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Mark Twain: A Biography. Volume I, Part 2: 1866-1875

by Albert Bigelow Paine · English · Gutenberg #2983 · 485,929 chars · public domain (US)

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Title: Mark Twain: A Biography. Volume I, Part 2: 1866-1875

Author: Albert Bigelow Paine


        
Release date: October 4, 2004 [eBook #2983]
                Most recently updated: January 1, 2021

Language: English

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Credits: Produced by David Widger


*** START OF THE PROJECT GUTENBERG EBOOK MARK TWAIN: A BIOGRAPHY. VOLUME I, PART 2: 1866-1875 ***




Produced by David Widger





MARK TWAIN, A BIOGRAPHY

By Albert Bigelow Paine



VOLUME I, Part 2: 1866-1875



LIV


THE LECTURER

It was not easy to take up the daily struggle again, but it was
necessary.--[Clemens once declared he had been so blue at this period
that one morning he put a loaded pistol to his head, but found he lacked
courage to pull the trigger.]--Out of the ruck of possibilities (his
brain always thronged with plans) he constructed three or four resolves.
The chief of these was the trip around the world; but that lay months
ahead, and in the mean time ways and means must be provided. Another
intention was to finish the Hornet article, and forward it to Harper's
Magazine--a purpose carried immediately into effect. To his delight the
article found acceptance, and he looked forward to the day of its
publication as the beginning of a real career. He intended to follow it
up with a series on the islands, which in due time might result in a book
and an income. He had gone so far as to experiment with a dedication for
the book--an inscription to his mother, modified later for use in 'The
Innocents Abroad'. A third plan of action was to take advantage of the
popularity of the Hawaiian letters, and deliver a lecture on the same
subject. But this was a fearsome prospect--he trembled when he thought
of it. As Governor of the Third House he had been extravagantly received
and applauded, but in that case the position of public entertainer had
been thrust upon him. To come forward now, offering himself in the same
capacity, was a different matter. He believed he could entertain, but he
lacked the courage to declare himself; besides, it meant a risk of his
slender capital. He confided his situation to Col. John McComb, of the
Alta California, and was startled by McComb's vigorous endorsement.

"Do it, by all means!" urged McComb. "It will be a grand success--I know
it! Take the largest house in town, and charge a dollar a ticket."

Frightened but resolute, he went to the leading theater manager the same
Tom Maguire of his verses--and was offered the new opera-house at half
rates. The next day this advertisement appeared:

                MAGUIRE'S ACADEMY OF MUSIC
               PINE STREET, NEAR MONTGOMERY

                  THE SANDWICH ISLANDS

                      MARK TWAIN

        (HONOLULU CORRESPONDENT OF THE SACRAMENTO UNION)
                    WILL DELIVER A
              LECTURE ON THE SANDWICH ISLANDS

                AT THE ACADEMY OF MUSIC
               ON TUESDAY EVENING, OCT. 2d
                       (1866)

 In which passing mention will be made of Harris, Bishop Staley, the
American missionaries, etc., and the absurd customs and characteristics
  of the natives duly discussed and described. The great volcano of
         Kilauea will also receive proper attention.

                  A SPLENDID ORCHESTRA
            is in town, but has not been engaged
                       ALSO
               A DEN OF FEROCIOUS WILD BEASTS
           will be on exhibition in the next block
                  MAGNIFICENT FIREWORKS
were in contemplation for this occasion, but the idea has been abandoned
               A GRAND TORCHLIGHT PROCESSION
 may be expected; in fact, the public are privileged to expect whatever
                     they please.

           Dress Circle, $1.00  Family Circle, 50c
    Doors open at 7 o'clock  The Trouble to begin at 8 o'clock

The story of that first lecture, as told in Roughing It, is a faithful
one, and need only be summarized here.

Expecting to find the house empty, he found it packed from the footlights
to the walls. Sidling out from the wings--wobbly-kneed and dry of
tongue--he was greeted by a murmur, a roar, a very crash of applause that
frightened away his remaining vestiges of courage. Then, came reaction
--these were his friends, and he began to talk to them. Fear melted
away, and as tide after tide of applause rose and billowed and came
breaking at his feet, he knew something of the exaltation of Monte Cristo
when he declared "The world is mine!"

It was a vast satisfaction to have succeeded. It was particularly
gratifying at this time, for he dreaded going back into newspaper
harness. Also; it softened later the disappointment resulting from
another venture; for when the December Harper appeared, with his article,
the printer and proof-reader had somehow converted Mark Twain into "Mark
Swain," and his literary dream perished.

As to the literary value of his lecture, it was much higher than had,
been any portion of his letters, if we may judge from its few remaining
fragments. One of these--a part of the description of the great volcano
Haleakala, on the island of Maui--is a fair example of his eloquence.

It is somewhat more florid than his later description of the same scene
in Roughing It, which it otherwise resembles; and we may imagine that its
poetry, with the added charm of its delivery, held breathless his
hearers, many of whom believed that no purer eloquence had ever been
uttered or written.

It is worth remembering, too, that in this lecture, delivered so long
ago, he advocated the idea of American ownership of these islands,
dwelling at considerable length on his reasons for this ideal.

--[For fragmentary extracts from this first lecture of Mark Twain and
news comment, see Appendix D, end of last volume.]--There was a gross
return from his venture of more than $1,200, but with his usual business
insight, which was never foresight, he had made an arrangement by which,
after paying bills and dividing with his manager, he had only about
one-third of, this sum left. Still, even this was prosperity and
triumph. He had acquired a new and lucrative profession at a bound. The
papers lauded him as the "most piquant and humorous writer and lecturer
on the Coast since the days of the lamented John Phoenix." He felt that
he was on the highroad at last.

Denis McCarthy, late of the Enterprise, was in San Francisco, and was
willing to become his manager. Denis was capable and honest, and Clemens
was fond of him. They planned a tour of the near-by towns, beginning
with Sacramento, extending it later even to the mining camps, such as Red
Dog and Grass Valley; also across into Nevada, with engagements at Carson
City, Virginia, and Gold Hill. It was an exultant and hilarious
excursion--that first lecture tour made by Denis McCarthy and Mark Twain.
Success traveled with them everywhere, whether the lecturer looked across
the footlights of some pretentious "opera-house" or between the two
tallow candles of some camp "academy." Whatever the building, it was
packed, and the returns were maximum.

Those who remember him as a lecturer in that long-ago time say that his
delivery was more quaint, his drawl more exaggerated, even than in later
life; that his appearance and movements on the stage were natural, rather
than graceful; that his manuscript, which he carried under his arm,
looked like a ruffled hen. It was, in fact, originally written on sheets
of manila paper, in large characters, so that it could be read easily by
dim light, and it was doubtless often disordered.

There was plenty of amusing experience on this tour. At one place, when
the lecture was over, an old man came to him and said:

"Be them your natural tones of eloquence?"

At Grass Valley there was a rival show, consisting of a lady tight-rope
walker and her husband. It was a small place, and the tight-rope
attraction seemed likely to fail. The lady's husband had formerly been a
compositor on the Enterprise, so that he felt there was a bond of
brotherhood between him and Mark Twain.

"Look here," he said. "Let's combine our shows. I'll let my wife do the
tight-rope act outside and draw a crowd, and you go inside and lecture."

The arrangement was not made.

Following custom, the lecturer at first thought it necessary to be
introduced, and at each place McCarthy had to skirmish around and find
the proper person. At Red Dog, on the Stanislaus, the man selected
failed to appear, and Denis had to provide another on short notice. He
went down into the audience and captured an old fellow, who ducked and
dodged but could not escape. Denis led him to the stage, a good deal
frightened.

"Ladies and gentlemen," he said, "this is the celebrated Mark Twain from
the celebrated city of San Francisco, with his celebrated lecture about
the celebrated Sandwich Islands."

That was as far as he could go; but it was far enough. Mark Twain never
had a better introduction. The audience was in a shouting humor from the
start.

Clemens himself used to tell of an introduction at another camp, where
his sponsor said:

"Ladies and gentlemen, I know only two things about this man: the first
is that he's never been in jail, and the second is I don't know why."

But this is probably apocryphal; there is too much "Mark Twain" in it.

When he reached Virginia, Goodman said to him:

"Sam, you do not need anybody to introduce you. There's a piano on the
stage in the theater. Have it brought out in sight, and when the curtain
rises you be seated at the piano, playing and singing that song of yours,
'I Had an Old Horse Whose Name Was Methusalem,' and don't seem to notice
that the curtain is up at first; then be surprised when you suddenly find
out that it is up, and begin talking, without any further preliminaries."

This proved good advice, and the lecture, thus opened, started off with
general hilarity and applause.




LV

HIGHWAY ROBBERY

His Nevada, lectures were bound to be immensely successful. The people
regarded him as their property over there, and at Carson and Virginia the
houses overflowed. At Virginia especially his friends urged and begged
him to repeat the entertainment, but he resolutely declined.

"I have only one lecture yet," he said. "I cannot bring myself to give
it twice in the same town."

But that irresponsible imp, Steve Gillis, who was again in Virginia,
conceived a plan which would make it not only necessary for him to
lecture again, but would supply him with a subject. Steve's plan was
very simple: it was to relieve the lecturer of his funds by a friendly
highway robbery, and let an account of the adventure furnish the new
lecture.

In 'Roughing It' Mark Twain has given a version of this mock robbery
which is correct enough as far as it goes; but important details are
lacking. Only a few years ago (it was April, 1907), in his cabin on
jackass Hill, with Joseph Goodman and the writer of this history present,
Steve Gillis made his "death-bed" confession as is here set down:

"Mark's lecture was given in Piper's Opera House, October 30, 1866. The
Virginia City people had heard many famous lectures before, but they were
mere sideshows compared with Mark's. It could have been run to crowded
houses for a week. We begged him to give the common people a chance; but
he refused to repeat himself. He was going down to Carson, and was
coming back to talk in Gold Hill about a week later, and his agent, Denis
McCarthy, and I laid a plan to have him robbed on the Divide between Gold
Hill and Virginia, after the Gold Hill lecture was over and he and Denis
would be coming home with the money. The Divide was a good lonely place,
and was famous for its hold-ups. We got City Marshal George Birdsall
into it with us, and took in Leslie Blackburn, Pat Holland, Jimmy
Eddington, and one or two more of Sam's old friends. We all loved him,
and would have fought for him in a moment. That's the kind of friends
Mark had in Nevada. If he had any enemies I never heard of them.

"We didn't take in Dan de Quille, or Joe here, because Sam was Joe's
guest, and we were afraid he would tell him. We didn't take in Dan
because we wanted him to write it up as a genuine robbery and make a big
sensation. That would pack the opera-house at two dollars a seat to hear
Mark tell the story.

"Well, everything went off pretty well. About the time Mark was
finishing his lecture in Gold Hill the robbers all went up on the Divide
to wait, but Mark's audience gave him a kind of reception after his
lecture, and we nearly froze to death up there before he came along. By
and by I went back to see what was the matter. Sam and Denis were
coming, and carrying a carpet-sack about half full of silver between
them. I shadowed them and blew a policeman's whistle as a signal to the
boys when the lecturers were within about a hundred yards of the place. I
heard Sam say to Denis:

"'I'm glad they've got a policeman on the Divide. They never had one in
my day.'

"Just about that time the boys, all with black masks on and silver
dollars at the sides of their tongues to disguise their voices, stepped
out and stuck six-shooters at Sam and Denis and told them to put up their
hands. The robbers called each other 'Beauregard' and 'Stonewall
Jackson.' Of course Denis's hands went up, and Mark's, too, though Mark
wasn't a bit scared or excited. He talked to the robbers in his regular
fashion. He said:

"'Don't flourish those pistols so promiscuously. They might go off by
accident.'

"They told him to hand over his watch and money; but when he started to
take his hands down they made him put them up again. Then he asked how
they expected him to give them his valuables with his hands up in the
sky. He said his treasures didn't lie in heaven. He told them not to
take his watch, which was the one Sandy Baldwin and Theodore Winters had
given him as Governor of the Third House, but we took it all the same.

"Whenever he started to put his hands down we made him put them up again.
Once he said:

"'Don't you fellows be so rough. I was tenderly reared.'

"Then we told him and Denis to keep their hands up for fifteen minutes
after we were gone--this was to give us time to get back to Virginia and
be settled when they came along. As we were going away Mark called:

"'Say, you forgot something.'

"'What is it?'

"Why, the carpet-bag.'

"He was cool all the time. Senator Bill Stewart, in his Autobiography,
tells a great story of how scared Mark was, and how he ran; but Stewart
was three thousand miles from Virginia by that time, and later got mad at
Mark because he made a joke about him in 'Roughing It'.

"Denis wanted to take his hands down pretty soon after we were gone, but
Mark said:

"'No, Denis, I'm used to obeying orders when they are given in that
convincing way; we'll just keep our hands up another fifteen minutes or
so for good measure.'

"We were waiting in a big saloon on C Street when Mark and Denis came
along. We knew they would come in, and we expected Mark would be
excited; but he was as unruffled as a mountain lake. He told us they had
been robbed, and asked me if I had any money. I gave him a hundred
dollars of his own money, and he ordered refreshments for everybody. Then
we adjourned to the Enterprise office, where he offered a reward, and Dan
de Quille wrote up the story and telegraphed it to the other newspapers.
Then somebody suggested that Mark would have to give another lecture now,
and that the robbery would make a great subject. He entered right into
the thing, and next day we engaged Piper's Opera House, and people were
offering five dollars apiece for front seats. It would have been the
biggest thing that ever came to Virginia if it had come off. But we made
a mistake, then, by taking Sandy Baldwin into the joke. We took in Joe
here, too, and gave him the watch and money to keep, which made it hard
for Joe afterward. But it was Sandy Baldwin that ruined us. He had Mark
out to dinner the night before the show was to come off, and after he got
well warmed up with champagne he thought it would be a smart thing to let
Mark into what was really going on.

"Mark didn't see it our way. He was mad clear through."

At this point Joseph Goodman took up the story. He said:

"Those devils put Sam's money, watch, keys, pencils, and all his things
into my hands. I felt particularly mean at being made accessory to the
crime, especially as Sam was my guest, and I had grave doubts as to how
he would take it when he found out the robbery was not genuine.

"I felt terribly guilty when he said:

"'Joe, those d--n thieves took my keys, and I can't get into my trunk. Do
you suppose you could get me a key that would fit my trunk?'

"I said I thought I could during the day, and after Sam had gone I took
his own key, put it in the fire and burnt it to make it look black. Then
I took a file and scratched it here and there, to make it look as if I
had been fitting it to the lock, feeling guilty all the time, like a man
who is trying to hide a murder. Sam did not ask for his key that day,
and that evening he was invited to judge Baldwin's to dinner. I thought
he looked pretty silent and solemn when he came home; but he only said:

"'Joe, let's play cards; I don't feel sleepy.'

"Steve here, and two or three of the other boys who had been active in
the robbery, were present, and they did not like Sam's manner, so they
excused themselves and left him alone with me. We played a good while;
then he said:

"'Joe, these cards are greasy. I have got some new ones in my trunk. Did
you get that key to-day?'

"I fished out that burnt, scratched-up key with fear and trembling. But
he didn't seem to notice it at all, and presently returned with the
cards. Then we played, and played, and played--till one o'clock--two
o'clock--Sam hardly saying a word, and I wondering what was going to
happen. By and by he laid down his cards and looked at me, and said:

"'Joe, Sandy Baldwin told me all about that robbery to-night. Now, Joe,
I have found out that the law doesn't recognize a joke, and I am going to
send every one of those fellows to the penitentiary.'

"He said it with such solemn gravity, and such vindictiveness, that I
believed he was in dead earnest.

"I know that I put in two hours of the hardest work I ever did, trying to
talk him out of that resolution. I used all the arguments about the boys
being his oldest friends; how they all loved him, and how the joke had
been entirely for his own good; I pleaded with him, begged him to
reconsider; I went and got his money and his watch and laid them on the
table; but for a time it seemed hopeless. And I could imagine those
fellows going behind the bars, and the sensation it would make in
California; and just as I was about to give it up he said:

"'Well, Joe, I'll let it pass--this time; I'll forgive them again; I've
had to do it so many times; but if I should see Denis McCarthy and Steve
Gillis mounting the scaffold to-morrow, and I could save them by turning
over my hand, I wouldn't do it!'

"He canceled the lecture engagement, however, next morning, and the day
after left on the Pioneer Stage, by the way of Donner Lake, for
California. The boys came rather sheepishly to see him off; but he would
make no show of relenting. When they introduced themselves as
Beauregard, Stonewall Jackson, etc., he merely said:

"'Yes, and you'll all be behind the bars some day. There's been a good
deal of robbery around here lately, and it's pretty clear now who did
it.' They handed him a package containing the masks which the robbers
had worn. He received it in gloomy silence; but as the stage drove away
he put his head out of the window, and after some pretty vigorous
admonition resumed his old smile, and called out: 'Good-by, friends;
good-by, thieves; I bear you no malice.' So the heaviest joke was on his
tormentors after all."

This is the story of the famous Mark Twain robbery direct from
headquarters. It has been garbled in so many ways that it seems worth
setting down in full. Denis McCarthy, who joined him presently in San
Francisco, received a little more punishment there.

"What kind of a trip did you boys have?" a friend asked of them.

Clemens, just recovering from a cold which the exposure on the Divide had
given him, smiled grimly:

"Oh, pretty good, only Denis here mistook it for a spree."

He lectured again in San Francisco, this time telling the story of his
Overland trip in 1861, and he did the daring thing of repeating three
times the worn-out story of Horace Greeley's ride with Hank Monk, as
given later in 'Roughing It'. People were deadly tired of that story out
there, and when he told it the first time, with great seriousness, they
thought he must be failing mentally. They did not laugh--they only felt
sorry. He waited a little, as if expecting a laugh, and presently led
around to it and told it again. The audience was astonished still more,
and pitied him thoroughly. He seemed to be waiting pathetically in the
dead silence for their applause, then went on with his lecture; but
presently, with labored effort, struggled around to the old story again,
and told it for the third time. The audience suddenly saw the joke then,
and became vociferous and hysterical in their applause; but it was a
narrow escape. He would have been hysterical himself if the relief had
not came when it did.

--[A side-light on the Horace Greeley story and on Mr. Greeley's
eccentricities is furnished by Mr. Goodman:

When I was going East in 1869 I happened to see Hank Monk just before I
started. "Mr. Goodman," he said, "you tell Horace Greeley that I want to
come East, and ask him to send me a pass." "All right, Hank," I said, "I
will." It happened that when I got to New York City one of the first men
I met was Greeley. "Mr. Greeley," said, "I have a message for you from
Hank Monk." Greeley bristled and glared at me. "That--rascal?" he said,
"He has done me more injury than any other man in America."]




LVI

BACK TO THE STATES

In the mean time Clemens had completed his plan for sailing, and had
arranged with General McComb, of the Alta California, for letters during
his proposed trip around the world. However, he meant to visit his
people first, and his old home. He could go back with means now, and
with the prestige of success.

"I sail to-morrow per Opposition--telegraphed you to-day," he wrote on
December 14th, and a day later his note-book entry says:

    Sailed from San Francisco in Opposition (line) steamer America,
    Capt. Wakeman, at noon, 15th Dec., 1866. Pleasant sunny day, hills
    brightly clad with green grass and shrubbery.

So he was really going home at last! He had been gone five and a half
years--eventful, adventurous years that had made him over completely, at
least so far as ambitions and equipment were concerned. He had came
away, in his early manhood, a printer and a pilot, unknown outside of his
class. He was returning a man of thirty-one, with a fund of hard
experience, three added professions--mining, journalism, and lecturing
--also with a new name, already famous on the sunset slopes of its
adoption, and beginning to be heard over the hills and far away. In some
degree, at least, he resembled the prince of a fairy tale who, starting
out humble and unnoticed, wins his way through a hundred adventures and
returns with gifts and honors.

The homeward voyage was a notable one. It began with a tempest a little
way out of San Francisco--a storm terrible but brief, that brought the
passengers from their berths to the deck, and for a time set them
praying. Then there was Captain Ned Wakeman, a big, burly, fearless
sailor, who had visited the edges of all continents and archipelagos; who
had been born at sea, and never had a day's schooling in his life, but
knew the Bible by heart; who was full of human nature and profanity, and
believed he was the only man on the globe who knew the secret of the
Bible miracles. He became a distinct personality in Mark Twain's work
--the memory of him was an unfailing delight. Captain "Ned Blakely," in
'Roughing It', who with his own hands hanged Bill Noakes, after reading
him promiscuous chapters from the Bible, was Captain Wakeman. Captain
"Stormfield," who had the marvelous visit to heaven, was likewise Captain
Wakeman; and he appears in the "Idle Excursion" and elsewhere.

