Once a week
by A. A. Milne · English · Gutenberg #24313 · 441,297 chars · public domain (US)
The Project Gutenberg eBook of Once a week
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.
Title: Once a week
Author: A. A. Milne
Release date: January 15, 2008 [eBook #24313]
Language: English
Other information and formats: www.gutenberg.org/ebooks/24313
Credits: Produced by Malcolm Farmer, Stephen Blundell and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/Canadian Libraries)
*** START OF THE PROJECT GUTENBERG EBOOK ONCE A WEEK ***
Produced by Malcolm Farmer, Stephen Blundell and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/Canadian Libraries)
ONCE A WEEK
BY THE SAME AUTHOR
THE DAY'S PLAY
THE HOLIDAY ROUND
THE SUNNY SIDE
ONCE ON A TIME
NOT THAT IT MATTERS
IF I MAY
FIRST PLAYS
SECOND PLAYS
MR. PIM
ONCE A WEEK
BY
A. A. MILNE
AUTHOR OF
"THE DAY'S PLAY" AND "THE HOLIDAY ROUND"
THIRD EDITION
METHUEN & CO LTD.
36 ESSEX STREET W.C.
LONDON
_First Published_ _October 15th, 1914_
_Second Edition_ _March ... 1917_
_Third Edition_ _1922_
Transcriber's Note
Minor typographical errors have been corrected without note. An
expanded table of contents, in addition to the one originally
published, has been provided below:
THE HEIR
WINTER SPORT
A BAKER'S DOZEN
A TRAGEDY IN LITTLE
THE FINANCIER
THE DOUBLE
A BREATH OF LIFE
"UNDER ENTIRELY NEW MANAGEMENT"
A FAREWELL TOUR
THE TRUTH ABOUT HOME RAILS
THE KING'S SONS
DISAPPOINTMENT
AMONG THE ANIMALS
A TRAGEDY OF THE SEA
OLD FRIENDS
GETTING MARRIED
HOME AFFAIRS
AN INSURANCE ACT
BACHELOR RELICS
LORDS TEMPORAL
THE MISSING CARD
SILVER LININGS
THE ORDER OF THE BATH
A TRUNK CALL
OTHER PEOPLE'S HOUSES
THE PARTING GUEST
THE LANDSCAPE GARDENER
THE SAME OLD STORY
THE SPREADING WALNUT TREE
DEFINITIONS
A BILLIARD LESSON
BURLESQUES
THE SEASIDE NOVELETTE
THE SECRET OF THE ARMY AEROPLANE
THE HALO THEY GAVE THEMSELVES
A DIDACTIC NOVEL
MERELY PLAYERS
ON THE BAT'S BACK
UNCLE EDWARD
THE RENASCENCE OF BRITAIN
THE BIRTHDAY PRESENT
ONE OF OUR SUFFERERS
IN THE SWIM
THE MEN WHO SUCCEED
THE HEIR
THE STATESMAN
THE MAGNATE
THE DOCTOR
THE NEWSPAPER PROPRIETOR
THE COLLECTOR
THE ADVENTURER
THE EXPLORER
TO
MY COLLABORATOR
WHO BUYS THE INK AND PAPER
LAUGHS
AND, IN FACT, DOES ALL THE REALLY DIFFICULT
PART OF THE BUSINESS
THIS BOOK IS GRATEFULLY DEDICATED
IN MEMORY OF A WINTER'S MORNING
IN SWITZERLAND
CONTENTS
PAGE
THE HEIR 1
WINTER SPORT 29
A BAKER'S DOZEN 61
GETTING MARRIED 127
HOME AFFAIRS 149
OTHER PEOPLE'S HOUSES 183
BURLESQUES 215
MERELY PLAYERS 251
THE MEN WHO SUCCEED 281
NOTE
These sketches have previously appeared in _Punch_, to whose proprietors
I am much indebted for permission to reprint.
THE HEIR
THE HEIR
I.--HE INTRODUCES HIMSELF
"In less refined circles than ours," I said to Myra, "your behaviour
would be described as swank. Really, to judge from the airs you put on,
you might be the child's mother."
"He's jealous because he's not an aunt himself. Isn't he, ducksey
darling?"
"I do wish you wouldn't keep dragging the baby into the conversation; we
can make it go quite well as a duologue. As to being jealous--why, it's
absurd. True, I'm not an aunt, but in a very short time I shall be an
uncle by marriage, which sounds to me much superior. That is," I added,
"if you're still equal to it."
Myra blew me a kiss over the cradle.
"Another thing you've forgotten," I went on, "is that I'm down for a
place as a godfather. Archie tells me that it isn't settled yet, but
that there's a good deal of talk about it in the clubs. Who's the other
going to be? Not Thomas, I suppose? That would be making the thing
rather a farce."
"Hasn't Dahlia broken it to you?" said Myra anxiously.
"Simpson?" I asked, in an awed whisper.
Myra nodded. "And, of course, Thomas," she said.
"Heavens! Not three of us? What a jolly crowd we shall be. Thomas can
play our best ball. We might----"
"But of course there are only going to be two godfathers," she said, and
leant over the cradle again.
I held up my three end fingers. "Thomas," I said, pointing to the
smallest, "me," I explained, pointing to the next, "and Simpson, the
tall gentleman in glasses. One, two, three."
"Oh, baby," sighed Myra, "what a very slow uncle by marriage you're
going to have!"
I stood and gazed at my three fingers for some time.
"I've got it," I said at last, and I pulled down the middle one. "The
rumour in the clubs was unauthorized. I don't get a place after all."
"_Don't_ say you mind," pleaded Myra. "You see, Dahlia thought that as
you were practically one of the family already, an uncle-elect by
marriage, and as she didn't want to choose between Thomas and
Samuel----"
"Say no more. I was only afraid that she might have something against my
moral character. Child," I went on, rising and addressing the
unresponsive infant, "England has lost a godfather this day, but the
world has gained a----what? I don't know. I want my tea."
Myra gave the baby a last kiss and got up.
"Can I trust him with you while I go and see about Dahlia?"
"I'm not sure. It depends how I feel. I may change him with some poor
baby in the village. Run away, aunt, and leave us men to ourselves. We
have several matters to discuss."
When the child and I were alone together, I knelt by his cradle and
surveyed his features earnestly. I wanted to see what it was he had to
offer Myra which I could not give her. "This," I said to myself, "is the
face which has come between her and me," for it was unfortunately true
that I could no longer claim Myra's undivided attention. But the more I
looked at him the more mysterious the whole thing became to me.
"Not a bad kid?" said a voice behind me.
I turned and saw Archie.
"Yours, I believe," I said, and I waved him to the cradle.
Archie bent down and tickled the baby's chin, making appropriate noises
the while--one of the things a father has to learn to do.
"Who do you think he's like?" he asked proudly.
"The late Mr. Gladstone," I said, after deep thought.
"Wrong. Hallo, here's Dahlia coming out. I hope, for your sake, that the
baby's all right. If she finds he's caught measles or anything, you'll
get into trouble."
By a stroke of bad luck the child began to cry as soon as he saw the
ladies. Myra rushed up to him.
"Poor little darling," she said soothingly. "Did his uncle by marriage
frighten him, then?"
"Don't listen to her, Dahlia," I said. "I haven't done anything to him.
We were chatting together quite amicably until he suddenly caught sight
of Myra and burst into tears."
"He's got a little pain," said Dahlia gently taking him up and patting
him.
"I think the trouble is mental," suggested Archie. "He looks to me as if
he had something on his conscience. Did he say anything to you about it
when you were alone?"
"He didn't say much," I confessed, "but he seemed to be keeping
something back. I think he wants a bit of a run, really."
"Poor little lamb," said Dahlia. "There, he's better now, thank you."
She looked up at Archie and me. "I don't believe you two love him a
bit."
Archie smiled at his wife and went over to the tea-table to pour out. I
sat on the grass and tried to analyse my feelings to my nephew by
marriage.
"As an acquaintance," I said, "he is charming; I know no one who is
better company. If I cannot speak of his more solid qualities, it is
only because I do not know him well enough. But to say whether I love
him or not is difficult; I could tell you better after our first
quarrel. However, there is one thing I must confess. I am rather jealous
of him."
"You envy his life of idleness?"
"No, I envy him the amount of attention he gets from Myra. The love she
wastes on him which might be better employed on me is a heartrending
thing to witness. As her betrothed I should expect to occupy the premier
place in her affections, but, really, I sometimes think that if the baby
and I both fell into the sea she would jump in and save the baby first."
"Don't talk about his falling into the sea," said Dahlia, with a
shudder; "I can't a-bear it."
"I think it will be all right," said Archie, "I was touching wood all
the time."
"What a silly godfather he nearly had!" whispered Myra at the cradle.
"It quite makes you smile, doesn't it, baby? Oh, Dahlia, he's just like
Archie when he smiles!"
"Oh, yes, he's the living image of Archie," said Dahlia confidently.
I looked closely at Archie and then at the baby.
"I should always know them apart," I said at last. "That," and I pointed
to the one at the tea-table, "is Archie, and this," and I pointed to the
one in the cradle, "is the baby. But then I've such a wonderful memory
for faces."
"Baby," said Myra, "I'm afraid you're going to know some very foolish
people."
II.--HE MEETS HIS GODFATHERS
Thomas and Simpson arrived by the twelve-thirty train, and Myra and I
drove down in the wagonette to meet them. Myra handled the ribbons
("handled the ribbons"--we must have that again) while I sat on the
box-seat and pointed out any traction-engines and things in the road. I
am very good at this.
"I suppose," I said, "there will be some sort of ceremony at the
station? The station-master will read an address while his little
daughter presents a bouquet of flowers. You don't often get two
godfathers travelling by the same train. Look out," I said, as we swung
round a corner, "there's an ant coming."
"What did you say? I'm so sorry, but I listen awfully badly when I'm
driving."
"As soon as I hit upon anything really good I'll write it down. So far I
have been throwing off the merest trifles. When we are married,
Myra----"
"Go on; I love that."
"When we are married we shan't be able to afford horses, so we'll keep a
couple of bicycles, and you'll be able to hear everything I say. How
jolly for you."
"All right," said Myra quietly.
There was no formal ceremony on the platform, but I did not seem to feel
the want of it when I saw Simpson stepping from the train with an
enormous Teddy-bear under his arm.
"Hallo, dear old chap," he said, "here we are! You're looking at my
bear. I quite forgot it until I'd strapped up my bags, so I had to bring
it like this. It squeaks," he added, as if that explained it. "Listen,"
and the piercing roar of the bear resounded through the station.
"Very fine. Hallo, Thomas!"
"Hallo!" said Thomas, and went to look after his luggage.
"I hope he'll like it," Simpson went on. "Its legs move up and down." He
put them into several positions, and then squeaked it again. "Jolly,
isn't it?"
"Ripping," I agreed. "Who's it for?"
He looked at me in astonishment for a moment.
"My dear old chap, for the baby."
"Oh, I see. That's awfully nice of you. He'll love it." I wondered if
Simpson had ever seen a month-old baby. "What's its name?"
"I've been calling it Duncan in the train, but, of course, he will want
to choose his own name for it."
"Well, you must talk it over with him to-night after the ladies have
gone to bed. How about your luggage? We mustn't keep Myra waiting."
"Hallo, Thomas!" said Myra, as we came out. "Hallo, Samuel! Hooray!"
"Hallo, Myra!" said Thomas. "All right?"
"Myra, this is Duncan," said Simpson, and the shrill roar of the bear
rang out once more.
Myra, her mouth firm, but smiles in her eyes, looked down lovingly at
him. Sometimes I think that she would like to be Simpson's mother.
Perhaps, when we are married, we might adopt him.
"For baby?" she said, stroking it with her whip. "But he won't be
allowed to take it into church with him, you know. No, Thomas, I won't
have the luggage next to me; I want some one to talk to. You come."
Inside the wagonette Simpson squeaked his bear at intervals, while I
tried to prepare him for his coming introduction to his godson. Having
known the baby for nearly a week, and being to some extent in Myra's
confidence, I felt quite the family man beside Simpson.
"You must try not to be disappointed with his looks," I said. "Anyway,
don't let Dahlia think you are. And if you want to do the right thing
say that he's just like Archie. Archie doesn't mind this for some
reason."
"Is he tall for his age?"
"Samuel, pull yourself together. He isn't tall at all. If he is anything
he is long, but how long only those can say who have seen him in his
bath. You do realize that he is only a month old?"
"My dear old boy, of course. One can't expect much from him. I suppose
he isn't even toddling about yet?"
"No--no. Not actually toddling."
"Well, we can teach him later on. And I'm going to have a lot of fun
with him. I shall show him my watch--babies always love that."
There was a sudden laugh from the front, which changed just a little too
late into a cough. The fact is I had bet Myra a new golf-ball that
Simpson would show the baby his watch within two minutes of meeting him.
Of course, it wasn't a certainty yet, but I thought there would be no
harm in mentioning the make of ball I preferred. So I changed the
conversation subtly to golf.
Amidst loud roars from the bear we drove up to the house and were
greeted by Archie.
"Hallo, Thomas! how are you? Hallo, Simpson! Good heavens! I know that
face. Introduce me, Samuel."
"This is Duncan. I brought him down for your boy to play with."
"Duncan, of course. The boy will love it. He's tired of me already. He
proposes to meet his godfathers at four p.m. precisely. So you'll have
nearly three hours to think of something genial to say to him."
We spent the last of the three hours playing tennis, and at four p.m.
precisely the introduction took place. By great good luck Duncan was
absent; Simpson would have wasted his whole two minutes in making it
squeak.
"Baby," said Dahlia, "this is your Uncle Thomas."
"Hallo!" said Thomas, gently kissing the baby's hand. "Good old boy,"
and he felt for his pipe.
"Baby," said Dahlia, "this is your Uncle Samuel."
As he leant over the child I whipped out my watch and murmured, "Go!" 4
hrs. 1 min. 25 sec. I wished Myra had not taken my "two minutes" so
literally, but I felt that the golf-ball was safe.
Simpson looked at the baby as if fascinated, and the baby stared back at
him. It was a new experience for both of them.
"He's _just_ like Archie," he said at last, remembering my advice. "Only
smaller," he added.
4 hrs. 2 min. 7 sec.
"I can see you, baby," he said. "Goo-goo."
Myra came and rested her chin on my shoulder. Silently I pointed to the
finishing place on my watch, and she gave a little gurgle of excitement.
There was only one minute left.
"I wonder what you're thinking about," said Simpson to the baby. "Is it
my glasses you want to play with?"
"Help!" I murmured. "This will never do."
"He just looks and looks. Ah! but his Uncle Samuel knows what baby wants
to see." (I squeezed Myra's arm. 4 hrs. 3 mins. 10 secs. There was just
time.) "I wonder if it's anything in his uncle's waistcoat?"
"No!" whispered Myra to me in agony. "_Certainly_ not."
"He _shall_ see it if he wants to," said Simpson soothingly, and put his
hand to his waistcoat pocket. I smiled triumphantly at Myra. He had five
seconds to get the watch out--plenty of time.
"Bother!" said Simpson. "I left it upstairs."
III.--HE CHOOSES A NAME
The afternoon being wet we gathered round the billiard-room fire and
went into committee.
"The question before the House," said Archie, "is what shall the baby be
called, and why. Dahlia and I have practically decided on his names, but
it would amuse us to hear your inferior suggestions and point out how
ridiculous they are."
Godfather Simpson looked across in amazement at Godfather Thomas.
"Really, you are taking a good deal upon yourself, Archie," he said
coldly. "It is entirely a matter for my colleague and myself to decide
whether the ground is fit for--to decide, I should say, what the child
is to be called. Unless this is quite understood we shall hand in our
resignations."
"We've been giving a lot of thought to it," said Thomas, opening his
eyes for a moment. "And our time is valuable." He arranged the cushions
at his back and closed his eyes again.
"Well, as a matter of fact, the competition isn't quite closed," said
Archie. "Entries can still be received."
"We haven't really decided at all," put in Dahlia gently. "It _is_ so
difficult."
"In that case," said Samuel, "Thomas and I will continue to act. It is
my pleasant duty to inform you that we had a long consultation
yesterday, and finally agreed to call him--er--Samuel Thomas."
"Thomas Samuel," said Thomas sleepily.
"How did you think of those names?" I asked. "It must have taken you a
tremendous time."
"With a name like Samuel Thomas Mannering," went on Simpson ["Thomas
Samuel Mannering," murmured Thomas], "your child might achieve almost
anything. In private life you would probably call him Sam."
"Tom," said a tired voice.
"Or, more familiarly, Sammy."
"Tommy," came in a whisper from the sofa.
"What do you think of it?" asked Dahlia.
"I mustn't say," said Archie; "they're my guests. But I'll tell you
privately some time."
There was silence for a little, and then a thought occurred to me.
"You know, Archie," I said, "limited as their ideas are, you're rather
in their power. Because I was looking through the service in church on
Sunday, and there comes a point when the clergyman says to the
godfathers, 'Name this child.' Well, there you are, you know. They've
got you. You may have fixed on Montmorency Plantagenet, but they've only
to say 'Bert,' and the thing is done."
"You all forget," said Myra, coming over to sit on the arm of my chair,
"that there's a godmother too. I shall forbid the Berts."
"Well, that makes it worse. You'll have Myra saying 'Montmorency
Plantagenet,' and Samuel saying 'Samuel Thomas,' and Thomas saying
'Thomas Samuel.'"
"It will sound rather well," said Archie, singing it over to himself.
"Thomas, you take the tenor part, of course: 'Thomas Samuel, Thomas
Samuel, Thom-as Sam-u-el.' We must have a rehearsal."
For five minutes Myra, Thomas, and Simpson chanted in harmony, being
assisted after the first minute by Archie, who took the alto part of
"Solomon Joel." He explained that as this was what he and his wife
really wanted the child christened ("Montmorency Plantagenet" being only
an invention of the godmother's) it would probably be necessary for him
to join in too.
"Stop!" cried Dahlia, when she could bear it no longer; "you'll wake
baby."
There was an immediate hush.
"Samuel," said Archie in a whisper, "if you wake the baby I'll kill
you."
The question of his name was still not quite settled, and once more we
gave ourselves up to thought.
"Seeing that he's the very newest little Rabbit," said Myra, "I do think
he might be called after some very great cricketer."
"That was the idea in christening him 'Samuel,'" said Archie.
"Gaukrodger Carkeek Butt Bajana Mannering," I suggested--"something like
that?"
"Silly; I meant 'Charles,' after Fry."
"'Schofield,' after Haigh," murmured Thomas.
"'Warren,' after Bardsley, would be more appropriate to a Rabbit," said
Simpson, beaming round at us. There was, however, no laughter. We had
all just thought of it ourselves.
"The important thing in christening a future first-class cricketer,"
said Simpson, "is to get the initials right. What could be better than
'W. G.' as a nickname for Grace? But if 'W. G.'s' initials had been 'Z.
Z.,' where would you have been?"
"Here," said Archie.
The shock of this reply so upset Simpson that his glasses fell off. He
picked them out of the fender and resumed his theme.
"Now, if the baby were christened 'Samuel Thomas' his initials would be
'S. T.,' which are perfect. And the same as Coleridge's."
"Is that Coleridge the wicket-keeper, or the fast bowler?"
Simpson opened his mouth to explain, and then, just in time, decided not
to.
"I forgot to say," said Archie, "that anyhow he's going to be called
Blair, after his mamma."
"If his name's Blair Mannering," I said at once, "he'll have to write a
book. You can't waste a name like that. _The Crimson Spot_, by Blair
Mannering. Mr. Blair Mannering, the well-known author of _The Gash_. Our
new serial, _The Stain on the Bath Mat_, has been specially written for
us by Mr. and Mrs. Blair Mannering. It's simply asking for it."
"Don't talk about his wife yet, please," smiled Dahlia. "Let me have him
a little while."
"Well, he can be a writer _and_ a cricketer. Why not? There are others.
I need only mention my friend, S. Simpson."
"But the darling still wants another name," said Myra. "Let's call him
John to-day, and William to-morrow, and Henry the next day, and so on
until we find out what suits him best."
"Let's all go upstairs now and call him Samuel," said Samuel.
"Thomas," said Thomas.
We looked at Dahlia. She got up and moved to the door. In single file we
followed her on tip-toe to the nursery. The baby was fast asleep.
"Thomas," we all said in a whisper, "Thomas, Thomas."
There was no reply.
"Samuel!"
Dead silence.
"I think," said Dahlia, "we'll call him Peter."
IV.--HE IS CHRISTENED
On the morning of the christening, as I was on my way to the bathroom, I
met Simpson coming out of it. There are people who have never seen
Simpson in his dressing-gown; people also who have never waited for the
sun to rise in glory above the snow-capped peaks of the Alps; who have
never stood on Waterloo Bridge and watched St. Paul's come through the
mist of an October morning. Well, well, one cannot see everything.
"Hallo, old chap!" he said. "I was just coming to talk to you. I want
your advice."
"A glass of hot water the last thing at night," I said, "no sugar or
milk, a Turkish bath once a week and plenty of exercise. You'll get it
down in no time."
"Don't be an ass. I mean about the christening. I've been to a wedding,
of course, but that isn't quite the same thing."
"A moment, while I turn on the tap." I turned it on and came back to
him. "Now then, I'm at your service."
"Well, what's the--er--usual costume for a christening?"
"Leave that to the mother," I said. "She'll see that the baby's dressed
properly."
"I mean for a godfather."
Dahlia has conveniently placed a sofa outside the bathroom door. I
dropped into it and surveyed the dressing-gown thoughtfully.
"Go like that," I said at last.
"What I want to know is whether it's a top-hat affair or not?"
"Have you brought a top-hat?"
"Of course."
"Then you must certainly---- I say! Come out of it, Myra!"
I jumped up from the sofa, but it was too late. She had stolen my bath.
"Well, of all the cheek----"
The door opened and Myra's head appeared round the corner.
"Hush! you'll wake the baby," she said. "Oh, Samuel, what a dream! _Why_
haven't I seen it before?"
