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The Tale of Lal

by Raymond Paton · English · Gutenberg #26869 · 351,365 chars · public domain (US)

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Title: The Tale of Lal

Author: Raymond Paton


        
Release date: October 10, 2008 [eBook #26869]
                Most recently updated: January 4, 2021

Language: English

Other information and formats: www.gutenberg.org/ebooks/26869

Credits: Produced by Al Haines


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THE TALE OF LAL

_A FANTASY_


BY

RAYMOND PATON

AUTHOR OF "THE DRUMMER OF THE DAWN"




  BRENTANO'S     CHAPMAN & HALL LTD.
  NEW YORK       LONDON

1914




AN EXPLANATION AND AN APOLOGY

Upon behalf of Ridgwell and Christine the author has been urged to
explain that three things--facts, common-sense, and probability--have
of necessity been throughout entirely omitted in relating this story.
The children, however, have comforted the author by declaring that
these particular things are not required at all in any book of the
present day, but are merely an old-fashioned survival of the past,
which is gradually dying out.

One of the sole remaining examples we possess of fact, common-sense,
and probability being the celebration of the 5th of November, which has
somehow become a day of national thanksgiving, and is without doubt one
of the most important dates in the calendar, and very dear to the
hearts of the English people.




A PREFACE

The aspect of Trafalgar Square, like everything else in the world,
depends largely upon how it is viewed, and through whose eyes it is
seen.

A Japanese artist, for instance, visiting London, immediately selected
Trafalgar Square seen by night-time as a subject for a picture.  He
thoughtfully omitted any suggestion of either omnibuses, taxi-cabs, or
the populace.

He likewise decided that all the statues were most unpicturesque, and
the varied and flashing electric advertisements to be seen hung up on
high around the Square were not only hideous but impossible.

Consequently this imaginative being flung upon his canvas a mysterious
blue space, void of anything save the brilliantly coloured lanterns of
his own land, swung upon bamboo poles, trembling in the darkness at
picturesquely convenient distances.  The effect was quite beautiful,
but of course it could not in any way be considered as a reasonable
likeness of this particular Square.

A French artist also selecting this portion of London for a picture,
determined at once that it would be more becoming, not to say
diplomatic, to paint only one end of the low stone wall surrounding the
Square; yet entertaining doubts afterwards that it might not perhaps be
recognised, he added the central stone cupola of the National Gallery,
appearing over all like a hastily bestowed blessing, but covered the
remaining space upon his canvas with imaginary stalls of glowing
flowers, and even more imaginary flower-sellers.  His picture was
greatly admired, and very much resembled the Market Square in Havre
upon a Monday morning.

A Spanish artist chancing to pass the same way, likewise hastily
completed a picture of Trafalgar Square as he wished to see it, adding
by way of a decorative effect a lattice-work of trellised vines like
unto his beloved vineyards of Andalusia.  Dwarf oranges grew in
profusion and hung their coloured golden globes over the squat stone
walls.  A brilliant Southern sun beat upon both, baking the walls
red-hot and ripening the oranges at one and the same time.  This
picture the artist named Trafalgar Square when the Sun Shines.

A Cubist painter, not to be outdone with regard to his point of view of
such a subject, covered an immense canvas with wonderful heaving
squares of ochre and green, viewed from a background suggesting endless
mud.  This suggestion, however, may have been in the nature of a small
tribute to the usual condition of the London streets.  This production
which the Cubist artist was optimistic enough to name simply Trafalgar
Square, was instantly bought by a famous geologist, who to this day
indulges in the beautiful belief that he possesses the only indication
of what this particular portion of the world was like before ever the
earth was made.

Last of all arrived a Futurist painter, who painted _everything_ in
Trafalgar Square, and nothing that did _not_ appear in it.  The
painter, however, selected a really wonderful aspect of the Square,
seen from a most strange angle, a sort of bird's-eye view of it, which
could only have been obtained from a balloon.  So remarkable was the
perspective that the entire Square, as seen in the picture, appeared as
if it were being gradually drawn sideways up to Heaven.  The great
Nelson column and all the four lions could be viewed simultaneously,
and the artist had painted _all the four lions alike_.

Now a Writer whose chambers overlooked Trafalgar Square, and who was
acquainted with its every aspect, by night as well as day, knew full
well that the Futurist artist was wrong when he painted all the four
lions _alike_.  The Writer knew that one Lion was totally different
from all the others; so the Writer smiled and kept his own counsel.

I will wait, said the Writer, until somebody else has made the same
discovery that I have made.  I will remain completely silent concerning
one square patch of fairyland placed within the very hub and centre of
the Universe, within the busiest part of a great city.  When some other
traveller finds the key to the mystic place, we shall both discover it
is possible to talk about something which nobody else understands, and
be enabled to compare notes.




CONTENTS


CHAP.

      AN EXPLANATION AND AN APOLOGY
      A PREFACE


BOOK I

WHAT RIDGWELL AND CHRISTINE DECLARED

    I THE PLEASANT-FACED LION
   II BY ORDER OF THE LION
  III THE GOLDEN PAVILION
   IV PREPARING FOR A VISITOR


BOOK II

WHAT THE WRITER AND THE LORD MAYOR DECLARED

    V THE WRITER APPEARS ON THE SCENE
   VI TWO DICK WHITTINGTONS
  VII THE LION MAKES HIS SIGN
 VIII AN UPSETTING ARTICLE IN THE MORNING PAPER
   IX THE WRITER PLANS WICKED PLANS


BOOK III

WHAT THE PUBLIC HEARD ABOUT

    X THE LION GOES TO COURT
   XI THE END OF THE MATTER




BOOK I

WHAT RIDGWELL AND CHRISTINE DECLARED



CHAPTER I

THE PLEASANT-FACED LION

Ridgwell always told Christine afterwards that he thought the Lion
first spoke to him in Trafalgar Square, the day when he was lost in the
fog.

Ridgwell never knew how he became separated from the rest, but like all
other unpleasant experiences it was one step, so to speak, and there he
was, wandering about lost.  The fog appeared to have swallowed up the
friends he had been walking with a moment before; he could only hear
voices as if people were talking through a gramophone, and see looming
black shadows which did not seem to be accompanied by any bodies; then
whack--he walked right into something big which did not move.  At this
point Ridgwell was seriously thinking about commencing to cry.

"Stop that," said a gruff voice.

"What?" faltered Ridgwell.

"Going to cry."

"I am not sure," said Ridgwell, "that I was."

"I am," said the gruff voice.  "I saw the corners of your mouth go
down.  Now can you climb up?  No, of course you can't, you are too
small.  Here, catch hold of my paw!  There you are!" grunted the Lion,
when Ridgwell was seated safely.  "You just fit nicely; all the
children fit in here.  Knock those rolled-up policemen's capes off,
they annoy me every day when they put them there.  They tickle me, and
I can't scratch about with my paws either."

Ridgwell was now lost in amazement, and regarded the Lion in
open-mouthed astonishment.

The Lion purred contentedly.  It was a nice homely sounding, domestic
purr, and many times deeper and more impressive than that of a cat.
"What's your name?" demanded the Lion, whilst Ridgwell was still
gasping.

"Ridgwell."

"Very appropriate too," said the Lion.  "Here you are sitting in safety
on the Ridge with me, and you are Well, aren't you?"

"Yes, thank you."

"There you are then," said the Lion.  "_Ridge-Well_, what more do you
want?  Now I suppose you wish to know who I am?  Well, I don't mind
telling you.  I am the Pleasant-Faced Lion.  I am the only real Lion of
the four, consequently I have a more intelligent expression than the
others.  The other three are only just common lions, and are always
asleep.  Now _I_ come to life once in every generation and have a talk
to the children, or to any one grown up who is imaginative enough to
understand me.  I like children, they are a hobby of mine.  I am not in
my usual spirits to-day," continued the Lion, "I have caught cold."

"Have you?" said Ridgwell.  "I am very sorry."

"Yes, they washed me for Trafalgar Day in some beastly solution which
was most unsuitable to me.  I cannot shake off the cold.  Hang on!"
shouted the Lion suddenly, "I am going to sneeze, and I may shake you
off the pedestal."  Whereupon the Lion grabbed Ridgwell gently with his
paw to steady him, and after sneezing heavily, proceeded.  "After
washing me for Trafalgar Day, which was most unnecessary, they hung a
ridiculous wreath round my neck with a large N in leaves upon it.  To
add to the injury, an absurd person stood staring at me and explained
to her children that the N stood for Napoleon.  Bah!!!" growled the
Lion.  "Bah!!!  Ignorance!"

"What did it stand for?" asked Ridgwell.

"Nile," grunted the Lion.  "Short for Battle of the Nile."

"But I am so astonished.  I did not know that you could talk, Mister
Lion."

"Oh, for Heaven's sake don't call me Mister Lion, call me Lal."

"Why Lal?" inquired Ridgwell.

"Short for Lionel," whispered the Lion.  "Lionel is my proper name."

"Oh, I see, but, Mister----"

"There you go again," said the Lion.  "Call me Lal and be friendly."

"Indeed I am very friendly, Mister--I mean Lal; but there are so many
things I don't understand."

"Common complaint of little boys," grumbled the Lion, "and you are
going to see a lot more things in a minute that you will find most
amazing.  For instance, would you like to see a tournament?"

"Rather, Lal, I've always longed to see a tournament, but they never
have such things now, do they?  Aren't they all ended in England?"

"On the contrary," declared the Lion, "one is about to begin."

"Where?"

"Here in front of your eyes, and if you like you shall stay and see it.
St. George outside Westminster has challenged the Griffin at Temple Bar
to fight.  All the really important Statue folk will be present.  King
Richard I from outside the Houses of Parliament will ride up to see
fair play.  Charles I. will come over from Whitehall across the road;
Oliver Cromwell will most likely put in an appearance, if he can only
make up his mind to leave his mound outside the Commons in those big
boots of his."

"But, Lal," questioned Ridgwell, "surely Charles I. and Cromwell won't
come to the Tournament together?  Will they speak and be friendly?"

"No, no," confessed the Lion, "we still have great trouble with those
two, they never speak.  You see Cromwell is jealous of Charles, because
Charles is mounted upon a nice horse, and rides past Cromwell and never
notices him at all.  Now Cromwell has to go about on foot, squeaking
and squelching in those big boots, so that he never gets up to Charles,
which annoys Cromwell very much."

"Why?"

"Well, you see, Cromwell wants to shout out 'Ha!!!' at Charles, and he
never gets a chance.  Cromwell gets left out very much in the cold,"
continued the Lion, "Richard I. never notices him either."

"Why is that?" asked Ridgwell.

"It's like this," said the Lion, "and it's only reasonable when you
come to think of it.  Richard I. spent nearly the whole of his time
fighting to preserve a shrine, whilst Cromwell spent most of his time
destroying them.  Of course that annoys Richard, so Richard simply
looks through Cromwell whenever they meet.  Nothing would induce him to
notice Cromwell."

"I should think that must annoy Cromwell," debated Ridgwell.

"It does," agreed the Lion, "but Cromwell always shouts out Ho! at
Richard; he thinks Ho! is more appropriate to Richard's period.
Richard, however, with perfect self-possession which is beyond all
praise, never appears to hear him at all.  Cromwell will always keep
turning his head round to stare most rudely at Richard and Charles as
they gallop past, hoping that Richard will hear him shout Ho! and
Charles will hear him shout Ha!, and that irritating habit of his,
together with Charles's treatment of the matter, was probably the
origin of the terms, 'Roundhead' and 'Cavalier.'"

"Really!" said Ridgwell.

The Lion coughed slightly.  "Not really," said the Lion, "only perhaps."

"But, Lal, if the statues of London move about and are coming here for
a tournament as you say, won't people miss them?"

"Good gracious goodness, no," exclaimed the Lion.  "Why! the people of
London wouldn't miss them in a year, let alone a few hours!  Then
perhaps some person might notice something wasn't in its usual place
and would write to the papers asking what it meant, and the London
County Council would hold an inquiry."

"But, Lal, will General Gordon, George III. and Nelson take part in the
Tournament?"

"Bless me, child, how you mix up your history," observed the Lion, "of
course not.  They are only moderns, the others are ancients.  Two Kings
waiting to see fair play between a Griffin and a Saint who are about to
have a fight, belong to quite another time.  George III. and General
Gordon are moved out of the way before the combat starts; and as for
Nelson, he was frozen long ago up there; it is a ridiculous attitude
for so great a man, and a worse altitude, but there he is, and you
cannot alter it; however he is frozen and mercifully doesn't feel
anything or see anything that is going on."

"But if they are going to fight and charge one another, won't the
fountains be in the way?" inquired Ridgwell anxiously, as he looked up
into the Lion's good-humoured face.

"If you look again hard," grinned the Lion, "you will find that the
fountains and the stone lakes around them have disappeared."

Ridgwell immediately looked in the direction the Lion indicated, and
was amazed to find only a big, wide, open space of stone, one of the
largest spaces in London.

"But how did they----" commenced Ridgwell.

"Hush!" said the Lion, "you really mustn't chatter any more.  Here they
come, and I have to be Judge of the Tournament, also the Referee; and
to be a Referee," sighed the Lion, "is always a thankless task."

At this moment, amidst a clatter that was indescribable, the Griffin,
looking a most ungainly object, came gallumping into the open space.

The Griffin appeared to be all wings, and scales, and claws, yet this
somewhat grisly appearance was entirely misleading, for he possessed an
amiable, although foolish disposition, whilst his expression owed much
of its peculiarity to a habit he had acquired of breaking into broad
smiles of astonished self-appreciation.  The Griffin was very vain, and
the one thing he craved for was notoriety.

"Good evening, Lionel; where's George?" demanded the Griffin.  "I don't
see him."

"You'll see quite enough of him before he's finished with you,"
retorted the Pleasant-Faced Lion, loftily.  "However, here he comes."

St. George at this moment entered the wide stone space immediately in
front of the Lion, to whom he made a profound salute.

St. George looked very handsome in his scaly armour, and his short
bright sword glistened blue in the half light.  Ridgwell had little
time to notice other details, for two horsemen came galloping in.

Both were in armour and both were mounted upon beautiful horses.

"Who are they?" asked Ridgwell.

"Don't you see?" whispered the Lion.  "King Richard I. and King Charles
I.  Ah," sighed the Lion, "what a noble figure Richard is!  He is my
special favourite; you see," explained the Lion, "he is named after me."

"Is he?"

"Of course.  Is he not called Richard Coeur-de-Lion?  I am de-Lion,"
announced the Lion proudly.  "He carried a picture of me on his shield
once.  You may notice," proceeded the Lion, "that King Charles
unfortunately rides slightly upon one side.  It is not his fault, but
owing to the fact that he has no girth to his saddle."

The horsemen wheeled one to either end of the arena before bringing
their horses to a standstill.

The two opponents, St. George and the Griffin, stood facing each other
in the centre, waiting for the combat to commence.

"Before we start," announced the Lion, "I am the Judge.  There is, of
course, to be no bloodshed; indeed," he added, in his wisest and most
judicial manner, "bloodshed is impossible.  The Griffin is almost
over-protected (if I can use such a term) with scales, St. George is
fully covered with armour.  The Griffin possesses his remarkable claws,
St. George a flat sword, so both are well matched.  Therefore the
contest resolves itself into a trial of skill and strength.  Both shall
be weighed in the scales."

"He! he! he!" sniggered the Griffin, "if my scales cannot crush the
scales of George's blatant armour may I live to bite my own nails.
Why, I will squash him as flat as an empty meat tin."

"Swank," murmured St. George, nonchalantly.

"The reason of the contest," continued the Lion in a loud voice, as if
he were reading from some document which he had committed to memory,
"is owing to a ridiculous assertion made by the Griffin.  The Griffin
claims to be the older established of the two.  St. George laughs at
this claim derisively.  The Griffin sorely provoked to it,
unfortunately fell back upon dates, and his memory being very weak he
hoped to conceal his shakiness about dates, with phrases.  He therefore
declared that Temple Bar where he now stands, once possessed two gates
which have since been removed.  Nevertheless the Griffin contends that
he is still there and Temple Bar is still there; in this he is
undoubtedly right; yet, not content with this, he further asserts that
this is the whole cause and origin of the phrase, 'Two to one, Bar
one.'  St. George here present, who knows something about horses,
immediately called him a--well, it is not a nice word," broke off the
Lion in parenthesis, "anyway St. George intimated that the truth was
not in the Griffin.  Hence a trial by combat.  Are you ready?" roared
the Lion; "then commence."

From his quite comfortable seat between the Lion's paws, Ridgwell now
watched the strangest combat he would ever be likely to witness.

The Griffin advanced towards St. George with about as much grace as a
dancing camel would possess.  His excessive angularity was accentuated
by his extraordinary clumsiness.  St. George did not appear at all
disconcerted by the flapping of the Griffin's wings, but managed to
avoid his clumsy clutches with great skill.  Had St. George not slipped
upon a piece of orange-peel, inadvertently left upon the floor of the
arena, it is doubtful if the Griffin would ever have touched him.  As
St. George slipped, the Griffin hugged him tightly.  Ridgwell held his
breath, for it almost seemed as if St. George's armour must indeed
crumple up.

"Meat tins," shrieked the Griffin.

"Break away," commanded the Lion.

"Here, I say," snorted the Griffin, "I'd only just got him."

"Break away," ordered the Lion, "no hugging."

The Griffin retired to his corner pouting.

When the second bout started, Ridgwell noticed that there was something
like a smile upon St. George's face, and he soon understood the reason
of it.  St. George had found out his adversary's weak spot.

The Griffin advancing with a rush upon his hind legs, with his front
claws doubled up reaching high over St. George to pull him down, was
brought to a sudden standstill.

There was a rapid sound of "Whack! whack! whack! whack!" four times.

St. George had hit the Griffin with the flat of his sword upon the most
tender part of the Griffin's claws.  The Griffin's mouth trembled.

"Whack! whack! whack! whack!" came four more swashing blows, whilst the
Griffin hesitated.  Then the Griffin broke down completely, and wept
aloud bitterly.

"He's broken my knuckles," sobbed the Griffin.

"Do you give in?" asked the Lion.

"Oh yes," sobbed the Griffin.  "Oh! my poor paws."

"Shall he chase you round the arena?" demanded the Lion.

"No," whimpered the Griffin; "I'll go home quietly."

Thereupon King Richard raised his sword and saluted to indicate that
the fight was over, and followed by King Charles, who still swerved
slightly to one side in his saddle, the two Kings rode out of the
Square.

"Shake hands?" asked St. George of the Griffin, before he departed.

The Griffin shook his head dolefully instead, whilst great tears
coursed down his cheeks.

"Oh no," sniffed the Griffin, "I don't think I shall ever shake hands
again."

When everybody had gone, the Griffin slowly hobbled to his feet, and
moving towards home, half sobbed and half sang in a way that was
intensely comic--

  "Oh!  Temple Bar, Oh!  Temple Bar,
  With broken knuckles you seem so far.
  And all my claws are broken too;
  Oh!  Temple Bar, what shall I do?
  To _hit_ me with a sword held flat,
  'Twas grim of George to think of that."


"Now you have seen the tournament," observed the Lion to Ridgwell, "I
suppose you will have to get home somehow."

"Yes, please, Lal."

"And of course," said the Pleasant-Faced Lion, "you will want to come
again."

"Rather," laughed Ridgwell.

"Well, to-morrow night there is a very different sort of entertainment.
I and the Statue folk are going to give an evening party, the grandest
you have ever seen, or will ever be likely to see."

"Oh, Lal, can I come and bring Christine?"

"Who is Christine?" inquired the Lion, cautiously; "you know we cannot
admit everybody."

"Christine is my little sister.  At least," added Ridgwell, "Christine
is older than I am, but she is little all the same."

"I see."

"And she would so enjoy it, Lal," pleaded Ridgwell.

"Very well," said the Lion, "both come just this once.  Now for home.
Come," commanded the Lion, "jump up.  I learned that common expression
from the people who every moment of the day mount upon the horrid Buzz,
Buzz, things."

"Don't you like the Motor Omnibuses then?"

"The Buzz Buzzes you mean, child.  No, I dislike them intensely, they
make such a noise both day and night that I cannot hear myself purr
even.  Jump up.  Where do you want to go to?"

"To Balham, please, Lal."

"Ah, that's the man with the Ass, isn't it?" demanded the Lion.

For a moment Ridgwell looked quite shocked.  "Oh no, Lal, you are
thinking of Balaam."

"Spelt the same way," snapped the Lion, who did not like being
corrected upon historical matters.

"No, Lal, there is an H in Balham and people never drop it."

"Glad to hear it," grunted the Lion.  "I only wish the people who
collect the pennies from the passengers upon the Buzz Buzz things would
say the same.  Day by day," added the Lion in an aggrieved tone, "I
hear them shout out the expressions--'Olloway, 'Igate, 'Arrow.  The
Board Schools," continued the Lion in his wisest tones, "are
responsible for a most imperfect system of education."

"But, Lal," pleaded Ridgwell, "you will take me to Balham, won't you?
I do not know how I should get home if you didn't take me there."

"Yes," said the Lion, "of course, I shall take you home, but you
mustn't come to see me too often, you know, it's outside the four-mile
radius.  However," concluded the Lion, "I shall follow the tram lines.
Jump up," once more commanded the Lion, "and hang on, because you know
I go at a good pace when once started."

Whereupon Ridgwell clambered upon the Pleasant-Faced Lion's back, and
convulsively hugging him half round his great neck, buried his head in
the Lion's mane and shut his eyes, whilst the Lion took a bold jump
from off his pedestal, and started in a brisk trot for Balham.

When they had arrived at their destination outside Ridgwell's home, the
Lion stood in the road and wagged his tail contentedly.

"Thank you for bringing me home, Lal," said Ridgwell as he clambered
off the Lion's back.

"Good-night,"  whispered  the  Lion hoarsely, for after his long run he
was almost out of breath.  "Mind you close the hall door safely after
you."

The Pleasant-Faced Lion, who appeared to be pleased at having brought
his little charge home, stood in the road and purred quite loudly for
some time.

