A Book of Epigrams
by unknown · English · Gutenberg #33190 · 34,896 chars · public domain (US)
The Project Gutenberg eBook of A Book of Epigrams
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.
Title: A Book of Epigrams
Editor: Ralph Aberdein Lyon
Release date: July 17, 2010 [eBook #33190]
Most recently updated: January 6, 2021
Language: English
Other information and formats: www.gutenberg.org/ebooks/33190
Credits: Produced by Bryan Ness, Stephen Hutcheson, and the Online
Distributed Proofreading Team at https://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)
*** START OF THE PROJECT GUTENBERG EBOOK A BOOK OF EPIGRAMS ***
Produced by Bryan Ness, Stephen Hutcheson, and the Online
Distributed Proofreading Team at https://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)
A BOOK OF
EPIGRAMS
GATHERED BY
Ralph A. Lyon
EVANSTON
William S. Lord
1902
EPIGRAMS
POETRY
She comes like the hushed beauty of the night,
But sees too deep for laughter;
Her touch is a vibration and a light
From worlds before and after.
[Charles E. Markham
POETRY
Poetry? Can I define it, you inquire?
Yes; by your pleasure,
Poetry is Thought, in princeliest attire,
Treading a measure.
[Duffield Osborne
THE YEAR'S MINSTRELSY
Spring, the low prelude of a lordlier song;
Summer, a music without hint of death:
Autumn, a cadence lingeringly long:
Winter, a pause;--the Minstrel-Year takes breath.
[William Watson
THE SUN
All the World's bravery that delights our eyes,
Is but thy several liveries;
Thou the rich dye on them bestow'st,
Thy nimble Pencil paints this landscape as thou go'st.
[Abraham Cowley
FAREWELL
I strove with none, for none was worth my strife.
Nature I loved, and next to nature, art.
I warm'd both hands before the fire of life:
It sinks; and I am ready to depart.
[Walter Savage Landor
LIFE
As a shaft that is sped from a bow unseen to an unseen mark,
As a bird that gleams in the firelight, and hurries from dark to dark,
As the face of the stranger who smiled as we passed in the crowded
street,--
Our life is a glimmer, a flutter, a memory, fading, yet sweet!
[William Cranston Lawton
EPIGRAM ON THE DEATH OF EDWARD FORBES.
Nature, a jealous mistress, laid him low.
He woo'd and won her; and, by love made bold,
She showed him more than mortal man should know,
Then slew him lest her secret should be told.
[Sydney Dobell
ON LONGFELLOW'S DEATH
No puissant singer he, whose silence grieves
To-day the great West's tender heart and strong;
No singer vast of voice: yet one who leaves
His native air the sweeter for his song.
[William Watson
DANIEL WEBSTER
We have no high cathedral for his rest,
Dim with proud banners and the dust of years;
All we can give him is New England's breast
To lay his head on--and his country's tears.
[Thomas William Parsons
EUGENE FIELD
Fades his calm face beyond our mortal ken,
Lost in the light of lovelier realms above;
He left sweet memories in the hearts of men
And climbed to God on little children's love.
[Frank L. Stanton
THE DEBTOR CHRIST
_Quid Mihi Et Tibi_
What, woman, is my debt to thee,
That I should not deny
The boon thou dost demand of me?
"I gave thee power to die."
[John B. Tabb
TWO SPIRITS
A spirit above and a spirit below,
A spirit of joy and a spirit of woe;
The spirit above is the spirit divine,
The spirit below is the spirit of wine.
[Anonymous
ON A SUN-DIAL
With warning hand I mark Time's rapid flight
From life's glad morning to its solemn night;
Yet, through the dear God's love, I also show
There's Light above me by the Shade below.
[John Greenleaf Whittier
BORROWING
_From the French_
Some of your hurts you have cured,
And the sharpest you still have survived,
But what torments of grief you endured
From evils which never arrived!
[Ralph Waldo Emerson
YOUTH
The Tear, down Childhood's cheek that flows,
Is like the dew-drop on the Rose;
When next the Summer breeze comes by,
And waves the bush, the Flower is dry.
