,
  A' bleached on bonny greens for days,
          An' white's the drift._

[Illustration]

  _An' noo to face the kirkward mile:
  The guidman's hat o' dacent style,
  The blackit shoon, we noo maun fyle
          As white's the miller:
  A waefue' peety tae, to spile
          The warth o' siller._

[Illustration]

  _Our Marg'et, aye sae keen to crack,
  Douce-stappin' in the stoury track,
  Her emeralt goun a' kiltit back
          Frae snawy coats,
  White-ankled, leads the kirkward pack
          Wi' Dauvit Groats._

  _A thocht ahint, in runkled breeks,
  A' spiled wi' lyin' by for weeks,
  The guidman follows closs, an' cleiks
          The sonsie missis;
  His sarious face at aince bespeaks
          The day that this is._

[Illustration]

  _And aye an' while we nearer draw
  To whaur the kirkton lies alaw,
  Mair neebours, comin saft an' slaw
          Frae here an' there,
  The thicker thrang the gate, an' caw
          The stour in air._

[Illustration]

  _But hark! the bells frae nearer clang;
  To rowst the slaw, their sides they bang;
  An' see! black coats a'ready thrang
          The green kirkyaird;
  And at the yett, the chestnuts spang
          That brocht the laird._

[Illustration]

  _The solemn elders at the plate
  Stand drinkin' deep the pride o' state:
  The practised hands as gash an' great
          As Lords o' Session;
  The later named, a wee thing blate
          In their expression._

[Illustration]

  _The prentit stanes that mark the deid,
  Wi' lengthened lip, the sarious read;
  Syne wag a moraleesin' heid,
          An' then an' there
  Their hirplin' practice an' their creed
        Try hard to square._

[Illustration]

  _It's here our Merren lang has lain,
  A wee bewast the table-stane;
  An' yon's the grave o' Sandy Blane;
          An' further ower,
  The mither's brithers, dacent men!
          Lie a' the fower._

[Illustration]

  _Here the guidman sall bide awee
  To dwall amang the deid; to see
  Auld faces clear in fancy's e'e;
          Belike to hear
  Auld voices fa'in saft an' slee
          On fancy's ear._

[Illustration]

  _Thus, on the day o' solemn things,
  The bell that in the steeple swings
  To fauld a scaittered faim'ly rings
          Its walcome screed;
  An' just a wee thing nearer brings
          The quick an' deid._

[Illustration]

  _But noo the bell is ringin' in;
  To tak their places, folk begin;_

[Illustration]

  _The minister himsel' will shuene
          Be up the gate,
  Filled fu' wi' clavers about sin
          An' man's estate._

[Illustration]

  _The tuenes are up_--French, _to be shuere,
  The faithfue'_ French, _an' twa-three mair;
  The auld prezentor, hoastin' sair,
          Wales out the portions,
  An' yirks the tuene into the air
          Wi' queer contortions._

[Illustration]

  _Follows the prayer, the readin' next,
  An' than the fisslin' for the text--
  The twa-three last to find it, vext
          But kind o' proud;_

[Illustration]

  _An' than the peppermints are raxed,
          An' southernwood._

[Illustration]

  _For noo's the time whan pows are seen
  Nid-noddin' like a mandareen;
  When tenty mithers stap a preen
          In sleepin' weans;
  An' nearly half the parochine
          Forget their pains._

[Illustration]

  _There's just a waukrif' twa or three:
  Thrawn commentautors sweer to 'gree,_

[Illustration]

  _Weans glowrin' at the bumlin' bee
          On windie-glasses,
  Or lads that tak a keek a-glee
          At sonsie lasses._

[Illustration]

  _Himsel', meanwhile, frae whaur he cocks
  An' bobs belaw the soundin'-box,
  The treesures of his words unlocks
          Wi' prodigality,
  An' deals some unco dingin' knocks
          To infidality._

[Illustration]

  _Wi' sappy unction, hoo he burkes
  The hopes o' men that trust in works,
  Expounds the fau'ts o' ither kirks,
          An' shaws the best o' them
  No muckle better than mere Turks,
          When a's confessed o' them._

  _Bethankit! what a bonny creed!
  What mair would ony Christian need?_--

[Illustration]

  _The braw words rumm'le ower his heid,
          Nor steer the sleeper;_

[Illustration]

  _And in their restin' graves, the deid
          Sleep aye the deeper._

[Illustration]




    Works by Robert Louis Stevenson

  AN INLAND VOYAGE.
  EDINBURGH: PICTURESQUE NOTES.
  TRAVELS WITH A DONKEY.
  VIRGINIBUS PUERISQUE.
  FAMILIAR STUDIES OF MEN AND BOOKS.
  NEW ARABIAN NIGHTS.
  TREASURE ISLAND.
  THE SILVERADO SQUATTERS.
  A CHILD'S GARDEN OF VERSES.
  PRINCE OTTO.
  THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE.
  KIDNAPPED.
  THE MERRY MEN.
  UNDERWOODS.
  MEMORIES AND PORTRAITS.
  THE BLACK ARROW.
  THE MASTER OF BALLANTRAE.
  FATHER DAMIEN: AN OPEN LETTER.
  BALLADS.
  ACROSS THE PLAINS.
  ISLAND NIGHTS ENTERTAINMENTS.
  A FOOTNOTE TO HISTORY.
  CATRIONA.
  WEIR OF HERMISTON.
  VAILIMA LETTERS.
  FABLES.
  SONGS OF TRAVEL.
  ST. IVES.
  IN THE SOUTH SEAS.
  ESSAYS OF TRAVEL.
  TALES AND FANTASIES.
  THE ART OF WRITING.
  PRAYERS WRITTEN AT VAILIMA.
  A CHRISTMAS SERMON.


    with Mrs. Stevenson

  THE DYNAMITER.


    with Lloyd Osbourne

  THE WRONG BOX.      THE WRECKER.      THE EBB-TIDE.





End of Project Gutenberg's A Lowden Sabbath Morn, by Robert Louis Stevenson



*** END OF THE PROJECT GUTENBERG EBOOK A LOWDEN SABBATH MORN ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg
electronic works

1.A. By reading or using any part of this Project Gutenberg
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg mission of promoting
free access to electronic works by freely sharing Project Gutenberg
works in compliance with the terms of this agreement for keeping the
Project Gutenberg name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg License must appear
prominently whenever any copy of a Project Gutenberg work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg™ License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg’s
goals and ensuring that the Project Gutenberg collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516,
Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg eBooks with only a loose network of
volunteer support.

Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.


Showing first 200,000 characters. Full text: gutenberg.org/ebooks/35546