Another event of the voyage was crossing the Nicaragua Isthmus--the trip
across the lake and down the San Juan River--a brand-new experience,
between shores of splendid tropic tangle, gleaming with vivid life. The
luxuriance got into his note-book.

Dark grottos, fairy festoons, tunnels, temples, columns, pillars, towers,
pilasters, terraces, pyramids, mounds, domes, walls, in endless confusion
of vine-work--no shape known to architecture unimitated--and all so
webbed together that short distances within are only gained by glimpses.
Monkeys here and there; birds warbling; gorgeous plumaged birds on the
wing; Paradise itself, the imperial realm of beauty-nothing to wish for
to make it perfect.

But it was beyond the isthmus that the voyage loomed into proportions
somber and terrible. The vessel they took there, the San Francisco,
sailed from Greytown January 1, 1867, the beginning of a memorable year
in Mark Twain's life. Next day two cases of Asiatic cholera were
reported in the steerage. There had been a rumor of it in Nicaragua, but
no one expected it on the ship.

The nature of the disease was not hinted at until evening, when one of
the men died. Soon after midnight, the other followed. A minister
making the voyage home, Rev. J. G. Fackler, read the burial service. The
gaiety of the passengers, who had become well acquainted during the
Pacific voyage, was subdued. When the word "cholera" went among them,
faces grew grave and frightened. On the morning of January 4th Reverend
Fackler's services were again required. The dead man was put overboard
within half an hour after he had ceased to breathe.

Gloom settled upon the ship. All steam was made to put into Key West.
Then some of the machinery gave way and the ship lay rolling, helplessly
becalmed in the fierce heat of the Gulf, while repairs were being made.
The work was done at a disadvantage, and the parts did not hold. Time
and again they were obliged to lie to, in the deadly tropic heat,
listening to the hopeless hammering, wondering who would be the next to
be sewed up hastily in a blanket and slipped over the ship's side. On
the 5th seven new cases of illness were reported. One of the crew, a man
called "Shape," was said to be dying. A few hours later he was dead. By
this time the Reverend Fackler himself had been taken.

"So they are burying poor 'Shape' without benefit of clergy," says the
note-book.

General consternation now began to prevail. Then it was learned that the
ship's doctor had run out of medicines. The passengers became
demoralized. They believed their vessel was to become a charnel ship.
Strict sanitary orders were issued, and a hospital was improvised.

    Verily the ship is becoming a floating hospital herself--not an hour
    passes but brings its fresh sensation, its new disaster, its
    melancholy tidings. When I think of poor "Shape" and the preacher,
    both so well when I saw them yesterday evening, I realize that I
    myself may be dead to-morrow.

    Since the last two hours all laughter, all levity, has ceased on the
    ship--a settled gloom is upon the faces of the passengers.

By noon it was evident that the minister could not survive. He died at
two o'clock next morning; the fifth victim in less than five days. The
machinery continued to break and the vessel to drag. The ship's doctor
confessed to Clemens that he was helpless. There were eight patients in
the hospital.

But on January 6th they managed to make Key West, and for some reason
were not quarantined. Twenty-one passengers immediately deserted the
ship and were heard of no more.

"I am glad they are gone. D--n them," says the notebook. Apparently he
had never considered leaving, and a number of others remained. The
doctor restocked his medicine-locker, and the next day they put to sea
again. Certainly they were a daring lot of voyagers. On the 8th another
of the patients died. Then the cooler weather seemed to check the
contagion, and it was not until the night of the 11th, when the New York
harbor lights were in view, that the final death occurred. There were no
new cases by this time, and the other patients were convalescent. A
certificate was made out that the last man had died of "dropsy." There
would seem to have been no serious difficulty in docking the vessel and
landing the passengers. The matter would probably be handled differently
to-day.




LVII

OLD FRIENDS AND NEW PLANS

It had been more than thirteen years since his first arrival in New York.
Then he had been a youth, green, untraveled, eager to get away from home.
Now a veteran, he was as eager to return.

He stopped only long enough in New York to see Charles Henry Webb, late
of California, who had put together a number of the Mark Twain sketches,
including "The Jumping Frog," for book publication. Clemens himself
decided to take the book to Carleton, thinking that, having missed the
fame of the "Frog" once, he might welcome a chance to stand sponsor for
it now. But Carleton was wary; the "Frog" had won favor, and even fame,
in its fugitive, vagrant way, but a book was another matter. Books were
undertaken very seriously and with plenty of consideration in those days.
Twenty-one years later, in Switzerland, Carleton said to Mark Twain:

"My chief claim to immortality is the distinction of having declined your
first book."

Clemens was ready enough to give up the book when Carleton declined it,
but Webb said he would publish it himself, and he set about it forthwith.
The author waited no longer now, but started for St. Louis, and was soon
with his mother and sister, whom he had not seen since that eventful
first year of the war. They thought he looked old, which was true
enough, but they found him unchanged in his manner: buoyant, full of
banter and gravely quaint remarks--he was always the same. Jane Clemens
had grown older, too. She was nearly sixty-four, but as keen and
vigorous as ever-proud (even if somewhat critical) of this handsome,
brilliant man of new name and fame who had been her mischievous, wayward
boy. She petted him, joked with him, scolded him, and inquired
searchingly into his morals and habits. In turn he petted, comforted,
and teased her. She decided that he was the same Sam, and always would
be--a true prophecy.

He went up to Hannibal to see old friends. Many were married; some had
moved away; some were dead--the old story. He delivered his lecture
there, and was the center of interest and admiration--his welcome might
have satisfied even Tom Sawyer. From Hannibal he journeyed to Keokuk,
where he lectured again to a crowd of old friends and new, then returned
to St. Louis for a more extended visit.

It was while he was in St. Louis that he first saw the announcement of
the Quaker City Holy Land Excursion, and was promptly fascinated by what
was then a brand-new idea in ocean travel--a splendid picnic--a choice
and refined party that would sail away for a long summer's journeying to
the most romantic of all lands and seas, the shores of the Mediterranean.
No such argosy had ever set out before in pursuit of the golden fleece of
happiness.

His projected trip around the world lost its charm in the light of this
idyllic dream. Henry Ward Beecher was advertised as one of the party;
General Sherman as another; also ministers, high-class journalists--the
best minds of the nation. Anson Burlingame had told him to associate
with persons of refinement and intellect. He lost no time in writing to
the Alta, proposing that they send him in this select company.

Noah Brooks, who was then on the Alta, states--[In an article published
in the Century Magazine.]--that the management was staggered by the
proposition, but that Col. John McComb insisted that the investment in
Mark Twain would be sound. A letter was accordingly sent, stating that a
check for his passage would be forwarded in due season, and that meantime
he could contribute letters from New York City. The rate for all letters
was to be twenty dollars each. The arrangement was a godsend, in the
fullest sense of the word, to Mark Twain.

It was now April, and he was eager to get back to New York to arrange his
passage. The Quaker City would not sail for two months yet (two eventful
months), but the advertisement said that passages must be secured by the
5th, and he was there on that day. Almost the first man he met was the
chief of the New York Alta bureau with a check for twelve hundred and
fifty dollars (the amount of his ticket) and a telegram saying, "Ship
Mark Twain in the Holy Land Excursion and pay his passage."

    --[The following letter, which bears no date, was probably handed to
    him later in the New York Alta office as a sort of credential:

    ALTA CALIFORNIA OFFICE, 42 JOHN STREET, NEW YORK.

    Sam'l Clemens, Esq., New York.

    DEAR SIR,--I have the honor to inform you that Fred'k. MacCrellish
    & Co., Proprietors of Alta California, San Francisco, Cal., desire
    to engage your services as Special Correspondent on the pleasure
    excursion now about to proceed from this City to the Holy Land. In
    obedience to their instructions I have secured a passage for you on
    the vessel about to convey the excursion party referred to, and made
    such arrangements as I hope will secure your comfort and
    convenience. Your only instructions are that you will continue to
    write at such times and from such places as you deem proper, and in
    the same style that heretofore secured you the favor of the readers
    of the Alta California. I have the honor to remain, with high
    respect and esteem,

    Your ob'dt. Servant,

    JOHN J. MURPHY.]

The Alta, it appears, had already applied for his berth; but, not having
been vouched for by Mr. Beecher or some other eminent divine, Clemens was
fearful he might not be accepted. Quite casually he was enlightened on
this point. While waiting for attention in the shipping-office, with the
Alta agent, he heard a newspaper man inquire what notables were going. A
clerk, with evident pride, rattled off the names:

"Lieutenant-General Sherman, Henry Ward Beecher, and Mask Twain; also
probably General Banks."

So he was billed as an attraction. It was his first surreptitious taste
of fame on the Atlantic coast, and not without its delight. The story
often told of his being introduced by Ned House, of the Tribune, as a
minister, though often repeated by Mark Twain himself, was in the nature
of a joke, and mainly apocryphal. Clemens was a good deal in House's
company at the time, for he had made an arrangement to contribute
occasional letters to the Tribune, and House no doubt introduced him
jokingly as one of the Quaker City ministers.




LVIII

A NEW BOOK AND A LECTURE

Webb, meantime, had pushed the Frog book along. The proofs had been read
and the volume was about ready for issue. Clemens wrote to his mother
April 15th:

    My book will probably be in the bookseller's hands in about two
    weeks. After that I shall lecture. Since I have been gone, the
    boys have gotten up a "call" on me signed by two hundred
    Californians.

The lecture plan was the idea of Frank Fuller, who as acting Governor of
Utah had known Mark Twain on the Comstock, and prophesied favorably of
his future career. Clemens had hunted up Fuller on landing in New York
in January, and Fuller had encouraged the lecture then; but Clemens was
doubtful.

"I have no reputation with the general public here," he said. "We
couldn't get a baker's dozen to hear me."

But Fuller was a sanguine person, with an energy and enthusiasm that were
infectious. He insisted that the idea was sound. It would solidify Mark
Twain's reputation on the Atlantic coast, he declared, insisting that the
largest house in New York, Cooper Union, should be taken. Clemens had
partially consented, and Fuller had arranged with all the Pacific slope
people who had come East, headed by ex-Governor James W. Nye (by this
time Senator at Washington), to sign a call for the "Inimitable Mark
Twain" to appear before a New York audience. Fuller made Nye agree to be
there and introduce the lecturer, and he was burningly busy and happy in
the prospect.

But Mark Twain was not happy. He looked at that spacious hall and
imagined the little crowd of faithful Californian stragglers that might
gather in to hear him, and the ridicule of the papers next day. He
begged Fuller to take a smaller hall, the smallest he could get. But
only the biggest hall in New York would satisfy Fuller. He would have
taken a larger one if he could have found it. The lecture was announced
for May 6th. Its subject was "Kanakadom, or the Sandwich Islands"
--tickets fifty cents. Fuller timed it to follow a few days after Webb's
book should appear, so that one event might help the other.

Mark Twain's first book, 'The Celebrated Jumping Frog of Calaveyas
County, and Other Sketches', was scheduled for May 1st, and did, in fact,
appear on that date; but to the author it was no longer an important
event. Jim Smiley's frog as standard-bearer of his literary procession
was not an interesting object, so far as he was concerned--not with that
vast, empty hall in the background and the insane undertaking of trying
to fill it. The San Francisco venture had been as nothing compared with
this. Fuller was working night and day with abounding joy, while the
subject of his labor felt as if he were on the brink of a fearful
precipice, preparing to try a pair of wings without first learning to
fly. At one instant he was cold with fright, the next glowing with an
infection of Fuller's faith. He devised a hundred schemes for the sale
of seats. Once he came rushing to Fuller, saying:

"Send a lot of tickets down to the Chickering Piano Company. I have
promised to put on my programme, 'The piano used at this entertainment is
manufactured by Chickering."'

"But you don't want a piano, Mark," said Fuller, "do you?"

"No, of course not; but they will distribute the tickets for the sake of
the advertisement, whether we have the piano or not."

Fuller got out a lot of handbills and hung bunches of them in the stages,
omnibuses, and horse-cars. Clemens at first haunted these vehicles to
see if anybody noticed the bills. The little dangling bunches seemed
untouched. Finally two men came in; one of them pulled off a bill and
glanced at it. His friend asked:

"Who's Mark Twain?"

"God knows; I don't!"

The lecturer could not ride any more. He was desperate.

"Fuller," he groaned, "there isn't a sign--a ripple of interest."

Fuller assured him that everything was working all right "working
underneath," Fuller said--but the lecturer was hopeless. He reported his
impressions to the folks at home:

    Everything looks shady, at least, if not dark; I have a good agent;
    but now, after we have hired the Cooper Institute, and gone to an
    expense in one way or another of $500, it comes out that I have got
    to play against Speaker Colfax at Irving Hall, Ristori, and also the
    double troop of Japanese jugglers, the latter opening at the great
    Academy of Music--and with all this against me I have taken the
    largest house in New York and cannot back water.

He might have added that there were other rival entertainments: "The
Flying Scud" was at Wallack's, the "Black Crook" was at Niblo's, John
Brougham at the Olympic; and there were at least a dozen lesser
attractions. New York was not the inexhaustible city in those days;
these things could gather in the public to the last man. When the day
drew near, and only a few tickets had been sold, Clemens was desperate.

"Fuller," he said, "there'll be nobody in the Cooper Union that night but
you and me. I am on the verge of suicide. I would commit suicide if I
had the pluck and the outfit. You must paper the house, Fuller. You
must send out a flood of complementaries."

"Very well," said Fuller; "what we want this time is reputation anyway
--money is secondary. I'll put you before the choicest, most intelligent
audience that ever was gathered in New York City. I will bring in the
school-instructors--the finest body of men and women in the world."

Fuller immediately sent out a deluge of complimentary tickets, inviting
the school-teachers of New York and Brooklyn, and all the adjacent
country, to come free and hear Mark Twain's great lecture on Kanakadom.
This was within forty-eight hours of the time he was to appear.

Senator Nye was to have joined Clemens and Fuller at the Westminster,
where Clemens was stopping, and they waited for him there with a
carriage, fuming and swearing, until it was evident that he was not
coming. At last Clemens said:

"Fuller, you've got to introduce me."

"No," suggested Fuller; "I've got a better scheme than that. You get up
and begin by bemeaning Nye for not being there. That will be better
anyway."

Clemens said:

"Well, Fuller, I can do that. I feel that way. I'll try to think up
something fresh and happy to say about that horse-thief."

They drove to Cooper Union with trepidation. Suppose, after all, the
school-teachers had declined to come? They went half an hour before the
lecture was to begin. Forty years later Mark Twain said:

"I couldn't keep away. I wanted to see that vast Mammoth cave and die.
But when we got near the building I saw that all the streets were blocked
with people, and that traffic had stopped. I couldn't believe that these
people were trying to get into Cooper Institute; but they were, and when
I got to the stage at last the house was jammed full-packed; there wasn't
room enough left for a child.

"I was happy and I was excited beyond expression. I poured the Sandwich
Islands out on those people, and they laughed and shouted to my entire
content. For an hour and fifteen minutes I was in paradise."

And Fuller to-day, alive and young, when so many others of that ancient
time and event have vanished, has added:

"When Mark appeared the Californians gave a regular yell of welcome. When
that was over he walked to the edge of the platform, looked carefully
down in the pit, round the edges as if he were hunting for something.
Then he said: 'There was to have been a piano here, and a senator to
introduce me. I don't seem to discover them anywhere. The piano was a
good one, but we will have to get along with such music as I can make
with your help. As for the senator--Then Mark let himself go and did as
he promised about Senator Nye. He said things that made men from the
Pacific coast, who had known Nye, scream with delight. After that came
his lecture. The first sentence captured the audience. From that moment
to the end it was either in a roar of laughter or half breathless by his
beautiful descriptive passages. People were positively ill for days,
laughing at that lecture."

So it was a success: everybody was glad to have been there; the papers
were kind, congratulations numerous.

--[Kind but not extravagant; those were burning political times, and the
doings of mere literary people did not excite the press to the extent of
headlines. A jam around Cooper Union to-day, followed by such an
artistic triumph, would be a news event. On the other hand, Schuyler
Colfax, then Speaker of the House, was reported to the extent of a
column, nonpareil. His lecture was of no literary importance, and no
echo of it now remains. But those were political, not artistic, days.

Of Mark Twain's lecture the Times notice said:

"Nearly every one present came prepared for considerable provocation for
enjoyable laughter, and from the appearance of their mirthful faces
leaving the hall at the conclusion of the lecture but few were
disappointed, and it is not too much to say that seldom has so large an
audience been so uniformly pleased as the one that listened to Mark
Twain's quaint remarks last evening. The large hall of the Union was
filled to its utmost capacity by fully two thousand persons, which fact
spoke well for the reputation of the lecturer and his future success.
Mark Twain's style is a quaint one both in manner and method, and through
his discourse he managed to keep on the right side of the audience, and
frequently convulsed it with hearty laughter.... During a description of
the topography of the Sandwich Islands the lecturer surprised his hearers
by a graphic and eloquent description of the eruption of the great
volcano, which occurred in 1840, and his language was loudly applauded.

"Judging from the success achieved by the lecturer last evening, he
should repeat his experiment at an early date."]

                   COOPER INSTITUTE
    By Invitation of s large number of prominent Californians and
                  Citizens of New York,

                      MARK TWAIN

                    WILL DELIVER A
                  SERIO-HUMEROUS LECTURE
                      CONERNING

                      KANAKDOM
                         OR
                  THE SANDWICH ISLANDS,

                   COOPER INSTITUTE,
               On Monday Evening, May 6,1867.

                  TICKETS FIFTY GENTS.
 For Sale at Chickering and Sons, 852 Broadway, and at the Principal
                       Hotel

    Doors open at 7 o'clock.  The Wisdom will begin to flow at 8.

Mark Twain always felt grateful to the school-teachers for that night.
Many years later, when they wanted him to read to them in Steinway Hall,
he gladly gave his services without charge.

Nor was the lecture a complete financial failure. In spite of the flood
of complementaries, there was a cash return of some three hundred dollars
from the sale of tickets--a substantial aid in defraying the expenses
which Fuller assumed and insisted on making good on his own account. That
was Fuller's regal way; his return lay in the joy of the game, and in the
winning of the larger stake for a friend.

"Mark," he said, "it is all right. The fortune didn't come, but it will.
The fame has arrived; with this lecture and your book just out you are
going to be the most talked-of man in the country. Your letters for the
Alta and the Tribune will get the widest reception of any letters of
travel ever written."




LIX

THE FIRST BOOK

With the shadow of the Cooper Institute so happily dispelled, The
Celebrated Jumping Frog of Calaveras County, and his following of Other
Sketches, became a matter of more interest. The book was a neat
blue-and-gold volume printed by John A. Gray & Green, the old firm for
which the boy, Sam Clemens, had set type thirteen years before. The
title-page bore Webb's name as publisher, with the American News Company
as selling agents. It further stated that the book was edited by "John
Paul," that is to say by Webb himself. The dedication was in keeping
with the general irresponsible character of the venture. It was as
follows:

                         TO
                      JOHN SMITH
            WHOM I HAVE KNOWN IN DIVERS AND SUNDRY
             PLACES ABOUT THE WORLD, AND WHOSE
               MANY AND MANIFOLD VIRTUES DID
                ALWAYS COMMAND MY ESTEEM,
                  I DEDICATE THIS BOOK

It is said that the man to whom a volume is dedicated always buys a copy.
If this prove true in the present instance, a princely affluence is about
to burst upon
                                   THE AUTHOR.

The "advertisement" stated that the author had "scaled the heights of
popularity at a single jump, and won for himself the sobriquet of the
'Wild Humorist of the Pacific Slope'; furthermore, that he was known to
fame as the 'Moralist of the Main,'" and that as such he would be likely
to go down to posterity, adding that it was in his secondary character,
as humorist, rather than in his primal one of moralist, that the volume
aimed to present him.--[The advertisement complete, with extracts from
the book, may be found under Appendix E, at the end of last volume.]

