The Chickens of Fowl Farm

by Lena Barksdale · English · Gutenberg #23943 · 39,677 chars · public domain (US)

The Project Gutenberg eBook of The Chickens of Fowl Farm

This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: The Chickens of Fowl Farm

Author: Lena Barksdale

Release date: December 20, 2007 [eBook #23943]
Most recently updated: January 3, 2021

Language: English

Other information and formats: www.gutenberg.org/ebooks/23943

Credits: E-text prepared by Juliet Sutherland, David Garcia, and the Project Gutenberg Online Distributed Proofreading Team

*** START OF THE PROJECT GUTENBERG EBOOK THE CHICKENS OF FOWL FARM ***

E-text prepared by Juliet Sutherland, David Garcia, and the Project
Gutenberg Online Distributed Proofreading Team (https://www.pgdp.net)

Note: Project Gutenberg also has an HTML version of this
file which includes the original illustrations.
See 23943-h.htm or 23943-h.zip:
(https://www.gutenberg.org/dirs/2/3/9/4/23943/23943-h/23943-h.htm)
or
(https://www.gutenberg.org/dirs/2/3/9/4/23943/23943-h.zip)

THE CHICKENS OF FOWL FARM

A Story

[Illustration]

LENA E. BARKSDALE

Kodak Illustrations by the Authoress

Published by
Allen, Lane & Scott
Philadelphia
1898

PREFACE.

I have written this little chicken book in the past few months, and
now on my eleventh birthday the story is finished.

The "other critters" have talked to the world through "Uncle Remus."
The horses through "Black Beauty"; now I wish to give the chickens
a chance.

Most of them I write of are members of my own family, so I know them
well.

L. E. B.

August 22d, 1898.

THE CHICKENS OF FOWL FARM.

CHAPTER FIRST.

A TALK IN THE CHICKENYARD.

"Why is it, I would like to know," said young Scratchfoot, throwing the
sand over himself, "that every one is talking and carrying on of a hot
Summer day the very time you ought to go to sleep?"

"Hush up, Scratchfoot," said Topknot, "we are having a very lively
conversation. Uncle Red Nose Mike has just asked a riddle, which none
of us can guess. But you can, so get up and try."

Scratchfoot yawned and then said, "Mr. Mike, what is your riddle? I will
try my hand at it. What is it?"

"What kind of a cravat would our friend Mr. Hog be most likely to
choose?" said Red Nose Mike, then added: "I have offered a prize of
those six worms I found just now to the one that tells me what it is."

[Illustration: HEN CASTLE.]

"That is very easy. Have these people, sensible too they call
themselves, been trying so long to guess that riddle? Hand over your
worms, Mr. Mike, for I know it," said Scratchfoot after a little
thought.

"The worms come after the riddle," said Mike.

"The answer is a pig's tie."

"Right, and here are the worms!"

Then after receiving many congratulations Scratchfoot ate the worms.

LATER, IN THE HENHOUSE.

"Mrs. Henny Penny, why do you insist on sitting on your nest forever?
It is so pleasant outdoors; you might be fattening on worms instead of
up here on your nest as if you were glued to it," said Scratchfoot.

"My dear, I see you do not understand."

"No, I don't understand, and only silly people say there is anything to
understand in it," said Scratchfoot, interrupting Henny Penny.

"Dear, you said awhile ago that no one ought to stay in this fine
weather, so I wish you would please go out."

After giving her a peck Scratchfoot left the house.

CHAPTER SECOND.

DEATH OF SCRATCHFOOT.

"O! Mr. Mike, what is that noise? O! O! Mr. Mike, it is Scratchfoot; he
has fallen. See, Mr. Mike," said Brownie, one of the hens at Fowl Farm.

Red Nose Mike flew down on the floor of the henhouse. Then he gave a cry
that waked all the chickens. He said, "Ladies and gentlemen, please all
get together and listen to this sad news I have to tell you."

All the people assembled, and Red Nose Mike said--

"Knowing as I do that young Scratchfoot, of our beloved Fowl Farm, has
gotten up such a reputation, not only for finding the nicest, fattest
worms, not only for guessing riddles or telling the best stories, but
for fighting off any rooster that does harm to the people, I wish to
break the dreadful news as best I can that Scratchfoot is dead!"