But none of the neighbours, who heard the deep sound echoing through
the quiet road, thought of looking out of the window.  They merely
believed the sound proceeded from some powerful motor car which had
stopped in the vicinity.

Then the Pleasant-Faced Lion jogged home to his pedestal in Trafalgar
Square, well pleased with his night's work.




CHAPTER II

BY ORDER OF THE LION

"Hullo, Lal!" said Ridgwell, as he looked up at the Lion the following
evening.

"Hullo!" rejoined the Lion huskily.  "Who is that you have brought with
you?"

"This is Christine," said Ridgwell.

"How do you do?" said the Pleasant-Faced Lion, and he seemed to look
even more pleasant than usual.  The Lion stretched himself, descended
from his pedestal, and held out his paw to shake hands with Christine:
Christine responded to these greetings shyly.

Ridgwell really thought the Lion was one of the most amiable creatures
he had ever met.

"If you do not mind," the Lion observed to Christine, "you might walk
upon the other side of Ridgwell and not next to me."

"Oh, Lal, why?" asked Christine.

"Who asked Christine to call me Lal?" inquired the Lion, as he lifted
his head up with an intensely comical air of self-importance.

"I did," said Ridgwell; "you told me always to call you Lal."

"Quite right," replied the Lion.  "But do you always do exactly alike,
you two?"

"Yes, always," said Ridgwell.

"Humph!" grunted the Lion.  "Suppose there is only one apple and you
both want it, what happens?"

"We exactly divide it," said Ridgwell.

"Mathematically correct," said the Lion.  "Good."

"But please why can't I walk next to you, _Mister_ Lion?"

"Ha!" shrieked the Lion, "there she goes, Mister Lion.  You taught her
that too, I suppose."

"Hush, Lal," said Ridgwell, "don't get excited.  Christine will soon
get out of the habit and call you Lal, directly she knows how pleasant
you are."

"You haven't answered my question, Lal," objected Christine.

"Well, little Christine, it is like this," and the Lion pondered deeply
for awhile.  "If you walked _next_ to me and rested your hand upon my
mane as you are doing now, anybody who saw us might take us for Una and
the Lion, otherwise Beauty and the Beast, and oh! my dear child,"
implored the Lion, "you surely could not wish me ever to be called a
_beast_."

"Of course not," said Christine; "we wouldn't hurt your feelings for
worlds.  So, Ridgie, you walk next to Lal, and I will walk the other
side of you."

"A most reasonable child," muttered the Lion, "really quite reasonable."

"Did you bring the sulphur tablets?" asked the Lion mysteriously.

"Yes, here they are.  Christine has them wrapped up in a packet,"
explained Ridgwell; "but, Lal, what can you want with sulphur tablets?
You promised me we should both be asked to the party, but sulphur
tablets do seem such an odd thing to want as a start.  I have thought
over it, and Christine has thought over it, and we cannot really think
what they can be for."

The Lion chuckled his most pleasant chuckle.

"Give it up?"

"Yes," nodded Ridgwell.

"So would any one else," grinned the Lion, "except me.  Have you ever
thought how the thick yellow London fogs come?" inquired the Lion
insinuatingly.  "Do you know what causes them?"

"No," said Ridgwell.  "I don't think anybody knows that."

"I do," replied the Lion.

"What causes them, then?" asked Ridgwell.

"The yellow fogs are caused solely by the habit the other three lions
have of sucking sulphur tablets whilst they are asleep," declared the
Lion.  "They are always sleeping, and directly two sulphur tablets are
placed in the corner of each one's mouth they go on sleeping and
breathing, sleeping and breathing.  The result is a thick yellow fog."

"I never knew that was the cause of London fogs," mused Ridgwell.

"One of them," sighed the Lion; "and who can wonder at it?  Just look
at the size of their mouths."

"But your mouth is as large as theirs, is it not?" debated Christine.

"Yes," said the Lion, "but there is a particular reason for my mouth
being large."

"Why?" asked the children.

"On account of all the wisdom I utter," replied the Lion loftily.

"Anyway," said Ridgwell, "it does seem a horrid preparation for a party
to start with a fog.  Surely nobody would see what was going on."

"Hush, hush, my children," remonstrated the Pleasant-Faced Lion.  "Just
gather round and listen, and do not interrupt.  You will be amazed at
all the things you are about to see and hear, for you are going to be
present to-night for a few minutes at the most wonderful party ever
given in the whole world."

"That will be lovely," said Ridgwell and Christine.  "And oh!  Lal,
really we have looked forward to it so much."

The Lion patted each of the children in turn affectionately upon the
head with its paw, and they remembered afterwards that his paw was as
soft as velvet, and really wasn't heavy at all.

"Chatter, chatter, chatter," said the Lion, "just like the magpies and
the sparrows, and the fashionable Society people for that matter, but
you must not interrupt.  I am just like one of those guides that do all
the talking, and if I am interrupted I lose my place, get all my
thoughts out of order, and all the ceremony will be wrong.  Then King
Richard and King Charles will both be down upon me, and say the party
was rotten, and that I was to blame; and as for Boadicea, she has a
nasty temper, and will probably hit me over the head with her reins."

"Oh, Lal, do you mean to say that King Richard and King Charles and
Boadicea are coming to the party?"

"Yes, all of them," grunted the Lion.  "Now be quiet, and just listen.
The sulphur tablets which seem to cause you so much mystification are
simply to cause a fog upon the _outside_ of Trafalgar Square, and to
shut out the sight of the most wonderful party in the world from the
gaze of all the other people who have not been invited to it.  Imagine
the millions of people who would flock to see such a sight, if it were
not screened off.  Drivers of the Buzz Buzz things they call
motor-buses and taxis, loafers, tramps, idlers, City men, work-girls,
curious women--and, by the way, remember that women are always
curious--would flock in millions, attracted by the lovely lights, which
will be brighter than anything you have ever seen, by the jewels, which
will be more dazzling than anything you have ever dreamed of, to say
nothing about the gorgeous costumes that will rival anything displayed
upon the Field of the Cloth of Gold, outdo the splendours of any court,
and put the pageant of the grandest pantomime ever witnessed to shame.
Follow me," commanded the Lion, "and you will see what you will see
only once in your lives, and it all begins with the sulphur tablets."

Ridgwell and Christine followed, and were dumb with amazement.  The
Lion gently took the packet of sulphur tablets from Christine and
thanked her for providing them.  Gingerly he approached each of the
other three sleeping lions in turn and insinuatingly placed two in the
mouth of each lion; one tablet each side between each lion's big front
teeth and its tongue.

"It's a dreadful habit," said the Pleasant-Faced Lion, "to suck sulphur
tablets in your sleep, but I suppose it's soothing.  Now watch,"
observed Lal maliciously.  "Sleeping and breathing, sleeping and
breathing, the sulphur tablets will soon commence to work."

Slowly as they watched, thick jets of yellow vapour commenced to rise
upward and all around.

"Come," whispered Lal, "the thick fog stops like a wall at the back of
their pedestals and all round Trafalgar Square.  As I told you,"
chuckled the Lion, "the fog is only upon the _outside_ of where the
party will take place."

He now quickly drew the children out of the fog inside the immense
charmed circle of Trafalgar Square, where the atmosphere was quite
clear, but as yet quite dark.

The Lion lifted up his head and gave a most piercing and peculiar
whistle; once, twice, three times and yet a fourth he repeated this
signal.

The signal was answered in a curious manner.  The whole space commenced
to vibrate with a strange humming sound which resembled violins,
violoncellos, flageolets and flutes being played upon very faintly.
The sounds were so weirdly fascinating that any one might have imagined
it proceeded from a little group of Eastern musicians playing upon
reeds in order to charm some snake to uncoil and become sociable after
a lengthy seclusion in its wicker-work basket.

"What is that music?" asked Ridgwell.

"The eight Dolphins of the fountains are humming happily.  They are
waiting to carry out my commands," answered the Lion.

Once again the Lion whistled four times.

Ridgwell and Christine, who were listening intently, could hear the
scurrying of flying feet racing along.  The sound drew nearer and
nearer, until several dark forms were jostling each other immediately
in front of where they stood, and they could feel the warm breath of
some living things upon their hands.  Suddenly in the darkness there
was a chorus of hoarse laughter.

Ridgwell and Christine started slightly.

"Are they spirits?" inquired Ridgwell, with a note of anxiety in his
voice.

"No," vouchsafed the Lion, "only the four merry laughing little Lions
from outside Westminster Abbey.  They are the most ridiculous creatures
in all London.

"Stop laughing," commanded the Lion.

"Hear me, Gamble, Grin, Grub, and Carry-on-Merry, and hearken
attentively.

"Carry-on-Merry, have you all stopped laughing?" demanded the Lion.

"Yes, mighty Lal, we are simply grinning at present, which is as near
to being serious as we can ever become.  We are only waiting for your
commands."

The Lion lifted up his mighty head and called, "Silence, Dolphins."

Immediately the curious sounds of humming ceased.

"The party I give is to be the most beautiful in the world, displaying
wonders such as no Emperor can procure.  Each of the Four Seasons shall
appear before us, perfect in every way, to be followed by the Pavilion
of Gold."

"It shall be done, O Lal."

"My guests will be all the stray children of London.  Call them from
every street and court, from out every by-way, alley, and lane."

"They are all here waiting, O Lal."

"Good.  Also gather together all the lost and stray dogs of London,
every single one who is wandering about to-night."

"They have all been summoned, O Lal."

"The Royalty present will include Queen Boadicea, King Richard I., King
Charles I., and St. George."

"Each has received a royal invitation, O Lal, and the Royal personages
will all be pleased to attend."

"Each boy and girl is to be dressed in the most costly costume,
according to their taste."

"All is prepared for them, Lal, and even as you desire, great splendour
awaits them, and nothing will be lacking for their perfect enjoyment."

"Good; see that all is well done, and be ready to begin when I give the
signal.  You understand?"

"We understand," laughed the four merry Lions.

"We obey," squeaked the Dolphins.

"Only one thing remains to be done, to dress you, Ridgwell, and you,
Christine."

"What shall we be dressed in?" inquired Christine.

"Shut your eyes," said the Lion gently, "and stretch your hands over
the lake of the fountain and take what the Dolphins give you.  They
know what you want, and their taste in such matters is exquisite."

The children shut their eyes and obeyed.  The Lion leant over the rim
of the lake and whispered to the Dolphins--

"Dress the boy like a prince, and the girl like a little queen.  The
richest stuff, mind, five guineas a yard.  Give her a crown of the
whitest daisies with shell pink petal tips for a crown.  No jewels, no
pearls, no, no.

  Take, oh take the pearls away,
  For they bring tears, the wise men say.

chanted the Lion in his rich double bass.  "Give them both jewelled
shoe buckles; give the boy jewelled levée buttons for his satin
breeches, a plain gold circlet for his head.  A train for the girl from
her shoulders, of pure cloth of gold; bring it light, so that it does
not weigh heavily.  White satin for the boy, with richest figured
velvet doublet set with cloth of gold.  Hang round their necks now,
with all its luminous jewels, the highest order in the world, the Order
of Great Imagination," commanded the Lion, "For by the Order of Great
Imagination they shall see things that no one else can see, they shall
be able to listen to things that no one else shall be able to hear.
They shall delight in the exquisiteness of things as no one else can
delight in them, who has not received this order.  For I declare to you
all that a child who has this glittering order shall know of things
that nobody else in the whole world shall know of.  Everything is
ready."

"Let us have Spring," commanded the Lion.

Immediately the words were uttered there came the soft beating of
birds' wings over Ridgwell's head.  The atmosphere instantly became
fragrant with the myriad scents of wild flowers.

A mist seemed to swim for a second before their eyes, and, as it
cleared away, they were standing together with many other children
knee-deep in unending banks of bluebells and primroses.

They were in the midst of the most perfect wooded dell they had ever
beheld.

Thousands of delicate flower-stems thrust their tiny spears from earth
and emerald moss, blossoming with flowers before their wondering eyes.

The spiral hedges slowly shook out dappled clusters of white hawthorn.

The interlaced trees above them, amidst which all the birds in
Christendom appeared to be carolling simultaneously, gently outspread
friendly arms, overladen with powdered red and white may blossom.

Butterflies with gaily painted wings hovered tenderly overhead, and
tiny silver thistledown balls sailed across the blue sky spaces, like
little wayward balloons without anybody in charge of them.

"You can all pick as many flowers as you like," suggested the Lion.
"Flowers were meant for the children to pick, so make yourselves
nosegays, garlands, and crowns galore.  There are no notices _here_ to
keep off the grass.  You can also chase the butterflies if you like,
but I warn you that you will never catch them.  As a matter of fact
that is the one thing I don't permit.  Any butterfly with really nice
feelings objects most decidedly when a pin is run through its body, as
much as a happy fish hates to be caught upon a hook.  I sympathise with
both of them, and consider such practices ought to be stopped."

Ridgwell, well-nigh immersed in a bank of bluebells, listened in a
semi-enchanted condition to the Lion's words of wisdom, and watched the
brilliant-coloured butterflies chasing each other in the pearly spaces
above him.

Christine, grasping a great yellow bunch of primroses in each hand,
ceased picking flowers and watched the bright-eyed squirrels and
rabbits gambolling everywhere around.

"Ridgie, have you noticed all the rabbits and squirrels are quite tame?"

"Of course they're tame," agreed the Lion, "Nobody here to hurt them;
why, they will come and eat out of your hand."

"Why is that?" asked Ridgwell.

"No guns or traps," chuckled the Lion.  "Any animal respectably brought
up is indignant at the very thought of a gun or a trap; consequently
they keep themselves to themselves, and seldom go out into society."

Ridgwell's gaze roamed over the lovely spring landscape, and rested
upon the masses of flowers the other children were picking.

"Everything here is just as it ought to be, isn't it, Lal?"

"Every single thing," answered the Lion.  "But it is going to change,
you know, almost directly."

"Change?" echoed Ridgwell.  "Why, Lal?"

The Pleasant-Faced Lion chuckled softly, and lifting his head, called
out, "Summer."

Immediately the Lion said "Summer," everything around commenced to
alter most strangely.

Banks of primroses became stretches of sparkling golden sands, and the
great masses of bluebells, after swaying once or twice, dissolved
themselves into the misty rippling waves of a summer sea.

Christine and Ridgwell, looking hopelessly perplexed, found they were
each in a tiny boat with a pearly sail, skimming over shallow blue
waters that sparkled like sapphires.

The sky over their heads had changed to the burning blue of a summer
day.  The air was filled with the sweet salt spray of the sea, which
descended in delicious showers upon all of them.

"Have all the children got boats?" demanded the Lion.

"All," shrilled the Dolphins.  "Their boats can't upset, Lal, and the
waters are transparent, and shallow enough for them to fish up coloured
shells, coral, and mother-of-pearl.  There's a sunken treasure-ship
half buried in the sands far upon the other side, Lal, if they sail for
it."

"They'll all make for that safe enough," answered the Lion.  "Push
their boats off, Dolphins, and help them all to land upon the far
shore."

The Dolphins, splashing the water into little white frothy waves,
accompanied the little bobbing fleet of pearl-boats, and sang gaily as
they swam alongside.

  "Blue and gold on the summer sea,
   Each little mast with a sail of pearl,
  Each dipping boat holds a boy or girl,
  A most enchanting argosy.
  A ship one's longed for most perhaps
  That cannot anyhow collapse.

  We'll sail away to the golden strand,
  And maybe discover No Man's Land;
  Each one of us will get a peep
  Into the wonders of the deep,
  Dredging for shells of brilliant hue,
  And discovering mermaids too.

  Sing ho! for a galleon of Spanish gold,
  With jewels and ivory in the hold.
  What treasure we'll find upon the main!
  What triumph when we sail home again!
  The wonder of every lad and lass
  Will be the booty we amass."


After a short but entrancing voyage, and even whilst Ridgwell and
Christine stood with the other children waist-deep in the great carven
hold of the sunken Spanish galleon, shovelling out golden doubloons and
precious jewels, the sound of Lal's voice came across the water to them.

"Autumn, ahoy!" shouted Lal.

      *      *      *      *      *

"Isn't it bewildering, Chris?" lamented Ridgwell.  "Only a second ago
we were enthroned in a castle of golden coins and precious stones, and
now, without any sort of warning whatever, we are standing upon the top
of a waggon-load of newly-mown hay."

"Yes, Ridgie, and look at Lal across there, laughing about it like
anything."

"He certainly does play tricks with us, Chris.  See, he is sending all
the children racing across to draw our hay-cart with those ropes of
acorns and leaves they are holding.  Hullo!" broke off Ridgwell,
"somebody is throwing things at me, and if they continue doing it I
shall jolly well start throwing back again."

Christine looked up from the stack of loose hay surrounding her in the
cart upon which they stood.

"Why, it's apples," announced Christine.

"Where?" inquired her brother.

"Look, Ridgie, overhead, hundreds of them hanging from every tree.  We
can reach them quite easily."

There could be no doubt about the matter.  Rosy apples ripened by the
sun dangled in clusters overhead, and gently fell down at the very
moment when any one felt disposed to eat them.

Within easy reach grew trailing brambles smothered with ripened patches
of fragrant blackberries.

The Pleasant-Faced Lion lifted up his voice and inquired if the company
present desired anything better, at the season they were now passing
through, than unlimited apples, blackberries, and hay.

"No," came a simultaneous chorus from all the children.

"Good," replied the Lion.  "After you have all eaten as many apples and
blackberries as you want, the battle of the new-mown hay will start.  I
shall be the umpire.  If Ridgwell and Christine can throw enough hay
from their big cart to bury all the children around them, they will
have won.  If the other children can throw up enough hay to completely
smother the cart, Ridgwell and Christine will have lost.  Now start,"
laughed the Lion.

"Look here, Chris, we must get to work, so here goes."

Whereupon Ridgwell seized a big armful of loose hay and awaited the
attack.

"We have the advantage of height," observed Christine, as she hastily
gathered as much hay as she could hold, "and you know, Ridgie, it is
much easier for us to throw down than it is for them to throw up."

"How about numbers?" objected Ridgwell; "why, it's two against
hundreds, Chris."

Then the battle commenced.  That engagement was a memorable one amidst
the scented hay.  Not infrequently it happened that only a laughing
eye, or the tip of a small nose was anywhere visible to show who might
be the victor.  Nobody will ever be quite sure who won, and it is
doubtful if the point was ever decided.

Ridgwell, feeling very smothered up, was remarking to Christine in
muffled tones that he thought they must have lost, when the voice of
Lal announced "Winter."

"Don't you feel buried, Chris?"

"Yes," came the unexpected reply, "I am.  I'm simply buried in furs and
snow!"

"Furs and snow?" repeated Ridgwell incredulously.  "What on earth do
you mean, Chris?  Oh, good gracious, Chris, I've got an extraordinary
feeling I'm falling over a sort of precipice."

"So we are," rejoined Christine philosophically.  "Don't you see,
Ridgie, that Lal has changed everything again.  We are on a toboggan
sleigh, and just starting down no end of a steep hill."

Ridgwell rubbed the finely powdered snow out of his eyes.

An entrancing winter scene lay below them.  Giant blue-green pine-trees
were dotted about over the glistening snow which flashed with a million
diamond sparkles.  All the children were clad in beautiful furs.

Some of them were sliding and skating, others snowballing and tumbling
in the snow.

"Hang on, Ridgwell and Christine," shouted the Lion, "your toboggan has
started at a pretty good pace.  Hold tight."

Ridgwell and Christine shut their eyes, and as neither of them had any
breath during that wild descent, they could only compare notes
afterwards as to the amazing sensations they experienced during these
moments.

When the toboggan had finally brought itself to a standstill Ridgwell
extricated himself and viewed the snow-powdered spaces in front of them
a trifle apprehensively.  Bounding along towards them raced a pack of
animals.  Their eyes were glistening and their tongues hanging out.

"Wolves!" muttered Ridgwell.  "Oh!  I say, Chris, I don't think I quite
care about meeting wolves.  Do you?  They don't look very friendly
either, by the way they are coming along."

"It's the stray dogs," shouted Christine; "and look, Carry-on-Merry is
putting little teams of them into sleighs to draw us along."

"Sleigh races about to start," called the Lion.  "Take your seats,
shake the reins and you will hear the silver bells tinkle.  The first
sleigh to reach the farthest pine-trees wins the race.  Off you go."

Away flew the dogs, drawing the children over the powdered snow tracks.

After the race Carry-on-Merry collected all the children together.

"I propose a snowball match," grinned Carry-on-Merry.  "Gamble, Grin,
Grub, and myself upon one side, against all you children."

"Ho, ho, ho!" laughed the Pleasant-Faced Lion.  "My goodness, what a
beating all you children are going to have.  Why, Carry-on-Merry and
his lot can manufacture snowballs as quick as lightning."

The battle commenced without delay, and it was a terrific conflict.

Hundreds of little snowballs whizzed through the air.

"Ha! ha!" laughed the Pleasant-Faced Lion, "the children are
retreating.  Carry-on-Merry, Gamble, Grin, and Grub, I believe you are
the champion snowballers of the world.  I think myself you must have
acquired the gift from some unusually impish urchins whose methods you
have closely observed round Westminster way.  I consider your skill
quite in accordance with the best street traditions."

The children were eventually snowballed to a standstill, and flinging
away their remaining ammunition rolled themselves over on the snow to
avoid any more of the unerring missiles of Carry-on-Merry and his band.

"Give in," demanded the Lion pleasantly.

"Never!" laughed the children.

"But you're beaten, you know," insisted the Lion.  "Carry-on-Merry, you
can take them all prisoners and escort them to the Pavilion of Gold."

Even whilst the children were tumbling in the snow the atmosphere
became inky black.

The darkness was not in any way alarming; it had taken place so
gradually that they scarcely noticed it, which only intensified the
marvellous change which was to follow.




CHAPTER III

THE GOLDEN PAVILION

Christine and Ridgwell never forgot the sight that met their eyes when
the strange transformation took place.  It was dazzling in its beauty
and it was some seconds before they could realise the full wonder of
it.  The dimness of the light changed to the most exquisite
illuminations imaginable.