[Sir Walter Scott
MY TROUBLES
I wrote down my troubles every day;
And after a few short years,
When I turned to the heartaches passed away,
I read them with smiles, not tears.
[John Boyle O'Reilly
SENSIBILITY
The soul of Music slumbers in the shell,
Till waked and kindled by the Master's spell;
And feeling Hearts--touch them but lightly--pour
A thousand melodies unheard before!
[Samuel Rogers
IS LOVE SO BLIND
The records of ancient times declare
That hapless Love is blind,
Yet many's the virtue, sweet and rare,
That only Love can find.
[Henry W. Allport
SYMPATHY
What gem hath dropp'd and sparkles o'er his chain?
The Tear most sacred, shed for other's pain,
That starts at once--bright--pure--from Pity's mine,
Already polish'd by the Hand Divine.
[Lord Byron
GRIEF
What cannot be preserved when Fortune takes,
Patience her injury a mockery makes.
The robb'd, that smiles, steals something from the Thief;
He robs himself, that spend a bootless Grief.
[William Shakespeare
OPPORTUNITY
It is a hag whom Life denies his kiss
As he rides questward in knight-errant wise;
Only when he hath passed her is it his
To know too late the Fairy in disguise.
[Madison Cawein
COMPETITION
The race is won! As victor I am hailed
With deafening cheers from eager throats; and yet
Gladder the victory could I forget
The strained, white faces of the men who failed.
[Julia Shayer
SLANDER
Oh! many a shaft, at random sent,
Finds mark the archer little meant;
And many a Word, at random spoken,
May soothe or wound a Heart that's broken.
[Sir Walter Scott
VICE
Vice is a monster of so frightful mien,
As to be hated needs but to be seen;
Yet seen too oft, familiar with her face,
We first endure, then pity, then embrace.
[Alexander Pope
TALKING
Words learn'd by rote, a Parrot may rehearse,
But talking is not always to converse;
Not more distinct from Harmony divine,
The constant creaking of a Country Sign.
[William Cowper
THINKERS, PAST AND PRESENT
God, by the earlier sceptic, was exiled;
The later is more lenient grown and mild:
He sanctions God, provided you agree
To any other other name for deity.
[William Watson
THE COOK WELL DONE
Why call me a bloodthirsty, gluttonous sinner
For pounding my chef when my peace he subverts?
If I can't thrash my cook when he gets a poor dinner,
Pray how shall the scamp ever get his desserts?
[Martial
"U" AND "I"
The difference between you and me
Is this, dear--more's the pity--
You're summering in the mountains,
I'm simmering in the city!
[Ogden Ward
THE FIVE DOUBLE U'S
Winsomeness, wardrobe, words of eloquence,
Wisdom, and wealth, bring men to consequence.
That's something which a man in vain pursues
Who is not blest with these five w's.[1]
[_From the Sanskrit_ (Tr. by Chas. R. Lanman)
[1]The Sanskrit word for each of these five things begins with w.
WEALTH
Can wealth give Happiness? look round, and see
What gay distress! what splendid misery!
Whatever Fortune lavishly can pour,
The mind annihilates, and calls for more.
[Edward Young
EQUITY--?
The meanest man I ever saw
Allus kep' inside o' the law;
And ten-times better fellers I've knowed
The blame gran' jury's sent over the road.
[James Whitcomb Riley
A WHOLLY UNSCHOLASTIC OPINION
Plain hoss-sense in poetry-writin'
Would jest knock sentiment a-kitin'!
Mostly poets is all star-gazing'
And moanin' and groanin' and paraphrasin'!
[James Whitcomb Riley
GOLDEN ROD
It is the twilight of the year
And through her wondrous wide abode
The autumn goes, all silently,
To light her lamps along the road.
[Charles Hanson Towne
GRACE
Thou canst not move thy staff in air,
Or dip thy paddle in the lake,
But it carves the bow of beauty there,
And the ripples in rhyme the oar forsake.