Every hen and every rooster drew out their kerchiefs and freely the
tears fell. It was dawn before any of them stopped crying. Then
preparations were made to bury Scratchfoot. Every chicken went; even
Henny Penny left her eggs long enough to go.

That night every one was weak with crying and Topknot had cried herself
sick.

CHAPTER THIRD.

FOWL FARM.

Fowl Farm was once owned by a farmer named Gray, but when Mr. Gray died
he left his farm to a friend who cared nothing at all about it, and
never took the trouble to go to it or to sell it or to send any one else
to it. So once, nearly five years after Mr. Gray's death, some half
dozen travelling hens and roosters found it, and after coming to the
conclusion that it was as much theirs as any one's, they took possession
of it and have kept it ever since.

Here are the names of the hens:--

Lady Gray, Henny Penny, Fluffie, Speckle, Mrs. Bluehen, Topknot,
Brownie, Eatwell, Stuffie, Cockletop, Swellhead, Tiptoe, Highhead,
Julia, Charcoal, Glover, Bluie, Longlegs, and Bigfoot.

Here are the names of the roosters:--

Red Nose Mike, Lazybones, Long Nose Bill.

CHAPTER FOURTH.

THE PARTY.

"Mr. Long Nose, have you been for the mail?" asked Cockletop, as Long
Nose was returning from a walk.

"Yes," answered Bill, "I called. Only a letter for Lady Gray, though.
Here, Lazybones, take this to the lady."

Lazybones never objected to taking mail to Lady Gray, because she always
gave him something.

That night Lady Gray's maid came to the second henhouse and handed a
folded paper to Red Nose Mike. He opened it and read:--

"_Mr. Mike_:

"DEAR SIR:--I wish all of you to come to Hen Castle at eight
o'clock to-night.

"LADY GRAY."

Red Nose called all the people together and read aloud the note. They
all, except Henny Penny, said they would go. Then Mike seated himself
at the table and wrote:--

"_Lady Gray_:

"DEAR MADAM:--We will all be very glad to come to the Castle
to-night at the appointed hour. Mrs. H. Penny says you really
must excuse her though, as she is setting.

"Respectfully,

"R. N. MIKE."

[Illustration: RED NOSE MIKE.]

This answer met with great approval in the henhouse, and at seven
o'clock every hen was getting out her silk dresses and saying what they
looked best in.

Promptly at eight every one was at the Castle. Lady Gray met them in the
garden and said:--

"I received by to-day's mail a very kind invitation to go to a party
over at Chicken Place. You were all invited. It is to be to-morrow, from
seven in the evening until one in the morning. All who wish to go will
oblige me by saying 'I.'"

Every one said "I." Then the chickens left to get ready for the party.

CHAPTER FIFTH.

HENNY PENNY.

"After the thing was all over and the company leaving, Lady Featherly
gave each of us an orange or an apple," said Speckle to Henny Penny
the day after the party. "Don't you wish you had been there?"

"Yes, my dear, and I could have gone for half an hour, if I had not to
go out buying that house to-day. I may have to be gone some time, but
the only thing I mind is about my eggs. I am afraid they will get cold."
Henny sighed as she spoke.

[Illustration]

"Could I take your place?"

"I would be very much obliged, my dear."

"Then I will," said Speckle. "What time do you go?"

"Red Nose Mike will be ready at half-past four this afternoon," Henny
said.

Speckle was ready at the time set by Henny, who soon found a house and
was back in an hour's time.

We must now hear something of Henny Penny. She is one of the oldest and
sweetest hens at Fowl Farm. She was a small chicken when the travelling
hens and roosters settled at the farm. She is respected by every decent
chicken that ever saw her. The remark is everywhere, "What a nice lady
that Mrs. Henny Penny is!"

CHAPTER SIXTH.

TOPKNOT GOES AWAY.

"Topknot, the doctor says go away for a month or so, and as old Miss
Guinea has asked you often to come to see her you may as well go now,"
said Long Nose Bill as he came in. He had been to see the doctor about
Topknot, who was sick. "I know, Mr. Bill, I am very much obliged to you
for having called on Doctor Fixit for me. I suppose I will have to go
at once if Miss Guinea wants me now."

[Illustration]

Topknot wrote and heard in a day or so, saying Miss Guinea would be very
glad to see her any time she would come. So Monday morning found Top, as
the people called her, at the Guinea Place.

