An Ode
by Madison Julius Cawein · English · Gutenberg #29795 · 35,377 chars · public domain (US)
The Project Gutenberg eBook of An Ode
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.
Title: An Ode
Author: Madison Julius Cawein
Release date: August 25, 2009 [eBook #29795]
Most recently updated: January 5, 2021
Language: English
Other information and formats: www.gutenberg.org/ebooks/29795
Credits: Produced by David Garcia, Stephanie Eason, and the Online
Distributed Proofreading Team at https://www.pgdp.net. (This
file was produced from images generously made available
by The Kentuckiana Digital Library.)
*** START OF THE PROJECT GUTENBERG EBOOK AN ODE ***
Produced by David Garcia, Stephanie Eason, and the Online
Distributed Proofreading Team at https://www.pgdp.net. (This
file was produced from images generously made available
by The Kentuckiana Digital Library.)
_An Ode_
READ AUGUST 15, 1907, AT THE DEDICATION
OF THE MONUMENT ERECTED
AT GLOUCESTER, MASSACHUSETTS, IN
COMMEMORATION OF THE FOUNDING
OF THE MASSACHUSETTS BAY COLONY
IN THE YEAR SIXTEEN HUNDRED AND
TWENTY-THREE BY MADISON CAWEIN
JOHN P. MORTON & COMPANY, INCORPORATED.
LOUISVILLE, KENTUCKY MCMVIII
_An Ode_
_In Commemoration of the Founding of the
Massachusetts Bay Colony in the Year 1623._
I.
They who maintained their rights,
Through storm and stress,
And walked in all the ways
That God made known,
Led by no wandering lights,
And by no guess,
Through dark and desolate days
Of trial and moan:
Here let their monument
Rise, like a word
In rock commemorative
Of our Land's youth;
Of ways the Puritan went,
With soul love-spurred
To suffer, die, and live
For faith and truth.
Here they the corner-stone
Of Freedom laid;
Here in their hearts' distress
They lit the lights
Of Liberty alone;
Here, with God's aid,
Conquered the wilderness,
Secured their rights.
Not men, but giants, they,
Who wrought with toil
And sweat of brawn and brain
Their freehold here;
Who, with their blood, each day
Hallowed the soil.
And left it without stain
And without fear.
II.
Yea; here, from men like these,
Our country had its stanch beginning;
Hence sprang she with the ocean breeze
And pine scent in her hair;
Deep in her eyes the winning,
The far-off winning of the unmeasured West;
And in her heart the care,
The young unrest,
Of all that she must dare,
Ere as a mighty Nation she should stand
Towering from sea to sea,
From land to mountained land,
One with the imperishable beauty of the stars
In absolute destiny;
Part of that cosmic law, no shadow mars,
To which all freedom runs,
That wheels the circles of the worlds and suns
Along their courses through the vasty night,
Irrevocable and eternal as is Light.
III.
What people has to-day
Such faith as launched and sped,
With psalm and prayer, the Mayflower on its way?--
Such faith as led
The Dorchester fishers to this sea-washed point,
This granite headland of Cape Ann?
Where first they made their bed,
Salt-blown and wet with brine,
In cold and hunger, where the storm-wrenched pine
Clung to the rock with desperate footing. They,
With hearts courageous whom hope did anoint,
Despite their tar and tan,
Worn of the wind and spray,
Seem more to me than man,
With their unconquerable spirits.--Mountains may
Succumb to men like these, to wills like theirs,--
The Puritan's tenacity to do;
The stubbornness of genius;--holding to
Their purpose to the end,
No New-World hardship could deflect or bend;--
That never doubted in their worst despairs,
But steadily on their way
Held to the last, trusting in God, who filled
Their souls with fire of faith that helped them build
A country, greater than had ever thrilled
Man's wildest dreams, or entered in
His highest hopes. 'Twas this that helped them win
In spite of danger and distress,
Through darkness and the din
Of winds and waves, unto a wilderness,
Savage, unbounded, pathless as the sea,
That said, "Behold me! I am free!"
Giving itself to them for greater things
Than filled their souls with dim imaginings.
IV.