"You have, Myra. I've often dressed up in it."
"Then I suppose it looks different with a sponge. Because----"
"Really!" I said as I took hold of Simpson and led him firmly away; "if
the baby knew that you carried on like this of a morning he'd be
shocked."
Thomas is always late for breakfast. Simpson on this occasion was
delayed by his elaborate toilet. They came in last together, by opposite
doors, and stood staring at each other. Simpson wore a frock-coat,
dashing double-breasted waistcoat, perfectly creased trousers, and a
magnificent cravat; Thomas had on flannels and an old blazer.
"By Jove!" said Archie, seeing Simpson first, "you _are_ a----" and then
he caught sight of Thomas. "Hul-_lo_!" His eyes went from one to the
other, and at last settled on the toast. He went on with his breakfast.
"The two noble godfathers," he murmured.
Meanwhile the two godfathers continued to gaze at each other as if
fascinated. At last Simpson spoke.
"We can't _both_ be right," he said slowly to himself.
Thomas woke up.
"Is it the christening to-day? I quite forgot."
"It is, Thomas. The boat-race is to-morrow."
"Well, I can change afterwards. You don't expect me to wear anything
like that?" he said, pointing to Simpson.
"Don't change," said Archie. "Both go as you are. Mick and Mack, the
Comedy Duo. Simpson does the talking while Thomas falls over the pews."
Simpson collected his breakfast and sat down next to Myra.
"Am I all right?" he asked her doubtfully.
"Your tie's up at the back of your neck," I said.
"Because if Dahlia would prefer it," he went on, ignoring me, "I could
easily wear a plain dark tweed."
"You're beautiful, Samuel," said Myra. "I hope you'll look as nice at my
wedding."
"You don't think I shall be mistaken for the father?" he asked
anxiously.
"By Peter? Well, that _is_ just possible. Perhaps if----"
"I think you're right," said Simpson, and after breakfast he changed
into the plain dark tweed.
As the hour approached we began to collect in the hall, Simpson reading
the service to himself for the twentieth time.
"Do we have to say anything?" asked Thomas, as he lit his third pipe.
Simpson looked at him in horror.
"Say anything? Of course we do! Haven't you studied it? Here, you'll
just have time to read it through."
"Too late now. Better leave it to the inspiration of the moment," I
suggested. "Does anybody know if there's a collection, because if so I
shall have to go and get some money."
"There will be a collection for the baby afterwards," said Archie. "I
hope you've all been saving up."
"Here he comes!" said Simpson, and Peter Blair Mannering came down the
stairs with Dahlia and Myra.
"Good morning, everybody," said Dahlia.
"Good morning. Say 'Good morning,' baby."
"He's rather nervous," said Myra. "He says he's never been christened
before, and what's it like?"
"I expect he'll be all right with two such handsome godfathers," said
Dahlia.
"_Isn't_ Mr. Simpson looking well?" said Myra in a society voice. "And
do you know, dear, that's the _third_ suit I've seen him in to-day."
"Well, are we all ready?"
"You're quite sure about his name?" said Archie to his wife. "This is
your last chance, you know. Say the word to Thomas before it's too
late."
"I think Peter is rather silly," I said.
"Why Blair?" said Myra. "I ask you."
Dahlia smiled sweetly at us and led the way with P. B. Mannering to the
car. We followed ... and Simpson on the seat next the driver read the
service to himself for the last time.
. . . . .
"I feel very proud," said Archie as we came out of the church. "I'm not
only a father, but my son has a name. And now I needn't call him 'er'
any more."
"He _was_ a good boy, wasn't he?" said Myra.
"Thomas, say at once that your godson was a good boy."
But Thomas was quiet. He looked years older.
"I've never read the service before," he said. "I didn't quite know what
we were in for. It seems that Simpson and I have undertaken a heavy
responsibility; we are practically answerable for the child's education.
We are supposed to examine him every few years and find out if he is
being taught properly."
"You can bowl to him later on if you like."
"No, no. It means more than that." He turned to Dahlia. "I think," he
said, "Simpson and I will walk home. We must begin at once to discuss
the lines on which we shall educate our child."
V.--HE SEES LIFE
There was no one in sight. If 'twere done well, 'twere well done
quickly. I gripped the perambulator, took a last look round, and then
suddenly rushed it across the drive and down a side path, not stopping
until we were well concealed from the house. Panting, I dropped into a
seat, having knocked several seconds off the quarter-mile record for
babies under one.
"Hallo!" said Myra.
"Dash it, are there people everywhere to-day? I can't get a moment to
myself. 'O solitude, where----'"
"What are you going to do with baby?"
"Peter and I are going for a walk." My eyes rested on her for more than
a moment. She was looking at me over an armful of flowers ...
and--well--"You can come too if you like," I said.
"I've got an awful lot to do," she smiled doubtfully.
"Oh, if you'd rather count the washing."
She sat down next to me.
"Where's Dahlia?"
"I don't know. We meant to have left a note for her, but we came away in
rather a hurry. '_Back at twelve. Peter._'"
"'_I am quite happy. Pursuit is useless_,'" suggested Myra. "Poor
Dahlia, she'll be frightened when she sees the perambulator gone."
"My dear, what _could_ happen to it? Is this Russia?"
"Oh, what happens to perambulators in Russia?" asked Myra eagerly.
"They spell them differently," I said, after a little thought. "Anyhow,
Dahlia's all right."
"Well, I'll just take these flowers in and then I'll come back. If you
and Peter will have me?"
"I think so," I said.
Myra went in and left me to my reflections, which were mainly that Peter
had the prettiest aunt in England, and that the world was very good. But
my pleased and fatuous smile over these thoughts was disturbed by her
announcement on her return.
"Dahlia says," she began, "that we may have Peter for an hour, but he
must come in at once if he cries."
I got up in disgust.
"You've spoilt my morning," I said.
"Oh, _no_!"
"I had a little secret from Dahlia, or rather Peter and I had a little
secret together; at least, you and I and Peter had a secret. Anyhow, it
was a secret. And I was feeling very wicked and happy--Peter and I both
were; and we were going to let you feel wicked too. And now Dahlia knows
all about the desperate deed we were planning, and, to make it worse,
all she says is, 'Certainly! By all means! Only don't get his feet wet.'
Peter," I said, as I bent over the sleeping innocent, "we are betrayed."
"Miss Mannering will now relate her experiences," said Myra. "I went
into the hall to put down the flowers, and just as I was coming out I
saw Dahlia in the corner with a book. And she said, 'Tell your young
man----'"
"How vulgar!" I interrupted.
"'Do be careful with my baby.' And I said in great surprise, 'What
baby?' And she said, 'He was very kindly running him up and down the
drive just now. Peter loves it, but don't let them go on too long or
there may be an accident.' And then she gave a few more instructions,
and--here we are."
"Peter," I said to the somnolent one, "you can't deceive a woman. Also
men are pigs. Wake up, and we will apologize to your aunt for doubting
her. Sorry, Myra."
Myra pinned a flower in my coat and forgave me, and we walked off
together with the perambulator.
"Peter is seeing a bit of life this morning," I said. "What shall we
show him now?"
"Thomas and Samuel are playing golf," said Myra casually.
I looked at her doubtfully.
"Is that quite suitable?"
"I think if we didn't let him stay too long it would be all right.
Dahlia wouldn't like him to be overexcited."
"Well, he can't be introduced to the game too early. Come on, Peter."
And we pushed into more open country.
The 9-hole course which Simpson planned a year ago is not yet used for
the Open Championship, though it is certainly better than it was last
summer. But it is short and narrow and dog-legged, and, particularly
when Simpson is playing on it, dangerous.
"We are now in the zone of fire," I said. "Samuel's repainted ninepenny
may whiz past us at any moment. Perhaps I had better go first." I tied
my handkerchief to Myra's sunshade and led the way with the white flag.
A ball came over the barn and rolled towards us, just reaching one of
the wheels. I gave a yell.
"Hallo!" bellowed Simpson from behind the barn.
"You're firing on the ambulance," I shouted.
He hurried up, followed leisurely by Thomas.
"I say," he said excitedly, "have I hurt him?"
"You have not even waked him. He has the special gift of--was it
Wellington or Napoleon?--that of being able to sleep through the
heaviest battle."
"Hallo!" said Thomas. "Good old boy! What's he been learning to-day?" he
added, with godfatherly interest.
"We're showing him life to-day. He has come to see Simpson play golf."
"Doesn't he ever sit up?" asked Simpson, looking at him with interest.
"I don't see how he's going to see anything if he's always on his back.
Unless it were something in the air."
"Don't you ever get the ball in the air?" said Myra innocently.
"What will his Uncle Samuel show him if he does sit up?" I asked. "Let's
decide first if it's going to be anything worth watching. Which hole are
you for? The third?"
"The eighth. My last shot had a bit of a slice."
"A slice! It had about the whole joint. I doubt," I said to Myra, "if we
shall do much good here; let's push on."
But Myra had put down the hood and taken some of the clothes off Peter.
Peter stirred slightly. He seemed to know that something was going on.
Then suddenly he woke up, just in time to see Simpson miss the ball
completely. Instantly he gave a cry.
"Now you've done it," said Myra. "He's got to go in. And I'm afraid
he'll go away with quite a wrong idea of the game."
But I was not thinking of the baby. Although I am to be his uncle by
marriage I had forgotten him.
"If that's about Simpson's form to-day," I said to Myra, "you and I
could still take them on and beat them."
Myra looked up eagerly.
"What about Peter?" she asked; but she didn't ask it very firmly.
"We promised Dahlia to take him in directly he cried," I said. "She'd be
very upset if she thought she couldn't trust us. And we've got to go in
for our clubs, anyway," I added.
Peter was sleeping peacefully again, but a promise is a promise. After
all, we had done a good deal for his education that morning. We had
shown him human nature at work, and the position of golf in the
universe.
"We'll meet you on the first tee," said Myra to Thomas.
VI.--HE SLEEPS
"It's sad to think that to-morrow we shall be in London," said Simpson,
with a sigh.
"Rotten," agreed Thomas, and took another peach.
There was a moment's silence.
"We shall miss you," I said, after careful thought. I waited in vain for
Dahlia to say something, and then added, "You must both come again next
year."
"Thank you very much."
"Not at all." I hate these awkward pauses. If my host or hostess doesn't
do anything to smooth them over, I always dash in. "It's been delightful
to have you," I went on. "Are you sure you can't stay till Wednesday?"
"I'm so sorry," said Dahlia, "but you took me by surprise. I had simply
no idea. Are you really going?"
"I'm afraid so."
"Are _you_ really staying?" said Archie to me. "Help!"
"What about Peter?" asked Myra. "Isn't he too young to be taken from his
godfathers?"
"We've been talking that over," said Simpson, "and I think it will be
all right. We've mapped his future out very carefully and we shall
unfold it to you when the coffee comes."
"Thomas is doing it with peach-stones," I said. "Have another, and make
him a sailor, Thomas," and I passed the plate.
"Sailor indeed," said Dahlia. "He's going to be a soldier."
"It's too late. Thomas has begun another one. Well, he'll have to
swallow the stone."
"A trifle hard on the Admiralty," said Archie. "It loses both Thomas and
Peter at one gulp. My country, what of thee?"
However, when Thomas had peeled the peach, I cleverly solved the
difficulty by taking it on to my plate while he was looking round for
the sugar.
"No, no sugar, thanks," I said, and waved it away.
With the coffee and cigars Simpson unfolded his scheme of education for
Peter.
"In the first place," he said, "it is important that even as a child he
should always be addressed in rational English and not in that
ridiculous baby-talk so common with young mothers."
"Oh dear," said Dahlia.
"My good Samuel," I broke in, "this comes well from you. Why, only
yesterday I heard you talking to him. I think you called him his
nunkey's ickle petsy wetsy lambkin."
"You misunderstood me," said Simpson quickly. "I was talking to _you_."
"Oh!" I said, rather taken aback. "Well--well, I'm not." I lit a cigar.
"And I shall be annoyed if you call me so again."
"At the age of four," Simpson went on, "he shall receive his first
lesson in cricket. Thomas will bowl to him----"
"I suppose that means that Thomas will have to be asked down here
again," said Archie. "Bother! Still, it's not for four years."
"Thomas will bowl to him, Archie will keep wicket, and I shall field."
"And where do I come in?" I asked.
"You come in after Peter. Unless you would rather have your lesson
first."
"That's the second time I've been sat on," I said to Myra, "Why is
Simpson so unkind to me to-night?"
"I suppose he's jealous because you're staying on another week."
"Probably; still, I don't like it. Could you turn your back on him, do
you think, to indicate our heavy displeasure?"
Myra moved her chair round and rested her elbow on the table.
"Go on, Samuel," said Dahlia. "You're lovely to-night. I suppose these
are Thomas's ideas as well as your own?"
"His signature is duly appended to them."
"I didn't read 'em all," said Thomas.
"That's very rash of you," said Archie. "You don't know what you
mightn't let yourself in for. You may have promised to pay the child
threepence a week pocket-money."
"No, there's nothing like that," said Simpson, to Archie's evident
disappointment. "Well, then, at the age of ten he goes to a preparatory
school."
"Has he learnt to read yet?" asked Dahlia. "I didn't hear anything about
it."
"He can read at six. I forgot to say that I am giving him a book which I
shall expect him to read aloud to Thomas and me on his sixth birthday."
"Thomas has got _another_ invitation," said Archie. "Dash it!"
"At fourteen he goes to a public school. The final decision as to which
public school he goes to will be left to you, but, of course, we shall
expect to be consulted on the subject."
"I'll write and tell you what we decide on," said Archie hastily;
"there'll be no need for you to come down and be told aloud."
"So far we have not arranged anything for him beyond the age of
fourteen. I now propose to read out a few general rules about his
upbringing which we must insist on being observed."
"The great question whether Simpson is kicked out of the house to-night,
or leaves unobtrusively by the milk train to-morrow morning, is about to
be settled," I murmured.
"'RULE ONE.--He must be brought up to be ambidextrous.' It will be very
useful," explained Simpson, "when he fields cover for England."
"Or when he wants to shake hands with two people at once," said Archie.
"'RULE TWO.--He must be taught from the first to speak French and German
fluently.' He'll thank you for that later on when he goes abroad."
"Or when he goes to the National Liberal Club," said Archie.
"'RULE THREE.--He should be surrounded as far as possible with beautiful
things.' Beautiful toys, beautiful wall-paper, beautiful scenery----"
"Beautiful godfathers?" I asked doubtfully.
Simpson ignored me and went on hurriedly with the rest of his rules.
"Well," said Archie, at the end of them, "they're all fairly futile, but
if you like to write them out neatly and frame them in gold I don't mind
hanging them up in the bathroom. Has anybody else got anything fatuous
to say before the ladies leave us?"
I filled my glass.
"I've really got a lot to say," I began, "because I consider that I've
been rather left out of things. If you come to think of it, I'm the only
person here who isn't anything important, all the rest of you being
godfathers, or godmothers, or mothers, or fathers, or something.
However, I won't dwell on that now. But there's one thing I must say,
and here it is." I raised my glass. "Peter Blair Mannering, and may he
grow up to be a better man than any of us!"
Upstairs, in happy innocence of the tremendous task in front of him, the
child slept. Poor baby!
We drank solemnly, but without much hope.
WINTER SPORT
WINTER SPORT
I.--AN INTRODUCTION
"I had better say at once," I announced as I turned over the wine list,
"that I have come out here to enjoy myself, and enjoy myself I shall.
Myra, what shall we drink?"
"You had three weeks' honeymoon in October," complained Thomas, "and
you're taking another three weeks now. Don't you ever do any work?"
Myra and I smiled at each other. Coming from Thomas, who spends his busy
day leaning up against the wireless installation at the Admiralty, the
remark amused us.
"We'll have champagne," said Myra, "because it's our opening night.
Archie, after you with the head-waiter."
It was due to Dahlia, really, that the Rabbits were hibernating at the
Hôtel des Angéliques, Switzerland (central-heated throughout); for she
had been ordered abroad, after an illness, to pull herself together a
little, and her doctor had agreed with Archie that she might as well do
it at a place where her husband could skate. On the point that Peter
should come and skate too, however, Archie was firm. While admitting
that he loved his infant son, he reminded Dahlia that she couldn't
possibly get through Calais and Pontarlier without declaring Peter, and
that the duty on this class of goods was remarkably heavy. Peter,
therefore, was left behind. He had an army of nurses to look after him,
and a stenographer to take down his more important remarks. With a
daily bulletin and a record of his table-talk promised her, Dahlia was
prepared to be content.
As for Myra and me, we might have hesitated to take another holiday so
soon, had it not been for a letter I received one morning at breakfast.
"Simpson is going." I said. "He has purchased a pair of skis."
"That does it," said Myra decisively. And, gurgling happily to herself,
she went out and bought a camera.
For Thomas I can find no excuses. At a moment of crisis he left his
country's Navy in jeopardy and, the Admiralty yacht being otherwise
engaged, booked a first return from Cook's. And so it was that at four
o'clock one day we arrived together at the Hôtel des Angéliques, and
some three hours later were settling down comfortably to dinner.
"I've had a busy time," said Archie. "I've hired a small bob, a luge and
a pair of skis for myself, a pair of snow-shoes and some skates for
Dahlia, a--a tricycle horse for Simpson, and I don't know what else. All
in French."
"What _is_ the French for a pair of snow-shoes?" asked Myra.
"I pointed to them in French. The undersized Robert I got at a bargain.
The man who hired it last week broke his leg before his fortnight was
up, and so there was a reduction of several centimes."
"I've been busy too," I said. "I've been watching Myra unpack, and
telling her where not to put my things."
"I packed jolly well--except for the accident."
"An accident to the boot-oil," I explained. "If I get down to my last
three shirts you will notice it."
We stopped eating for a moment in order to drink Dahlia's health. It was
Dahlia's health which had sent us there.
"Who's your friend, Samuel?" said Archie, as Simpson caught somebody's
eye at another table and nodded.
"A fellow I met in the lift," said Simpson casually.
"Samuel, beware of elevator acquaintances," said Myra in her most solemn
manner.
"He's rather a good chap. He was at Peterhouse with a friend of mine. He
was telling me quite a good story about a 'wine' my friend gave there
once, when----"
"Did you tell him about your 'ginger-beers' at Giggleswick?" I
interrupted.
"My dear old chap, he's rather a man to be in with. He knows the
President."
"I thought nobody knew the President of the Swiss Republic," said Myra.
"Like the Man in the Iron Mask."
"Not _that_ President, Myra. The President of the Angéliques Sports
Club."
"Never heard of it," we all said.
Simpson polished his glasses and prepared delightedly to give an
explanation.
"The Sports Club runs everything here," he began. "It gives you prizes
for fancy costumes and skating and so on."
"Introduce me to the President at once," cooed Myra, patting her hair
and smoothing down her frock.
"Even if you were the Treasurer's brother," said Archie, "you wouldn't
get a prize for skating, Simpson."
"You've never seen him do a rocking seventeen, sideways."
Simpson looked at us pityingly.
"There's a lot more in it than that," he said. "The President will
introduce you to anybody. One might see--er--somebody one rather liked
the look of, and--er---- Well, I mean in an hotel one wants to enter
into the hotel life and--er--meet other people."
"Who is she?" said Myra.
"Anybody you want to marry must be submitted to Myra for approval
first," I said. "We've told you so several times."
Simpson hastily disclaimed any intention of marrying anybody, and helped
himself lavishly to champagne.
It so happened that I was the first of our party to meet the President,
an honour which, perhaps, I hardly deserved. While Samuel was seeking
tortuous introductions to him through friends of Peterhouse friends of
his, the President and I fell into each other's arms in the most natural
way.
It occurred like this. There was a dance after dinner; and Myra, not
satisfied with my appearance, sent me upstairs to put some gloves on.
(It is one of the penalties of marriage that one is always being sent
upstairs.) With my hands properly shod I returned to the ball-room, and
stood for a moment in a corner while I looked about for her. Suddenly I
heard a voice at my side.
"Do you want a partner?" it said.
I turned, and knew that I was face to face with the President.
"Well----" I began.
"You are a new-comer, aren't you? I expect you don't know many people.
If there is anybody you would like to dance with----"
I looked round the room. It was too good a chance to miss.
"I wonder," I said. "That girl over there--in the pink frock--just
putting up her fan----"
He almost embraced me.
"I congratulate you on your taste," he said. "Excellent! Come with me."
He went over to the girl in the pink dress, I at his heels.
"Er--may I introduce?" he said. "Mr.--er--er--yes, this is
Miss--er--yes. H'r'm." Evidently he didn't know her name.
"Thank you," I said to him. He nodded and left us. I turned to the girl
in the pink frock. She was very pretty.
"May I have this dance?" I asked. "I've got my gloves on," I added.
She looked at me gravely, trying hard not to smile.
"You may," said Myra.
II.--THE OPENING RUN
With a great effort Simpson strapped his foot securely into a ski and
turned doubtfully to Thomas.
"Thomas," he said, "how do you know which foot is which?"
"It depends whose," said Thomas. He was busy tying a large rucksack of
lunch on to himself, and was in no mood for Samuel's ball-room chatter.
"You've got one ski on one foot," I said. "Then the other ski goes on
the foot you've got over. I should have thought you would have seen
that."
"But I may have put the first one on wrong."
"You ought to know, after all these years, that you are certain to have
done so," I said severely. Having had my own hired skis fixed on by the
_concierge_ I felt rather superior. Simpson, having bought his in
London, was regarded darkly by that gentleman, and left to his own
devices.
"Are we all ready?" asked Myra, who had kept us waiting for twenty
minutes. "Archie, what about Dahlia?"
"Dahlia will join us at lunch. She is expecting a letter from Peter by
the twelve o'clock post and refuses to start without it. Also she
doesn't think she is up to ski-ing just yet. Also she wants to have a
heart-to-heart talk with the girl in red, and break it to her that
Thomas is engaged to several people in London already."
