De Beurs Lacht
by Heinrich Heine · Dutch · Gutenberg #2838 · 25,289 chars · public domain (US)
The Project Gutenberg eBook of De Beurs Lacht
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.
Title: De Beurs Lacht
Author: Heinrich Heine
Release date: September 1, 2001 [eBook #2838]
Most recently updated: January 1, 2021
Language: Dutch
Other information and formats: www.gutenberg.org/ebooks/2838
*** START OF THE PROJECT GUTENBERG EBOOK DE BEURS LACHT ***
Ver.04.07.00*END*
De Beurs lacht
De veldtocht naar België, de blokkade van Lissabon en de inname van
Ancona zijn de drie karakteristieke heldendaden waarmee onze
JUSTE-MILIEU-regering naar buitenuit haar kracht, haar wijsheid en
haar heerlijkheid heeft laten gelden; in het binnenland plukte zij al
even roemrijke lauweren, onder de pijlers van het PALAIS ROYAL, en in
Lyon en Grenoble. Nooit stond Frankrijk lager aangeschreven in het
buitenland, zelfs niet in de tijd van MADAME DE POMPADOUR of MADAME
DUBARRY. Men kan tegenwoordig wel zien dat er ergere dingen bestaan
dan een maîtressenbewind. In het BOUDOIR van een galante dame valt
er nog altijd meer eer te vinden dan aan de COMPTOIR van een bankier.
En de aanhangers van het ministerie – dat is te zeggen, de
ambtenaren, de bankiers, de gezette burgers en de BOUTIQUIERS – die
maken het alleen maar erger als ze ons weer eens al lachend verzekeren
dat we met ons allen in de allervreedzaamste toestand leven; dat de
thermometer van het volksgeluk – namelijk de koers van de
staatspapieren – gestegen is; dat de OPÉRA nog nooit zo gebloeid
heeft, en dat we deze winter in Parijs meer bals gezien hebben dan
ooit tevoren. Dat laatste, nu, was werkelijk het geval; die lui hebben
dan ook de middelen om bals te geven, en ze dansten daar om te tonen
hoe gelukkig Frankrijk wel was; ze dansten voor hun systeem, voor de
vrede, voor de rust in Europa; ze wilden de beurskoersen de hoogte in
dansen, ze dansten À LA HAUSSE. Het moet nochtans gezegd worden dat
tijdens hun luchtsprongen, tijdens hun vrolijkste ENTRECHATS, het
CORPS DIPLOMATIQUE wel eens kwam aandraven met allerlei Jobstijdingen
uit België, Spanje, uit Engeland en Italië –– maar ze
lieten geen ontsteltenis blijken, en dansten vertwijfeld-vrolijk
verder. Die mensen dansten voor hun renten, en hoe gematigder ze
gezind waren, des te vuriger dansten ze: zelfs de dikste en
deugdzaamste bankiers waagden zich aan de beruchte Nonnenwals uit
"ROBERT LE DIABLE", de beroemde opera van Meyerbeer. Ik erger mij
altijd weer als ik de Beurs betreed, dat mooie marmeren huis, gebouwd
in de edelste Griekse stijl, en toegewijd aan het meest waardeloze
handeltje. Hier, in die enorme ruimte van de hooggewelfde Beurshal,
hier is het, dat het gesjacher met staatspapieren plaats heeft; al die
rondstuivende personages met hun doordringend gekrijt: ze deinen heen
en weer, als een zee van eigennut, en de bankiers schieten dan uit die
woeste mensengolven als haaien naar voren, en hàppen. Het ene
monster verslindt het andere. Boven in de GALERIE kan men zelfs
speculerende Dames zien, als loerende roofvogels op een klip. Hier is
het ook, dat de Belangen wonen, die in deze tijd over oorlog en vrede
beslissen.
Het valt nochtans niet mee om de aard van die belangen juist in te
schatten, en hun werking te begrijpen, of om de gevolgen te
overzien. Zeer zeker, de koers van de staatspapieren en de
discontovoet zíjn een politieke thermometer; maar het zou een
vergissing zijn om te geloven dat die thermometer de vooruitgang kan
tonen van de ene of de andere grote vraag die de mensheid tegenwoordig
beweegt. Het stijgen en dalen van de koersen bewijst niet het stijgen
of dalen van de liberalen of de reactionairen. Het gaat hem veeleer
over de grotere, of juist de geringere hoop die men heeft; op de
pacificatie in Europa; op het instandhouden van de bestaande orde; of,
liever nog, over de hoop dat alles, waar de terugbetaling van de
staatsschuld van afhangt, bij het oude blijft.