Let History record their stalwart names,
And catalogue their fortitude, whence grew,
Swiftly as running flames,
Cities and civilization:
How from a meeting-house and school,
A few log-huddled cabins, Freedom drew
Her rude beginnings. Every pioneer station,
Each settlement, though primitive of tool,
Had in it then the making of a Nation;
Had in it then the roofing of the plains
With traffic; and the piercing through and through
Of forests with the iron veins
Of industry.
Would I could make you see
How these, laboriously,
These founders of New England, every hour
Faced danger, death, and misery,
Conquering the wilderness;
With supernatural power
Changing its features; all its savage glower
Of wild barbarity, fierce hate, duress,
To something human, something that could bless
Mankind with peace and lift its heart's elation;
Something at last that stood
For universal brotherhood,
Astonishing the world, a mighty Nation,
Hewn from the solitude.--
Iron of purpose as of faith and daring,
And of indomitable will,
With axe and hymn-book still I see them faring,
The Saxon Spirit of Conquest at their side
With sword and flintlock; still I see them stride,
As to some Roundhead rhyme,
Adown the aisles of Time.
V.
Can praise be simply said of such as these?
Such men as Standish, Winthrop, Endicott?
Such souls as Roger Conant and John White?
Rugged and great as trees,
The oaks of that New World with which their lot
Was cast forever, proudly to remain.
That world in which each name still stands, a light
To beacon the Ship of State through stormy seas.
Can praise be simply said
Of him, the younger Vane,
Puritan and patriot,
Whose dedicated head
Was laid upon the block
In thy name, Liberty!
Can praise be simply said of such as he!
Needs must the soul unlock
All gates of eloquence to sing of these.
Such periods,
Such epic melodies,
As holds the utterance of the earlier gods,
The lords of song, one needs
To sing the praise of these!
No feeble music, tinklings frail of glass;
No penny trumpetings; twitterings of brass,
The moment's effort, shak'n from pigmy bells,
Ephemeral drops from small Pierian wells,
With which the Age relieves a barren hour.
But such large music, such melodious power,
As have our cataracts,
Pouring the iron facts,
The giant acts
Of these: such song as have our rock-ridged deep
And mountain steeps,
When winds, like clanging eagles, sweep the storm
On tossing wood and farm:
Such eloquence as in the torrent leaps,--
Where the hoarse canyon sleeps,
Holding the heart with its terrific charm,
Carrying its roaring message to the town,--
To voice their high achievement and renown.
VI.
Long, long ago, beneath heaven's stormy slope,
In deeds of faith and hope,
Our fathers laid Freedom's foundations here,
And raised, invisible, vast,--
Embodying naught of doubt or fear,
A monument whose greatness shall outlast
The future, as the past,
Of all the Old World's dynasties and kings.--
A symbol of all things
That we would speak, but cannot say in words,
Of those who first began our Nation here,
Behold, we now would rear!
A different monument! a thought, that girds
Itself with granite; dream made visible
In rock and bronze to tell
To all the Future what here once befell;
Here where, unknown to them,
A tree took root; a tree of wondrous stem;
The tree of high ideals, which has grown,
And has not withered since its seed was sown,
Was planted here by them in this new soil,
Who watered it with tears and blood and toil:
An heritage we mean to hold,
Keeping it stanch and beautiful as of old.--
For never a State,
Or People, yet was great
Without its great ideals;--branch and root
Of the deep tree of life where bud and blow
The dreams, the thoughts, that grow
To deeds, the glowing fruit.
VII.
The morn, that breaks its heart of gold
Above the purple hills;
The eve, that spills
Its nautilus splendor where the sea is rolled;
The night, that leads the vast procession in
Of stars and dreams,--
The beauty that shall never die or pass:--
The winds, that spin
Of rain the misty mantles of the grass,
And thunder-raiment of the mountain-streams;
The sunbeams, needling with gold the dusk
Green cowls of ancient woods;
The shadows, thridding, veiled with musk,
The moon-pathed solitudes,
Call to my Fancy, saying, "Follow! follow!"
Till, following, I see,--
Fair as a cascade in a rainbowed hollow,--
A dream, a shape, take form,
Clad on with every charm,--
The vision of that Ideality,
Which lured the pioneer in wood and hill,
And beckoned him from earth and sky;
The dream that cannot die,
Their children's children did fulfill.
