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Aunt Rachel

by David Christie Murray · English · Gutenberg #22202 · 304,269 chars · public domain (US)

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Title: Aunt Rachel

Author: David Christie Murray


        
Release date: August 1, 2007 [eBook #22202]
                Most recently updated: March 2, 2018

Language: English

Other information and formats: www.gutenberg.org/ebooks/22202

Credits: Produced by David Widger


*** START OF THE PROJECT GUTENBERG EBOOK AUNT RACHEL ***




Produced by David Widger





AUNT RACHEL

By David Christie Murray

Author Of “First Person Singular” “Rainbow Gold” Etc.



1880




PREFACE.

A critic, otherwise almost altogether friendly, protests, in reviewing a
recent book of mine, that no rustics ever would, could, or will talk in
real life as the rustics in that work are made to talk by me. Since this
criticism might apply still more pointedly, if it were true, to “Aunt
Rachel” than to “Rainbow Gold,” I desire to say a word or two in
self-defence. A little, a very little, of the average rustic would go
a long way in fiction. But I do not profess to deal with the average
rustic. I deal, and love to deal, with the rustic exceptional, the
village notable and wiseacre. Observant readers will have noticed
that the date of one story is 1853, and that the epoch of the other
is remoter by a dozen years. In my boyhood, in the Staffordshire Black
Country, the rustic people were saturated with the speech of the Bible,
the Church Service, and the “Pilgrim's Progress.” It is otherwise
to-day, and their English, when it pretends at all to a literary
flavor, is the English of the local weekly paper. The gravity, the slow
sententiousness, and purposed wisdom of the utterances of more than one
or two knots of habitual companions whom I can recall, were outside the
chances of exaggeration. Often these people were really wise and witty.
They were the makers of the local proverbial philosophy, and many of
their phrases are alive today. I recall and could set down here a score
of the quaintest bits of humor and good-sense, and one or two things
genuinely poetical, which were spoken in my childish hearing. But I
refrain myself easily from this temptation, because I have not written
my last Black Country story, and prefer to put these things in a form as
near their own as I can achieve. I only desire to say that I have _not_
exaggerated, but have fallen short of the characteristics I have had to
deal with.

D. Christie Murray.

Rochefort, Belgium, December, 1885.




AUNT RACHEL.

A Rustic Sentimental Comedy.




CHAPTER I.

A quartette party--three violins and a 'cello--sat in summer evening
weather in a garden. This garden was full of bloom and odor, and was
shut in by high walls of ripe old brick. Here and there were large-sized
plaster casts--Venus, Minerva, Mercury, a goat-hoofed Pan with his
pipes, a Silence with a finger at her lips. They were all sylvan
green and crumbled with exposure to the weather, so that, in spite of
cheapness, they gave the place a certain Old-world and stately aspect
to an observer who was disposed to think so and did not care to look at
them too curiously. A square deal table with bare top and painted legs
was set on the grass-plot beneath a gnarled apple-tree whose branches
were thick with green fruit, and the quartette party sat about this
table, each player with his music spread out before him on a portable
little folding stand.

Three of the players were old, stout, gray, and spectacled. The fourth
was young and handsome, with dreamy gray-blue eyes and a mass of
chestnut-colored hair. There was an audience of two--an old man and a
girl. The old man stood at the back of the chair of the youngest player,
turning his music for him, and beating time with one foot upon the
grass. The girl, with twined fingers, leaned both palms on the trunk of
the apple-tree, and reposed a clear-colored cheek on her rounded arm,
looking downward with a listening air. The youngest player never glanced
at the sheets which the old man so assiduously turned for him, but
looked straight forward at the girl, his eyes brightening or dreaming
at the music. The three seniors ploughed away business-like, with intent
frownings, and the man who played the 'cello counted beneath his breath,
“One, two, three, four--one, two, three, four,” inhaling his breath on
one set of figures and blowing on the next.

The movement closed, and the three seniors looked at each other like men
who were satisfied with themselves and their companions.

“Lads,” said the man with the 'cello, in a fat and comfortable voice,
“that was proper! He's a pretty writer, this here Bee-thoven. Rewben,
the hallygro's a twister, I can tell thee. Thee hadst better grease thy
elbow afore we start on it. Ruth, fetch a jug o' beer, theer's a good
wench. I'm as dry as Bill Duke. Thee canst do a drop, 'Saiah, _I_ know.”

“Why, yes,” returned the second-fiddle. “Theer's a warmish bit afore us,
and it's well to have summat to work on.”

The girl moved away slowly, her fingers still knitted and her palms
turned to the ground. An inward-looking smile, called up by the music,
lingered in her eyes, which were of a warm, soft brown.

“Reuben,” said the second-fiddle, “thee hast thy uncle's method all
over. I could shut my eyes an' think as I was five-and-twenty 'ear
younger, and as he was a-playin'. Dost note the tone, Sennacherib?”

“Note it?” said the third senior. “It's theer to be noted. Our 'Saiah's
got it drove into him somehow, as he's the one in Heydon Hay as God
A'mighty's gi'en a pair of ears to.”

“An' our Sennacherib,” retorted Isaiah, “is the one as carries Natur's
license t' offer the rough side of his tongue to everybody.”

“I know it's a compliment,” said the younger man, “to say I have my
uncle's hand, though I never heard my uncle play.”

“No, lad,” said the old man who stood behind his chair. “Thee'rt a finer
player than ever I was. If I'd played as well as thee I might have held
on at it, though even then it ud ha' gone a bit agen the grain.”

“Agen the grain?” asked the 'cello-player, in his cheery voice. “With a
tone like that? Why, I mek bold to tell you, Mr. Gold, as theer is not a
hammer-chewer on the fiddle, not for thirty or may be forty mile around,
as has a tone to name in the same day with Rewben.”

“There's a deal in what you say, Mr. Fuller,” said the old man, who
had a bearing of sad and gentle dignity, and gave, in a curious and
not easily explainable way, the idea that he spoke but seldom and was
something of a recluse. “There's a deal in what you say, Mr. Fuller, but
the fiddle is not a thing as can be played like any ordinary instryment.
A fiddle's like a wife, in a way of speaking. You must offer her all
you've got. If she catches you going about after other women--”

“It's woe betide you!” Sennacherib interrupted.

“You drive her heart away,” the old man pursued. “The fiddle's jealouser
than a woman. It wants the whole of a man. If Reuben was to settle down
to it twelve hours a day, I make no doubt he'd be a player in a few
years' time.”

“Twelve hours a day!” cried Sennacherib. “D'ye think as life was gi'en
to us to pass it all away a scrapin' catgut?”

“Why, no, Mr. Eld,” the old man answered, smilingly. “But to my mind
there's only two or three men in the world at any particular space o'
given time as has the power gi'en 'em by Nature to be fiddlers; that is
to say, as has all the qualities to be masters of the instryment. It is
so ordered as the best of qualities must be practised to be perfect,
and howsoever a man may be qualified to begin with, he must work hour by
hour and day by day for years afore he plays the fiddle.”

“I look upon any such doctrine as a sinful crime,” said Sennacherib.
“The fiddle is a recrehation, and was gi'en us for that end. So, in a
way, for them as likes it, is skittles. So is marvils, or kite-flyin',
or kiss-i'-the-ring. But to talk of a man sittin' on his hinder end, and
draggin' rosined hosshair across catgut hour by hour and day by day for
'ears, is a doctrine as I should like to hear Parson Hales's opinion on,
if ever it was to get broached afore him.”

“Ruth,” called the 'cello-player, as the girl reappeared, bearing a tray
with a huge jug and glasses, “come along with the beer. And when
we've had a drink, lads, well have a cut at the hallygro. It's marked
'vivaysy,' Reuben, an' it'll tek thee all thy time to get the twirls and
twiddles i' the right placen.”

Ruth poured out a glass of beer for each of the players, and, having set
the tray and jug upon the grass, took up her former place and position
by the apple-tree.

“Wheer's your rosin, 'Saiah?” asked Sennacherib.

“I forgot to bring it wi' me,” said Isaiah. “I took it out of the case
last night, and was that neglectful as I forgot to put it back again.”

“My blessid!” cried Sennacherib, “I niver see such a man!”

“Well, well!” said the 'cello-player, “here's a bit. You seem to ha'
forgot your own.”

“What's that got to do wi' it?” Sennacherib demanded. “I shall live to
learn as two blacks mek a white by-an'-by, I reckon. There niver was
a party o' four but there was three wooden heads among 'em.” The girl
glanced over her arm, and looked with dancing eyes at the youngest of
the party. He, feeling Sennacherib's eye upon him, contrived to keep
a grave face. The host gave the word and the four set to work, Reuben
playing with genuine fire, and his companions sawing away with a dogged
precision which made them agreeable enough to listen to, but droll to
look at. Ruth, with her chin upon her dimpled arm, watched Reuben as he
played. He had tossed back his chestnut mane of hair rather proudly as
he tucked his violin beneath his chin, and had looked round on his three
seniors with the air of a master as he held his bow poised in readiness
to descend upon the strings. His short upper lip and full lower lip came
together firmly, his brows straightened, and his nostrils contracted a
little. Ruth admired him demurely, and he gave her ample opportunity,
for this time he kept his eyes upon the text. She watched him to the
last stroke of the bow, and then, shifting her glance, met the grave,
fixed look of the old man who stood behind his chair. At this, conscious
of the fashion in which her last five minutes had been passed, she
blushed, and to carry this off with as good a grace as might be, she
began to applaud with both hands.

“Bravo, father! bravo! Capital, Mr. Eld! capital!”

“Theer,” said Sennacherib, ignoring the compliment, and scowling in
a sort of dogged triumph at the placid old man behind Reuben's chair,
“d'ye think as _that_ could be beat if we spent forty 'ear at it? Theer
wa'n't a fause note from start to finish, and time was kep' like a
clock.”

“It's a warmish bit o' work, that hallygro,” said old Fuller, in milder
self-gratulation, as he disposed his 'cello between his knees, and
mopped his bald forehead. “A warmish bit o' work it is.”

“Come, now,” said Sennacherib, “d'ye think as it could be beat? A civil
answer to a civil question is no more than a beggar's rights, and no
less than a king's obligingness.”

“It was wonderful well played, Mr. Eld,” the old man answered.

“Beat!” said Isaiah. “Why it stands to natur' as it could be beat. D'ye
think Paganyni couldn't play a better second fiddle than I can?”

“Ought to play second fiddle pretty well thyself,” returned Sennacherib.
“Hast been at it all thy life. Ever since thee was married, annyway.”

“Come, come, come,” said the fat 'cello-player. “Harmony, lads, harmony!
How was it, Mr. Gold, as you come to give up the music. Theer's them as
is entitled to speak, and has lived i' the parish longer than I have, as
holds you up to have been a real noble player.”

“There's them,” the old man answered, “as would think the parish church
the finest buildin' i' the king-dom. But they wouldn't be them as had
seen the glories of Lichfield cathedral.”

“I'm speakin' after them as thinks they have a right to talk,” said the
other.

“I might at my best day have come pretty nigh to Reuben,” the old
man allowed, “though I never was his equal. But as for a real noble
player--”

“Well, well,” said Fuller, “it ain't a hammer-chewer in a county as
plays like Reuben. Give Mr. Gold a chair, Ruth. I should like to hear
what might ha' made a man throw it over as had iver got as far.”

“I heard Paganini,” the old man answered. “I was up in London rather
better than six-and-twenty year ago, and I heard Paganini.”

“Well?” asked Fuller.

“That's all the story,” said the old man, seating himself in the chair
the girl had brought him. “I never cared to touch a bow again.”

“I don't seem to follow you, Mr. Gold.”

“I have never been a wine-drinker,” said Gold, “but I may speak of wine
to make clear my mean-in'. If you had been drinkin' a wonderful fine
glass of port or sherry wine, you wouldn't try to take the taste out of
your mouth with varjuice.”

“I've tasted both,” said the 'cello-player, “but they niver sp'iled my
mouth for a glass of honest beer.”

“I can listen to middlin'-class music now,” said Gold, “and find a
pleasure in it. But for a time I could not bring myself to take any sort
of joy in music. You think it foolish? Well, perhaps it was. I am not
careful to defend it, gentlemen, and it may happen that I might not if I
tried. But that was how I came to give up the fiddle. He was a wonder
of the world, was Paganini. He was no more like a common man than his
fiddlin' was like common fiddlin'. There was things he played that made
the blood run cold all down the back, and laid a sort of terror on you.”

“I felt like that at the 'Hallelujah' first time I heerd it,” said
Isaiah. “Band an' chorus of a hundred. It was when they opened the big
Wesley Chapel at Barfield twenty 'ear ago.”

“We'll tek a turn at Haydn now, lads,” said the host, genially.

“I'm sorry to break the party up so soon,” Reuben answered, “but I
must go. There are people come to tea at father's, and I was blamed for
coming away at all. I promised to get back early and give them a tune
or two.” He arose, and, taking his violin-case from the grass, wiped it
carefully all over with his pocket-handkerchief. “I was bade to ask you,
sir, if Miss Ruth might come and pass an hour or two. My mother would be
particularly pleased to see her, I was to say.”

The young fellow was blushing fierily as he spoke, but no one noticed
this except the girl.

“Go up, my gell, and spend an hour or two,” said her father. “Reuben 'll
squire thee home again.”

“Wait while I put on my bonnet,” she said, as she ran past Reuben
into the house. Reuben blushed a little deeper yet, and knelt over his
violin-case on the grass, where he swaddled the instrument as if it
had been a baby, and bestowed it in its place with unusual care and
solicitude.

“Reuben,” said his uncle, as the young man arose, “that's a thing as
never should be done.” The young man looked inquiry. “The poor thing's
screwed up to pitch,” the old man explained, almost sternly. “Ease her
down, lad, ease her down. The strain upon a fiddle is a thing too little
thought upon. You get a couple o' strong men one o' these days, and make
'em pull at a set of strings, and see if they'll get them up to concert
pitch! I doubt if they'd do it, lad, or anything like. And there's all
that strain on a frail shell like that. I've ached to think of it, many
a time. A man who carries a weight about all day puts it off to go to
bed.” “Wondrous delicate an' powerful thing,” said old Fuller. “Reminds
you o' some o' them delicate-lookin' women as'll goo through wi' a lot
more in the way o' pain-bearin' than iver a man wool.”

“Rubbidge!” said Sennacherib. “You'd think the women bear a lot. They
mek a outcry, to be sure, but theer's a lot more chatter than work about
a woman's sufferin', just as theer is about everythin' else her does.
Dost remember what the vicar said last Sunday was a wick? It 'ud be a
crime, he said, to think as the Lord made the things as is lower in the
scale o' natur' than we be to feel like us. The lower the scale the less
the feelin'. Stands to rayson, that does. I mek no manner of a doubt as
he's got Scripter for it.”

“Lower in the scale of natur', Mr. Eld?” said Gold, turning his ascetic
face and mournful eyes upon Sennacherib.

“Theer's two things,” returned Sennacherib, “as a man o' sense has no
particular liking to. He'll niver ask to have his cabbage twice b'iled,
nor plain words twice spoke. I said 'Lower in the scale o' na-tur'.' Mek
the most on it.”

Sennacherib was short but burly, and between him and Gold there was
very much the sort of contrast which exists between a mastiff and a
deer-hound.

“I will not make the most of it, Mr. Eld,” the old man said, with a
transient smile. “I might think poorlier of you than I've a right to if
I did. When a rose is held lower in the scale of natur' than a turnip,
or the mastership in music is gi'en in again the fiddle in favor o' the
hurdy-gurdy, I'll begin to think as you and me is better specimens of
natur's handiwork than this here gracious bit o' sweetness as is coming
towards us at this minute. Good-evenin', Mr. Eld. Good-evenin', Isaiah.
Good-evenin', Mr. Fuller. Good-evenin', Reuben. No, I'm not goin' thy
way, lad. Call o' me to-morrow; I've a thing to speak of. Good-evenin',
Miss Ruth.”

When he had spoken his last good-by he folded his gaunt hands behind him
and walked away slowly, his shoulders rounded with an habitual stoop
and his eyes upon the ground. Ruth and Reuben followed, and the three
seniors reseated themselves, and each with one consent reached out his
hand to his tumbler.

“Theer's a kind of a mildness o' natur' in Ezra Gold,” said Isaiah,
passing the back of his hand across his lips, “as gives me a curious
sort o' likin' for him.”

“Theer's a kind of a mildness o' natur' in a crab-apple,” said
Sennacherib, “as sets my teeth on edge.”

“Come, come, lads, harmony!” said Fuller. He laid hold of his great
waistcoat with the palms of both hands and agitated it gently. “It beats
me,” he said, “to think of his layin' by the music in that way, and for
sich a cause.”