Every little while, during the forty years or more that have elapsed
since then, some one has come forward announcing Mark Twain to be as much
a philosopher as a humorist, as if this were a new discovery. But it was
a discovery chiefly to the person making the announcement. Every one who
ever knew Mark Twain at any period of his life made the same discovery.
Every one who ever took the trouble to familiarize himself with his work
made it. Those who did not make it have known his work only by hearsay
and quotation, or they have read it very casually, or have been very
dull. It would be much more of a discovery to find a book in which he
has not been serious--a philosopher, a moralist, and a poet. Even in the
Jumping Frog sketches, selected particularly for their inconsequence, the
under-vein of reflection and purpose is not lacking. The answer to Moral
Statistician--[In "Answers to Correspondents," included now in Sketches
New and Old. An extract from it, and from "A Strange Dream," will be
found in Appendix E.]--is fairly alive with human wisdom and righteous
wrath. The "Strange Dream," though ending in a joke, is aglow with
poetry. Webb's "advertisement" was playfully written, but it was
earnestly intended, and he writes Mark Twain down a moralist--not as a
discovery, but as a matter of course. The discoveries came along later,
when the author's fame as a humorist had dazzled the nations.

It is as well to say it here as anywhere, perhaps, that one reason why
Mark Twain found it difficult to be accepted seriously was the fact that
his personality was in itself so essentially humorous. His physiognomy,
his manner of speech, this movement, his mental attitude toward events
--all these were distinctly diverting. When we add to this that his
medium of expression was nearly always full of the quaint phrasing and
those surprising appositions which we recognize as amusing, it is not so
astonishing that his deeper, wiser, more serious purpose should be
overlooked. On the whole these unabated discoverers serve a purpose, if
only to make the rest of their species look somewhat deeper than the
comic phrase.

The little blue-and-gold volume which presented the Frog story and
twenty-six other sketches in covers is chiefly important to-day as being
Mark Twain's first book. The selections in it were made for a public
that had been too busy with a great war to learn discrimination, and most
of them have properly found oblivion. Fewer than a dozen of them were
included in his collected Sketches issued eight years later, and some
even of those might have been spared; also some that were added, for that
matter; but detailed literary criticism is not the province of this work.
The reader may investigate and judge for himself.

Clemens was pleased with the appearance of his book. To Bret Harte he
wrote:

The book is out and it is handsome. It is full of damnable errors of
grammar and deadly inconsistencies of spelling in the Frog sketch,
because I was away and did not read proofs; but be a friend and say
nothing about these things. When my hurry is over, I will send you a
copy to pisen the children with.

That he had no exaggerated opinion of the book's contents or prospects we
may gather from his letter home:

As for the Frog book, I don't believe it will ever pay anything worth a
cent. I published it simply to advertise myself, and not with the hope
of making anything out of it.

He had grown more lenient in his opinion of the merits of the Frog story
itself since it had made friends in high places, especially since James
Russell Lowell had pronounced it "the finest piece of humorous writing
yet produced in America"; but compared with his lecture triumph, and his
prospective journey to foreign seas, his book venture, at best, claimed
no more than a casual regard. A Sandwich Island book (he had collected
his Union letters with the idea of a volume) he gave up altogether after
one unsuccessful offer of it to Dick & Fitzgerald.

Frank Fuller's statement, that the fame had arrived, had in it some
measure of truth. Lecture propositions came from various directions.
Thomas Nast, then in the early day of his great popularity, proposed a
joint tour, in which Clemens would lecture, while he, Nast, illustrated
the remarks with lightning caricatures. But the time was too short; the
Quaker City would sail on the 8th of June, and in the mean time the Alta
correspondent was far behind with his New York letters. On May 29th he
wrote:

I am 18 Alta letters behind, and I must catch up or bust. I have refused
all invitations to lecture. Don't know how my book is coming on.

He worked like a slave for a week or so, almost night and day, to clean
up matters before his departure. Then came days of idleness and
reaction-days of waiting, during which his natural restlessness and the
old-time regret for things done and undone, beset him.

    My passage is paid, and if the ship sails I sail on her; but I make
    no calculations, have bought no cigars, no sea-going clothing--have
    made no preparations whatever--shall not pack my trunk till the
    morning we sail.

    All I do know or feel is that I am wild with impatience to move
    --move--move! Curse the endless delays! They always kill me--they
    make me neglect every duty, and then I have a conscience that tears
    me like a wild beast. I wish I never had to stop anywhere a month.
    I do more mean things the moment I get a chance to fold my hands and
    sit down than ever I get forgiveness for.

    Yes, we are to meet at Mr. Beach's next Thursday night, and I
    suppose we shall have to be gotten up regardless of expense, in
    swallow-tails, white kids and everything 'en regle'.

    I am resigned to Rev. Mr. Hutchinson's or anybody else's
    supervision. I don't mind it. I am fixed. I have got a splendid,
    immoral, tobacco-smoking, wine-drinking, godless roommate who is as
    good and true and right-minded a man as ever lived--a man whose
    blameless conduct and example will always be an eloquent sermon to
    all who shall come within their influence. But send on the
    professional preachers--there are none I like better to converse
    with; if they're not narrowminded and bigoted they make good
    companions.

The "splendid immoral room-mate" was Dan Slote--"Dan," of The Innocents,
a lovable character--all as set down. Samuel Clemens wrote one more
letter to his mother and sister--a conscience-stricken, pessimistic
letter of good-by written the night before sailing. Referring to the
Alta letters he says:

    I think they are the stupidest letters ever written from New York.
    Corresponding has been a perfect drag ever since I got to the
    States. If it continues abroad, I don't know what the Tribune and
    Alta folk will think.

He remembers Orion, who had been officially eliminated when Nevada had
received statehood.

    I often wonder if his law business is going satisfactorily. I wish
    I had gone to Washington in the winter instead of going West. I
    could have gouged an office out of Bill Stewart for him, and that
    would have atoned for the loss of my home visit. But I am so
    worthless that it seems to me I never do anything or accomplish
    anything that lingers in my mind as a pleasant memory. My mind is
    stored full of unworthy conduct toward Orion and toward you all, and
    an accusing conscience gives me peace only in excitement and
    restless moving from place to place. If I could only say I had done
    one thing for any of you that entitled me to your good opinions (I
    say nothing of your love, for I am sure of that, no matter how
    unworthy of it I may make myself--from Orion down, you have always
    given me that; all the days of my life, when God Almighty knows I
    have seldom deserved it), I believe I could go home and stay there
    --and I know I would care little for the world's praise or blame.
    There is no satisfaction in the world's praise anyhow, and it has no
    worth to me save in the way of business. I tried to gather up its
    compliments to send you, but the work was distasteful and I dropped
    it.

    You observe that under a cheerful exterior I have got a spirit that
    is angry with me and gives me freely its contempt. I can get away
    from that at sea, and be tranquil and satisfied; and so, with my
    parting love and benediction for Orion and all of you, I say good-by
    and God bless you all-and welcome the wind that wafts a weary soul
    to the sunny lands of the Mediterranean!

                     Yrs. forever,
                                SAM




LX

THE INNOCENTS AT SEA

       HOLY LAND PLEASURE EXCURSION

       Steamer: Quaker City.

       Captain C. C. Duncan.

       Left New York at 2 P.m., June 8, 1867.

       Rough weather--anchored within the harbor to lay all night.

That first note recorded an event momentous in Mark Twain's career--an
event of supreme importance; if we concede that any link in a chain
regardless of size is of more importance than any other link. Undoubtedly
it remains the most conspicuous event, as the world views it now, in
retrospect.

The note further heads a new chapter of history in sea-voyaging. No such
thing as the sailing of an ocean steamship with a pleasure-party on a
long transatlantic cruise had ever occurred before. A similar project
had been undertaken the previous year, but owing to a cholera scare in
the East it had been abandoned. Now the dream had become a fact--a
stupendous fact when we consider it. Such an important beginning as that
now would in all likelihood furnish the chief news story of the day.

But they had different ideas of news in those days. There were no
headlines announcing the departure of the Quaker City--only the barest
mention of the ship's sailing, though a prominent position was given to
an account of a senatorial excursion-party which set out that same
morning over the Union Pacific Railway, then under construction. Every
name in that political party was set dawn, and not one of them except
General Hancock will ever be heard of again. The New York Times,
however, had some one on its editorial staff who thought it worth while
to comment a little on the history-making Quaker City excursion. The
writer was pleasantly complimentary to officers and passengers. He
referred to Moses S. Beach, of the Sun, who was taking with him type and
press, whereby he would "skilfully utilize the brains of the company for
their mutual edification." Mr. Beecher and General Sherman would find
talent enough aboard to make the hours go pleasantly (evidently the
writer had not interested himself sufficiently to know that these
gentlemen were not along), and the paragraph closed by prophesying other
such excursions, and wishing the travelers "good speed, a happy voyage,
and a safe return."

That was handsome, especially for those days; only now, some fine day,
when an airship shall start with a band of happy argonauts to land beyond
the sunrise for the first time in history, we shall feature it and
emblazon it with pictures in the Sunday papers, and weeklies, and in the
magazines.--[The Quaker City idea was so unheard-of that in some of the
foreign ports visited, the officials could not believe that the vessel
was simply a pleasure-craft, and were suspicious of some dark, ulterior
purpose.]

That Henry Ward Beecher and General Sherman had concluded not to go was a
heavy disappointment at first; but it proved only a temporary disaster.
The inevitable amalgamation of all ship companies took place. The
sixty-seven travelers fell into congenial groups, or they mingled and
devised amusements, and gossiped and became a big family, as happy and as
free from contention as families of that size are likely to be.

The Quaker City was a good enough ship and sizable for her time. She was
registered eighteen hundred tons--about one-tenth the size of
Mediterranean excursion-steamers today--and when conditions were
favorable she could make ten knots an hour under steam--or, at least, she
could do it with the help of her auxiliary sails. Altogether she was a
cozy, satisfactory ship, and they were a fortunate company who had her
all to themselves and went out on her on that long-ago ocean gipsying.
She has grown since then, even to the proportions of the Mayflower. It
was necessary for her to grow to hold all of those who in later times
claimed to have sailed in her on that voyage with Mark Twain.--[The
Quaker City passenger list will be found under Appendix F, at the end of
last volume.]

They were not all ministers and deacons aboard the Quaker City. Clemens
found other congenial spirits be sides his room-mate Dan Slote--among
them the ship's surgeon, Dr. A. Reeve Jackson (the guide-destroying
"Doctor" of The Innocents); Jack Van Nostrand, of New Jersey ("Jack");
Julius Moulton, of St. Louis ("Moult"), and other care-free fellows, the
smoking-room crowd which is likely to make comradeship its chief
watchword. There were companionable people in the cabin crowd also
--fine, intelligent men and women, especially one of the latter, a
middle-aged, intellectual, motherly soul--Mrs. A. W. Fairbanks, of
Cleveland, Ohio. Mrs. Fairbanks--herself a newspaper correspondent for
her husband's paper, the Cleveland Herald had a large influence on the
character and general tone of those Quaker City letters which established
Mark Twain's larger fame. She was an able writer herself; her judgment
was thoughtful, refined, unbiased--altogether of a superior sort. She
understood Samuel Clemens, counseled him, encouraged him to read his
letters aloud to her, became in reality "Mother Fairbanks," as they
termed her, to him and to others of that ship who needed her kindly
offices.

In one of his home letters, later, he said of her:

    She was the most refined, intelligent, cultivated lady in the ship,
    and altogether the kindest and best. She sewed my buttons on, kept
    my clothing in presentable trim, fed me on Egyptian jam (when I
    behaved), lectured me awfully on the quarter-deck on moonlit
    promenading evenings, and cured me of several bad habits. I am
    under lasting obligations to her. She looks young because she is so
    good, but she has a grown son and daughter at home.

In one of the early letters which Mrs. Fairbanks wrote to her paper she
is scarcely less complimentary to him, even if in a different way.

    We have D.D.'s and M.D.'s--we have men of wisdom and men of wit.
    There is one table from which is sure to come a peal of laughter,
    and all eyes are turned toward Mark Twain, whose face is, perfectly
    mirth-provoking. Sitting lazily at the table, scarcely genteel in
    his appearance, there is something, I know not what, that interests
    and attracts. I saw to-day at dinner venerable divines and sage-
    looking men convulsed with laughter at his drolleries and quaint,
    odd manners.

It requires only a few days on shipboard for acquaintances to form, and
presently a little afternoon group was gathering to hear Mark Twain read
his letters. Mrs. Fairbanks was there, of course, also Mr. and Mrs. S.
L. Severance, likewise of Cleveland, and Moses S. Beach, of the Sun, with
his daughter Emma, a girl of seventeen. Dan Slote was likely to be
there, too, and Jack, and the Doctor, and Charles J. Langdon, of Elmira,
New York, a boy of eighteen, who had conceived a deep admiration for the
brilliant writer. They were fortunate ones who first gathered to hear
those daring, wonderful letters.

But the benefit was a mutual one. He furnished a priceless entertainment,
and he derived something equally priceless in return--the test of
immediate audience and the boon of criticism. Mrs. Fairbanks especially
was frankly sincere. Mr. Severance wrote afterward:

    One afternoon I saw him tearing up a bunch of the soft, white paper-
    copy paper, I guess the newspapers call it-on which he had written
    something, and throwing the fragments into the Mediterranean. I
    inquired of him why he cast away the fruits of his labors in that
    manner.

"Well," he drawled, "Mrs. Fairbanks thinks it oughtn't to be printed,
and, like as not, she is right."

And Emma Beach (Mrs. Abbott Thayer) remembers hearing him say:

"Well, Mrs. Fairbanks has just destroyed another four hours' work for
me."

Sometimes he played chess with Emma Beach, who thought him a great hero
because, once when a crowd of men were tormenting a young lad, a
passenger, Mark Twain took the boy's part and made them desist.

"I am sure I was right, too," she declares; "heroism came natural to
him."

Mr. Severance recalls another incident which, as he says, was trivial
enough, but not easy to forget:

We were having a little celebration over the birthday anniversary of Mrs.
Duncan, wife of our captain. Mark Twain got up and made a little speech,
in which he said Mrs. Duncan was really older than Methuselah because she
knew a lot of things that Methuselah never heard of. Then he mentioned a
number of more or less modern inventions, and wound up by saying, "What
did Methuselah know about a barbed-wire fence?"

Except Following the Equator, The Innocents Abroad comes nearer to being
history than any other of Mark Twain's travel-books. The notes for it
were made on the spot, and there was plenty of fact, plenty of fresh, new
experience, plenty of incident to set down. His idea of descriptive
travel in those days was to tell the story as it happened; also, perhaps,
he had not then acquired the courage of his inventions. We may believe
that the adventures with Jack, Dan, and the Doctor are elaborated here
and there; but even those happened substantially as recorded. There is
little to add, then, to the story of that halcyon trip, and not much to
elucidate.

The old note-books give a light here and there that is interesting. It
is curious to be looking through them now, trying to realize that these
penciled memoranda were the fresh, first impressions that would presently
grow into the world's most delightful book of travel; that they were set
down in the very midst of that care-free little company that frolicked
through Italy, climbed wearily the arid Syrian hills. They are all dead
now; but to us they are as alive and young to-day as when they followed
the footprints of the Son of Man through Palestine, and stood at last
before the Sphinx, impressed and awed by its "five thousand
slow-revolving years."

Some of the items consist of no more than a few terse, suggestive words
--serious, humorous, sometimes profane. Others are statistical,
descriptive, elaborated. Also there are drawings--"not copied," he marks
them, with a pride not always justified by the result. The earlier notes
are mainly comments on the "pilgrims," the freak pilgrims: "the
Frenchy-looking woman who owns a dog and keeps up an interminable
biography of him to the passengers"; the "long-legged, simple,
wide-mouthed, horse-laughing young fellow who once made a sea voyage to
Fortress Monroe, and quotes eternally from his experiences"; also, there
is reference to another young man, "good, accommodating, pleasant but
fearfully green." This young person would become the "Interrogation
Point," in due time, and have his picture on page 71 (old edition), while
opposite him, on page 70, would appear the "oracle," identified as one
Doctor Andrews, who (the note-book says) had the habit of "smelling in
guide-books for knowledge and then trying to play it for old information
that has been festering in his brain." Sometimes there are abstract
notes such as:

How lucky Adam was. He knew when he said a good thing that no one had
ever said it before.

Of the "character" notes, the most important and elaborated is that which
presents the "Poet Lariat." This is the entry, somewhat epitomized:

                  BLOODGOOD H. CUTTER

    He is fifty years old, and small of his age. He dresses in
    homespun, and is a simple-minded, honest, old-fashioned farmer, with
    a strange proclivity for writing rhymes. He writes them on all
    possible subjects, and gets them printed on slips of paper, with his
    portrait at the head. These he will give to any man who comes
    along, whether he has anything against him or not . . . .

    Dan said:

    "It must be a great happiness to you to sit down at the close of day
    and put its events all down in rhymes and poetry, like Byron and
    Shakespeare and those fellows."

    "Oh yes, it is--it is--Why, many's the time I've had to get up in
    the night when it comes on me:

       Whether we're on the sea or the land
       We've all got to go at the word of command--

    "Hey! how's that?"

A curious character was Cutter--a Long Island farmer with the obsession
of rhyme. In his old age, in an interview, he said:

"Mark was generally writing and he was glum. He would write what we were
doing, and I would write poetry, and Mark would say:

"'For Heaven's sake, Cutter, keep your poems to yourself.'

"Yes, Mark was pretty glum, and he was generally writing."

Poor old Poet Lariat--dead now with so many others of that happy crew. We
may believe that Mark learned to be "glum" when he saw the Lariat
approaching with his sheaf of rhymes. We may believe, too, that he was
"generally writing." He contributed fifty-three letters to the Alta
during that five months and six to the Tribune. They would average about
two columns nonpareil each, which is to say four thousand words, or
something like two hundred and fifty thousand words in all. To turn out
an average of fifteen hundred words a day, with continuous sight-seeing
besides, one must be generally writing during any odd intervals; those
who are wont to regard Mark Twain as lazy may consider these statistics.
That he detested manual labor is true enough, but at the work for which
he was fitted and intended it may be set down here upon authority (and
despite his own frequent assertions to the contrary) that to his last
year he was the most industrious of men.




LXI

THE INNOCENTS ABROAD

It was Dan, Jack, and the Doctor who with Mark Twain wandered down
through Italy and left moral footprints that remain to this day. The
Italian guides are wary about showing pieces of the True Cross, fragments
of the Crown of Thorns, and the bones of saints since then. They show
them, it is true, but with a smile; the name of Mark Twain is a
touch-stone to test their statements. Not a guide in Italy but has heard
the tale of that iconoclastic crew, and of the book which turned their
marvels into myths, their relics into bywords.

It was Doctor Jackson, Colonel Denny, Doctor Birch, and Samuel Clemens
who evaded the quarantine and made the perilous night trip to Athens and
looked upon the Parthenon and the sleeping city by moonlight. It is all
set down in the notes, and the account varies little from that given in
the book; only he does not tell us that Captain Duncan and the
quartermaster, Pratt, connived at the escapade, or how the latter watched
the shore in anxious suspense until he heard the whistle which was their
signal to be taken aboard. It would have meant six months' imprisonment
if they had been captured, for there was no discretion in the Greek law.

It was T. D. Crocker, A. N. Sanford, Col. Peter Kinney, and William
Gibson who were delegated to draft the address to the Emperor of Russia
at Yalta, with Samuel L. Clemens as chairman of that committee. The
chairman wrote the address, the opening sentence of which he grew so
weary of hearing:

    We are a handful of private citizens of America, traveling simply
    for recreation, and unostentatiously, as becomes our unofficial
    state.

The address is all set down in the notes, and there also exists the first
rough draft, with the emendations in his own hand. He deplores the time
it required:

    That job is over. Writing addresses to emperors is not my strong
    suit. However, if it is not as good as it might be it doesn't
    signify--the other committeemen ought to have helped me write it;
    they had nothing to do, and I had my hands full. But for bothering
    with this I would have caught up entirely with my New York Tribune
    correspondence and nearly up with the San Francisco.

They wanted him also to read the address to the Emperor, but he pointed
out that the American consul was the proper person for that office. He
tells how the address was presented:

August 26th. The Imperial carriages were in waiting at eleven, and at
twelve we were at the palace....

The Consul for Odessa read the address and the Czar said frequently,
"Good--very good; indeed"--and at the close, "I am very, very grateful."

It was not improper for him to set down all this, and much more, in his
own note-book--not then for publication. It was in fact a very proper
record--for today.