"Come on," growled Thomas, and he led the way up the hill. We followed
him in single file.
It was a day of colour, straight from heaven. On either side the
dazzling whiteness of the snow; above, the deep blue of the sky; in
front of me the glorious apricot of Simpson's winter suiting. London
seemed a hundred years away. It was impossible to work up the least
interest in the Home Rule Bill, the Billiard Tournament, or the state of
St. Paul's Cathedral.
"I feel extremely picturesque," said Archie. "If only we had a wolf or
two after us, the illusion would be complete. The Boy Trappers, or
Half-Hours among the Rocky Mountains."
"It is a pleasant thought, Archie," I said, "that in any wolf trouble
the bachelors of the party would have to sacrifice themselves for us.
Myra dear, the loss of Samuel in such circumstances would draw us very
close together. There might be a loss of Thomas too, perhaps--for if
there was not enough of Simpson to go round, if there was a hungry wolf
left over, would Thomas hesitate?"
"No," said Thomas, "I should run like a hare."
Simpson said nothing. His face I could not see; but his back looked
exactly like the back of a man who was trying to look as if he had been
brought up on skis from a baby and was now taking a small party of
enthusiastic novices out for their first lesson.
"What an awful shock it would be," I said, "if we found that Samuel
really did know something about it after all; and, while we were
tumbling about anyhow, he sailed gracefully down the steepest slopes. I
should go straight back to Cricklewood."
"My dear chap, I've read a _lot_ about it."
"Then we're quite safe."
"With all his faults," said Archie, "and they are many--Samuel is a
gentleman. He would never take an unfair advantage of us. Hallo, here we
are!"
We left the road and made our way across the snow to a little wooden hut
which Archie had noticed the day before. Here we were to meet Dahlia
for lunch; and here, accordingly, we left the rucksack and such garments
as the heat of the sun suggested. Then, at the top of a long snow-slope,
steep at first, more gentle later, we stood and wondered.
"Who's going first?" said Archie.
"What do you do?" asked Myra.
"You don't. It does it for you."
"But how do you stop?"
"Don't bother about that, dear," I said. "That will be arranged for you
all right. Take two steps to the brink of the hill and pick yourself up
at the bottom. Now then, Simpson! Be a man. The lady waits, Samuel.
The---- Hallo! Hi! Help!" I cried, as I began to move off slowly. It was
too late to do anything about it. "Good-bye," I called. And then things
moved more quickly....
Very quickly....
Suddenly there came a moment when I realized that I wasn't keeping up
with my feet....
I shouted to my skis to stop. It was no good. They went on....
I decided to stop without them....
The ensuing second went by too swiftly for me to understand rightly what
happened. I fancy that, rising from my sitting position and travelling
easily on my head, I caught my skis up again and passed them....
Then it was their turn. They overtook me....
But I was not to be beaten. Once more I obtained the lead. This time I
took the inside berth, and kept it....
There seemed to be a lot more snow than I really wanted.... I struggled
bravely with it....
And then the earthquake ceased, and suddenly I was in the outer air. My
first ski-run, the most glorious run of modern times, was over.
"Ripping!" I shouted up the hill to them. "But there's rather a nasty
bump at the bottom," I added kindly, as I set myself to the impossible
business of getting up....
"Jove," said Archie, coming to rest a few yards off, "that's splendid!"
He had fallen in a less striking way than myself, and he got to his feet
without difficulty. "Why do you pose like that?" he asked, as he picked
up his stick.
"I'm a fixture," I announced. "Myra," I said, as she turned a somersault
and arrived beaming at my side, "I'm here for some time; you'll have to
come out every morning with crumbs for me. In the afternoon you can
bring a cheering book and read aloud to your husband. Sometimes I shall
dictate little things to you. They will not be my best little things;
for this position, with my feet so much higher than my head, is not the
one in which inspiration comes to me most readily. The flow of blood to
the brain impairs reflection. But no matter."
"Are you really stuck?" asked Myra in some anxiety. "I should hate to
have a husband who lived by himself in the snow," she said thoughtfully.
"Let us look on the bright side," said Archie. "The snow will have
melted by April, and he will then be able to return to you. Hallo,
here's Thomas! Thomas will probably have some clever idea for restoring
the family credit."
Thomas got up in a businesslike manner and climbed slowly back to us.
"Thomas," I said, "you see the position. Indeed," I added, "it is
obvious. None of the people round me seems inclined--or, it may be,
able--to help. There is a feeling that if Myra lives in the hotel alone
while I remain here--possibly till April--people will talk. You know how
ready they are. There is also the fact that I have only hired the skis
for three weeks. Also--a minor point, but one that touches me
rather--that I shall want my hair cut long before March is out. Thomas,
imagine me to be a torpedo-destroyer on the Maplin Sands, and tell me
what on earth to do."
"Take your skis off."
"Oh, brilliant!" said Myra.
"Take my skis off?" I cried. "Never! Is it not my duty to be the last to
leave my skis? Can I abandon---- Hallo! is that Dahlia on the sky-line?
Hooray, lunch! Archie, take my skis off, there's a good fellow. We
mustn't keep Dahlia waiting."
III.--A TYPICAL MORNING
"You take lunch out to-day--no?" said Josef, the head-waiter, in his
invariable formula.
Myra and I were alone at breakfast, the first down. I was just putting
some honey on to my seventh roll, and was not really in the mood for
light conversation with Josef about lunch. By the way, I must say I
prefer the good old English breakfast. With eggs and bacon and porridge
you do know when you want to stop; with rolls and honey you hardly
notice what you are doing, and there seems no reason why you should not
go on for ever. Indeed, once ... but you would never believe me.
"We take lunch out to-day, _yes_, Josef. Lunch for--let me see----"
"Six?" suggested Myra.
"What are we all going to do? Archie said something about skating. I'm
off that."
"But whatever we do we must lunch, and it's much nicer outdoors. Six,
Josef."
Josef nodded and retired. I took my eighth roll.
"Do let's get off quickly to-day," I said. "There's always so much chat
in the morning before we start."
"I've just got one swift letter to write," said Myra, as she got up,
"and then I shall be pawing the ground."
Half an hour later I was in the lounge, booted, capped, gloved, and
putteed--the complete St. Bernard. The lounge seemed to be entirely full
of hot air and entirely empty of anybody I knew. I asked for letters;
and, getting none, went out and looked at the thermometer. To my
surprise I discovered that there were thirty-seven degrees of frost. A
little alarmed, I tapped the thing impatiently. "Come, come," I said,
"this is not the time for persiflage." However, it insisted on remaining
at five degrees below zero. What I should have done about it I cannot
say, but at that moment I remembered that it was a Centigrade
thermometer with the freezing point in the wrong place. Slightly
disappointed that there were only five degrees of frost (Centigrade) I
returned to the lounge.
"Here you are at last," said Archie impatiently. "What are we all going
to do?"
"Where's Dahlia?" asked Myra. "Let's wait till she comes and then we can
all talk at once."
"Here she is. Dahlia, for Heaven's sake come and tell us the
arrangements for the day. Start with the idea fixed in your mind that
Myra and I have ordered lunch for six."
Dahlia shepherded us to a quiet corner of the lounge and we all sat
down.
"By the way," said Simpson, "are there any letters for me?"
"No; it's your turn to write," said Archie.
"But, my dear chap, there _must_ be one, because----"
"But you never acknowledged the bed-socks," I pointed out. "She can't
write till you---- I mean, it was rather forward of her to send them at
all; and if you haven't even----"
"Well," said Dahlia, "what does anybody want to do?"
Thomas was the first to answer the question. A girl in red came in from
the breakfast-room and sat down near us. She looked up in our direction
and met Thomas's eye.
"Good morning," said Thomas, with a smile, and he left us and moved
across to her.
"That's the girl he danced with all last night," whispered Myra. "I
can't think what's come over him. Is this our reserved Thomas--Thomas
the taciturn, whom we know and love so well? I don't like the way she
does her hair."
"She's a Miss Aylwyn," said Simpson in a loud voice. "I had one dance
with her myself."
"The world," said Archie, "is full of people with whom Samuel has had
one dance."
"Well, that washes Thomas out, anyway. He'll spend the day teaching her
something. What are the rest of us going to do?"
There was a moment's silence.
"Oh, Archie," said Dahlia, "did you get those nails put in my boots?"
I looked at Myra ... and sighed.
"Sorry, dear," he said. "I'll take them down now. The man will do them
in twenty minutes." He walked over to the lift at the same moment that
Thomas returned to us.
"I say," began Thomas, a little awkwardly, "if you're arranging what to
do, don't bother about me. I rather thought of--er--taking it quietly
this morning. I think I overdid it a bit yesterday."
"We warned you at the time about the fourth hard-boiled egg," I said.
"I meant the ski-ing. We thought of--I thought of having lunch in the
hotel, but, of course, you can have my rucksack to carry yours in.
Er--I'll go and put it in for you."
He disappeared rather sheepishly in the direction of the dining-room.
"Now, Samuel," said Myra gently.
"Now what, Myra?"
"It's your turn. If you have a headache, tell us her name."
"My dear Myra, I want to ski to-day. Where shall we go? Let's go to the
old slopes and practise the Christiania Turn."
"What you want to practise is the ordinary Hampstead Straight," I said.
"A medium performance of yours yesterday, Samuel."
"But, my dear old chap," he said eagerly, "I told you it was the fault
of my skis. They would stick to the snow. Oh, I say," he added, "that
reminds me. I must go and buy some wax for them."
He dashed off. I looked at Myra ... and sighed.
"The nail-man won't be long," said Archie to Dahlia, on his return. "I'm
to call for them in a quarter of an hour."
"Can't you wear some other boots, Dahlia, or your bedroom slippers or
something? It's half-past eleven. We really must get off soon."
"But we haven't settled where we're going yet."
"Then for 'eving's sake let's do it. Myra and I thought we might go up
above the wood at the back and explore. We can always ski down. It might
be rather exciting."
"Remember," said Dahlia, "I'm not so expert as you are."
"Of course," said Myra, "we're the Oberland mixed champions."
"You know," said Archie, "I was talking to the man who's doing Dahlia's
boots and he said the snow would be bad for ski-ing to-day."
"If he talked in French, no doubt you misunderstood him," I said, a
little annoyed. "He was probably asking you to buy a pair of skates."
"Talking about that," said Archie, "why shouldn't we skate this morning,
and have lunch at the hotel, and then get the bob out this afternoon?"
"Here you are," said Thomas, coming up with a heavy rucksack. "Lunch for
six, so you'll have an extra one."
"I'd forgotten about lunch," said Archie. "Look here, just talk it over
with Dahlia while I go and see about my skates. I don't suppose Josef
will mind if we do stay in to lunch after all. What about Simpson?"
I looked at Myra ... and sighed.
"What about him?" I said.
. . . . .
Half an hour later two exhausted people--one of them with lunch for six
on his back--began the ascent to the wood, trailing their skis behind
them.
"Another moment," said Myra, "and I should have screamed."
IV.--THOMAS, AND A TURN
Myra finished her orange, dried her hands daintily on my handkerchief,
and spoke her mind.
"This is the third time," she said, "that Thomas has given us the slip.
If he gets engaged to that girl in red I shall cry."
"There are," I said, idly throwing a crust at Simpson and missing him,
"engagements and Swiss engagements--just as there are measles and German
measles. It is well known that Swiss engagements don't count."
"_We_ got engaged in Kent. A bit of luck."
"I have nothing against Miss Aylwyn----" I went on.
"Except the way she does her hair."
"--but she doesn't strike me as being the essential Rabbit. We cannot
admit her to the--er--fold."
"The covey," suggested Myra.
"The warren. Anyhow, she---- Simpson, for goodness' sake stop fooling
about with your bearded friend and tell us what you think of it all."
We were finishing lunch in the lee of a little chalet, high above the
hotel, and Simpson had picked up an acquaintance with a goat, which he
was apparently trying to conciliate with a piece of chocolate. The goat,
however, seemed to want a piece of Simpson.
"My dear old chap, he won't go away. Here--shoo! shoo! I wish I knew
what his name was."
"Ernest," said Myra.
"I can't think why you ever got into such a hirsute set, Simpson. He
probably wants your compass. Give it to him and let him withdraw."
Ernest, having decided that Simpson was not worth knowing, withdrew, and
we resumed our conversation.
"When we elderly married folk have retired," I went on, "and you gay
young bachelors sit up over a last cigar to discuss your conquests, has
not Thomas unbent to you, Samuel, and told you of his hopes and fears?"
"He told me last night he was afraid he was going bald, and he said he
hoped he wasn't."
"That's a bad sign," said Myra. "What did you say?"
"I said I thought he was."
With some difficulty I got up from my seat in the snow and buckled on my
skis.
"Come on, let's forget Thomas for a bit. Samuel is now going to show us
the Christiania Turn."
Simpson, all eagerness, began to prepare himself.
"I said I would, didn't I? I was doing it quite well yesterday. This is
a perfect little slope for it. You understand the theory of it, don't
you?"
"We hope to after the exhibition."
"Well, the great thing is to lean the opposite way to the way you think
you ought to lean. That's what's so difficult."
"You understand, Myra? Samuel will lean the opposite way to what he
thinks he ought to lean. Tell Ernest."
"But suppose you think you ought to lean the _proper_ way, the way they
do in Christiania," said Myra, "and you lean the opposite way, then what
happens?"
"That is what Samuel will probably show us," I said.
Simpson was now ready.
"I am going to turn to the left," he said. "Watch carefully. Of course,
I may not bring it off the first time."
"I can't help thinking you will," said Myra.
"It depends what you call bringing it off," I said. "We have every hope
of--I mean we don't think our money will be wasted. Have you got the
opera-glasses and the peppermints and the programme, darling? Then you
may begin, Samuel."
Simpson started down the slope a little unsteadily. For one moment I
feared that there might be an accident before the real accident, but he
recovered himself nobly and sped to the bottom. Then a cloud of snow
shot up, and for quite a long time there was no Simpson.
"I knew he wouldn't disappoint us," gurgled Myra.
We slid down to him and helped him up.
"You see the idea," he said. "I'm afraid I spoilt it a little at that
end, but----"
"My dear Samuel, you improved it out of all knowledge."
"But that actually _is_ the Christiania Turn."
"Oh, _why_ don't we live in Christiania?" exclaimed Myra to me.
"Couldn't we possibly afford it?"
"It must be a happy town," I agreed. "How the old streets must ring and
ring again with jovial laughter."
"Shall I do it once more?"
"_Can_ you?" said Myra, clasping her hands eagerly.
"Wait here," said Samuel, "and I'll do it quite close to you."
Myra unstrapped her camera.
Half an hour later, with several excellent films of the scene of the
catastrophe, we started for home. It was more than a little steep, but
the run down was accomplished without any serious trouble. Simpson went
first to discover any hidden ditches (and to his credit be it said that
he invariably discovered them); Myra, in the position of safety in the
middle, profited by Samuel's frequent object-lessons; while I, at the
back, was ready to help Myra up, if need arose, or to repel any
avalanche which descended on us from above. On the level snow at the
bottom we became more companionable.
"We still haven't settled the great Thomas question," said Myra. "What
about to-morrow?"
"Why bother about to-morrow? _Carpe diem._ Latin."
"But the great tailing expedition is for to-morrow. The horses are
ordered; everything is prepared. Only one thing remains to settle. Shall
we have with us a grumpy but Aylwynless Thomas, or shall we let him
bring her and spoil the party?"
"She can't spoil the party. I'm here to enjoy myself, and all Thomas's
_fiancées_ can't stop me. Let's have Thomas happy, anyway."
"She's really quite a nice girl," said Simpson. "I danced with her
once."
"Right-o, then. I'll tell Dahlia to invite her."
We hurried on to the hotel; but as we passed the rink the President
stopped me for a chat. He wanted me to recite at a concert that evening.
Basely deserted by Myra and Samuel, I told him that I did not recite;
and I took the opportunity of adding that personally I didn't think
anybody else ought to. I had just persuaded him to my point of view when
I noticed Thomas cutting remarkable figures on the ice. He picked
himself up and skated to the side.
"Hallo!" he said. "Had a good day?"
"Splendid. What have you been doing?"
"Oh--skating."
"I say, about this tailing expedition to-morrow----"
"Er--yes, I was just going to talk about that."
"Well, it's all right. Myra is getting Dahlia to ask her to come with
us."
"Good!" said Thomas, brightening up.
"You see, we shall only be seven, even with Miss Aylwyn, and----"
"Miss _Aylwyn_?" said Thomas in a hollow voice.
"Yes, isn't that the name of your friend in red?"
"Oh, _that_ one. Oh, but that's quite--I mean," he went on hurriedly,
"Miss Aylwyn is probably booked up for to-morrow. It's Miss Cardew who
is so keen on tailing. That girl in green, you know."
For a moment I stared at him blankly. Then I left him and dashed after
Myra.
V.--A TAILING PARTY
The procession prepared to start in the following order:--
(1) A brace of sinister-looking horses.
(2) Gaspard, the Last of the Bandits; or "Why cause a lot of talk by
pushing your rich uncle over the cliff, when you can have him stabbed
quietly for one franc fifty?" (If ever I were in any vendetta business I
should pick Gaspard first.)
(3) A sleigh full of lunch.
(4) A few well-known ladies and gentlemen (being the cream of the Hôtel
des Angéliques) on luges; namely, reading from left to right (which is
really the best method--unless you are translating Hebrew), Simpson,
Archie, Dahlia, Myra, me, Miss Cardew, and Thomas.
While Gaspard was putting the finishing knots to the luges, I addressed
a few remarks to Miss Cardew, fearing that she might be feeling a little
lonely amongst us. I said that it was a lovely day, and did she think
the snow would hold off till evening? Also had she ever done this sort
of thing before? I forget what her answers were.
Thomas meanwhile was exchanging badinage on the hotel steps with Miss
Aylwyn. There must be something peculiar in the Swiss air, for in
England Thomas is quite a respectable man ... and a godfather.
"I suppose we _have_ asked the right one," said Myra doubtfully.
"His young affections are divided. There was a third girl in pink with
whom he breakfasted a lot this morning. It is the old tradition of the
sea, you know. A sailor--I mean an Admiralty civilian has a wife at
every wireless station."
"Take your seats, please," said Archie. "The horses are sick of
waiting."
We sat down. Archie took Dahlia's feet on his lap, Myra took mine, Miss
Cardew took Thomas's. Simpson, alone in front, nursed a guide-book.
"_En avant!_" cried Simpson in his best French-taught-in-twelve-lessons
accent.
Gaspard muttered an oath to his animals. They pulled bravely. The rope
snapped--and they trotted gaily down the hill with Gaspard.
We hurried after them with the luges....
"It's a good joke," said Archie, after this had happened three times,
"but, personally, I weary of it. Miss Cardew, I'm afraid we've brought
you out under false pretences. Thomas didn't explain the thing to you
adequately. He gave you to understand that there was more in it than
this."
Gaspard, who seemed full of rope, produced a fourth piece and tied a
knot that made even Simpson envious.
"Now, Samuel," I begged, "do keep the line taut this time. Why do you
suppose we put your apricot suit right in the front? Is it, do you
suppose, for the sunset effects at eleven o'clock in the morning, or is
it that you may look after the rope properly?"
"I'm awfully sorry, Miss Cardew," said Simpson, feeling that somebody
ought to apologize for something and knowing that Gaspard wouldn't, "but
I expect it will be all right now."
We settled down again. Once more Gaspard cursed his horses, and once
more they started off bravely. And this time we went with them.
"The idea all along," I explained to Miss Cardew.
"I rather suspected it," she said. Apparently she has a suspicious mind.
After the little descent at the start, we went uphill slowly for a
couple of miles, and then more rapidly over the level. We had driven
over the same road in a sleigh, coming from the station, and had been
bitterly cold and extremely bored. Why our present position should be so
much more enjoyable I didn't quite see.
"It's the expectation of an accident," said Archie. "At any moment
somebody may fall off. Good."
"My dear old chap," said Simpson, turning round to take part in the
conversation, "why anybody _should_ fall off----"
We went suddenly round a corner, and quietly and without any fuss
whatever Simpson left his luge and rolled on to the track. Luckily any
possibility of a further accident was at once avoided. There was no
panic at all. Archie kicked the body temporarily out of the way; after
which Dahlia leant over and pushed it thoughtfully to the side of the
road. Myra warded it off with a leg as she neared it; with both hands I
helped it into the deep snow from which it had shown a tendency to
emerge; Miss Cardew put a foot out at it for safety; and Thomas patted
it gently on the head as the end of the "tail" went past....
As soon as we had recovered our powers of speech--all except Miss
Cardew, who was in hysterics--we called upon Gaspard to stop. He
indicated with the back of his neck that it would be dangerous to stop
just then; and it was not until we were at the bottom of the hill,
nearly a mile from the place where Simpson left us, that the procession
halted, and gave itself up again to laughter.
"I hope he is not hurt," said Dahlia, wiping the tears from her eyes.
"He wouldn't spoil a good joke like that by getting hurt," said Myra
confidently. "He's much too much of a sportsman."
"Why did he do it?" said Thomas.
"He suddenly remembered he hadn't packed his safety-razor. He's half-way
back to the hotel by now."
Miss Cardew remained in hysterics.
Ten minutes later a brilliant sunset was observed approaching from the
north. A little later it was seen to be a large dish of apricots and
cream.
"He draws near," said Archie. "Now then, let's be stern with him."
At twenty yards' range Simpson began to talk. His trot had heated him
slightly.
"I say," he said excitedly. "You----"
Myra shook her head at him.
"Not done, Samuel," she said reproachfully.
"Not what, Myra? What not----"
"You oughtn't to leave us like that without telling us."
"After all," said Archie, "we are all one party, and we are supposed to
keep together. If you prefer to go about by yourself, that's all right;
but if we go to the trouble of arranging something for the whole
party----"
"You might have caused a very nasty accident," I pointed out. "If you
were in a hurry, you had only to say a word to Gaspard and he would have
stopped for you to alight. Now I begin to understand why you kept
cutting the rope at the start."