“Well,” said Sennacherib, “I'll tell thee why he laid by the music.
I wonder at Gold settlin' up to git over men like me with a stoory so
onlikely.”

“What was it, then?” asked Isaiah, bestowing a wink on Fuller.

“It was a wench as did it,” said Sennacherib. “He was allays a man as
took his time to think about a thing. If he'd been a farmer he'd ha'
turned the odds about and about wi' regards to gettin' his seed into
the ground till somebody 'ud ha' told him it 'ud be Christmas-day next
Monday. He behaved i' that way wi' regards to matrimony. He put off
thinkin' on it till he was nigh on forty--six-an'-thirty he was at the
lowest. Even when he seemed to ha' made up what mind he'd got he'd goo
and fiddle to the wench instead o' courtin' her like a Christian, or
sometimes the wench 'ud mek a visit to his mother, and then he'd fiddle
to her at hum. He made eyes at her for all the parish to see, and the
young woman waited most tynacious. But when her had been fiddled at for
three or four 'ear, her begun to see as her was under no sort o' peril
o' losin' her maiden name with Ezra. So her walked theer an' then--made
up her mind an' walked at once--went into some foreign part of the
country to see if her couldn't find somebody theer as'd fancy a
nice-lookin' wench, and tek less time to find out what he'd took a
likin' for.”

“Was that it?” asked Isaiah, with the manner of a man who finds an
explanation for an old puzzle. “That 'ud be Rachel Blythe.”

“A quick eye our 'Saiah's got,” said Sennacherib. “He can see a hole
through a ladder when somebody's polished his glasses. Rachel Blythe was
the wench's name. Her was a little slip of a creator', no higher than a
well-grown gell o' twelve, but pretty in a sort o' way.”

“Why, Jabez, lad,” cried Isaiah, “thee lookest like a stuck pig. What's
the matter?”

The host's eyes were rounded with astonishment, and he was staring from
one of his guests to the other with an air of fatuous wonder.

“Why,” said he, with an emphasis of astonishment which seemed not
altogether in keeping with so simple a discovery, “this here Rachel
Blythe was my first wife's second cousin. Our Fanny Jane used to be
talkin' about her constant. Her had offers by the baker's dozen, so it
seemed, but her could never be brought to marry. Fanny Jane was a woman
as was gi'en a good deal up to sentiment, and her was used to say the
gell's heart was fixed on somebody at Heydon Hay. It 'ud seem to come
in wi' the probability of things as they might have had a sort of a
shortness betwixt 'em, and parted.”

“Theer was nobody after her here but Ezra Gold,” said Sennacherib.
“Nobody. I niver heard, howsever, as they got to be hintimate enough to
quarrel. But as for Paganyni, that's rubbidge. The man played regular
till Rachel Blythe left the parish, and then he stopped.”

“Well, well,” said the host, contemplatively, “it's too late in life
for both on 'em. Her's back again. Made us a visit yesterday. Her's took
that little cottage o' Mother Duke's on the Barfield Road.”

“Bless my soul!” said Isaiah. “I seen her yesterday as I was takin'
my walks abroad. But, Jabez, lad, her's as withered as a chip! The
littlest, wizen-edest, tiniest little old woman as ever I set eyes on.
Dear me! dear me! To think as six-an'-twenty 'ear should mek such a
difference. Her gi'en me a nod and a smile as I went by, but I niver
guessed as it was Rachel Blythe.”

“Rachel Blythe it was, though,” returned old Fuller. “Well, well! To
think as her and Mr. Gold should ha' kep' single one for another.
Here's a bit of a treeho, lads, as I bought in Brummagem the day afore
yesterday. It's by that new chap as wrote 'Elijah' for the festival.
Let's see. What's his name again? Mendelssohn. Shall us have a try at
it?”




CHAPTER II.

The Earl of Barfield stood at the lodge gate on a summer afternoon
attired in a wondrously old-fashioned suit of white kerseymere and a
peaked cap. He was a withered old gentleman, with red-rimmed eyes, broad
cheek-bones, and a projecting chin. He had a very sharp nose, and
his close-cropped hair was of a harsh, sandy tone and texture. He was
altogether a rather ferret-like old man, but he had, nevertheless, a
certain air of dignity and breeding which forbade the least observant to
take him for anything but a gentleman. His clothes, otherwise spotless,
were disfigured by a trail of snuff which ran lightly along all
projecting wrinkles from his right knee to his right shoulder. This
trail was accentuated in the region of his right-hand waistcoat pocket,
where his lordship kept his snuff loose for convenience' sake. He was
over eighty, and his head nodded and shook involuntarily with the palsy
of old age, but his figure was still fairly upright, and seemed to
promise an activity unusual for his years. He rested one hand on the
rung of a ladder which leaned against the wall beside him, and glanced
up and down the road with an air of impatience. On the ground at his
feet lay a billhook and a hand-saw, and once or twice he stirred these
with his foot, or made a movement with his disengaged right hand as if
he were using one of them.

When he had stood there some ten minutes in growing impatience, a young
gentleman came sauntering down the drive smoking a cigar. Times change,
and nowadays a young man attired after his fashion would be laughable,
but for his day he looked all over like a lady-killer, from his
tasselled French cap to his pointed patent leathers. Behind him walked
a valet, carrying a brass-bound mahogany box, a clumsy easel, and a
camp-stool.

“Going painting again, Ferdinand?” said his lordship, in a tone of some
little scorn and irritation.

“Yes,” said Ferdinand, rather idly, “I am going painting. Your man
hasn't arrived yet?” He cast a glance of lazy amusement at the ladder
and at the tools that lay at its feet.

“No,” returned his lordship, irritably. “Worthless scoundrel. Ah! here
he comes. Go away. Go away. Go and paint. Go and paint.”

The young gentleman lifted his cap and sauntered on, turning once or
twice to look at his lordship and a queer lop-sided figure shambling
rapidly towards him.

“Joseph Beaker,” said the Earl of Barfield, shaking his hand at the
lop-sided man, “you are late again. I have been waiting ten minutes.”

“What did I say yesterday?” asked Joseph Beaker. His face was lop-sided,
like his figure, and his speech came in a hollow mumble which was
difficult to follow. Joseph was content to pass as the harmless lunatic
of the parish, but there was a shrewdly humorous twinkle in his eye
which damaged his pretensions with the more discerning sort of people.

“I do not want to know what you said yesterday,” his lordship answered,
tartly. “Take up the billhook and the saw. Now bring the ladder.”

“What I said yesterday,” mumbled Joseph, shambling by the nobleman's
side, a little in the rear.

“Joseph Beaker,” said the earl, “hold your tongue.”

“Niver could do it,” replied Joseph; “it slips from betwixt the thumb
and finger like a eel. What I said yesterday was, 'Why doesn't thee set
thy watch by the parish church?' Thee'st got Barfield time, I reckon,
and Barfield's allays a wick and ten minutes afore other placen.”

The aged nobleman twinkled and took snuff.

“Joseph,” said his lordship, “I am going to make a new arrangement with
you.”

“Time you did,” returned Joseph, pausing, ostensibly to shift the ladder
from one shoulder to the other, but really to feign indifference.

“I find ninepence a day too much.”

“I've allays said so,” Joseph answered, shambling a little nearer. “A
sinful sight too much. And half on it wasted o' them white garmints.”

“I find myself a little in want of exercise,” said his lordship. “I
shall carry the ladder from the first tree to the second, and you will
carry it from the second to the third; then I shall carry it again, and
then _you_ will carry it again. We shall go on in that way the whole
afternoon, and shall continue in that way so long as I stay here.”

Joseph laughed. It was in his laugh that he chiefly betrayed the
shortcomings of character. His smile was dry and full of cunning, but
his laugh was fatuous.

“Naturally,” pursued the earl, “I shall not pay you full wages for
a half-day's work.” Joseph's face fell into a look of ludicrous
consternation. “I shall be generous, however--I shall be generous. I
shall give you sixpence. Sixpence a day, Joseph, and I shall do half the
work myself.”

“It ar'n't to be done, gaffer,” said Joseph, resolutely stopping short,
and setting up the ladder in the roadway.

The old nobleman turned to face him with pretended anger.

“You are impertinent, Joseph.”

“It caw't be done, my lord,” his assistant mumbled, thrusting his head
through a space in the ladder.

“Times are hard, Joseph,” returned his lordship.

There had been a discernible touch of banter in his voice and manner
when he had rebuked Joseph a second or two before, but he was very
serious now indeed.

“Times are hard; expenses must be cut down. I can't afford more.
Sixpence a day is three shillings a week, and three shillings a week is
one hundred and fifty-six shillings a year--seven pounds sixteen. That
is interest at three per cent, on a sum of two hundred and fifty-nine
pounds ten shillings. That is a great amount to lie waste. While I pay
you sixpence a day I am practically two hundred and fifty-nine pounds
ten shillings poorer than I should be if I kept the sixpence a day to
myself. I might just as well not have the money--it is of no use to me.”

“Gi'e it to me, then,” suggested Joseph, with a feeble gleam.

“Sixpence a day,” said his lordship, “is really a great waste of money.”

“It's cruel hard o' me,” returned Joseph, betraying a sudden inclination
to whimper. “If I was a lord I'd be a lord, I would.”

“Joseph! Joseph! Joseph!” cried his lordship, sharply.

“It's cruel hard,” said Joseph, whimpering outright. “I'd be a man _or_
a mouse, if I was thee.”

“I shall be generous,” said the aged nobleman, relenting. “I shall
give you a suit of clothes. I shall give you a pair of trousers and a
waistcoat--a laced waistcoat--and a coat.”

Joseph laughed again, but clouded a moment later.

“Theer's them as pets the back to humble the belly, and theer's them as
pets the belly to humble the back,” he said, rubbing his bristly chin on
a rung of the ladder as he spoke. “What soort o' comfort is theer in a
laced wescut, if a man's got nothing to stretch it out with?”

“Well, well, Joseph,” returned the earl, “sixpence a day is a great deal
of money. In these hard times I can't afford more.”

“What I look at,” said Joseph, “is, it robs me of my bit o' bacon. If
I was t'ask annybody in Heydon Hay, 'Is Lord Barfield the man to rob
a poor chap of his bit o' bacon?' they'd say, 'No.' That's what they'd
say. 'No,' they'd say; 'niver dream of a such-like thing as happening
Joseph.'”

His lordship fidgeted and took snuff.

“What his lordship 'ud be a deal likelier to do,” pursued Joseph,
declaiming, in imitation of his supposed interlocutor, with his head
through the ladder, and waving the billhook and the saw gently in either
hand, “'ud be to say as a poor chap as wanted it might goo up to the
Hall kitchen and have a bite--that's what annybody 'ud say in Hey don
Hay as happened to be inquired of.”

Joseph's glance dwelt lingeringly and wistfully on his lordship's face
as he watched for the effect of his speech. The old earl took snuff with
extreme deliberateness.

“Very well, Joseph,” he said, after a pause, “we will arrange it in that
way. Sixpence a day. And now and then--now and then, Joseph, you may go
and ask Dewson for a little cold meat. There is a great deal of waste in
the kitchen. It will make little difference--little difference.”

Things being thus happily arranged, his lordship drew a slip of paper
from his pocket and began to study it with much interest as he walked.
He began to chuckle, and the fire of strategic triumph lit his aged
eyes. The day's itinerary was planned upon that slip of paper, and Lord
Barfield had so arranged it that Joseph should carry the ladder all the
long distances, while he himself should carry it all the short ones.
Joseph on his side was equally satisfied with the arrangement, so far as
he knew it, and gave himself up to the sweet influences of fancy. He saw
a glorified edition of himself, attired in my lord's cast-off garments,
and engaged in the act of stretching out the laced waistcoat in the
kitchen at the Hall. The prospect grew so glorious that he could not
hold his own joy and gratulation. It welled over in a series of hollow
chuckles, and his lordship twinkled dryly as he walked in front, and
took snuff with a double gusto.

“We shall begin,” said his lordship, “at Mother Duke's. That laburnum
has been an eyesore this many a day. We must be resolute, Joseph. I
shall expect you to guard the ladder, and not to let it go, even if she
should venture to strike you.”

“Her took me very sharp over the knuckles with the rollin'-pin last
time, governor,” said Joseph. “But her'll be no more trouble to thee
now; her's gone away.”

“Gone away! Mother Duke gone away?”

“Yes,” mumbled Joseph, “her's gone away. There's a little old maid as
lives theer now--has been theer a wick to-day.”

“That's a pity--that's a pity,” said his lordship. “I should have liked
another skirmish with Mother Duke. At least, Joseph,” he added, with the
air of a man who finds consolation in disappointment, “we'll trim
the laburnum this time. At all events, we'll make a fight for it,
Joseph--we'll make a fight for it.” Here he took the billhook and the
saw from his assistant, and strode on, swinging one of the tools in each
hand.

“Theer'll be no need for a fight,” returned Joseph. “Her's no higher
than sixpenn'orth o' soap after a hard day's washing.”

“That's wrong reckoning, Joseph,” said the earl; “wrong reckoning. The
smaller they are the more terrible they may be.”

“I niver fled afore a little un,” said Joseph. “I could allays face a
little un.” He spoke with a retrospective tone. His lordship eyed him
askance with a twinkle of rich enjoyment, and took snuff with infinite
relish, as if he took Joseph's mental flavor with it and found it
delightful. “Mother Duke could strike a sort of a fear into a man,”
 pursued Joseph.

“What did you say was the new tenant's name, Joseph?” his lordship
demanded, presently.

“Dunno,” said Joseph. “Her's a little un--very straight up. Goes about
on her heels like, to mek the most of herself.”

A minute's further walk brought them to a bend in the lane, and, passing
this, they paused before a cottage. The front of this cottage was
overgrown with climbing roses, just then in full bloom, and a disorderly
patch of overgrown blossom and shrub lay on each side the thread of
gravel-walk which led from the gate to the door. A little personage,
attired in a tight-fitting bodice and a girlish-looking skirt,
was busily reducing the redundant growth to order with a pair of
quick-snapping shears. It gave his lordship an odd kind of shock when
this little personage arose and turned. The face was old. There was
youth in the eyes and the delicate dark-brown arch of the eyebrows, but
the old-fashioned ringlet which hung at either cheek beneath the cottage
bonnet she wore was almost white. The cheeks were sunken from what had
once been a charming contour, the delicate aquiline nose was pinched
ever so little, the lips were dry, and there were fine wrinkles
everywhere. There was something almost eerie in the youthfulness of the
eyes, which shone in the midst of all her faded souvenirs of beauty.
Had the eyes been old the face would have been beautiful still, but the
contrast they presented to their setting was too striking for beauty.
They gave the old face a curiously exalted look, an expression hardly
indicative of complete sanity, though every feature was expressive in
itself of keen good-sense, quick apprehension, and strong self-reliance.

The figure in its tight-fitting bodice looked like that of a girl of
seventeen, but the stature was no more than that of a well-grown girl of
twelve. The movement with which she had arisen and the attitude she took
were full of life and vivacity. His lordship was so taken aback by
the extraordinary mixture of age and girlishness she presented that he
stared for a second or two unlike a man of the world, and only recovered
himself by an effort.

“Set up the ladder here, Joseph,” he said, pointing with the billhook
to indicate the place. Joseph set down the ladder on the pathway, and
leaning it across the close-clipped privet hedge where numberless small
staring eyes of white wood betrayed the recent presence of the shears,
he propped it against the stout limb of a well-pruned apple-tree. His
lordship, somewhat ostentatiously avoiding the eye of the inmate of the
cottage, tucked his saw and his billhook under his left arm and mounted
slowly, while Joseph made a great show of steadying the ladder. The
little old woman opened the garden gate with a click and slipped into
the roadway. His lordship hung his saw upon a rung of the ladder, and
leaning a little over took a grasp of the bough of a sweeping laburnum
which overhung the road.

“My lord,” said a quick, thin voice, which in its blending of the
characteristics of youth and age matched strangely with the speaker's
aspect, “this tenement and its surrounding grounds are my freehold. I
cannot permit your lordship to lay a mutilating hand upon them.”

“God bless my soul!” said his lordship. “That's Rachel Blythe! That must
be Rachel Blythe.”

“Rachel Blythe at your lordship's service,” said the little old lady.
She dropped a curt little courtesy, at once as young and as old as
everything about her, and stood looking up at him, with drooping hands
crossed upon the garden shears.

“God bless my soul! Dear me!” said his lordship. “Dear me! God bless my
soul!” He came slowly down the ladder and, surrendering his billhook
to Joseph, advanced and proffered a tremulous white hand. Miss Blythe
accepted it with a second curt little courtesy, shook it once up and
down and dropped it. “Welcome back to Heydon Hay, Miss Blythe,” said
the old nobleman, with something of an air of gallantry. “You have long
deprived us of your presence.”