Christine and Ridgwell realised that the party was to take place in a
gorgeous golden pavilion.

The fountains, which had slid to either end of the pavilion, shot up
brilliant globes of changing light which hovered in the air like tiny
coloured air balls, whilst the tops of the fountains spraying a golden
mist, were echoed again in the lustrous glow of walls and roof.

From the pearly dome whose outline was only faintly suggested overhead,
and upon every side, hung myriad stacks of flowers, which now and again
fell in fragrant jewelled showers upon the children, just as soon as
each blossom had grown into perfection.

Upon a golden dais at one end were King Richard and King Charles clad
in glittering silver armour, with Queen Boadicea arrayed in purple, in
the centre; whilst St. George stood beside them in shining golden
splendour.

Ridgwell and Christine stood beside the Pleasant-Faced Lion upon
another dais immediately facing the royal personages.  The Lion was no
longer a dull, copper green hue; his whole body had changed to the
colour of burnished gold and his great mane shone like a sun.

Forty children dressed in the vermilion and black of Beef-eaters from
the Tower with halberts in their hands, lined the way up the shallow
golden steps to each dais, twenty upon either side.

The Lion gave his last orders for the ceremony--

"Gamble, Grin, Grub, and Carry-on-Merry, sound the Merry Fanfare on
your silver trumpets!"

The four little lions gaily arrayed in scarlet and gold advanced into
the centre of the great space and executed a remarkable fanfare, which
without being entirely a march, or wholly a waltz, was nevertheless
delightful to listen to.

Immediately a procession of the most lovely children entered, dressed
in every brilliant costume imaginable.

The delicious fragrance of the scented golden mist, diffused from the
two fountains, filled the air as the happy and beautiful children, boys
and girls, danced into the pavilion.  They all paused to bow to the
Royalty present, and St. George; then they advanced to where Ridgwell
and Christine stood beside the Pleasant-Faced Lion.

They greeted the Lion as an old acquaintance and blew him kisses as
they passed.

As they moved along, glittering in costly silks and satins, winding in
and out with the changing colours of a rainbow, Ridgwell spoke to the
Lion--

"Lal, Christine and I have never seen so many lovely children before.
Surely these are not the stray ragged children of London?  Why, their
faces are the colour of the new roses that are falling everywhere about
us, and look how bright their eyes are!"

The Lion smiled, then pointed to the scented golden spray being
showered from the two fountains.

"They look lovely as you see them," said the Lion, "because perpetual
health, and love, and happiness are being diffused upon them from the
fountains.  Outside they were different," continued the Lion; "but here
the dark circles disappear from beneath their eyes, which become bright
and full of love, as they ought to be, the little puckers of care and
want are sponged out of their faces by the spray from the fountain.
The pallor of their faces changes to rosy health and beauty as it
should; the pinched look many of them wear, gives place to roundness
and the happy laughing curves of childhood that doesn't know or reckon
of any care."

"But, Lal, where do all these wonderful things come from?" questioned
Ridgwell; "the great canopy, the golden carpet, all the costumes and
the jewels?"

The Lion chuckled.  "They all come out of the fountains, straight from
the warehouses of the merchants.  The Dolphins bring them.  Everything
comes from the fountains."

"You see," proceeded the Lion, "there is going to be plenty to eat and
drink and everything of the best."  Once again the Lion pointed towards
the two fountains: "See the eight golden dolphins with their golden
trays, they hand up delicious cakes, the best fruit, ices, lemonade,
chocolates, sandwiches, anything you want."

"Shall we have some of those delightful things to eat too?" asked
Ridgwell.

"Oh, be reassured, my child," smiled the Lion, "the Dolphins won't
forget either you or Christine, they will dance up to you with their
trays filled with everything you want."

"If all those other children look so very beautiful, what do _we_ look
like?" Ridgwell asked the Lion in a whisper.  "You see there are no
looking-glasses, are there?"

For the first time the children remembered to look at one another.

Christine was the first to speak, and it was with a cry of great
delight she turned to Ridgwell--

"Oh, Ridgie, you are lovely," said Christine.

"Course he is," said the Lion.

"I don't know about that," said Ridgwell hesitatingly.  "I think you
have made a mistake in the excitement."

"I've not," insisted Christine; "why, you look like a beautiful little
Prince."

Here Ridgwell, who, overcome with modesty at these tributes, had been
examining his jewelled shoe-buckles with downcast eyes, looked up at
his sister.

"Well, how about you?" exclaimed Ridgwell.  "Why, you look like a
lovely fairy queen----"

"Course she does," said the Lion.

"Don't be silly, Ridgie," said Christine, severely.

"I'm not," asserted Ridgwell.  "I've never seen you look like that.
Perhaps," added Ridgwell, "these glittering orders we wear round our
necks have something to do with it."

"You're right," said the Lion, "the priceless Order of Great
Imagination enables you to see everything that is beautiful as it
really is, and, of course, everything here is beautiful, so," added the
Lion logically, "why should you both be different from anything else?"

The Lion beckoned to one of the Dolphins.

"Here," said the Lion, as the Dolphin approached them, "hold up your
burnished golden tray and let the boy see himself."

The Dolphin held up the polished tray and Ridgwell looked into it
wonderingly.

"My goodness," said the Lion, "I thought girls were vain, but boys are
worse!"

"That _can't_ be me," said Ridgwell.

"Well, it isn't me," grumbled the Lion, "that's certain."

Christine peeped over the shoulder of Ridgwell's golden tunic.

"It's like us," said Christine, "but yet it isn't us at all."

"That is what people always say when they see their own photographs for
the first time," observed the Lion wisely.  "Ha!" broke off the Lion,
"here come the dogs."

"Have you placed the two long troughs at the far end for them?"
demanded the Lion.

"Yes," chorussed the little lions.

"What have you filled them with?" questioned the Lion.

"Finest mutton and chicken bones in one," laughed Carry-on-Merry,
"water in the other."

"Have you remembered their special strip of comfortable carpet?" asked
the Lion anxiously.

"It's there," grinned Carry-on-Merry.

"Why are the stray dogs to have a strip of special comfortable carpet?"
asked Christine.

"Because they like to pick the bones afterwards upon the carpet," said
the Lion; "it's a little habit of theirs, and they are not so highly
trained as we are."

A most extraordinary procession now made its appearance before them.
The children might have thought it was a Noah's Ark, only the dogs
advanced in fours.  Newfoundlands, St. Bernards, Mastiffs, Retrievers,
every conceivable dog down to tiny fox terriers, Spaniels and Yorkshire
terriers.  They all looked very happy and their coats shone as if they
had been lately washed and had afterwards dried themselves in the
golden rays of the warm sun, which even now seemed to linger over them.

"Lovely creatures," said Christine.

"Ripping," said Ridgwell, "they are dears."

"Started to munch their bones already," grunted the Lion.  "Well,
they're not so highly educated as we are.  A party to them is a party,
and they don't wait for anybody, which, after all, is the proper thing
to do.  Where's the Griffin?" demanded the Lion of Carry-on-Merry,
after that intelligent creature, having acted like a verger (a habit he
had probably acquired from a life-long proximity to Westminster Abbey),
had shown all the dogs to their places along one side where the
comfortable carpet formed a sort of aisle.

"Ha!  Ha!  Ha!" laughed Carry-on-Merry, "the Griffin is late."

"He's always late," grumbled the Lion, "his head's weak, and he never
can remember what time a party starts."

"Here he comes," grunted Carry-on-Merry, "and, oh! my goodness, what
_does_ he look like?"

"Absolutely ludicrous as usual," said the Lion.

The Griffin presented an intensely comical appearance.  Wishing to keep
up the dignity of the City, he had chosen for his party-dress a scarlet
Lord Mayor's robe, edged with fur, which he had folded around himself
in an exceedingly ridiculous fashion.

Upon his head, as he believed it to be becoming, he had placed jauntily
sideways, an immense green dunce's cap from one of the children's giant
crackers, which the Griffin had pulled as he entered the doors.

The Griffin had decided to adorn his front feet with strips of scarlet
flannel, because he declared that he had chilblains, and furthermore,
his paws were exceedingly tender after his encounter upon the previous
evening with St. George.

It was thus that the Griffin ambled in trailing his Lord Mayor's robes
behind him, and smiling aimlessly from right to left upon everybody
present.

"Has everybody missed me?" sniggered the Griffin.  "I fear I'm late!"

"Nobody has missed you at all," retorted the Pleasant-Faced Lion.

The Griffin looked hurt for a moment.

"Oh, surely, Lal," entreated the Griffin; "_surely_ some one missed me!"

"No," said the Lion firmly.

The corners of the Griffin's mouth trembled.

"Now then," said the Lion, sternly, "no emotion."

"No! no!  Lal," faltered the Griffin, "but when I think of that lovely
saying, 'Everybody's Loved by Some one'----"

"There are exceptions to every rule," snapped the Lion.

"Oh," sniggered the Griffin, "then it does apply even to me, for I
myself am an exception.  There is only one of me," ended the Griffin
eagerly, "only one in all London."

"Some things don't bear repeating," said the Lion.

The Griffin's weak memory came to his aid at this awkward moment:

"That must particularly apply to your last remark," simpered the
Griffin.

"You have heard somebody else say that," objected the Lion.

"True," sniggered the Griffin, "and it will not be the first time that
the remembrance of other people's sayings have passed for wit; and I
have always so longed to be a wit," sighed the Griffin.  "Don't you
think, Lal, that I might one day be a wit?" inquired the Griffin
anxiously.

"No," said the Lion, "I don't; you have none of the necessary
qualifications."

Once again the Griffin's mouth trembled piteously.

"Oh, Lal," implored the Griffin, "think, only think again."

"I couldn't," answered the Lion, "some things don't bear thinking
about."

The Griffin, with two tears trembling in his eyes, clasped his
flannel-wrapped foreclaws together beseechingly and changed the nature
of his supplication:

"Very well, Lal, then perhaps as you have never seen me act, I might
arrange some theatricals and amuse the children and the company
present.  Of course," simpered the Griffin, "I should play the chief
funny part myself; wouldn't it be wonderful if I played the chief funny
part myself?"

The Lion looked at the Griffin contemplatively for a second: "You will
never be funnier than you are now," remarked the Lion, "and we are not
going to have any theatricals at all, the children are going to dance."

"The very thing," agreed the Griffin.  "I will lead them; I dance so
beautifully."

"No," said the Lion firmly, "if any one leads them it will be
Carry-on-Merry, but they won't want any leading at all.  The best thing
you can do is to keep quite quiet and make yourself useful."

"Oh, Lal, don't ask me to be useful," shuddered the Griffin.  "It is
such a dreadful word, and _anybody_ can be useful."

"You think so," said the Lion, as he smiled his wisest smile.

"I must be something far better than that," remonstrated the Griffin,
"and it has just struck me that I had better go round and find out from
everybody what they would like me to do," and the Griffin moved off
eagerly to gather the opinions of everybody present as to this most
interesting point which concerned him so closely.

"Always dying to show off," grunted the Lion.  "You can see in the
Griffin the absolute type of one who being weak in the head and totally
unable to do anything, is nevertheless always longing to show off
before others, who are cleverer than himself."

"Perhaps he will find somebody who wants him to do something,"
suggested Ridgwell, hopefully; "but why didn't he want to be useful?"

"Because the poor Griffin believes himself to be extremely ornamental,
and therefore, like all conceited people, he will never be able to see
himself as he is in reality.  He wishes to lead before he has been able
to learn."

Carry-on-Merry, Gamble, Grin, and Grub had by this time fixed up a
strangely decorated Maypole; it was nothing less than St. George's
Pillar, but so bedecked with hanging flowers and brilliant silken
corded ribbons that the children had some difficulty in recognising it
again.

Then the four laughing lions could be seen racing along with a most
wonderful piano-organ, into which Gamble, Grin, and Grub were
harnessed, whilst Carry-on-Merry turned the handle.

It must at once be admitted that this particular musical instrument
differed very considerably from any piano-organ ever heard in the
streets, and it could never have come anywhere from the neighbourhood
of Saffron Hill.

It discoursed the sweetest music in the nature of a dance tune that was
irresistible, and the feet of all the children present started in time
to it simultaneously.

"Now, Ridgwell," said the Lion, "take Christine and dance with her.  Or
would you sooner stay here and look on at the sight?"

"I shall do both," asserted Ridgwell, "dance first and look on
afterwards."

"Good," assented the Lion; "an able definition of eating your cake and
having it at the same time.  Off you go then."

"Won't the Kings, Boadicea, and St. George dance too?" asked Christine.

"No, George doesn't dance," said the Lion, "neither do the Royalty;
they graciously look on.  I don't dance either, I do not consider it
dignified, so I sit here, conduct the ceremony, and beat time to the
music with my paw."

That dance was the wildest, gladdest, merriest thing the children ever
remembered, and the threads of golden light filtering through the flash
of the coloured costumes as they wound in and out, added tints of
splendour as of an ancient pageant.

Who could keep from dancing to such an exquisite tune, and who could
help being glad when ropes of lovely flowers were being twined round
lovelier childish faces, flower-like themselves, flushed with gay
excitement, with perfect health, with gladness?

Ribbons of changing light they threaded in and out, round and through,
no one could tell how many times, and over all the golden scented dew
of perfect health and beauty fell from the two fountains upon the
up-turned faces.

It is true the Griffin made several ineffectual attempts to break
through the laughing, whirling ring, under the impression that the
circle was incomplete without him, but Gamble, Grin, and Grub were
always at hand to pull him back, and prevent this amiable but mistaken
intrusion.

From the piano-organ which he turned so gaily, Carry-on-Merry found it
was necessary to caution the Griffin after his last frantic attempt to
break through the ring of dancing children.

"I want to dance," urged the Griffin.

"I think you want a keeper," grinned Carry-on-Merry, "or a policeman or
something, to keep you in order."

The Griffin turned pale.

"Oh! no," implored the Griffin, "not a _policeman_."

"Well, then, behave," grinned Carry-on-Merry.

"Very well," sulked the Griffin, "as I am not wanted I think I shall go
home and give a party to myself."

"Don't go," grinned Carry-on-Merry, "I have thought of something you
could do presently."

The Griffin flushed with delight.

"Will it be something grand?" asked the Griffin breathlessly,
"something that will show me off, something that will make me talked
about, something so big that it won't be like anything else?"

"Rather," grinned Carry-on-Merry; "you bet it won't be like anything
else, at least," added Carry-on-Merry truthfully, "it won't be like
anything else I have ever known."

"Oh, thank you, thank you," gushed the Griffin.  "I could swoon with
joy, I feel so overwrought that I shall go to one of the fountains and
ask the dear Dolphins for some light refreshment."

"No, you don't," instantly objected Carry-on-Merry, "the dance is
nearly over, and the children are all going there immediately; you
would only be in the way, but," added Carry-on-Merry, with a wicked
twinkle in his eyes, "I have a much finer idea than that."

"Really?" inquired the Griffin.  "Really a fine idea?"

"Ripping," responded Carry-on-Merry, as he mysteriously produced from
an inside pocket of his royal scarlet coat a big white damask dinner
napkin.

"What _can_ it be for?" simpered the Griffin; "and will it help to show
me off to advantage?" he anxiously inquired.

"Rather," said Carry-on-Merry.  "Listen!  Put this dinner napkin over
your face, sit in a corner and go to sleep.  Now the _most_ remarkable
thing you could do in an assembly like this to attract attention, would
be to go to sleep."

The Griffin for a moment looked dubious.  "Then," said Carry-on-Merry
with a still more wicked gleam in his mischievous eyes, "I will tell
every one that you are 'The Sleeping Beauty' and everybody will
immediately want to see you."

"How lovely," sighed the Griffin, "and I shall look the part and be the
part; in fact," added the Griffin, "I shall be _the_ thing of the
evening."

"_You will_," rejoined Carry-on-Merry enigmatically, "but that is not
all.  When I wake you up at last, of course all the children will
laugh."

"What at?" inquired the Griffin suspiciously.

"Why, for joy at the discovery."

"Humph!" debated the Griffin, "only joy--not admiration?"

"Oh, yes," glibly replied Carry-on-Merry, "admiration, of course, and
the sheer beauty of the thing.  Ha! ha! ha!"

"Yes, yes," eagerly interrupted the Griffin, "sheer beauty sounds
better, sounds more like me."

"Of course it does," laughed Carry-on-Merry.  "Then perhaps I shall ask
you to sing."

"Oh!  Carry-on-Merry," faltered the Griffin in a broken voice, "you
have touched my heart--that is the very thing I was waiting for
somebody to ask me to do.  To sing," rhapsodised the Griffin--"to be
like one of those great singers out of the opera, to pour out one's
heart tones, to be gazed at by every eye, to be listened to by every
ear, to be the adored of all.  How can I thank you?  How can I repay
you?"

"Don't, please," implored Carry-on-Merry, who appeared to be choking
inwardly, "don't thank me any more now, I can't bear it--some other
time."

"Yet stay," cried the Griffin, with unexpected and dramatic suddenness,
"who is going to kiss me?"

"Kiss you?" echoed Carry-on-Merry blankly, "kiss you?  Good gracious!
I give it up."

"Yet," pondered the Griffin, "somebody had to kiss the Sleeping Beauty!"

"You won't find anybody to do it," said Carry-on-Merry decisively.

"Why not?" asked the Griffin sharply.

"I mean," amended Carry-on-Merry, "nobody could be found for the moment
of sufficient importance."

"Oh, I see," replied the Griffin, "yet perhaps Boadicea would oblige."

"Out of the question," said Carry-on-Merry.  "Besides you know she
never takes part in any--any--er--_festivities_ at all."

"True," lamented the Griffin, "and yet assuredly I must be kissed for
the thing to be natural."

Carry-on-Merry turned away his head, for Carry-on-Merry almost felt
that he could not trust himself to speak at that moment.  Then one of
his many bright ideas occurred to him.  "I know," rapidly explained
Carry-on-Merry, "I have it; I will find some important personage
present to give you a rap."

"Where?" moaned the Griffin, "not on my knuckles.  You know I cannot
stand anything of that nature on my knuckles."

"No--no----" grinned Carry-on-Merry.  "I mean a tap, just a little tap."

"I see," agreed the Griffin.  "Very well, one little tap, a tap as
dainty as if a feather had brushed me in my sleep."

"Or a floating piece of thistledown," laughed Carry-on-Merry.

"Oh yes," said the Griffin.  "Thistledown sounds more romantic, and
then I shall wake from my dream."

"I don't think myself you ever will," observed Carry-on-Merry, quite as
if he were thinking of something else.

"What!" said the Griffin.  "Never wake?"

"Yes, yes," interrupted Carry-on-Merry hastily, "but you have to go to
sleep first, you know, and you had better hurry up whilst the children
are eating, then you won't be observed."

"But I want to be observed," objected the Griffin.

"Of course you do," insisted Carry-on-Merry, "but that comes later on.
Go at once."

The amiable Griffin departed accordingly to carry out his part of the
programme, and forthwith lumped himself in a distant corner, with the
grace of a camel who had found sudden and unexpected opportunities of
benefiting his health through sleep.  From this slumber the Griffin
found it necessary to rouse himself after a little while, upon hearing
the children all shouting his name.  The entire party having partaken
of the delightful refreshments provided according to the various
requirements of their constitutions, were watching a moving series of
cinematograph pictures of London.

One of the great golden spaces of the walls formed the screen, Gamble,
Grin and Grub, full of laughter, manipulated the cinematograph machine,
whilst Carry-on-Merry gaily pointed out the pictures with a big golden
wand.

All the children loved the pictures, for they were faithful portraits
of themselves as they appeared every day in the London streets, when
they were not arrayed in gorgeous robes for a Princely Party.

The streets they knew only too well but yet they loved them.  Were they
not always in the streets--were they not passing every day of their
lives the very scenes they were now watching flung upon the screen?
The picture being shown at the moment the Griffin heard his name
called, was a Royal Procession passing Temple Bar.

Instantly the children recognised the Griffin and called him by name.

The Griffin awoke, saw himself being shown upon the moving picture
film, and gave a shriek of delight.

"Stop! oh, stop!" shrieked the Griffin, as he ambled across to
Carry-on-Merry and seized the Gold Wand.  "Please don't hurry past this
beautiful picture.  Of course," cried the Griffin with a silly laugh,
"of course it's me, _ME_ with Royalty passing me.  Is it not
beautiful?--you can all see for yourselves.  I am sitting higher up
than Royalty itself.  Notice the way the Royal personages bow and laugh
as they pass me."

"They laugh right enough," agreed Carry-on-Merry.

"Eh?" said the Griffin suspiciously.

"The Griffin ought to have been a showman," observed the Pleasant-Faced
Lion.

"Now we pass on to the next picture," called Carry-on-Merry.

"Oh, _don't_ hurry," implored the Griffin.  "Don't pass the most
beautiful of all the pictures in such haste."

"_Next_ picture," laughed Carry-on-Merry.

The Griffin, after bestowing a hurt look upon Carry-on-Merry, retired,
and again composed himself for sleep.

His slumber this time was not destined to be of long duration.

A grey sombre figure suddenly strode into the brilliant flower-draped
pavilion; a slouch hat made the figure look very sinister, and a sword
clanked at his side.

The figure strode on and scowled darkly at King Richard sitting
gracefully upon his charger.  "Ho! ho!" called the sombre man in a loud
voice.  "Ho! ho!" he repeated with a mirthless laugh.

King Richard neither moved not took the faintest notice.

On strode the figure towards King Charles seated upon his charger, and
who was regarding the children with the pleasantest expression possible.

"Ha!" shouted the figure as it strode along.  "Ha!  I say, Ha!"

King Charles still smiled gravely and took no notice.  The striding
figure that shouted "Ha!" might never have uttered a word for all the
notice King Charles took of him.

"Ha!" shouted the figure for the last time.

Then, seeing that nobody took any notice of him, the figure looked
glum, and folding his arms espied the Griffin peacefully asleep, the
white dinner napkin covering his fond, foolish face, waiting to be
awakened, so the Griffin fondly hoped--awakened by a gentle tap as
Beauty.  The Griffin's slumber seemed to annoy the sombre man
intensely, for without uttering a syllable he drew his sword and smote
the Griffin hard upon the red flannel paws that were folded with a view
to pictorial effect beside the Griffin's covered face.