"You have sent Miss Cardew into hysterics by your conduct," said Dahlia.
Miss Cardew gave another peal. Simpson looked at her in dismay.
"I say, Miss Cardew, I'm most awfully sorry. I really didn't---- I say,
Dahlia," he went on confidentially, "oughtn't we to do something about
this? Rub her feet with snow or--I mean, I know there's _something_ you
do when people have hysterics. It's rather serious if they go on. Don't
you burn feathers under their nose?" He began to feel in his pockets. "I
wonder if Gaspard's got a feather?"
With a great effort Miss Cardew pulled herself together. "It's all
right, thank you," she said in a stifled voice.
"Then let's get on," said Archie.
We resumed our seats once more. Archie took Dahlia's feet on his lap.
Myra took mine. Miss Cardew took Thomas's. Simpson clung tight to his
luge with both hands.
"Right!" cried Archie.
Gaspard swore at his horses. They pulled bravely. The rope snapped--and
they trotted gaily up the hill with Gaspard.
We hurried after them with the luges....
VI.--A HAPPY ENDING
"For our last night they might at least have had a dance," said Myra,
"even if there was no public presentation."
"As we had hoped," I admitted.
"What is a gymkhana, anyway?" asked Thomas.
"A few little competitions," said Archie. "One must cater for the
chaperons sometimes. You are all entered for the Hat-making and the
Feather-blowing--Dahlia thought it would amuse you."
"At Cambridge," I said reminiscently, "I once blew the feather 119 feet
7 inches. Unfortunately I stepped outside the circle. My official record
is 2 feet."
"Did you ever trim a hat at Cambridge?" asked Myra. "Because you've got
to do one for me to-night."
I had not expected this. My view of the competition had been that _I_
should have to provide the face and that _she_ would have to invent some
suitable frame for it.
"I'm full of ideas," I lied.
Nine o'clock found a small row of us prepared to blow the feather. The
presidential instructions were that we had to race our feather across a
chalk-line at the end of the room, anybody touching his feather to be
disqualified.
"In the air or on the floor?" asked Simpson earnestly.
"Just as you like," said the President kindly, and came round with the
bag.
I selected Percy with care--a dear little feather about half an inch
long and of a delicate whity-brown colour. I should have known him again
anywhere.
"Go!" said the President. I was rather excited, with the result that my
first blow was much too powerful for Percy. He shot up to the ceiling
and, in spite of all I could do, seemed inclined to stay there.
Anxiously I waited below with my mouth open; he came slowly down at
last; and in my eagerness I played my second just a shade too soon. It
missed him. My third (when I was ready for it) went harmlessly over his
head. A frantic fourth and fifth helped him downwards ... and in another
moment my beautiful Percy was on the floor. I dropped on my knees and
played my sixth vigorously. He swirled to the left; I was after him like
a shot ... and crashed into Thomas. We rolled over in a heap.
"Sorry!" we apologized as we got back on to our hands and knees.
Thomas went on blowing.
"Where's my feather?" I said.
Thomas was now two yards ahead, blowing like anything. A terrible
suspicion darted through my mind.
"Thomas," I said, "you've got my feather."
He made no answer. I scrambled after him.
"That's Percy," I said. "I should know him anywhere. You're blowing
Percy. It's very bad form to blow another man's feather. If it got
about, you would be cut by the county. Give me back my feather, Thomas."
"How do you know it's your feather?" he said truculently. "Feathers are
just alike."
"How do I know?" I asked in amazement. "A feather that I've brought up
from the egg? Of course I know Percy." I leant down to him.
"_P--percy_," I whispered. He darted forward a good six inches. "You
see," I said, "he knows his name."
"As a matter of fact," said Thomas, "his name's _P--paul_. Look, I'll
show you."
"You needn't bother, Thomas," I said hastily. "This is mere trifling. I
_know_ that's my feather. I remember his profile distinctly."
"Then where's mine?"
"How do I know? You may have swallowed it. Go away and leave Percy and
me to ourselves. You're only spoiling the knees of your trousers by
staying here."
"Paul and I----" began Thomas.
He was interrupted by a burst of applause. Dahlia had cajoled her
feather over the line first. Thomas rose and brushed himself. "You can
'ave him," he said.
"There!" I said, as I picked Percy up and placed him reverently in my
waistcoat pocket. "That shows that he was mine. If he had been your own
little Paul you would have loved him even in defeat. Oh, musical chairs
now? Right-o." And at the President's touch I retired from the arena.
We had not entered for musical chairs. Personally I should have liked
to, but it was felt that, if none of us did, then it would be more easy
to stop Simpson doing so. For at musical chairs Simpson is--I am afraid
there is only one word for it; it is a word that I hesitate to use, but
the truth must prevail--Simpson is _rough_. He _lets himself go_. He
plays _all he knows_. Whenever I take Simpson out anywhere I always
whisper to my hostess, "_Not_ musical chairs."
The last event of the evening was the hat-making competition. Each man
of us was provided with five large sheets of coloured crinkly paper, a
packet of pins, a pair of scissors, and a lady opposite to him.
"Have you any plans at all?" asked Myra.
"Heaps. Tell me, what sort of hat would you like? Something for the
Park?" I doubled up a piece of blue paper and looked at it. "You know,
if this is a success, Myra, I shall often make your hats for you."
Five minutes later I had what I believe is called a "foundation."
Anyhow, it was something for Myra to put her head into.
"Our very latest Bond Street model," said Myra. "Only fifteen
guineas--or three-and-ninepence if you buy it at our other establishment
in Battersea."
"Now then, I can get going," I said, and I began to cut out a white
feather. "Yes, your ladyship, this is from the genuine bird on our own
ostrich farm in the Fulham Road. Plucked while the ingenuous biped had
its head in the sand. I shall put that round the brim," and I pinned it
round.
"What about a few roses?" said Myra, fingering the red paper.
"The roses are going there on the right." I pinned them on. "And a
humming-bird and some violets next to them.... I say, I've got a lot of
paper over. What about a nice piece of cabbage ... there ... and a bunch
of asparagus ... and some tomatoes and a seagull's wing on the left. The
back still looks rather bare--let's have some poppies."
"There's only three minutes more," said Myra, "and you haven't used all
the paper yet."
"I've got about one William Allan Richardson and a couple of canaries
over," I said, after examining my stock. "Let's put it inside as lining.
There, Myra, my dear, I'm proud of you. I always say that in a nice
quiet hat nobody looks prettier than you."
"Time!" said the President.
Anxious matrons prowled round us.
"We don't know any of the judges," I whispered. "This isn't fair."
The matrons conferred with the President. He cleared his throat. "The
first prize," he said, "goes to----"
But I had swooned.
. . . . .
"Well," said Archie, "the Rabbits return to England with two cups won on
the snowfields of Switzerland."
"Nobody need know," said Myra, "_which_ winter-sport they were won at."
"Unless I have 'Ski-ing, First Prize' engraved on mine," I said, "as I
had rather intended."
"Then I shall have 'Figure-Skating' on mine," said Dahlia.
"Two cups," reflected Archie, "and Thomas engaged to three charming
girls. I think it has been worth it, you know."
A BAKER'S DOZEN
A TRAGEDY IN LITTLE
The great question of the day is, What will become of Sidney? Whenever I
think of him now, the unbidden tear wells into my eye ... and wells down
my cheek ... and wells on to my collar. My friends think I have a cold,
and offer me lozenges; but it is Sidney who makes me weep. I fear that I
am about to lose him.
He came into my life in the following way.
Some months ago I wanted to buy some silk stockings; not for myself, for
I seldom wear them, but for a sister. The idea came suddenly to me that
any woman with a brother and a birthday would simply love the one to
give her silk stockings for the other. But, of course, they would have
to be the right silk stockings--the fashionable shape for the year, the
correct assortment of clocks, and so forth. Then as to material--could I
be sure I was getting silk, and not silkette or something inferior? How
maddening if, seeing that I was an unprotected man, they palmed off
Jaeger on me! Clearly this was a case for outside assistance. So I
called in Celia.
"This," I said to her, "is practically the only subject on which I am
not an expert. At the same time I have a distinct feeling for silk
stockings. If you can hurry me past all the embarrassing counters
safely, and arrange for the lady behind the right one to show me the
right line in silken hose, I will undertake to pick out half a dozen
pairs that would melt any sister's heart."
Well, the affair went off perfectly. Celia took the matter into her own
hands and behaved just as if I were buying them for _her_. The
shop-assistant also behaved as if I were. Fortunately I kept my head
when it came to giving the name and address. "No," I said firmly to
Celia. "Not yours; my sister's." And I dragged her away to tea.
Now whether it was because Celia had particularly enjoyed her afternoon;
or because she felt that a man who was as ignorant as I about silk
stockings must lead a very lonely life; or because I had mentioned
casually and erroneously that it was my own birthday that week, I cannot
say; but on the following morning I received a little box, with a note
on the outside which said in her handwriting, "Something for you. Be
kind to him." And I opened it and found Sidney.
He was a Japanese dwarf-tree--the merest boy. At eighty or ninety,
according to the photographs, he would be a stalwart fellow with thick
bark on his trunk, and fir-cones or acorns (or whatever was his
speciality) hanging all over him. Just at present he was barely ten. I
had only eighty years to wait before he reached his prime.
Naturally I decided to lavish all my care upon his upbringing. I would
water him after breakfast every morning, and (when I remembered it) at
night. If there was any top-dressing he particularly fancied, he should
have it. If he had any dead leaves to snip off, I would snip them.
It was at this moment that I discovered something else in the box--a
card of instructions. I have not got it now, and I have forgotten the
actual wording, but the spirit of it was this:
HINTS ON THE PROPER REARING AND BRINGING-UP OF A JAPANESE DWARF-TREE
The life of this tree is a precarious one, and if it is to be
successfully brought to manhood the following rules must be
carefully observed--
I. This tree requires, above all else, fresh air and exercise.
II. Whenever the sun is shining, the tree should be placed outside,
in a position where it can absorb the rays.
III. Whenever the rain is raining, it should be placed outside, in a
position where it can absorb the wet.
IV. It should be taken out for a trot at least once every day.
V. It simply loathes artificial light and artificial heat. If you
keep it in your drawing-room, see that it is situated as far as
possible from the chandelier and the gas-stove.
VI. It also detests noise. Do not place it on the top of the
pianola.
VII. It loves moonlight. Leave it outside when you go to bed, in
case the moon should come out.
VIII. On the other hand, it hates lightning. Cover it up with the
canary's cloth when the lightning begins.
IX. If it shows signs of drooping, a course of massage will
generally bring it round.
X. But in no case offer it buns.
Well, I read these instructions carefully, and saw at once that I should
have to hand over the business of rearing Sidney to another. I have my
living to earn the same as anybody else, and I should never get any work
done at all if I had constantly to be rushing home from the office on
the plea that it was time for Master Sidney's sun-bath.
So I called up my housekeeper, and placed the matter before her.
I said: "Let me introduce you to Sidney. He is very dear to me; dearer
to me than a--a brother. No, on second thoughts my brother is
perhaps--well, anyhow, Sidney is very dear to me. I will show my trust
in you by asking you to tend him for me. Here are a few notes about his
health. Frankly he is delicate. But the doctors have hope. With care,
they think, he may live to be a hundred-and-fifty. His future is in your
hands."
My housekeeper thanked me for this mark of esteem and took the card of
instructions away with her. I asked her for it a week afterwards and it
appeared that, having committed the rules to memory, she had lost it.
But that she follows the instructions I have no doubt; and certainly she
and Sidney understand each other's ways exactly. Automatically she gives
him his bath, his massage, his run in the park. When it rains or snows
or shines, she knows exactly what to do with Sidney.
But as a consequence I see little of him. I suppose it must always be
so; we parents must make these sacrifices for our children. Think of a
mother only seeing her eldest-born for fifteen weeks a year through the
long period of his schooling; and think of me, doomed to catch only the
most casual glimpses of Sidney until he is ninety.
For, you know, I might almost say that I never see him at all now. As I
go to my work I may, if I am lucky, get a fleeting glance of him on the
tiles, where he sits drinking in the rain or sun. In the evening, when I
return, he is either out in the moonlight or, if indoors, shunning the
artificial light with the cloth over his head. Indeed, the only times
when I really see him to talk to are when Celia comes to tea with me.
Then my housekeeper hurries him in from his walk or his sun-bath, and
puts him, brushed and manicured, on my desk; and Celia and I whisper
fond nothings to him. I believe Celia thinks he lives there!
. . . . .
As I began by saying, I weep for Sidney's approaching end. For my
housekeeper leaves this week. A new one takes her place. How will she
treat my poor Sidney? The old card of instructions is lost; what can I
give her in its place? The legend that Sidney's is a precious life--that
he must have his morning bath, his run, his glass of hot water after
meals! She would laugh at it. Besides, she may not be at all the sort of
foster-mother for a Japanese dwarf-tree....
It will break my heart if Sidney dies now, for I had so looked forward
to celebrating his ninetieth birthday with him. It will hurt Celia too.
But _her_ grief, of course, will be an inferior affair. In fact, a
couple of pairs of silk stockings will help her to forget him
altogether.
THE FINANCIER. I
This is how I became a West African mining magnate with a stake in the
Empire.
During February I grew suddenly tired of waiting for the summer to
begin. London in the summer is a pleasant place, and chiefly so because
you can keep on buying evening papers to see what Kent is doing. In
February life has no such excitements to offer. So I wrote to my
solicitor about it.
"I want you" (I wrote) "to buy me fifty rubber shares, so that I can
watch them go up and down." And I added "Brokerage 1/8" to show that I
knew what I was talking about.
He replied tersely as follows:--
"Don't be a fool. If you have any money to invest I can get you a safe
mortgage at five per cent. Let me know."
It's a funny thing how the minds of solicitors run upon mortgages. If
they would only stop to think for a moment they would see that you
couldn't possibly watch a safe mortgage go up and down. I left my
solicitor alone and consulted Henry on the subject. In the intervals
between golf and golf Henry dabbles in finance.
"You don't want anything gilt-edged, I gather?" he said. It's wonderful
how they talk.
"I want it to go up and down," I explained patiently, and I indicated
the required movement with my umbrella.
"What about a little flutter in oil?" he went on, just like a financier
in a novel.
"I'll have a little flutter in raspberry jam if you like. Anything as
long as I can rush every night for the last edition of the evening
papers and say now and then, 'Good heavens, I'm ruined.'"
"Then you'd better try a gold-mine," said Henry bitterly, in the voice
of one who had tried. "Take your choice," and he threw the paper over to
me.
"I don't want a whole mine--only a vein or two. Yes, this is very
interesting," I went on, as I got among the West Africans. "The scoring
seems to be pretty low; I suppose it must have been a wet wicket. 'H.E.
Reef, 1-3/4, 2'--he did a little better in the second innings. '1/2,
Boffin River, 5/16, 7/16'--they followed on, you see, but they saved the
innings defeat. By the way, which figure do I really keep my eye on when
I want to watch them go up and down?"
"Both. One eye on each. And don't talk about Boffin River to me."
"Is it like that, Henry? I am sorry. I suppose it's too late now to
offer you a safe mortgage at five per cent? I know a man who has some.
Well, perhaps you're right."
On the next day I became a magnate. The Jaguar Mine was the one I fixed
upon--for two reasons. First, the figure immediately after it was 1,
which struck me as a good point from which to watch it go up and down.
Secondly, I met a man at lunch who knew somebody who had actually seen
the Jaguar Mine.
"He says that there's no doubt about there being lots there."
"Lots of what? Jaguars or gold?"
"Ah, he didn't say. Perhaps he meant jaguars."
Anyhow, it was an even chance, and I decided to risk it. In a week's
time I was the owner of what we call in the City a "block" of
Jaguars--bought from one Herbert Bellingham, who, I suppose, had been
got at by his solicitor and compelled to return to something safe. I
was a West African magnate.
My first two months as a magnate were a great success. With my heart in
my mouth I would tear open the financial editions of the evening papers,
to find one day that Jaguars had soared like a rocket to 1-1/16, the
next that they had dropped like a stone to 1-1/32. There was one
terrible afternoon when for some reason which will never be properly
explained we sank to 15/16. I think the European situation had something
to do with it, though this naturally is not admitted. Lord Rothschild, I
fancy, suddenly threw all his Jaguars on the market; he sold and sold
and sold, and only held his hand when, in desperation, the Tsar granted
the concession for his new Southend to Siberia railway. Something like
that. But he never recked how the private investor would suffer; and
there was I, sitting at home and sending out madly for all the papers,
until my rooms were littered with copies of _The Times_, _The Financial
News_, _Answers_, _The Feathered World_, and _Home Chat_. Next day we
were up to 31/32, and I was able to breathe again.
But I had other pleasures than these. Previously I had regarded the City
with awe, but now I felt a glow of possession come over me whenever I
approached it. Often in those first two months I used to lean against
the Mansion House in a familiar sort of way; once I struck a match
against the Royal Exchange. And what an impression of financial acumen I
could make in a drawing-room by a careless reference to my "block of
Jaguars"! Even those who misunderstood me and thought I spoke of my
"flock of jaguars" were startled. Indeed life was very good just then.
But lately things have not been going well. At the beginning of April
Jaguars settled down at 1-1/16. Though I stood for hours at the club
tape, my hair standing up on end and my eyeballs starting from their
sockets, Jaguars still came through steadily at 1-1/16. To give them a
chance of doing something, I left them alone for a whole week--with what
agony you can imagine. Then I looked again; a whole week and anything
might have happened. Pauper or millionaire?--No, still 1-1/16.
Worse was to follow. Editors actually took to leaving out Jaguars
altogether. I suppose they were sick of putting 1-1/16 in every edition.
But how ridiculous it made my idea seem of watching them go up and down!
How blank life became again!
And now what I dreaded most of all has happened. I have received a
"Progress Report" from the mine. It gives the "total footage" for the
month, special reference being made to "cross-cutting, winzing, and
sinking." The amount of "tons crushed" is announced. There is serious
talk of "ore" being "extracted"; indeed there has already been a most
alarming "yield in fine gold." In short, it can no longer be hushed up
that the property may at any moment be "placed on a dividend-paying
basis."
Probably I shall be getting a safe five per cent!
"Dash it all," as I said to my solicitor this morning, "I might just as
well have bought a rotten mortgage."
THE FINANCIER. II
(_Eighteen months later_)
It is nearly two years ago that I began speculating in West African
mines. You may remember what a stir my entry into the financial world
created; how Sir Isaac Isaacstein went mad and shot himself; how Sir
Samuel Samuelstein went mad and shot his typist; and how Sir Moses
Mosestein went mad and shot his typewriter, permanently damaging the
letter "s." There was panic in the City on that February day in 1912
when I bought Jaguars and set the market rocking.
I bought Jaguars partly for the rise and partly for the thrill. In
describing my speculation to you eighteen months ago I dwelt chiefly on
the thrill part; I alleged that I wanted to see them go up and down. It
would have been more accurate to have said that I wanted to see them go
up. It was because I was sure they were going up that, with the united
support of my solicitor, my stockbroker, my land agent, my doctor, my
architect and my vicar (most of them hired for the occasion), I bought
fifty shares in the Jaguar mine of West Africa.
When I bought Jaguars they were at 1--1-1/16. This means that---- No, on
second thoughts I won't. There was a time when, in the pride of my new
knowledge, I should have insisted on explaining to you what it meant,
but I am getting _blasé_ now; besides, you probably know. It is enough
that I bought them, and bought them on the distinct understanding from
my financial adviser that by the end of the month they would be up to 2.
In that case I should have made rather more than forty pounds in a few
days, simply by assembling together my solicitor, stockbroker,
land-agent, etc., etc., in London, and without going to West Africa at
all. A wonderful thought.
At the end of a month Jaguars were steady at 1-1/16; and I had received
a report from the mine to the effect that down below they were simply
hacking gold out as fast as they could hack, and up at the top were very
busy rinsing and washing and sponging and drying it. The next month the
situation was the same: Jaguars in London very steady at 1-1/16, Jaguar
diggers in West Africa very steady at gold-digging. And at the end of
the third month I realized not only that I was not going to have any
thrills at all, but (even worse) that I was not going to make any money
at all. I had been deceived.
. . . . .
That was where, eighteen months ago, I left the story of my City life. A
good deal has happened since then; as a result of which I am once more
eagerly watching the price of Jaguars.
A month or two after I had written about them, Jaguars began to go down.
They did it (as they have done everything since I have known them)
stupidly. If they had dropped in a single night to 3/4, I should at
least have had my thrill. I should have suffered in a single night the
loss of some pounds, and I could have borne it dramatically; either with
the sternness of the silent Saxon, or else with the volubility of the
volatile--I can't think of anybody beginning with a "V." But, alas!
Jaguars never dropped at all. They subsided. They subsided slowly back
to 1--so slowly that you could hardly observe them going. A week later
they were 63/64, which, of course, is practically the same as 1. A month
afterwards they were 31/32, and it is a debatable point whether that is
less or more than 63/64. Anyhow, by the time I had worked it out and
decided that it was slightly less, they were at 61/64, and one had the
same trouble all over again. At 61/64 I left them for a time; and when
I next read the financial column they were at 15/16, which still seemed
to be fairly near to 1. And even when at last, after many months, I
found them down to 7/8 I was not seriously alarmed, but felt that it was
due to some little local trouble (as that the manager had fallen down
the main shaft and was preventing the gold being shot out properly), and
that, when the obstruction had been removed, Jaguars would go up to 1
again.
But they didn't. They continued to subside. When they had subsided to
1/2 I woke up. My dream of financial glory was over. I had lost my money
and my faith in the City; well, let them go. With an effort I washed
Jaguars out of my mind. Henceforward they were nothing to me.
And then, months after, Andrew came on the scene. At lunch one day he
happened to mention that he had been talking to his broker.
"Do you often talk to your broker?" I asked in admiration. It sounded so
magnificent.
"Often."
"I haven't got a broker to talk to. When you next chat to yours, I wish
you'd lead the conversation round to Jaguars and see what he says."