Perhaps Miss Blythe discerned a touch of badinage in his tone, and
construed it as a mockery. She drew up her small figure in exaggerated
dignity, and made much such a motion with her head and neck as a hen
makes in walking.

“I have long been absent from Heydon Hay, my lord,” she answered.
“My good man,” turning upon Joseph, “you may remove that ladder. His
lordship can have no use for it here.”

“Oh, come, come, Miss Blythe,” said his lordship. “Manorial rights,
manorial rights. This laburnum overhangs the road and prevents people of
an average height from passing.”

“If your lordship is aggrieved I must ask your lordship to secure a
remedy in a legal manner.”

“But really now. Observe, Miss Blythe, I can't walk under these boughs
without knocking my hat off.” He illustrated this statement by walking
under the boughs. His cap fell on the dusty road, and Joseph, having
picked it up, returned it to him.

“Your lordship is above the average height,” said Miss Blythe--
“considerably.”

“No, no,” the earl protested. “Not at all, not at all.”

“I beg your lordship's pardon,” said the little old lady, with stately
politeness. “Nobody,” she added, “who was not profoundly disloyal would
venture to describe the Queen's Most Excellent Majesty as undersized. I
am but a barleycorn less in stature than her Most Excellent Majesty, and
your lordship is yards taller than myself.”

“My dear Miss Blythe--” his lordship began, with hands raised in protest
against this statement.

“Your lordship will pardon me,” Miss Blythe interposed, swiftly, “if
I say that at my age--forgive me if I say at your lordship's also--the
language of conventional gallantry is unbecoming.”

The little old lady said this with so starched and prim an air, and
through this there peeped so obvious a satisfaction in rebuking him upon
such a theme, that his lordship had to flourish his handkerchief from
his pocket to hide his laughter.

“I have passed the last quarter of a century of my life,” pursued Miss
Blythe, “in an intimate if humble capacity in the service of a family of
the loftiest nobility. I am not unacquainted with the airs and graces
of the higher powers, but between your lordship and myself, at our
respective ages, I cannot permit them to be introduced.”

His lordship had a fit of coughing which lasted him two or three
minutes, and brought the tears to his eyes. Most people might have
thought that the cough bore a suspicious resemblance to laughter, but no
such idea occurred to Miss Blythe.

“You are quite right, Miss Blythe,” said the old nobleman, when he could
trust himself to speak. He was twitching and twinkling with suppressed
mirth, but he contained himself heroically. “I beg your pardon, and I
promise that I will not again transgress in that manner. But really,
that--that--fit of coughing has quite exhausted me for the moment. May I
beg your permission to sit down?”

“Certainly, my lord,” replied the little old lady, and in a bird-like
fashion fluttered to the gate. It was not until she had reached the
porch of the cottage that she became aware of the fact that the earl was
following her. “Your lordship's pardon,” she said then; “I will bring
your lordship a chair into the garden. I am alone,” she added, more prim
and starched than ever, “and I have my reputation to consider.”

Miss Blythe entered the cottage and returned with a chair, which she
planted on the gravelled pathway. The old nobleman sat down and took
snuff, twitching and twinkling in humorous enjoyment.

“How long is it since you left us?” he asked. “It looks as if it were
only yesterday.”

“I have been absent from Heydon Hay for more than a quarter of a
century,” the little old lady answered.

“Ah!” said he, and for a full minute sat staring before him rather
forlornly. He recovered himself with a slight shake and resumed the
talk. “You maintain your reputation for cruelty, Miss Blythe?”

“For cruelty, my lord?” returned Miss Blythe, with a transparent
pretence of not understanding him.

“Breaking hearts,” said his lordship, “eh? I was elderly before you went
away, you know, but I remember a disturbance--a disturbance.” He rapped
with the knuckles of his left hand on his white kerseymere waistcoat.
Miss Blythe tightened her lips and regarded him with an uncompromising
air.

“Differences of sex, alone, my lord,” she said, with decision, “should
preclude a continuance of this conversation.”

“Should they?” asked the old nobleman. “Do you really think so? I
forget. I am a monument of old age, and I forget, but I fancy I used to
think otherwise. You were the beauty of the place, you know. Is that a
forbidden topic also?”

Miss Blythe blushed ever so little, but her curiously youthful eyes
smiled, and it was plain she was not greatly displeased. The Earl of
Barfield went quiet again, and again stared straight before him with
a somewhat forlorn expression. The little old lady reminded him of her
mother, and the remembrance of her mother reminded him of his own youth.
He woke up suddenly. “So you've come back?” he said, abruptly. “You've
bought the cottage?”

“The freehold of the cottage was purchased for me by my dear mistress,”
 said the little old lady. “I desired to end my days where I began them.”

“H'm!” said my lord. “We're going to be neighbors? We _are_ neighbors.
We must dwell together in unity. Miss Blythe--we must dwell together in
unity. I have my hands pretty full this afternoon, and I must go. I'll
just trim these laburnums, and alter--”

“I beg your lordship's pardon,” said Miss Blythe, with decision, “your
lordship will do nothing of the sort.”

“Eh? Oh, nonsense, nonsense! Must clear the footway. Must have the
footway clear--really must. Besides, it improves the aspect of the
garden. Always does. Decidedly improves it. Joseph Beaker, hold the
ladder.”

Talking thus, the old gentleman had arisen from his chair and had
re-entered the roadway, but the little old lady skimmed past him and
faced him at the foot of the ladder.

“If your lordship wants to cut trees,” she said, “your lordship may cut
your lordship's own.”

“Up thee goest, gaffer,” said Joseph, handing over the little old lady's
head the billhook and the saw.

Miss Blythe turned upon him with terrible majesty.

“Joseph Beaker?” she said, regarding him inquiringly. “Ah! The passage
of six-and-twenty years has not improved your intellectual condition.
Take up that ladder, Joseph Beaker. If you should ever dare again to
place it against a tree upon my freehold property I shall call the
policeman. I will set man-traps,” pursued the little old lady, shaking
her curls vigorously at Joseph. “I will have spring-guns placed in the
trees.”

“Her's wuss than t'other un,” mumbled the routed Joseph, as he shambled
in his lop-sided fashion down the road. “I should ha' thought you could
ha' done what you liked wi' a little un like that. I niver counted on
being forced to flee afore a little un.”

The earl said nothing, and Miss Blythe, satisfied that the retreat was
real, had already gone back to her gardening.




CHAPTER III.

In the mean time the young man in the tasselled cap and the
patent-leathers had strolled leisurely in the opposite direction to that
the earl had taken, and in a little while--still followed by the valet,
who bore his painting tools--had climbed into a field knee-deep in
grass which was ready for the scythe. At the bottom of this meadow ran a
little purling stream, with a slant willow growing over it. In obedience
to the young gentleman's instructions, the valet set down his burden
here, and having received orders to return in an hour's time, departed.
The young gentleman sketched the willow and the brook in no very
masterly fashion, but at a sort of hasty random, and tiring of his
self-imposed task before half an hour was over, threw himself at length
beside the brook, and there, lulled by the ripple of the water and
the slumberous noise of insects, fell asleep. The valet's returning
footsteps awoke him. He rolled over idly and lit a new cigar.

“Shall I take back the things to the Hall, sir?” asked the servant.

“Yes, take them back to the Hall,” said the young gentleman, lazily.
Rising to his feet, he produced a small pocket-mirror, and having
surveyed the reflection of his features, arranged his scarf, cocked
his cap, and sauntered from the field. His way led him past a high
time-crumbled wall, over which a half score of trees pushed luxuriant
branches. The wall was some ten feet in height, and in the middle of
it was a green-painted door which opened inward. It was not quite
closed, and a mere streak of sunlit grass could be seen within.

As the idle young gentleman sauntered along with his hands folded behind
him, his eyes half closed, and his nose in the air, a sudden burst of
music reached his ears and brought him to a stand-still. It surprised
him a little, partly because it was extremely well played, and partly
because the theme was classic and but little known. He moved his head
from side to side to make out, if possible, the inmates of the garden,
but he could see nothing but the figure of a girl, who leaned her hands
upon a tree and her cheek upon her hands. This, however, was enough to
pique curiosity, for the figure was singularly graceful, and had fallen
into an attitude of unstudied elegance. He pushed the door an
inch wider, and so far enlarged his view that he could see the
musicians--three old men and a young one--who sat in the middle of a
grassy space and ploughed away at the music with a will. Not caring
to be observed in his clandestine espial he drew back a little, still
keeping the figure of the girl in sight, and listened to the music.

He was so absorbed that the sudden spectacle of the Earl of Barfield,
who came round the corner with a ladder on his shoulder, startled him a
little. His lordship was followed by Joseph Beaker, who bore the saw and
the billhook, and the old nobleman was evidently somewhat fatigued, and
carried the ladder with difficulty. Seeing his young friend, he propped
his burden against the wall and mopped his forehead, casting an upward
glance at the boughs which stretched their pleasant shadow overhead.

“Well, Ferdinand,” he said, in a discontented voice, “what are you doing
here?”

“I am listening to the music,” said Ferdinand, in answer.

“The music?” said his lordship. “That caterwauling?” He waved a hand
towards the wall. “Old Fuller and his friends.”

“They play capitally,” said Ferdinand; “for country people they play
capitally. They are amateurs, of course?”

“Do they?” asked the earl, somewhat eagerly; “do they, really? Tell
'em so, tell 'em so. Nothing so likely”--he dropped his voice to a
whisper--“nothing so likely to catch old Fuller's vote as that. He's
mad on music. I haven't ventured to call on him for a long time. We had
quite a little fracas years ago about these overhanging boughs. They're
quite an eyesore--quite an eyesore; but he won't have 'em touched;
won't endure it. Joseph, you can carry the ladder home. We'll go in,
Ferdinand--it's an admirable opportunity. I've been wondering how to
approach old Fuller, and this is the very thing--the very thing.”

“Wait until they have finished,” said the younger man; and Joseph having
shouldered the ladder and gone off with it in his own crab-like way, the
two stood together until the musicians in the garden had finished the
theme upon which they were engaged.

The earl pushed open the garden door and entered, Ferdinand following in
the rear. The girl turned at the noise made by the shrieking hinges, and
stood somewhat irresolutely, as if uncertain. Finally, she bowed in
a manner sufficiently distant and ceremonious. Ferdinand put up an
eye-glass and surveyed her with an air of criticism, while the old
nobleman advanced briskly towards the table around which the musicians
were seated.

“Good-day, Fuller, good-day,” he said, in a hearty voice; “don't let me
disturb you, I beg. We heard your beautiful music as we passed by, and
stopped to listen to it. This is my young friend, Mr. De Blacquaire,
who's going to stand, you know, for this division of the county. Mr.
De Blacquaire is a great amateur of music, and was delighted with your
playing--delighted.”

“I was charmed, indeed,” said Ferdinand. “There are lovers of music
everywhere, of course, but I had not expected to find so advanced a
company of amateurs in Heydon Hay. That final passage was exquisitely
rendered.”

The earl stood with a smile distorted in the sunlight, looking
alternately from the candidate to the voters.

“Exquisitely rendered, I am sure,” he said--“exquisitely rendered.
Praise from Mr. De Blacquaire is worth having, let me tell you, Fuller.
Mr. De Blacquaire is himself a distinguished musician. Ah! my old friend
Eld! How do you do? how do you do?”

This greeting was addressed to Sennacherib, who had arisen on the
earl's arrival, had deliberately turned his back, and was now engaged in
turning over the leaves of music which lay on the table before him.

“Sennacherib,” said Isaiah, mildly, “his lordship's a-talking to thee.”

“I can hear,” responded Sennacherib, “as he's a-talking to one on us. As
for me, I'm none the better for being axed.”

“And none the worse, I hope,” said his lordship, as cheerily as he
could.

“Nayther wuss nor better, so far as I can see,” replied Sennacherib.

“Come, come, Mr. Eld,” said Fuller. “Harmony! harmony!”

“I was a-tekin' my walks abroad this mornin',” said Sennacherib, still
bending over his music, “when I see that petted hound of the vicar's mek
a fly at a mongrel dog as had a bone. The mongrel run for it and took
the bone along with him. It comes into my mind now as if the hound had
known a month or two aforehand as he'd want that bone, he'd ha' made
friends wi' the mongrel.”

This parable was so obviously directed at his lordship and his young
_protégé_ that Sennacherib's companions looked and felt ill at ease.
Fuller was heard to murmur “Harmony!” but a disconcerted silence fell
on all, and his lordship took snuff while he searched for a speech which
should turn the current of conversation into a pleasanter channel.
The Earl of Barfield was particularly keen in his desire to run Mr.
Ferdinand de Blacquaire for the county, and to run him into Parliament.
Ferdinand himself was much less keen about the business, and regarded
it all as a mingled joke and bore. This being the case, he felt free to
avoid the ordinary allures of the parliamentary candidate, and, apart
from that, he had, with himself at least, a reputation to sustain as a
man of wit.

“Has this mongrel a bone?” he asked, in a silky tone. “Let him keep it.”

His lordship shot a glance of surprised wrath at him, almost of horror,
but Sennacherib began to chuckle.

“Pup's got a bite in him,” said Sennacherib--“got a bite in him.”

His lordship felt a little easier, and looking about him discovered that
everybody was smiling more or less, though on one or two faces the smile
sat uneasily.

“Come, come, Mr. Eld,” said Fuller, “harmony!”

“Ah!” cried the earl, seizing gladly on the word. “Let us have a little
harmony. Don't let our presence disturb your music. Mr. Eld is a local
notability, Ferdinand. Mr. Eld speaks his mind to everybody. I'm afraid
he's on the other side, and in that case you'll have many a tussle with
him before you come to the hustings. Eh? That's so, isn't it, Eld? Eh?
That's so?”

“Oh,” said Sennacherib, with the slow local drawl, “we'll tek a bit of a
wrastle now and again, I mek no manner of a doubt.”

“And in the mean time,” said his lordship, “let us start harmoniously.
Give us a little music, Fuller. Go on just as if we were not here.”

“Ruth, my wench,” said Fuller, “fetch his lordship a chair, and bring
another for Mr.-----” He hung upon the Mr., searching to recall the
name.

“Devil-a-care,” suggested Sennacherib.

“De Blacquaire,” said the earl, correcting him. “Mr. Ferdinand de
Blacquaire.”

The girl had already moved away, and Ferdinand, with an air in
which criticism melted slowly into approval, watched her through his
eye-glass. The only young man in the quartette party, Reuben Gold, eyed
Ferdinand with a look in which criticism hardened into disapproval, and,
turning away, fluttered the edges of the music sheets before him with
the tip of his bow.

“Look here, lads,” said Fuller, “we'll have a slap at that there sonata
of B. Thoven's, eh?”

“Beethoven?” asked Ferdinand, with a little unnecessary stress upon
the name to mark his pronunciation of it. “You play Beethoven? This is
extremely interesting.” He spoke to the earl, who rubbed his hands and
nodded. The young first-violin tossed his chestnut-colored mane on one
side with a gesture of irritation. Ruth reappeared with a chair in each
hand. They were old-fashioned and rather heavy, being built of solid
oak, but she carried them lightly and gracefully. Ferdinand started
forward and attempted to relieve her of her burden. At first she
resisted, but he insisting upon the point she yielded. The young
Ferdinand was less graceful than he had meant to be in the carriage of
the chairs, and Ruth looked at Reuben with a smile so faint as scarcely
to be perceptible. Reuben with knitted brows pored over his music,
and the girl returned to her old place and her old attitude by the
apple-tree.

Ferdinand, having the placing of the chairs in his own hands, took up a
position in which, without being obtrusively near, he was close enough
to address Ruth if occasion should arise, as he was already fairly
resolved it should. The three elders were most drolly provincial, to his
mind, and their accent was positively barbarous to his ears. Reuben was
less provincial to look at, but to Mr. De Blacquaire's critical eye the
young man was evidently not a gentleman. He had not heard him speak as
yet, but could well afford to make up his mind without that. Nobody but
a boof could have employed Reuben's tailor or his shoemaker. As for the
girl, she looked like a lily in a kitchen-garden, a flower among the
coarse and commonplace things of every-day consumption. It would be a
deadly pity, he thought, if she should have an accent like the rest.
Her dress was perfectly refined and simple, and Ferdinand guessed pretty
shrewdly that this was likely to be due to her own handiwork and fancy.

“What a delightful, quaint old garden you have here, to be sure,” he
said.