There was a shriek of anguish, and the Griffin awoke.

The pain the Griffin suffered from the blow upon his tender paws was as
nothing compared to the blow to the Griffin's feelings when he realised
that his ineffably touching picture of the Sleeping Beauty had been
spoiled for the evening.  A great surge of sudden hatred swept over the
Griffin at the swaggering intruder who had dared to strike him, and
simultaneously the Griffin remembered something he had once heard said
by a man in blue wearing a helmet close to where he always stood in
Fleet Street.

The Griffin seized Carry-on-Merry's golden wand for the second time
that evening and approached the sombre man of the top boots and the
slouch hat menacingly.  "Move on," shouted the Griffin, giving a
lifelike imitation of the man in blue with a helmet.  "Move on, d'ye
hear?"

The sombre figure backed a little way in astonishment.

"Move on," said the Griffin, "out of this; we don't want you here.
Orff you go!"  The sombre figure retreated a little more.  "If I catch
you here again," said the Griffin pompously, "I will run you in; no
loafing here!"  The sombre man gave one scowl, sheathed his sword with
a clank, and hurriedly took his departure without once looking back or
uttering any further remark.

"Bravo!" muttered the Lion, "that is the first useful thing the Griffin
has done all the evening."

"Who was that dismal looking man muffled up like a brigand?" asked
Ridgwell.

The Lion smiled.  "That was Oliver Cromwell.  He came to try and spoil
the party."

"Why?" asked Ridgwell.

"He doesn't like the extravagance," said the Lion; "he hates any
display, and cannot bear to see children happy."

"Thank you, Griffin," said Christine.

"Listen, all of you," simpered the Griffin, "some one has thanked me.
Oh!  Fancy anybody thanking _me_.  Has everybody heard me publicly
thanked?" asked the Griffin anxiously.

"Yes, everybody," said the Lion; "we don't want any more of it."

The Griffin looked sulky.

"As long as everybody knows what I did," said the Griffin.  "Nobody
else thought of doing it.  Do you think it was better than my being the
Sleeping Beauty?" inquired the Griffin eagerly.

"Yes," replied the Lion, "it was more realistic."

"Fancy that, more realistic! how beautiful!" and the Griffin sidled
away, sniggering with self-gratified pride at his own achievement.

"I am afraid," explained the Lion to Christine and Ridgwell, "that he
intends to sing."

"But can he sing?" inquired Ridgwell.

"No," said the Lion, "it is a wretched performance; yet, like all other
people who cannot really sing, he is dying to be asked to do so, and I
feel sure that some one will be misguided enough to ask him.  You see,"
explained the Lion, "the Griffin cannot sing in tune, but like most
people afflicted in the same way, he is totally unconscious of his
failing, and really believes his own singing to be quite beautiful."

Christine and Ridgwell both laughed.  "It must be very funny," they
said.

"It is so funny," answered the Lion, "and so deplorable at the same
time that it is almost beyond a joke."

Almost before the Lion had finished speaking Carry-on-Merry, with a
particularly wicked laugh, danced to the centre of the bright ball-room
and said he thought that perhaps the Griffin might be persuaded to sing.

"I thought so," groaned the Lion.

The Griffin gurgled with pleasure, and immediately started to look coy,
and playfully tap the golden carpet spread upon the ground with his
forepaws, as if he had suddenly discovered some new beauty in the
pattern of the luxurious floor covering.

"Really," said the Griffin, "I do not think I could.  Oh! really _no_."

"Showing off," grunted the Lion; "he'll sing in the end, safe enough.
Worse luck!"

"With all these beautiful singers here," smirked the Griffin, "to ask
_me_.  Oh!--really!"

"Oh, please sing," everybody murmured politely.

"Oh--oh!--really," simpered the Griffin, trying in vain to blush.  "You
see, I am not perhaps in my usual form."

"What on earth will it be like, then?" ventured the Lion.

"I am sure you will honour and delight the company," laughed
Carry-on-Merry, with his wickedest laugh.

"Besides," demurred the Griffin hesitatingly, "I have two chilblains
and such tender paws, I don't think I could really."

"We did not ask you to _play_," interrupted the Lion shortly.

"No, no," replied the Griffin hastily, "to sing--I understand.  Yes, to
sing.  Oh--fancy asking _me_ to sing.  Well, well, perhaps a few bars."

"Now we are in for it," said the Lion, "and I don't suppose you will
ever hear anything like it again."

"I do so want to hear the Griffin," said Ridgwell, "and I really cannot
think what it will be like."

"Like?" echoed the Lion, "it will be like the effect of the first early
gooseberries of the year without sugar or milk; it will be like slate
pencils squeaking upon slates; like a trombone that somebody is
learning to play for the first time.  However, nothing short of an
earthquake will stop him now, for, as I tell you, he is simply dying to
sing the moment he thinks anybody at all will listen to him, and that
he can show off.  However," added the Lion, "when it gets beyond all
human endurance, I make a sign to Richard I.  Now the Griffin is
terribly frightened of Richard I."

"Why?" asked both the children.

"Because the Griffin is afraid that Richard will advance and hit him on
the paws with the big sword he carries."

"And will he?" asked the children.

"Yes," said the Lion, "if it gets too bad."

Everybody stopped talking now, for the Griffin, after much further
pressing, had made up his mind what he was going to sing.  He decided
to make a start in a key which was indescribable, and with a voice that
resembled the twanging of a banjo that had not been tuned.

And thus the Griffin sang--

  "Of a merry, merry king I will relate
  Who owned much silver, gold and plate,
  And wishing to be up-to-date
      Within his city,
  Placed a handsome Griffin outside the gate,
      A creature pretty.

  "Yet one thing, the merry, merry king forgot
  That it would be his Griffin's lot
  To be very, very cold, or very, very hot,
      High up in Fleet Street.
  So slowly the faithful creature got
      Chilblains upon his feet.

  "The Griffin grew prettier day by day
  Directing the traffic along each way,
  With always a pleasant word to say
      All along Fleet Street.
  One trouble alone caused him dismay,
      His very tender feet.

      _Chorus--_

      "Oh! my poor tender feet!
      Of what use are England's laws,
      Unless they protect my claws
      And keep me warm in the street?
      Nothing so young and fair,
      Ever sniffed Fleet Street air,
      Ever sang like the Dove--
      And--All that I ask is love."


At this point the Griffin was so overcome by his own performance that
he burst into tears; and despite the excessive hilarity of every one
present, to say nothing of Carry-on-Merry, who was rolling upon the
floor in his mirth, the Griffin continued to sob, and from time to time
wiped away the big tears that rolled down his cheeks with the fur upon
the Lord Mayor's mantle that he wore.

"It always affects me," sobbed the Griffin.

"Yes," answered the Lion, "it has affected all of us strangely."

"Nearly been the death of me," gulped Carry-on-Merry.

"I think I will go home now," said the Griffin, as he surreptitiously
wiped away the last tears and prepared to depart.

"Oh, don't think of leaving us yet," said the Lion.

"Very well," sniffed the Griffin; "perhaps I may be asked to sing
again."

"Not if I know it," whispered the Lion in an undertone; "one
performance of that nature is quite sufficient for one evening."

At this moment Carry-on-Merry announced that the dogs, wishing to
return thanks for the general pleasantness of the party, and being
unable to sing themselves, had deputed one of their number, a most
intelligent bob-tail sheep-dog, to compose an ode.

This particular dog, it was thought, had some claims as a poet, since
he was a lineal descendant of the canine companion who invariably
accompanied Robert Burns in all his wanderings.

The three laughing little lions would now sing the ode the bob-tailed
sheep-dog had composed, with the general permission of the company.

"Let us hear it," said the Lion.

"Oh! fancy singing after me," remarked the Griffin.

"Yes," agreed the Lion, "it shows great courage."

Gamble, Grin, and Grub arranged themselves in order, and Gamble
commenced--

  "Cross Chelsea Bridge, by Chelsea town
  There is a place called Battersea.
  The very name to Christian dog's
  Will make them shudder fearfully."


Here Grin took up the solo.

  "A place where gloomy prison doors
  Do shut up homeless dogs
  If ever they get lost, or stray
  During the London fogs."


Grub hereupon came forward.

  "When once inside that citadel
  Within three days or four,
  They send you to a dreadful room
  Where you never bark no more."


Then came the Chorus--

  "Pleasant-Faced Lion, our thanks to thee
  For having avoided Battersea."


"Very well sung," admitted the Lion.  "I suppose that, being always so
close to Westminster Abbey, the little lions have taken some useful
hints from what they have heard going on inside.

"The time has come for the party to finish," announced the
Pleasant-Faced Lion, "but before it is ended----"

"Has it got to end now?" Ridgwell asked wistfully.

"Everything has to come to an end some time," replied the Lion quietly,
"from ices and parties to empires and the world.  However," he added
encouragingly, "one can always look forward to some possible and
pleasant continuation of almost everything, although, perhaps, on
different, not to say advanced lines.  Before you children go I shall
be able to show you the most wonderfully coloured transformation scene
you have ever witnessed.  Watch carefully the long wall of the Pavilion
which you are facing," commanded the Lion.

Carry-on-Merry romped up at this moment laughing as merrily as when the
evening commenced.

"Time?" inquired Carry-on-Merry.

The Pleasant-Faced Lion nodded.

"Yes, now," he said.

Slowly the golden wall and the roof with its masses of brilliantly
hanging flowers seemed to fade away.

The children knew it was Trafalgar Square they were looking at once
again, yet a Trafalgar Square transformed out of all resemblance to its
usual familiar aspect.

As the walls appeared to drop before their eyes a brilliant golden
bungalow palace with the children dressed as Scarlet Beefeaters grouped
down its shining steps glimmered through the rose-pink light in which
they beheld it.  Surely it could not be the National Gallery!

All the children present passed and repassed before it in their
dazzling costumes, making vivid splashes of colour, as changeful and as
fascinating as a kaleidoscope.

The fountains still sprayed their mists of violet, amethyst and gold.

"Mark the changing colours well," said the Lion, "and take in all the
picture well, for you will not see it ever like this again."

The happy fresh voices of the children were still singing with a rare
outburst of melody--

  "Pleasant-Faced Lion, our thanks to thee,
  For all your hospitality."


"Amen!" said the Lion.  "Come, Ridgwell and Christine, jump on!"
commanded the Lion, as he sank down in order to enable the two children
to get on his back.  "Home now!"

Both the children looked back many times, of course.  They saw the
golden bungalow palace for the last time in all its changing lights.
Noticed that Queen Boadicea stood majestically upon the topmost step
with King Richard upon one side of her and King Charles upon the other.
St. George stood with his armour flashing a few steps below.  The four
merry dogs were gathered around him, whilst Carry-on-Merry was resting
his laughing head in one of St. George's hands.

The coloured lights grew paler, a mist danced before their eyes, then
twinkled and disappeared.

"It is gone," said Ridgwell, "and oh! how dark the streets look now!"

"But _what_ a party," said Christine.

"And what a feast," added Ridgwell.

"Yes," replied the Lion philosophically, "it is really remarkable how
times have changed.  In the olden days, long, long ago, everything was
reversed.  For instance, it was the Lions who were then provided with
the feast, and the children who were eaten."

"Horrid!" shivered Ridgwell.  "You mean, Lal, those wicked Roman
Emperors who let the poor Christians be eaten?"

"My child," announced the Lion gravely, "free meals have invariably
been productive of much unpleasant discussion and inquiries afterwards.
But see now," he added coaxingly, "the perfect state of perfection the
world has arrived at.  The Pleasant Lions give the banquet themselves
now.  Every single thing to-night was provided by Lions.  I gave the
party--I, the Pleasant-Faced Lion.  The four laughing lions from
Westminster helped.  Richard Coeur-de-Lion presided, and Messrs. Lyons
provided all the refreshments."

"Any rate, Lal," observed Ridgwell, "although Christine and I both love
you, of course--lions must have been very cruel and savage once,
otherwise they wouldn't have _thought_ of eating anybody, would they?"

"Ah, my little boy," replied the Pleasant-Faced Lion softly, "if you
were kept without food for days and days I wonder what you would do."

"Tuck in like mad the first chance I got," announced Ridgwell with
conviction.

"Perhaps the lions did the same thing," observed Lal gently.  "However,
I feel I cannot offer any excuse for their past conduct; yet,"
continued the Pleasant-Faced Lion wisely, as he jogged contentedly on,
homewards towards Balham, "I have a fair proposition to make to you,
although it may seem somewhat in the nature of a riddle to you both at
the present moment."

"What is it?" asked the children in a breath.

"Suppose," said the Lion--"I only say suppose--both of you ever had a
chance of eating me, of--ahem! in short, devouring your old friend Lal,
would you do it?" asked the Lion, with an odd tremble in his voice.

The question seemed to be so odd, not to mention out of place, that
both the children laughed.

"Why, Lal," chuckled Ridgwell, "how ridiculous you are.  How could
Christine or myself ever possibly eat even a little bit of you?"

"No," answered the Lion, "I believe you are both little Christian
children, and yet," he added with a sigh, "you might both become
Pagans."

"What's a Pagan?" asked Ridgwell.

Again the Lion sighed.  "My child," he said, "you have a very great
deal to learn, and among the many things at present hidden from you is
the fact that both you and Christine will see me once again and once
only."

"Where?" asked the children.

"At your home in Balham."

"Good gracious," said Ridgwell, "will you knock at the hall door?"

"No," said the Pleasant-Faced Lion.

"Or appear sitting in the raspberry bushes in the garden?" ventured
Christine.  "If so, you will spoil them, you know!"

"No," said the Lion, "certainly not."

"Then how will you come?" asked Ridgwell.

"You will see me again once more," asserted the Lion, "in three days
from now, and moreover inside your own home."

"Three days from now is Ridge's birthday," ventured Christine; "of
course, it would be very nice to see you, but I do wonder how you will
come, and I do wonder how we shall be able to explain you away."

The Pleasant-Faced Lion laughed his gruffest laugh.

"I don't think you could very well _explain_ me away, little Christine."

"Suppose you sat on the hearth-rug and people seemed a little distant
or awkward?" commenced Ridgwell.

"Yes," broke in Christine, "or some of those dreadful long pauses
occurred when nobody speaks and every one looks at every one else and
feels uncomfortable--would you _say_ something?"

"Yes," said the Lion.  "I have plenty of tact, but really there won't
be any need," and the Pleasant-Faced Lion again chuckled softly to
himself.

"There is only one thing I want you to do," said the Pleasant-Faced
Lion, and he still seemed to be choked with merriment as if a sudden
idea had occurred to him.

"What is it, Lal?" inquired both the children.

"Upon Ridgwell's birthday night, before you both go to bed, I want you,
Ridgwell, to remember a little rhyme and say it to yourself."

"A hymn?" asked Ridgwell.

"Not exactly a hymn."

"After we have said our prayers?"

"Certainly," replied the Lion obligingly, "any time before you go to
bed will do; will you promise to remember?"

"Of course, Lal."

"Well, this is the little rhyme," whispered the Lion mysteriously; and
somehow it seemed to Ridgwell as if the Lion was still laughing at him
as he repeated the following extraordinary rhyme--

  "Christian child or Pagan child,
  Which is my denomination,
  Have I eaten dear old Lal
  In my birthday celebration?"


Ridgwell repeated the mysterious rhyme after the Lion, then he shook
his head.

"Don't understand it, do you?" grinned the Lion.

"Not a bit," answered Ridgwell.

"I give it up, too," said Christine.

"Are you laughing at us, Lal?" inquired Ridgwell anxiously.

"Ah!" said the Lion, "I wonder; however, he who laughs last, laughs
last; that saying is true without a doubt; and," he concluded with a
chuckle, "I bet you both anything you like that I have the last laugh.
In fact, one day when you pass me you may hear me laugh, although I
shall never speak to either of you again in public.  And that reminds
me of something I want to warn both of you about particularly.  Never
appear to notice me in public or speak to me whenever you chance to
pass me in Trafalgar Square; you would only collect a crowd, make me
very uncomfortable, and convey the unfortunate impression to everybody
within earshot that you were mad.  The same thing applies to
Carry-on-Merry; he has a most provoking face, and the happy laugh
always to be seen upon it might tempt you both to suppose that he was
listening; now mind you never give way to the temptation of addressing
either of us in public, and never refer to anything that has happened
even in private, for you will only be misunderstood.  Remember,"
concluded the Lion, "that the Great Order of Imagination is only given
to a very few people; those who do not possess it do not understand it.
See, your own has faded already!"

Both the children clasped their hands simultaneously to their necks
where the glittering order had hung and shone only a few minutes before.

Then they stared blankly at the place where it had been.  Alas! the
luminously lighted jewels of the order were no longer there.

"Oh, Lal," said Ridgwell, "shall we never have it again?"

"Only the memory of it," replied the Lion gently; "that never fades."

"Only the memory," echoed Ridgwell thoughtfully.

"Nobody can ever take that away from you," said the Lion.

"Did any other little boy ever have the Great Order of Imagination,
Lal?"

"Yes," said the Lion, "there was _one_ who had the highest and greatest
order of all, the Pure Soul of Imagination itself."  The Lion paused
and seemed to be thinking.

"Where is he now?" whispered Ridgwell, for unconsciously he seemed to
have lowered his voice.

The Lion lifted his great and noble head, and looked upwards towards
the silver stars above them.  The Lion shook his head doubtfully, and
the children noticed that there was something very like a tear in his
eyes.

"I don't know which particular star," said the Lion, "but somewhere
there, I think; but then, you see, I'm only a Pagan."

The Lion stopped and purred; they were outside the familiar windows of
their own home.

"Oh, Lal," whispered the children, "how shall we remember all we've
seen to-night; how shall we be able to think about it and go through it
all again, if the Order of Imagination has been taken away from us and
if we are never to speak to you again, and only to see you once more?
Even then you cannot tell us _how_ we are going to see you."

The Lion smiled.  "I can arrange that easily.  Be of good heart, little
Ridgwell and Christine.  I know a writer--he comes and talks to me at
night sometimes, though I never answer him--and I will suggest he
writes it all down for you.  I can ask him things without saying a
word."

"Will you?" pleaded the children.  "Oh, please ask him, Lal!"

"Yes," said the Lion, "I will; good-night."




CHAPTER IV

PREPARING FOR A VISITOR

Upon the third day after bidding good-bye to their strange friend, the
children felt they had every reason to be excited as to what events the
day would bring forth, to say nothing of endless speculations as to the
manner in which their most uncommon visitor might choose to appear to
them.

Consequently after Ridgwell had opened his birthday presents the first
thing in the morning, he held a sort of council of war with Christine.

"You see, Chris, fortunately the house hasn't any underneath part,"
explained Ridgwell, "so that we can keep watch, both of us, all on one
floor so to speak.  You take guard of the French windows in the
drawing-room where you can see the greater part of the garden, and I
will watch the windows of the dining-room, where I can see the road
both ways up to the house."

"Shan't we get tired of always looking at the same spot?" objected
Christine.

"I have thought of a plan for that, Chris.  When either of us want a
change, just shout out, 'Sister Ann, sister Ann, do you see anybody
coming?'"

"I see," nodded Christine, "everybody will only think we are playing a
game."

"Then," pursued Ridgwell, full of inspiration, "if Lal isn't looming in
sight anywhere, the other will shout out, 'Not a sail in the offing,'
then we change over rooms."

"Anyway Lal couldn't sail, could he?" queried Christine.

"You don't know how he might come," whispered Ridgwell.  "He might even
come in a motor car, and anyway it's only so that other people shan't
understand."

"It seems to me," remarked Christine logically, "that people won't
understand him anyway, and less when they see him than when they don't."

"It's an anxious time, isn't it, Chris?"

"Very," assented Christine, "and anyhow we shall have to drop Cookie a
hint, because you see her window in the kitchen looks over a part of
the garden that we can't see from the drawing-room."

"Of course," mused Ridgwell, "the weak spot about Cookie is that she
gets shocks so quickly."

"She's sure to get one to-day," commenced Christine hopefully, "when
Lal comes."

"Very well then, we'll give her a sort of hint," suggested Ridgwell.

Now Cookie, beloved of the children, to say nothing of the household
generally, was a fat person, with very red cheeks, and very
good-humoured rolling green eyes that somehow always looked as if they
had been originally intended for gooseberries, which had boiled and
bubbled during her many cooking operations and had never been permitted
to simmer.

"What do you children want in the kitchen?" commenced Cookie.  "Master
Ridgie, you know quite well that your birthday cake ain't to be ready
till tea-time."

"But, Cookie dear," commenced Ridgwell insinuatingly.

Cookie dear continued the mystic rights over which she presided as high
priestess, her vermilion red hands and arms continued to splash about
in a very big basin, where she contrived to throw up little waves of
very white flour as if she were about to take a morning dip in it, yet
hesitated before taking the plunge.  These mysterious rites having been
accomplished and the flour having as it were received a final blessing
from Cookie's hands, Cookie commenced to beat up eggs.

"I know you've come wheedling for something," objected Cookie, "and you
ain't going to 'ave it, Master Ridgie.  Why, you've only just finished
your breakfast."

"I don't want anything to eat," announced Ridgwell.

Cookie eyes boiled and rolled ominously, whilst a sort of faint concern
appeared upon the surface of them.  "If you can't eat, Master Ridgie,
then you must be ill and want some medicine."

"No, no," hastily interposed Ridgwell, "I don't want any medicine, we
only came in to ask you a question."

"Well, you can't ask me any of your questions now, I'm busy," asserted
Cookie.  "Ain't got no time."

"Oh, Cookie dear, you can listen whilst you beat up an egg,"
expostulated Ridgwell.

"_Egg!_" shouted Cookie indignantly, "three blessed eggs for your cake,
and 2 1/2d. each, new laid too, and I only bought a dozen of 'em."