"Why, have you got some?"
"Yes, but they're no good. Have a cigarette, won't you?"
Next morning to my amazement I got a telegram from Andrew. "Can get you
ten shillings for Jaguars. Wire if you will sell, and how many."
It was really a shock to me. When I had asked Andrew to mention Jaguars
to his broker it was solely in the hope of hearing some humorous City
comment on their futility--one of those crisp jests for which the Stock
Exchange is famous. I had no idea that his broker might like to buy them
from me.
I wired back: "Sell fifty, quick."
Next day he told me he had sold them.
"That's all right," I said cheerfully; "they're his. He can watch them
go up and down. When do I get my twenty-five pounds?" To save
twenty-five pounds from the wreck was wonderful.
"Not for a month; and, of course, you don't deliver the shares till
then."
"What do you mean, 'deliver the shares'?" I asked in alarm. "I haven't
got the gold-mine here; it's in Africa or somewhere. Must I go out
and----"
"But you've got a certificate for them."
My heart sank.
"Have I?" I whispered. "Good Lord, I wonder where it is."
I went home and looked. I looked for two days; I searched drawers and
desks and letter-books and safes and ice-tanks and trouser-presses--every
place in which a certificate might hide. It was no good. I went back to
Andrew. I was calm.
"About these Jaguars," I said casually. "I don't quite understand my
position. What have I promised to do? And can they put me in prison if I
don't do it?"
"You've promised to sell fifty Jaguars to a man called Stevens by the
middle of next month. That's all."
"I see," I said, and I went home again.
And I suppose you see too. I've got to sell fifty Jaguars to a man
called Stevens by the middle of next month. Although I really have fifty
fully matured ones of my own, there's nothing to prove it, and they are
so suspicious in the City that they will never take my bare word. So I
shall have to buy fifty new Jaguars for this man called Stevens--and buy
them by the middle of next month.
And this is why I am still eagerly watching the price of Jaguars.
Yesterday they were 5/8. I am hoping that by the middle of next month
they will be down to 1/2 again. But I find it difficult to remember
sometimes which way I want them to go. This afternoon, for instance,
when I saw they had risen to 11/16 I was quite excited for a moment; I
went out and bought some cigars on the strength of it. Then I
remembered; and I came home and almost decided to sell the pianola. It
is very confusing. You must see how very confusing it is.
THE DOUBLE
I was having lunch in one of those places where you stand and eat
sandwiches until you are tired, and then try to count up how many you
have had. As the charm of these sandwiches is that they all taste
exactly alike, it is difficult to recall each individual as it went
down; one feels, too, after the last sandwich, that one's mind would
more willingly dwell upon other matters. Personally I detest the whole
business--the place, the sandwiches, the method of scoring--but it is
convenient and quick, and I cannot keep away. On this afternoon I was
giving the _foie gras_ plate a turn. I know a man who will never touch
_foie gras_ because of the cruelty involved in the preparation of it. I
excuse myself on the ground that my own sufferings in eating these
sandwiches are much greater than those of any goose in providing them.
There was a grey-haired man in the corner who kept looking at me. I
seemed to myself to be behaving with sufficient propriety, and there was
nothing in my clothes or appearance to invite comment; for in the
working quarter of London a high standard of beauty is not insisted
upon. On the next occasion when I caught his eye I frowned at him, and a
moment later I found myself trying to stare him down. After two minutes
it was I who retired in confusion to my glass.
As I prepared to go--for to be watched at meals makes me nervous, and
leads me sometimes to eat the card with "Foie Gras" on it in mistake for
the sandwich--he came up to me and raised his hat.
"You must excuse me, sir, for staring at you," he said, "but has any
one ever told you that you are exactly like A. E. Barrett?"
I drew myself up and rested my left hand lightly on my hip. I thought he
said David Garrick.
"The very image of him," he went on, "when first I met him."
Something told me that in spite of his grey hair he was not talking of
David Garrick after all.
"Like _who?_" I said in some disappointment.
"A. E. Barrett."
I tried to think of a reply, both graceful and witty. The only one I
could think of was, "Oh?"
"It's extraordinary. If your hair were just a little longer the likeness
would be perfect."
I thought of offering to go away now and come back in a month's time.
Anyway, it would be an excuse for going now.
"I first knew him at Cambridge," he explained. "We were up together in
the 'seventies."
"Ah, I was up in the nineteen hundreds," I said. "I just missed you
both."
"Well, didn't they ever tell you at Cambridge that you were the image of
A. E. Barrett?"
I tried to think. They had told me lots of things at Cambridge, but I
couldn't remember any talk about A. E. Barrett.
"I should have thought every one would have noticed it," he said.
I had something graceful for him this time all right.
"Probably," I said, "those who were unfortunate enough to know me had
not the honour of knowing A. E. Barrett."
"But everybody knew A. E. Barrett. _You've_ heard of him, of course?"
The dreadful moment had arrived. I knew it would.
"Of course," I said.
"A charming fellow."
"Very brainy," I agreed.
"Well, just ask any of your artist friends if they don't notice the
likeness. The nose, the eyes, the expression--wonderful! But I must be
going. Perhaps I shall see you here again some day. Good afternoon"; and
he raised his hat and left me.
You can understand that I was considerably disturbed. First, why had I
never heard of A. E. Barrett? Secondly, what sort of looking fellow was
he? Thirdly, with all this talk about A. E. Barrett, however many
sandwiches had I eaten? The last question seemed the most impossible to
answer, so I said "eight," to be on the safe side, and went back to
work.
In the evening I called upon Peter. My acquaintance of the afternoon had
assumed too readily that I should allow myself to be on friendly terms
with artists; but Peter's wife illustrates books, and they both talk in
a disparaging way of our greatest Academicians.
"Who," I began at once, as I shook hands, "did I remind you of as I came
in at the door?"
Peter was silent. Mrs. Peter, feeling that some answer was called for,
said, "The cat."
"No, no. Now I'll come in again." I went out and returned dramatically.
"Now then, tell me frankly, doesn't that remind you of A. E. Barrett
entering his studio?"
"Who is A. E. Barrett?"
I was amazed at their ignorance.
"He's the well-known artist. _Surely_ you've heard of him?"
"I seem to know the name," lied Peter. "What did he paint?"
"'Sunrise on the Alps,' 'A Corner of the West,' 'The Long Day
Wanes'--_I_ don't know. Something. The usual thing."
"And are you supposed to be like him?"
"I am. Particularly when eating sandwiches."
"Is it worth while getting you some, in order to observe the likeness?"
asked Mrs. Peter.
"If you've never seen A. E. Barrett I fear you'd miss the likeness, even
in the most favourable circumstances. Anyhow, you must have heard of
him--dear old A. E.!"
They were utterly ignorant of him, so I sat down and told them what I
knew; which, put shortly, was that he was a very remarkable-looking
fellow.
. . . . .
I have not been to the sandwich-place since. Detesting the sandwiches as
I do, I find A. E. Barrett a good excuse for keeping away. For, upon the
day after that when he came into my life, I had a sudden cold fear that
the thing was a plant. How, in what way, I cannot imagine. That I am to
be sold a _Guide to Cambridge_ at the next meeting; that an A. E.
Barrett hair-restorer is about to be placed on the market; that an offer
will be made to enlarge my photograph (or Barrett's) free of charge if I
buy the frame--no, I cannot think what it can be.
Yet, after all, why should it be a plant? We Barretts are not the sort
of men to be mixed up with fraud. Impetuous the Barrett type may be,
obstinate, jealous--so much you see in our features. But dishonest?
Never!
Still, as I did honestly detest those last eight sandwiches, I shall
stay away.
A BREATH OF LIFE
This is the story of a comedy which nearly became a tragedy. In its way
it is rather a pathetic story.
The comedy was called _The Wooing of Winifred_. It was written by an
author whose name I forget; produced by the well-known and (as his
press-agent has often told us) popular actor-manager, Mr. Levinski; and
played by (among others) that very charming young man, Prosper
Vane--known locally as Alfred Briggs until he took to the stage. Prosper
played the young hero, _Dick Seaton_, who was actually wooing
_Winifred_. Mr. Levinski himself took the part of a middle-aged man of
the world with a slight _embonpoint_; down in the programme as _Sir
Geoffrey Throssell_ but fortunately still Mr. Levinski. His opening
words, as he came on, were, "Ah, Dick, I have a note for you somewhere,"
which gave the audience an interval in which to welcome him, while he
felt in all his pockets for the letter. One can bow quite easily while
feeling in one's pockets, and it is much more natural than stopping in
the middle of an important speech in order to acknowledge any cheers.
The realization of this, by a dramatist, is what is called "stagecraft."
In this case the audience could tell at once that the "technique" of the
author (whose name unfortunately I forget) was going to be all right.
But perhaps I had better describe the whole play as shortly as possible.
The theme--as one guessed from the title, even before the curtain
rose--was the wooing of _Winifred_. In the First Act _Dick_ proposed to
_Winifred_ and was refused by her, not from lack of love, but for fear
lest she might spoil his career, he being one of those big-hearted men
with a hip-pocket to whom the open spaces of the world call loudly;
whereupon Mr. Levinski took _Winifred_ on one side and told the audience
how, when _he_ had been a young man, some good woman had refused _him_
for a similar reason and had been miserable ever since. Accordingly in
the Second Act _Winifred_ withdrew her refusal and offered to marry
_Dick_, who declined to take advantage of her offer for fear that she
was willing to marry him from pity rather than from love; whereupon Mr.
Levinski took _Dick_ on one side and told the audience how, when _he_
had been a young man, he had refused to marry some good woman (a
different one) for a similar reason, and had been broken-hearted ever
afterwards. In the Third Act it really seemed as though they were coming
together at last; for at the beginning of it Mr. Levinski took them both
aside and told the audience a parable about a butterfly and a
snap-dragon, which was both pretty and helpful, and caused several
middle-aged ladies in the first and second rows of the upper circle to
say, "What a nice man Mr. Levinski must be at home, dear!"--the purport
of the allegory being to show that both _Dick_ and _Winifred_ were being
very silly, as indeed by this time everybody but the author was aware.
Unfortunately at that moment a footman entered with a telegram for _Miss
Winifred_, which announced that she had been left fifty thousand pounds
by a dead uncle in Australia; and, although Mr. Levinski seized this
fresh opportunity to tell the audience how in similar circumstances
Pride, to his lasting remorse, had kept _him_ and some good woman (a
third one) apart, nevertheless _Dick_ held back once more, for fear lest
he should be thought to be marrying her for her money. The curtain comes
down as he says, "Good-bye ... good ber-eye." But there is a Fourth
Act, and in the Fourth Act Mr. Levinski has a splendid time. He tells
the audience two parables--one about a dahlia and a sheep, which I
couldn't quite follow--and three reminiscences of life in India; he
brings together finally and for ever these hesitating lovers; and, best
of all, he has a magnificent love-scene of his own with a pretty widow,
in which we see, for the first time in the play, how love should really
be made--not boy-and-girl pretty-pretty love, but the deep emotion felt
(and with occasional lapses of memory explained) by a middle-aged man
with a slight _embonpoint_ who has knocked about the world a bit and
knows life. Mr. Levinski, I need not say, was at his best in this Act.
. . . . .
I met Prosper Vane at the club some ten days before the first night, and
asked him how rehearsals were going.
"Oh, all right," he said. "But it's a rotten play. I've got such a
dashed silly part."
"From what you told me," I said, "it sounded rather good."
"It's so dashed unnatural. For three whole acts this girl and I are in
love with each other, and we know we're in love with each other, and yet
we simply fool about. She's a dashed pretty girl, too, my boy. In real
life I'd jolly soon----"
"My dear Alfred," I protested, "you're not going to fall in love with
the girl you have to fall in love with on the stage? I thought actors
never did that."
"They do sometimes; it's a dashed good advertisement. Anyway, it's a
silly part, and I'm fed up with it."
"Yes, but do be reasonable. If _Dick_ got engaged at once to _Winifred_
what would happen to Levinski? He'd have nothing to do."
Prosper Vane grunted. As he seemed disinclined for further conversation
I left him.
. . . . .
The opening night came, and the usual distinguished and fashionable
audience (including myself), such as habitually attends Mr. Levinski's
first nights, settled down to enjoy itself. Two acts went well. At the
end of each Mr. Levinski came before the curtain and bowed to us, and we
had the honour of clapping him loud and long. Then the Third Act
began....
Now this is how the Third Act ends:--
_Exit_ Sir Geoffrey.
_Winifred (breaking the silence)._ Dick, you heard what he said.
Don't let this silly money come between us. I have told you I love
you, dear. Won't you--won't you speak to me?
_Dick._ Winifred, I---- (_He gets up and walks round the room, his
brow knotted, his right fist occasionally striking his left palm.
Finally he comes to a stand in front of her._) Winifred, I---- (_He
raises his arms slowly at right angles to his body and lets them
fall heavily down again._) I can't. (_In a low, hoarse voice_)
I--can't! (_He stands for a moment with bent head; then with a jerk
he pulls himself together._) Good-bye! (_His hands go out to her,
but he draws them back as if frightened to touch her. Nobly_) Good
ber-eye.
[_He squares his shoulders and stands looking at the audience with
his chin in the air; then with a shrug of utter despair, which
would bring tears into the eyes of any young thing in the pit,
he turns and with bent head walks slowly out._
CURTAIN.
That _is_ how the Third Act ends. I went to the dress rehearsal, and so
I know.
How the accident happened I do not know. I suppose Prosper was nervous;
I am sure he was very much in love. Anyhow, this is how, on that famous
first night, the Third Act ended:--
_Exit_ Sir Geoffrey.
_Winifred_ (_breaking the silence_). Dick, you heard what he said.
Don't let this silly money come between us. I have told you I love
you, dear. Won't you--won't you speak to me?
_Dick_ (_jumping up_). Winifred, I---- (_with a great gulp_) I LOVE
YOU!!!
Whereupon he picked her up in his arms and carried her triumphantly off
the stage ... and after a little natural hesitation the curtain came
down.
. . . . .
Behind the scenes all was consternation. Mr. Levinski (absolutely
furious) had a hasty consultation with the author (also furious), in the
course of which they both saw that the Fourth Act as written was now an
impossibility. Poor Prosper, who had almost immediately recovered his
sanity, tremblingly suggested that Mr. Levinski should announce that,
owing to the sudden illness of Mr. Vane, the Fourth Act could not be
given. Mr. Levinski was kind enough to consider this suggestion not
entirely stupid; his own idea having been (very regretfully) to leave
out the two parables and three reminiscences from India and concentrate
on the love-scene with the widow.
"Yes, yes," he said. "Your plan is better. I will say you are ill. It is
true; you are mad. To-morrow we will play it as it was written."
"You can't," said the author gloomily. "The critics won't come till the
Fourth Act, and they'll assume that the Third Act ended as it did
to-night. The Fourth Act will seem all nonsense to them."
"True. And I was so good, so much myself, in that Act." He turned to
Prosper. "You--fool!"
"Or there's another way," began the author. "We might----"
And then a gentleman in the gallery settled it from the front of the
curtain. There was nothing in the programme to show that the play was in
four acts. "The Time is the present day and the Scene is in Sir Geoffrey
Throssell's town-house," was all it said. And the gentleman in the
gallery, thinking it was all over, and being pleased with the play and
particularly with the realism of the last moment of it, shouted
"_Author!_" And suddenly everybody else cried "_Author! Author!_" The
play was ended.
. . . . .
I said that this was the story of a comedy which nearly became a
tragedy. But it turned out to be no tragedy at all. In the three acts to
which Prosper Vane had condemned it the play appealed to both critics
and public; for the Fourth Act (as he recognised so clearly) was
unnecessary, and would have spoilt the balance of it entirely. Best of
all, the shortening of the play demanded that some entertainment should
be provided in front of it, and this enabled Mr. Levinski to introduce
to the public Professor Wollabollacolla and Princess Collabollawolla,
the famous exponents of the Bongo-Bongo, that fascinating Central
African war dance which was soon to be the rage of society. But though,
as a result, the takings of the Box Office surpassed all Mr. Levinski's
previous records, our friend Prosper Vane received no practical
acknowledgment of his services. He had to be content with the hand and
heart of the lady who played _Winifred_, and the fact that Mr. Levinski
was good enough to attend the wedding. There was, in fact, a photograph
in all the papers of Mr. Levinski doing it.
"UNDER ENTIRELY NEW MANAGEMENT"
I know a fool of a dog who pretends that he is a Cocker Spaniel, and is
convinced that the world revolves round him wonderingly. The sun rises
so it may shine on his glossy morning coat; it sets so his master may
know that it is time for the evening biscuit; if the rain falls it is
that a fool of a dog may wipe on his mistress's skirt his muddy boots.
His day is always exciting, always full of the same good things; his
night a repetition of his day, more gloriously developed. If there be a
sacred moment before the dawn when he lies awake and ponders on life, he
tells himself confidently that it will go on for ever like this--a life
planned nobly for himself, but one in which the master and mistress whom
he protects must always find a place. And I think perhaps he would want
a place for me, too, in that life, who am not his real master but yet
one of the house. I hope he would.
What Chum doesn't know is this: his master and mistress are leaving him.
They are going to a part of the world where a fool of a dog with no
manners is a nuisance. If Chum could see all the good little London
dogs, who at home sit languidly on their mistress's lap, and abroad take
their view of life through a muff much bigger than themselves; if he
could see the big obedient dogs who walk solemnly through the Park
carrying their master's stick, never pausing in their impressive march
unless it be to plunge into the Serpentine and rescue a drowning child,
he would know what I mean. He would admit that a dog who cannot answer
to his own name and pays but little more attention to "Down, idiot,"
and "Come here, fool," is not every place's dog. He would admit it, if
he had time. But before I could have called his attention to half the
good dogs I had marked out he would have sat down beaming in front of a
motor-car ... and then he would never have known what now he will know
so soon--that his master and mistress are leaving him.
It has been my business to find a new home for him. This is harder than
you think. I can make him sound lovable, but I cannot make him sound
good. Of course, I might leave out his doubtful qualities, and describe
him merely as beautiful and affectionate; I might ... but I couldn't. I
think Chum's habitual smile would get larger, he would wriggle the end
of himself more ecstatically than ever if he heard himself summed up as
beautiful and affectionate. Anyway, I couldn't do it, for I get carried
away when I speak of him and I reveal all his bad qualities.
"I am afraid he is a snob," I confessed to one woman of whom I had
hopes. "He doesn't much care for what he calls the lower classes."
"Oh?" she said.
"Yes, he hates badly dressed people. Corduroy trousers tied up at the
knee always excite him. I don't know if any of your family--no, I
suppose not. But if he ever sees a man with his trousers tied up at the
knee he goes for him. And he can't bear tradespeople; at least not the
men. Washerwomen he loves. He rather likes the washing-basket too. Once,
when he was left alone with it for a moment, he appeared shortly
afterwards on the lawn with a pair of--well, I mean he had no business
with them at all. We got them away after a bit of a chase, and then they
had to go to the wash again. It seemed rather a pity when they'd only
just come back. Of course, I smacked his head for him; but he looks so
surprised and reproachful when he's done wrong that you never feel it's
quite his fault."
"I doubt if I shall be able to take him after all," she said. "I've just
remembered----"
I forget what it was she remembered, but it meant that I was still
without a new home for Chum.
"What does he eat?" somebody else asked me. It seemed hopeful; I could
see Chum already installed.
"Officially," I said, "he lives on puppy biscuits; he also has the
toast-crusts after breakfast and an occasional bone. Privately, he is
fond of bees. I have seen him eat as many as six bees in an afternoon.
Sometimes he wanders down to the kitchen-garden and picks the
gooseberries; he likes all fruit, but gooseberries are the things he can
reach best. When there aren't any gooseberries about he has to be
content with the hips and haws from the rose-trees. But really you
needn't bother, he can eat anything. The only thing he doesn't like is
whitening. We were just going to mark the lawn one day, and while we
were busy pegging it out he wandered up and drank the whitening out of
the marker. It is practically the only disappointment he has ever had.
He looked at us, and you could see that his opinion of us had gone down.
'What did you _put_ it there for, if you didn't mean me to drink it?' he
said reproachfully. Then he turned and walked slowly and thoughtfully
back to his kennel. He never came out till next morning."
"Really?" said my man. "Well, I shall have to think about it. I'll let
you know."
Of course, I knew what he meant.
With a third dog-lover to whom I spoke the negotiations came to grief,
not apparently because of any fault of Chum's, but because, if you will
believe it, of my shortcomings. At least I can suppose nothing else. For
this man had been enthusiastic about him. He had revelled in the tale of
Chum's wickedness; he had adored him for being so conceited. He had
practically said that he would take him.
"Do," I begged. "I'm sure he'd be happy with you. You see, he's not
everybody's dog; I mean, I don't want any odd man whom I don't know to
take him. It must be a friend of mine, so that I shall often be able to
see Chum afterwards."
"So that--what?" he asked anxiously.
"So that I shall often be able to see Chum afterwards. Week-ends, you
know, and so on. I couldn't bear to lose the silly old ass altogether."
He looked thoughtful; and, when I went on to speak about Chum's fondness
for chickens, and his other lovable ways, he changed the subject
altogether. He wrote afterwards that he was sorry he couldn't manage
with a third dog. And I like to think he was not afraid of Chum--but
only of me.
But I have found the right man at last. A day will come soon when I
shall take Chum from his present home to his new one. That will be a
great day for him. I can see him in the train, wiping his boots
effusively on every new passenger, wriggling under the seat and out
again from sheer joy of life; I can see him in the taxi, taking his one
brief impression of a world that means nothing to him; I can see him in
another train, joyous, eager, putting his paws on my collar from time to
time and saying excitedly, "_What_ a day this is!" And if he survives
the journey; if I can keep him on the way from all the delightful deaths
he longs to try; if I can get him safely to his new house, then I can
see him----
Well, I wonder. What will they do to him? When I see him again, will he
be a sober little dog, answering to his name, careful to keep his muddy
feet off the visitor's trousers, grown up, obedient, following to heel
round the garden, the faithful servant of his master? Or will he be the
same old silly ass, no use to anybody, always dirty, always smiling,
always in the way, a clumsy, blundering fool of a dog who knows you
can't help loving him? I wonder....