With a perfect naturalness she raised a warning palm against him, and
at that instant the quartette party began their performance. She had
not even turned an eye in his direction, and he was a little piqued. The
hand which had motioned him to silence was laid now on the gnarled old
apple-tree, and she rested her ripe cheek against it. Her eyes began
to dream at the music, and it was evident that her forgetfulness of the
picturesque young gentleman beside her was complete and unaffected. The
picturesque young gentleman felt this rather keenly. The snub was small
enough, in all conscience, but it _was_ a snub, and he was sensitive,
even curiously sensitive, to that kind of thing. And he was not in the
habit of being snubbed. He was accustomed to look for the signs of his
own power to please among young women who moved in another sphere.

It was a very, very small affair, but then it is precisely these
very small affairs which rankle in a certain sort of mind. Ferdinand
dismissed it, but it spoiled his music for the first five minutes.

The Earl of Barfield was one of those people to whom music is neither
more nor less than noise. He loved quiet and hated noise, and the four
interpreters of the melody and harmony of Beethoven afforded him as much
delight as so many crying children would have done. It had been a joke
against him in his youth that he had once failed to distinguish between
“God save the King” and the “Old Hundredth.” Harmony and melody
here were alike divine in themselves, and were more than respectably
rendered, and he sat and suffered under them in his young friend's
behoof like a hero. They bored him unspeakably, and the performance
lasted half an hour. When it was all over he beat his withered white
hands together once or twice, and smiled in self-gratulation that his
time of suffering was over.

“Admirably rendered!” cried Ferdinand; “admirably--admirably rendered.
Will you forgive me just a hint, sir?” He addressed Sennacherib. “A
leetle more light and shade! A performance less level in tone.”

“P'raps the young man'll show us how to do it,” said Sennacherib, in a
dry, mock humility, handing his fiddle and bow towards the critic.

The critic accepted them with a manner charmingly unconscious of the
intended satire, and walked round the table until he came behind Reuben,
when he turned back the music for a leaf or two.

“Here, for example,” he said, and tucking the instrument beneath his
chin, played through a score of bars with a certain exaggerated _chic_
which awakened Sennacherib's derision.

“What dost want to writhe i' that fashion for?” he demanded. “Dost find
thine inwards twisted? It's a pretty tone, though,” he allowed. “The
young man can fiddle. Strikes me, young master, as thee'dst do better at
the Hopera than the House o' Commons. Tek a fool's advice and try.”

Ferdinand smiled with genuine good-humor. This insolent old personage
began to amuse him.

“Really I don't know, sir,” he answered. “Perhaps I may do pretty well
in the House of Commons, if you will be good enough to try me. One can't
please everybody, but I promise to do my best.”

“The best can do no more,” said Fuller, in a mellow, peace-making kind
of murmur; “the best can do no more.”

“I've no mind for that theer whisperin' and shout-in' in the course of
a piece of music,” said Sennacherib. “Pianner is pianner, and forte is
forte, but theer's no call to strain a man's ears to listen to the one,
nor to drive him deaf with t'other. Same time, if the young gentleman
'ud like to come an' gi'e us a lesson now and then we'd tek it.”

“I'm not able to give you lessons, sir,” returned Mr. De Blacquaire,
with unshaken good-humor; “but if you'll allow me to take one now and
then by listening, I shall be delighted.”

“Nothin' agen that, is theer, Mr. Fuller?” demanded Sennacherib.

“Allays pleased to see the young gentleman,” responded Fuller.

“When may I come to listen to you again, gentlemen?” asked Ferdinand.
His manner was full of _bonhomie_ now, and had no trace of affectation.
It pleased everybody but Reuben, who had conceived a distaste for him
from the first. Perhaps, if he had not placed his chair so near to Ruth,
and had regarded her less often and with a less evident admiration, the
young man might have liked him better.

“Well,” said Fuller, “we are here pretty nigh every evenin' while the
fine weather lasts. We happen to be here this afternoon because young
Mr. Gold is goin' away for to-night to Castle Barfield. You'll find we
here almost of any evenin'--to-morrow, to begin with.”

“We had better be going now, Ferdinand,” said his lordship, who dreaded
the new beginning of the music. “Good-afternoon, Fuller. Good-afternoon,
Eld. Good-afternoon, Gold.”

“Good-day, my lord,” said Reuben, rather gloomily. He had not spoken
until now, and Ferdinand had wished to note the accent. There was none
to note in the few words he uttered.

“Your little girl is growing into a woman, Fuller,” said his lordship.

“That's the way wi' most gells, my lord,” said Fuller.

“Good-afternoon, Miss Ruth,” said the old nobleman, nodding and smiling.

“Good-afternoon, my lord,” said Ruth. Ferdinand's attentive ear noted
again the absence of the district accent. He removed his cap and bowed
to her.

“Good-afternoon. I may come to-morrow evening, then?” The query was
addressed to her, but she did not answer it, either by glance or word.
She had answered his bow and turned away before he had spoken.

“Ay,” said Fuller; “come and welcome.”

He bowed and smiled all round, and walked away with his lordship. He
turned at the garden door for a final glance at the pretty girl, but she
had her back turned upon him, and was leaning both hands on her father's
shoulder.




CHAPTER IV.

The rustic little church at Heydon Hay made a nucleus for the village,
which, close at hand, clustered about it pretty thickly, but soon
began to fray off into scattered edges, as if the force of attraction
decreased with distance, after the established rule. Beside the
church-yard, and separated from it by a high brick wall, was a garden,
fronted by half a dozen slim and lofty poplars. Within the churchyard
the wall was only on a level with the topmost tufts of grass, but on the
garden side it stood six feet high, and was bulged out somewhat by the
weight of earth which pressed against it. Facing the tall poplars was
a house of two stories. It looked like a short row of houses, for
it boasted three front doors. Over each of these was hung a little
contrivance which resembled a section of that extinguisher apparatus
which is still to be found suspended above the pulpit in some
old-fashioned country churches. All the windows of the old house were of
diamond panes, and those of the upper story projected from the roof of
solid and venerable thatch. A pair of doves had their home in a wicker
cage which hung from the wall, and their cooing was like the voice of
the house, so peaceful, homely, and Old-world was its aspect.

Despite the three front doors, the real entrance to the house was at the
rear, to which access was had by a side gate. A path, moss-grown at the
edges, led between shrubs and flowers to a small circle of brickwork,
in the midst of which was a well with rope and windlass above it,
and thence continued to the door, which led to an antique, low-browed
kitchen. A small dark passage led from the kitchen to a front room with
a great fireplace, which rose so high that there was but just enough
room between the mantle-board and the whitewashed ceiling for the squat
brass candlesticks and the big foreign sea-shells which stood there for
ornament.

The diamonded window admitted so little light that on entering here from
the outer sunshine the visitor could only make out the details one by
one. When his eyes became accustomed to the semi-darkness he was sure to
notice a dozen or more green baize bags which hung upon the walls, each
half defining, in the same vague way as all the others, the outline of
the object it contained. Each green baize bag was closely tied at the
neck, and suspended at an equal height with the rest upon a nail. There
was something of a vault-like odor in the room, traceable probably to
the two facts that the carpet was laid upon a brick floor, and that the
chamber was rarely opened to the air.

Ezra Gold, seated upright in an oaken arm-chair, with a hand lightly
grasping the end of either arm, was at home in the close, cool shadow
of the place. The cloistered air, the quiet and the dim shade seemed
to suit him, and he to be in harmony with them. His eyes were open,
and alighted now and again with an air of recognition on some familiar
object, but otherwise he might have seemed asleep. On the central
table was a great pile of music-books, old-fashioned alike in shape and
binding. They exhaled a special cloistral odor of their own, as if they
had been long imprisoned. Ezra's eye dwelt oftener on these musty old
books than elsewhere.

He had sat still and silent for a long time, when the bells of the
church, with a startling nearness and distinctness, broke into a peal.
He made a slight movement when the sound first fell upon his ear, but
went back to his quiet and his dreams again at once.

Ten minutes went by and the bells were still pealing, when he heard
a sound which would have been inaudible in the midst of the metallic
clamor to ears less accustomed than his own. He had lived there all his
life, and scarcely noticed the noise which would almost have deafened a
stranger. The sound he had heard was the clicking of the gate, and after
a pause it was followed by the appearance of his nephew Reuben, who
looked about him with a dazzled and uncertain gaze.

“Well, Reuben, lad?” said the old man; but his voice was lost for his
nephew in the noise which shook the air. “Dost not see me?” he cried,
speaking loudly this time.

“I'm fresh from the sunlight,” Reuben shouted, with unnecessary force.
“You spoke before. I couldn't hear you for the bells.”

The old man with a half-humorous gesture put his hands to his ears.

“No need to shout a man's head off,” he answered. “Come outside.”

Rueben understood the gesture, though he could not hear the words, and
the two left the room together, and came out upon the back garden.
The sound of the bells was still clear and loud, but by no means so
overwhelming as it had been within-doors.

“That's better,” said Reuben. “They're making noise enough for young
Sennacherib's wedding.”

“Young Sennacherib?” asked his uncle. “Young Eld? Is young Eld to be
married?”

“Didn't you Know that? The procession is coming along the road this
minute. Old Sennacherib disapproves of the match, and we've had a scene
the like of which was never known in Heydon Hay before.”

“Ay?” said Ezra, with grave interest, slowly, and with a look of a man
long imprisoned, to whom outside things are strange, but interesting
still. “As how?”

“Why thus,” returned Reuben, with a laugh in his eyes. “Old Sennacherib
comes to his gate and awaits the wedding-party. Young Snac, with his
bride upon his arm, waves a braggart handkerchief at the oldster, and
out walks papa, plants himself straight in front of the company, and
brings all to a halt. 'I should like to tell thee,' says the old fellow
before them all, rolling that bull-dog head of his, 'as I've made my
will an' cut thee off with a shillin'!'”

“Dear me!” said Ezra, seriously; “dear me! And what answer made young
Snac to this?”

“Young Snac,” said Reuben, “was equal to his day. 'All right,' says he;
'gi'e me the shillin' now, an' we'll drop in at the “Goat” and split
a quart together.' 'All right,' says the old bull-dog; 'it's th' on'y
chance I shall ever light upon of mekin' a profit out o' thee.' He lugs
out a leather bag, finds a shilling, bites it to make sure of its value,
hands it to the young bull-dog, and at the 'Goat' they actually pull up
together, and young Snac spends the money then and there. 'Bring out six
pints,' cries Snac the younger. 'Fo'penny ale's as much as a father can
expect when his loving son is a-spendin' the whole of his inheritance
upon him.' Everybody sipped, the bride included, and the two bull-dogs
clinked their mugs together. I sipped myself, being invited as a
bystander, and toasted father and son together.”

“But, mind thee, lad,” said Ezra, “it's scarcely to be touched upon as a
laughing matter. Drollery of a sort theer is in it, to be sure; but what
Sennacherib Eld says he sticks to. When he bites he holds. He was ever
of that nature.”

“I know,” said Reuben; “but young Nip-and-Fasten has the breed of old
Bite-and-Hold-Fast in him, and if the old man keeps his money the young
one will manage to get along without it.”

At this moment the bells ceased their clangor.

“They've gone into the church, Reuben,” said the old man. “I'll do no
less than wish 'em happiness, though there's fewer that finds it than
seeks it by that gate.”

“It's like other gates in that respect, I suppose,” Reuben answered.

“Well, yes,” returned the elder man, lingeringly. “But it's the gate
that most of 'em fancy, and thereby it grows the saddest to look at,
lad. Come indoors again. There'll be no more bells this yet-awhile.”

Reuben followed him into the cloistral odors and shadows of the
sitting-room. Ezra took his old seat, and kept silence for the space of
two or three minutes.

“You said you wanted to speak to me, uncle,” said the younger man, at
length.

“Yes, yes,” said Ezra, rising as if from a dream. “You're getting to
have a very pretty hand on the fiddle, Reuben, and--well, it's a shame
to bury anything that has a value. This”--he arose and laid a hand on
the topmost book of the great pile of music--“this has never seen
the light for a good five-and-twenty year. Theer's some of it forgot,
notwithstanding that it's all main good music. But theer's no room i'
the world for th' old-fangled an' the newfangled. One nail drives out
another. But I've been thinking thee mightst find a thing or two herein
as would prove of value, and it's yours if you see fit to take it away.”

“Why, it's a library,” said Reuben. “You are very good, uncle, but--”

“Tek it, lad, tek it, if you'd like it, and make no words. And if it
shouldn't turn out to have been worth the carrying you can let th' old
chap think it was--eh?”

“Worth the carrying?” said Reuben, with a half-embarrassed little laugh.
“I'm pretty sure you had no rubbish on your shelves, uncle.” He began to
turn over the leaves of the topmost book. “'_Études?_” he read, “'_pour
deux violins, par_ Joseph Manzini.' This looks good. Who was Joseph
Manzini? I never heard of him.”

“Manzini?” asked the old man, with a curious eagerness--“Manzini.” His
voice changed altogether, and fell into a dreamy and retrospective tone.
He laid a hand upon the open pages, and smoothed them with a touch which
looked like a caress.

“Who was he?” asked Reuben. “Did you know him?”

“No, lad,” returned the old man, coming out of his dream, and smiling
as he spoke, “I never knew him. What should bring me to know a German
musician as was great in his own day?”

“I thought you spoke as if you knew him,” said Reuben.

“Hast a quick ear,” said Ezra, “and a searching fancy. No, lad, no; I
never knew him. But that was the last man I ever handled bow and fiddle
for. I left that open” (he tapped the book with his fingers and then
closed it as he spoke)--“I left that open on my table when I was called
away on business to London. I found it open when I came home again, and
I closed it, for I never touched a bow again. I'd heard Paganini in the
mean time. Me and 'Saiah Eld tried that through together, and since then
I've never drawn a note out o' catgut.”

“I could never altogether understand it, uncle,” said Reuben. “What
could the man's playing have been like?”

“What was it like?” returned the older man. “What is theer as it wa'n't
like? I couldn't tell thee, lad--I couldn't tell thee. It was like a
lost soul a-wailing i' the pit. It was like an angel a-sing-ing afore
the Lord. It was like that passage i' the Book o' Job, where 'tis said
as 'twas the dead o' night when deep sleep falleth upon men, and a
vision passed afore his face, and the hair of his flesh stood up. It
was like the winter tempest i' the trees, and a little brook in summer
weather. It was like as if theer was a livin' soul within the thing, and
sometimes he'd trick it and soothe it, and it'd laugh and sing to do the
heart good, an' another time he'd tear it by the roots till it chilled
your blood.”

“You heard him often?” asked Reuben.

“Never but once,” said Ezra, shaking his head with great decision.
“Never but once. He wa'n't a man to hear too often. 'Twas a thing to
know and to carry away. A glory to have looked at once, but not to live
in the midst on. Too bright for common eyes, lad--too bright for common
eyes.”

“I've heard many speak of his playing,” said Reuben. “But there are just
as many opinions as there are people.”

“There's no disputing in these matters,” the older man answered. “I've
heard him talked of as a Charley Tann, which I tek to be a kind of
humbugging pretender, but 'twas plain to see for a man with a soul
behind his wescut as the man was wore to a shadow with his feeling for
his music. 'Twas partly the man's own sufferin' and triumphin' as had
such a power over me. It is with music as th' other passions. % Theer's
love, for example. A lad picks out a wench, and spends his heart and
natur' in her behalf as free as if there'd niver been a wench i' the
world afore, and niver again would be. And after all a wench is a
commonish sort of a object, and even the wench the lad's in love with is
a commonish sort o' creature among wenches. But what's that to him, if
her chances to be just the sort his soul and body cries after?”

“Ah!” said Reuben, “_if_ his soul cries after her. But if he values
goodness his soul will cry after it, and if he values beauty his soul
will cry after that. I never heard Paganini, but he was a great player,
or a real lover of music like you would never have found what he wanted
in him.”

“Yes, lad,” his uncle answered, falling suddenly into his habitual
manner, “the man was a player. Thee canst have the music any time thee
likst to send for it.”

Reuben knew the old man and his ways. The talkative fit was evidently
over, and he might sit and talk, if he would, from then till evening,
and get no more than a monosyllable here and there in return for his
pains.

“It will take a hand-cart to carry the books,” he said; “but I will take
Manzini now if you will let me.” The old man, contenting himself with a
mere nod in answer, he took up the old-fashioned oblong folio, tucked it
under his arm, and shook hands with the donor. “This is a princely gift,
uncle,” he said, with the natural exaggeration of a grateful youngster.
“I don't know how to say thank you for it.”

Ezra smiled, but said nothing. Reuben, repeating his leave-taking,
went away, and coming suddenly upon the bright sunlight and the renewed
clangor of the bells, was half stunned by the noise and dazzled by the
glare. With all this clash and brilliance, as if they existed because of
her, and were a part of her presence, appeared Ruth Fuller in the act
of passing Ezra's house. Ruth had brightness, but it was rather of the
twilight sort than this; and the music which seemed fittest to salute
her apparition might have been better supplied by these same bells at
a distance of a mile or two. Reuben was perturbed, as any mere mortal
might expect to be on encountering a goddess.