One incident of the imperial audience Mark Twain omitted from his book,
perhaps because the humor of it had not yet become sufficiently evident.
"The humorous perception of a thing is a pretty slow growth sometimes,"
he once remarked. It was about seventeen years before he could laugh
enjoyably at a slight mistake he made at the Emperor's reception. He set
down a memorandum of it, then, for fear it might be lost:

    There were a number of great dignitaries of the Empire there, and
    although, as a general thing, they were dressed in citizen's
    clothing, I observed that the most of them wore a very small piece
    of ribbon in the lapels of their coats. That little touch of color
    struck my fancy, and it seemed to me a good idea to add it to my own
    attractions; not imagining that it had any special significance. So
    I stepped aside, hunted up a bit of red ribbon, and ornamented my
    lapel with it. Presently, Count Festetics, the Grand Master of
    ceremonies, and the only man there who was gorgeously arrayed, in
    full official costume, began to show me a great many attentions. He
    was particularly polite, and pleasant, and anxious to be of service
    to me. Presently, he asked me what order of nobility I belonged to?
    I said, "I didn't belong to any." Then he asked me what order of
    knighthood I belonged to? I said, "None." Then he asked me what
    the red ribbon in my buttonhole stood for? I saw, at once, what an
    ass I had been making of myself, and was accordingly confused and
    embarrassed. I said the first thing that came into my mind, and
    that was that the ribbon was merely the symbol of a club of
    journalists to which I belonged, and I was not pursued with any more
    of Count Festetic's attentions.

    Later, I got on very familiar terms with an old gentleman, whom I
    took to be the head gardener, and walked him all about the gardens,
    slipping my arm into his without invitation, yet without demur on
    his part, and by and by was confused again when I found that he was
    not a gardener at all, but the Lord High Admiral of Russia! I
    almost made up my mind that I would never call on an Emperor again.

Like all Mediterranean excursionists, those first pilgrims were
insatiable collectors of curios, costumes, and all manner of outlandish
things. Dan Slote had the stateroom hung and piled with such gleanings.
At Constantinople his room-mate writes:

    I thought Dan had got the state-room pretty full of rubbish at last,
    but awhile ago his dragoman arrived with a brand-new ghastly
    tombstone of the Oriental pattern, with his name handsomely carved
    and gilted on it in Turkish characters. That fellow will buy a
    Circassian slave next.

It was Church, Denny, Jack, Davis, Dan, Moult, and Mark Twain who made
the "long trip" through Syria from Beirut to Jerusalem with their
elaborate camping outfit and decrepit nags "Jericho," "Baalbec," and the
rest. It was better camping than that Humboldt journey of six years
before, though the horses were not so dissimilar, and altogether it was a
hard, nerve-racking experience, climbing the arid hills of Palestine in
that torrid summer heat. Nobody makes that trip in summer-time now.
Tourists hurry out of Syria before the first of April, and they do not go
back before November. One brief quotation from Mark Twain's book gives
us an idea of what that early party of pilgrims had to undergo:

    We left Damascus at noon and rode across the plain a couple of
    hours, and then the party stopped a while in the shade of some fig-
    trees to give me a chance to rest. It was the hottest day we had
    seen yet--the sun-flames shot down like the shafts of fire that
    stream out before a blow-pipe; the rays seemed to fall in a deluge
    on the head and pass downward like rain from a roof. I imagined I
    could distinguish between the floods of rays. I thought I could
    tell when each flood struck my head, when it reached my shoulders,
    and when the next one came. It was terrible.

He had been ill with cholera at Damascus, a light attack; but any attack
of that dread disease is serious enough. He tells of this in the book,
but he does not mention, either in the book or in his notes, the attack
which Dan Slote had some days later. It remained for William F. Church,
of the party, to relate that incident, for it was the kind of thing that
Mark Twain was not likely to record, or even to remember. Doctor Church
was a deacon with orthodox views and did not approve of Mark Twain; he
thought him sinful, irreverent, profane.

"He was the worst man I ever knew," Church said; then he added, "And the
best."

What happened was this: At the end of a terrible day of heat, when the
party had camped on the edge of a squalid Syrian village, Dan was taken
suddenly ill. It was cholera, beyond doubt. Dan could not go on--he
might never go on. The chances were that way. It was a serious matter
all around. To wait with Dan meant to upset their travel schedule--it
might mean to miss the ship. Consultation was held and a resolution
passed (the pilgrims were always passing resolutions) to provide for Dan
as well as possible, and leave him behind. Clemens, who had remained
with Dan, suddenly appeared and said:

"Gentlemen, I understand that you are going to leave Dan Slote here
alone. I'll be d---d if I do!"

And he didn't. He stayed there and brought Dan into Jerusalem, a few
days late, but convalescent.

Perhaps most of them were not always reverent during that Holy Land trip.
It was a trying journey, and after fierce days of desert hills the
reaction might not always spare even the holiest memories. Jack was
particularly sinful. When they learned the price for a boat on Galilee,
and the deacons who had traveled nearly half around the world to sail on
that sacred water were confounded by the charge, Jack said:

"Well, Denny, do you wonder now that Christ walked?"

It was the irreverent Jack who one morning (they had camped the night
before by the ruins of Jericho) refused to get up to see the sun rise
across the Jordan. Deacon Church went to his tent.

"Jack, my boy, get up. Here is the place where the Israelites crossed
over into the Promised Land, and beyond are the mountains of Moab, where
Moses lies buried."

"Moses who!" said Jack.

"Oh, Jack, my boy, Moses, the great lawgiver--who led the Israelites out
of Egypt-forty years through the wilderness--to the Promised Land."

"Forty years!" said Jack. "How far was it?"

"It was three hundred miles, Jack; a great wilderness, and he brought
them through in safety."

Jack regarded him with scorn. "Huh, Moses--three hundred miles forty
years--why, Ben Holiday would have brought them through in thirty-six
hours!"--[Ben Holiday, owner of the Overland stages, and a man of great
executive ability. This incident, a true one, is more elaborately told
in Roughing It, but it seems pertinent here.]

Jack probably learned more about the Bible during that trip-its history
and its heroes-than during all his former years. Nor was Jack the only
one of that group thus benefited. The sacred landmarks of Palestine
inspire a burning interest in the Scriptures, and Mark Twain probably did
not now regret those early Sunday-school lessons; certainly he did not
fail to review them exhaustively on that journey. His note-books fairly
overflow with Bible references; the Syrian chapters in The Innocents
Abroad are permeated with the poetry and legendary beauty of the Bible
story. The little Bible he carried on that trip, bought in
Constantinople, was well worn by the time they reached the ship again at
Jaffa. He must have read it with a large and persistent interest; also
with a double benefit. For, besides the knowledge acquired, he was
harvesting a profit--probably unsuspected at the time---viz., the
influence of the most direct and beautiful English--the English of the
King James version--which could not fail to affect his own literary
method at that impressionable age. We have already noted his earlier
admiration for that noble and simple poem, "The Burial of Moses," which
in the Palestine note-book is copied in full. All the tendency of his
expression lay that way, and the intense consideration of stately Bible
phrase and imagery could hardly fail to influence his mental processes.
The very distinct difference of style, as shown in The Innocents Abroad
and in his earlier writings, we may believe was in no small measure due
to his study of the King James version during those weeks in Palestine.

He bought another Bible at Jerusalem; but it was not for himself. It was
a little souvenir volume bound in olive and balsam wood, and on the
fly-leaf is inscribed:

    Mrs. Jane Clemens from her son. Jerusalem, Sept. 24, 1867.

There is one more circumstance of that long cruise-recorded neither in
the book nor the notes--an incident brief, but of more importance in the
life of Samuel Clemens than any heretofore set down. It occurred in the
beautiful Bay of Smyrna, on the fifth or sixth of September, while the
vessel lay there for the Ephesus trip.

Reference has been made to young Charles Langdon, of Elmira (the
"Charley" once mentioned in the Innocents), as an admirer of Mark Twain.
There was a good deal of difference in their ages, and they were seldom
of the same party; but sometimes the boy invited the journalist to his
cabin and, boy-like, exhibited his treasures. He had two sisters at
home; and of Olivia, the youngest, he had brought a dainty miniature done
on ivory in delicate tints--a sweet-pictured countenance, fine and
spiritual. On that fateful day in the day of Smyrna, Samuel Clemens,
visiting in young Langdon's cabin, was shown this portrait. He looked at
it with long admiration, and spoke of it reverently, for the delicate
face seemed to him to be something more than a mere human likeness. Each
time he came, after that, he asked to see the picture, and once even
begged to be allowed to take it away with him. The boy would not agree
to this, and the elder man looked long and steadily at the miniature,
resolving in his mind that some day he would meet the owner of that
lovely face--a purpose for once in accord with that which the fates had
arranged for him, in the day when all things were arranged, the day of
the first beginning.




LXII

THE RETURN OF THE PILGRIMS

The last note-book entry bears date of October 11th:

    At sea, somewhere in the neighborhood of Malta. Very stormy.

    Terrible death to be talked to death. The storm has blown two small
    land birds and a hawk to sea and they came on board. Sea full of
    flying-fish.

That is all. There is no record of the week's travel in Spain, which a
little group of four made under the picturesque Gibraltar guide, Benunes,
still living and quite as picturesque at last accounts. This side-trip
is covered in a single brief paragraph in the Innocents, and the only
account we have of it is in a home letter, from Cadiz, of October 24th:

    We left Gibraltar at noon and rode to Algeciras (4 hours), thus
    dodging the quarantine--took dinner, and then rode horseback all
    night in a swinging trot, and at daylight took a caleche (a-wheeled
    vehicle), and rode 5 hours--then took cars and traveled till twelve
    at night. That landed us at Seville, and we were over the hard part
    of our trip and somewhat tired. Since then we have taken things
    comparatively easy, drifting around from one town to another and
    attracting a good deal of attention--for I guess strangers do not
    wander through Andalusia and the other southern provinces of Spain
    often. The country is precisely what it was when Don Quixote and
    Sancho Panza were possible characters.

    But I see now what the glory of Spain must have been when it was
    under Moorish domination. No, I will not say that--but then when
    one is carried away, infatuated, entranced, with the wonders of the
    Alhambra and the supernatural beauty of the Alcazar, he is apt to
    overflow with admiration for the splendid intellects that created
    them.

We may wish that he had left us a chapter of that idyllic journey, but it
will never be written now. A night or two before the vessel reached New
York there was the usual good-by assembly, and for this occasion, at Mrs.
Severance's request, Mark Twain wrote some verses. They were not
especially notable, for meter and rhyme did not come easy to him, but one
prophetic stanza is worth remembering. In the opening lines the
passengers are referred to as a fleet of vessels, then follows:

       Lo! other ships of that parted fleet
       Shall suffer this fate or that:
       One shall be wrecked, another shall sink,
       Or ground on treacherous flat.
       Some shall be famed in many lands
       As good ships, fast and fair,
       And some shall strangely disappear,
       Men know not when or where.

The Quaker City returned to America on November 19, 1867, and Mark Twain
found himself, if not famous, at least in very wide repute. The
fifty-three letters to the Alta and the half-dozen to the New York
Tribune had carried his celebrity into every corner of the States and
Territories. Vivid, fearless, full of fresh color, humor, poetry, they
came as a revelation to a public weary of the driveling, tiresome
travel-letters of that period. They preached a new gospel in
travel-literature: the gospel of seeing with an overflowing honesty; a
gospel of sincerity in according praises to whatever seemed genuine, and
ridicule to the things considered sham. It was the gospel that Mark
Twain would continue to preach during his whole career. It became his
chief literary message to the world-a world waiting for that message.

Moreover, the letters were literature. He had received, from whatever
source, a large and very positive literary impulse, a loftier conception
and expression. It was at Tangier that he first struck the grander
chord, the throbbing cadence of human story.

Here is a crumbling wall that was old when Columbus discovered America;
old when Peter the Hermit roused the knightly men of the Middle Ages to
arm for the first Crusade; old when Charlemagne and his paladins
beleaguered enchanted castles and battled with giants and genii in the
fabled days of the olden time; old when Christ and his disciples walked
the earth; stood where it stands to-day when the lips of Memnon were
vocal and men bought and sold in the streets of ancient Thebes.

This is pure poetry. He had never touched so high a strain before, but
he reached it often after that, and always with an ever-increasing
mastery and confidence. In Venice, in Rome, in Athens, through the Holy
Land, his retrospection becomes a stately epic symphony, a processional
crescendo that swings ever higher until it reaches that sublime strain,
the ageless contemplation of the Sphinx. We cannot forego a paragraph or
two of that word-picture:

    After years of waiting it was before me at last. The great face was
    so sad, so earnest, so longing, so patient. There was a dignity not
    of earth in its mien, and in its countenance a benignity such as
    never anything human wore. It was stone, but it seemed sentient.
    If ever image of stone thought, it was thinking. It was looking
    toward the verge of the landscape, yet looking at nothing--nothing
    but distance and vacancy. It was looking over and beyond everything
    of the present, and far into the past.... It was thinking of the
    wars of the departed ages; of the empires it had seen created and
    destroyed; of the nations whose birth it had witnessed, whose
    progress it had watched, whose annihilation it had noted; of the joy
    and sorrow, the life and death, the grandeur and decay, of five
    thousand slow-revolving years . . . .

    The Sphinx is grand in its loneliness; it is imposing in its
    magnitude; it is impressive in the mystery that hangs over its
    story. And there is that in the overshadowing majesty of this
    eternal figure of stone, with its accusing memory of the deeds of
    all ages, which reveals to one something of what we shall feel when
    we shall stand at last in the awful presence of God.

Then that closing word of Egypt. He elaborated it for the book, and did
not improve it. Let us preserve here its original form.

    We are glad to have seen Egypt. We are glad to have seen that old
    land which taught Greece her letters--and through Greece, Rome--and
    through Rome, the world--that venerable cradle of culture and
    refinement which could have humanized and civilized the Children of
    Israel, but allowed them to depart out of her borders savages--those
    Children whom we still revere, still love, and whose sad
    shortcomings we still excuse--not because they were savages, but
    because they were the chosen savages of God.

The Holy Land letters alone would have brought him fame. They presented
the most graphic and sympathetic picture of Syrian travel ever written
--one that will never become antiquated or obsolete so long as human
nature remains unchanged. From beginning to end the tale is rarely,
reverently told. Its closing paragraph has not been surpassed in the
voluminous literature of that solemn land:

    Palestine sits in sackcloth and ashes. Over it broods the spell of
    a curse that has withered its fields and fettered its energies.
    Where Sodom and Gomorrah reared their domes and towers that solemn
    sea now floods the plain, in whose bitter waters no living thing
    exists--over whose waveless surface the blistering air hangs
    motionless and dead--about whose borders nothing grows but weeds and
    scattering tufts of cane, and that treacherous fruit that promises
    refreshment to parching lips, but turns to ashes at the touch.
    Nazareth is forlorn; about that ford of Jordan where the hosts of
    Israel entered the Promised Land with songs of rejoicing one finds
    only a squalid camp of fantastic Bedouins of the desert; Jericho the
    accursed lies a moldering ruin today, even as Joshua's miracle left
    it more than three thousand years ago; Bethlehem and Bethany, in
    their poverty and their humiliation, have nothing about them now to
    remind one that they once knew the high honor of the Saviour's
    presence; the hallowed spot where the shepherds watched their flocks
    by night, and where the angels sang Peace on earth, goodwill to men,
    is untenanted by any living creature, and unblessed by any feature
    that is pleasant to the eye. Renowned Jerusalem itself, the
    stateliest name in history, has lost all its ancient grandeur, and
    is become a pauper village; the riches of Solomon are no longer
    there to compel the admiration of visiting Oriental queens; the
    wonderful temple which was the pride and the glory of Israel is
    gone, and the Ottoman crescent is lifted above the spot where, on
    that most memorable day in the annals of the world, they reared the
    Holy Cross. The noted Sea of Galilee, where Roman fleets once rode
    at anchor and the disciples of the Saviour sailed in their ships,
    was long ago deserted by the devotees of war and commerce, and its
    borders are a silent wilderness; Capernaum is a shapeless ruin;
    Magdala is the home of beggared Arabs; Bethsaida and Chorazin have
    vanished from the earth, and the "desert places" round about them
    where thousands of men once listened to the Saviour's voice and ate
    the miraculous bread sleep in the hush of a solitude that is
    inhabited only by birds of prey and skulking foxes.

    Palestine is desolate and unlovely. And why should it be otherwise?
    Can the curse of the Deity beautify a land?

It would be easy to quote pages here--a pictorial sequence from Gibraltar
to Athens, from Athens to Egypt, a radiant panoramic march. In time he
would write technically better. He would avoid solecism, he would become
a greater master of vocabulary and phrase, but in all the years ahead he
would never match the lambent bloom and spontaneity of those fresh, first
impressions of Mediterranean lands and seas. No need to mention the
humor, the burlesque, the fearless, unrestrained ridicule of old masters
and of sacred relics, so called. These we have kept familiar with much
repetition. Only, the humor had grown more subtle, more restrained; the
burlesque had become impersonal and harmless, the ridicule so frank and
good-natured, that even the old masters themselves might have enjoyed it,
while the most devoted churchman, unless blinded by bigotry, would find
in it satisfaction, rather than sacrilege.

The final letter was written for the New York Herald after the arrival,
and was altogether unlike those that preceded it. Gaily satirical and
personal--inclusively so--it might better have been left unwritten, for
it would seem to have given needless offense to a number of goodly
people, whose chief sin was the sedateness of years. However, it is all
past now, and those who were old then, and perhaps queer and pious and
stingy, do not mind any more, and those who were young and frivolous have
all grown old too, and most of them have set out on the still farther
voyage. Somewhere, it may be, they gather, now; and then, and lightly,
tenderly recall their old-time journeying.




LXIII

IN WASHINGTON--A PUBLISHING PROPOSITION

Clemens remained but one day in New York. Senator Stewart had written,
about the time of the departure of the Quaker City, offering him the
position of private secretary--a position which was to give him leisure
for literary work, with a supporting salary as well. Stewart no doubt
thought it would be considerably to his advantage to have the brilliant
writer and lecturer attached to his political establishment, and Clemens
likewise saw possibilities in the arrangement. From Naples, in August,
he had written accepting Stewart's offer; he lost no time now in
discussing the matter in person.--[In a letter home, August 9th, he
referred to the arrangement: "I wrote to Bill Stewart to-day accepting
his private secretaryship in Washington, next winter."]

There seems to have been little difficulty in concluding the arrangement.
When Clemens had been in Washington a week we find him writing:

    DEAR FOLKS, Tired and sleepy--been in Congress all day and making
    newspaper acquaintances. Stewart is to look up a clerkship in the
    Patent Office for Orion. Things necessarily move slowly where there
    is so much business and such armies of office-seekers to be attended
    to. I guess it will be all right. I intend it shall be all right.

    I have 18 invitations to lecture, at $100 each, in various parts
    of the Union--have declined them all. I am for business now.

    Belong on the Tribune Staff, and shall write occasionally. Am
    offered the same berth to-day on the Herald by letter. Shall write
    Mr. Bennett and accept, as soon as I hear from Tribune that it will
    not interfere. Am pretty well known now--intend to be better known.
    Am hobnobbing with these old Generals and Senators and other humbugs
    for no good purpose. Don't have any more trouble making friends
    than I did in California. All serene. Good-by. Shall continue on
    the Alta.
                     Yours affectionately,
                                   SAM.

    P.S.--I room with Bill Stewart and board at Willard's Hotel.

But the secretary arrangement was a brief matter. It is impossible to
conceive of Mark Twain as anybody's secretary, especially as the
secretary of Senator Stewart.

--[In Senator Stewart's memoirs he refers unpleasantly to Mark Twain, and
after relating several incidents that bear only strained relations to the
truth, states that when the writer returned from the Holy Land he
(Stewart) offered him a secretaryship as a sort of charity. He adds that
Mark Twain's behavior on his premises was such that a threat of a
thrashing was necessary. The reason for such statements becomes
apparent, however, when he adds that in 'Roughing It' the author accuses
him of cheating, prints a picture of him with a hatch over his eye, and
claims to have given him a sound thrashing, none of which statements,
save only the one concerning the picture (an apparently unforgivable
offense to his dignity), is true, as the reader may easily ascertain for
himself.]

Within a few weeks he was writing humorous accounts of "My Late
Senatorial Secretaryship," "Facts Concerning the Recent Resignation,"
etc., all good-natured burlesque, but inspired, we may believe, by the
change: These articles appeared in the New York Tribune, the New York
Citizen, and the Galaxy Magazine.

There appears to have been no ill-feeling at this time between Clemens
and Stewart. If so, it is not discoverable in any of the former's
personal or newspaper correspondence. In fact, in his article relating
to his "late senatorial secretaryship" he puts the joke, so far as it is
a joke, on Senator James W. Nye, probably as an additional punishment for
Nye's failure to appear on the night of his lecture. He established
headquarters with a brilliant newspaper correspondent named Riley. "One
of the best men in Washington--or elsewhere," he tells us in a brief
sketch of that person.--[See Riley, newspaper correspondent. Sketches
New and Old.]--He had known Riley in San Francisco; the two were
congenial, and settled down to their several undertakings.