Between ourselves, I don't think they _can_ alter him now.... Oh, I hope
they can't.
A FAREWELL TOUR
This is positively Chum's last appearance in print--for his own sake no
less than for yours. He is conceited enough as it is, but if once he got
to know that people are always writing about him in books his swagger
would be unbearable. However, I have said good-bye to him now; I have no
longer any rights in him. Yesterday I saw him off to his new home, and
when we meet again it will be on a different footing. "Is that your
dog?" I shall say to his master. "What is he? A Cocker? Jolly little
fellows, aren't they? I had one myself once."
As Chum refused to do the journey across London by himself, I met him at
Liverpool Street. He came up in a crate; the world must have seemed very
small to him on the way. "Hallo, old ass," I said to him through the
bars, and in the little space they gave him he wriggled his body with
delight. "Thank Heaven there's _one_ of 'em alive," he said.
"I think this is my dog," I said to the guard, and I told him my name.
He asked for my card.
"I'm afraid I haven't one with me," I explained. When policemen touch me
on the shoulder and ask me to go quietly; when I drag old gentlemen from
underneath motor-'buses, and they decide to adopt me on the spot; on all
the important occasions when one really wants a card, I never have one
with me.
"Can't give him up without proof of identity," said the guard, and Chum
grinned at the idea of being thought so valuable.
I felt in my pockets for letters. There was only one, but it offered to
lend me £10,000 on my note of hand alone. It was addressed to "Dear
Sir," and though I pointed out to the guard that I was the "Sir," he
still kept tight hold of Chum. Strange that one man should be prepared
to trust me with £10,000, and another should be so chary of confiding to
me a small black spaniel.
"Tell the gentleman who I am," I said imploringly through the bars.
"Show him you know me."
"He's _really_ all right," said Chum, looking at the guard with his
great honest brown eyes. "He's been with us for years."
And then I had an inspiration. I turned down the inside pocket of my
coat; and there, stitched into it, was the label of my tailor with my
name written on it. I had often wondered why tailors did this; obviously
they know how stupid guards can be.
"I suppose that's all right," said the guard reluctantly. Of course, I
might have stolen the coat. I see his point.
"You--you wouldn't like a nice packing-case for yourself?" I said
timidly. "You see, I thought I'd put Chum on the lead. I've got to take
him to Paddington, and he must be tired of his shell by now. It isn't as
if he were _really_ an armadillo."
The guard thought he would like a shilling and a nice packing-case.
Wood, he agreed, was always wood, particularly in winter, but there were
times when you were not ready for it.
"How are you taking him?" he asked, getting to work with a chisel.
"Underground?"
"Underground?" I cried in horror. "Take Chum on the Underground?
Take---- Have you ever taken a large live conger-eel on the end of a
string into a crowded carriage?"
The guard never had.
"Well, don't. Take him in a taxi instead. Don't waste him on other
people."
The crate yawned slowly, and Chum emerged all over straw. We had an
anxious moment, but the two of us got him down and put the lead on him.
Then Chum and I went off for a taxi.
"Hooray," said Chum, wriggling all over, "isn't this splendid? I say,
which way are you going? I'm going this way?... No, I mean the other
way."
Somebody had left some of his milk-cans on the platform. Three times we
went round one in opposite directions and unwound ourselves the wrong
way. Then I hauled him in, took him struggling in my arms and got into a
cab.
The journey to Paddington was full of interest. For a whole minute Chum
stood quietly on the seat, rested his fore-paws on the open window and
drank in London. Then he jumped down and went mad. He tried to hang me
with the lead, and then in remorse tried to hang himself. He made a dash
for the little window at the back; missed it and dived out of the window
at the side; was hauled back and kissed me ecstatically in the eye with
his sharpest tooth.... "And I thought the world was at an end," he said,
"and there were no more people. Oh, I am an ass. I say, did you notice
I'd had my hair cut? How do you like my new trousers? I must show you
them." He jumped on to my lap. "No, I think you'll see them better on
the ground," he said, and jumped down again. "Or no, perhaps you _would_
get a better view if----" he jumped up hastily, "and yet I don't
know----" he dived down, "though, of course, if you---- Oh lor! this
_is_ a day," and he put both paws lovingly on my collar.
Suddenly he was quiet again. The stillness, the absence of storm in the
taxi was so unnatural that I began to miss it. "Buck up, old fool," I
said, but he sat motionless by my side, plunged in thought. I tried to
cheer him up. I pointed out King's Cross to him; he wouldn't even bark
at it. I called his attention to the poster outside the Euston Theatre
of The Two Biffs; for all the regard he showed he might never even have
heard of them. The monumental masonry by Portland Road failed to uplift
him.
At Baker Street he woke up and grinned cheerily. "It's all right," he
said, "I was trying to remember what happened to me this
morning--something rather miserable, I thought, but I can't get hold of
it. However, it's all right now. How are _you_?" And he went mad again.
At Paddington I bought a label at the bookstall and wrote it for him. He
went round and round my leg looking for me. "Funny thing," he said as he
began to unwind, "he was here a moment ago. I'll just go round once
more. I rather think ... _Ow!_ Oh, there you are!" I stepped off him,
unravelled the lead and dragged him to the Parcels Office.
"I want to send this by the two o'clock train," I said to the man the
other side of the counter.
"Send what?" he said.
I looked down. Chum was making himself very small and black in the
shadow of the counter. He was completely hidden from the sight of
anybody the other side of it.
"Come out," I said, "and show yourself."
"Not much," he said. "A parcel! I'm not going to be a jolly old parcel
for anybody."
"It's only a way of speaking," I pleaded. "Actually you are travelling
as a small black gentleman. You will go with the guard--a delightful
man."
Chum came out reluctantly. The clerk leant over the counter and managed
to see him.
"According to our regulations," he said, and I always dislike people
who begin like that, "he has to be on a chain. A leather lead won't do."
Chum smiled all over himself. I don't know which pleased him more--the
suggestion that he was a very large and fierce dog, or the impossibility
now of his travelling with the guard, delightful man though he might be.
He gave himself a shake and started for the door.
"Tut, tut, it's a great disappointment to me," he said, trying to look
disappointed, but his back _would_ wriggle. "This chain business--silly
of us not to have known--well, well, we shall be wiser another time. Now
let's go home."
Poor old Chum; I _had_ known. From a large coat pocket I produced a
chain.
"_Dash_ it," said Chum, looking up at me pathetically, "you might almost
_want_ to get rid of me."
He was chained, and the label tied on to him. Forgive me that label,
Chum; I think that was the worst offence of all. And why should I label
one who was speaking so eloquently for himself; who said from the tip of
his little black nose to the end of his stumpy black tail, "I'm a silly
old ass, but there's nothing wrong in me, and they're sending me away!"
But according to the regulations--one must obey the regulations, Chum.
I gave him to the guard--a delightful man. The guard and I chained him
to a brake or something. Then the guard went away, and Chum and I had a
little talk....
After that the train went off.
Good-bye, little dog.
THE TRUTH ABOUT HOME RAILS
Imagine us, if you can, sitting one on each side of the fire, I with my
feet on the mantelpiece, Margery curled up in the blue arm-chair, both
of us intent on the morning paper. To me, by good chance, has fallen the
sporting page; to Margery the foreign, political, and financial
intelligence of the day.
"What," said Margery, "does it mean when it says----" She stopped and
spelt it over to herself again.
I put down my piece of the paper and prepared to explain. The desire for
knowledge in the young cannot be too strongly encouraged, and I have
always flattered myself that I can explain in perfectly simple language
anything which a child wants to know. For instance, I once told Margery
what "Miniature Rifle Shooting" meant; it was a head-line which she had
come across in her paper. The explanation took some time, owing to
Margery's preconceived idea that a bird entered into it somewhere;
several times, when I thought the lesson was over, she said, "Well, what
about the bird?" But I think I made it plain to her in the end, though
maybe she has forgotten about it now.
"What," said Margery, "does it mean when it says 'Home Rails Firm'?"
I took up my paper again. The Cambridge fifteen, I was glad to see, were
rapidly developing into a first-class team, and----
"'Home Rails Firm,'" repeated Margery, and looked up at me.
My mind worked rapidly, as it always does in a crisis.
"What did you say?" I asked in surprise.
"What does 'Home Rails Firm' mean?"
"Where does it say that?" I went on, still thinking at lightning speed.
"There. It said it yesterday too."
"Ah, yes." I made up my mind. "Well, _that_," I said--"I think _that_ is
something you must ask your father."
"I did ask him yesterday."
"Well, then----"
"He told me to ask Mummy."
Coward!
"You can be sure," I said firmly, "that what Mummy told you would be
right," and I returned to my paper.
"Mummy told me to wait till _you_ came."
Really, these parents! The way they shirk their responsibilities
nowadays is disgusting.
"'Home Rails Firm,'" said Margery, and settled herself to listen.
It is good that children should be encouraged to take an interest in the
affairs of the day, but I do think that a little girl might be taught by
her father (or if more convenient, mother) _which_ part of a newspaper
to read. Had Margery asked me the difference between a bunker and a
banker, had she demanded an explanation of "ultimatum" or "guillotine,"
I could have done something with it; but to let a child of six fill her
head with ideas as to the firmness or otherwise of Home Rails is hardly
nice. However, an explanation had to be given.
"Well, it's like this, Margery," I said at last. "Supposing--well, you
see, supposing--that is to say, if _I_----" and then I stopped. I had a
sort of feeling--intuition, they call it--that I was beginning in the
wrong way.
"Go on," said Margery.
"Perhaps I had better put it this way. Supposing you were to---- Well,
we'd better begin further back than that. You know what---- No, I don't
suppose you do know that. Well, if I--that is to say, when a man--you
know, it's rather difficult to explain this, Margery."
"Are you explaining it now?"
"I'm just going to begin."
"Thank you, Uncle."
I lit my pipe slowly, while I considered again how best to approach the
matter.
"'Home Rails Firm,'" said Margery. "Isn't it a _funny_ thing to say?"
It was. It was a very _silly_ thing to say. Whoever said it first might
have known what it would lead to.
"Perhaps I can explain it best like this, Margery," I said, beginning on
a new tack. "I suppose you know what 'firm' means?"
"What does it mean?"
"Ah, well, if you don't know _that_," I said, rather pleased, "perhaps I
had better explain that first. 'Firm' means that--that is to say, you
call a thing firm if it--well, if it doesn't--that is to say, a thing is
firm if it can't _move_."
"Like a house?"
"Well, something like that. This chair, for instance," and I put my hand
on her chair, "is firm because you can't shake it. You see, it's
quite---- Hallo, what's that?"
"Oh, you bad Uncle, you've knocked the castor off again," cried Margery,
greatly excited at the incident.
"This is too much," I said bitterly. "Even the furniture is against me."
"Go on explaining," said Margery, rocking herself in the now wobbly
chair.
I decided to leave "firm." It is not an easy word to explain at the best
of times, and when everything you touch goes and breaks itself it
becomes perfectly impossible.
"Well, so much for that," I said. "And now we come to 'rails.' You know
what rails are?"
"Like I've got in the nursery?"
This was splendid. I had forgotten these for the moment.
"Exactly. The rails your train goes on. Well then, '_Home_ Rails' would
be rails at _home_."
"Well, I've _got_ them at home," said Margery in surprise. "I couldn't
have them anywhere else."
"Quite so. Then 'Home Rails Firm' would mean that--er--home rails
were--er--firm."
"But mine aren't, because they wobble. You know they do."
"Yes, but----"
"Well, why do they say 'Home Rails Firm' when they mean 'Home Rails
Wobble'?"
"Ah, that's just it. The point is that when they say 'Home Rails Firm,'
they don't mean that the rails _themselves_ are firm. In fact, they
don't mean at all what you think they mean. They mean something quite
different."
"What _do_ they mean?"
"I am just going to explain," I said stiffly.
. . . . .
"Or perhaps I had better put it this way," I said ten minutes later.
"Supposing---- Oh, Margery, it _is_ difficult to explain."
"I _must_ know," said Margery.
"_Why_ do you want to know so badly?"
"I want to know a million million times more than anything else in the
whole world."
"Why?"
"So as I can tell Angela," said Margery.
I plunged into my explanation again. Angela is three, and I can quite
see how important it is that she should be sound on the question.
THE KING'S SONS
_"Tell me a story," said Margery._
_"What sort of a story?"_
_"A fairy story, because it's Christmas-time."_
_"But you know all the fairy stories."_
_"Then tell me a new fairy story."_
_"Right," I said._
Once upon a time there was a King who had three sons. The eldest son was
a very thoughtful youth. He always had a reason for everything he did,
and sometimes he would say things like "Economically it is to the
advantage of the State that----" or "The civic interests of the
community demand that----" before doing something specially horrid. He
didn't want to be unkind to anybody, but he took what he called a "large
view" of things; and if you happened to ask for a third help of
plum-pudding he took the large view that you would be sorry about it
next morning--and so you didn't have your plum-pudding. He was called
Prince Proper.
The second son was a very wise youth. You couldn't catch him anyhow. If
you asked him whether he knew the story of the three wells, or "Why does
a chicken cross the road?" or anything really amusing like that, he
would always say, "Oh, I heard that _years_ ago!"--and whenever you
began "Adam and Eve and Pinchme" he would pinch you at once without
waiting like a gentleman until you had got to the end of the verse. He
was called Prince Clever.
And the third son was just wonderfully beautiful. He had the most
marvellously pink cheeks and long golden hair that you have ever seen. I
don't much care for that style myself, but in the country in which he
lived it was admired more than I can tell you. He was called Prince
Goldenlocks. I'll give you three guesses why.
Now the King had reigned a long time, so long that he was tired of being
king, and he often used to wonder which of his sons ought to succeed
him. Of course, nowadays they never wonder, and the eldest son becomes
king at once, and quite right too; but in those days it was generally
left to the sons to prove which among themselves was the most worthy.
Sometimes they would all be sent out to find the magic Dragon's Tooth,
and only one would come back alive, which would save a lot of trouble;
or else, after a lot of discussion, they would be told to go and find
beautiful Princesses for themselves, and the one which brought back the
most beautiful Princess--but very often that would lead to another
discussion. The best way of all was to call in a Fairy to help. A Fairy
has all sorts of tricks for finding out about you, and her favourite
plan is to pretend to be something else and see what you do.
So the King called in a Fairy and said, "To-morrow I am sending out my
three sons into the world to seek their fortune. I want you to test them
for me and find out which is the most fitted to succeed to my throne. If
it _should_ happen to be Prince Goldenlocks--but, of course, I don't
want to influence you in any way."
"Leave it to me," said the Fairy. "You agree, no doubt, that the quality
most desirable in a king is love and kindliness----"
"Y-yes," said the King doubtfully.
"I was sure of it. Well, I have a way of putting this quality to the
test which has never yet failed." And with that she vanished. She could
have gone out at the door quite easily, but she preferred to vanish.
I expect you know what her way was. You have read about it often in your
fairy books. On the next day, as Prince Proper was coming along the
road, she appeared suddenly in front of him in the shape of a poor old
woman.
"Please give me something to buy a crust of bread, pretty gentleman,"
she pleaded. "I'm starving."
Prince Proper looked at her sternly.
"Economically," he said, "it is to the advantage of the State that the
submerged classes should be a charge on the State itself and not on
individuals. The civic interests of the community demand that
promiscuous charity should be sternly discouraged. Surely you see that
for yourself?"
The Fairy didn't quite. The language had taken her by surprise. In all
her previous adventures of this kind, two of the young Princes had
refused her roughly, and the third had shared his last piece of bread
with her. This adventure was going all wrong.
"Let me explain it to you more fully," went on Proper, and for an hour
and twenty-seven minutes he did so. Then he went on his way, leaving a
dazed Fairy behind him.
By and by Prince Clever came along. Suddenly he saw a poor old woman in
front of him.
"Please give me something to buy a crust of bread," she pleaded. "I'm
starving."
Prince Clever burst into a roar of laughter.
"You don't catch _me_," he said. "I've read about this a _hundred_
times. You're not an old woman at all; you're a Fairy."
"W-what do you mean?" she stammered.
"This is a silly test of Father's. Well, you can tell him he's got _one_
son who's clever enough to see through him." And he went on his way.
By and by Prince Goldenlocks came along. I need not say that he did all
that you would expect of a third and youngest son who had pink cheeks,
long golden hair, and (as I ought to have said before) a very loving
nature. He shared his last piece of bread with the poor old woman....
(Surely he will get the throne!)
But the Fairy was an honest Fairy. She did understand Proper's point of
view; she had to admit that, if Clever saw through her deception, it was
honourable of him to have said so. And though, of course, her loving
heart was all for Prince Goldenlocks, she felt that it would not be fair
to award the throne to him without a further trial. So she did another
thing that she was very fond of doing. She changed herself into a pretty
little dove and--right in front of Prince Proper--she flew with a hawk
in pursuit of her. "_Now_ we shall see," she said to herself, "which of
the three youths has the softest heart."
You can guess what Proper said.
"Life," he said, "is one constant battle. Nature," he said, "is
ruthless, and the weakest must go to the wall. If I kill the hawk," he
said, "I am kind to the dove, but am I," he said, and I think there was
a good deal in this--"am I kind to the caterpillar or whatever it is
that the dove eats?" Of course, you know, there _is_ that to be thought
of. Anyhow, after soliloquizing for forty-seven minutes Prince Proper
went on his way; and by and by Prince Clever came along.
You can guess what Clever said.
"My whiskers!" he said, "this is older than the last. I knew this in my
cradle." With one of those nasty sarcastic laughs that I hate so much he
went on his way; and by and by Prince Goldenlocks came along.
(Now then, Goldenlocks, the throne is almost yours!)
You can guess what Goldenlocks said.
"Poor little dove," he said. "But I can save its life."
Rapidly he fitted an arrow to his bow and with careful aim let fly at
the pursuing hawk....
I say again that Prince Goldenlocks was the most beautiful youth you
have ever seen in your life, and he had a very loving nature. But he was
a poor shot.
He hit the dove....
_"Is that all?" said Margery._
_"That's all," I said. "Good night."_
DISAPPOINTMENT
My young friend Bobby (now in the early thirteens) has been making his
plans for the Christmas holidays. He communicated them to me in a letter
from school:--
"I am going to write an opera in the holidays with a boy called Short, a
very great and confident friend of mine here. I am doing the words and
Short is doing the music. We have already got the title; it is called
'Disappointment.'"
Last week, on his return to town, he came to see me at my club, and when
the waiter had brought in drinks, and Bobby had refused a cigar, I
lighted up and prepared to talk shop. His recent discovery that I write
too leads him to treat me with more respect than formerly.
"Now then," I said, "tell me about it. How's it going on?"
"Oo, I haven't done much yet," said Bobby. "But I've got the plot."
"Let's have it."
Bobby unfolded it rapidly.
"Well, you see, there's a chap called Tommy--he's the hero--and he's
just come back from Oxford, and he's awfully good-looking and decent and
all that, and he's in love with Felicia, you see, and there's another
chap called Reynolds, and, you see, Felicia's really the same as
Phyllis, who's going to marry Samuel, and that's the disappointment,
because Tommy wants to marry her, you see."
"I see. That ought to be all right. You could almost get two operas out
of that."
"Oo, do you think so?"
"Well, it depends how much Reynolds comes in. You didn't tell me what
happened to him. Does he marry anybody?"
"Oo, no. He comes in because I want somebody to tell the audience about
Tommy when Tommy isn't there."
(How well Bobby has caught the dramatic idea.)
"I see. He ought to be very useful."
"You see, the First Act's in a very grand restaurant, and Tommy comes in
to have dinner, and he explains to Reynolds how he met Felicia on a
boat, and she'd lost her umbrella, and he said, 'Is this your umbrella?'
and it was, and they began to talk to each other, and then he was in
love with her. And then he goes out, and then Reynolds tells the
audience what an awfully decent chap Tommy is."
"Why does he go out?"
"Well, you see, Reynolds couldn't tell everybody what an awfully decent
chap Tommy is if Tommy was there."
(Of course he couldn't.)
"And where's Felicia all this time?"
"Oo, she doesn't come on: She's in the country with Samuel. You see, the
Second Act is a grand country wedding, and Samuel and Phyllis are
married, and Tommy is one of the guests, and he's very unhappy, but he
tries not to show it, and he shoots himself."
"Reynolds is there too, I suppose?"
"Oo, I don't know yet."
(He'll have to be, of course. He'll be wanted to tell the audience how
unhappy Tommy is.)
"And how does it end?" I asked.
"Well, you see, when the wedding's over, Tommy sings a song about
Felicia, and it ends up, 'Felicia, Felicia, Felicia,' getting higher
each time--Short has to do that part, of course, but I've told him
about it--and then the curtain comes down."
"I see. And has Short written any of the music yet?"
"He's got some of the notes. You see, I've only just got the plot, and
I've written about two pages. I'm writing it in an exercise-book."
A shadow passed suddenly across the author's brow.
"And the sickening thing," he said, as he leant back in his chair and
sipped his ginger-beer, "is that on the cover of it I've spelt
Disappointment with two 's's.'"
(The troubles of this literary life!)
"Sickening," I agreed.
. . . . .
If there is one form of theft utterly unforgivable it is the theft by a
writer of another writer's undeveloped ideas. Borrow the plot of Sir J.
M. Barrie's last play, and you do him no harm; you only write yourself
down a plagiarist. But listen to the scenario of his next play (if he is
kind enough to read it to you) and write it up before he has time to
develop it himself, and you do him a grievous wrong; for you fix the
charge of plagiarism on _him_. Surely, you say, no author could sink so
low as this.