Let us see the goddess as well as may be.

She was country-bred to begin with, and though to Heydon Hay her
appearance smacked somewhat of the town, a dweller in towns would have
called her rustic. She wore a straw hat which was in the fashion of the
time, and to the eyes of the time looked charming, though twenty years
later we call it ugly, and speak no more than truth. Beneath this straw
hat very beautiful and plenteous brown hair escaped in defiance of
authority, and frolicked into curls and wavelets, disporting itself on a
forehead of creamy tone and smoothness, and just touching the eyebrows,
which were of a slightly darker brown, faintly arched on the lower
outline, and more prominently arched on the upper. Below the brows brown
eyes, as honest as the day, and with a frank smile always ready to break
through the dream which pretty often filled them. A short upper lip,
delicately curved and curiously mobile, a full lower lip, a chin
expressive of great firmness, but softened by a dimpled hollow in the
very middle of its roundness, a nose neither Grecian nor tilted, but
betwixt the two, and delightful, and a complexion familiar with sun and
air, wholesome, robust, and fine. In stature she was no more than on a
level with Reuben's chin; but Reuben was taller than common, standing
six feet in his stockings. This fact of superior height was not in
itself sufficient to account for the graceful inclination of the body
which always characterized Reuben when he talked with Ruth. There was a
tender and unconscious deference in his attitude which told more to the
least observant observer than Reuben would willingly have had known.

Ezra Gold saw the chance encounter through the window, and watched the
pair as they shook hands. They walked away together, for they were bound
in the same direction, and the old man rose from his seat and walked to
the window to look after them.

“Well, well, lad,” he said, speaking half aloud, after the fashion of
men who spend much of their time alone, “theert beauty and goodness
theer, I fancy. Go thy ways, lad, and be happy.”

They were out of sight already, and Ezra, with his hands folded behind
him, paced twice or thrice along the room. Pausing before one of the
green baize bags, he lifted it from its nail, and having untied the
string that fastened it, he drew forth with great tenderness an unstrung
violin, and, carrying it to the light, sat down and turned it over
and over in his hands. Then he took the neck with his left hand, and,
placing the instrument upright upon his knee, caressed it with his
right.

“Poor lass,” he said, “a' might think as thee was grieved to have had
ne'er a soul to sing to all these years. I've a half mind to let thee
have a song now, but I doubt thee couldst do naught but screech at
me. I've forgotten how to ask a lady of thy make to sing. Shalt go to
Reuben, lass; he'll mek thee find thy voice again. Rare and sweet it
used to be--rare and sweet.”

He fell into a fit of coughing which shook him from head to foot, but
even in the midst of the paroxysm he made shift to lay down the violin
with perfect tenderness. When the fit was over he lay back in his chair
with his arms depending feebly at his sides, panting a little, but
smiling like a man at peace.




CHAPTER V.

These had been a long spell of fair weather, and the Earl of Barfield
had carried on his warfare against all and sundry who permitted the
boughs of their garden trees to overhang the public highway, for a
space of little less than a month. The campaign had been conducted
with varying success, but the old nobleman counted as many victories as
fights, and was disposed, on the whole, to be content with himself. He
was an old and experienced warrior in this cause, and had learned to
look with a philosophic eye upon reverses.

But on the day following that which saw the introduction of his
lordship's parliamentary nominee to the quartette party, his lordship
encountered a check which called for all the resources of philosophy. He
was routed by his own henchman, Joseph Beaker.

The defeat arrived in this wise: his lordship having carefully arranged
his rounds so that Joseph should carry the ladder all the long distances
while he himself bore it all the short ones, had found himself so
flurried by the defeat he had encountered at the hands of Miss Blythe,
that he had permitted Joseph to take up the ladder and carry it away
from where it had leaned against the apple-tree in the little old lady's
garden. This unforeseen incident had utterly disarranged his plans,
and since he had been unadvised enough to post his servitor in the
particulars of the campaign, Joseph had been quick to discover his own
advantage.

“We will go straight on to Willis's, Joseph,” said his lordship, when
they began their rounds that afternoon. The stroke was simple, but, if
it should only succeed, was effective.

“We bain't a-goin' to pass Widder Hotchkiss, be we, governor?” demanded
Joseph, who saw through the device. His lordship decided not to hear the
question, and walked on a little ahead, swinging the billhook and the
saw.

Joseph Beaker revolved in his mind his own plan of action. In front of
Widow Hotchkiss's cottage the trees were unusually luxuriant, and the
boughs hung unusually low. When they were reached, Joseph contrived to
entangle his ladder and to bring himself to a stand-still, with every
appearance of naturalness.

“My blessed!” he mumbled, “this here's a disgrace to the parish, gaffer.
Theer's nothin' in all Heydon Hay as can put a patch on it. Thee bissent
agoin' past this, beest? Her's as small-sperited as a rabbit--the widder
is.”

“We'll take it another time, Joseph,” said his lordship, striving
to cover his confusion by taking a bigger pinch of snuff than
common--“another time, Joseph, another time.”

“Well,” said Joseph, tossing his lop-sided head, as if he had at last
fathomed the folly and weakness of human nature, and resigned himself to
his own mournful discoveries, “I should niver ha' thought it.” He made
a show of shouldering the ladder disgustedly, but dropped it again. “We
fled afore a little un yesterday,” he said. “I did look for a show o'
courage here, governor.” His lordship hesitated. “Why, look at it,”
 pursued Joseph, waving a hand towards the overhanging verdure; “it 'ud
be a sinful crime to go by it.”

“Put up the ladder, Joseph,” replied his lordship, in a voice of sudden
resolve. The Hotchkiss case was a foregone victory for him, and his
own desires chimed with Joseph's arguments, even while he felt himself
outgeneralled.

The widow sweetened the business by a feeble protest, and the Earl of
Barfield was lordly with ner.

“Must come down, my good woman,” said his lordship, firmly, “must come
down. Obstruct the highway. Disgrace to the parish.”

“That's what I said,” mumbled Joseph, as he steadied the ladder from
below. The widow watched the process wistfully, and my lord chopped and
sawed with unwonted gusto. Branch after branch fell into the lane, and
the aged nobleman puffed and sweated with his grateful labor. He had not
had such a joyful turn for many a day. The widow moaned like a winter
wind in a key-hole, and when his lordship at last descended from his
perch she was wiping her eyes with her apron.

“I know full well what poor folks has got to put up with at the hands o'
them as the Lord has set in authority,” said the widow, “but it's cruel
hard to have a body's bits o' trees chopped and lopped i' that way. When
ourn was alive his lordship niver laid a hand upon 'em. Ourn 'ud
niver ha' bent himself to put up wi' it, that he niver would, and Lord
Barfield knows it; for though he was no better nor a market-gardener, he
was one o' them as knowed what was becomin' between man and man, be
he niver so lowly, and his lordship the lord o' the manor for miles
around.”

“Tut, tut, my good woman,” returned his lordship. “Pooh, pooh! Do
for firewood. Nice and dry against the winter. Much better there than
obstructing the high-road--much better. Joseph Beaker, take the ladder.”

“My turn next time,” replied Joseph. “Carried it here.”

His lordship, a little abashed, feigned to consider, and took snuff.

“Quite right, Joseph,” he answered, “quite right. Quite fair to remind
me. Perfectly fair.” But he was a good deal blown and wearied with his
exertions, and though anxious to escape the moanings of the widow he had
no taste for the exercise which awaited him. He braced himself for
the task, however, and handing the tools to his henchman, manfully
shouldered the ladder and started away with it. The lane was circuitous,
and when once he had rounded the first corner he paused and set down his
burden. “It's unusually warm to-day, Joseph,” he said, mopping at his
wrinkled forehead.

“Theer's a coolish breeze,” replied Joseph, “and a-plenty o' shadder.”

“Do you know, Joseph,” said the earl, in a casual tone, “I think I shall
have to get you to take this turn. I am a little tired.”

“Carried it last turn,” said Joseph, decidedly. “A bargain's a bargain.”

“Certainly, certainly,” returned his lordship, “a bargain _is_ a
bargain, Joseph.” He sat down upon one of the lower rungs of the ladder
and fanned himself with a pocket-handkerchief. “But you know, Joseph,”
 he began again after a pause, “nobody pushes a bargain too hard. If you
carry the ladder this time I will carry it next. Come now--what do you
say to that?”

“It's a quarter of a mile from here to Willis's,” said Joseph, “and it
ain't five score yards from theer to the Tan-yard. Theer's some,” he
added, with an almost philosophic air, “as knows when they are well
off.”

“I'll give you an extra penny,” said his lordship, condescending to
bargain.

“I'll do it for a extry sixpince,” replied Joseph.

“I'll make it twopence,” said his lordship--“twopence and a screw of
snuff.”

“I'll do it for a extry sixpince,” Joseph repeated, doggedly.

_Noblesse oblige_. There was a point beyond which the Earl of Barfield
could not haggle. He surrendered, but it galled him, and the agreeable
sense of humor with which he commonly regarded Joseph Beaker failed him
for the rest of that afternoon. It happened, also, that the people
who remained to be encountered one and all opposed him, and with the
exception of his triumph over the Widow Hotchkiss the day was a day of
failure.

When, therefore, his lordship turned his steps homeward he was in a
mood to be tart with anybody, and it befell that Ferdinand was the first
person on whom he found an opportunity of venting his gathered sours.
The young gentleman heaved in sight near the lodge gates, smoking a
cigar and gazing about him with an air of lazy nonchalance which had
very much the look of being practised in hours of private leisure.
Behind him came the valet, bearing the big square color-box, the
camp-stool, and the clumsy field easel.

“Daubing again, I presume?” said his lordship, snappishly.

“Yes,” said Ferdinand, holding his cigar at arm's-length and flicking at
the ash with his little finger, “daubing again.”

His lordship felt the tone and gesture to be irritating and offensive.

“Joseph Beaker,” he said, “take the ladder to the stables. I have done
with you for to-day. Upon my word, Ferdinand,” he continued, when Joseph
had shambled through the gateway with the ladder, “I think you answer
me with very little consideration, for--in short, I think your manner a
little wanting in--I don't care to be addressed in that way, Ferdinand.”

“I am sorry, sir,” said Ferdinand. “I did not mean to be disrespectful.
You spoke of my daubing. I desired to admit the justice of the term.
Nothing more, I assure you.”

His lordship, in his irritated mood, felt the tone to-be more irritating
and offensive than before.

“I tell you candidly, Ferdinand, that I do not approve of the manner in
which you spend your time here. If you imagine that you can walk over
the course here without an effort you are very much mistaken. I take
this idleness and indifference very ill, sir, very ill indeed, and if we
are beaten I shall know on whom the blame will rest. The times are not
what they were, Ferdinand, and constitutional principles are in danger.”

“Really, sir,” returned Ferdinand, “one can't be electioneering all the
year round. There can't be a dissolution before the autumn. When the
time comes I will work as hard as you can ask me to do.”

“Pooh, pooh!” said his lordship, irritably. “I don't ask you to spout
politics. I ask you to show yourself to these people as a serious and
thoughtful fellow, and not as a mere dauber of canvas and scraper of
fiddles. You come here,” he went on, irritated as much by his own speech
as by the actual circumstances of the case, “as if you were courting a
constituency of _dilettanti_, and expected to walk in by virtue of your
little artistic graces. They don't want a man like that. They won't have
a man like that. They're hard-headed fellows, let me tell you. These
South Stafford fellows are the very deuce, let me tell you, for knowing
all about Free-trade, and the Cheap Loaf, and the National Debt.”

“Very well, sir,” said Ferdinand, laughing, “I reform. Instead of
carrying easel and _porte-couleur,_ Harvey shall go about with a copy of
'The Wealth of Nations,' and when a voter passes I'll stop and consult
the volume and make a note. But _l'homme sérieux_ is not the only man
for election times. I'll wager all I am ever likely to make out of
politics that I have secured a vote this afternoon, though I have done
nothing more than offer a farmer's wife a little artistic advice
about the choice of a bonnet. I told her that yellow was fatal to that
charming complexion, and advised blue. Old Holland is proud of his young
wife, and I hooked him to a certainty.”

“Holland!” cried his lordship, more pettishly than ever--“Holland is
conservative to the backbone. We were always sure of Holland.”

“Well, well,” said Ferdinand, in a voice of toleration, “we are at least
as sure of him as ever.”

The allowance in the young man's manner exasperated the old nobleman.
But he liked his young friend in spite of his insolence and tranquil
swagger, and he dreaded to say something which might be too strong for
the occasion.

“We will talk this question over at another time,” he said, controlling
himself; “we will talk it over after dinner.”

“I must go vote-catching after dinner,” returned Ferdinand. “I promised
to go and listen to the quartette party this evening.”

“Very well,” returned his lordship, with a sudden frostiness of manner.
“I shall dine alone. Good-evening.”

He marched away, the senile nodding of his head accentuated into
pettishness; and Ferdinand stood looking after him for a second or two
with a smile, but presently thinking better of it, he hastened after the
angry old man and overtook him.

“I am sorry, sir, if I disappoint you,” he said. “I don't want to do
that, and I won't do it if I can help it.” The earl said nothing, but
walked on with an injured air which was almost feminine. “Are you angry
at my proposing to go to see old Fuller? I understood you to say
yesterday that his vote was undecided, and that nothing was so likely
to catch him as a little interest in his musical pursuits.”

“I have no objections to offer to your proposal,” replied his lordship,
frostily--“none whatever.”

“I am glad to hear that, sir,” said Ferdinand, with rather more dryness
than was needed. His lordship walked on again, and the young man
lingered behind.

The household ways at the Hall were simple, and the hours kept there
were early. It was not yet seven o'clock when Ferdinand, having already
eaten his lonely dinner, strolled down the drive, cigar in month, bound
for old Fuller's garden. He thought less of electioneering and less
of music than of the pretty girl he had discovered yesterday. She
interested him a little, and piqued him a little. Without being
altogether a puppy, he was well aware of his own advantages of person,
and was accustomed to attribute to them a fair amount of his own social
successes. He was heir to a baronetcy and to the estates that went with
it. It was impossible in the course of nature that he should be long
kept out of these desirable possessions, for the present baronet was his
grandfather, and had long passed the ordinary limits of old age. The old
man had outlived his own immediate natural heir, Ferdinand's father, and
now, in spite of an extraordinary toughness of constitution, was showing
signs of frailty which increased almost day by day. And apart from
his own personal advantages, and the future baronetcy and the estates
thereto appertaining, the young man felt that, as the chosen candidate
of the constitutional party for that division of the county at the
approaching election, he was something of a figure in the place. It was
rather abnormal that any pretty little half-rustic girl should treat him
with anything but reverence. If the girl had been shy, and had blushed
and trembled before him a little, he could have understood it. Had she
been pert he could have understood it. Young women of the rustic order,
if only they were a trifle good-looking, had an old-established license
to be pert to their male social superiors. But this young woman was not
at all disposed to tremble before him, and was just as far removed from
pertness as from humility.

As he strolled along he bethought him, vaguely enough--for he was not
a young gentleman who was accustomed to put too much powder behind his
purposes--that it would be rather an agreeable thing than otherwise
to charm this young woman, if only just to show her that she could be
charmed, and that he could be charming. He had been a little slighted,
and it would be nice to be a little revenged. He was not a puppy,
in spite of the fact that his head gave house-room to this kind of
nonsense. The design is commoner among girls than boys, but there are
plenty of young men who let their wits stray after this manner at times,
and some of them live to laugh at themselves.

But while Ferdinand was thinking, an idea occurred to him which caused
him to smile languidly. It would be amusing to awaken Barfield's wrath
by starting a pronounced flirtation with this village beauty. It was
scarcely consistent to have an inward understanding with himself, that
if the flirtation _should_ take place it should be kept secret from his
noble patron of all men in the world. It would certainly be great fun to
take the little hussy from her pedestal. She was evidently disposed to
think of herself a good deal more highly than she ought to think, and
perhaps it might afford a useful lesson to her to be made a little more
pliant, a little less self-opinionated, a little less disposed to snub
young gentlemen of unimpeachable attractions. Thinking thus, Ferdinand
made up quite a contented mind to be rustic beauty's school-master.

The green door in the garden wall was still a little open when he
reached it, but he could hear neither music nor voices.

The evening concert had not yet begun, and he was fain to stroll on
a little farther. This of itself was something of an offence to his
majesty, though he hardly saw on whom to fix it. He did not know his way
round to the front of the house, and did not care to present himself at
the rear unless there were somebody there to receive him. He lit a new
cigar to pass away the time, and re-enacted his first and only interview
with the girl he had made up his mind to subjugate. In the course of
this mental exercise he experienced anew the sense of slight he had felt
at her hands, but in a more piercing manner. He had spoken to her,
and she had waved her hand against him as if he had been a child to be
silenced. He had spoken to her again, and she had not even responded.
In point of fact she had ignored him. The more he looked at it the more
remarkable this fact appeared, and the more uncomfortable and the more
resolved he felt about it.