Clemens was chiefly concerned over two things: he wished to make money
and he wished to secure a government appointment for Orion. He had used
up the most of his lecture accumulations, and was moderately in debt. His
work was in demand at good rates, for those days, and with working
opportunity he could presently dispose of his financial problem. The
Tribune was anxious for letters; the Enterprise and Alta were waiting for
them; the Herald, the Chicago Tribune, the magazines--all had solicited
contributions; the lecture bureaus pursued him. Personally his outlook
was bright.

The appointment for Orion was a different matter. The powers were not
especially interested in a brother; there were too many brothers and
assorted relatives on the official waiting-list already. Clemens was
offered appointments for himself--a consulship, a post-mastership; even
that of San Francisco. From the Cabinet down, the Washington political
contingent had read his travel-letters, and was ready to recognize
officially the author of them in his own person and personality.

Also, socially: Mark Twain found himself all at once in the midst of
receptions, dinners, and speech-making; all very exciting for a time at
least, but not profitable, not conducive to work. At a dinner of the
Washington Correspondents Club his response to the toast, "Women," was
pronounced by Schuyler Colfax to be "the best after dinner speech ever
made." Certainly it was a refreshing departure from the prosy or
clumsy-witted efforts common to that period. He was coming altogether
into his own.--[This is the first of Mark Twain's after-dinner speeches
to be preserved. The reader will find it complete, as reported next day,
in Appendix G, at the end of last volume.]

He was not immediately interested in the matter of book publication. The
Jumping Frog book was popular, and in England had been issued by
Routledge; but the royalty returns were modest enough and slow in
arrival. His desire was for prompter results. His interest in book
publication had never been an eager one, and related mainly to the
advertising it would furnish, which he did not now need; or to the money
return, in which he had no great faith. Yet at this very moment a letter
for him was lying in the Tribune office in New York which would bring the
book idea into first prominence and spell the beginning of his fortune.

Among those who had read and found delight in the Tribune letters was
Elisha Bliss, Jr., of the American Publishing Company, of Hartford. Bliss
was a shrewd and energetic man, with a keen appreciation for humor and
the American fondness for that literary quality. He had recently
undertaken the management of a Hartford concern, and had somewhat alarmed
its conservative directorate by publishing books that furnished
entertainment to the reader as well as moral instruction. Only his
success in paying dividends justified this heresy and averted his
downfall. Two days after the arrival of the Quaker City Bliss wrote the
letter above mentioned. It ran as follows:

                  OFFICE OF THE AMERICAN PUBLISHING CO.
                  HARTFORD, CONN., November 21, 1867.

SAMUEL L. CLEMENS, ESQ., Tribune Office, New York.

DEAR SIR,--We take the liberty to address you this, in place of a letter
which we had recently written and were about to forward to you, not
knowing your arrival home was expected so soon. We are desirous of
obtaining from you a work of some kind, perhaps compiled from your
letters from the past, etc., with such interesting additions as may be
proper. We are the publishers of A. D. Richardson's works, and flatter
ourselves that we can give an author a favorable term and do as full
justice to his productions as any other house in the country. We are
perhaps the oldest subscription house in the country, and have never
failed to give a book an immense circulation. We sold about 100,000
copies of Richardson's F. D. and E. ('Field, Dungeon and Escape'), and
are now printing 41,000 of 'Beyond the Mississippi', and large orders
ahead. If you have any thought of writing a book, or could be induced to
do so, we should be pleased to see you, and will do so. Will you do us
the favor of reply at once, at your earliest convenience.

                         Very truly etc.,

                            E. BLISS, JR.,
                            Secretary.

After ten days' delay this letter was forwarded to the Tribune bureau in
Washington, where Clemens received it. He replied promptly.

                     WASHINGTON, December 2, 1867.

E. BLISS, JR., ESQ., Secretary American Publishing Co.

DEAR SIR,--I only received your favor of November 21st last night, at the
rooms of the Tribune Bureau here. It was forwarded from the Tribune
office, New York where it had lain eight or ten days. This will be a
sufficient apology for the seeming discourtesy of my silence.

I wrote fifty-two letters for the San Francisco Alta California during
the Quaker City excursion, about half of which number have been printed
thus far. The Alta has few exchanges in the East, and I suppose scarcely
any of these letters have been copied on this side of the Rocky
Mountains. I could weed them of their chief faults of construction and
inelegancies of expression, and make a volume that would be more
acceptable in many respects than any I could now write. When those
letters were written my impressions were fresh, but now they have lost
that freshness; they were warm then, they are cold now. I could strike
out certain letters, and write new ones wherewith to supply their places.
If you think such a book would suit your purpose, please drop me a line,
specifying the size and general style of the volume--when the matter
ought to be ready; whether it should have pictures in it or not; and
particularly what your terms with me would be, and what amount of money I
might possibly make out of it. The latter clause has a degree of
importance for me which is almost beyond my own comprehension. But you
understand that, of course.

I have other propositions for a book, but have doubted the propriety of
interfering with good newspaper engagements, except my way as an author
could be demonstrated to be plain before me. But I know Richardson, and
learned from him some months ago something of an idea of the subscription
plan of publishing. If that is your plan invariably it looks safe.

I am on the New York Tribune staff here as an "occasional," among other
things, and a note from you addressed to
              Very truly, etc.,
                         SAM. L. CLEMENS,
                         New York Tribune Bureau, Washington
will find me, without fail.

The exchange of those two letters marked the beginning of one of the most
notable publishing connections in American literary history.

Consummation, however, was somewhat delayed. Bliss was ill when the
reply came, and could not write again in detail until nearly a month
later. In this letter he recited the profits made by Richardson and
others through subscription publication, and named the royalties paid.
Richardson had received four per cent. of the sale price, a small enough
rate for these later days; but the cost of manufacture was larger then,
and the sale and delivery of books through agents has ever been an
expensive process. Even Horace Greeley had received but a fraction more
on his Great American Conflict. Bliss especially suggested and
emphasized a "humorous work--that is to say, a work humorously inclined."
He added that they had two arrangements for paying authors: outright
purchase, and royalty. He invited a meeting in New York to arrange
terms.




LXIV

OLIVIA LANGDON

Clemens did in fact go to New York that same evening, to spend Christmas
with Dan Slote, and missed Bliss's second letter. It was no matter. Fate
had his affairs properly in hand, and had prepared an event of still
larger moment than the publication even of Innocents Abroad. There was a
pleasant reunion at Dan Slote's. He wrote home about it:

    Charley Langdon, Jack Van Nostrand, Dan and I (all Quaker City
    night-hawks) had a blow-out at Dan's house and a lively talk over
    old times. I just laughed till my sides ached at some of our
    reminiscences. It was the unholiest gang that ever cavorted through
    Palestine, but those are the best boys in the world.

This, however, was not the event; it was only preliminary to it. We are
coming to that now. At the old St. Nicholas Hotel, which stood on the
west of Broadway between Spring and Broome streets, there were stopping
at this time Jervis Langdon, a wealty coal-dealer and mine-owner of
Elmira, his son Charles and his daughter Olivia, whose pictured face
Samuel Clemens had first seen in the Bay of Smyrna one September day.
Young Langdon had been especially anxious to bring his distinguished
Quaker City friend and his own people together, and two days before
Christmas Samuel Clemens was invited to dine at the hotel. He went very
willingly. The lovely face of that miniature had been often a part of his
waking dreams. For the first time now he looked upon its reality. Long
afterward he said:

"It is forty years ago. From that day to this she has never been out of
my mind."

Charles Dickens was in New York then, and gave a reading that night in
Steinway Hall. The Langdons went, and Samuel Clemens accompanied them.
He remembered afterward that Dickens wore a black velvet coat with a
fiery red flower in his buttonhole, and that he read the storm scene from
Copperfield--the death of James Steerforth. But he remembered still more
clearly the face and dress of that slender girlish figure at his side.

Olivia Langdon was twenty-two years old at this time, delicate as the
miniature he had seen, fragile to look upon, though no longer with the
shattered health of her girlhood. At sixteen, through a fall upon the
ice, she had become a complete invalid, confined to her bed for two
years, unable to sit, even when supported, unable to lie in any position
except upon her back. Great physicians and surgeons, one after another,
had done their best for her but she had failed steadily until every hope
had died. Then, when nothing else was left to try, a certain Doctor
Newton, of spectacular celebrity, who cured by "laying on of hands," was
brought to Elmira to see her. Doctor Newton came into the darkened room
and said:

"Open the windows--we must have light!"

They protested that she could not bear the light, but the windows were
opened. Doctor Newton came to the bedside of the helpless girl,
delivered a short, fervent prayer, put his arm under her shoulders, and
bade her sit up. She had not moved for two years, and the family were
alarmed, but she obeyed, and he assisted her into a chair. Sensation
came back to her limbs. With his assistance she even made a feeble
attempt to walk. He left then, saying that she would gradually improve,
and in time be well, though probably never very strong. On the same day
he healed a boy, crippled and drawn with fever.

It turned out as he had said. Olivia Langdon improved steadily, and now
at twenty-two, though not robust--she was never that--she was
comparatively well. Gentle, winning, lovable, she was the family idol,
and Samuel Clemens joined in their worship from the moment of that first
meeting.

Olivia Langdon, on her part, was at first dazed and fascinated, rather
than attracted, by this astonishing creature, so unlike any one she had
ever known. Her life had been circumscribed, her experiences of a simple
sort. She had never seen anything resembling him before. Indeed, nobody
had. Somewhat carelessly, even if correctly, attired; eagerly, rather
than observantly, attentive; brilliant and startling, rather than
cultured, of speech--a blazing human solitaire, unfashioned, unset,
tossed by the drift of fortune at her feet. He disturbed rather than
gratified her. She sensed his heresy toward the conventions and forms
which had been her gospel; his bantering, indifferent attitude toward
life--to her always so serious and sacred; she suspected that he even
might have unorthodox views on matters of religion. When he had gone she
somehow had the feeling that a great fiery meteor of unknown portent had
swept across her sky.

To her brother, who was eager for her approval of his celebrity, Miss
Langdon conceded admiration. As for her father, he did not qualify his
opinion. With hearty sense of humor, and a keen perception of verity and
capability in men, Jervis Langdon accepted Samuel Clemens from the start,
and remained his stanch admirer and friend. Clemens left that night with
an invitation to visit Elmira by and by, and with the full intention of
going--soon. Fate, however, had another plan. He did not see Elmira for
the better part of a year.

He saw Miss Langdon again within the week. On New-Year's Day he set
forth to pay calls, after the fashion of the time--more lavish then than
now. Miss Langdon was receiving with Miss Alice Hooker, a niece of Henry
Ward Beecher, at the home of a Mrs. Berry; he decided to go there first.
With young Langdon he arrived at eleven o'clock in the morning, and they
did not leave until midnight. If his first impression upon Olivia
Langdon had been meteoric, it would seem that he must now have become to
her as a streaming comet that swept from zenith to horizon. One thing is
certain: she had become to him the single, unvarying beacon of his future
years. He visited Henry Ward Beecher on that trip and dined with him by
invitation. Harriet Beecher Stowe was present, and others of that
eminent family. Likewise his old Quaker City comrades, Moses S. and
Emma Beach. It was a brilliant gathering, a conclave of intellectual
gods--a triumph to be there for one who had been a printer-boy on the
banks of the Mississippi, and only a little while before a miner with
pick and shovel. It was gratifying to be so honored; it would be
pleasant to write home; but the occasion lacked something too
--everything, in fact--for when he ran his eye around the board the face
of the minature was not there.

Still there were compensations; inadequate, of course, but pleasant
enough to remember. It was Sunday evening and the party adjourned to
Plymouth Church. After services Mr. Beecher invited him to return home
with him for a quiet talk. Evidently they had a good time, for in the
letter telling of these things Samuel Clemens said: "Henry Ward Beecher
is a brick."




LXV

A CONTRACT WITH ELISHA BLISS, JR.

He returned to Washington without seeing Miss Langdon again, though he
would seem to have had permission to write--friendly letters. A little
later (it was on the evening of January 9th) he lectured in Washington
--on very brief notice indeed. The arrangement for his appearance had
been made by a friend during his absence--"a friend," Clemens declared
afterward, "not entirely sober at the time." To his mother he wrote:

I scared up a doorkeeper and was ready at the proper time, and by pure
good luck a tolerably good house assembled and I was saved. I hardly
knew what I was going to talk about, but it went off in splendid style.

The title of the lecture delivered was "The Frozen Truth"--"more truth in
the title than in the lecture," according to his own statement. What it
dealt with is not remembered now. It had to do with the Quaker City
trip, perhaps, and it seems to have brought a financial return which was
welcome enough. Subsequently he delivered it elsewhere; though just how
far the tour extended cannot be learned from the letters, and he had but
little memory of it in later years.

There was some further correspondence with Bliss, then about the 21st of
January (1868) Clemens made a trip to Hartford to settle the matter.
Bliss had been particularly anxious to meet him, personally and was a
trifle disappointed with his appearance. Mark Twain's traveling costume
was neither new nor neat, and he was smoking steadily a pipe of power.
His general make-up was hardly impressive.

Bliss's disturbance was momentary. Once he began to talk the rest did
not matter. He was the author of those letters, and Bliss decided that
personally he was even greater than they. The publisher, confined to his
home with illness, offered him the hospitality of his household. Also,
he made him two propositions: he would pay him ten thousand dollars cash
for his copyright, or he would pay five per cent. royalty, which was a
fourth more than Richardson had received. He advised the latter
arrangement.

Clemens had already taken advice and had discussed the project a good
deal with Richardson. The ten thousand dollars was a heavy temptation,
but he withstood it and closed on the royalty basis--"the best business
judgment I ever displayed," he was wont to declare. A letter written to
his mother and sister near the end of this Hartford stay is worth quoting
pretty fully here, for the information and "character" it contains. It
bears date of January 24th.

    This is a good week for me. I stopped in the Herald office, as I
    came through New York, to see the boys on the staff, and young James
    Gordon Bennett asked me to write twice a week, impersonally, for the
    Herald, and said if I would I might have full swing, and about
    anybody and everything I wanted to. I said I must have the very
    fullest possible swing, and he said, "All right." I said, "It's a
    contract--" and that settled that matter.

    I'll make it a point to write one letter a week anyhow. But the
    best thing that has happened is here. This great American
    Publishing Company kept on trying to bargain with me for a book till
    I thought I would cut the matter short by coming up for a talk. I
    met Henry Ward Beecher in Brooklyn, and with his usual whole-souled
    way of dropping his own work to give other people a lift when he
    gets a chance, he said: "Now, here, you are one of the talented men
    of the age--nobody is going to deny that--but in matters of business
    I don't suppose you know more than enough to come in when it rains.
    I'll tell you what to do and how to do it." And he did.

    And I listened well, and then came up here and made a splendid
    contract for a Quaker City book of 5 or 600 large pages, with
    illustrations, the manuscript to be placed in the publisher's hands
    by the middle of July.--[The contract was not a formal one. There
    was an exchange of letters agreeing to the terms, but no joint
    document was drawn until October 16 (1868).]--My percentage is to
    be a fourth more than they have ever paid any author except Greeley.
    Beecher will be surprised, I guess, when he hears this.

    These publishers get off the most tremendous editions of their books
    you can imagine. I shall write to the Enterprise and Alta every
    week, as usual, I guess, and to the Herald twice a week,
    occasionally to the Tribune and the magazines (I have a stupid
    article in the Galaxy, just issued), but I am not going to write to
    this and that and the other paper any more.

    I have had a tiptop time here for a few days (guest of Mr. Jno.
    Hooker's family--Beecher's relatives--in a general way of Mr. Bliss
    also, who is head of the publishing firm). Puritans are mighty
    straight-laced, and they won't let me smoke in the parlor, but the
    Almighty don't make any better people.

    I have to make a speech at the annual Herald dinner on the 6th of
    May.

So the book, which would establish his claim to a peerage in the literary
land, was arranged for, and it remained only to prepare the manuscript, a
task which he regarded as not difficult. He had only to collate the Alta
and Tribune letters, edit them, and write such new matter as would be
required for completeness.

Returning to Washington, he plunged into work with his usual terrific
energy, preparing the copy--in the mean time writing newspaper
correspondence and sketches that would bring immediate return. In
addition to his regular contributions, he entered into a syndicate
arrangement with John Swinton (brother of William Swinton, the historian)
to supply letters to a list of newspapers.

"I have written seven long newspaper letters and a short magazine article
in less than two days," he wrote home, and by the end of January he had
also prepared several chapters of his book.

The San Francisco post-mastership was suggested to him again, but he put
the temptation behind him. He refers to this more than once in his home
letters, and it is clear that he wavered.

    Judge Field said if I wanted the place he could pledge me the
    President's appointment, and Senator Corners said he would guarantee
    me the Senate's confirmation. It was a great temptation, but it
    would render it impossible to fill my book contract, and I had to
    drop the idea....

    And besides I did not want the office.

He made this final decision when he heard that the chief editor of the
Alta wanted the place, and he now threw his influence in that quarter. "I
would not take ten thousand dollars out of a friend's pocket," he said.

But then suddenly came the news from Goodman that the Alta publishers had
copyrighted his Quaker City letters and proposed getting them out in a
book, to reimburse themselves still further on their investment. This
was sharper than a serpent's tooth. Clemens got confirmation of the
report by telegraph. By the same medium he protested, but to no purpose.
Then he wrote a letter and sat down to wait. He reported his troubles to
Orion:

    I have made a superb contract for a book, and have prepared the
    first ten chapters of the sixty or eighty, but I will bet it never
    sees the light. Don't you let the folks at home hear that. That
    thieving Alta copyrighted the letters, and now shows no disposition
    to let me use them. I have done all I can by telegraph, and now
    await the final result by mail. I only charged them for 50 letters
    what (even in) greenbacks would amount to less than two thousand
    dollars, intending to write a good deal for high-priced Eastern
    papers, and now they want to publish my letters in book form
    themselves to get back that pitiful sum.

Orion was by this time back from Nevada, setting type in St. Louis. He
was full of schemes, as usual, and his brother counsels him freely. Then
he says:

    We chase phantoms half the days of our lives. It is well if we
    learn wisdom even then, and save the other half.

    I am in for it. I must go on chasing them, until I marry, then I am
    done with literature and all other bosh--that is, literature
    wherewith to please the general public.

    I shall write to please myself then.

He closes by saying that he rather expects to go with Anson Burlingame on
the Chinese embassy. Clearly he was pretty hopeless as to his book
prospects.

His first meeting with General Grant occurred just at this time. In one
of his home letters he mentions, rather airily, that he will drop in
someday on the General for an interview; and at last, through Mrs. Grant,
an appointment was made for a Sunday evening when the General would be at
home. He was elated with the prospect of an interview; but when he
looked into the imperturbable, square, smileless face of the soldier he
found himself, for the first time in his life, without anything
particular to say. Grant nodded slightly and waited. His caller wished
something would happen. It did. His inspiration returned.

"General," he said, "I seem to be a little embarrassed. Are you?"

That broke the ice. There were no further difficulties.--[Mark Twain has
variously related this incident. It is given here in accordance with the
letters of the period.]




LXVI

BACK TO SAN FRANCISCO

Reply came from the Alta, but it was not promising. It spoke rather
vaguely of prior arrangements and future possibilities. Clemens gathered
that under certain conditions he might share in the profits of the
venture. There was but one thing to do; he knew those people--some of
them--Colonel McComb and a Mr. McCrellish intimately. He must confer
with them in person.

He was weary of Washington, anyway. The whole pitiful machinery of
politics disgusted him. In his notebook he wrote:

    Whiskey is taken into the committee rooms in demijohns and carried
    out in demagogues.

And in a letter:

    This is a place to get a poor opinion of everybody in. There are
    some pitiful intellects in this Congress! There isn't one man in
    Washington in civil office who has the brains of Anson Burlingame,
    and I suppose if China had not seized and saved his great talents to
    the world this government would have discarded him when his time was
    up.--[Anson Burlingame had by this time become China's special
    ambassador to the nations.]

Furthermore, he was down on the climate of Washington. He decided to go
to San Francisco and see "those Alta thieves face to face." Then, if a
book resulted, he could prepare it there among friends. Also, he could
lecture.