En – bij al de bedenkingen die men kan hebben – in dit beperkte
opzicht zijn beursspeculanten bewonderenswaardig. Niet gestoord door
enige overweging van geestelijke aard, richten zij al hun zinnen op de
platte feiten, en met de dierlijke zekerheid van de weerkikvors voelen
zij aan of een bepaalde gebeurtenis, die er op het eerste gezicht
misschien geruststellend uitziet, niet óóit een bron van stormen
zou kunnen worden – en omgekeerd, of een groot onheil niet ten
langen leste de rust zou kunnen consolideren. In het geval van
Warschau vroegen zij niet: hoeveel ongeluk er nu voor de mensheid zou
uit voortkomen; maar: of de zege van Kantschu niet de onruststokers
zou ontmoedigen – zij bedoelen natuurlijk de vrijheidsgezinden. Ze
dachten van wel, en de koersen gingen omhoog.
Veronderstel nu dat er op de beurs een telegram zou aankomen, met de
boodschap dat mijnheer Talleyrand in een vergelding nà de dood
gelooft: dan zouden de Franse staatspapieren direct tien procent
zakken; de speculanten zouden er dan rekening mee houden dat hij zich
misschien met God zou willen verzoenen. Hij zou dan vast
LOUIS-PHILIPPE en het hele JUSTE-MILIEU laten vallen, hen
sacrifiëren, en daarbij de schone rust die wij nu genieten op het
spel zetten. TO BE OR NOT TO BE is niet de grote vraag aan de Beurs,
maar – rust of onrust? Daar houdt de disconto rekening mee. In
onrustige tijden is het geld angstig, en het trekt zich terug in de
koffers van de rijken, zoals in een vesting, en het houdt zich
gedeisd; de disconto stijgt. In rustiger dagen wordt het geld weer
zorgeloos, biedt zich te koop aan, toont zich in het openbaar, en doet
erg uit de hoogte; de disconto staat laag. Zo'n ouwe LOUIS-D'OR heeft
meer verstand dan een mens, en die weet beter of het nu oorlog wordt
of vrede.
Toen ik gisteren? naar de Beurs ging, om daar een brief op de post te
doen, toen stond daar dat hele speculantenvolk onder de kolonnen, voor
de brede trappen van het Beursgebouw. Net was het bericht aangekomen
dat de nederlaag van de vrijheidsgezinde patriotten zo goed als zeker
was – de zoetste tevredenheid straalde van alle gezichten; men kon
zeggen dat de hele Beurs lachte. Onder het gebulder van de kanonnen
gingen de fondsen tien stuivers omhoog. Er werd namelijk geschoten tot
vijf uur; omstreeks zessen was de hele revolutiepoging onderdrukt.
Heinrich Heine
Französische Zustände
in: Sämtliche Werke, Meyers Klassiker-Ausgaben, Ernst Elster,
1893
vertaald als radiotekst door Marc Vanfraechem
? dat was de zesde juni 1832 (nvdv)
*** x-header ***
*** END OF THE PROJECT GUTENBERG EBOOK DE BEURS LACHT ***
Updated editions will replace the previous one—the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg
electronic works
1.A. By reading or using any part of this Project Gutenberg
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg mission of promoting
free access to electronic works by freely sharing Project Gutenberg
works in compliance with the terms of this agreement for keeping the
Project Gutenberg name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg License must appear
prominently whenever any copy of a Project Gutenberg work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg™ License included with this eBook or online
at www.gutenberg.org. If you
are not located in the United States, you will have to check the laws
of the country where you are located before using this eBook.
1.E.2. If an individual Project Gutenberg electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg electronic works
provided that:
• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, “Information about donations to the Project Gutenberg
Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg™
works.
• You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg
Project Gutenberg is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg’s
goals and ensuring that the Project Gutenberg collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516,
Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.
Section 5. General Information About Project Gutenberg electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg eBooks with only a loose network of
volunteer support.
Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our website which has the main PG search
facility: www.gutenberg.org.
This website includes information about Project Gutenberg,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
Showing first 200,000 characters. Full text: gutenberg.org/ebooks/2838