When his cigar was smoked half through he sighted the upright and
stalwart figure of Reuben Gold, who was striding at a great pace towards
him, swinging his violin-case in one hand. Ferdinand paused to await
him..

“Good-evening, Mr. Gold,” he said, as Reuben drew near.

“Good-evening,” said Reuben, raising his eyes for a moment, and nodding
with a preoccupied air. His rapid steps carried him past Ferdinand in an
instant, and before the young gentleman could propose to join him he was
so far in advance that it was necessary either to shout or run to bring
him to a more moderate pace. Ferdinand raised his eye-glass and surveyed
the retreating figure with some indignation, and dropped it with a
little click against one of his waistcoat-buttons. Then he smiled
somewhat wry-facedly.

“A cool set, upon my word,” he murmured. “Boors, pure and simple.”

He was half inclined to change his mind and stay away from the al fresco
concert, but then the idea of the duty he owed himself in respect to
that contumelious young beauty occurred to him, and he decided to go,
after all. He followed, therefore, in Reuben's hasty footsteps, but at
a milder pace, and, regaining the green door, looked into the garden and
saw the quartette party already assembled. Old Fuller, who was the first
to perceive him, came forward with rough heartiness, and shook hands
with a burly bow.

“Good-evenin', Mr. De Blacquaire,” said Fuller. “We're pleased to see
you. If you'd care to tek a hand i'stead of settin' idle by to listen,
we shall be glad to mek room. Eh, lads?”

“No, no, thank you, Mr. Fuller,” said Ferdinand, “I would rather be a
listener.” Ruth was standing near the table, and he raised his cap to
her. She answered his salute with a smile of welcome, and brought him a
chair. “Good-evening, Miss Fuller,” he said, standing cap in hand before
her. “What unusually beautiful weather we are having. Do you know, I
am quite charmed with this old garden? There is something delightfully
rustic and homely and old-fashioned about it.”

“You are looking at the statues?” she said, with half a laugh. “They are
an idea of father's. He wants to have them painted, but I always stand
out against that--they look so much better as they are.”

“Painted?” answered Ferdinand, with a little grimace, and a little
lifting of the hands and shrinking of the body as if the idea hurt him
physically. “Oh no. Pray don't have them painted.”

“Well, well. Theer!” cried Fuller. “Here's another as is in favor o'
grime an' slime! It's three to three now. Ruth and Reuben have allays
been for leavin' 'em i' this way.”

“Really, Mr. Fuller,” said Ferdinand, “you must be persuaded to leave
them as they are. As they are they are charming. It would be quite a
crime to paint them. It would be horribly bad taste to paint them!”

After this partisan espousal of her cause, he was a little surprised to
notice an indefinable but evident change in the rustic beauty's manner.
Perhaps she disliked to hear a stranger accuse her father--however
truly--of horribly bad taste, but this did not occur to Ferdinand, who
had intended to show her that a gentleman was certain to sympathize with
whatever trace of refinement he might discover in her.

“Would it?” said Fuller, simply. “Well, theer's three of a mind, and
they'm likely enough to be right. Anny ways theer's no danger of a brush
coming anigh 'em while the young missis says 'No.' Her word's law i'
this house, and has been ever since her was no higher than the table.”

“Wasn't that a ring at the front door?” asked Sennacherib, holding up
his hand.

“Run and see, wench,” said Fuller.

Ruth ran down the grass-plot and into the house. She neither shuffled
nor ambled, but skimmed over the smooth turf as if she moved by volition
and her feet had had nothing to do with the motion. She had scarce
disappeared, when Isaiah, who faced the green door, sung out,

“Here's Ezra Gold, and bringin' a fiddle, too. Good-evenin', Mr. Gold.
Beest gooin' to tek another turn at the music?”

“No,” said Ezra, advancing. “I expected to find Reuben here. I've got it
on my mind as the poor old lady here “--he touched the green baize bag
he carried beneath his arm--“is in a bit o' danger o' losin' her voice
through keeping silence all these length o' years, and I want him to see
what sort of a tone her's got left in her.”

Reuben rose from his seat with sparkling eyes and approached his uncle.

“Is that _the_ old lady I've heard so much about?” he asked.

“Yes,” replied Ezra, “it's the old lady herself. I don't know,” he went
on, looking mildly about him, “as theer's another amateur player as I'd
trust her to. Wait a bit, lad, while I show her into daylight.”

Reuben stood with waiting hands while the old man unknotted the strings
at the mouth of the green baize bag, and all eyes watched Ezra's lean
fingers. At the instant when the knot was conquered and the mouth of the
bag slid open, Ruth's clear voice was heard calling,

“Father, here's Aunt Rachel! Come this way, Aunt Rachel. We're going to
have a little music.”




CHAPTER VI.

Ezra Gold, seizing the violin gently by the neck, suffered the green
baize bag to fall to the ground at his feet, and then tenderly raising
the instrument in both hands, looked up and dropped it to the ground. A
little cry of dismay escaped from Reuben's lips, and he was on his knees
in an instant.

“She's not hurt,” he said, examining the violin with delicate care--
“not hurt at all.”

Then he looked up, and at the sight of his uncle's face rose swiftly
to his feet. The old man's eyes were ghastly, and his cheeks, which had
usually a hectic flush of color too clear and bright for health, were of
a leaden gray. Ezra's hand was on his heart.

“Not hurt?” he said, in a strange voice. “Art sure she's not hurt, lad?
That's fortunate.”

The color came back to his face as suddenly as it had disappeared.

“No,” said Reuben, tapping the back of the fiddle lightly with his
finger-tips, and listening to the tone, though he kept his eyes fixed
upon his uncle's--“she's as sound as a bell.”

“That's well, lad, that's well,” said Ezra, in the same strange voice.
The hands he reached out towards his nephew trembled, and Reuben handed
back the precious instrument in some solicitude. It was natural that an
old player should prize his favorite instrument, but surely, he thought,
a little chance danger to it should scarcely shake a man in this way.
Ezra's trembling hands began to tune the strings, and at the sound of
Ruth's voice Reuben turned away. His uncle's agitation shocked him. He
had known for years, as everybody had known, that Ezra had but a weakly
constitution, but he had never seen so striking a sign of it before, and
the old man's agitation awoke the young man's fears. There was a very
close and tender affection between them.

“Reuben,” Ruth was saying, “this is my aunt Rachel. Aunt, this is Mr.
Reuben Gold. I don't suppose you remember him.”

“I do not remember Mr. Reuben Gold,” said the little old lady,
mincingly. “Is Mr. Gold a native of Heydon Hay? I do not think, from Mr.
Gold's appearance, that he was born when I quitted the village. I think
I recognize my old friends, the Elds,” she went on, with an air almost
of patronage. “This will be Mr. Isaiah? Yes! I thought so. Mr. Isaiah
was always mild in manner. And this will be Mr. Sennacherib? Yes! Mr.
Sennacherib was unruly. I recognize them by their expressions.”

“You remember me, Rachel?” said Mr. De Blacquaire, who had been
watching the old lady since her arrival. She turned her head in a swift,
bird-like way, and fixed her curiously youthful eyes upon him for an
instant. The withered old face lit up with a smile which so transfigured
it that for the moment it matched the youth of her eyes.

“Is it possible!” she cried. “Mr. Ferdinand! The dear, dear child!” She
seized one of his hands and kissed it, but he drew it away, and putting
an arm about her shoulders, stooped to kiss her wrinkled cheek. “The
grandson,” she cried, turning on the others with an air of pride and
tender triumph, “of my dear mistress, Lady De Blacquaire. I nursed Mr.
Ferdinand in his infancy. I bore him to the font, and in my arms he
received his baptismal appellation.”

If she had laid claim to the loftiest of worldly distinctions she could
scarcely have done it with a greater air of pride.

Ezra's tremulous fingers were still at work at the violin keys when Ruth
addressed him.

“I dare say you know my aunt Rachel, Mr. Gold,” she said. “Heydon Hay
was such a little place five-and-twenty years ago that everybody must
have known everybody.”

“It was my privilege to know Miss Blythe when she lived here,” said
Ezra, looking up and speaking in a veiled murmur.

The little old lady started, turned pale, drew herself to her full
height, and turned away. Sennacherib, who was watching the pair, drove
out his clinched fist sideways with intent to nudge his brother Isaiah
in the ribs, to call his attention to this incident as a confirmation of
the history he had told the night before. He miscalculated his distance,
and landed on Isaiah's portly waistcoat with such force that the milder
brother grunted aloud, and, arising, demanded with indignation to
know why he was thus assaulted. For a mere second Sennacherib was
disconcerted, but recovering himself, he drew Isaiah on one side and
whispered in his ear,

“I on'y meant to gi'e thee a nudge, lad. Dost mind what I tode thee
about 'em? Didst tek note how they met?”

“Thinkest thou'rt th' only man with a pair of eyes in his head?”
 demanded Isaiah, angrily and aloud. Sennacherib, by winks and nods
and gestures, entreated him to silence, but for a minute or two Isaiah
refused to be pacified, and sat rubbing at his waistcoat and darting
looks of vengeance at his brother. “Punchin' a man at my time o' life i'
that way!” he mumbled wrathfully; “it's enough t' upset the systim for
a month or more.”

Nobody noticed the brethren, however, for the other members of the
little party had each his or her preoccupation.

“Mr. Ferdinand,” said Miss Blythe, turning suddenly upon the young
gentleman, “I must seize this opportunity to ask what news there is
of my dear mistress. I know that she is frail, and that correspondence
would tax her energies too severely, but I make a point of writing to
her once a week and presenting to her my respectful service.”

She took his hand again as she addressed him, and Ferdinand noticed that
it was icy cold. She was trembling all over and her eyes were troubled.
He was just about to answer when a sharp twang caught his ear, and
turning his head he saw Ezra in the act of handing the violin to Reuben.

“Have you got a fourth string, lad?” asked Ezra, speaking unevenly
and with apparent effort; “this has gi'en way. I'm no hand at a fiddle
nowadays,” he added, with a pitiable smile, “or else there's less virtue
in catgut than there used to be.”

“They make nothing as they used to do,” said Reuben. He had drawn a flat
tin box from his pocket and had selected a string from it, when Rachel
drew Ferdinand on one side.

“Let me bring you a chair, Mr. Ferdinand,” she said. “We will sit here
and you must tell me of my dear mistress.”

“Stay here,” said Ferdinand, “I will bring you a chair.” He was not
sorry to be seen in this amiable light. It was agreeable to bend
condescendingly to his grandmother's attached and faithful servitor, and
to be observed. There was a genuine kindliness in him, too, towards the
little withered old woman who had nursed him in his babyhood, and had
taught him his first lessons. He brought the chairs and sat down with
his old nurse at the edge of the grass-plot at some little distance from
the others.

“We will talk for a little time about my dear mistress,” said Rachel,
“and then I will ask you to take me away.” She leaned forward in her
chair, looking up at her companion and laying both hands upon his arm.
“I cannot stay here,” she went on, in a whisper. “There are reasons.
There is a person here I have not seen for more than a quarter of a
century. You have observed that I am sometimes a little flighty.” She
withdrew one of her hands and tapped her forehead.

“My dear Rachel!” said Ferdinand, in smiling protestation.

“Yes, yes,” she insisted, in a mincing whisper, as if she were laying
claim to a distinction. “A little flighty. You do no credit to your
own penetration, dear Mr. Ferdinand, if you deny it. That person is the
cause. I suffered a great wrong at that person's hands. Let us say no
more. Tell me about my dear mistress.”

The varnish of unconscious affectation was transparent enough for
Ferdinand to see through. The little old woman minced and bridled, and
took quaintly sentimental airs, but she was moved a great deal,
though in what way he could not guess. He sat and talked to her with a
magnificent unbending, and she took his airs as no more than his right,
and was well contented with them.

“And now, Reuben,” cried Fuller, who, like everybody else, had noticed
Miss Blythe's curious behavior to Ezra and was disturbed by it--“and
now, Reuben, if thee hast got the old lady into fettle, let's have a
taste of her quality. It's maney an' maney a year now since I had a
chance of listenin' to her. Let's have a solo, lad. Gi'e us summat old
and flavorsome. Let's have 'The Last Rose o' Summer.'”

Reuben sat down, threw one leg over the other, and began to play. The
evening was wonderfully still and quiet, but from far off, the mere
ghost of a sound, came the voice of church-bells. Their tone was so
faint and far away that at the first stroke of the bow they seemed to
die, and the lovely strain rose upon the air pure and unmingled with
another sound. Rachel ceased her emphatic noddings and her mincing
whisper, and sat with her hands folded in her lap to listen. Ezra, with
his gaunt hands folded behind him, stood with his habitual stoop more
marked than common, and stared at the grass at his feet. Ruth, from her
old station by the apple-tree, looked from one to the other. She had
heard Sennacherib's story from her father, and her heart was predisposed
to read a romance here, little as either of the actors in that obscure
drama of so many years ago looked like the figures of a romance now.
They had been lovers before she was born, and had quarrelled somehow,
and had each lived single. And now, when they had met after this great
lapse of years, the gray old man trembled, and the wrinkled old woman
turned her back upon him. The music was not without its share in
the girl's emotion. And there was Reuben, with manly head and great
shoulders, with strength and masculine grace in every line of him, to
her fancy, drawing the loveliest music from the long-silent violin, and
staring up at the evening sky as he played. Ah! if Reuben and she should
quarrel and part!

But Reuben had never spoken a word, and the girl, catching herself at
this romantic exercise, blushed for shame, and for one swift second
hid her face in her hands. Then with a sudden pretence of perfect
self-possession, such as only a woman could achieve on such short
notice, she glanced with an admirably casual air about her to see that
the gesture had not been observed. Nobody looked at her. Her father and
the two brothers were watching Reuben, Ezra preserved his old attitude,
Ferdinand was fiddling with his eye-glass, and moving his hand and one
foot in time to the music, and Rachel's strangely youthful eyes were
bright with tears. As the girl looked at her a shining drop brimmed over
from each eye and dropped upon the neat mantle of black silk she wore.
The little old maid did not discover that she had been crying until
Reuben's solo was over, and then she wiped her eyes composedly and
turned to renew her conversation with Ferdinand.

“Ah!” said Fuller, expelling a great sigh when Reuben laid down his bow
upon the table, “theer's a tone! That's a noble instrument, Mr. Gold.”

“She'll be the better for being played upon a little,” said Ezra,
mildly.

“Well, thee seest,” said Isaiah, with a look of contemplation,
“her's been a leadin' what you might call a hideal sort o' life this
five-and-twenty 'ear for a fiddle. Niver a chance of ketchin' cold or
gettin' squawky. Allays wrapped up nice and warm and dry. Theer ain't, I
dare venture to say it, a atom o' sap in the whole of her body. Her's as
dry as--”

“As I be,” interposed Sennacherib. “It 'ud be hard for anything to be
drier. Let's have a drop o' beer, Fuller, and then we'll get to work.”

Ruth ran into the house laughing, and the four musicians gathered
round the table. Ferdinand arose, strolled towards them, and took up a
position behind Sennacherib's chair. Ezra made an uncertain movement or
two, and finally, with grave resolve, crossed the grass-plot and took
the chair the young gentleman had vacated.

“I am informed, Miss Blythe,” he said, with a slow, polite formality,
“as you have come once more to reside among us.” She inclined her head,
but vouchsafed no other answer. The movement was prim to the verge
of comedy, but it was plain that she meant to be chilly with him. He
coughed behind his shaky white hand, and hesitated. “I do not know, Miss
Blythe,” he began again, with a new resolve, “in what manner I chanced
to 'arn your grave displeasure. That is a thing I never knew.” She
turned upon him with a swift and vivid scorn. “A thing I never knew,” he
repeated. “If it is your desire to visit it upon me at this late hour,
I have borne it for so many 'ears that I can bear it still. But I should
like to ask, if I might be allowed to put the question, how it come to
pass. I have allays felt as there was a misunderstandin' i' the case.
It is a wise bidding in Holy Writ as says, 'Let not the sun go down upon
thy wrath.' And when the sun is the sun of life the thing is the more
important.”

“My good sir,” said Rachel, rising from her seat and asserting every
inch of her small stature, “I desire to hold no communication with you
now or henceforth.”

“That should be enough for a man, Miss Blythe,” said Ezra, mildly. “But
why? if I may make so bold.”

“I thought,” said the little old lady, more starched and prim than ever,
“I believed myself to have intimated that our conversation was at an
end.”