He had been anxious to visit his people before sailing, but matters were
too urgent to permit delay. He obtained from Bliss an advance of royalty
and took passage, by way of Aspinwall, on the sidewheel steamer Henry
Chauncey, a fine vessel for those days. The name of Mark Twain was
already known on the isthmus, and when it was learned he had arrived on
the Chauncey a delegation welcomed him on the wharf, and provided him
with refreshments and entertainment. Mr. Tracy Robinson, a poet, long a
resident of that southern land, was one of the group. Beyond the isthmus
Clemens fell in again with his old captain, Ned Wakeman, who during the
trip told him the amazing dream that in due time would become Captain
Stormfield's Visit to Heaven. He made the first draft of this story soon
after his arrival in San Francisco, as a sort of travesty of Elizabeth
Stuart Phelps's Gates Ajar, then very popular. Clemens, then and later,
had a high opinion of Capt. Ned Wakeman's dream, but his story of it
would pass through several stages before finally reaching the light of
publication.--[Mr. John P. Vollmer, now of Lewiston, Idaho, a companion
of that voyage, writes of a card game which took place beyond the
isthmus. The notorious crippled gambler, "Smithy," figured in it, and it
would seem to have furnished the inspiration for the exciting story in
Chapter XXXVI of the Mississippi book.]

In San Francisco matters turned out as he had hoped. Colonel McComb was
his stanch friend; McCrellish and Woodward, the proprietors, presently
conceded that they had already received good value for the money paid.
The author agreed to make proper acknowledgments to the Alta in his
preface, and the matter was settled with friendliness all around.

The way was now clear, the book assured. First, however, he must provide
himself with funds. He delivered a lecture, with the Quaker City
excursion as his subject. On the 5th of May he wrote to Bliss:

I lectured here on the trip the other night; over $1,600 in gold in the
house; every seat taken and paid for before night.

He reports that he is steadily at work, and expects to start East with
the completed manuscript about the middle of June.

But this was a miscalculation. Clemens found that the letters needed
more preparation than he had thought. His literary vision and equipment
had vastly altered since the beginning of that correspondence. Some of
the chapters he rewrote; others he eliminated entirely. It required two
months of fairly steady work to put the big manuscript together.

Some of the new chapters he gave to Bret Harte for the Overland Monthly,
then recently established. Harte himself was becoming a celebrity about
this time. His "Luck of Roaring Camp" and "The Outcasts of Poker Flat,"
published in early numbers of the Overland, were making a great stir in
the East, arousing there a good deal more enthusiasm than in the magazine
office or the city of their publication. That these two friends, each
supreme in his own field, should have entered into their heritage so
nearly at the same moment, is one of the many seemingly curious
coincidences of literary history.

Clemens now concluded to cover his lecture circuit of two years before.
He was assured that it would be throwing away a precious opportunity not
to give his new lecture to his old friends. The result justified that
opinion. At Virginia, at Carson, and elsewhere he was received like a
returned conqueror. He might have been accorded a Roman triumph had
there been time and paraphernalia. Even the robbers had reformed, and
entire safety was guaranteed him on the Divide between Virginia and Gold
Hill. At Carson he called on Mrs. Curry, as in the old days, and among
other things told her how snow from the Lebanon Mountains is brought to
Damascus on the backs of camels.

"Sam," she said, "that's just one of your yarns, and if you tell it in
your lecture to-night I'll get right up and say so."

But he did tell it, for it was a fact; and though Mrs. Curry did not rise
to deny it she shook her finger at him in a way he knew.

He returned to San Francisco and gave one more lecture, the last he would
ever give in California. His preparatory advertising for that occasion
was wholly unique, characteristic of him to the last degree. It assumed
the form of a handbill of protest, supposed to have been issued by the
foremost citizens of San Francisco, urging him to return to the States
without inflicting himself further upon them. As signatures he made free
with the names of prominent individuals, followed by those of
organizations, institutions, "Various Benevolent Societies, Citizens on
Foot and Horseback, and fifteen hundred in the Steerage."

Following this (on the same bill) was his reply, "To the fifteen hundred
and others," in which he insisted on another hearing:

    I will torment the people if I want to.... It only costs the people
    $1 apiece, and if they can't stand it what do they stay here for?...
    My last lecture was not as fine as I thought it was, but I have
    submitted this discourse to several able critics, and they have
    pronounced it good. Now, therefore, why should I withhold it?

He promised positively to sail on the 6th of July if they would let him
talk just this once. Continuing, the handbill presented a second
protest, signed by the various clubs and business firms; also others
bearing variously the signatures of the newspapers, and the clergy,
ending with the brief word:

    You had better go.  Yours,  CHIEF OF POLICE.

All of which drollery concluded with his announcement of place and date
of his lecture, with still further gaiety at the end. Nothing short of a
seismic cataclysm--an earthquake, in fact--could deter a San Francisco
audience after that. Mark Twain's farewell address, given at the
Mercantile Library July 2 (1868), doubtless remains today the leading
literary event in San Francisco's history.--[Copy of the lecture
announcement, complete, will be found in Appendix H, at the end of last
volume.]

He sailed July 6th by the Pacific mail steamer Montana to Acapulco,
caught the Henry Chauncey at Aspinwall, reached New York on the 28th, and
a day or two later had delivered his manuscript at Hartford.

But a further difficulty had arisen. Bliss was having troubles himself,
this time, with his directors. Many reports of Mark Twain's new book had
been traveling the rounds of the press, some of which declared it was to
be irreverent, even blasphemous, in tone. The title selected, The New
Pilgrim's Progress, was in itself a sacrilege. Hartford was a
conservative place; the American Publishing Company directors were of
orthodox persuasion. They urged Bliss to relieve the company of this
impending disaster of heresy. When the author arrived one or more of
them labored with him in person, without avail. As for Bliss, he was
stanch; he believed in the book thoroughly, from every standpoint. He
declared if the company refused to print it he would resign the
management and publish the book himself. This was an alarming suggestion
to the stockholders. Bliss had returned dividends--a boon altogether too
rare in the company's former history. The objectors retired and were
heard of no more. The manuscript was placed in the hands of Fay and Cox,
illustrators, with an order for about two hundred and fifty pictures.

Fay and Cox turned it over to True Williams, one of the well-known
illustrators of that day. Williams was a man of great talent--of fine
imagination and sweetness of spirit--but it was necessary to lock him in
a room when industry was required, with nothing more exciting than cold
water as a beverage. Clemens himself aided in the illustrating by
obtaining of Moses S. Beach photographs from the large collection he had
brought home.




LXVII

A VISIT TO ELMIRA

Meantime he had skilfully obtained a renewal of the invitation to spend a
week in the Langdon home.

He meant to go by a fast train, but, with his natural gift for
misunderstanding time-tables, of course took a slow one, telegraphing his
approach from different stations along the road. Young Langdon concluded
to go down the line as far as Waverly to meet him. When the New York
train reached there the young man found his guest in the smoking-car,
travel-stained and distressingly clad. Mark Twain was always
scrupulously neat and correct of dress in later years, but in that
earlier day neatness and style had not become habitual and did not give
him comfort. Langdon greeted him warmly but with doubt. Finally he
summoned courage to say, hesitatingly--"You've got some other clothes,
haven't you?"

The arriving guest was not in the least disturbed.

"Oh yes," he said with enthusiasm, "I've got a fine brand-new outfit in
this bag, all but a hat. It will be late when we get in, and I won't see
any one to-night. You won't know me in the morning. We'll go out early
and get a hat."

This was a large relief to the younger man, and the rest of the journey
was happy enough. True to promise, the guest appeared at daylight
correctly, even elegantly clad, and an early trip to the shops secured
the hat. A gay and happy week followed--a week during which Samuel
Clemens realized more fully than ever that in his heart there was room
for only one woman in all the world: Olivia Langdon--"Livy," as they all
called her--and as the day of departure drew near it may be that the
gentle girl had made some discoveries, too.

No word had passed between them. Samuel Clemens had the old-fashioned
Southern respect for courtship conventions, and for what, in that day at
least, was regarded as honor. On the morning of the final day he said to
young Langdon:

"Charley, my week is up, and I must go home."

The young man expressed a regret which was genuine enough, though not
wholly unqualified. His older sister, Mrs. Crane, leaving just then for
a trip to the White Mountains, had said:

"Charley, I am sure Mr. Clemens is after our Livy. You mustn't let him
carry her off before our return."

The idea was a disturbing one. The young man did not urge his guest to
prolong his-visit. He said:

"We'll have to stand it, I guess, but you mustn't leave before to-night."

"I ought to go by the first train," Clemens said, gloomily. "I am in
love."

"In what!"

"In love-with your sister, and I ought to get away from here."

The young man was now very genuinely alarmed. To him Mark Twain was a
highly gifted, fearless, robust man--a man's man--and as such altogether
admirable--lovable. But Olivia--Livy--she was to him little short of a
saint. No man was good enough for her, certainly not this adventurous
soldier of letters from the West. Delightful he was beyond doubt,
adorable as a companion, but not a companion for Livy.

"Look here, Clemens," he said, when he could get his voice. "There's a
train in half an hour. I'll help you catch it. Don't wait till
to-night. Go now."

Clemens shook his head.

"No, Charley," he said, in his gentle drawl, "I want to enjoy your
hospitality a little longer. I promise to be circumspect, and I'll go
to-night."

That night, after dinner, when it was time to take the New York train, a
light two-seated wagon was at the gate. The coachman was in front, and
young Langdon and his guest took the back seat. For some reason the seat
had not been locked in its place, and when, after the good-bys, the
coachman touched the horse it made a quick spring forward, and the back
seat, with both passengers, described a half-circle and came down with
force on the cobbled street. Neither passenger was seriously hurt;
Clemens not at all--only dazed a little for a moment. Then came an
inspiration; here was a chance to prolong his visit. Evidently it was
not intended that he should take that train. When the Langdon household
gathered around with restoratives he did not recover too quickly. He
allowed them to support or carry him into the house and place him in an
arm-chair and apply remedies. The young daughter of the house especially
showed anxiety and attention. This was pure happiness. He was perjuring
himself, of course, but they say Jove laughs at such things.

He recovered in a day or two, but the wide hospitality of the handsome
Langdon home was not only offered now; it was enforced. He was still
there two weeks later, after which he made a trip to Cleveland to confide
in Mrs. Fairbanks how he intended to win Livy Langdon for his wife.




LXVIII

THE REV. "JOE" TWICHELL

He returned to Hartford to look after the progress of his book. Some of
it was being put into type, and with his mechanical knowledge of such
things he was naturally interested in the process.

He made his headquarters with the Blisses, then living at 821 Asylum
Avenue, and read proof in a little upper room, where the lamp was likely
to be burning most of the time, where the atmosphere was nearly always
blue with smoke, and the window-sill full of cigar butts. Mrs. Bliss
took him into the quiet social life of the neighborhood--to small church
receptions, society gatherings and the like--all of which he seemed to
enjoy. Most of the dwellers in that neighborhood were members of the
Asylum Hill Congregational Church, then recently completed; all but the
spire. It was a cultured circle, well-off in the world's goods, its male
members, for the most part, concerned in various commercial ventures.

The church stood almost across the way from the Bliss home, and Mark
Twain, with his picturesque phrasing, referred to it as the "stub-tailed
church," on account of its abbreviated spire; also, later, with a
knowledge of its prosperous membership, as the "Church of the Holy
Speculators." He was at an evening reception in the home of one of its
members when he noticed a photograph of the unfinished building framed
and hanging on the wall.

"Why, yes," he commented, in his slow fashion, "this is the 'Church of
the Holy Speculators.'"

"Sh," cautioned Mrs. Bliss. "Its pastor is just behind you. He knows
your work and wants to meet you." Turning, she said: "Mr. Twichell, this
is Mr. Clemens. Most people know him as Mark Twain."

And so, in this casual fashion, he met the man who was presently to
become his closest personal friend and counselor, and would remain so for
more than forty years.

Joseph Hopkins Twichell was a man about his own age, athletic and
handsome, a student and a devout Christian, yet a man familiar with the
world, fond of sports, with an exuberant sense of humor and a wide
understanding of the frailties of humankind. He had been "port waist
oar" at Yale, and had left college to serve with General "Dan" Sickles as
a chaplain who had followed his duties not only in the camp, but on the
field.

Mention has already been made of Mark Twain's natural leaning toward
ministers of the gospel, and the explanation of it is easier to realize
than to convey. He was hopelessly unorthodox--rankly rebellious as to
creeds. Anything resembling cant or the curtailment of mental liberty
roused only his resentment and irony. Yet something in his heart always
warmed toward any laborer in the vineyard, and if we could put the
explanation into a single sentence, perhaps we might say it was because
he could meet them on that wide, common ground sympathy with mankind.
Mark Twain's creed, then and always, may be put into three words,
"liberty, justice, humanity." It may be put into one word, "humanity."

Ministers always loved Mark Twain. They did not always approve of him,
but they adored him: The Rev. Mr. Rising, of the Comstock, was an early
example of his ministerial friendships, and we have seen that Henry Ward
Beecher cultivated his company. In a San Francisco letter of two years
before, Mark Twain wrote his mother, thinking it would please her:

I am as thick as thieves with the Reverend Stebbins. I am laying for the
Reverend Scudder and the Reverend Doctor Stone. I am running on
preachers now altogether, and I find them gay.

So it may be that his first impulse toward Joseph Twichell was due to the
fact that he was a young member of that army whose mission is to comfort
and uplift mankind. But it was only a little time till the impulse had
grown into a friendship that went beyond any profession or doctrine, a
friendship that ripened into a permanent admiration and love for "Joe"
Twichell himself, as one of the noblest specimens of his race.

He was invited to the Twichell home, where he met the young wife and got
a glimpse of the happiness of that sweet and peaceful household. He had
a neglected, lonely look, and he loved to gather with them at their
fireside. He expressed his envy of their happiness, and Mrs. Twichell
asked him why, since his affairs were growing prosperous, he did not
establish a household of his own. Long afterward Mr. Twichell wrote:

    Mark made no answer for a little, but, with his eyes bent on the
    floor, appeared to be deeply pondering. Then he looked up, and said
    slowly, in a voice tremulous with earnestness (with what sympathy he
    was heard may be imagined): "I am taking thought of it. I am in
    love beyond all telling with the dearest and best girl in the whole
    world. I don't suppose she will marry me. I can't think it
    possible. She ought not to. But if she doesn't I shall be sure
    that the best thing I ever did was to fall in love with her, and
    proud to have it known that I tried to win her!"

It was only a brief time until the Twichell fireside was home to him. He
came and went, and presently it was "Mark" and "Joe," as by and by it
would be "Livy" and "Harmony," and in a few years "Uncle Joe" and "Uncle
Mark," "Aunt Livy" and "Aunt Harmony," and so would remain until the
end.




LXIX

A LECTURE TOUR

James Redpath, proprietor of the Boston Lyceum Bureau, was the leading
lecture agent of those days, and controlled all, or nearly all, of the
platform celebrities. Mark Twain's success at the Cooper Union the year
before had interested Redpath. He had offered engagements then and
later, but Clemens had not been free for the regular circuit. Now there
was no longer a reason for postponement of a contract. Redpath was eager
for the new celebrity, and Clemens closed with him for the season of
1868-9. With his new lecture, "The Vandal Abroad," he was presently
earning a hundred dollars and more a night, and making most of the nights
count.

This was affluence indeed. He had become suddenly a person of
substance-an associate of men of consequence, with a commensurate income.
He could help his mother lavishly now, and he did.

His new lecture was immensely popular. It was a resume of the 'Quaker
City' letters--a foretaste of the book which would presently follow.
Wherever he went, he was hailed with eager greetings. He caught such
drifting exclamations as, "There he is! There goes Mark Twain!" People
came out on the street to see him pass. That marvelous miracle which we
variously call "notoriety," "popularity," "fame," had come to him. In
his notebook he wrote, "Fame is a vapor, popularity an accident; the
only, earthly certainty oblivion."

The newspapers were filled with enthusiasm both as to his matter and
method. His delivery was described as a "long, monotonous drawl, with
the fun invariably coming in at the end of a sentence--after a pause."
His appearance at this time is thus set down:

    Mark Twain is a man of medium height, about five feet ten, sparsely
    built, with dark reddish-brown hair and mustache. His features are
    fair, his eyes keen and twinkling. He dresses in scrupulous evening
    attire. In lecturing he hangs about the desk, leaning on it or
    flirting around the corners of it, then marching and countermarching
    in the rear of it. He seldom casts a glance at his manuscript.

No doubt this fairly presents Mark Twain, the lecturer of that day. It
was a new figure on the platform, a man with a new method. As to his
manuscript, the item might have said that he never consulted it at all.
He learned his lecture; what he consulted was merely a series of
hieroglyphics, a set of crude pictures drawn by himself, suggestive of
the subject-matter underneath new head. Certain columns represented the
Parthenon; the Sphinx meant Egypt, and so on. His manuscript lay there
in case of accident, but the accident did not happen.

A number of his engagements were in the central part of New York, at
points not far distant from Elmira. He had a standing invitation to
visit the Langdon home, and he made it convenient to avail himself of
that happiness.

His was not an unruffled courtship. When at last he reached the point of
proposing for the daughter of the house, neither the daughter nor the
household offered any noticeable encouragement to his suit. Many absurd
anecdotes have been told of his first interview with Mr. Langdon on the
subject, but they are altogether without foundation. It was a proper and
dignified discussion of a very serious matter. Mr. Langdon expressed
deep regard for him and friendship but he was not inclined to add him to
the family; the young lady herself, in a general way, accorded with these
views. The applicant for favor left sadly enough, but he could not
remain discouraged or sad. He lectured at Cleveland with vast success,
and the news of it traveled quickly to Elmira. He was referred to by
Cleveland papers as a "lion" and "the coming man of the age." Two days
later, in Pittsburgh (November 19th), he "played" against Fanny Kemble,
the favorite actress of that time, with the result that Miss Kemble had
an audience of two hundred against nearly ten times the number who
gathered to hear Mark Twain. The news of this went to Elmira, too. It
was in the papers there next morning; surely this was a conquering hero
--a gay Lochinvar from out of the West--and the daughter of the house
must be guarded closely, that he did not bear her away. It was on the
second morning following the Pittsburgh triumph, when the Langdon family
were gathered at breakfast, that a bushy auburn head poked fearfully in
at the door, and a low, humble voice said:

"The calf has returned; may the prodigal have some breakfast?"

No one could be reserved or reprovingly distant, or any of those
unfriendly things with a person like that; certainly not Jervis Langdon,
who delighted in the humor and the tricks and turns and oddities of this
eccentric visitor. Giving his daughter to him was another matter, but
even that thought was less disturbing than it had been at the start. In
truth, the Langdon household had somehow grown to feel that he belonged
to them. The elder sister's husband, Theodore Crane, endorsed him fully.
He had long before read some of the Mark Twain sketches that had traveled
eastward in advance of their author, and had recognized, even in the
crudest of them, a classic charm. As for Olivia Langdon's mother and
sister, their happiness lay in hers. Where her heart went theirs went
also, and it would appear that her heart, in spite of herself, had found
its rightful keeper. Only young Langdon was irreconciled, and eventually
set out for a voyage around the world to escape the situation.

There was only a provisional engagement at first. Jervis Langdon
suggested, and Samuel Clemens agreed with him, that it was proper to know
something of his past, as well as of his present, before the official
parental sanction should be given. When Mr. Langdon inquired as to the
names of persons of standing to whom he might write for credentials,
Clemens pretty confidently gave him the name of the Reverend Stebbins and
others of San Francisco, adding that he might write also to Joe Goodman
if he wanted to, but that he had lied for Goodman a hundred times and
Goodman would lie for him if necessary, so his testimony would be of no
value. The letters to the clergy were written, and Mr. Langdon also
wrote one on his own account.

It was a long mail-trip to the Coast and back in those days. It might be
two months before replies would come from those ministers. The lecturer
set out again on his travels, and was radiantly and happily busy. He
went as far west as Illinois, had crowded houses in Chicago, visited
friends and kindred in Hannibal, St. Louis, and Keokuk, carrying the
great news, and lecturing in old familiar haunts.




LXX

INNOCENTS AT HOME--AND "THE INNOCENTS ABROAD"

He was in Jacksonville, Illinois, at the end of January (1869), and in a
letter to Bliss states that he will be in Elmira two days later, and asks
that proofs of the book be sent there. He arrived at the Langdon home,
anxious to hear the reports that would make him, as the novels might say,
"the happiest or the most miserable of men." Jervis Langdon had a rather
solemn look when they were alone together. Clemens asked:

"You've heard from those gentlemen out there?"

"Yes, and from another gentleman I wrote concerning you."

"They don't appear to have been very enthusiastic, from your manner."

"Well, yes, some of them were."

"I suppose I may ask what particular form their emotion took?"

"Oh yes, yes; they agree unanimously that you are a brilliant, able man,
a man with a future, and that you would make about the worst husband on
record."