"Yes, yes, Cookie dear.  I meant three eggs, the number doesn't matter,
and it won't take a minute for us to tell you.  It's just this.
Suppose a great big beautiful Lion came and sat in the middle of the
raspberry canes just outside your kitchen door, what would you do?"

"Is this a conundrum?" demanded Cookie.  "If so, I don't know no answer
to it, Master Ridgie."

"It isn't a riddle, Cookie, at all.  If a Lion really came to see you,
what would you do?"

"I should fetch a policeman at once," announced Cookie.

Ridgwell smiled.  "A policeman wouldn't be any good, Cookie!  Really,
you know, he couldn't do anything."

"Then I should fetch two policemen," said Cookie, shortly and
conclusively.  Cookie, at this point in the argument, beat the three
new-laids at such a furious rate, that the foam of them whirled round
and round very much like the agitated thoughts of Cookie herself at
being confronted with such an outrageous problem the first thing in the
morning.

"'Owever," amended Cookie, "afore I went to fetch them policemen, I'd
throw all the boiling green water over him, from the window first, and
see if that wouldn't shift 'im."

Both Ridgwell and Christine laughed outright, the idea was too
ridiculous.  To think of their friendly and Pleasant-Faced Lal coming
to make a society call and having boiling cabbage water thrown over his
stately head, was altogether too much for their gravity.

"How indignant he would be," laughed Ridgwell.  "Oh!  Chris only think
how hurt he would feel as he shook the stuff off his mane and whiskers!"

This imaginary picture, however, seemed to be too much for Christine,
so she determined to speak seriously to Cookie.

"Cookie," said Christine in her most earnest manner, "a lion may arrive
outside this door (pointing to the article in question in a most
impressive fashion) at any moment to-day."

"Yes," added Ridgwell, "and we only want you to be prepared."

Cookie's eyes seemed to boil a little faster for a moment, appeared to
swell in fact and be altogether overdone, as she fixed her orbs upon
the door in question, then up went Cookie's apron over her head, and
alas! down went the three new-laid at 2 1/2d. each, all spilled upon
the floor, and the cup broken as well.

At this moment the children instinctively realised that discretion was
sometimes the better part of valour, and made speedy preparations to
vacate in favour of other quarters of the house, not, however, before
they could hear Cookie moaning beneath her apron:

"Escaped I s'pose, oh! mighty 'Eavens!  escaped from the Crystal
Palace, or the Zoo, or a circus or somethink, oh, it ain't safe living
in England!  Blowed if I don't bolt the kitchen door, and nobody warned
me or told me it was in the morning papers.  Thank goodness I've taken
in the milk, and them three eggs all spoiled.  Only nine left now,"
moaned Cookie, "and cutlets and pancakes for lunch too."

"Come, Chris," whispered Ridgwell.  "You see we can't expect much
support from Cookie."

"No," agreed Christine, as they departed for the dining-room.  "How
about Mother?  Let's hear what she says."

"Yes," assented Ridgwell.  "You see Mother is very nice and kind always
to anybody who calls, and perhaps if she spoke to Lal and welcomed him
a bit when he comes, he might feel at home at once."

"I can't think where we are going to ask him to sit, can you, Ridgie?
You see," explained Christine, "it's so inhospitable to leave him in
the hall, and if he walks into the drawing-room and swishes his tail
even contentedly, all the china would go over at once."

"No, Chris, Lal is much too well mannered to do anything like that, but
I'm afraid the only place for him will be the hearth-rug in front of
the fire.  Stop a minute, Chris, I've got it.  Of course, the sofa in
the drawing-room.  Nobody must sit on the sofa at all to-day, then it
will be all ready for him when he comes, and we shall only have to tuck
him in a bit at the sides if he's too big."

Matters were not much better understood in the drawing-room, for a lady
visitor had just called and was waiting for Mother to come down.  Mrs.
Tallcat was a lady who always deemed it her duty to call once a week
upon everybody, whether people wished to see her or whether they did
not wish to see her.

Had a census of opinion been taken concerning Mrs. Tallcat's calls,
Mrs. Tallcat would have found, much to her astonishment no doubt, that
she possessed very few votes, and no votes at all from children.

"Would you very much mind if you didn't sit upon the sofa?" commenced
Ridgwell gently.

Mrs. Tallcat, always inclined towards huffiness at a moment's notice,
consequently selected a chair.

"Is the sofa likely to give way?" inquired Mrs. Tallcat suspiciously.

"No," explained Christine, "it is because it is so strong and firm on
its legs that we have chosen it."

"I never allow _my_ boy to play upon the sofa," sniffed Mrs. Tallcat,
as if she were referring to a piano.

"It isn't to play upon," remarked Ridgwell, "but we are expecting a
very, very solid visitor."

Mrs. Tallcat sniffed for the second time.  "I never allow my boy to
make any remarks whatever upon visitors who call," responded Mrs.
Tallcat icily.

"Oh, Lal doesn't mind," said Christine cheerfully.

"Who is Lal?" inquired Mrs. Tallcat, "a gentleman friend of your
father's?"

"No," said Ridgwell, "Lal is a lion, and Father doesn't know him yet."

"Tut, tut, tut," snapped Mrs. Tallcat crossly.  "Directly _my_ boy
begins to talk nonsense I send him straight to bed."

"It's bad for the health to go to bed at the wrong time," suggested
Ridgwell pensively.

"My boy always does as he's told," announced Mrs. Tallcat triumphantly;
"if he doesn't, he is whipped."

At this point a new idea suddenly struck Ridgwell.  "Chris," he
whispered audibly, "we must somehow get the old cat out of the way."

Mrs. Tallcat instantly bridled, and her face became inflamed with
anger.  "How _dare_ you!" commenced the indignant lady.

"I mean the _other_ cat," explained Ridgwell, "our own cat."

The explanation, although convincing, was perhaps ambiguous.  It was
undoubtedly fortunate that Mother timed her appearance at this point to
a nicety, and so prevented any further complications.

"Dreadful time her boy must have, don't you think, eh, Chris?" asked
Ridgwell.

Christine nodded.

"Only fancy, Chris," pursued Ridgwell, "calling her little boy Tom.
Tom Tallcat; why, he'll be chaffed no end at school.  I do feel sorry
for him; and then the way she dresses him, coloured velvet and a
brigand's hat with a feather in it, just as if he was part of a circus.
I'm glad Mother doesn't dress me like that.  The other day I met him
and he'd got a bow and arrow.  She'd actually sent him into the street
with a bow and arrow.  I said 'Hullo, Robin Hood,' not meaning
anything, and he began to cry; it was awkward, and I'm sure he feels
it.  Father said that the Society for Prevention of Cruelty to Children
ought to interfere, but I think that was perhaps only one of Father's
jokes."

"I think," suggested Mother, who had caught audible fragments of this
conversation, "I think you children had better run away now and play."

The morning appeared to go quite quickly up to the cutlets and the
pancake stage.

The late afternoon shadows threw their creeping patterns over both
lawns, and still there was no sign whatever of their eccentric friend
Lal.

Tea-time came and passed, and then the shadows grew deeper, first blue,
then violet, then black, the trees and shrubs could scarcely be
distinguished at all; and, as ill luck would have it, there was no moon.

At length the time arrived when the family not unreasonably suggested
that the blinds of the house should be pulled down.  Here was a
dilemma.  How was it possible to warn the household of the
Pleasant-Faced Lion's approach if the blinds were pulled down?  When
Ridgwell found, in spite of much lingering, that the last crumb of cake
had been consumed, to say nothing of the last currant which he had made
last quite a long time, and that the third summons to go to bed must
have some sort of notice taken of it, he resigned himself to the
inevitable, and with a hopeless look at Christine, prepared to talk to
Father.

Father was reading quite quietly, and apparently deeply engrossed in a
book, and somehow that didn't help matters.

"Please, Father, would you mind very much if the hall door and the back
door were both left wide open all night?"

Father considered this somewhat odd request for a space, then inquired
with a stray gleam of amusement in his eyes, "Do you consider the house
stuffy?  Or have you suddenly adopted one of the Futurist ideas
concerning Health?"

"No, it isn't that, but Chris and I expect somebody; no, I mean
_something_, and we should be so disappointed if it, no, I mean _he_
didn't come."

"Rather a late visitor," said Father, "and rather an inconsiderate one
if this quite Eastern welcome of him includes us all catching our death
of cold.  No, Ridgie, I'm afraid he will have to knock."

"But, Father, I'm not sure he can knock."

"Then ring," suggested their parent, "nice new electric bell I've just
had fixed up.  He's only got to push the button."

"Perhaps he doesn't understand about electric bells," objected Ridgwell.

"Your friend seems a trifle old-fashioned," observed Father,
good-naturedly.

"And then," said Ridgwell, "his paw is so big he might never find the
bell-push."

"I see; a dog, eh?"

"No, bigger than a dog, much."

"Well, then, say a donkey."

"No, Father, bigger than a dog, and not so big as a donkey."

"I give it up," said Father, "but I promise whatever he is he shall be
attended to and entertained if possible."

"I cannot think what you will say to him," debated Ridgwell anxiously.

"I will do my best, Ridgwell; but from your description I should
imagine the conversation will be a little one-sided.  However,"
remarked Father drily, "perhaps he can be persuaded to smoke, or drink."

"No, Father, he never smokes, and he only drinks water."

"Ah! very abstemious," murmured Father; "perhaps he is a vegetarian as
well, sounds like it, and they are always the most difficult people to
entertain."

At this moment the conversation was interrupted by a loud knocking at
the front door, and immediately the new electric bell sounded
throughout the house.  Ridgwell and Christine nearly tumbled over one
another in order to get to the hall door first.

"It's Lal after all," shouted Ridgwell.

"Sure to be," chimed in Christine.

At length in the struggle the hall door was opened, but it wasn't the
form of the Pleasant-Faced Lion who greeted them, only Mr. Jollyface, a
friend of Father's and a happy, jolly old bachelor, who loved both of
the children.

"Anybody with you?" inquired Ridgwell anxiously, as he peered either
side of Mr. Jollyface's portly form.

"No, only me," chuckled Mr. Jollyface.  "Whom are you expecting?  Glad
to find you children up; I've got something for you in my pocket,
Master Ridgie; your birthday, isn't it?"

"Yes," confessed Ridgwell, but it could be plainly seen that his former
enthusiasm had died a sudden death.  "But do tell me, Mr. Jollyface,
did you see anything as you came along?"

"Lots of things," replied Mr. Jollyface, cheerily.

"A lion?" whispered Ridgwell mysteriously.

"No," debated Mr. Jollyface, "no, I think I may say that a lion was the
only thing I didn't see."

"Oh, Mr. Jollyface, are you sure?"

"Yes," replied Mr. Jollyface gravely, "I can really be quite certain
upon that point."

"If you had seen a great lion, Mr. Jollyface, what would you have done?"

"I think," debated Mr. Jollyface, as he prepared to disencumber himself
of his great-coat, "I think I should have wished him good-evening and
passed politely, like the--ahem--Levite, on the opposite side of the
way."

"Oh, Mr. Jollyface," sighed Ridgwell, "if you only knew we have waited
all day long for a lion."

"Now, that's very funny," whispered Mr. Jollyface, "for I have actually
brought one for you in my pocket, I have really.  Here it is,"
announced the imperturbable Mr. Jollyface, as he produced a parcel from
his pocket and thrust it into Ridgwell's hand.

"No, no, not that sort of lion," remonstrated Ridgwell.

"Well, perhaps this one would do," suggested Mr. Jollyface.  "It's the
best sort of lion, you know, really, and made of the very finest
chocolate, too."

Here a well-known voice was heard to remark: "If I have to speak to you
children once more about going to bed there will be trouble."

"Scamper off," exclaimed the good-natured Mr. Jollyface; then he added,
"you know you can eat chocolate in bed quite as well as you can
anywhere else.  I used to enjoy it as a boy more than I should have
done upon a plate in the dining-room.  Off you go; good-night, kids."

Thereupon Father claimed Mr. Jollyface, and as the children slowly
mounted the stairs they could hear him saying: "So it was you the
children were waiting for, and the animal friend they expected was a
chocolate lion, eh?"

"Very likely," agreed Mr. Jollyface.  "Ha! ha! ha! so they have been
puzzling you, my old friend, eh?"

"Well, children's riddles are very difficult to guess," said Father,
"and yet they are always so simple."

"Chris," observed Ridgwell dejectedly, as they reached their room and
turned the handle of the door, "they none of them understand; isn't it
dreadful? and they are grown up, too, and really ought to know."

"We've waited and waited, Ridgie, and there's nothing else to be done;
Lal won't come now, and he's never broken his word before, has he?"

"He might come, Chris; let's roll up the blind."

"No, the garden looks the same as it always does; there isn't a thing
in sight.  Suppose we don't go to sleep just yet and keep awake a bit;
Lal might come and throw a stone at the window."

"Let's eat the chocolate," suggested Chris, who was occasionally
practical, "while we wait."

Ridgwell untied the small parcel, a wooden box, about half the size of
one of Father's cigar-boxes, and appeared to be made of the same kind
of brown wood.

Disclosed to view at length, the birthday present was seen to be a
fairly large chocolate lion lying upon a pedestal.  The entire
sweet-meat model was covered in thick golden paper; this was quickly
stripped off, and Ridgwell did the honours as possessor.

"I'll eat his head half, Chris, and give you the other half; I think
that's a fair division."

"Right," agreed Christine; "we can't eat more than that to-night, and
the pedestal part will do for the morning."

"I can't understand Lal disappointing us to-night as he has done," said
Ridgwell, as he slowly munched his chocolate.  "Can you, Chris?"

"No--isn't this chocolate good, Ridgie?"

"Yes, but fancy having to be contented with a chocolate lion when we
know a real one!  On my birthday too, and yet he promised faithfully we
should see him again."

"He has forgotten us," confessed the children as they went to bed.

"Suppose he has too much to think of," said Ridgie; "he can't remember
everything."

Christine never knew quite how long she had been asleep that night,
before she distinctly heard muffled mutterings from her brother
Ridgie's bed the other side of their little room.  Surely Ridgie
couldn't be saying his prayers at this time of night; then Christine
was certain she heard half-smothered sobs.

"Ridgie, what's the matter; are you crying?" demanded Christine.  The
sobs became very audible now, and even an apparent effort to stifle
them with the bed-clothes did not seem in any way to lessen them.

Christine pressed the button of the electric light, and in the sudden
illumination regarded her brother across the room.

"Ridgie, why are you crying? are you in pain? have you eaten too much?"

"No," sobbed Ridgie, "no, but oh!  Chrissie, I've--I've--we've eaten
Lal."

Christine sat up in bed.

"Ridgie," demanded Christine, "are you dreaming?"

"No," whispered Ridgie, between his sobs; "don't you remember--

  Christian child or Pagan child
  Which is my denomination?
  Have I eaten dear old Lal
  In my birthday celebration?

Here, overcome by recollections, Ridgwell broke down completely.  "I
_have_ eaten him," moaned Ridgwell; "at least, _we've_ eaten him, for
you helped.  He said we should eat him, and we've done it.  That's how
Lal meant to come to us; now, I remember, it was exactly like him.
Just as--as he is in Trafalgar Square on his pedestal.  Oh, Chris,
after all the Christians have eaten a lion; he said we should; we
aren't Christians any longer, we're Pagans, and--and," confessed
Ridgwell with a final outburst, "I feel like a cannibal; it's beastly."

Christine had become quite pale during this recital; but she thought
for awhile before replying.

"Perhaps, Ridgie, Lal meant us to eat him--I mean his likeness in
chocolate--all the time, and most likely he isn't angry with us at all.
He might have arranged it all as a joke."

"It isn't a joke at all," sniffed Ridgwell, "it's horrible.  We have
eaten one of our very best friends.  Oh! if only the Order of Great
Imagination hadn't been taken away from us!"

"I am not so sure, Ridgie," observed Christine, with feminine
intuition, "that you have lost _all_ your order of imagination; I think
you have still a lot left, or you would never have discovered Lal's
riddle."

It was Ridgwell's turn now to sit up in bed, and he asked eagerly--

"Do you really think it was only a riddle, Chris, and Lal meant only to
have a joke with us?"

Christine nodded gravely.

"I feel very comforted with that," said Ridgwell, "so turn off the
light, Chris, and we'll go to sleep again; but oh, won't I just tell
Lal next time I pass him in Trafalgar Square!"

Some few moments afterwards in the darkness Christine answered--

"You hadn't better make any remarks to Lal in public; you know he
cautioned us about attracting a crowd."

"Crowd or no crowd, I mean to tell him what I think of him," asserted
Ridgwell before he turned over and went to sleep.

      *      *      *      *      *

The clock in the hall was just chiming twelve, and Mr. Jollyface was
taking his departure.

Father and Mother were wishing him good-night and thanking him for
bringing the chocolate lion for Ridgwell.

"It is really quite remarkable how I came to buy it," agreed Mr.
Jollyface; "but I was passing through Trafalgar Square when I
remembered that I hadn't bought Ridgie a present, and the sight of the
corner lion, as I crossed the Square, made me remember a sweetstuff
model of him I had seen in a chocolate shop in the Strand, so I went
and bought it.  But really the most wonderful thing about it is the
almost uncanny intelligence of your children.  Bless my soul! they
couldn't have known I had bought it; and yet, would you believe it,
they actually expected a lion, and asked me if I had brought one with
me."

"Yes," agreed Father, "it's very wonderful; they were trying to
describe a lion before you came in.  I think at times children must
have second sight, and that is why I am afraid we sometimes do not
understand them.  Good-night, Jollyface; come and see us again soon."




BOOK II

WHAT THE WRITER AND THE LORD MAYOR DECLARED



CHAPTER V

THE WRITER APPEARS UPON THE SCENE

There had been a certain amount of excitement when Father and Mother
had started for their holidays abroad, but nothing in any way to be
compared to the excitement of the day when the Writer made his first
appearance.

Ridgwell and Christine distinctly heard themselves being asked for by a
visitor, one day when the sitting-room door was open, and to be
inquired for personally was at least something of an event.  "I want to
see the children," a voice had said, and there was no mistaking the
significance of the words.  Without any undue delay, Ridgwell and
Christine immediately presented themselves.

The stranger was led in captive, one upon either side of him, and being
placed upon the sofa was regarded steadfastly for some little while.
During a very thorough scrutiny the prisoner smiled affably, produced a
pipe which he lighted carefully and puffed at steadily, and then
inquired casually if they both thought he would do.

"You look jolly," announced Ridgwell, "only I can't make out who you
are; but you know Father and Mother very well, don't you?"

"Rather," said the stranger, "great friends of mine."

"But we've never seen you, have we?" added Christine.

"No," replied the stranger, "but I thought it was quite time I made
your acquaintance, so I thought I would call upon you.  Sorry I haven't
got a card, but you can supply something in its place which will be
quite as good.  Where does Father keep his books?" was the sudden and
somewhat unexpected question.

"It just depends," debated Ridgwell, "what particular lot you want.
Biography, Philosophy, Romance or Poetry."

"I think the Romance and Poetry department," suggested the stranger.

"This way," said Ridgwell; "I will show you."

The stranger ran his finger over the well-stocked orderly shelves, then
he paused at four volumes side by side about the middle of the second
shelf.

"Of course you both read?" inquired the stranger.

"Not those sort of books," explained Ridgwell.  "We haven't quite got
up to those sort of books yet."

"Anyway you can read the author's name upon the back of each of them."

The children nodded.

"That's me," confessed the stranger.  "I have the misfortune to write
books that you don't read."

"Father does," Ridgwell hastened to explain; "I've often heard him talk
about you.  Why, you're quite famous, aren't you?"

"I hope not," said the Writer.

"Anyway," concluded Ridgwell, "Father said you wrote jolly good stuff,
only it was over the heads of the people, but Father said one of these
days when you woke up, you would knock 'em, and I've heard him say that
anyway it was better than some of the drivel a lot of people wrote
nowadays.  He hoped you'd reform, though."

The Writer laughed.  "A very candid opinion, Master Ridgwell, and I
really must reform and mend my ways."

"Don't you write fairy tales as well?" inquired Christine upon the way
back to the dining-room.

"Sometimes," agreed the Writer.

Without more ado, Christine drew three chairs invitingly round the
fire, almost by way of an invitation to recount some upon the spot.

The fire was really very cheerful in spite of the fact that it was late
spring.  The daffodils nodded their yellow heads quite contentedly, and
filled the bowls upon mantelshelf and table with colour, and the little
room with fragrance, at one and the same time.  The coloured crocuses
peeped in from the window boxes outside, whilst the sparrows chirped
and hopped about and hoped that the Writer had something pleasant to
say about them.  It was all very peaceful with the sunlight stealing
into the room through the lattice panes, making little patterns upon
the floor, the flickering red of the fire playing at hide and seek with
the diamond patterns and never quite catching each other; the yellow
flowers nodding drowsily over the two childish heads that were now
regarding the Writer most earnestly.  The clock upon the mantelpiece
chimed its mellow notes.  Three o'clock it said.  The afternoon had
seemed almost dull up to that time, but now it all appeared to have
changed in some curious way, ever since the Writer had made his
appearance.

"I wonder," commenced Ridgwell, "if by any chance you could have been
sent to us; you know we were faithfully promised that a Writer should
come and see us and write down for us something we particularly want to
remember.  I wonder if you are the man," ended Ridgwell, quizzically.

"Shouldn't wonder at all," murmured the Writer; "delighted if I have
had the honour to be chosen for the mission, and it really sounds to me
like one of Lal's very rash promises."

"What!!!"  It was a shriek from two children at once.  Two pairs of
arms were suddenly flung around the Writer's neck, two pairs of arms
that were almost hugging him to death.

The Writer endured this onslaught throughout in the most becoming
manner.

"Lal _did_ send you then," shouted Ridgwell.  "I knew it.  How lovely!
Fancy your knowing him!  Tell us all about it."

The Writer smiled.  "I have known Lal almost as many years as I can
remember; he is one of my oldest and very dearest friends."

"Ridgie," said Christine solemnly, at this point, "do you remember the
motto of the cracker we pulled last night?  It said--

  "I'll whisper on this little page
    A secret unto you:
  The greatest wonder of the age
    Shall suddenly come true."