She stayed a month and came back as well as ever.

CHAPTER SEVENTH.

A LITTLE FUSS.

"Well, I hope he will get it done by Spring," said Red Nose Mike. He had
been giving Lazybones some instructions about digging sweet potatoes,
which he had offered to pay him for.

"I hope he will too," said Henny Penny.

"You all ought not to be so hard on Lazybones. You know the
circumstances."

"O hush, Speckle. You are always taking up for Lazybones."

"What did you say about circumstances, Speckle?" asked Stuffie.

"We were talking about Lazybones, Stuff," said Mrs. Bluehen. "We were
rather too hard on him, and Speck said we knew the circumstances."

"What sort of circumstances, Speck?"

"Stuff," said Speck, "I did not know you were here, and you raised
Lazybones. I was going to explain the circumstances, but I had rather
not as you are here."

"Do you mean that I raised Lazybones to be lazy?"

"I do, Stuff."

"Am I lazy?"

"I think so."

"Why dare you say that, miss?"

"Why did you ask me?"

"Because I wanted to know."

"I said what I thought, Stuff."

"O, hush up, Stuffie; don't talk so to Speckle. Ask a reasonable
question and answer reasonably," said Mike.

"Very well, Mr. Mike," said Stuffie, who, truth to tell, was afraid of
Red Nose.

The end of it was that Stuffie, being so mad, got the worst of it. She
went to her nest to mope the rest of the day.

Lady Gray heard how nicely Speckle behaved. She sent and asked her to
dine at the Castle. You may be sure Speck went.

CHAPTER EIGHTH.

A LITTLE FUN.

"High! high! for the first cold day. It makes me feel good," said Long
Nose Bill on the tenth of December.

"What shall we do to-day?" asked Fluffie.

"Suppose we get the sleds and go to the hill!"

"What for?"

"To slide, of course, Fluff."

"Are we all going?"

"That is just what I want to find out."

Long Nose Bill got up and made this speech:

"LADIES AND GENTLEMEN OF FOWL FARM: Please, your attention for a second.

"We ought not to let such a fine snowstorm go by without going over
to the hill. The sleds are all in order, and I move we lose no time in
going over to the hill. We could spend an hour or so very pleasantly
in sliding. All who are of my opinion will oblige me by saying 'I.'"

With this fine speech, as Fluffie called it, Bill sat down.

All the people said "I," so at once they started. What a good time they
had! Once Speckle disappeared, but soon Red Nose Mike saw her head
sticking up out of a snowbank.

After awhile they went home. The close of a short December afternoon was
upon them before they reached the house.

"Mr. Mike," said Brownie, as they walked home together, "let's tell some
stories to-night!"

"Very well; I am willing if the others are."

The others were not only willing but glad, so after supper they began.

CHAPTER NINTH.

CHAT AND NEWS.

All and every one of Fowl Farm on a cold Winter afternoon were seated in
the sitting room at the second hen house. Lady Gray and Lady Featherly
had come in to spend a sociable afternoon, as they said. Lady Featherly
had her embroidery, Lady Gray her knitting. The others were sewing.

"Mrs. Penny, may I ask what article of dress you are making?" asked Lady
Featherly.

"Only hemstitching an apron, lady."

"May I see it?"

"Certainly."

Henny unfolded, as she spoke, a beautiful apron. It was embroidered in
forget-me-nots, which were sprinkled over it. Fluffie laughed and told
Speckle afterwards that Lady Featherly nearly had a fit when she saw it.
For she said:--

"O, Mrs. Penny, how beautiful. Thought you did not embroider." Then
turning to Lady Gray, "Look here, Cousin Gray, see how lovely this is."

[Illustration: A GROUP IN THE YARD.]

Soon every one was admiring Henny's work.

"May I ask who you are making it for, Mrs. Penny?"

"For sale."

"How much do you ask?"

"Five dollars!"

"I will buy it then. I will pay you now."

Looking in her purse she drew forth an eight dollar bill, handed it to
Henny, and said:--

"Mrs. Penny, here is a bill for your apron. When you finish it please
send it to my home at Chicken Place. I hope it is right. Is it?"

"Why, my dear lady, it is too right. I only asked five dollars for the
apron. You have given me eight."

"Five dollars is not enough for such exquisite work. So please accept
eight."