“You was not wont to be cruel nor unjust in your earlier days,” Ezra
answered. “But it shall be as you wish.”

He left the seat, gave her a quaint old-fashioned bow, and returned to
his former standing-place. Ruth was back again by this time, and Rachel
crossed over to where she stood.

“Niece Ruth,” she said, speaking after a fashion which was frequent with
her, with an exaggerated motion of the lips, “I shall be obliged to you
if you will accompany me to the house.”

“Certainly, aunt,” the girl answered, and placing an arm around her
shoulders, walked away with her. “There is something the matter, dear.
What is it?”

“There is nothing the matter,” said the old lady, coldly.

“There is something serious the matter,” said Ruth. They were in the
house by this time, and sheltered from observation. “You are trembling
and your hands are cold. Let me get you a glass of wine.”

Aunt Rachel stood erect before her, and answered with frozen rebuke,

“In my young days girls were not encouraged to contradict their seniors.
I have said there is nothing the matter.”

Ruth bent forward and took the two cold, dry little hands in her own
warm grasp, and looked into her aunt's eyes with tender solicitude. The
hands were suddenly snatched away, and Aunt Rachel dropped into a seat,
and without preface began to cry. Ruth knelt beside her, twining a firm
arm and supple hand about her waist, and drawing down her head softly
until its gray curls were pressed against her own ripe cheek. Not a word
was spoken, and in five minutes the old maid's tears were over.

“Say nothing of this, my dear,” she said, as she kissed Ruth, and began
to smooth her ruffled ribbons and curls. Her manner was less artificial
than common, but the veneer of affectation was too firmly fixed to be
peeled off at a moment's notice. “We are all foolish at times. You
will find that out for yourself, child, as you grow older. I have been
greatly disturbed, my dear, but I shall not again permit my equilibrium
to be shaken by the same causes. Tell me, child, is Mr. Ezra Gold often
to be found here?”

“Not often,” said Ruth; “he seems scarcely ever to move from home.”

“I am glad to know it,” said Aunt Rachel. “I cannot permit myself to
move in the same society with Mr. Ezra Gold.”

“We all like him very much,” Ruth answered, tentatively.

“Ah!” said Aunt Rachel, pinching her lips and nodding. “You do not know
him. _I_ know him. A most despicable person. They will tell you that I
am a little flighty.”

“My dear aunt! What nonsense!”

“It is not nonsense, and you know it. I _am_ a little flighty--at times.
And I owe that to Mr. Ezra Gold. I owe a great deal to Mr. Ezra Gold,
and that among it. Now, dear, not a word of this to anybody. Will you
tell dear Mr. Ferdinand that I shall be honored if he will grace my
humble cottage with his presence? Thank you. Good-night, child. And
remember, not a word to anybody.”

She dropped her veil and walked to the front door with her usual crisp
and bird-like carriage. At the door she turned.

“Shun Mr. Ezra Gold, my dear. Shun all people who bear his name. I know
them. I have cause to know them. They are cheats! deceivers! villains!”

She closed her lips tightly after this, and nodded many times. Then
turning abruptly she hopped down the steps which led towards the garden
gate, and disappeared. Ruth stood looking into the quiet street a
moment, then closed the door and returned to the garden.

“Not all,” she said to herself, as she paused in sight and hearing
of the quartette party, who were by this time deep in an andante of
Haydn's--“not all.”




CHAPTER VII.

When Aunt Rachel had spent a fortnight or thereabouts in Heydon Hay, and
had got her own small dwelling-place into precise order, she began to
make a round of visits among the people she had known in her youth. She
had met most of the survivors of that earlier day at the parish church
on Sundays, and had had no occasion to find fault with the manner of
her reception at their hands. If there was not precisely that warmth of
greeting which she felt in her own heart, she found at least a kindly
interest in her return and a friendly curiosity as to her past. To
her, her return to her birthplace was naturally an event of absorbing
interest. To the other inhabitants of the village it was no more than
an episode, but nobody being distinctly cold or careless, Rachel was not
allowed to see the difference between their stand-point and her own.

In her round of calls she left the house of Sennacherib Eld till the
last, though she and Mrs. Sennacherib had been school-fellows and close
friends. Perhaps she had not found Sennacherib's manner inviting, or
perhaps the fact that Ezra Gold's house lay between her own and his had
held her back a little. Everybody had supposed that she and Ezra Gold
were going to be married six-and-twenty years ago, Rachel herself being
among the believers, and having, it must be confessed, admirable ground
for the belief. Nobody knew how the match had come to be broken off. It
was so Old-world a bit of history that even in Heydon Hay, where history
dies hard, it had died and been buried long ago. Even Rachel's return
could not resuscitate it for more than one or two. But the story that
was dead for other people was still alive to her, and as fresh and
young--now that it was back in its native air again--as if it had been
an affair of yesterday. It was something of a task to her to pass
the house in which the faithless lover lived. It would be the first
achievement of that feat since Ezra had treated her so shamelessly, and
it was almost as difficult after six-and-twenty years as it might have
been after as many days.

She clinched her lips tightly as she came in sight of the tall poplars
which stood beyond the spire of the church, and rose to an equal
height with it, and at the lich-gate of the church she paused a little,
feigning to take interest in one or two tombstones which recorded the
death of people she had known. Her troubled eyes took no note of the
inscriptions, but in a while she found resolution Jo go on again. With
her little figure drawn uncompromisingly to its fullest height, she
rounded the corner of the church-yard and saw the familiar walls. Ezra,
contrary to his habit, was standing at the side door and looking out
upon the street. She was aware of his presence, but walked stiffly past,
disregarding him, and he coughed behind his wasted hand. She thought the
cough had a sound of embarrassed appeal or deprecation, as perhaps it
had, but she refused to take notice of it, except by an added rigidity
of demeanor.

Sennacherib's house stood back from the highway a hundred yards or
so beyond Ezra's. It was fenced all round by an ill-trimmed hedge of
hawthorn, and the only break in the hedge was made by the un-painted
wooden gate which led by a brick-paved walk to the three brick steps
before the door. The door stood open when Rachel reached it, and
the knocker being set high up and out of reach, she tapped upon the
wood-work with the handle of her sunshade. This summons eliciting no
response, she repeated it; but by-and-by the opening of a door within
the house let out upon her the sound of Sennacherib's voice, hitherto
audible only as an undefined and surly buzz.

“Who's master i' this house?” Sennacherib was asking--“thee or me?”

“If brag and swagger could ha' made a man the master,” said a feminine
voice, in tones of feeble resignation, “theer's no doubt it's you,
Sennacherib.”

“Brag and swagger?” said Sennacherib.

“Lord o' mercy!” replied the feminine voice, “what do you want to shout
a body deaf for? Brag and swagger was what I said, Sennacherib. But if
you think as a mother's heart is agoing to be overcome by that sort o'
talk, and as I shall turn my back upon my very own born child, you've
fell into the biggest error of your lifetime.”

Rachel rapped again somewhat louder than before.

“Canst choose betwixt that young rip and me,” replied Sennacherib.

“That's right; let the parish know your hard-heartedness! Theer's
somebody knockin' at the door. Go and tell 'em what you've made up your
wicked mind to--do!”

Sennacherib thrust his head into the hall and stared frowningly at the
visitor through his spectacles.

“Good-morning, sir,” said Rachel, with frigid politeness. “I called
for the purpose of paying my respects to Mrs. Eld. If the moment is
inauspicious I will call again.”

At the sound of her voice Mrs. Sennacherib appeared--a large woman of
matronly figure but dejected aspect. She had been comely, but thirty
years of protest and resignation had lifted the inner ends of her
eyebrows and depressed the corners of her mouth until, even in her
most cheerful moments, she had a look of meek submission to unmeasured
wrongs.

“Dear me!” said Mrs. Sennacherib, sailing round her husband and down the
hall, “it's Miss Blythe! Come in, my dear, and tek off your cloak and
bonnet. I'm glad to see you. I wondered if you was never comin' to see
me. And how be you?” She bent over the little figure of her guest and
buried it in an embrace like that of a feather-bed. “It's beautiful
weather for the time o' year,” she continued, almost tearfully, “and I
have been a-thinking of makin' a call upon you; but I'm short of breath,
and Eld is such a creetur he'd rather see a body stop in the house as if
it was a prison, than harness the pony and drive me half a mile, to save
his life.”

“Short o' breath!” said Sennacherib. “Thee talkest like one as is short
o' breath! Her talks enough,” he added, addressing the visitor, “to
break the wind of a Derby race-hoss.”

“Ah,” said his wife, shaking her head in a kind of doleful triumph,
“Miss Blythe won't ha' been long i' the village afore her'll know what
manner o' man you be, Sennacherib.”

“I'll leave thee to tell her,” said Sennacherib, with a grunt of scorn.
“If I'd ha' been the manner o' man you'd ha' liked for a husband,
I _should_ ha' been despisable. My missis”--he addressed his wife's
visitor again--“ought to ha' married a door-mat, then her could ha'
wiped her feet upon him wheniver the fancy took her.”

With this he took his hat from a peg, stuck it at the back of his head,
and marched out at the open front door.

“Ah, my dear,” said Mrs. Sennacherib, “you did a wise thing when you
made up your mind to be a single woman. The men's little more than a
worrit--the best of 'em--and even the childern, as is counted upon for a
blessin', brings trouble oftener nor j'y.”

The visitor pinched her lips together and nodded, as if to say there
was no disputing this glaring statement. The hostess, stooping over
her, untied her bonnet-strings as if she had been a child, helped her to
remove her mantle, and then ushered her into a sitting-room which looked
upon a well-cultivated garden.

“I wouldn't say,” pursued the hostess, “as I'd got a bad husband--not
for the world. But he's that hard and unbendin' both i' little things
an' big uns. I've suffered under him now for thirty 'ear, but I niver
counted as he'd put the lad to the door and forbid his mother to speak
to him. Though as for that, my dear, he may forbid and go on forbiddin'
as long as theer's a breath in his body, but a mother's heart is a
mother's heart, my dear, though the whole world should stand up again
her.”

“Precisely,” said Rachel.

“The lad's just as unbendin' as his father,” pursued Mrs. Sennacherib,
“though in a lighter-hearted sort of a way. He's as gay as the lark, our
Snac is, even i' the face o' trouble, but there's no more hope o' movin'
him than theer'd be o' liftin' the parish church and carryin' it to
market. He's gone and married again his father's will, and now his
father's gone an' made his last dyin' testyment an' cut him off wi' a
shilling. He'll get my money, as is tied on me hard an' fast, and that's
my only comfort.”

“They may be reconciled,” said Rachel. “We must try to reconcile them.”

“Reconcile Sennacherib Eld!” cried the wife, dolefully. “Ah, my dear,
you don't know the man. Why, who's that? There's somebody a-walkin' in
as if the house belonged to 'em.”

A young man in a stand-up collar, and trousers supernaturally tight,
appeared at the open door and nodded in a casual manner.

“Mornin', mother,” said the young man, cheerfully. “Wheer's the
governor?”

Mrs. Sennacherib screamed, and running at the new-comer began to embrace
him and to kiss him and cry over him.

“Theer, theer!” he said, after kissing her off-hand. “Tek it easy.”

“Oh, Snac!” cried his mother, “if father should come in what should we
do?”

“Do?” said the younger Sennacherib, “why, set me down afore the kitchen
fire, an' mek me happetizin' afore he sets to work to eat me. How be
you, mum?”

The younger Sennacherib's face was gay and impudent, with that peculiar
mingling of gayety and impudence which seems inseparable from freckles.
His face was mottled with freckles, and the backs of his hands were of a
dark yellowish brown with them.

“This is Miss Rachel Blythe,” said his mother, “as was at school with me
when I was a gell. This is my poor persecuted child, Miss Blythe.”

“Me, mum!” said the persecuted child, standing with his feet wide apart,
and bending first one knee and then the other, and then bending both
together. “The governor's out, is he?”

“He's only just gone,” returned his mother. “But, Snac, you'll only
anger him, comin' in i' this way. You'd better wait a bit and let things
blow over.”

“Well,” said Snac, “I shouldn't ha' come for any-thin' but business. But
I've got a chance o' doin' a bit o' trade with him. He's had his mind
set on Bunch's pony this two 'ear, an' Bunch an' him bein' at daggers
drawn theer was niver a chance to buy it. But me an' him bein' split,
old Bunch sells me the pony, and I called thinkin' he might like to have
it.”

He laughed with great glee, and flicked one tightly clad leg with the
whip he carried.

“Wait a bit, Snac,” his mother besought him. “Let it blow over a bit
afore approachin' him.”

“Wait for the Beacon Hill to blow over!” said Snac, in answer. “I've no
more expectations as the one 'll blow over than th' other. He'll do
what he says he'll do. That's the pattern he's made in. I've got no more
hopes of turnin' the governor than I should have if I was to go and tell
a hox to be a donkey. It's again his natur' to change, and nothing
short of a merracle 'll alter him. But as for livin' at enmity with
him--wheer's the use o' that? He's all the feythers I've got, or am like
to find at my time o' life, and I must just mek the best on him.”

“A most commendable and Christian resolution,” said Rachel, decisively.

“Very nice and kind of you to say so, mum,” Snac answered, setting his
hat a little more on one side, and bending both knees with a rakish
swagger. “You can tell the governor as I called, mother. The pony's as
genuine a bit of blood as is to be found in Heydon Hay. The p'ints of
a hoss and a dog is a thing as every child thinks he knows about, but
bless your heart theer's nothing i' the world as is half so difficult
t' understand, unless it is the ladies.” There was such an air of
compliment about the saving clause that Rachel involuntarily inclined
her head to it. “You'll tell the governor as I was here, mother,” Snac
concluded, stooping down to kiss her.

“You mustn't ask me to do that, Snac,” she answered. “I dar' not name
your name.”

“Rubbidge!” said Snac, genially. “Does he bite?”

“It's for your sake, Snac,” said his mother, “not for mine. But I dar'
not do it.”

“Well, well, mayhap I shall light upon him i' the village. If I
shouldn't, I'll look in again. Good-mornin', mother, and good-day to
you, mum. I'm just goin' to drop in on Mr. Ezra Gold, seein' as I'm this
way. I'm told he wants to part with that shorthorn cow of hisn, and I'm
allays game for a bit o' trade.”

“Ah!” said Mrs. Sennacherib, shaking her doleful head. “He'll part with
everythin' earthly, poor man, afore he's much older.”

“Why,” cried Snac, “what's the matter with the man?”

“The young uns see nothin', Miss Blythe,” said Mrs. Sennacherib,
shaking her head again, but this time with a sort of relish. “But
old experienced folks can tell when any poor feller-creetur's time is
drawing nigh. His father went just at his time o' life by the same road
as he's a-takin'.”

“Well, what road is he takin'?” her son demanded.

“Look at his poor hands,” said Mrs. Sennacherib, with a pitying gusto.
“As thin as egg-shells, and with no more color in 'em than there is
in that cha-ney saucer. Hark to that dry cough as keeps on a
hack-hack-hackin' at him.”

“Pooh!” cried young Sennacherib. “He's been like that as long as I can
remember him.”

“Mark my words,” his mother answered, with a stronger air of doleful
relish than before, “he'll niver be like that much longer.”

“Theer's them as looks at the dark side,” returned Snac, “and them as
looks at the bright. Niver say die till your time comes. I'll go and
wake him up a bit, though he's no great hand at a bargain, and seems to
find less contentment in gettin' on the blind side of a man than most on
'em. Good-mornin', mother; good-mornin', mum.”

Snac took his way with a flourish, and his mother looked after the
tight-clad legs, the broad shoulders, the tall collar, and the rakish
hat with mournful admiration.

“Do you think,” asked the little old maid, coughing behind her hand,
and looking out of window as she spoke, as if the theme had but little
interest for her, “that Mr. Ezra Gold is really unwell?”

“Yes, my dear,” said Mrs. Sennacherib; “he's got enough to last his
time, unless it should please the Lord to send him a new and suddener
affliction. I've seen a many go the same road. It's mostly the young as
bears his particular kind of sufferin', but it's on his face in as plain
readin' as the family Bible. He's a lonish sort of a man, save for his
nephew Reuben, but he'll ha' the parish for his mourners when his time
does come. The gentlest, harmlessest creetur as ever was a neighbor is
Ezra Gold.”

“Hem!” said Aunt Rachel. The monosyllable was at once curt and frozen.
It implied as complete a denial as could have been expressed in a
volume.

“Why, what have you got again him?” asked Mrs. Sennacherib.

“I?” said Rachel. “Against whom, my dear creature?”

Mrs. Sennacherib had spoken in the absolute certainty of impulse, and
found herself a little confused.

“Mr. Gold,” she answered, somewhat feebly.

“What should I have against Mr. Gold?” asked the old maid, with a chill
air of dignity and a pretence of surprise. She was not going to take
everybody into her confidence.