But Ridgwell was beyond crackers, and beyond poetry; he felt, not
unreasonably, amidst the development of this new wonder, that he was in
possession of the real thing.

"I think," said the Writer, "I had better tell you all about it from
the very beginning, but you know really it is quite a long story."

Ridgwell and Christine arranged themselves comfortably to listen;
sometimes they looked at the fire, but more often at the face of the
Writer, but they never missed one word of his story.

"I expect," commenced the Writer, "my story is going to be very
different from anything you children may have imagined; in fact, my
life has turned out so utterly different from anything it promised to
be in the early beginning, that at times upon looking back it seems to
be like some wonderful fairy tale--utterly unlike the ordinary fairy
tales, however, one reads in books.

"The only two good fairies in my case were first and foremost our good
old friend Lal, and, secondly, a gentleman who in the early stages of
my life was always called the Miser, but who since has become one of
the wealthiest, most generous and notable personages in the City of
London.  As a rule, whenever I think of my early childhood it is with a
shudder, for I was running about the streets of London minus any shoes
or stockings, with hardly any food save of the smallest and coarsest
description, selling newspapers in the streets until late at night, and
invariably soundly beaten if I did not take back some miserable coppers
at the end of the day.

"I may say that these pence I had procured with so much toil were
always expended in the public-house by both the man and his wife who
were supposed at that time to provide me with the weird accommodation
they were pleased to call home.  My particular portion of this edifice
was a dirty mat by way of a bed, which I shared with a rough-haired
terrier dog called Sam.  We two, Sam and I, were roofed in with many
panes of broken glass in a species of outhouse which may at one time
have formed a small conservatory.  It must have been a hopeless
failure, I am sure, as a conservatory, for I cannot imagine anything
growing in it at all.

"One thing I am very certain of, I should never have grown either, but
should most likely have withered and died in it had I remained, like my
possible predecessors the plants, a few blackened and withered sticks
of which could still be seen in some broken red flower-pots upon a
shelf out of my reach.  How these people came to have charge of me I
shall never know, but I have sometimes believed, from odds and ends of
conversation they let drop when they were quarrelling, which they were
always doing, that my real father and mother had died when I was a tiny
mite.

"The woman, who seemed at one time to have been better off, was left a
sum of money to bring me up, as no relations appeared to claim me.  At
this time the woman was single, and had not met the man she afterwards
married, the man who used to beat me so cruelly.  Whether she spent all
the money left for me, or whether they both spent it, appears to be of
little consequence; anyway, once it was gone I was regarded with black
looks as an encumbrance, and turned out into the streets to make some
money, or do something for my board and lodging, as they expressed it.
I have already told you what the lodging was like.  Well, the board
part of it corresponded to the rest of the picture in every way.
Crusts of old dry bread, which they couldn't eat themselves, did for me
and the dog, sometimes a little milk, varied by an occasional awful
form of hard cake which the woman cooked, and which was impossible to
eat unless first soaked in something.  In the long hours of waiting
between selling the newspapers I learned to spell, and then to read,
very slowly at first, but still I learned.  Then one of the men
employed at the newspaper office I collected papers from, although I
should imagine a very poor man himself, found a few pence every week to
have me taught to write and spell, together with arithmetic, grammar,
history and other things.  This rather uncertain method of education
went on for about two years.  I was getting on fine, and absorbing
everything I was taught with great rapidity, when my one friend, who
had provided the night school education, departed to another world
where I always hope he found the conditions easier than the one he had
left.  I might have been at my miserable home in the slums with the man
and woman for years after this, only a curious form of providence was
working upon my behalf.

"It had been a bad night for selling papers, I had a few coppers only,
and my heart sank down when I approached the hovel where we all lived.
The man and woman were quarrelling violently.  As I slunk in white of
face and with a terrible quaking feeling inside me, I saw at once the
man was worse than he had ever been, and as I entered the door of the
squalid room he struck the woman an awful blow, then he saw me.  He
grabbed me, and I think might have killed me that night, but I wrenched
myself away after he had given me the first blows; he pursued me,
catching at my coat, which at the best of times was only rags; he tore
part of the coat away, which was left in his hand, and I ran for dear
life.  The man was mad and didn't know what he was doing, maybe, but
the only thing he could lay his hands upon was a broken brandy bottle;
he hurled this at my head.  It struck me as I reached the street and
cut the back of my head open.  Although I was hurt I staggered on.  I
was dizzy and sick and the blood was dripping all over my shirt, but
though I swayed about I never stopped, I would go anywhere away from
the horror of that place.  I never meant to go back there again.

"The next thing I remember was some sort of Square, which I had never
seen until then, for I had never gone so far West in London before.
There was nobody about, and I sank down beside a sort of stone thing
and held my head, which hurt me horribly, and began to cry, I think.

"I was only about ten or eleven years old at that time, if as much, for
no record of my age had ever been kept.  Whether it was the pain, or
simply fright because the few clothes I had were covered in blood from
the wound in my head where the bottle had cut me, I don't know, but
there is no doubt that I lost consciousness, probably for some
considerable time.  When I came to myself and woke up, it must have
been very late at night.  It was a fairly cold night, but the moon was
shining, and the Square where I was sitting all looked like polished
silver, and the clock of a big church at the side of the Square boomed
out one.

"I looked about me, and raised myself up painfully upon one elbow and
tried to think.

"Here I was outside everything--no shelter, no home, alone in London
with a vengeance.  True the other place had been a hateful home, yet at
the very worst it had been a shelter, and, moreover, the rough-haired
dog Sam and I had somehow squeezed together to keep ourselves warm, and
Sam was the only thing that was in any way fond of me, and Sam was
really good company.

"As the thought of him came across my mind, and how I had lost him for
good now, I think I was about to start crying again, when a rather
gruff but quite kindly voice just over my head called out--

"'Now then, stop that.'

"Of course I was only a very common Cockney little street boy at that
time, and I couldn't either speak the Queen's English properly or spell
it correctly, so when the voice said 'Stop that,' I said 'Wot?' 'Going
to cry,' said the voice."

Here Ridgwell was so overcome with excitement by reason of a strange
coincidence that he interrupted.  "Why, that is exactly what Lal first
said to me, and I can guess what the next thing was that he said to
you--wasn't it 'Here, jump up'?"

The Writer smiled.  "Yes," he said, "it is really very wonderful how
history repeats itself.  That is exactly what he said, but what I said
is perhaps even more singular.

"I raised myself slowly and looked up gradually, for my head still
ached and throbbed horribly, and when I saw it was a big bronze lion
that was speaking to me and looking quite pleasant, all I said was--

"'Lor lummy, if it ain't a bloomin' lion a-talking to me.  'Alf a
jiffey, cocky,' I said, 'an' I'll 'ave a climb up atween them paws of
yours.'

"'You mustn't call me cocky,' remarked the Lion, reprovingly, when I
had once landed up safe and sound; 'you must call me Lal.'

"'Right oh!' ses I.  'Can I sleep 'ere safe without a bloomin' copper
a-coming and diggin' of me art 'alf-way through my nap?'

"'Yes, of course,' said Lal.  'Sleep here comfortably, and cover
yourself over with the policemen's capes.  You'll find three of them
beside you.  Hitherto they have always annoyed me by placing them
there, but upon this occasion I am really grateful to them, as they
will be useful for you to keep yourself warm with.'

"'I fits in 'ere fine,' ses I, 'and so 'elp me I think ye're a stunner.
But I never knowed as lions talked afore.'

"'My good little boy, there are many things that you do not know,'
answered the Lion, 'one of them being that you do not know how to speak
English correctly.  I am afraid you are quite ignorant.'

"''Ere, 'old on, Mister,' ses I, 'I've been to school, yer know.'

"'The wrong schools, I fear,' replied the Lion; 'and would you oblige
me by not calling me Mister; in future always call me Lal.'

"'Do them other three lions talk, Lal?' I asked.

"'No, I am the only one that talks.'

"'Then I should say as 'ow you're the best of the 'ole bunch,' I
remarked.

"Lal sighed deeply.  'How dreadfully wrong,' he said; 'imagine a bunch
of lions!  No, you certainly cannot speak at all correctly, so I think
perhaps you had better go to sleep instead.'

"Well, before I went to sleep I remembered at the night school I had
gone to they always said people ought to say their prayers, so I
thought to myself for a minute, and I'm afraid this is something in the
nature of what I said--

"'Please send me as soon as you 'ave it, a goodish-sized lump o' bread
and drippin', or a big baked 'tater, cos' I am as empty as ever I can
'ang together.  I don't want nothink tasty, but jist somethink fillin'.
I'm very grateful for lions wot talk and 'elps yer like a pal; and
please don't let no blighted coppers a see me, and lock me up.  Don't
forget the drippin'--any sort, beef, mutton, or pork.  Amen.'

"'Humph!' remarked the Lion, when I concluded, 'that is a most singular
petition; to whom is it addressed?'

"'Up there, Lal,' I answered, looking into the sky; 'they say you gits
everythink from there.'

"'Dear me,' replied the Lion, 'really most singular.  I notice you did
not describe the manner in which you expected these provisions to
arrive.'

"'I'll get 'em, Lal; if not ter-night, ter-morrer.'

"The Lion looked down at me quite kindly I thought.  'What is your
name?' he asked.

"'Ain't got no name that I knows of 'cept Skylark.'

"The Lion purred softly.  'You will have a name some day,' he said,
'and a great name, too.  Why are you called Skylark now?'

"''Cos I sings and whistles, t'other blokes in the streets calls me
that.'

"I was just starting to show him how I could whistle, and had done a
bit, when we heard pitter-patter, pitter-patter, and the sound of
flying padded feet over the stone Square.

"The Lion sniffed.  'It's a dog.  What is he doing here to-night?  I
suppose he is lost.'

"I looked out between his paws, and I gave a shout of delight; I was
answered by loud yelps of gladness.

"'It's Sam,' I shouted.  'Oh, Sam, 'ole cockie, 'ere I is; jump up wiv
me and Lal.'

"'Is he all right?' asked Lal.

"'Yus,' I yelled, 'a friend, a fust-class friend.  'Ere, Sam, I'll 'elp
yer up by yer paws,' and he scrambled up and licked my face.  Then he
looks at the Lion.

"'He'll do,' said Lal.  'Tell him not to attract attention by barking
or making any more of that noise.  You must both go to sleep; and I
must say that you are a remarkably strange pair.  However, here you
are, and here you must stay.'

"When I woke up in the morning it was just beginning to be daylight.  I
spoke to Lal, but he wouldn't answer, he was cold and still, and didn't
look as if he had ever spoken or moved in his life, and never would
again.  I folded the policemen's aprons up tight and thin like
truncheons in case they missed them, clambered down, followed by Sam,
and had a wash in one of the basins of the fountains, and got fairly
clean and respectable, except my coat, all torn in half, which I
couldn't help, and then I set out to see what I could find.  It was Sam
who nosed out something like a breakfast.

"Two stale buns in a bag.  I should think some child had thrown them
away--penny buns they were.  I never tasted anything better, and Sam
had some of them, and he thought they were all right.

"I made twopence that day, carrying a bag.  The man who gave me the job
gave me the unnecessary caution at the same time, not to run away with
it, just as if such a thing was likely.  Why, I could hardly lift it,
and I couldn't have run two steps with it.

"He was an inquisitive man too, wanted to know if I had stolen the dog.
I said no, I didn't steal.  'Well,' he asked, 'if you don't steal, how
do you get a living?'  I said, 'I'm getting it now.'  He said it must
be a hard job.  I replied, 'Golly, you're right, governor, this 'ere
bag is that 'eavy it drags me vitals out; wot's it got inside of
it--bricks?'  Then he drove me off and said I was a cheeky little
devil, but he gave me twopence.  Sam and I went to an eating-house and
got two big lumps of pudding on the strength of it, and that fed us
bang up for that day.

"I waited around at night with Sam, and directly I saw the Square was
deserted, I hopped up into my old place and Sam after me.

"'Hullo!' said Lal, 'you two have turned up again, have you?'

"'Yuss,' I replied; 'it's the only 'ome we've got, yer know, Lal.'

"'I must see what I can do for you,' mused the Lion.  'There is a man I
know who could give you work and help you at once, only his heart is
very hard at the present time; unfortunately success hasn't softened
him--he is a miser.'

"'Ain't a miser a bloke 'oo grabs all wot 'ee gits?' I suggested; 'if
so 'ee wouldn't do nothink 'ansome for Sam and me; the only copper as
we would git art of 'im would be the ones 'eed call up ter give us in
charge.  A miser don't seem no good to us, as they wants change out o'
nothing.'

"'My dear little boy,' said Lal, 'your language may be pithy, but it is
so incorrect; your metaphors, moreover, are so mixed.  I think,' said
the Lion, 'it is high time I took the Miser in hand; he is capable of
better things, and if success cannot give him the milk of human
kindness, I must try what sterner measures can effect.  Get down now,'
continued the Lion, 'and both of you slip round the other side of the
pedestal and hide yourselves.  I expect the Miser to pass this way
shortly, and you are not to interrupt on any account, or come back
until he has gone away, you understand.'

"'Yuss, Lal, anyfink to oblige.  Come on, Sam, and may 'is 'eart
soften,' I said.

"Well, about a quarter of an hour afterwards, sure enough, a tall,
thin, elderly gentleman, with grey hair, in a top hat and frock coat,
came along, and he paused when he got to Lal, and looking round first
to see that he was not observed, he stopped beside Lal, and greeted him
with, 'Well, my old friend, and how are you this evening? do you feel
inclined to converse with me, or will you remain immovable, silent and
cold as you sometimes choose to be?  Indeed I hope you feel disposed to
talk kindly to me, for I am far from happy, in fact it never entered
into my calculations that a highly successful man could ever be quite
so miserable.'  After saying so much as this the elderly gentleman
paused, and observing that Lal had not taken any notice of his remarks
whatever, added in a lower tone, as if speaking to himself, 'Ah, not
communicable to-night, only bronze and stone, eh?'

"Then the Lion spoke.  'I am not the only thing of bronze and stone.
Have you ever thought how the definition might perhaps apply to
yourself, for instance, Alderman Simon Gold?'

"The tall thin gentleman appeared to be slightly taken aback by the
Lion's words.

"'You have a front of bronze,' continued the Lion, 'and as hard; you
have a heart of stone and as useless.'

"'It seems to me, my old friend,' replied the tall thin gentleman,
'that you have some grievance against me by the hard words you are
giving me.  I came to you for comfort, but you don't seem to have
anything of the sort to bestow.  However, I suppose all of us have our
ill humours.'

"'True,' assented the Lion, 'save that some of us never change that ill
humour, but continue with it all through life.  You yourself are one of
those people.'

"'Humph!  I certainly have displeased you,' vouchsafed the tall thin
gentleman; 'how I really cannot imagine.'

"'I will tell you,' replied the Lion.  'Listen, therefore, carefully.
Let us go back to the very beginning of our acquaintance.  I am correct
in stating that you were a homeless, ragged little urchin prowling the
streets of London.'  The tall thin man nodded.  'I gave you the only
shelter you knew; others have used it since, all of them models of
gratitude compared with yourself.  My friendship did not stop there.
You wanted work, a home, a name and riches.  Who directed you to the
City? who told you how to start, and where you would find all those
things so long as you worked hard and were honest?'

"'I did all those things,' interrupted the tall thin man; 'I did work
hard, I got a home, name, riches, and I have been honest.'

"'Until to-day,' purred the Lion, 'until to-day, Alderman Gold.'

"'To-day,' echoed the Alderman, but he started slightly.

"'Those shares you bought in the City to-day, a very great number, do
you call that transaction honest?'

"The Alderman's eyes sought the ground.

"'Three people will be ruined in that transaction if you keep to it.'

"'Think of the money.'

"'Think of your name.'

"'I must have money.'

"The Lion laughed.  'You have heaps more than you require.  Can you
name one good thing you have done with your money or your influence
since I plainly pointed the way out to you how to acquire them?'

"There was no answer.

"'Will you still decide to acquire those shares dishonestly?'

"'Anybody in the City or on 'Change would do the same thing, it is done
every day.'

"'Because burglaries may be committed every night, is it any reason why
you should commit one?'

"'The world is the world,' replied the Alderman.  'I have to live in
it, and I have to fight it with its own weapons.'

"'You have no wife.'

"'No, Lal.'

"'No child.'

"'No.'

"'No single soul your wealth can do any good for.'

"'I need it all for myself.'

"'You are hoarding money fast.'

"'I shall need it all when I can no longer work; the value of money
decreases day by day.  What is a fortune now will only be a pittance a
very few years hence.'

"'All for yourself?'

"'Yes.'

"'Nothing will change you?'

"'Why should it?  I have only myself to consider, and I mean to make
more and more, and more, and never stop; there shall be no limit to
what I shall acquire, it is the only thing I care about now in life.'

"'In addition,' said the Lion, 'you are cutting down every little
comfort and every luxury you might enjoy because you are becoming
frightened at every small expense.'

"'Yes, growing expenses are the worries of my life.'

"'In fact, you are becoming daily, slowly and surely, a miser.'

"'It's not a nice word.'

"'It is the truth.  Your clerks are the most ill-paid of any in the
City of London.  Only last week you cut down your office boy's tiny
salary from ten shillings a week to seven shillings, although you know
he has to pay two shillings a week for fares to and from your office.'

"'How can I help his living out of town?'

"'You know he has to live with his mother and brothers and sisters,
five of them in addition to himself.  He only takes home five shillings
every week, but he _gives_ it all up; he is happier than you are.'

"'Any way, I know how to arrange my own business,' snapped the
Alderman.  'I have prospered so far, and I intend to go on and prosper;
I am not going to change a single thing in my life or my methods of
business.  I have prospered up to now, I shall prosper even more.'

"'And hoard more?' inquired Lal gently.

"'Yes, you call it hoarding.  I call it amassing, and I shall strain
every nerve to amass more and more; it is too late in my life to alter
now.'

"'We shall see,' said the Lion.  'I was going to ask you to do
something for me, something for some one who is as penniless as you
were once yourself; but if I did ask you a favour now I should only
waste time.'

"'I have no time for charity,' said the Alderman.  'I heartily begrudge
the subscriptions we have to give from time to time in the City, yet
one is compelled to assist some of those for the sake of business; but
as for any outside charity, pooh! it's all rot, it's been proved long
ago they are all frauds.  I shall always decline absolutely to give
anything or do anything for any outside charity.  Life is too short.'

"'We shall see,' said the Lion.  'Good-night.'

"When Lal's friend from the City had departed, I came out from the
corner where I had been waiting, and Sam and I clambered up into our
old place out of sight.  At that time I considered the City Alderman a
very horrid mean old man, and remembering Lal's words that he was a
miser, I made a mental resolution that although this was the first
specimen of the kind I had ever encountered, I never wished to meet
another of the same sort.

"'Well?' inquired Lal, as I lay and looked up into his face before
settling down for the night.  'What do you think of him?'

"''Ard-hearted, ain't 'e?' I replied.

"'Humph! yes, at present,' mused Lal.

"'Wot will yer give 'im ter take for it?' I asked.

"Lal smiled.  'Oh, a little prescription of my own.'

"'That bloke wot's just gone won't do nothink fer me.  Can't yer
suggest somethink else, Lal, somebody as I could go to as would give me
some work?'

"'If you have patience,' answered Lal, 'and look around and get a few
odd jobs, and a little grub for yourself and Sam every day for a little
while, like the small London sparrow that you are--I beg your pardon, I
should have said Skylark--I shall be able very shortly to bring our
friend to a better frame of mind; at the present moment his sense of
proportion is all wrong.'

"'Wot's sense of proportion, Lal?' I inquired.

"'If,' replied Lal, 'you persisted in thinking that you were as big as
I am, for instance, your sense of proportion would be bad; if I
imagined that I was as great as St. Martin's Church yonder, my sense of
proportion would be worse.'

"'Lor' lummy, don't I jist wish I was as big as you.'

"'Why?' asked Lal.

"''Cos I'd 'ave a bit more weight to do fings wiv.  There ain't no
doubt that strength tells in the end.'

"Lal only chuckled at what I said, and I again went sound to sleep, as
upon former occasions, in my strange roosting-place.

"The Alderman was in the habit of crossing Trafalgar Square every
evening upon his way home, although I had never observed him until the
night Lal had pointed him out to me; consequently, a few evenings
afterwards, I first noticed how strangely he was beginning to walk.  I
can only describe it as a sort of zigzag from side to side, and
occasionally a sort of stumble, as if he was not quite certain where he
was going.

"Now I had often noticed the man who used to beat me, and from whom I
had run away, walk something like that, and yet I knew at once it was
not owing to the same reason, and I was rather puzzled to account for
it, as the Alderman had never walked like that before, and had always
been so upright and brisk.

"As the different evenings went on he grew worse and worse, until one
night I found him slowly groping his way across the Square, with his
hands stretched out in front of him, as if he was frightened of running
into something at every step: that was the first evening I led him
across the Square and over the road the other side; he seemed to
dislike the idea of the steps, and always avoided them, I noticed.

"I did this for several evenings, and he never gave me anything, but as
he was an old friend of Lal's I did it more for Lal's sake than for the
Miser's, as I now called him; yet he seldom even thanked me for
assisting him, although it was only too evident that he ought not to be
walking by himself.  A few days went by with nothing in particular to
remember about them, until the evening arrived that was to be the
turning-point in two people's lives, but at the time I knew nothing of
this, for my small mind was overwhelmed with the first great childish
grief of my life.  I hadn't earned even one copper that day, and Sam
and I had not had a crumb to eat.  I think we must have both looked
very thin and white.  I know that Sam's bones could be seen plainer
than ever through his dear, shaggy old brown coat; but Sam never
complained, he stuck to me closer than ever; nobody ever had a better
friend than he was.

"As ill luck would have it, Sam and I were crossing the wide street
where the traffic is always heaviest, before turning in at our old
quarters for the night.  One of the many omnibuses passed, and somebody
either dropped or threw a small bag of biscuits over the side of it;
some rolled in the road, but a lot were left in the bag.