"Why, thank you very much, my dear lady," said Henny.

"Fluffie, dear, you look badly. What is the matter?" asked Lady Gray
about an hour later.

"I feel rather badly, too, Lady Gray. I think we have been having too
much fuss down here. I will try to stay in my nest more."

"Fluffie, I want to ask you and Henny and Speck up to the Castle if you
will come," said Lady Gray.

"If we will come! We certainly will. We will be delighted to come to the
Castle on a visit."

"Fluffie, I don't want you on a visit. I want you there to live. How
would you like that?" asked Lady Gray.

"O, my dearest lady. Do you mean it?"

"Yes, I certainly mean it."

CHAPTER TENTH.

TROUBLE AT FOWL FARM.

"Squark! squark! squark!" went Stuffie, Highhead, Longlegs, and Bigfoot.
It was just after the clock had struck for midnight. Red Nose Mike woke
up to find the door open and some one, he could not tell who, standing
there with the people in his hand. He was reaching for Charcoal. Mike at
once woke Charcoal and the rest of them escaped. Soon the person, whom
Red Nose Mike could see was not a chicken, disappeared.

"O! O! where are they? Who was it? O! Cousin Red Nose!" said Eatwell.

"No time for this, Eatwell," said Mrs. Bluehen. "Mr. Bill, Mr. Bill,
where are you?"

"Right here, putting on my overcoat. I must go up to the Castle and warn
the people of the danger," answered Bill.

"Yes, I was just going to say you ought to go."

Bill was gone. Did he ever reach the Castle? We will see.

[Illustration: THE TRAMP.]

As soon as he got outside the door the first thing Bill did was to put
his ear down to the ground. But he heard nothing. Then on he went.
But no, his legs would not carry him fast enough. He flew. At last the
Castle came in sight. How was he to get in? He knew. There was a porch,
a top porch, and Lady Gray's bay window opened into it. Bill flew on
the porch and commenced pecking on the window.

Lady Gray was easy to wake. She was soon at the window. She raised it
and said:--

"Mr. Bill, what do you mean? This is rather late to pay calls."

"O, lady, it is not a call. I came to tell you that serious trouble has
come to dear Fowl Farm," said Bill.

Lady Gray was a person not easily frightened, so she said:--

"I hope it is not as serious as you think; but what is it?"

"My dear madam, a tramp came to our house and stole Stuffie, Highhead,
Longlegs, and Bigfoot. Dear lady, he may come here, so please send out
to see if he has left the farm."

This was too much for Lady Gray. She fainted.

CHAPTER ELEVENTH.

LADY GRAY'S ILLNESS.

"How is the lady this morning?" asked Red Nose Mike the next day.

"Worse!" said Brownie, who was a trained nurse.

Mike sighed. "Is there anything I can do?" he asked.

"Yes, go for Doctor Fixit. She won't hear of a doctor coming, but----"

Red Nose Mike was gone before she could say more. An hour and a half
later Brownie, Henny, and the doctor were on the Castle porch.

"What do you think, doctor?" asked Henny.

"My dear madam, she has been worked up and is very badly off. She must
be kept very quiet. Those powders I left on the table must be taken the
last thing before going to bed and the first thing in the morning. She
must eat nothing. Make her some beef tea."

"How often must she take that?" asked Brownie.

"Every four hours. If she wants it break up a cracker in it. Good
morning; I will see you in the afternoon." The doctor left.

"Fluffie," said Brownie, "go lay down; see if you can catch a minute's
sleep. You will be sick next."

Fluffie went to her room and laid down. Lady Gray had been sick a week
now, and though she was a little better to-day she was far from being
well.

While she lay there the doctor came up to the door.

Up she jumped and went to open the door.

"How is she, Miss Fluffie?"

"About the same." As Fluffie spoke she and the doctor went across the
hall to Lady Gray's room. The doctor went in.

In a few minutes Speckle came in Fluffie's room and said:--

"Fluff, the doctor says Lady Gray will soon be well. She is now very
much better than we thought."

"Yes, Speck, I heard him say so before I came in here."

Two weeks later Lady Gray was down on the porch. She still looked thin
and pale, but now would soon be well.

CHAPTER TWELFTH.

A STORY.