[Ralph Waldo Emerson
FROM THE FRENCH
Says Marmontel, The secret's mine
Of Racine's art-of-verse divine.
To do thee justice, Marmontel,
Never was secret kept so well.
[William Watson
TWO POETS
A peacock's-tail-like splendour hath this Muse,
With eyes that see not throng'd, and gorgeous hues.
The swan's white grace that other wears instead,
Stately with stem-like throat and flower-like head.
[William Watson
TOMORROW
'Tis so far fetch'd, this morrow, that I fear
'Twill be both very old and very dear.
Tomorrow I will live, the fool doth say,
Why e'en to-day's too late, the wise lived yesterday.
[Anonymous
QUATRAIN
Fear not the menace of the By-and-by;
To-day is ours, tomorrow Fate must give;
Stretch out your hands and eat, although ye die--
Better to die than never once to live.
[Richard Hovey
ON MODERN STATESMEN
Midas, they say, possess'd the art of old,
Of turning whatso'er he touch'd to gold.
This modern statesmen can reverse with ease;
Touch them with gold, they'll turn to what you please.
[Anonymous
ON FOLLY
The world of fools has such a store,
That he who would not see an ass
Must bide at home and bolt his door,
And break his looking-glass.
[From the French of La Monnoye
ON THE ENBANKMENT
The impassive stony Sphinx kissed by the amorous moon;
The little coster-girl, a Covent Garden rose;
Three thousand years apart! And yet alike for once in this--
Tonight, each has a secret she will not disclose.
[William Theodore Peters
LOVE
That happy minglement of Hearts,
Where, changed as chemic compounds are,
Each with its own Existence parts,
To find a new one, happier far!
[Thomas Moore
LOVE
A mighty Pain to Love it is,
And 'tis a Pain that Pain to miss;
But of all Pains, the greatest Pain
It is to Love, and Love in vain.
[Abraham Cowley
ON WOMEN AND HYMEN
Whether tall men, or short men, are best,
Or bold men, or modest and shy men,
I can't say, but I this can protest,
All the fair are in favour of Hy-men.
[Anonymous
PETER AND HIS WIFE
After such years of dissension and strife,
Some wonder that Peter should weep for his wife;
But his tears on her grave are nothing surprising,--
He's laying her dust, for fear of its rising.
[Thomas Hood
WHICH WAY DID HE GO?
(An Obituary)
His earthly warfare now is o'er
And closed his life sublime;
From this cold world he vanished for
A brighter, warmer clime.
[Frank L. Stanton
WAR'S GLORIOUS ART
One to destroy is murder by the law,
And gibbets keep the lifted hand in awe:
To murder thousands takes a spacious name,
War's Glorious art, and gives immortal Fame.
[Edward Young
ETERNITY
The One remains, the many change and pass;
Heaven's light forever shines, Earth's shadows fly;
Life, like a dome of many-coloured glass,
Stains the white radiance of Eternity.
[Percy Bysshe Shelley
*** END OF THE PROJECT GUTENBERG EBOOK A BOOK OF EPIGRAMS ***
Updated editions will replace the previous one—the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg
electronic works
1.A. By reading or using any part of this Project Gutenberg
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg mission of promoting
free access to electronic works by freely sharing Project Gutenberg
works in compliance with the terms of this agreement for keeping the
Project Gutenberg name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg License must appear
prominently whenever any copy of a Project Gutenberg work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg™ License included with this eBook or online
at www.gutenberg.org. If you
are not located in the United States, you will have to check the laws
of the country where you are located before using this eBook.
1.E.2. If an individual Project Gutenberg electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg electronic works
provided that:
• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, “Information about donations to the Project Gutenberg
Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg™
works.
• You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg
Project Gutenberg is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg’s
goals and ensuring that the Project Gutenberg collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516,
Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.
Section 5. General Information About Project Gutenberg electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg eBooks with only a loose network of
volunteer support.
Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our website which has the main PG search
facility: www.gutenberg.org.
This website includes information about Project Gutenberg,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
Showing first 200,000 characters. Full text: gutenberg.org/ebooks/33190