And yet, when I got home, the plot of "Disappointment" (with one "s") so
took hold of me that I did the unforgivable thing; I went to my desk and
wrote the opera. I make no excuses for myself. I only point out that
Bobby's opera, as performed at Covent Garden in Italian, with Short's
music conducted by Richter, is not likely to be belittled by anything
that I may write here. I have only written in order that I may get the
scenario--which had begun to haunt me--off my chest. Bobby, I know, will
understand and forgive; Short I have not yet had the pleasure of
meeting, but I believe he is smaller than Bobby.
ACT I.
SCENE--_A grand restaurant. Enter Tommy, a very handsome man, just
back from Oxford._
_Tommy sings:_
Felicia, I love you,
By all the stars above you
I swear you shall be mine!--
And now I'm going to dine.
[_He sits down and orders a bottle of ginger-beer and some
meringues._
_Waiter._ Your dinner, Sir.
_Tommy._ Thank you. And would you ask Mr. Reynolds to come in, if
you see him? (_To the audience_) A week ago I was crossing the
Channel--(_enter Reynolds_)--Oh, here you are, Reynolds! I was just
saying that a week ago I was crossing the Channel when I saw the
most beautiful girl I have ever seen who had lost her umbrella. I
said, "Excuse me, but is this your umbrella?" She said, "Yes."
Reynolds, I sat down and fell in love with her. Her name was
Felicia. And now I must go and see about something. [_Exit._
_Reynolds._ Poor Tommy! An awfully decent chap if ever there was
one. But he will never marry Felicia, because I happen to know her
real name is Phyllis, and she is engaged to Samuel.
(_Recitative._)
She is engaged to Samuel. Poor Tommy,
He does not know she's fond of Samuel.
He _will_ be disappointed when he knows.
CURTAIN.
ACT II.
SCENE--_A beautiful country wedding._
_Tommy_ (_in pew nearest door, to_ Reynolds). Who's the bride?
_Reynolds._ Phyllis. She's marrying Samuel.
_Enter Bride_.
_Tommy._ Heavens, it's Felicia!
_Reynolds_ (_to audience_). Poor Tommy! How disappointed he must be!
(_Aloud_) Yes, Felicia and Phyllis are really the same girl. She's
engaged to Samuel.
_Tommy._ Then I cannot marry her!
_Reynolds._ No.
_Tommy sings:_
Good-bye, Felicia, good-bye,
I'm awfully disappointed, I
Am now, in fact, about to die,
Felicia, Felicia, Felicia!
[_Shoots himself._
CURTAIN.
. . . . .
That is how I see it. But no doubt Bobby and Short, when they really get
to work, will make something better of it. It is an engaging theme, but,
of course, the title wants to be spelt properly.
AMONG THE ANIMALS
Jeremy was looking at a card which his wife had just passed across the
table to him.
"'Lady Bendish. At Home,'" he read. "'Pets.' Is this for us?"
"Of course," said Mrs. Jeremy.
"Then I think 'Pets' is rather familiar. 'Mr. and Mrs. J. P. Smith'
would have been more correct."
"Don't be silly, Jeremy. It means it's a Pet party. You have to bring
some sort of pet with you, and there are prizes for the prettiest, and
the most intelligent, and the most companionable, and so on." She looked
at the fox-terrier curled up in front of the fire-place. "We could take
Rags, of course."
"Or Baby," said Jeremy. "We'll enter her in the Fat Class."
But when the day arrived Jeremy had another idea. He came in from the
garden with an important look on his face, and joined his wife in the
hall.
"Come on," he said. "Let's start."
"But where's Rags?"
"Rags isn't coming. I'm taking Hereward instead." He opened his
cigarette-case and disclosed a small green animal. "Hereward," he said.
"Why, Jeremy," cried his wife, "it's--why, it's blight from the
rose-tree!"
"It isn't just blight, dear; it's one particular blight. A blight.
Hereward, the Last of the Blights." He wandered round the hall. "Where's
the lead?" he asked.
"Jeremy, don't be absurd."
"My dear, I must have something to lead him up for his prize on. During
the parade he can sit on my shoulder informally, but when we come to the
prize-giving, 'Mr. J. P. Smith's blight, Hereward,' must be led on
properly." He pulled open a drawer. "Oh, here we are. I'd better take
the chain; he might bite through the leather one."
They arrived a little late, to find a lawn full of people and animals;
and one glance was sufficient to tell Jeremy that in some of the classes
at least his pet would have many dangerous rivals.
"If there's a prize for the biggest," he said to his wife, "my blight
has practically lost it already. Adams has brought a cart-horse. Hullo,
Adams," he went on, "how are you? Don't come too close or Hereward may
do your animal a mischief."
"Who's Hereward?"
Jeremy opened his cigarette-case.
"Hereward," he said. "Not the woodbine; that's quite wild. The blight.
He's much more domesticated, but there are moments when he gets out of
hand and becomes unmanageable. He gave me the slip coming here, and I
had to chase him through the churchyard; that's why we're late."
"Does he take meals with the family?" asked Adams with a grin.
"No, no; he has them alone in the garden. You ought to see him having
his bath. George, our gardener, looks after him. George gives him a
special bath of soapy water every day. Hereward simply loves it. George
squirts on him, and Hereward lies on his back and kicks his legs in the
air. It's really quite pretty to watch them."
He nodded to Adams, and wandered through the crowd with Mrs. Jeremy. The
collection of animals was remarkable; they varied in size from Adams's
cart-horse to Jeremy's blight; in playfulness from the Vicar's kitten
to Miss Trehearne's chrysalis; and in ability for performing tricks from
the Major's poodle to Dr. Bunton's egg of the Cabbage White.
"There ought to be a race for them all," said Mrs. Jeremy. "A handicap,
of course."
"Hereward is very fast over a short distance," said Jeremy, "but he
wants encouragement. If he were given ninety-nine yards, two feet, and
eleven inches in a hundred, and you were to stand in front of him with a
William Allan Richardson, I think we might pull it off. But, of course,
he's a bad starter. Hullo, there's Miss Bendish."
Miss Bendish, hurrying along, gave them a word as she went past.
"They're going to have the inspection directly," she said, "and give the
prizes. Is your animal quite ready?"
"I should like to brush him up a bit," said Jeremy. "Is there a tent or
anywhere where I could prepare him? His eyebrows get so matted if he's
left to himself for long." He took out a cigarette and lit it.
"There's a tent, but you'll have to hurry up."
"Oh, well, it doesn't really matter," said Jeremy, as he walked along
with her. "Hereward's natural beauty and agility will take him through."
On the south lawn the pets and their owners were assembling. Jeremy took
the leash out of his pocket and opened his cigarette-case.
"Good heavens!" he cried. "Hereward has escaped! Quick! Shut the gates!"
He saw Adams near and hurried up to him. "My blight has escaped," he
said breathlessly, holding up the now useless leash. "He gnawed through
the chain and got away. I'm afraid he may be running amok among the
guests. Supposing he were to leap upon Sir Thomas from behind and savage
him--it's too terrible." He moved anxiously on. "Have you seen my
blight?" he asked Miss Trehearne. "He has escaped, and we are rather
anxious. If he were to get the Vicar down and begin to worry him----" He
murmured something about "once getting the taste for blood" and hurried
off. The guests were assembled, and the judges walked down the line and
inspected their different animals. They were almost at the end of it
when Jeremy sprinted up and took his place by the last beast.
"It's all right," he panted to his wife, "I've got him. Silly of me to
mislay him, but he's so confoundedly shy." He held out his finger as the
judges approached, and introduced them to the small green pet perching
on the knuckle. "A blight," he said. "Hereward, the Chief Blight. Been
in the family for years. A dear old friend."
Jeremy went home a proud man. "Mr. J. P. Smith's blight, Hereward," had
taken first prize in the All-round class.
. . . . .
"Yes," he admitted to his wife at dinner, "there is something on my
mind." He looked at the handsome cigarette-box on the table in front of
him and sighed.
"What is it, dear? You enjoyed yourself this afternoon, you know you
did, and Hereward won you that beautiful cigarette-box. You ought to be
proud."
"That's the trouble. Hereward didn't win it."
"But they said--they read it out, and----"
"Yes, but they didn't know. It was really Elspeth who won it."
"Elspeth?"
"Yes, dear." Jeremy sighed again. "When Hereward escaped and I went back
for him, I didn't find him as I--er--pretended. So I went to the rose
garden and--and borrowed Elspeth. Fortunately no one noticed it was a
lady blight ... they all took it for Hereward.... But it was really
Elspeth--and belonged to Lady Bendish."
He helped himself to a cigarette from the box.
"It's an interesting point," he said. "I shall go and confess to-morrow
to Sir Thomas, and see what he thinks about it. If he wants the box
back, well and good."
He refilled his glass.
"After all," he said, "the real blow is losing Hereward.
Elspeth--Elspeth is very dear to me, but she can never be quite the
same."
A TRAGEDY OF THE SEA
William Bales--as nice a young man as ever wore a cummerbund on an
esplanade--was in despair. For half an hour he and Miss Spratt had been
sitting in silence on the pier, and it was still William's turn to say
something. Miss Spratt's last remark had been, "Oh, Mr. Bales, you do
say things!" and William felt that his next observation must at all
costs live up to the standard set for it. Three or four times he had
opened his mouth to speak, and then on second thoughts had rejected the
intended utterance as unworthy. At the end of half an hour his mind was
still working fruitlessly. He knew that the longer he waited the more
brilliant he would have to be, and he told himself that even Bernard
Shaw or one of those clever writing fellows would have been hard put to
it now.
William was at odds with the world. He was a romantic young man who had
once been told that he nearly looked like Lewis Waller when he frowned,
and he had resolved that his holiday this year should be a very dashing
affair indeed. He had chosen the sea in the hopes that some old
gentleman would fall off the pier and let himself be saved by--and,
later on, photographed with--William Bales, who in a subsequent
interview would modestly refuse to take any credit for the gallant
rescue. As his holiday had progressed he had felt the need for some such
old gentleman more and more; for only thus, he realised, could he
capture the heart of the wayward Miss Spratt. But so far it had been a
dull season; in a whole fortnight nobody had gone out of his way to
oblige William, and to-morrow he must return to the City as unknown and
as unloved as when he left it.
"Got to go back to-morrow," he said at last. As an impromptu it would
have served, but as the result of half an hour's earnest thought he felt
that it did not do him justice.
"So you said before," remarked Miss Spratt.
"Well, it's still true."
"Talking about it won't help it," said Miss Spratt.
William sighed and looked round the pier. There was an old gentleman
fishing at the end of it, his back turned invitingly to William. In half
an hour he had caught one small fish (which he had had to return as
under the age limit) and a bunch of seaweed. William felt that there was
a wasted life; a life, however, which a sudden kick and a heroic rescue
by W. Bales might yet do something to justify. At the Paddington Baths,
a month ago, he had won a plate-diving competition; and though there is
a difference between diving for plates and diving for old gentlemen he
was prepared to waive it. One kick and then ... Fame! And, not only
Fame, but the admiration of Angelina Spratt.
It was perhaps as well for the old gentleman--who was really quite
worthy, and an hour later caught a full-sized whiting--that Miss Spratt
spoke at this moment.
"Well, you're good company, I must say," she observed to William.
"It's so hot," said William.
"You can't say _I_ asked to come here."
"Let's go on the beach," said William desperately. "We can find a shady
cave or something." Fate was against him; there was to be no rescue that
day.
"I'm sure I'm agreeable," said Miss Spratt.
They walked in silence along the beach, and, rounding a corner of the
cliffs, they came presently to a cave. In earlier days W. Bales could
have done desperate deeds against smugglers there, with Miss Spratt
looking on. Alas for this unromantic age! It was now a place for
picnics, and a crumpled sheet of newspaper on the sand showed that there
had been one there that very afternoon.
They sat in a corner of the cave, out of the sun, out of sight of the
sea, and William prepared to renew his efforts as a conversationalist.
In the hope of collecting a few ideas as to what the London clubs were
talking about he picked up the discarded newspaper, and saw with disgust
that it was the local _Herald_. But just as he threw it down, a line in
it caught his eye and remained in his mind:
"_High tide to-day--3.30._"
William's heart leapt. He looked at his watch; it was 2.30. In one hour
the waves would be dashing remorselessly into the cave, would be leaping
up the cliff, what time he and Miss Spratt----
Suppose they were caught by the tide....
Meanwhile the lady, despairing of entertainment, had removed her hat.
"Really," she said, "I'm that sleepy---- I suppose the tide's safe, Mr.
Bales?"
It was William's chance.
"Quite, quite safe," he said earnestly. "It's going down hard."
"Well then, I almost think----" She closed her eyes. "Wake me up when
you've thought of something really funny, Mr. Bales."
William was left alone with Romance.
He went out of the cave and looked round. The sea was still some way
out, but it came up quickly on this coast. In an hour ... in an hour....
He scanned the cliffs, and saw the ledge whither he would drag her. She
would cling to him crying, calling him her rescuer....
What should he do then? Should he leave her and swim for help? Or should
he scale the mighty cliff?
He returned to the cave and, gazing romantically at the sleeping Miss
Spratt, conjured up the scene. It would go like this, he thought.
_Miss Spratt_ (_wakened by the spray dashing over her face_). Oh, Mr.
Bales! We're cut off by the tide! Save me!
_W. Bales_ (_lightly_). Tut-tut, there's no danger. It's nothing.
(_Aside_) Great Heavens! Death stares us in the face!
_Miss Spratt_ (_throwing her arms around his neck_). William, save me; I
cannot swim!
_W. Bales_ (_with Waller face_). Trust me, Angelina. I will fight my way
round yon point and obtain help. (_Aside_) An Englishman can only die
once.
_Miss Spratt._ Don't leave me!
_W. Bales._ Fear not, sweetheart. See, there is a ledge where you will
be beyond the reach of the hungry tide. I will carry you thither in my
arms and will then----
At this point in his day-dream William took another look at the sleeping
Miss Spratt, felt his biceps doubtfully, and went on----
_W. Bales._ I will help you to climb thither, and will then swim for
help.
_Miss Spratt._ My hero!
Again and again William reviewed the scene to himself. It was perfect.
His photograph would be in the papers; Miss Spratt would worship him; he
would be a hero in his City office. The actual danger was slight, for at
the worst she could shelter in the far end of the cave; but he would not
let her know this. He would do the thing heroically--drag her to the
ledge on the cliff, and then swim round the point to obtain help.
The thought struck him that he could conduct the scene better in his
shirt-sleeves. He removed his coat, and then went out of the cave to
reconnoitre the ledge.
. . . . .
Miss Spratt awoke with a start and looked at her watch. It was 4.15. The
cave was empty save for a crumpled page of newspaper. She glanced at
this idly and saw that it was the local _Herald_ ... eight days old.
Far away on the horizon William Bales was throwing stones bitterly at
the still retreating sea.
OLD FRIENDS
"It was very nice of you to invite me to give you lunch," I said, "and
if only the waiter would bring the toast I should be perfectly happy. I
can't say more."
"Why not?" said Miss Middleton, looking up. "Oh, I see."
"And now," I said, when I had finished my business with a sardine, "tell
me all about it. I know something serious must have brought you up to
London. What is it? Have you run away from home?"
Miss Middleton nodded. "Sir Henery," she added dramatically, "waits for
me in his yacht at Dover. My parents would not hear of the marriage, and
immured me in the spare room. They tried to turn me against my love, and
told wicked stories about him, vowing that he smoked five non-throat
cigarettes in a day. Er--would you pass the pepper, please?"
"Go on," I begged. "Never mind the pepper."
"But, of course, I really came to see you," said Miss Middleton briskly.
"I want you to do something for me."
"I knew it."
"Oh, _do_ say you'd love to."
I drained my glass and felt very brave.
"I'd love to," I said doubtfully. "At least, if I were sure that----" I
lowered my voice: "Look here--have I got to write to anybody?"
"No," said Miss Middleton.
"Let me know the worst. Have I--er--have I got to give advice to
anybody?"
"No."
There was one other point that had to be settled. I leant across the
table anxiously.
"Have I got to ring anybody up on the telephone?" I asked in a hoarse
whisper.
"Oh, nothing like that at all," said Miss Middleton.
"Dash it," I cried, "then of _course_ I'll do anything for you. What is
it? Somebody you want killed? I could kill a mayor to-day."
Miss Middleton was silent for a moment while allowing herself to be
helped to fish. When the waiters had moved away, "We are having a jumble
sale," she announced.
I shook my head at her.
"Your life," I said, "is one constant round of gaiety."
"And I thought as I was coming to London I'd mention it to you. Because
you're always saying you don't know what to do with your old things."
"I'm not _always_ saying it. I may have mentioned it once or twice when
the conversation was flagging."
"Well, mention it now, and then I'll mention my jumble sale."
I thought it over for a moment.
"It will mean brown paper and string," I said hopelessly, "and I don't
know where to get them."
"I'll buy some after lunch for you. You shall hold my hand while I buy
it."
"And then I should have to post it, and I'm _rotten_ at posting things."
"But you needn't post it, because you can meet me at the station with
it, and I'll take it home."
"I don't think it's quite etiquette for a young girl to travel alone
with a big brown-paper parcel. What would Mrs. Middleton say if she
knew?"
"Mother?" cried Miss Middleton. "But, of course, it's her idea. You
_didn't_ think it was mine?" she said reproachfully.
"The shock of it unnerved me for a moment. Of course, I see now that it
is Mrs. Middleton's jumble sale entirely." I sighed and helped myself to
salt. "How do I begin?"
"You drive me to my dressmaker and leave me there and go on to your
rooms. And then you collect a few really old things that you don't want
and tie them up and meet me at the 4.40. I'm afraid," she said frankly,
"it _is_ a rotten way of spending an afternoon; but I promised mother."
"I'll do it," I said.
My parcel and I arrived promptly to time. Miss Middleton didn't.
"Don't say I've caught the wrong train," she said breathlessly, when at
last she appeared. "It does go at 4.40, doesn't it?"
"It does," I said, "and it did."
"Then my watch must be slow."
"Send it to the jumble sale," I advised. "Look here--we've a long time
to wait for the next train; let's undress my parcel in the waiting-room,
and I'll point out the things that really want watching. Some are
absolutely unique."
It was an odd collection of very dear friends, Miss Middleton's final
reminder having been that _nothing_ was too old for a jumble sale.
"_Lot One_," I said. "A photograph of my house cricket eleven, framed in
oak. Very interesting. The lad on the extreme right is now a clergyman."
"Oh, which is you?" said Miss Middleton eagerly.
I was too much wrapped up in my parcel to answer. "_Lot Two_," I went
on. "A pink-and-white football shirt; would work up into a dressy blouse
for adult, or a smart overcoat for child. _Lot Three._ A knitted
waistcoat; could be used as bath-mat. _Lot Four._ Pair of bedroom
slippers in holes. This bit is the slipper; the rest is the hole. _Lot
Five._ Now this is something really good. _Truthful Jane_--my first
prize at my Kindergarten."
"Mother _is_ in luck. It's just the sort of things she wants," said Miss
Middleton.
"Her taste is excellent. _Lot Six._ A pair of old grey flannel trousers.
_Lot Seven._ Lot Seven forward. Where are you?" I began to go through
the things again. "Er--I'm afraid Lot Seven has already gone."
"What about Lot Eight?"
"There doesn't seem to be a Lot Eight either. It's very funny; I'm sure
I started with more than this. Some of the things must have eaten each
other on the way."
"Oh, but this is _heaps_. Can you really spare them all?"
"I should feel honoured if Mrs. Middleton would accept them," I said
with a bow. "Don't forget to tell her that in the photograph the lad on
the extreme right----" I picked up the photograph and examined it more
carefully. "I say, _I_ look rather jolly, don't you think? I wonder if I
have another copy of this anywhere." I gazed at it wistfully. "That was
my first year for the house, you know."
"Don't give it away," said Miss Middleton suddenly. "Keep it."
"Shall I? I don't want to deprive---- Well, I think I will if you don't
mind." My eyes wandered to the shirt. "I've had some fun in _that_ in my
time," I said thoughtfully. "The first time I wore it----"
"You really _oughtn't_ to give away your old colours, you know."
"Oh, but if Mrs. Middleton," I began doubtfully--"at least, don't
you--what?--oh, all right, perhaps I won't." I put the shirt on one side
with the photograph, and picked up the dear old comfy bedroom slippers.
I considered them for a minute and then I sighed deeply. As I looked up
I caught Miss Middleton's eye.... I think she had been smiling.
"About the slippers," she said gravely.
. . . . .
"Good-bye," I said to Miss Middleton. "It's been jolly to see you." I
grasped my parcel firmly as the train began to move. "I'm always glad to
help Mrs. Middleton, and if ever I can do so again be sure to let me
know."
"I will," said Miss Middleton.
The train went out of the station, and my parcel and I looked about for
a cab.
GETTING MARRIED
GETTING MARRIED
I.--THE DAY
Probably you thought that getting married was quite a simple business.
So did I. We were both wrong; it is the very dickens. Of course, I am
not going to draw back now. As I keep telling Celia, her Ronald is a man
of powerful fibre, and when he says he will do a thing he does
it--eventually. She shall have her wedding all right; I have sworn it.
But I do wish that there weren't so many things to be arranged first.
The fact that we had to fix a day was broken to me one afternoon when
Celia was showing me to some relatives of hers in the Addison Road. I
got entangled with an elderly cousin on the hearth-rug; and though I
know nothing about motor-bicycles I talked about them for several hours
under the impression that they were his subject. It turned out
afterwards that he was equally ignorant of them, but thought they were
mine. Perhaps we shall get on better at a second meeting. However, just
when we were both thoroughly sick of each other, Celia broke off her gay
chat with an aunt to say to me:
"By the way, Ronald, we did settle on the eleventh, didn't we?"
I looked at her blankly, my mind naturally full of motor-bicycles.
"The wedding," smiled Celia.
"Right-o," I said with enthusiasm. I was glad to be assured that I
should not go on talking about motor-bicycles for ever, and that on the
eleventh, anyhow, there would be a short interruption for the ceremony.