"Fluffie, come here; I have some news," said Lady Gray three years after
the stealing of Stuffie, Highhead, Longlegs, and Bigfoot. Lady Featherly
had long ago returned to Chicken Place. Everything had gone on quietly
at Fowl Farm.

"What is your news, lady?" asked Fluffie.

"You remember, Fluff," said the lady, "that visit we made over at Beauty
Spot?"

"Yes."

"You remember Tanglelegs?"

"Yes."

"Well, she wants to come up for the Winter."

"My dear lady, we don't want her up here," said Fluff.

"So I think, but we can't tell her not to come. Mrs. Bluehen has a house
full. She can't take her."

"I have an idea, lady. You know Blackie and Tiptoe are in the old house.
Why couldn't she go with them?"

"Just it. I will write to Tangle now."

"Cousin Mike," said Tanglelegs, a day after her arrival at Fowl Farm,
"it is a very hot afternoon. We can't sleep. Won't you please tell a
story?"

"Well, yes. What do you want to hear?" asked Red Nose.

"Anything."

"Well, one morning about nine years ago, when we were young, we belonged
to a family who lived about fifteen miles from here. They had all kinds
of fowls, turkeys, ducks, and everything. One night our mistress came
with her maid and examined us closely. She decided she had too many
chickens, so half a dozen of us were stopped up ready to be sold in the
morning. After awhile other chickens came to talk to us and we found out
a way to get out.

"We sent for our friend the dog, or as we called him, Sir Dixie. He
came. We asked him to stand up on his hind legs and push the door of the
box we were in with his nose and then we could fly out. Sir Dixie was
very glad to help us, so we soon got out, but we could not stay there
any longer, for of course it was not safe. So we started out, and after
awhile reached Fowl Farm. And we have, as you see, been here ever
since."

[Illustration: SIR DIXIE TO THE RESCUE.]

CHAPTER THIRTEENTH.

WEDDINGS, SONGS, A PICNIC.

Lady Gray had a great many visitors that Winter. One, Mr. Long Neck
Cock, who she had known for years, was spending the Winter with her.
Cock and Speckle got to be great friends.

The Winter was almost over, but March winds did not, as expected,
blow Cock away.

In April, Julia married Red Nose Mike, who died in a week after the
wedding.

April was gone, and the first day of the lovely month of May came. Cock
still remained at the Castle.

On the fifth of May cards were sent out to all their friends announcing
the marriage of Miss Speckle and Mr. L. N. Cock. The wedding took place
on the fifteenth.

Lady Gray made them the present of a house very near the Castle.

In honor of the occasion Julia and Glover got up a picnic. Every one
went. They had a very good time. As the day was drawing to a close and
every one had assembled to go home Long Nose Bill commenced singing this
song in honor of Julia and Glover:--

"Miss Julie was a chicken of the old blue hen:
The way she 'fit' it was a sin.
She boxed my ears and sot 'em a ringing,
She never said a word, but she went along a singing.
O, Miss Julie Glover, my true lover,
Stuck in the mud and can't turn over.
O, Miss Julie G-l-o-v-e-r!"

Eight years have now passed. All is as usual at Fowl Farm. Lady Gray is
dead. But Lady Fluffie almost equals her in everything.

Dear old Henny Penny is just the same Henny Penny we left some years
ago. She, of course, is much older.

Speckle and her rooster, as Lady Fluff says, have a large and constantly
increasing family, which now numbers fifteen. But in spite of all these
changes we can say with Mrs. Bluehen, Fowl Farm is just the same old
Fowl Farm and never can be anything else.

*** END OF THE PROJECT GUTENBERG EBOOK THE CHICKENS OF FOWL FARM ***

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg
electronic works

1.A. By reading or using any part of this Project Gutenberg
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg mission of promoting
free access to electronic works by freely sharing Project Gutenberg
works in compliance with the terms of this agreement for keeping the
Project Gutenberg name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg License must appear
prominently whenever any copy of a Project Gutenberg work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg™ License included with this eBook or online
at www.gutenberg.org. If you
are not located in the United States, you will have to check the laws
of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg electronic works
provided that:

• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, “Information about donations to the Project Gutenberg
Literary Archive Foundation.”

• You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg™
works.

• You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg’s
goals and ensuring that the Project Gutenberg collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516,
Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg eBooks with only a loose network of
volunteer support.

Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

Showing first 200,000 characters. Full text: gutenberg.org/ebooks/23943