In stone and iron and wood,
Out of the solitude,
And by a forthright act
Create a mighty fact--
A Nation, now that stands
Clad on with hope and beauty, strength and song,
Eternal, young, and strong,
Planting her heel on Wrong,
Her starry banner in triumphant hands....
Within her face the rose
Of Alleghany dawns;
Limbed with Alaskan snows,
Floridian starlight in her eyes,--
Eyes stern as steel yet tender as a fawn's,--
And in her hair
The rapture of her rivers; and the dare,
As perishless as truth,
That o'er the crags of her Sierras flies,
Urging the eagle ardor through her veins,
Behold her where,
Around her radiant youth,
The spirits of the cataracts and plains,
The genii of the floods and forests, meet,
In rainbow mists circling her brow and feet:
The forces vast that sit
In session round her; powers paraclete,
That guard her presence; awful forms and fair.
Making secure her place;
Guiding her surely as the worlds through space
Do laws sidereal; edicts, thunder-lit,
Of skyed eternity, in splendor borne
On planetary wings of night and morn.
VIII.
Behold her! this is she!
Beautiful as morning on the summer sea,
Yet terrible as is the elemental gold
That cleaves the tempest and in angles clings
About its cloudy temples.--Manifold
The dreams of daring in her fearless gaze,
Fixed on the future's days;
And round her brow, a strand of astral beads,
Her soul's resplendent deeds;
And at her front one star,
Refulgent hope,
Like that on morning's slope,
Beaconing the world afar.--
From her high place she sees
Her long procession of accomplished acts.
Cloud-wing'd refulgences
Of thoughts in steel and stone, of marble dreams,
Lift up tremendous battlements,
Sun-blinding, built of facts;
While in her soul she seems,
Listening, to hear, as from innumerable tents,
Æonian thunder, wonder, and applause
Of all the heroic ages that are gone;
Feeling secure
That, as her Past, her Future shall endure,
As did her Cause
When redly broke the dawn
Of fierce rebellion, and, beneath its star,
The firmaments of war
Poured down infernal rain,
And North and South lay bleeding 'mid their slain.
And now, no less, shall her Cause still prevail,
More so in peace than war,
Through the thrilled wire and electric rail,
Carrying her message far;
Shaping her dream
Within the brain of steam,
That, with a myriad hands,
Labors unceasingly, and knits her lands
In firmer union; joining plain and stream
With steel; and binding shore to shore
With bands of iron;--nerves and arteries,
Along whose adamant forever pour
Her concrete thoughts, her tireless energies.
_On Old Cape Ann_
_On Old Cape Ann_
I.
ANNISQUAM
Old days, old ways, old homes beside the sea;
Old gardens with old-fashioned flowers aflame,
Poppy, petunia, and many a name
Of many a flower of fragrant pedigree.
Old hills that glow with blue- and barberry,
And rocks and pines that stand on guard, the same.
Immutable, as when the Pilgrim came,
And here laid firm foundations of the Free.
The sunlight makes the dim dunes hills of snow,
And every vessel's sail a twinkling wing
Glancing the violet ocean far away:
The world is full of color and of glow;
A mighty canvas whereon God doth fling
The flawless picture of a perfect day.
II.
"THE HIGHLANDS," ANNISQUAM
Here, from the heights, among the rocks and pines,
The sea and shore seem some tremendous page
Of some vast book, great with our heritage,
Breathing the splendor of majestic lines.
Yonder the dunes speak silver; yonder shines
The ocean's sapphire word; there, gray with age,
The granite writes its lesson, strong and sage;
And there the surf its rhythmic passage signs.
The winds, that sweep the page, that interlude
Its majesty with music; and the tides,
That roll their thunder in, that period
Its mighty rhetoric, deep and dream-imbued,
Are what it seems to say, of what abides,
Of what's eternal, and of what is God.
III.
STORM AT ANNISQUAM
The sun sinks scarlet as a barberry.
Far off at sea one vessel lifts a sail,
Hurrying to harbor from the coming gale,
That banks the west above a choppy sea.