Feeling almost friendly to the cousin, I plunged into his favourite
subject again.
On the way home Celia returned to the matter.
"Or you would rather it was the twelfth?" she asked.
"I've never heard a word about this before," I said. "It all comes as a
surprise to me."
"Why, I'm _always_ asking you."
"Well, it's very forward of you, and I don't know what young people are
coming to nowadays. Celia, what's the _good_ of my talking to your
cousin for three hours about motor-bicycling? Surely one can get married
just as well without that?"
"One can't get married without settling the day," said Celia, coming
cleverly back to the point.
Well, I suppose one can't. But somehow I had expected to be spared all
this bother. I think my idea was that Celia would say to me suddenly one
evening, "By the way, Ronald, don't forget we're being married
to-morrow," and I should have said "Where?" And on being told the time
and place, I should have turned up pretty punctually; and after my best
man had told me where to stand, and the clergyman had told me what to
say, and my solicitor had told me where to sign my name, we should have
driven from the church a happy married couple ... and in the carriage
Celia would have told me where we were spending the honeymoon.
However, it was not to be so.
"All right, the eleventh," I said. "Any particular month?"
"No," smiled Celia, "just any month. Or, if you like, every month."
"The eleventh of June," I surmised. "It is probably the one day in the
year on which my Uncle Thomas cannot come. But no matter. The eleventh
let it be."
"Then that's settled. And at St. Miriam's?"
For some reason Celia has set her heart on St. Miriam's. Personally I
have no feeling about it. St. Andrew's-by-the-Wardrobe or St.
Bartholomew's-Without would suit me equally well.
"All right," I said, "St. Miriam's."
There, you might suppose, the matter would have ended; but no.
"Then you will see about it to-morrow?" said Celia persuasively.
I was appalled at the idea.
"Surely," I said, "this is for you, or your father, or--or somebody to
arrange."
"Of _course_ it's for the bridegroom," protested Celia.
"In theory, perhaps. But anyhow not the bridegroom personally. His best
man ... or his solicitor ... or ... I mean, you're not suggesting that I
myself---- Oh, well, if you insist. Still, I must say I don't see what's
the good of having a best man _and_ a solicitor if---- Oh, all right,
Celia, I'll go to-morrow."
So I went. For half an hour I padded round St. Miriam's nervously, and
then summoning up all my courage, I knocked my pipe out and entered.
"I want," I said jauntily to a sexton or a sacristan or something--"I
want--er--a wedding." And I added, "For two."
He didn't seem as nervous as I was. He enquired quite calmly when I
wanted it.
"The eleventh of June," I said. "It's probably the one day in the year
on which my Uncle Thomas---- However, that wouldn't interest you. The
point is that it's the eleventh."
The clerk consulted his wedding-book. Then he made the surprising
announcement that the only day he could offer me in June was the
seventeenth. I was amazed.
"I am a very old customer," I said reproachfully. "I mean, I have often
been to your church in my time. Surely----"
"We've weddings fixed on all the other days."
"Yes, yes, but you could persuade somebody to change his day, couldn't
you? Or if he is very much set on being married on the eleventh you
might recommend some other church to him. I daresay you know of some
good ones. You see, Celia--my--that is, we're particularly keen, for
some reason, on St. Miriam's."
The clerk didn't appreciate my suggestion. He insisted that the
seventeenth was the only day.
"Then will you have the seventeenth?" he asked.
"My dear fellow, I can't possibly say off-hand," I protested. "I am not
alone in this. I have a friend with me. I will go back and tell her what
you say. She may decide to withdraw her offer altogether."
I went back and told Celia.
"Bother," she said. "What shall we do?"
"There are other churches. There's your own, for example."
"Yes, but you know I don't like that. Why _shouldn't_ we be married on
the seventeenth?"
"I don't know at all. It seems an excellent day; it lets in my Uncle
Thomas. Of course, it may exclude my Uncle William, but one can't have
everything."
"Then will you go and fix it for the seventeenth to-morrow?"
"Can't I send my solicitor this time?" I asked. "Of course, if you
particularly want me to go myself, I will. But really, dear, I seem to
be living at St. Miriam's nowadays."
And even that wasn't the end of the business. For, just as I was leaving
her, Celia broke it to me that St. Miriam's was neither in her parish
nor in mine, and that, in order to qualify as a bridegroom, I should
have to hire a room somewhere near.
"But I am very comfortable where I am," I assured her.
"You needn't live there, Ronald. You only want to leave a hat there, you
know."
"Oh, very well," I sighed.
She came to the hall with me; and, having said good-bye to her, I
repeated my lesson.
"The seventeenth, fix it up to-morrow, take a room near St. Miriam's,
and leave a hat there. Good-bye."
"Good-bye.... And oh, Ronald!" She looked at me critically as I stood in
the doorway. "You might leave _that_ one," she said.
II.--FURNISHING
"By the way," said Celia suddenly, "what have you done about the
fixtures?"
"Nothing," I replied truthfully.
"Well, we must do _something_ about them."
"Yes. My solicitor--he shall do something about them. Don't let's talk
about them now. I've only got three hours more with you, and then I must
dash back to my work."
I must say that any mention of fixtures has always bored me intensely.
When it was a matter of getting a house to live in I was all energy. As
soon as Celia had found it, I put my solicitor on to it; and within a
month I had signed my name in two places, and was the owner of a highly
residential flat in the best part of the neighbourhood. But my effort so
exhausted me that I have felt utterly unable since to cope with the
question of the curtain-rod in the bathroom or whatever it is that Celia
means by fixtures. These things will arrange themselves somehow, I feel
confident.
Meanwhile the decorators are hard at work. A thrill of pride inflates me
when I think of the decorators at work. I don't know how they got there;
I suppose I must have ordered them. Celia says that _she_ ordered them
and chose all the papers herself, and that all I did was to say that the
papers she had chosen were very pretty; but this doesn't sound like me
in the least. I am convinced that I was the man of action when it came
to ordering decorators.
"And now," said Celia one day, "we can go and choose the electric-light
fittings."
"Celia," I said in admiration, "you're a wonderful person. I should have
forgotten all about them."
"Why, they're about the most important thing in the flat."
"Somehow I never regarded anybody as choosing them. I thought they just
grew in the wall. From bulbs."
When we got into the shop Celia became businesslike at once.
"We'd better start with the hall," she told the man.
"Everybody else will have to," I said, "so we may as well."
"What sort of a light did you want there?" he asked.
"A strong one," I said; "so as to be able to watch our guests carefully
when they pass the umbrella-stand."
Celia waved me away and explained that we wanted a hanging lantern. It
appeared that this shop made a speciality not so much of the voltage as
of the lamps enclosing it.
"How do you like that?" asked the man, pointing to a magnificent affair
in brass. He wandered off to a switch, and turned it on.
"Dare you ask him the price?" I asked Celia. "It looks to me about a
thousand pounds. If it is, say that you don't like the style. Don't let
him think we can't afford it."
"Yes," said Celia, in a careless sort of way. "I'm not sure that I care
about that. How much is it?"
"Two pounds."
I was not going to show my relief. "Without the light, of course?" I
said disparagingly.
"How do you think it would look in the hall?" said Celia to me.
"I think our guests would be encouraged to proceed. They'd see that we
were pretty good people."
"I don't like it. It's too ornate."
"Then show us something less ornate," I told the man sternly.
He showed us things less ornate. At the end of an hour Celia said she
thought we'd better get on to another room, and come back to the hall
afterwards. We decided to proceed to the drawing-room.
"We must go all out over these," said Celia; "I want these to be really
beautiful."
At the end of another hour Celia said she thought we'd better get on to
my workroom. My workroom, as the name implies, is the room to which I am
to retire when I want complete quiet. Sometimes I shall go there after
lunch ... and have it.
"We can come back to the drawing-room afterwards," she said. "It's
really very important that we should get the right ones for that. Your
room won't be so difficult, but, of course, you must have awfully nice
ones."
I looked at my watch.
"It's a quarter to one," I said. "At 2.15 on the seventeenth of June we
are due at St. Miriam's. If you think we shall have bought anything by
then, let's go on. If, as seems to me, there is no hope at all, then
let's have lunch to-day anyhow. After lunch we may be able to find some
way out of the _impasse_."
After lunch I had an idea.
"This afternoon," I said, "we will begin to get some furniture
together."
"But what about the electric fittings? We must finish off those."
"This is an experiment. I want to see if we can buy a chest of drawers.
It may just be our day for it."
"And we settle the fittings to-morrow. Yes?"
"I don't know. We may not want them. It all depends on whether we can
buy a chest of drawers this afternoon. If we can't, then I don't see
how we can ever be married on the seventeenth of June. Somebody's got to
be, because I've engaged the church. The question is whether it's going
to be us. Let's go and buy a chest of drawers this afternoon, and see."
The old gentleman in the little shop Celia knew of was delighted to see
us.
"Chestesses? Ah, you _'ave_ come to the right place." He led the way
into the depths. "There now. There's a chest--real old, that is." He
gave it a hearty smack. "You don't see a chest like that nowadays. They
can't _make_ 'em. Three pound ten. You couldn't have got that to-morrer.
I'd have sold it for four pound to-morrer."
"I knew it was our day," I said.
"Real old, that is. Spanish me'ogany, all oak lined. That's right, sir,
pull the drawers out and see for yourself. Let the lady see. There's no
imitation there, lady. A real old chest, that is. Come in 'ere in a week
and you'd have to pay five pounds for it. Me'ogany's going up, you see,
that's how."
"Well?" I said to Celia.
"It's perfectly sweet. Hadn't we better see some more?"
We saw two more. Both of them Spanish me'ogany, oak lined,
pull-the-drawers-out-and-see-for-yourself-lady. Half an hour passed
rapidly.
"Well?" I said.
"I really don't know which I like best. Which do you?"
"The first; it's nearer the door."
"There's another shop just over the way. We'd better just look there
too, and then we can come back to decide to-morrow."
We went out. I glanced at my watch. It was 3.30, and we were being
married at 2.15 on the seventeenth of June.
"Wait a moment," I said, "I've forgotten my gloves."
I may be a slow starter, but I am very firm when roused. I went into the
shop, wrote a cheque for the three chests of drawers, and told the man
where to send them. When I returned, Celia was at the shop opposite,
pulling the drawers out of a real old mahogany chest which was standing
on the pavement outside.
"This is even better," she said. "It's perfectly adorable. I wonder if
it's more expensive."
"I'll just ask," I said.
I went in and, without an unnecessary word, bought that chest too. Then
I came back to Celia. It was 3.45, and on the seventeenth of June at
2.15---- Well, we had four chests of drawers towards it.
"Celia," I said, "we may just do it yet."
III.--THE HONEYMOON
"I know I oughtn't to be dallying here," I said; "I ought to be doing
something strenuous in preparation for the wedding. Counting the bells
at St. Miriam's, or varnishing the floors in the flat, or---- Tell me
what I ought to be doing, Celia, and I'll go on not doing it for a bit."
"There's the honeymoon," said Celia.
"I knew there was something."
"Do tell me what you're doing about it?"
"Thinking about it."
"You haven't written to any one about rooms yet?"
"Celia," I said reproachfully, "you seem to have forgotten why I am
marrying you."
When Celia was browbeaten into her present engagement, she said frankly
that she was only consenting to marry me because of my pianola, which
she had always coveted. In return I pointed out that I was only asking
her to marry me because I wanted somebody to write my letters. There
opened before me, in that glad moment, a vista of invitations and
accounts-rendered all answered promptly by Celia, instead of put off
till next month by me. It was a wonderful vision to one who (very
properly) detests letter-writing. And yet, here she was, even before the
ceremony, expecting me to enter into a deliberate correspondence with
all sorts of strange people who as yet had not come into my life at all.
It was too much.
"We will get," I said, "your father to write some letters for us."
"But what's he got to do with it?"
"I don't want to complain of your father, Celia, but it seems to me that
he is not doing his fair share. There ought to be a certain
give-and-take in the matter. _I_ find you a nice church to be married
in--good. _He_ finds you a nice place to honeymoon in--excellent. After
all, you are still his daughter."
"All right," said Celia, "I'll ask father to do it. 'Dear Mrs. Bunn, my
little boy wants to spend his holidays with you in June. I am writing to
ask you if you will take care of him and see that he doesn't do anything
dangerous. He has a nice disposition, but wants watching.'" She patted
my head gently. "Something like that."
I got up and went to the writing-desk.
"I can see I shall have to do it myself," I sighed. "Give me the address
and I'll begin."
"But we haven't quite settled where we're going yet, have we?"
I put the pen down thankfully and went back to the sofa.
"Good! Then I needn't write to-day, anyhow. It is wonderful, dear, how
difficulties roll away when you face them. Almost at once we arrive at
the conclusion that I needn't write to-day. Splendid! Well, where shall
we go? This will want a lot of thought. Perhaps," I added, "I needn't
write to-morrow."
"We had almost fixed on England, hadn't we?"
"Somebody was telling me that Lynton was very beautiful. I should like
to go to Lynton."
"But _every one_ goes to Lynton for their honeymoon."
"Then let's be original and go to Birmingham. 'The happy couple left for
Birmingham, where the honeymoon will be spent.' Sensation."
"'The bride left the train at Ealing.' More sensation."
"I think the great thing," I said, trying to be businesslike, "is to
fix the county first. If we fixed on Rutland, then the rest would
probably be easy."
"The great thing," said Celia, "is to decide what we want. Sea, or
river, or mountains, or--or golf."
At the word golf I coughed and looked out of the window.
Now I am very fond of Celia--I mean of golf, and--what I really mean, of
course, is that I am very fond of both of them. But I do think that on a
honeymoon Celia should come first. After all, I shall have plenty of
other holidays for golf ... although, of course, three weeks in the
summer without any golf at all---- Still, I think Celia should come
first.
"Our trouble," I said to her, "is that neither of us has ever been on a
honeymoon before, and so we've no idea what it will be like. After all,
why should we get bored with each other? Surely we don't depend on golf
to amuse us?"
"All the same, I think your golf _would_ amuse me," said Celia.
"Besides, I want you to be as happy as you possibly can be."
"Yes, but supposing I was slicing my drives all the time, I should be
miserable. I should be torn between the desire to go back to London and
have a lesson with the professional and the desire to stay on
honeymooning with you. One can't be happy in a quandary like that."
"Very well then, no golf. Settled?"
"Quite. Now then, let's decide about the scenery. What sort of soil do
you prefer?"
When I left Celia that day we had agreed on this much: that we wouldn't
bother about golf, and that the mountains, rivers, valleys, and so on
should be left entirely to nature. All we were to enquire for was (in
the words of an advertisement Celia had seen) "a perfect spot for a
honeymoon."
In the course of the next day I heard of seven spots; varying from a
spot in Surrey "dotted with firs," to a dot in the Pacific spotted
with--I forget what, natives probably. Taken together they were the
seven only possible spots for a honeymoon.
"We shall have to have seven honeymoons," I said to Celia when I had
told her my news. "One honeymoon, one spot."
"Wait," she said. "I have heard of an ideal spot."
"Speaking as a spot expert, I don't think that's necessarily better than
an only possible spot," I objected. "Still, tell me about it."
"Well, to begin with, it's close to the sea."
"So we can bathe when we're bored. Good."
"And it's got a river, if you want to fish----"
"I don't. I should hate to catch a fish who was perhaps on his honeymoon
too. Still, I like the idea of a river."
"And quite a good mountain, and lovely walks, and, in fact, everything.
Except a picture-palace, luckily."
"It sounds all right," I said doubtfully. "We might just spend the next
day or two thinking about my seven spots, and then I might ... possibly
... feel strong enough to write."
"Oh, I nearly forgot. I _have_ written, Ronald."
"You have?" I cried. "Then, my dear, what else matters? It's a perfect
spot." I lay back in relief. "And there, thank 'evings, is another thing
settled. Bless you."
"Yes. And, by the way, there _is_ golf quite close too. But that," she
smiled, "needn't prevent us going there."
"Of course not. We shall just ignore the course."
"Perhaps, so as to be on the safe side, you'd better leave your clubs
behind."
"Perhaps I'd better," I said carelessly.
All the same I don't think I will. One never knows what may happen ...
and at the outset of one's matrimonial career to have to go to the
expense of an entirely new set of clubs would be a most regrettable
business.
IV.--SEASONABLE PRESENTS
"I suppose," I said, "it's too late to cancel this wedding now?"
"Well," said Celia, "the invitations are out, and the presents are
pouring in, and mother's just ordered the most melting dress for herself
that you ever saw. Besides, who's to live in the flat if we don't?"
"There's a good deal in what you say. Still, I am alarmed, seriously
alarmed. Look here." I drew out a printed slip and flourished it before
her.
"Not a writ? My poor Ronald!"
"Worse than that. This is the St. Miriam's bill of fare for weddings.
Celia, I had no idea marriage was so expensive. I thought one
rolled-gold ring would practically see it."
It was a formidable document. Starting with "full choir and organ" which
came to a million pounds, and working down through "boys' voices only,"
and "red carpet" to "policemen for controlling traffic--per policeman,
5s.," it included altogether some two dozen ways of disposing of my
savings.
"If we have the whole _menu_," I said, "I shall be ruined. You wouldn't
like to have a ruined husband."
Celia took the list and went through it carefully.
"I might say 'Season,'" I suggested, "or 'Press.'"
"Well, to begin with," said Celia, "we needn't have a full choir."
"Need we have an organ or a choir at all? In thanking people for their
kind presents you might add, 'By the way, do you sing?' Then we could
arrange to have all the warblers in the front. My best man or my
solicitor could give the note."
"Boys' voices only," decided Celia. "Then what about bells?"
"I should like some nice bells. If the price is 'per bell' we might give
an order for five good ones."
"Let's do without bells. You see, they don't begin to ring till we've
left the church, so they won't be any good to _us_."
This seemed to me an extraordinary line to take.
"My dear child," I remonstrated, "the whole thing is being got up not
for ourselves, but for our guests. We shall be much too preoccupied to
appreciate any of the good things we provide--the texture of the red
carpet or the quality of the singing. I dreamt last night that I quite
forgot about the wedding-ring till 1.30 on the actual day, and the only
cab I could find to take me to a jeweller's was drawn by a camel. Of
course, it may not turn out to be as bad as that, but it will certainly
be an anxious afternoon for both of us. And so we must consider the
entertainment entirely from the point of view of our guests. Whether
their craving is for champagne or bells, it must be satisfied."
"I'm sure they'll be better without bells. Because when the policemen
call out 'Mr. Spifkins' carriage,' Mr. Spifkins mightn't hear if there
were a lot of bells clashing about."
"Very well, no bells. But, mind you," I said sternly, "I shall insist on
a clergyman."
We went through the rest of the _menu_, course by course.
"I know what I shall do," I said at last. "I shall call on my friend the
Clerk again, and I shall speak to him quite frankly. I shall say, 'Here
is a cheque for a thousand pounds. It is all I can afford--and, by the
way, you'd better pay it in quickly or it will be dishonoured. Can you
do us up a nice wedding for a thousand inclusive?'"
"Like the Christmas hampers at the stores."
"Exactly. A dozen boys' voices, a half-dozen of bells, ten yards of
awning, and twenty-four oranges, or vergers, or whatever it is. We ought
to get a nice parcel for a thousand pounds."
"Or," said Celia, "we might send the list round to our friends as
suggestions for wedding presents. I'm sure Jane would love to give us a
couple of policemen."
"We'd much better leave the whole thing to your father. I incline more
and more to the opinion that it is _his_ business to provide the
wedding. I must ask my solicitor about it."
"He's providing the bride."
"Yes, but I think he might go further. I can't help feeling that the
bells would come very well from him. 'Bride's father to bridegroom--A
peal of bells.' People would think it was something in silver for the
hall. It would do him a lot of good in business circles."
"And that reminds me," smiled Celia, "there's been some talk about a
present from Miss Popley."
I have come to the conclusion that it is impossible to get married
decently unless one's life is ordered on some sort of system. Mine never
has been; and the result is that I make terrible mistakes--particularly
in the case of Miss Popley. At the beginning of the business, when the
news got round to Miss Popley, I received from her a sweet letter of
congratulation. Knowing that she was rather particular in these matters
I braced myself up and thanked her heartily by return of post. Three
days later, when looking for a cheque I had lost, I accidentally came
across her letter. "Help, help!" I cried. "This came days ago, and I
haven't answered yet." I sat down at once and thanked her
enthusiastically. Another week passed and I began to feel that I must
really make an effort to catch my correspondence up; so I got out all my
letters of congratulation of the last ten days and devoted an afternoon
to answering them. I used much the same form of thanks in all of them
... with the exception of Miss Popley's, which was phrased particularly
warmly.
So much for that. But Miss Popley is Celia's dear friend also. When I
made out my list of guests I included Miss Popley; so, in her list, did
Celia. The result was that Miss Popley received two invitations to the
wedding.... Sometimes I fear she must think we are pursuing her.
"What does she say about a present?" I asked.
"She wants us to tell her what we want."
"What _are_ we to say? If we said an elephant----"
"With a small card tied on to his ear, and 'Best wishes from Miss
Popley' on it. It would look heavenly among the other presents."
"You see what I mean, Celia. Are we to suggest something worth a
thousand pounds, or something worth ninepence? It's awfully kind of her,
but it makes it jolly difficult for us."
"Something that might cost anything from ninepence to a thousand
pounds," suggested Celia.
"Then that washes out the elephant."
"Can't you get the ninepenny ones now?"
"I suppose," I said, reverting to the subject which most weighed on me,
"she wouldn't like to give the men's voices for the choir?"
"No, I think a clock," said Celia. "A clock can cost anything you
like--or don't like."
"Right-o. And perhaps we'd better settle now. When it comes, how many
times shall we write and thank her for it?"
Celia considered. "Four times, I think," she said.
. . . . .
Well, as Celia says, it's too late to draw back now. But I shall be glad
when it's all over. As I began by saying, there's too much "arrangi
Showing first 200,000 characters. Full text: gutenberg.org/ebooks/24313