"Sam, who was the finest dog for spotting grub I have ever known, went
for it like lightning; he had got it in his mouth, and was scurrying
back to me in triumph with his old ears back, full of the importance of
his find, when a two-horsed mail van struck him down in the road and
went over him.  I went in between all the maze of wheels and got him
out; he was whimpering like a hurt child.  I didn't wait for anything,
I carried him along towards the old place by Lal; but he only gave me a
lick, and died in my arms before I got there.

"I couldn't climb up to Lal with Sam in my arms, and I wouldn't leave
him, so I don't know how long it was I crouched down in the shadow and
cried over Sam--bitter tears I wept, I know.  I was alone and utterly
wretched, and Sam wouldn't ever speak to me again, would never do any
more of his tricks.  When I noticed that even in his death he hadn't
released the bag of biscuits from his mouth, my tears flowed anew, and
I couldn't somehow have touched one of them if I had been twice as
hungry as I was.  My grief at the death of Sam was so great that I
didn't seem to want to tell Lal about it, so I lay huddled up by the
corner of the pedestal where the shadow is darkest for what must have
been some considerable time.  Then I heard feet groping about and the
voice of Alderman Gold talking.

"For a long time I didn't care to listen to what he was talking to Lal
about.  I heard the man say mockingly, 'Well, I suppose I'm beaten, and
you have been right all the time, my old wise Lion.  What cannot be
endured, however, can sometimes be cured, so here's your health.'

"I heard a low angry growl from Lal, unlike any sound I had ever heard
him make before, then Lal raised his paw and knocked something out of
the Alderman's hand that fell with a tinkling sound of broken glass.

"I came slowly out of my corner to see what it was all about, and in
time to hear Lal say, 'You fool, oh! you fool, when will your eyes ever
be opened?'

"'I was going to close them for ever.  What's the good of having them
open _when I cannot see_?'

"The Miser seemed to be angry as well as Lal, for his voice was
trembling with passion.  'Why,' continued the Miser, 'should I remain
_blind_ to please you, in order that all your prophecies may come true?
Why destroy the stuff I had bought just when I had need of it?'

"The Lion regarded the Miser steadily with those fine great eyes of
his, somehow he seemed to look the Miser right through; then the Lion
sniffed thrice, very contemptuously.

"'Do you know _why_ you are blind?' he asked the Miser.

"'No,' answered the man, 'to be going blind is terrible enough without
asking the reason of it; what matter what this or that theory may be,
when the thing is there to speak for itself?  I know I cannot see, and
that being the case my life is finished.'

"'Or perhaps beginning,' ventured the Lion contemplatively.  'You
cannot see, Alderman Gold, because your eyes are filled with the colour
of the thing you have made your God all through your life; it is the
gold dust that has blinded you.  The dazzling golden hoard you desired
through life, watched, kept, gloated over.  This love that tinged all
your life and thoughts and feelings has poisoned you, has permeated
with its fatal colour everything so that you cannot any longer see the
beauty of the blue sky, the ripple of the moving waters, the tender
bloom of blossoming flowers and trees.  Remove the terrible gold-dust
from your eyes that you have worshipped and you will see again, perhaps
better than you have ever really seen before.'

"'Cease! cease!' broke in the Miser; 'you are only mocking my misery
now, and even if what you say is true, it is too late now to help me.'

"'Not too late,' returned the Lion, more gently, I thought, than he had
spoken hitherto; 'just in time, I think, just in time.'  Then he called
me.  'Skylark,' said the Lion, 'come here.'

"I came out from my hiding-place, still hugging the body of poor Sam
close to me.  The Miser peered at me curiously, though he couldn't see
me very well, or what I was holding, judging from the expression of his
face.

"'I suppose,' said the Miser, 'this is the ragged little wretch who is
always hanging about here.'

"'He is very ragged now,' said the Lion patiently, 'but he will be very
great one day.'

"The Miser laughed his harsh, unpleasant laugh, and peered down to see
what I was carrying so carefully, then he put out his hand and touched
Sam's coat.

"I pushed his hand away with my own dirty and grubby paw, but in a very
determined way.

"'Don't yer touch 'im,' I cried.

"'It's a dog,' said the Miser, 'and it's dead; a dead dog isn't of much
use to any one,' and he laughed again.  I felt when he laughed that my
blood was boiling.

"'Look 'ere, if 'ee's dead, 'ee's gone straight to 'Eaven, which is 'is
proper place, an' where 'e'll 'ave fields an' the country and rabbits
to chase, an' all them fings wot 'e ought ter 'ave 'ad in his life
'ere, an' 'e'll a wait fer me there sure as 'e always waited fer me
'ere, an' don't you say nothink agin Sam, 'cos in 'is life 'e was a
damned sight better than wot you are, so there.'

"By this time my outraged feelings had so overcome me that I was
shouting at the Miser, who stood stock still saying nothing, for the
suddenness, to say nothing of the impudence, of my attack seemed to
have rendered him speechless.

"'Steady, Skylark, steady,' said the Lion; 'try and behave a little
more respectfully, and cease to use that distressing street language;'
then Lal added by way of an afterthought, 'Come, climb up here, I want
to talk to you.'

"I laid Sam down for the first time and complied with his request.

"'Now,' said Lal, 'what shall I do with Alderman Simon Gold?'

"''Im?' I asked, pointing to the Miser.

"'Precisely.'

"'Well, can't yer jist blow that there gold dust out of 'is eyes wot
seems to be a-choking of 'em as you sed 'e 'ad?  You can do most fings,
Lal; 'ave a go, and see if 'e don't get better.'

"The Lion smiled his very wisest smile, then he asked me, 'Little
Skylark, what have you got round your neck?'

"'Only rags, Lal, but I can't 'elp them, you knows that.'

"'Look again, little Skylark.'

"'Lor lummy,' I said, 'wot is it?' for I was startled by the
unexpectedness of the thing I saw.  Something seemed hanging round my
neck that glowed and glistened and sparkled like ever so many jewels.
The sort of gems that had made me wink my eyes whenever I had seen them
in the shop-windows.

"'Lal, wot is it? 'ow did it get there?'

"'It is the Order of Imagination,' said Lal solemnly, 'and oh! little
Skylark, there are only a few, such a few in the world who have ever
worn it, even for a few minutes.  You will think of this some day, you
will remember my words always.  Take it off your neck, Skylark, and put
it over the neck of Alderman Simon Gold for an instant, for he is only
just worthy to wear it.  Look, there are two tears in his eyes, tears
of pity, the first he has ever shed in his life, and tears of pity,
little Skylark, are the keys that open the Golden Gates of Heaven.'

"I did as Lal bid me, and I shall never forget.  Simon Gold's face
became radiant.

"'I can see,' he gasped, 'can see!  Oh, Lal, what a brute I have been!
What have I been thinking about?  Why am I so different?  Why do I feel
that I want to give something to all the world?  Why, Lal, I want to
give, I insist upon giving.  Lal, why am I a different man, with
different feelings, with a _heart_?'

"Once again Lal smiled that wise smile of his.

"'The Order of Imagination does many things,' said Lal.  'If you want
to give, why not give with all your heart now and as long as you live?
Everybody, however, has to make a start.  Well, start by giving the
Skylark a home, a good education, help him towards being the great man
that I say he will one day become.  You will have found a faithful,
loving, lifelong friend, something as faithful and devoted as the
friend whose life he himself mourns to-night.'

"'Poor old dog,' said Alderman Gold, 'I can't help him now, I wish I
could, but I'll help the other, by Jove, I will; of course I'll see he
has a good home, I'll see he's educated.'

"'I think he will repay you for all the money you will spend upon his
education,' said the Lion, significantly.

"'And I mean to spend money,' said the Alderman.  'I've been a beastly
miser, that's what I've been, but I shall never have that taunt flung
at me again.'

"'Good,' nodded the Lion.  'Help him bury his pet in the big garden of
your London house, and bury at the same time all the past you want to
forget.'

"'I will,' said the Alderman.  'Here, come along and get fed.  Here,
what's your name?'

"'Skylark,' prompted the Lion.

"'Skylark?  A very good name,' said the Alderman; 'it suggests Spring,
and--and----'

"'Going steadily upward,' prompted the Lion.

"'By Jove, Lal, you're wonderful,' exclaimed the Alderman.  'How can I
thank you for giving me my sight again, for making a different man of
me? and, good gracious, now I come to think of it clearly and
reasonably, every single thing you have told me has always been true.'

"'If you believe that,' said the Lion, 'listen attentively to the last
thing I tell you, even more upon account of it being the last time I
shall actually _speak_ to either of you.'

"'Say on, Lal, we cannot do without your help; I know I can't, and I
thought I could do most things.'

"'You may consider it most inconsequent of me to mention such a
childishly fabled person to you as Dick Whittington, and yet strangely
enough that hero of a nursery legend will have a great deal in common
with both of you in your future lives.'

"'Shall I be Lord Mayor of London three times?' laughed the Alderman,
who had appeared suddenly to have discovered how to laugh, and it
sounded strange to hear him.

"'I won't say _three_ times,' said the Lion, 'but you will be one of
the greatest Lord Mayors of London in about fourteen years from now;
you will be knighted, and you will become one of the most beloved and
benevolent men in the whole City of London.'

"'That sounds fine,' said the Alderman; 'how about Master Skylark?'

"'Too early to prophesy,' said the Lion, 'with certainty, but I may say
this; I think when he has also found another Dick Whittington, and one
ever so different from yourself, he will become great almost by
accident, but he has to find this Dick Whittington first.  He will
never part with Dick Whittington when he has found him, but as a result
of sitting in front of him day by day in great perplexity, he will
suddenly do the first thing that will make his name.  You will only
_resemble_ Dick Whittington in your career, the Skylark will _find_
Dick Whittington.'

"'By Jove,' said the Alderman, 'that is a pretty difficult riddle, Lal,
and as I shall never solve it we can only wait and see.'

"The Lion smiled.

"'I believe you thoroughly love a riddle, Lal, you old Sphinx.  Well,
anything else?  Tell me, how much more of the future do you see?'

"'Oh, a lot of things,' answered Lal, 'a very great many of them you
would not understand now, even if I explained them to you, which I
shall not think of doing.  For instance, I see a very happy, cheerful
and prosperous elderly gentleman--ahem!--whose acquaintance you will
one day make, and whose amiable personality you in common with others
will thoroughly appreciate.  I see a future charming Lady Mayoress
whose--ahem!--friendship you will be most glad of.  I see two old
friends falling out about a certain matter of business in all
likelihood, and the _younger_ of the two will be absolutely in the
right.  I see an estrangement that doesn't last more than a few years,
then a joyful reconciliation, perhaps all the more joyful on account of
the former separation.  Then,' said the Lion, 'I see
something--ahem!--a series of most painful incidents, most unbecoming
to myself as well as yourself.'

"'Good gracious,' said the Alderman, 'I wonder whatever that can be?'

"'Like most other things about which there is a great fuss and
commotion, it will rise from a simple cause.  There will be a great
meeting held in a public building, and the result of that meeting will
be in your favour.'

"'In my favour,' echoed the astonished Alderman.

"'Distinctly in your favour, and it will make the whole of England
laugh.'

"'At me?' inquired the Alderman, with an apprehensive note in his voice
of quite pardonable nervousness.

"'No,' said the Lion, 'the laugh will be rather upon your side, I
think.'

"'Indeed,' said the Alderman; 'well, that sounds a bit better.'

"'Moreover,' continued the Lion, 'for my own part I regret to say I
shall be taken in a triumphant procession through the streets of
London, guarded upon all sides by the police, and the whole proceedings
throughout will be sufficiently ridiculous to cause me the acutest
discomfort, all of which will be most undeserved and brought upon me by
the extravagant adulation of my would-be admirers.  However, I shall
have to comfort myself in that time to come by considering that I am
not the only victim who has been sacrificed from the same cause.'

"'Apart from the deep mystery attached to your strange prophecies,'
observed the Alderman, 'which I do not pretend at present to
understand, but which nevertheless I know will all come true, I am
truly concerned about one thing.  Are you really serious, Lal, in your
intention of never speaking to me again?  I feel the loss will be
irreparable, for you have always been my wisest councillor from my
boyhood upwards, and I only wish I had profited by your wisdom before
and listened more attentively to your counsels in the past, whatever
alterations I make in my life for the future.'

"'I shall never actually speak with either of you again,' replied Lal,
'but you will be able to live all your youthful days over again in
him;' here Lal pointed to me.  'You can help him to avoid all the
mistakes you have made yourself; yet do not misunderstand me, I shall
give both of you a sign, and an unmistakable sign, to show how pleased
I am if you fulfil all the expectations I shall have cherished about
you.'

"'What sort of sign?' asked the Alderman.

"'I shall not tell you now, and you will both have to do an awful lot
before I show you the sign that I am satisfied with you eventually.'

"Now let me see,' mused the Alderman, 'isn't there any little thing we
could do for you to show that we hadn't forgotten you?'

"'You know what I expect of you,' retorted the Lion, 'keep your
promises.'

"'Apart from that,' suggested the Alderman, 'some sort of memento, some
sort of recognition.'

"'Oh, no,' hastily interposed Lal, 'no recognition, please, it is the
one thing I dread most in the world owing to the curious position I
occupy in public life.  However, in the years to come, if you can
reasonably and truthfully look back upon all you have accomplished with
a certain amount of justifiable pride and satisfaction, you can come
here quietly one night and place a big wreath of water-lilies; lay them
as an offering between my paws; on no account hang them round my neck
like the other terrible people do upon Trafalgar Day, it only makes me
look ridiculous.'

"'Why water-lilies?' asked the Alderman.

"'My favourite flower,' sighed the Lion, 'and, moreover, the one I
never see.  You see, the fountains splash about so incessantly that
there is no peaceful place where they can grow, and you wouldn't
believe,' added the Lion earnestly, 'how I sometimes long for those
irritating fountains to stop, and for beautiful water-lilies to grow
there instead.'

"'It shall all be done as you say, and I will ponder over every single
thing you have mentioned,' promised the Alderman.

"'Good-bye till then,' said the Lion in his most sepulchral voice, and
then the Lion smiled at me and said, 'Good-bye, little Skylark.'

"For my own part I had stood by quite silent without saying a word, but
I somehow realized that if I wasn't going to see and speak to my old
friend Lal any more, there were several things I wanted to say, and a
good many more things I wanted to ask.

"'Ere, 'old on 'arf a mo', cocky,' I shouted.

"'Oh, _don't_ call me cocky,' entreated Lal, 'and what _do_ you mean by
that expression "hold on"?  Is not my whole life a perpetual exhibition
of "_holding on_"?'

"'You've been a first-class, tip-top pal to me, Lal, an' I wants ter
know first where that there ring wot shined like blazes, and wot 'ung
round my neck and then round 'is, 'as a-gone to?  Ain't I to 'ave it no
more?'

"'You will have the memory of it,' replied Lal; 'you have possessed it
once, and I think you will have quite enough imagination left all
through your life without it; in fact, in the future, at times you will
have rather too much imagination for the comfort of your other
fellow-creatures.'

"''Ave I got to go with 'im?' I asked; ''ave I got to say good-bye to
you?'

"'Certainly,' replied Lal in his most stately way; 'you are going to
have a very happy life; you are a fairly respectable kid now, but you
will become more and more respectable until one will hardly recognise
you at all.  You are going to have a ready-made Father and Mother which
I have provided you with.'

"'Ain't 'eard nothink about no Muvver yet,' I said; 'where's the Muvver
come in?'

"'Ah! you wait and see,' whispered the Lion mysteriously.

"'Are you a-kiddin' me, Lal? if so, chuck it!'

"'Oh! dreadful, dreadful expressions!' lamented Lal.  'Undoubtedly the
next time I see you I believe your grammar will have improved, and your
vocabulary have become more select.  I hope so!'

"It was at this point that something about Lal's eyes and attitude gave
me the idea he was going to shut up for good, so to speak, and my
feelings so overcame me, that without thinking I flung my arms round
Lal's neck, that is to say, as far as they would go, and hugged him.

"Lal opened his eyes again, and somehow I am sure that he was grinning,
such a pleasant-looking, happy grin, but he spoke in his severest
manner to me--

"You must really restrain these exhibitions of feeling in public; if a
policeman chanced to observe you I think there would be the greatest
difficulty in offering any adequate explanation.

"'No, Lal,' I answered; 'all I ses to the coppers when they ses anyfink
to me is "Rats"--always "Rats," and when I ses "Rats" they can fink
what they jolly well likes.'

"Lal sighed, and said, 'How like Dick Whittington!' and those were the
very last words I ever heard him speak, although I little dreamed how I
was to meet him again."

      *      *      *      *      *

At this juncture Cookie appeared carrying a most wonderful silvern
tea-tray, whereon a bright gilded urn sizzled happily, and a most
inviting-looking pyramid of toasted muffins nestled in apparently
friendly rivalry with the choicest cakes of Cookie's own baking; even a
heaped-up crystal dish of whole strawberry jam could not conceal its
blushes as the firelight played upon it.

"Fairy tales," said Cookie, "I know; I've listened to them many a time
myself."

"No, Cookie, you are wrong," ventured Ridgwell in tones of rebuke; "it
is not a fairy tale, every word of it is true."

"That's what Cinderella always declared, Master Ridgwell," was Cookie's
imperturbable reply, as she prepared to depart.

The Writer chuckled quietly.

"Of course it is true, isn't it?" asked Ridgwell and Christine in
unison.

"Of course," said the Writer, "every word of it, and anyway if it isn't
it ought to be, like all romances."

"But you haven't finished," objected Ridgwell, whilst he munched a
muffin, and Christine poured out the tea.

"No," agreed the Writer, "I haven't finished yet, but I warned you that
it would be a very long story, didn't I?"

"Oh, but we are so anxious to know what happened to the Skylark and the
Miser, I mean the Alderman, for of course he wasn't a miser any more,
was he?"

"Well, you see," explained the Writer, as he took his tea contentedly,
which he really felt he stood in need of, apart from any consideration
of deserving it, "nobody is able to read a long book all at once, and I
propose to tell both of you the remainder of this extraordinary story
in a few days' time."

"Anyway, that's ripping," vouchsafed Ridgwell.

"I think myself," added the Writer mysteriously, "that the great events
Lal spoke of so long ago are about to happen."

"Do tell us when?" implored Ridgwell.

"I fancy very soon now; of course, you children don't read the papers,
do you?"

Ridgwell and Christine shook their heads.

"Well, in to-day's paper there was one paragraph that threw out a very
decided hint that the present Lord Mayor of London was going to be
knighted by the King, not only on account of his public worth, but
because the wonderful Home for London Children he has built is almost
completed."

"Of course, the new Lord Mayor is Alderman Gold?" inquired Christine.

"He was Alderman Gold," said the Writer, "but I think myself before
many days have passed it will be Sir Simon and Lady Gold."

"Who is Lady Gold?  You never told us a word about Lady Gold," objected
Ridgwell.

"Ah," said the Writer, "that will all come in the second part of my
story.  Any way, no name was ever more appropriate than hers.  She is
absolutely gold all through, head and heart and everything.  Lady Gold
is, I consider, an absolutely suitable name for her, although two
people I know always call her Mum; and, do you know, I think she will
prefer that title, even when she gets the other."

"Who are the two people who call her Mum?"

"That's telling in advance," observed the Writer, as he helped himself
to a fourth muffin; "and of course to tell in advance always spoils a
story.  But I intend that both of you children shall hear and see the
story to an end.  In three days' time from now I am coming to fetch you
both, and you will be able to see the Lord Mayor drive past in state,
for I am giving a tea to celebrate that great occasion and also another
great occasion at one and the same time.  I will finish the story then,
and you will both meet the Lord Mayor of London."

"Will he have his robes on?" inquired Christine expectantly.

"I don't know that he will wear them, but perhaps I could induce him to
bring them with him to show us."

"That's fine," said Ridgwell.  "Will you really come to fetch us?"

"Yes, in three days' time."

"Where do you live?" asked Ridgwell, unexpectedly.

The Writer pretended to be most mysterious all at once.

"Where do you suppose I live?" he asked Ridgwell; "I do not think you
will ever guess."

"Whitechapel?" hazarded Ridgwell.

The Writer pretended to look almost hurt.

"Peckham?" suggested Christine.

"Very bad guesses," laughed the Writer.  "You are both wrong.  I have a
set of chambers facing Trafalgar Square, where every morning of my life
I can look out of the front windows and see my dear old friend Lal."

Both the children gave a shout at this astounding piece of information.

"And we shall see the Lord Mayor go past in state from the windows?"

"Yes," said the Writer; "but if what I believe is coming to pass,
provided that the right time has come, and I think myself it has, we
shall all see the sign that Lal promised us he would give, so long ago."

"The sign," echoed Ridgwell breathlessly; "I say, that's something
like!"

"We shall see what we shall see, and as that is Chapter One of my story
I am going to take my departure."

After the Writer had left, Ridgwell turned to Christine.

"It's the jolliest afternoon we've had since Father and Mother left,
isn't it, Chris?"

Christine nodded; she was considering many things.




CHAPTER VI

TWO DICK WHITTINGTONS

The streets of London were alive with an unwonted gaiety, and crowds of
people waited patiently, and with an air of expectancy, to see the Lord
Mayor of London pass in state on his way from the Mansion House to the
Home for Children which he had built--about to be opened that day by
his Majesty the King.

Ridgwell and Christine sat in the broad, chintz-covered window-seat of
the Writer's chambers overlooking Trafalgar Square, and viewed the
great crowds of people beneath them with astonishment and interest.

"When the Lord Mayor passes my window," said the Writer, "he has
promised to look out as far as his dignity will permit and nod to me.
That he also intends to nod to our old friend Lal is a foregone
conclusion, for without that recognition upon his part I am sure the
day's ceremony would be incomplete."

"Will it be like a circus?" inquired Ridgwell.

"Yes, rather like a circus," admitted the Writer.  "That is to say, a
very great deal of gilt and highly coloured horses, soldiers, and
inevitably one brass band playing, probably more than one."