The applicant for favor had a forlorn look.

"There's nothing very evasive about that," he said:

There was a period of reflective silence. It was probably no more than a
few seconds, but it seemed longer.

"Haven't you any other friend that you could suggest?" Langdon said.

"Apparently none whose testimony would be valuable."

Jervis Langdon held out his hand. "You have at least one," he said. "I
believe in you. I know you better than they do."

And so came the crown of happiness. The engagement of Samuel Langhorne
Clemens and Olivia Lewis Langdon was ratified next day, February 4, 1869.

But if the friends of Mark Twain viewed the idea of the marriage with
scant favor, the friends of Miss Langdon regarded it with genuine alarm.
Elmira was a conservative place--a place of pedigree and family
tradition; that a stranger, a former printer, pilot, miner, wandering
journalist and lecturer, was to carry off the daughter of one of the
oldest and wealthiest families, was a thing not to be lightly permitted.
The fact that he had achieved a national fame did not count against other
considerations. The social protest amounted almost to insurrection, but
it was not availing. The Langdon family had their doubts too, though of
a different sort. Their doubts lay in the fear that one, reared as their
daughter had been, might be unable to hold a place as the wife of this
intellectual giant, whom they felt that the world was preparing to honor.
That this delicate, sheltered girl could have the strength of mind and
body for her position seemed hard to believe. Their faith overbore such
questionings, and the future years proved how fully it was justified.

To his mother Samuel Clemens wrote:

    She is only a little body, but she hasn't her peer in Christendom.
    I gave her only a plain gold engagement ring, when fashion
    imperatively demands a two-hundred-dollar diamond one, and told her
    it was typical of her future life-namely, that she would have to
    flourish on substance, rather than luxuries (but you see I know the
    girl--she don't care anything about luxuries).... She spends no
    money but her astral year's allowance, and spends nearly every cent
    of that on other people. She will be a good, sensible little wife,
    without any airs about her. I don't make intercession for her
    beforehand, and ask you to love her, for there isn't any use in
    that--you couldn't help it if you were to try. I warn you that
    whoever comes within the fatal influence of her beautiful nature is
    her willing slave forevermore.

To Mrs. Crane, absent in March, her father wrote:

    DEAR SUE,--I received your letter yesterday with a great deal of
    pleasure, but the letter has gone in pursuit of one S. L. Clemens,
    who has been giving us a great deal of trouble lately. We cannot
    have a joy in our family without a feeling, on the part of the
    little incorrigible in our family, that this wanderer must share it,
    so, as soon as read, into her pocket and off upstairs goes your
    letter, and in the next two minutes into the mail, so it is
    impossible for me now to refer to it, or by reading it over gain an
    inspiration in writing you. . .

Clemens closed his lecture tour in March, acid went immediately to
Elmira. He had lectured between fifty and sixty times, with a return of
something more than $8,000, not a bad aggregate for a first season on the
circuit. He had planned to make a spring tour to California, but the
attraction at Elmira was of a sort that discouraged distant travel.
Furthermore, he disliked the platform, then and always. It was always a
temptation to him because of its quick and abundant return, but it was
none the less distasteful. In a letter of that spring he wrote:

    I most cordially hate the lecture field. And after all, I shudder
    to think I may never get out of it. In all conversation with Gough,
    and Anna Dickinson, Nasby, Oliver Wendell Holmes, Wendell Phillips,
    and the other old stagers, I could not observe that they ever
    expected or hoped to get out of the business. I don't want to get
    wedded to it as they are.

He declined further engagements on the excuse that he must attend to
getting out his book. The revised proofs were coming now, and he and
gentle Livy Langdon read them together. He realized presently that with
her sensitive nature she had also a keen literary perception. What he
lacked in delicacy--and his lack was likely to be large enough in that
direction--she detected, and together they pruned it away. She became
his editor during those happy courtship days--a position which she held
to her death. The world owed a large debt of gratitude to Mark Twain's
wife, who from the very beginning--and always, so far as in her strength
she was able--inspired him to give only his worthiest to the world,
whether in written or spoken word, in counsel or in deed. Those early
days of their close companionship, spiritual and mental, were full of
revelation to Samuel Clemens, a revelation that continued from day to
day, and from year to year, even to the very end.

The letter to Bliss and the proofs were full of suggested changes that
would refine and beautify the text. In one of them he settles the
question of title, which he says is to be:

                  THE INNOCENTS ABROAD
                         or
                THE NEW PILGRIM'S PROGRESS

and we may be sure that it was Olivia Langdon's voice that gave the
deciding vote for the newly adopted chief title, which would take any
suggestion of irreverence out of the remaining words.

The book was to have been issued in the spring, but during his wanderings
proofs had been delayed, and there was now considerable anxiety about it,
as the agencies had become impatient for the canvass. At the end of
April Clemens wrote: "Your printers are doing well. I will hurry the
proofs"; but it was not until the early part of June that the last
chapters were revised and returned. Then the big book, at last
completed, went to press on an edition of twenty thousand, a large number
for any new book, even to-day.

In later years, through some confusion of circumstance, Mark Twain was
led to believe that the publication of The Innocents Abroad was long and
unnecessarily delayed. But this was manifestly a mistake. The book went
to press in June. It was a big book and a large edition. The first copy
was delivered July 20 (1869), and four hundred and seventeen bound
volumes were shipped that month. Even with the quicker mechanical
processes of to-day a month or more is allowed for a large book between
the final return of proofs and the date of publication. So it is only
another instance of his remembering, as he once quaintly put it, "the
thing that didn't happen."--[In an article in the North American Review
(September 21, 1906) Mr. Clemens stated that he found it necessary to
telegraph notice that he would bring suit if the book was not immediately
issued. In none of the letters covering this period is there any
suggestion of delay on the part of the publishers, and the date of the
final return of proofs, together with the date of publication, preclude
the possibility of such a circumstance. At some period of his life he
doubtless sent, or contemplated sending, such a message, and this fact,
through some curious psychology, became confused in his mind with the
first edition of The Innocents Abroad.]




LXXI

THE GREAT BOOK OF TRAVEL

'The Innocents Abroad' was a success from the start. The machinery for
its sale and delivery was in full swing by August 1, and five thousand
one hundred and seventy copies were disposed of that month--a number that
had increased to more than thirty-one thousand by the first of the year.
It was a book of travel; its lowest price was three and a half dollars.
No such record had been made by a book of that description; none has
equaled it since.--[One must recall that this was the record only up to
1910. D.W.]

If Mark Twain was not already famous, he was unquestionably famous now.
As the author of The New Pilgrim's Progress he was swept into the domain
of letters as one riding at the head of a cavalcade--doors and windows
wide with welcome and jubilant with applause. Newspapers chorused their
enthusiasm; the public voiced universal approval; only a few of the more
cultured critics seemed hesitant and doubtful.

They applauded--most of them--but with reservation. Doctor Holland
regarded Mark Twain as a mere fun maker of ephemeral popularity, and was
not altogether pleasant in his dictum. Doctor Holmes, in a letter to the
author, speaks of the "frequently quaint and amusing conceits," but does
not find it in his heart to refer to the book as literature. It was
naturally difficult for the East to concede a serious value to one who
approached his subject with such militant aboriginality, and occasionally
wrote "those kind." William Dean Howells reviewed the book in the
Atlantic, which was of itself a distinction, whether the review was
favorable or otherwise. It was favorable on the whole, favorable to the
humor of the book, its "delicious impudence," the charm of its
good-natured irony. The review closed:

    It is no business of ours to fix his rank among the humorists
    California has given us, but we think he is, in an entirely
    different way from all the others, quite worthy of the company of
    the best.

This is praise, but not of an intemperate sort, nor very inclusive. The
descriptive, the poetic, the more pretentious phases of the book did not
receive attention. Mr. Howells was perhaps the first critic of eminence
to recognize in Mark Twain not only the humorist, but the supreme
genius-the "Lincoln of our literature." This was later. The public--the
silent public--with what Howells calls "the inspired knowledge of the
simple-hearted multitude," reached a similar verdict forthwith. And on
sufficient evidence: let the average unprejudiced person of to-day take
up the old volume and read a few chapters anywhere and decide whether it
is the work of a mere humorist, or also of a philosopher, a poet, and a
seer. The writer well remembers a little group of "the simple-hearted
multitude" who during the winter of '69 and '70 gathered each evening to
hear the Innocents read aloud, and their unanimous verdict that it was
the "best book of modern times."

It was the most daring book of its day. Passages of it were calculated
to take the breath of the orthodox reader; only, somehow, it made him
smile, too. It was all so good-natured, so openly sincere. Without
doubt it preached heresy--the heresy of viewing revered landmarks and
relics joyously, rather than lugubriously; reverentially, when they
inspired reverence; satirically, when they invited ridicule, and with
kindliness always.

The Innocents Abroad is Mark Twain's greatest book of travel. The
critical and the pure in speech may object to this verdict. Brander
Matthews regards it second to A Tramp Abroad, the natural viewpoint of
the literary technician. The 'Tramp' contains better usage without
doubt, but it lacks the "color" which gives the Innocents its perennial
charm. In the Innocents there is a glow, a fragrance, a romance of
touch, a subtle something which is idyllic, something which is not quite
of reality, in the tale of that little company that so long ago sailed
away to the harbors of their illusions beyond the sea, and, wandered
together through old palaces and galleries, and among the tombs of the
saints, and down through ancient lands. There is an atmosphere about it
all, a dream-like quality that lies somewhere in the telling, maybe, or
in the tale; at all events it is there, and the world has felt it ever
since. Perhaps it could be defined in a single word, perhaps that word
would be "youth." That the artist, poor True Williams, felt its
inspiration is certain. We may believe that Williams was not a great
draftsman, but no artist ever caught more perfectly the light and spirit
of the author's text. Crude some of the pictures are, no doubt, but they
convey the very essence of the story; they belong to it, they are a part
of it, and they ought never to perish. 'A Tramp Abroad' is a rare book,
but it cannot rank with its great predecessor in human charm. The
public, which in the long run makes mistakes, has rendered that verdict.
The Innocents by far outsells the Tramp, and, for that matter, any other
book of travel.



THE PURCHASE OF A PAPER.

It is curious to reflect that Mark Twain still did not regard himself as
a literary man. He had no literary plans for the future; he scarcely
looked forward to the publication of another book. He considered himself
a journalist; his ambition lay in the direction of retirement in some
prosperous newspaper enterprise, with the comforts and companionship of a
home. During his travels he had already been casting about for a
congenial and substantial association in newspaperdom, and had at one
time considered the purchase of an interest in the Cleveland Herald. But
Buffalo was nearer Elmira, and when an opportunity offered, by which he
could acquire a third interest in the Buffalo Express for $25,000, the
purchase was decided upon. His lack of funds prompted a new plan for a
lecture tour to the Pacific coast, this time with D. R. Locke (Nasby),
then immensely popular, in his lecture "Cussed Be Canaan."

Clemens had met Nasby on the circuit, and was very fond of him. The two
had visited Boston together, and while there had called on Doctor Holmes;
this by the way. Nasby was fond of Clemens too, but doubtful about the
trip-doubtful about his lecture:

    Your proposition takes my breath away. If I had my new lecture
    completed I wouldn't hesitate a moment, but really isn't "Cussed Be
    Canaan" too old? You know that lemon, our African brother, juicy as
    he was in his day, has been squeezed dry. Why howl about his wrongs
    after said wrongs have been redressed? Why screech about the
    "damnable spirit of Cahst" when the victim thereof sits at the first
    table, and his oppressor mildly takes, in hash, what he leaves? You
    see, friend Twain, the Fifteenth Amendment busted "Cussed Be
    Canaan." I howled feelingly on the subject while it was a living
    issue, for I felt all that I said and a great deal more; but now
    that we have won our fight why dance frantically on the dead corpse
    of our enemy? The Reliable Contraband is contraband no more, but a
    citizen of the United States, and I speak of him no more.

    Give me a week to think of your proposition. If I can jerk a
    lecture in time I will go with you. The Lord knows I would like to.
    --[Nasby's lecture, "Cussed Be Canaan," opened, "We are all
    descended from grandfathers!" He had a powerful voice, and always
    just on the stroke of eight he rose and vigorously delivered this
    sentence. Once, after lecturing an entire season--two hundred and
    twenty-five nights--he went home to rest. That evening he sat,
    musingly drowsing by the fire, when the clock struck eight. Without
    a moment's thought Nasby sprang to his feet and thundered out, "We
    are all descended from grandfathers!"]

Nasby did not go, and Clemens's enthusiasm cooled at the prospect of
setting out alone on that long tour. Furthermore, Jervis Langdon
promptly insisted on advancing the money required to complete the
purchase of the Express, and the trade was closed.--[Mr. Langdon is just
as good for $25,000 for me, and has already advanced half of it in cash.
I wrote and asked whether I had better send him my note, or a due bill,
or how he would prefer to have the indebtedness made of record, and he
answered every other topic in the letter pleasantly, but never replied to
that at all. Still, I shall give my note into a hands of his business
agent here, and pay him the interest as it falls due.--S. L. C. to his
mother.]

The Buffalo Express was at this time in the hands of three men--Col.
George F. Selkirk, J. L. Lamed, and Thomas A. Kennett. Colonel Selkirk
was business manager, Lamed was political editor. With the purchase of
Kennett's share Clemens became a sort of general and contributing editor,
with a more or less "roving commission"--his hours and duties not very
clearly defined. It was believed by his associates, and by Clemens
himself, that his known connection with the paper would give it prestige
and circulation, as Nasby's connection had popularized the Toledo Blade.
The new editor entered upon his duties August 14 (1869). The members of
the Buffalo press gave him a dinner that evening, and after the manner of
newspaper men the world over, were handsomely cordial to the "new enemy
in their midst."

There is an anecdote which relates that next morning, when Mark Twain
arrived in the Express office (it was then at 14 Swan Street), there
happened to be no one present who knew him. A young man rose very
bruskly and asked if there was any one he would like to see. It is
reported that he replied, with gentle deliberation:

"Well, yes, I should like to see some young man offer the new editor a
chair."

It is so like Mark Twain that we are inclined to accept it, though it
seems of doubtful circumstance. In any case it deserves to be true. His
"Salutatory" (August 18th) is sufficiently genuine:

    Being a stranger, it would be immodest for me to suddenly and
    violently assume the associate editorship of the Buffalo Express
    without a single word of comfort or encouragement to the unoffending
    patrons of the paper, who are about to be exposed to constant
    attacks of my wisdom and learning. But the word shall be as brief
    as possible. I only want to assure parties having a friendly
    interest in the prosperity of the journal that I am not going to
    hurt the paper deliberately and intentionally at any time. I am not
    going to introduce any startling reforms, nor in any way attempt to
    make trouble.... I shall not make use of slang and vulgarity upon
    any occasion or under any circumstances, and shall never use
    profanity except when discussing house rent and taxes. Indeed, upon
    a second thought, I shall not use it even then, for it is
    unchristian, inelegant, and degrading; though, to speak truly, I do
    not see how house rent and taxes are going to be discussed worth a
    cent without it. I shall not often meddle with politics, because we
    have a political Editor who is already excellent and only needs to
    serve a term or two in the penitentiary to be perfect. I shall not
    write any poetry unless I conceive a spite against the subscribers.

    Such is my platform. I do not see any use in it, but custom is law
    and must be obeyed.

John Harrison Mills, who was connected with the Express in those days,
has written:

    I cannot remember that there was any delay in getting down to his
    work. I think within five minutes the new editor had assumed the
    easy look of one entirely at home, pencil in hand and a clutch of
    paper before him, with an air of preoccupation, as of one intent on
    a task delayed. It was impossible to be conscious of the man
    sitting there, and not feel his identity with all that he had
    enjoyed, and the reminiscence of it he that seemed to radiate; for
    the personality was so absolutely in accord with all the record of
    himself and his work. I cannot say he seemed to be that vague thing
    they call a type in race or blood, though the word, if used in his
    case for temperament, would decidedly mean what they used to call
    the "sanguine."

    I thought that, pictorially, the noble costume of the Albanian would
    have well become him. Or he might have been a Goth, and worn the
    horned bull-pate helmet of Alaric's warriors; or stood at the prow
    of one of the swift craft of the Vikings. His eyes, which have been
    variously described, were, it seemed to me, of an indescribable
    depth of the bluish moss-agate, with a capacity of pupil dilation
    that in certain lights had the effect of a deep black....

Mr. Mills adds that in dress he was now "well groomed," and that
consequently they were obliged to revise their notions as to the careless
negligee which gossip had reported.--[From unpublished Reminiscences
kindly lent to the author by Mr. Mills]




LXXIII

THE FIRST MEETING WITH HOWELLS

Clemens' first period of editorial work was a brief one, though he made
frequent contributions to the paper: sketches, squibs, travel-notes, and
experiences, usually humorous in character. His wedding-day had been set
for early in the year, and it was necessary to accumulate a bank account
for that occasion. Before October he was out on the lecture circuit,
billed now for the first time for New England, nervous and apprehensive
in consequence, though with good hope. To Pamela he wrote (November
9th):

To-morrow night I appear for the first time before a Boston audience
--4,000 critics--and on the success of this matter depends my future
success in New England. But I am not distressed. Nasby is in the same
boat. Tonight decides the fate of his brand-new lecture. He has just
left my room--been reading his lecture to me--was greatly depressed. I
have convinced him that he has little to fear.

Whatever alarm Mark Twain may have felt was not warranted. His success
with the New England public was immediate and complete. He made his
headquarters in Boston, at Redpath's office, where there was pretty sure
to be a congenial company, of which he was presently the center.

It was during one of these Boston sojourns that he first met William Dean
Howells, his future friend and literary counselor. Howells was assistant
editor of the Atlantic at this time; James T. Fields, its editor. Clemens
had been gratified by the Atlantic review, and had called to express his
thanks for it. He sat talking to Fields, when Howells entered the
editorial rooms, and on being presented to the author of the review,
delivered his appreciation in the form of a story, sufficiently
appropriate, but not qualified for the larger types.--[He said: "When I
read that review of yours, I felt like the woman who was so glad her baby
had come white."]

His manner, his humor, his quaint colloquial forms all delighted Howells
--more, in fact, than the opulent sealskin overcoat which he affected at
this period--a garment astonishing rather than esthetic, as Mark Twain's
clothes in those days of his first regeneration were likely to be
startling enough, we may believe; in the conservative atmosphere of the
Atlantic rooms. And Howells--gentle, genial, sincere--filled with the
early happiness of his calling, won the heart of Mark Twain and never
lost it, and, what is still more notable, won his absolute and unvarying
confidence in all literary affairs. It was always Mark Twain's habit to
rely on somebody, and in matters pertaining to literature and to literary
people in general he laid his burden on William Dean Howells from that
day. Only a few weeks after that first visit we find him telegraphing to
Howells, asking him to look after a Californian poet, then ill and
friendless in Brooklyn. Clemens states that he does not know the poet,
but will contribute fifty dollars if Howells will petition the steamboat
company for a pass; and no doubt Howells complied, and spent a good deal
more than fifty dollars' worth of time to get the poet relieved and
started; it would be like him.




LXXIV

THE WEDDING-DAY

The wedding was planned, at first, either for Christmas or New-Year's
Day; but as the lecture engagements continued into January it was decided
to wait until these were filled. February 2d, a date near the
anniversary of the engagement, was agreed upon, also a quiet wedding with
no "tour." The young people would go immediately to Buffalo, and take up
a modest residence, in a boardinghouse as comfortable, even as luxurious,
as the husband's financial situation justified. At least that was Samuel
Clemens's understanding of the matter. He felt that he was heavily in
debt--that his first duty was to relieve himself of that obligation.

There were other plans in Elmira, but in the daily and happy letters he
received there was no inkling of any new purpose.

He wrote to J. D. F. Slee, of Buffalo, who was associated in business
with Mr. Langdon, and asked him to find a suitable boarding-place, one
that would be sufficiently refined for the woman who was to be his wife,
and sufficiently reasonable to insure prosperity. In due time Slee
replied that, while boarding was a "miserable business anyhow," he had
been particularly fortunate in securing a place on one of the most
pleasant streets--"the family a small one and choice spirits, with no
predilection for taking boarders, and consenting to the present
arrangement only because of the anticipated pleasure of your company."
The price, Slee added, would be reasonable. As a matter of fact a house
on Delaware Avenue--still the fine residence street of Buffalo--had been
bought and furnished throughout as a present to the bride and groom. It
stands to-day practically unchanged--brick and mansard without, Eastlake
within, a type then much in vogue--spacious and handsome for that period.
It was completely appointed. Diagrams of the rooms had been sent to
Elmira and Miss Langdon herself had selected the furnishings. Everything
was put in readiness, including linen, cutlery, and utensils. Even the
servants had been engaged and the pantry and cellar had been stocked.