The sun is gone; the tide is flowing free;
The bay is opaled with wild light; and pale
The lighthouse spears its flame now; through a veil
That falls about the sea mysteriously.
Out there she sits and mutters of her dead,
Old Ocean; of the stalwart and the strong,
Skipper and fisher whom her arms dragged down:
Before her now she sees their ghosts; o'erhead,
As gray as rain, their wild wrecks sweep along,
And all night long lay siege to this old town.
IV.
FROM COVE TO COVE
The road leads up a hill through many a brake,
Blueberry and barberry, bay and sassafras,
By an abandoned quarry, where, like glass,
A round pool lies; an isolated lake,
A mirror for what presences, that make
Their wildwood toilets here! The road is grass
Gray-scarred with stone: great bowlders, as we pass,
Slope burly shoulders towards us. Cedars shake
Wild balsam from their tresses; there and here
Clasping a glimpse of ocean and of shore
In arms of swaying green. Below, at last,
Beside the sea, with derrick and with pier,
By heaps of granite, noise of drill and bore,
A Cape Ann town, towering with many a mast.
V.
PASTURES BY THE SEA
Here where the coves indent the shore and fall
And fill with ebb and flowing of the tides;
Whereon some barge rocks or some dory rides,
By which old orchards bloom, or, from the wall,
Pelt every lane with fruit; where gardens, tall
With roses, riot; swift my gladness glides
To that old pasture where the mushroom hides,
The chicory blooms and Peace sits mid them all.
Fenced in with rails and rocks, its emerald slopes,--
Ribbed with huge granite,--where the placid cows
Tinkle a browsing bell, roll to a height
Wherefrom the sea, bright as adventuring hopes,
Swept of white sails and plowed of foaming prows,
Leaps like a Nereid on the ravished sight.
VI.
THE DUNES
Far as the eye can see, in domes and spires,
Buttress and curve, ruins of shifting sand,--
In whose wild making wind and sea took hand,--
The white dunes stretch. The wind, that never tires,
Striving for strange effects that he admires,
Changes their form from time to time; the land
Forever passive to his mad demand,
And to the sea's, who with the wind conspires.
Here, as on towers of desolate cities, bay
And wire-grass grow, wherein no insect cries,
Only a bird, the swallow of the sea,
That homes in sand. I hear it far away
Crying--or is it some lost soul that flies,
Above the land, ailing unceasingly?
VII.
BY THE SUMMER SEA
Sunlight and shrill cicada and the low,
Slow, sleepy kissing of the sea and shore,
And rumor of the wind. The morning wore
A sullen face of fog that lifted slow,
Letting her eyes gleam through of grayest glow;
Wearing a look like that which once she wore
When, Gloucesterward from Dogtown there, they bore
Some old witchwife with many a gibe and blow.
But now the day has put off every care,
And sits at peace beside the smiling sea,
Dreaming bright dreams with lazy-lidded eyes:
One is a castle, precipiced in air,
And one a golden galleon--can it be
'Tis but the cloudworld of the sunset skies?
*** END OF THE PROJECT GUTENBERG EBOOK AN ODE ***
Updated editions will replace the previous one—the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg
electronic works
1.A. By reading or using any part of this Project Gutenberg
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg mission of promoting
free access to electronic works by freely sharing Project Gutenberg
works in compliance with the terms of this agreement for keeping the
Project Gutenberg name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg License must appear
prominently whenever any copy of a Project Gutenberg work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg™ License included with this eBook or online
at www.gutenberg.org. If you
are not located in the United States, you will have to check the laws
of the country where you are located before using this eBook.
1.E.2. If an individual Project Gutenberg electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg electronic works
provided that:
• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, “Information about donations to the Project Gutenberg
Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg™
works.
• You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg
Project Gutenberg is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg’s
goals and ensuring that the Project Gutenberg collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516,
Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.
Section 5. General Information About Project Gutenberg electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg eBooks with only a loose network of
volunteer support.
Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our website which has the main PG search
facility: www.gutenberg.org.
This website includes information about Project Gutenberg,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
Showing first 200,000 characters. Full text: gutenberg.org/ebooks/29795