"We can see Lal perfectly from here," said Christine.

"What is that large wreath for, placed between Lal's paws?" asked
Ridgwell.

"That," declared the Writer, "was placed there early this morning by
the Lord Mayor himself.  He ordered it from Covent Garden, and he had
great difficulty in procuring it even there.  The wreath is entirely
composed of water-lilies, Lal's favourite flower, and is put there in
honour of the occasion.  Of course this is undoubtedly one of the great
days in the Lord Mayor's life, and he looks upon it as one of the
crowning features in his whole career."

A sudden increased agitation among the crowd, a rumble as of cheering
in the distance, and the first sound of trumpets and drums announced
that the procession was drawing near.

The first sign of the vanguard were some mounted policemen who rode
ahead to clear the way.  There appeared to be little need for this
precaution, as the crowds were standing in most orderly rows along the
pavements.

"I'm sure Lal doesn't like those policemen," said Ridgwell decisively.

"No," agreed the Writer, "he sees such a lot of them where he is and,
of course, he detests crowds of any sort, they jostle and bump his
pedestal so much that it makes him feel uncomfortable.  Here come the
mounted soldiers; they look very smart, don't they?  And here is the
band, blowing their trumpets for all they are worth; some of them
almost look as if they would burst with the effort."

"Is that first carriage the Lord Mayor's?" inquired Christine.

"No, the first carriages are all the other Aldermen."

"Six carriages full," said Christine.  "And look at those men in red
and gold standing up behind the last coaches."

"Yes," said Ridgwell, "strap-hangers.  I wonder how they keep their
balance and keep all that powder on their heads."

"I fancy," said the Writer, "they have to practise it; and as for the
powder, I expect it is a secret preparation known only to themselves."

A burst of renewed cheering greeted the appearance of six cream horses,
richly caparisoned with red and gold trappings, urged on by outriders.

"Here is the Lord Mayor," exclaimed the Writer excitedly, as he
produced a large red silk handkerchief and waved it wildly out of the
window.

There could be no doubt whatever that a fat old gentleman with red
cheeks and a white moustache, whose portly form was covered with a
scarlet and fur gown, around which hung a lot of glittering golden
chains, and who had one side of the state coach all to himself, saw the
Writer's greeting and returned it.  The children saw him look up at the
window and deliberately bow, then he turned his head in the direction
of Lal, the Pleasant-Faced Lion, and bowed and smiled.

"Quite gorgeous," observed Ridgwell when the procession had passed,
"but I always thought from what you told us that Alderman Gold was tall
and thin."

"Ah," said the Writer, "that was at the beginning of the story, and he
was a Miser then, and most misers are thin; but as he grew more and
more cheerful, more and more happy, he grew a bit fatter and a bit
fatter still, and then he got colour in his cheeks, until he became the
jolly, agreeable, fat, old, good-natured gentleman you have seen just
now in the distance.  However, you will be able to see him at closer
quarters and make his jolly acquaintance for yourselves presently, for
he will call here and see me after all the ceremony is over."

"Will he be in time for tea?" inquired Christine.

"No, much too late for tea, Christine, but there will be a welcome for
him, which I know he is looking forward to, and something I think he
will like better than the big City banquet he has presided at, and it
will be waiting for him here--a good cigar and a drink," and the Writer
indicated a very handsome piece of old oak furniture at the end of the
long room, which contained mysterious little cupboards which opened in
odd angles and unexpected curves.

"I do hope he will turn up in his robes," ventured Ridgwell.  "I rather
want to see what they are like."

"We must wait and see about that, and as it must be some considerable
time before tea, and a longer time still before His Worshipful the
Mayor can possibly be here, I propose to finish the rest of the story I
told you, right up to the present time.  Of course, Lal may give the
sign he promised to-night, or he may not; if he does you will both be
here to see it."

Thereupon Ridgwell and Christine curled themselves up upon the broad
window seat, and prepared to listen.

The Writer closed the window, and they all noticed that the crowds
beneath were rapidly dispersing; occasionally some one would stop for a
second and look at the big wreath of water-lilies between the Lion's
paws, but the majority of people passing appeared not to have noticed
it at all.

"Where did I get to in the story?" asked the Writer.

"Lal had said his last word to you," volunteered Ridgwell; "and what I
particularly want to know is this: how did that second mysterious
promise about Dick Whittington come true eventually, and did you ever
meet Dick Whittington as Lal declared that you would, and did he really
bring you fame and fortune when you met him?"

The Writer smiled.  "Yes, indeed I met him, but not in any way or
fashion that I should ever have expected.  Of course both of you
children know Lal well enough by this time to realise that he loves a
little joke of his own at our expense, and many of his mysterious
promises, although they come true in a way, turn out to be utterly and
completely different from what he would seem to suggest to us by his
words; in fact, Lal is like a great happy conjuror or wizard who dearly
loves to mystify us with a trick.  I am convinced he enjoys our
amazement at any of his pet tricks, as much as he enjoys the laugh he
has at our expense."

"That's right," said Ridgwell; "he tricked Chris and me finely once.  I
haven't forgiven him so very long for it, and it made me feel very
uncomfortable for a good while."

"Everybody forgives Lal in the end," laughed the Writer; "one simply
cannot help oneself, but really his pranks are too absurd, and yet when
I found out how I had been tricked, I couldn't be cross with him, for I
actually loved his funny old ways more than before, if such a thing
were possible.  To continue my story where I left off, Alderman Gold
seemed in some miraculous way to have had much more than his sight
restored to him that night.  The first thing he did was to lift the
body of poor Sam very gently, and as we left the Square he called a
cab, and whilst we drove to his big mansion in Lancaster Gate, he asked
me to tell him everything I could remember about my short life up to
that time.  Of course, I did so in my own peculiar fashion; the
verbiage of the street and the gutter must have been freely sprinkled
about during that narrative.  Sometimes he looked thoughtful, and at
other times he lay back in the cab and laughed out loud.  When we
arrived at his big house, which seemed to me at that time to be a
mighty great mansion, he first made his way into a very big garden at
the back where there were a lot of trees, and opening a gardening shed,
he got a spade and dug a grave for Sam deep down under the trees, and
it is there with his name, which was afterwards carved on a piece of
wood, until this day.

"Whilst my childish tears were still flowing as the result of this sad
ceremony, a lady came down the garden path in the moonlight, and as she
joined us I noticed that although she appeared a little startled, she
had a most beautiful face.

"'I didn't know it was you, sir, I couldn't think who could be digging
in the garden at this time of night, and I grew frightened.'

"'Mrs. Durham,' said the Alderman earnestly, 'I was digging a grave for
the dead pet of this small piece of humanity here, who will henceforth
be one of your special charges.'

"Mrs. Durham glanced at the Alderman rather in amazement, I thought, as
if he had suddenly taken leave of his senses, but she looked at me as
she has ever done in a most kindly way.

"'Skylark,' said the Alderman, 'this is Mrs. Durham, my housekeeper.'
Perhaps the Alderman had seen the expression upon Mrs. Durham's face,
and had interpreted it correctly, for he added, 'Mrs. Durham, I am
somewhat ashamed to say that in the grave of a faithful and most
devoted creature I have here buried metaphorically, for good and all,
as many of the reprehensible habits of my old life as I can cast at
once, therefore, if I seem to you to be very different in the future,
you may know there is a good reason for my being so.  Could you
conveniently take this infant and get him something substantial to eat
and drink, and see he is put to bed?'

"Mrs. Durham said, 'Very well, sir,' and taking my hand led me into the
house; but she still looked amazed, as if she had seen a ghost, I
thought.

"A good many other people, I fancy, must have looked amazed the next
day, when in the Alderman's big City offices all the clerks found that
their salaries were to be raised.  I rather imagine the office boy was
the most astonished of all, for upon discovering that his master had
raised his weekly remuneration to a pound a week, he was heard to
exclaim, 'Well, that knocks all, that is if the Governor hasn't got
softening of the brain!'

"The Alderman didn't stop there by a long way, for I know that all the
servants in his house commenced to have a different time of it, and his
thoughtfulness, as far as I was concerned, was more than wonderful.

"I remember a few days after my arrival he called a council of war with
Mrs. Durham, at which I was present, and I may say in passing, that
Mrs. Durham and I were by this time fast friends.

"'There is one thing that must be done at once, Mrs. Durham,' I
remember him saying during that important interview; 'the youngster
must go at once to school.  Now the difficulty is this: I don't want
him to start at a disadvantage from the very beginning, and speaking as
he does now, no ordinary school would take him.'

"'I'm afraid not, sir,' debated Mrs. Durham.

"'Very well, then,' said the Alderman, 'at present there is only one
thing to do; we must have somebody here to teach him English, anyway to
speak properly and to write and spell before he goes to a school.  It
must be done, but I think myself it is going to take time,' concluded
the Alderman.  Then he put on his hat and started for the City.

"I am not going to dwell upon this youthful period of my life, for
everybody's school-days very much resemble every other person's, but I
do know that the Alderman's belief that my education would take time
proved to be only too true.  I shall never forget how long and
painfully I worked and toiled to speak my verbs in their proper tenses,
to stop dropping my aitches, how I longed to drop the Cockney slang,
how my life became possessed with a sort of terror that I should come
out with some expression that would cause concern to either my
benefactor or to Mrs. Durham.

"Well, I strove, and at last I succeeded so well that I was sent to a
fine school where I received a first-class education, and the only
effect of the great struggles I went through at this time was a sort of
nervousness which I shall have all through my life, and which results,
no doubt, from intense anxiety all those years not to make mistakes.

"And so I skip along until one night after the school had broken up at
the end of a winter term.  I remember it all so well.  I had taken the
best prizes in the fifth form, I was barely fifteen, and I rushed home,
tore into the library, and emptied all those beautifully bound books
into my benefactor's lap.  He had been smoking his cigar, and was
dozing in front of the fire.

"'What do you think of that, Dad?' I yelled.  I always called him Dad
as a sort of distinction, for although he wasn't my father really, he
had been a ripping father to me.

"'Bless my heart, my boy,' he said, 'have you taken all these prizes?
Why, I'm proud of you.'

"'And I proud of you,' I said; then I laughed at him.  'You've tried to
keep a secret from me, Dad,' I cried, 'and you haven't succeeded a bit.
Where's Mum?'

"'Now how on earth did you know that, miles away at school, too?'
laughed the Alderman.

"'Read it in the papers days ago.  Where is she, Dad?  I want to give
her a good hug.'

"'I'm here, dear boy,' said a voice just over my shoulder, a voice I
knew so well, that had helped me more in my childish hours than I could
ever count, a voice that was perhaps the one that had taught me to
speak correctly in those trying early days.  She wasn't Mrs. Durham any
longer, she was Mrs. Gold, but she hadn't altered one bit, and she was
Mum then, as she has always been since.

"It wouldn't be honest to skip the next part of the story, and yet I
always want to omit this part somehow, because it is entirely composed
of events brought about by my own selfishness, obstinacy and
pig-headedness, although as a young man I never realised the great
grief and the real trouble I was causing to people who had always loved
me and done everything for me.

"It started after the time I had left the University of Oxford.  I had
just commenced to feel my wings, so to speak.  Everything there had
helped to increase and nourish my love of literature, the set I mixed
with had placed me on a sort of pedestal which I in no way deserved,
everybody seemed to expect a lot from me, every one seemed to believe I
would do great and wonderful things, and what was more disastrous
still, I believed I should do wonderful things myself.  Imbued with
these beliefs, I went home after my last year at Oxford, determined to
be a great writer, mark you, not an ordinary writer, since I was
positively assured of the fact that I had only to make an appearance in
print to be instantly proclaimed one of the immortals.  Whilst I was in
this ridiculous frame of mind, Dad unfolded to me the cherished scheme
of his life.  It was that I should go into his office and learn the
business, and one day become the head of the firm.

"I think my blank face must have told them the utter hopelessness of
the scheme, even before I had explained to them all my hopes and
beliefs as to what I intended to be.  One of the things I regret most
in my life was the grief I saw only too plainly upon the old Dad's
face.  He had been brought up a business man all his life, he didn't
believe in Literature as a living.  He never argued, he didn't storm,
hardly said anything, except begging me in an appealing sort of way to
reconsider my decision.  But I saw at once that I had dealt a
death-blow to all his hopes, and, like the selfish young brute I was, I
didn't care so long as I got my own way.

"I must have been utterly mad at the time, or intoxicated with my own
belief in myself, for I even went further, and said I was going away
without any further help of any sort, and that I would make a name, and
not come back until I had done so.  I refused all assistance; I only
wanted their good-will and belief in me, and this I knew neither of
them could honestly give me.  The Dad implored me to let him assist me;
they both begged me to live at home until I could rely upon myself,
feel my own feet, or lastly, the most fatal sentence they could have
uttered in my state of pride, to remain at home until I realised the
_failure_ I was about to make and alter my mind.

"What a hopeless and silly thing is pride.  It must be a dangerous
thing, too, if it can suddenly choke years of love and devotion.

"Pride was uppermost then when I left the house where we had all been
so happy, and went out into the world, and I told them both I would
only return when I had made myself famous, and not before.  I believe
they both broke down when I left, but I was a selfish young brute, and
I never saw their view of things, nor how bitterly it must have hurt
them.  Retribution was not long in coming; I found as time went on that
there were dozens of men, and women too, who could write better than I
could.  I found a living was not easy to get.  I went even further
still, and found at last that it was impossible to get any living at
all.  Education--there were hundreds of men, highly educated men, too,
without any means of earning a living.  Inspiration--and I had prated
about inspiration often enough; inspiration only became inspiration
when it was recognised as such.  Luck, chance--I found there were no
such things, save as words.  Money--I never made any now, and gradually
I went down and down, grew shabby, was passed hurriedly by friends of
my own choosing; then followed shabby rooms and little food, only to
give place in turn to an attic and no food at all.  Pride must have
been still at work with a vengeance, for whatever I suffered there was
not a single day or night that I could not have rushed home and been
welcomed like the Prodigal of old, and been rejoiced over.  But the
very idea of this gave me a chill feeling of horror.  How could I go
home with all my boasts unfulfilled?  Was I to creep home a
self-confessed failure, with the alternative of acknowledging it and
mending my ways and becoming the head of a business firm with a heart
embittered for life?  I felt I would never do this.  I would prefer to
starve upon the Embankment, and when I made that resolution I knew only
too well what I was in for.  I had done the same thing in my earlier
life, only it needed a far greater courage to face that life now than
it required then.  Things were at their very worst when one day, as I
was wending my way through the poverty-stricken locality in which I
lived, I was hailed by my name.  The man was shabbily dressed, but
about my own age as far as I could gather, yet I never remembered
having met him before.

"'You don't remember me?' he asked.

"'No,' I replied.

"'Humph!' he rejoined, 'and yet at school you had quite a slap-up fight
upon my behalf, which ought to have been a lesson to snobs in general,
simply because I insisted upon talking to my own father when he was
driving one of his own furniture vans.'

"'Murkel Minor,' I murmured.  'Jove, yes, I remember.'

"'Well, I'm a dealer now, got a place of my own, first-class antiques,
you know, doing rather well, too.'

"I nodded.

"'But, I say, how about yourself? you don't look up to much.  What are
you doing?  You know all the swell chaps at school, who always looked
down on me, used to think you would do no end of things.'

"Somehow or other a sudden feeling of utter frankness came over me.  'I
am not doing anything,' I said.  'I've never done anything, and I don't
believe now I ever shall do anything.'

"'What are you supposed to do?' asked Murkel, and he asked it in rather
a nice way.

"'Writing,' I said.

"'Books?'

"'Yes, and stories, and any blessed thing that comes along; that is to
say, when it _does_ come along.'

"Murkel mused for awhile as we walked along, and to this day I do not
know whether he considered he was paying off an old debt, or whether he
really required my services.  Anyway he told me he wanted a descriptive
catalogue written of some of his best antiques, their history
guaranteed and authenticated, and that he would pay me a fair sum for
writing it.

"I left my one-time schoolfellow Murkel Minor, with the certainty of
work for which I should be paid, and with something like a ray of hope,
and oddly enough I did not lament over the strange fortune which had
prevented any one from accepting any of my books or poems, but had
given me instead the writing of a catalogue of bric-à-brac.  There was
one thing I often resented in my own mind, and frequently sneered at
most bitterly whenever I remembered it; that was the fact that Lal had
prophesied that I should become great, and also that I should meet Dick
Whittington.  Both these imaginary things I regarded now as being
utterly unreliable, and looked upon as two ghostly myths of the past.
I might have known better.  The nervousness from which I suffered, and
which I have already alluded to, was becoming so marked that it greatly
stood in my way, particularly whenever I had any writing to do.  I
would fidget, bite my fingers, nibble the pen, break the nibs, a
thousand things sooner than deliberately sit down to write.
Concentration seemed at times to me wholly impossible.  One day, after
sacrificing many nibs, and breaking my only ink-bottle, I settled down
sufficiently to finish Murkel's catalogue, and received the sum of five
pounds for the work.  It seemed untold riches to me at the time.  As I
went homeward through the maze of dirty streets towards where my garret
was situated, I had to pass through one where the outside pavement
stalls were always heaped up upon either side of the way with every
imaginable thing from greengrocery and scrap-iron to old prints and
china-ware.

"Upon one of these stalls an inkstand immediately attracted my
attention, partly from the fact that I had broken my own ink-bottle,
and had resolved to buy another, but more particularly because this
inkstand appeared to me to be one of the most uncommon receptacles for
ink I had ever seen.  It was made in what I judged must be some old
form of china-ware I never remembered to have seen before, and beneath
the dirt which was thickly coated over it I could see that both the
modelling and colouring of it were very beautiful.  It represented a
figure lying upon the ground beside a big tree-stump, which, after the
mud should be scraped out of it, was evidently intended to contain ink,
and a milestone, when a similar operation had taken place, would
doubtless contain one pen; a coloured three-cornered hat flung beside
the figure upon the ground was obviously designed to hold a taper.

"The inkstand attracted me strangely, and I was so fascinated with it
that I could not take my eyes off it.  The woman to whom the stall
belonged, doubtless spotting a likely customer, asked me how much I
would give her for it.  I deliberated for some time, as I had not the
remotest idea what its value might be in her eyes, so I offered her
eighteenpence as a sort of compromise between the inkstand and other
articles ticketed upon her stall.

"'Give us two bob, and it's yours,' suggested the stall woman.
However, I was firm, and was upon the point of going away when she
called me back, and thrust it into my hand, carefully holding on to one
of the square corners of it until she saw the money safely deposited.

"It took me some time to clean it properly when I got it home, but I
must say it fully rewarded all the efforts I made to wash it, and
somehow the more I looked at it the more beautiful I thought it was.

"There was something about that contemplative figure lying upon the
grass that gave me confidence and reassurance, and I found myself
regarding it as an old friend and talking to it, and when the big
tree-stump was filled with ink I used to sit and write from it for
hours.  There always seemed to be encouragement and inquiry in the
laughing face that looked from the figure on the inkstand, as if it
were saying, 'Well, what are you going to write now, and when are you
going to finish it?'  I began to imagine that it gave me inspiration
whenever I wrote; whether that was so or not, it certainly answered
much better than its predecessor, the dull old ink-bottle that had been
broken.

"So day by day I worked hard, and somehow became convinced that the
wonderful little inkstand helped and inspired me in some curious manner
which I could in no way account for, and after a few months I finished
my book, eking out a scanty existence with other odd literary jobs.  It
was about this time that Murkel called on me.

"He stumbled up the winding stairs to my garret one day, smoking a
quite objectionable pipe, and declared that I was the only old
schoolfellow he had ever cared to call upon, as all the rest were
snobs, and wound up by stating that we probably got along so well
together as he came from the people, and he was certain that I came
from the people also, and only those people who came from the people
themselves ever got there eventually.

"After I had listened patiently to this harangue he came to the point
by declaring he was a great friend of a publisher who sometimes bought
the Murkel curios, furniture, china, pictures, etc., and if I liked he
would get him to read my new book.

"I was only too thankful to accept this offer, and was saying so when a
curious thing happened.  Murkel, whose eyes had been roaming around my
one attic room with the curious instinct of the dealer, and finding
nothing that in any way interested him, suddenly crossed over to my
rickety writing-table, and pouncing upon my inkstand emitted a low and
prolonged whistle which might have been emblematical of either
astonishment or delight.

"'Don't drop that inkstand,' I said.  'I'm very fond of that.'

"'Drop it!' almost shouted Murkel, 'drop it!  Great Scott, do you know
_what_ it is?'

"'Yes,' I said, 'of course, it's an ink-stand.'

"Murkel looked at me almost pityingly.  'Oh, my great aunt,' he said,
'the ways of writers are beyond understanding.  Here's one who lives in
a garret, probably hasn't enough to eat, and upon a rickety
three-legged writing-table, which would be a disgrace to a fifth-rate
coffee-house, he has a jewel worth a hundred guineas and more.'

"'Bosh! you're joking,' I retorted.

"Murkel gave a queer smile.  'Am I?' he said.  'Well, I am prepared to
go back to my place and write you a cheque for a hundred guineas for
this, now on the spot.'

"I suppose I still continued to stare at him stupidly, and most likely
the signs of my utter disbelief were plainly to be seen in my
countenance, for Murkel continued hurriedly--

"'It's my business, I never make a mistake.  This inkstand is Old Bow
china, date--early Queen Anne.  My friend, there are not five of these
left in the world to-day, there are not four, and this is probably the
most perfect one in existence; and what makes it so valuable, apart
from its glaze, is that it was done by a fine artist, and it is a
famous legendary figure perfectly executed.  In fact, it is none other
than the famous Dick Whittington.'

"'What!'  It was my turn to shout this time.  'Dick Whittington!' I
cried.

"'Of course,' said Murkel; 'Dick Whittington, only done in the costume
of Queen Anne's day instead of his own.'

"'Then it is all true,' I shouted.  'By Jove, what a fool I've been; I
see it all now, every bit of it.  Oh, Lal!  Lal! how impossible you are
to understand.'  Of course, this was all so much Greek to Murkel, who
hadn't the remotest idea what I was so exc

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