It must have been hard for Olivia Langdon to keep this wonderful surprise
out of those daily letters. A surprise like that is always watching a
chance to slip out unawares, especially when one is eagerly impatient to
reveal it.

However, the traveler remained completely in the dark. He may have
wondered vaguely at the lack of enthusiasm in the boarding idea, and
could he have been certain that the sales of the book would continue, or
that his newspaper venture would yield an abundant harvest, he might have
planned his domestic beginning on a more elaborate scale. If only the
Tennessee land would yield the long-expected fortune now! But these were
all incalculable things. All that he could be sure of was the coming of
his great happiness, in whatever environment, and of the dragging weeks
between.

At last the night of the final lecture came, and he was off for Elmira
with the smallest possible delay. Once there, the intervening days did
not matter. He could join in the busy preparations; he could write
exuberantly to his friends. To Laura Hawkins, long since Laura Frazer he
sent a playful line; to Jim Gillis, still digging and washing on the
slopes of the old Tuolumne hills, he wrote a letter which eminently
belongs here:

                     Elmira, N. Y., January 26, 1870.

    DEAR Jim,--I remember that old night just as well! And somewhere
    among my relics I have your remembrance stored away. It makes my
    heart ache yet to call to mind some of those days. Still it
    shouldn't, for right in the depths of their poverty and their
    pocket-hunting vagabondage lay the germ of my coming good fortune.
    You remember the one gleam of jollity that shot across our dismal
    sojourn in the rain and mud of Angel's Camp--I mean that day we sat
    around the tavern stove and heard that chap tell about the frog and
    how they filled him with shot. And you remember how we quoted from
    the yarn and laughed over it out there on the hillside while you and
    dear old Stoker panned and washed. I jotted the story down in my
    note-book that day, and would have been glad to get ten or fifteen
    dollars for it--I was just that blind. But then we were so hard up.
    I published that story, and it became widely known in America,
    India, China, England, and the reputation it made for me has paid me
    thousands and thousands of dollars since. Four or five months ago I
    bought into the Express (I have ordered it sent to you as long as
    you live, and if the bookkeeper sends you any bills you let me hear
    of it). I went heavily in debt--never could have dared to do that,
    Jim, if we hadn't heard the jumping Frog story that day.

    And wouldn't I love to take old Stoker by the hand, and wouldn't I
    love to see him in his great specialty, his wonderful rendition of
    Rinalds in the "Burning Shame!" Where is Dick and what is he doing?
    Give him my fervent love and warm old remembrances.

    A week from to-day I shall be married-to a girl even better and
    lovelier than the peerless "Chapparal Quails." You can't come so
    far, Jim, but still I cordially invite you to come anyhow, and I
    invite Dick too. And if you two boys were to land here on that
    pleasant occasion we would make you right royally welcome.
                     Truly your friend,
                                SAML. L. CLEMENS.

    P.S.---California plums are good. Jim, particularly when they are
    stewed.

It had been only five years before--that day in Angel's Camp--but how
long ago and how far away it seemed to him now! So much had happened
since then, so much of which that was the beginning--so little compared
with the marvel of the years ahead, whose threshold he was now about to
cross, and not alone.

A day or two before the wedding he was asked to lecture on the night of
February 2d. He replied that he was sorry to disappoint the applicant,
but that he could not lecture on the night of February 2d, for the reason
that he was going to marry a young lady on that evening, and that he
would rather marry that young lady than deliver all the lectures in the
world.

And so came the wedding-day. It began pleasantly; the postman brought a
royalty check that morning of $4,000, the accumulation of three months'
sales, and the Rev. Joseph Twichell and Harmony, his wife, came from
Hartford--Twichell to join with the Rev. Thomas K. Beecher in
solemnizing the marriage. Pamela Moffett, a widow now, with her daughter
Annie, grown to a young lady, had come all the way from St. Louis, and
Mrs. Fairbanks from Cleveland.

Yet the guests were not numerous, not more than a hundred at most, so it
was a quiet wedding there in the Langdon parlors, those dim, stately
rooms that in the future would hold so much of his history--so much of
the story of life and death that made its beginning there.

The wedding-service was about seven o'clock, for Mr. Beecher had a
meeting at the church soon after that hour. Afterward followed the
wedding-supper and dancing, and the bride's father danced with the bride.
To the interested crowd awaiting him at the church Mr. Beecher reported
that the bride was very beautiful, and had on the longest white gloves he
had ever seen; he declared they reached to her shoulders.--[Perhaps for a
younger generation it should be said that Thomas K. Beecher was a brother
of Henry Ward Beecher. He lived and died in Elmira, the almost worshiped
pastor of the Park Congregational Church. He was a noble, unorthodox
teacher. Samuel Clemens at the time of his marriage already strongly
admired him, and had espoused his cause in an article signed "S'cat!" in
the Elmira Advertiser, when he (Beecher) had been assailed by the more
orthodox Elmira clergy. For the "S'cat" article see Appendix I, at the
end of last volume.]

It was the next afternoon when they set out for Buffalo, accompanied by
the bride's parents, the groom's relatives, the Beechers, and perhaps one
or two others of that happy company. It was nine o'clock at night when
they arrived, and found Mr. Slee waiting at the station with sleighs to
convey the party to the "boarding-house" he had selected. They drove and
drove, and the sleigh containing the bride and groom got behind and
apparently was bound nowhere in particular, which disturbed the groom a
good deal, for he thought it proper that they should arrive first, to
receive their guests. He commented on Slee's poor judgment in selecting
a house that was so hard to find, and when at length they turned into
fashionable Delaware Avenue, and stopped before one of the most
attractive places in the neighborhood, he was beset with fear concerning
the richness of the locality.

They were on the steps when the doors opened, and a perfect fairyland of
lights and decoration was revealed within. The friends who had gone
ahead came out with greetings, to lead in the bride and groom. Servants
hurried forward to take bags and wraps. They were ushered inside; they
were led through beautiful rooms, all newly appointed and garnished. The
bridegroom was dazed, unable to understand the meaning of things, the
apparent ownership and completeness of possession.

At last the young wife put her hand upon his arm:

"Don't you understand, Youth," she said; that was always her name for
him. "Don't you understand? It is ours, all ours--everything--a gift
from father!"

But even then he could not grasp it; not at first, not until Mr. Langdon
brought a little box and, opening it, handed them the deeds.

Nobody quite remembers what was the first remark that Samuel Clemens made
then; but either then or a little later he said:

"Mr. Langdon, whenever you are in Buffalo, if it's twice a year, come
right here. Bring your bag and stay overnight if you want to. It
sha'n't cost you a cent!"

They went in to supper then, and by and by the guests were gone and the
young wedded pair were alone.

Patrick McAleer, the young coachman, who would grow old in their employ,
and Ellen, the cook, came in for their morning orders, and were full of
Irish delight at the inexperience and novelty of it all. Then they were
gone, and only the lovers in their new house and their new happiness
remained.

And so it was they entered the enchanted land.




LXXV

AS TO DESTINY

If any reader has followed these chapters thus far, he may have wondered,
even if vaguely, at the seeming fatality of events. Mark Twain had but
to review his own life for justification of his doctrine of inevitability
--an unbroken and immutable sequence of cause and effect from the
beginning. Once he said:

"When the first living atom found itself afloat on the great Laurentian
sea the first act of that first atom led to the second act of that first
atom, and so on down through the succeeding ages of all life, until, if
the steps could be traced, it would be shown that the first act of that
first atom has led inevitably to the act of my standing here in my
dressing-gown at this instant talking to you."

It seemed the clearest presentment ever offered in the matter of
predestined circumstance--predestined from the instant when that primal
atom felt the vital thrill. Mark Twain's early life, however imperfectly
recorded, exemplifies this postulate. If through the years still ahead
of us the course of destiny seems less clearly defined, it is only
because thronging events make the threads less easy to trace. The web
becomes richer, the pattern more intricate and confusing, but the line of
fate neither breaks nor falters, to the end.




LXXVI

ON THE BUFFALO "EXPRESS"

With the beginning of life in Buffalo, Mark Twain had become already a
world character--a man of large consequence and events. He had no proper
realization of this, no real sense of the size of his conquest; he still
regarded himself merely as a lecturer and journalist, temporarily
popular, but with no warrant to a permanent seat in the world's literary
congress. He thought his success something of an accident. The fact
that he was prepared to settle down as an editorial contributor to a
newspaper in what was then only a big village is the best evidence of a
modest estimate of his talents.

He "worked like a horse," is the verdict of those who were closely
associated with him on the Express. His hours were not regular, but they
were long. Often he was at his desk at eight in the morning, and
remained there until ten or eleven at night.

His working costume was suited to comfort rather than show. With coat,
vest, collar, and tie usually removed (sometimes even his shoes), he
lounged in his chair, in any attitude that afforded the larger ease,
pulling over the exchanges; scribbling paragraphs, editorials, humorous
skits, and what not, as the notion came upon him. J. L. Lamed, his
co-worker (he sat on the opposite side of the same table), remembers that
Mark Twain enjoyed his work as he went along--the humor of it--and that
he frequently laughed as some whimsicality or new absurdity came into his
mind.

"I doubt," writes Lamed, "if he ever enjoyed anything more than the
jackknife engraving that he did on a piece of board of a military map of
the siege of Paris, which was printed in the Express from his original
plate, with accompanying explanations and comments. His half-day of
whittling and laughter that went with it are something that I find
pleasant to remember. Indeed, my whole experience of association with
him is a happy memory, which I am fortunate in having.... What one saw
of him was always the actual Mark Twain, acting out of his own nature
simply, frankly, without pretense, and almost without reserve. It was
that simplicity and naturalness in the man which carried his greatest
charm."

Lamed, like many others, likens Mark Twain to Lincoln in various of his
characteristics. The two worked harmoniously together: Lamed attending
to the political direction of the journal, Clemens to the literary, and
what might be termed the sentimental side. There was no friction in the
division of labor, never anything but good feeling between them. Clemens
had a poor opinion of his own comprehension of politics, and perhaps as
little regard for Lamed's conception of humor. Once when the latter
attempted something in the way of pleasantry his associate said:

"Better leave the humor on this paper to me, Lamed"; and once when Lamed
was away attending the Republican State Convention at Saratoga, and some
editorial comment seemed necessary, Clemens thought it best to sign the
utterance, and to make humor of his shortcomings.

    I do not know much about politics, and am not sitting up nights to
    learn . . . .

    I am satisfied that these nominations are all right and sound, and
    that they are the only ones that can bring peace to our distracted
    country (the only political phrase I am perfectly familiar with and
    competent to hurl at the public with fearless confidence--the other
    editor is full of them), but being merely satisfied is not enough.
    I always like to know before I shout. But I go for Mr. Curtis with
    all my strength! Being certain of him, I hereby shout all I know
    how. But the others may be a split ticket, or a scratched ticket,
    or whatever you call it.

    I will let it alone for the present. It will keep. The other young
    man will be back to-morrow, and he will shout for it, split or no
    split, rest assured of that. He will prance into this political
    ring with his tomahawk and his war-whoop, and then you will hear a
    crash and see the scalps fly. He has none of my diffidence. He
    knows all about these nominees, and if he don't he will let on to in
    such a natural way as to deceive the most critical. He knows
    everything--he knows more than Webster's Unabridged and the American
    Encyclopedia--but whether he knows anything about a subject or not
    he is perfectly willing to discuss it. When he gets back he will
    tell you all about these candidates as serenely as if he had been
    acquainted with them a hundred years, though, speaking
    confidentially, I doubt if he ever heard of any of them till to-day.
    I am right well satisfied it is a good, sound, sensible ticket, and
    a ticket to win; but wait till he comes.

    In the mean time I go for George William Curtis and take the
    chances.
                                MARK TWAIN.

He had become what Mr. Howells calls entirely "desouthernized" by this
time. From having been of slaveholding stock, and a Confederate soldier,
he had become a most positive Republican, a rampant abolitionist--had
there been anything left to abolish. His sympathy had been always with
the oppressed, and he had now become their defender. His work on the
paper revealed this more and more. He wrote fewer sketches and more
editorials, and the editorials were likely to be either savage assaults
upon some human abuse, or fierce espousals of the weak. They were
fearless, scathing, terrific. Of some farmers of Cohocton, who had taken
the law into their own hands to punish a couple whom they believed to be
a detriment to the community, he wrote:

"The men who did that deed are capable of doing any low, sneaking,
cowardly villainy that could be invented in perdition. They are the very
bastards of the devil."

He appended a full list of their names, and added:

"If the farmers of Cohocton are of this complexion, what on earth must a
Cohocton rough be like?"

But all this happened a long time ago, and we need not detail those
various old interests and labors here. It is enough to say that Mark
Twain on the Express was what he had been from the beginning, and would
be to the end--the zealous champion of justice and liberty; violent and
sometimes wrong in his viewpoint, but never less than fearless and
sincere. Invariably he was for the oppressed. He had a natural instinct
for the right, but, right or wrong, he was for the under dog.

Among the best of his editorial contributions is a tribute to Anson
Burlingame, who died February 23, 1870, at St. Petersburg, on his trip
around the world as special ambassador for the Chinese Empire. In this
editorial Clemens endeavored to pay something of his debt to the noble
statesman. He reviewed Burlingame's astonishing career--the career which
had closed at forty-seven, and read like a fairy-tale-and he dwelt
lovingly on his hero's nobility of character. At the close he said:

"He was a good man, and a very, very great man. America, lost a son, and
all the world a servant, when he died."

Among those early contributions to the Express is a series called "Around
the World," an attempt at collaboration with Prof. D. R. Ford, who did
the actual traveling, while Mark Twain, writing in the first person, gave
the letters his literary stamp. At least some of the contributions were
written in this way, such as "Adventures in Hayti," "The Pacific," and
"Japan." These letters exist to-day only in the old files of the
Express, and indeed this is the case with most of Clemens's work for that
paper. It was mainly ephemeral or timely work, and its larger value has
disappeared. Here and there is a sentence worth remembering. Of two
practical jokers who sent in a marriage notice of persons not even
contemplating matrimony, he said: "This deceit has been practised
maliciously by a couple of men whose small souls will escape through
their pores some day if they do not varnish their hides."

Some of the sketches have been preserved. "Journalism in Tennessee," one
of the best of his wilder burlesques, is as enjoyable to-day as when
written. "A Curious Dream" made a lasting impression on his Buffalo
readers, and you are pretty certain to hear of it when you mention Mark
Twain in that city to-day. It vividly called attention to the neglect of
the old North Street graveyard. The gruesome vision of the ancestors
deserting with their coffins on their backs was even more humiliating
than amusing, and inspired a movement for reform. It has been effective
elsewhere since then, and may still be read with profit--or satisfaction
--for in a note at the end the reader is assured that if the cemeteries
of his town are kept in good order the dream is not leveled at his town
at all, but "particularly and venomously at the next town."




LXXVII

THE "GALAXY"

Mark Twain's work on the Express represented only a portion of his
literary activities during his Buffalo residence. The Galaxy, an
ambitious New York magazine of that day--[published by Sheldon & Co. at
498 and 500 Broadway]--proposed to him that he conduct for them a
humorous department. They would pay $2,400 a year for the work, and
allow him a free hand. There was some discussion as to book rights, but
the arrangement was concluded, and his first instalment, under the
general title of "Memoranda," appeared in the May number, 1870. In his
Introductory he outlined what the reader might expect, such as
"exhaustive statistical tables," "Patent Office reports," and "complete
instructions about farming, even from the grafting of the seed to the
harrowing of the matured crops." He declared that he would throw a
pathos into the subject of agriculture that would surprise and delight
the world. He added that the "Memoranda" was not necessarily a humorous
department.

    I would not conduct an exclusively and professedly humorous
    department for any one. I would always prefer to have the privilege
    of printing a serious and sensible remark, in case one occurred to
    me, without the reader's feeling obliged to consider himself
    outraged.... Puns cannot be allowed a place in this department....
    No circumstance, however dismal, will ever be considered a
    sufficient excuse for the admission of that last and saddest
    evidence of intellectual poverty, the pun.

The Galaxy was really a fine magazine, with the best contributors
obtainable; among them Justin McCarthy, S. M. B. Piatt, Richard Grant
White, and many others well known in that day, with names that still
flicker here and there in its literary twilight. The new department
appealed to Clemens, and very soon he was writing most of his sketches
for it. They were better literature, as a rule, than those published in
his own paper.

The first number of the "Memoranda" was fairly representative of those
that followed it. "The Facts in the Case of the Great Beef Contract," a
manuscript which he had undertaken three years before and mislaid, was
its initial contribution. Besides the "Beef Contract," there was a
tribute to George Wakeman, a well-known journalist of those days; a
stricture on the Rev. T. DeWitt Talmage, who had delivered from the
pulpit an argument against workingmen occupying pews in fashionable
churches; a presentment of the Chinese situation in San Francisco,
depicting the cruel treatment of the Celestial immigrant; a burlesque of
the Sunday-school "good little boy" story,--["The Story of the Good
Little Boy Who Did Not Prosper" and the "Beef Contract" are included in
Sketches New and Old; also the Chinese sketch, under the title,
"Disgraceful Persecution of a Boy."]--and several shorter skits--and
anecdotes, ten pages in all; a rather generous contract.

Mark Twain's comment on Talmage was prompted by an article in which
Talmage had assumed the premise that if workingmen attended the churches
it would drive the better class of worshipers away. Among other things
he said:

    I have a good Christian friend who, if he sat in the front pew in
    church, and a workingman should enter the door at the other end,
    would smell him instantly. My friend is not to blame for the
    sensitiveness of his nose, any more than you would flog a pointer
    for being keener on the scent than a stupid watch-dog. The fact is,
    if you had all the churches free, by reason of the mixing of the
    common people with the uncommon, you would keep one-half of
    Christendom sick at their stomach. If you are going to kill the
    church thus with bad smells I will have nothing to do with this work
    of evangelization.

Commenting on this Mark Twain said--well, he said a good deal more than
we have room for here, but a portion of his closing paragraphs is worth
preserving. He compares the Reverend Mr. Talmage with the early
disciples of Christ--Paul and Peter and the others; or, rather, he
contrasts him with them.

    They healed the very beggars, and held intercourse with people of a
    villainous odor every day. If the subject of these remarks had been
    chosen among the original Twelve Apostles he would not have
    associated with the rest, because he could not have stood the fishy
    smell of some of his comrades who came from around the Sea of
    Galilee. He would have resigned his commission with some such
    remark as he makes in the extract quoted above: "Master, if thou art
    going to kill the church thus with bad smells I will have nothing to
    do with this work of evangelization." He is a disciple, and makes
    that remark to the Master; the only difference is that he makes it
    in the nineteenth instead of the first century.

Talmage was immensely popular at this time, and Mark Twain's open attack
on him must have shocked a good many Galaxy readers, as perhaps his
article on the Chinese cruelties offended the citizens of San Francisco.
It did not matter. He was not likely to worry over the friends he would
lose because of any stand taken for human justice. Lamed said of him:
"He was very far from being one who tried in any way to make himself
popular." Certainly he never made any such attempt at the expense of his
convictions.

The first Galaxy instalment was a sort of platform of principles for the
campaign that was to follow. Not that each month's contribution
contained personal criticism, or a defense of the Chinese (of whom he was
always the champion as long as he lived), but a good many of them did. In
the October number he began a series of letters under the general title
of "Goldsmith's Friend Abroad Again," supposed to have been written by a
Chinese immigrant in San Francisco, detailing his experience there. In a
note the author says: "No experience is set down in the following letters
which had to be invented. Fancy is not needed to give variety to the
history of the Chinaman's sojourn in America. Plain fact is amply
sufficient." The letters show how the supposed Chinese writer of them
had set out for America, believing it to be a land whose government was
based on the principle that all men are created equal, and treated
accordingly; how, upon arriving in San Francisco, he was kicked and
bruised and beaten, and set upon by dogs, flung into jail, tried and
condemned without witnesses, his own race not being allowed to testify
against Americans--Irish-Americans--in the San Francisco court. They are
scathing, powerful letters, and one cannot read them, even in this day of
improved conditions, without feeling the hot waves of resentment and
indignation which Mark Twain must have felt when he penned them.

Reverend Mr. Talmage was not the only divine to receive attention in the
"Memoranda." The Reverend Mr. Sabine, of New York, who had declined to
hold a church burial service for the old actor, George Holland, came in
for the most caustic as well as the most artistic 

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