“What, to be sure?” said Mrs. Sennacherib, retiring from instinct. “In
old days there used to be a sort of kindness between you; at least it
was said so.”

“It is a great pity that people cannot be taught to mind their own
business,” said Rachel.

“So it is, Miss Blythe--so it is,” Mrs. Sennacherib assented, hastily.
“I hate them folks as has got nothing better to do than to talk about
their neighbors. But, as I was a-sayin', he's a-breakin' up fast, poor
man, and that's a thing as is only too clear to a old experienced eye
like mine. A beautiful sperrit the man's got, to be sure, but allays
a mild and sorrowful look with him. When me and Sennacherib was first
married, he'd a habit of coming over here with 'Saiah Eld and Mr. Fuller
for the music. It was pretty to hear 'em, for they'm all fine players,
though mostly theer music was above my mark; but sometimes they'd get
him to play somethin' by himself, and then 'twas sweet. But he give up
playin' all of a sudden--I could niver mek out why or wheer-for, an' I
suppose it's over five-an'-twenty 'ear since he touched the fiddle.”

Now Mrs. Sennacherib, though not an untruthful woman as a general thing,
had an idea as to the why and wherefore of Ezra Gold's withdrawal from
the amateur ranks of Heydon Hay. She took most of her ideas from her
husband, though she was not accustomed to think so, and it was he who
had inoculated her with this one. She laid her small trap for her old
friend and school-fellow with an admirable nonchalance and indifference
of aspect, and looked at Rachel with an eye from which all appearance of
speculation was carefully abstracted.

“He gave up playing?” Rachel asked, with a tone of surprise.

“Yes,” said Mrs. Sennacherib, with a stolid-seeming nod. “He give it up
clean. Why, now I come to think on it, I don't believe he iver touched
the music--” She paused in some confusion, and to cover this feigned to
consider. “Let me see. He give up the music just about the time as you
went away to Barfield.”

The old maid's lips twitched, her cheeks went pale, and a look of
absolute terror rose to her eyes.

“I was always under the impression that nothing could have induced him
to give up his music. As I remember him he was peculiarly devoted to
it.”

She did her best to speak indifferently, but her voice shook in spite of
her.

“He give it up just about the time as you went away,” repeated Mrs.
Sennacherib. “I've heard our Sennacherib and his brother 'Saiah say over
and over again as since that time he niver so much as opened a piece of
music.”

The little old maid arose with both hands on her heart, tight-clasped
there. Her eyes were wild and she panted as if for breath.

“Miss Blythe!” cried the other, alarmed by her aspect--“Rachel! What's
the matter? Why, my dear, you're ill! A glass o' wine; me own mekin',
my dear. Theer's no better elderberry i' the parish. Tek a drop, now do;
it'll do you good, I'm sure.”

“No, thank you,” said Rachel, waving the proffered glass aside and
sinking back into her chair. “It passes very soon. It is quite gone. I
thank you. Pray take no notice of my ailments, Mrs. Eld. I am sorry, to
have discommoded you, even for a moment.”

She was her prim and mincing self again, though there was still a tremor
in her voice, and the exalted look in her young eyes was more marked
than common. After a little time she recovered herself completely, and
Mrs. Sennacherib entertained her for an hour with mournful histories of
death and burial. The good woman had a rare nose for an invalid and a
passion for nursing. Such of her old school-fellows as had died since
Rachel's departure had mostly been nursed out of life under the care of
Mrs. Sennacherib, and she was intimate with the symptoms of all of them,
from the earliest to the latest. There was but little need for Rachel to
talk at all when once her hostess had entered upon this absorbing topic,
and when the old maid arose to go she had altogether recovered from the
effect of whatever emotion had assailed her.

She walked homeward so prim, so old, so withered, that ninety-nine in a
hundred would have laughed to know that she was living in the heart of
a love-story, and that story her own. But we rarely grow old enough to
forget our own griefs, howsoever cold the frost of age may make us to
the griefs of others.




CHAPTER VIII.

The young Sennacherib, swaggering gayly from his unnatural parent's
door, was aware of something as nearly approaching a flutter as not
often disturbed the picturesque dulness of the village main street. By
some unusual chance there were half a dozen people in the road, and not
only did these turn to stare at him, but at least half a dozen others
peered at him from behind the curtains of cottage interiors, or boldly
flattened their noses against the bulbous little panes of glass in the
diamonded windows.

“Theer's a look of summat stirrin' i' the place, gaffer,” said Snac to
one ancient of the village.

“Why, yis, Mr. Eld, theer is that sort of a air about the pläas to-day,”
 the old fellow answered, with a fine unconsciousness. “But then theer
mostly _is_ a bit of a crowd round our town pump.”

The crowd about the town pump consisted of one slatternly small girl and
a puppy.

“Can't a chap call on his feyther 'ithout the Midland counties turnin'
out to look at him?” Snac asked, smilingly.

“Yis,” returned the ancient, who was conveniently deaf on a sudden.
“Theer's been no such fine ripenin' weather for the wheat sence I wur a
lad.”

Snac gave the riding-whip he carried a burlesque threatening flourish,
and the old boy grinned humorously.

“Sin Joseph Beaker this mornin', Mr. Eld?” he asked.

“No,” said Snac. “What about him?”

“His lordship's gi'en him a set o' togs,” said the old rustic, “an'
he's drunker wi' the joy on 'em than iver I was with ode ale at
harvest-time.”

“Aha!” cried Snac, scenting a jest. “Wheer is he?”

“Why, theer he is!” said the rustic, and turning, Snac beheld Joseph
Beaker at that moment shambling round the corner of the graveyard wall,
followed closely by the youth of the village. The Earl of Barfield had
kept his promise, and had bestowed upon Joseph a laced waistcoat--a
waistcoat which had not been worn since the first decade of the century,
and was old-fashioned even then. It was of a fine crimson cloth, and
had a tarnished line of lace about the edge and around the flaps of the
pockets. Over this glorious garment Joseph wore a sky-bine swallow-tail
coat of forgotten fashion, and below it a pair of knee-breeches which,
being much too long for him, were adjusted midway about his shrunken
calves. A pair of hob-nailed bluchers and a battered straw hat gave a
somewhat feeble finish to these magnificences. As the poor Joseph aired
the splendors of his attire there was a faint and far-away imitation of
the Earl of Barfield in his gait, and he paused at times after a fashion
his lordship had, and perked his head from side to side as if in casual
observation of the general well-being.

“Good-morning, Lord Barfield,” cried Snac, as Joseph drew near. “It's a
sight for sore eyes to see your lordship a-lookin' so young and lusty.”
 Joseph beamed at this public crowning of his loftiest hopes, and would
have gone by with a mere nod of lordly recognition but the triumph was
too much for him and he laughed aloud for joy. “Well, bless my soul!”
 said Snac, in feigned astonishment, “it's Mister Beaker. Send I may
live if I didn't tek him for the Right Honorable th' Earl o' Barfield!
Thee'st shake hands with an old friend, Mr. Beaker? That's right.
Theer's nothin' I admire so much as to see a man as refuses to be
carried away with pride.” Joseph shook hands almost with enthusiasm.

“Theer's nothin' o' that sort about me, Mr. Eld,” he replied.

“That I'm sure on,” said Snac, with conviction. “But how gay we be
to-day, Mr. Beaker.”

“It was my lord as gi'en me these,” said Joseph, retiring a pace or two
to display his raiment, and gravely turning round in the presence of the
little crowd that surrounded him so that each might see the fulness of
its beauty.

At this moment Reuben Gold came swinging along the road with a green
baize bag under his arm. He was on his way to his uncle's house, and,
unobserved of Snac, took a place on the causeway to see what might be
the reason of this unusual gathering.

“Now,” said Snac, “I never thought as Lord Barfield 'ud be so mean as
to do things in that half-an'-half manner. I should ha' fancied, if
Lord Barfield had took it into his head to set up an extra gentleman in
livery, he'd ha' done it thorough.”

Joseph's countenance fell, and he surveyed his own arms and legs with
an air of criticism. Then he took hold of the gold-laced flaps of the
crimson waistcoat and laughed with a swift and intense approval.

“Ain't this been done thorough?” he demanded.

“As far as it goes, Joseph,” replied the jocular Snac, “it's noble, to
be sure.” Joseph became critical again, but again at the sight of the
gold-laced waistcoat his doubts vanished. “But surely, surely, Joseph,
he should ha' gi'en you a pair o' them high collars as he wears, and a
cravat, to go along with a get out like that.”

“He might ha' done that, to be sure,” said Joseph, tentatively.

“Might ha' done it!” cried Snac, with a voice of honest scorn. “Ah!
and would ha' done it if he'd been half a man, let alone a peer of the
realm. For that's what he is, Joseph--a peer of the realm.”

“So he is,” said the poor Joseph, who was rapidly sliding into the trap
which was set for him. “You would have expected a peer of the realm to
do it thorough, wouldn't you?”

“Look here, Joseph,” continued Snac, opening his trap wide, “you go
and tell him. 'My lord,' says you--a-speakin' like a man, Joseph, and
a-lookin' his lordship i' the face as a man in a suit of clothes like
them has got a right to do--'my lord,' you says, 'you're as mean as
you're high,' says you. 'What for?' says he. 'Why,' says you, 'for
settin' a man out i' this half-an'-half mode for the folks to laugh at.
Give me a collar and a cravat this minute, you says,' or else be ashamed
o' thyself. Be ayther a man or a mouse.' That's the way to talk to 'em,
Joseph.”

“Think so?” asked Joseph, with an air half martial and half doubtful.

“To be sure,” cried Snac; and with one exception everybody in the little
crowd echoed “To be sure!”

“I'll goo an' do it,” said Joseph, thus fortified, “this instant
minute.”

“Wait a bit Joseph,” said Reuben Gold, “I'm going that way. We'll go a
little of the road together.”

“Now, Mr. Gold,” cried Snac, in a whisper, recognizing Reuben's voice
before he turned, “don't you go an' spoil sport.”

“Snac, my lad,” responded Reuben, smiling, “it's poor sport.”

“He'd go an' tell him,” said Snac, with a delighted grin. “You can mek
him say annythin'.”

“That's why it's such poor sport,” said Reuben. “It's too easy. It's
sport to stand up for a bout with the sticks when the other man's a bit
better than you are, but it's no fun to beat a baby.”

“I like it better,” Snac replied, with candor, “when th' odds is on
t'other side. I like to be a bit better than t'other chap.”

“You like to win? That's natural. But you like to deserve a bit of
praise for winning; eh?”

Reuben walked away with the rescued Joseph at his side. Joseph was as
yet unconscious of his rescue, and was fully bent upon his message to
the earl.

“Theer's no denyin' that chap nothin,” said Snac, looking after Reuben's
retiring figure. “He's got that form an' smilin' manner as'll tek
no such thing as a no. An' lettin' that alone,” he continued, again
relapsing into candor, “he could punch my head if he wanted to, though
I'm a match for ere another man i' the parish--and he'd do it too, at
anny given minute, for all so mild as he is.”

“He's the spit of what his uncle was,” said the aged rustic. “When he
was a lad he was the best cudgel-player, the best man of his hands, and
the prettiest man of his feet from here to Castle Barfield.”

“He's fell off of late 'ears, then,” said Snac.

“Ah!” quavered the old fellow, “it's time as is too many for the best
on us, Mr. Eld. Who'd think as I'd iver stood again all comers for miles
and miles around for the ten-score yards? I did though!”

“Didst?” cried Snac. “Then tek a shillin' and get a drop o' good stuff
wi' it, an' warm up that old gizzard o' thine wi' thinkin' o' thy
younger days.”

And away he swaggered, carrying his shilling's worth with him in the
commendations of the rustic circle. He was a young man who liked to be
well thought of, and to that end did most of his benefactions in the
open air.

In the mean time Reuben had disappeared with Joseph, and was already
engaged in spoiling the village sport. Joseph was so resolved upon the
collars and the cravat, and his imagination was so fired by the prospect
of those splendid additions to his toilet, that Reuben was compelled
to promise them from his own stores. Joseph became at once amenable to
reason, and promised to overlook his lordship's meanness.

“Are you going to do anything for his lordship to-day, Joseph?” his
protector asked him.

“No,” said Joseph. “He's gi'en me a holiday. I tode him as 'twarn't
natural to think as a man 'ud want to go to work i' togs like thesen.
The fust day's wear, and all!”

“Well, if you _should_ care to earn a shilling--”

“I couldn't undertek a grimy job,” said Joseph. “Not to-day. A message
now.”

“A message? Could you take the message in a wheelbarrow, Joseph?”

“A barrer?” Joseph surveyed his arms and legs, and then took a grip of
the laced waistcoat with both hands.

“A message in a wheelbarrow for a shilling, and a pair of collars and a
black satin cravat to come I home in, Joseph.”

“Gaffer,” said Joseph, “it's a bargain.”

Reuben's message was Ezra Gold's musical library, and the volumes having
been carefully built up in a roomy wheelbarrow, Joseph set out with them
at a leisurely pace towards his patron's home. Reuben on first entering
his uncle's house had laid the green baize bag upon the table. When the
books were all arranged, and Joseph had started away with them, Reuben
re-entered.

“I've brought the old lady back again, uncle,” he said.

“You've eased her down, I hope, lad,” said the old man, untying the bag
and drawing forth the violin. “That's right. As for bringing her back
again, you remember what used to be the sayin' when you was a child,
'Give a thing and take a thing, that's the devil's plaything.' I meant
thee to keep her, lad. It's a sin an' a shame as such a voice should be
silent.”

“Uncle,” said Reuben, stammering somewhat, “I scarcely like to take her.
It seems like--like trespassing on your goodness.”

“I won't demean th' old lady,” returned Ezra. “Her comes o' the right
breed to have all the virtues of her kind. Her's a Stradivarius, Reuben,
and my grandfather gi'en fifty guineas for her in the year seventeen
hundred an' sixty-one. A king might mek a present of her to a king. And
that's why in the natural selfishness of a man's heart I kep' her all
these 'ears hangin' dumb and idle on the wall here. I take some shame to
myself as I acted so, for you might ha' had her half a dozen years ago,
and ha' done her no less than as much justice as I could iver ha' done
her myself at the best days of my life. Her's yourn, my lad, and I only
mek one bargain. If you should marry and have children of your own, and
one of 'em should be a player, he can have her, but if not, I ask you
to will her to somebody as'll know her value, and handle her as her
deserves.”

Reuben was embarrassed by the gift.

“To tell the truth, uncle,” he said, “I should take her the more readily
if I'd coveted her less.”

“Bring her out into the gardin, lad,” returned his uncle. “Let's hear
the 'Last Rose' again.”

Reuben followed the old man's lead. His uncle's house-keeper carried
chairs to the grass-plot, and there the old man and the young one sat
down together in the summer air, and Reuben, drawing a little pitch-pipe
from his pocket, sounded its note, adjusted the violin, and played. Ezra
set his elbows upon his knees and chin in his hands, and sat to listen.

“Lend her to me, lad,” he said, when his nephew laid the instrument
across his knees. “I don't know--I wonder--Let's see if there is any of
the old skill left.” His face was gray and his hands shook as he held
them out. “Theer's almost a fear upon me,” he said, as he took the
fiddle and tucked it beneath his chin. “No, no, I dar' not. I doubt the
poor thing 'ud shriek at me.”

“Nonsense, uncle,” answered Reuben, with a swift and subtle movement
of the fingers of the left hand, such as only a violin-player could
accomplish. “I doubt if there is such a thing as forgetting when once
you have played. Try.”

“No,” said the old man, handing back the fiddle. “I dar' not. I haven't
the courage for it. It's a poor folly, maybe, for a man o' my years to
talk o' breakin' his heart over a toy like that, and yet, if the tone
wasn't to come after all! That 'nd be a bitter pill, Reuben. No, no.
It's a thousand to one the power's left me, but theer's just a chance it
hasn't. I feel it theer.” The gaunt left-hand fingers made just such a
strenuous swift and subtle motion as Reuben's had made a minute earlier.
“And yet it mightn't be.” Reuben reached out the violin towards him, but
he recoiled from it and arose. “No, no. I dar'n't fail,” he said, with a
gray smile. “I darn't risk it. Take her away, lad. No, lend her here. A
man as hasn't pluck enow in his inwards for a thing o' that kind--Lend
her here!”

He seized the instrument, tucked it once more beneath his chin, and
with closed eyes laid the bow upon the strings. His left foot, stretched
firmly out in advance of the right, beat noiselessly upon the turf, as
if it marked the movement of a prelude inaudible except to him. Then
the bow gripped the strings, and sounded one soft, long-drawn, melancholy
note. A little movement of the brows, a scarcely discernible nod of the
head marked his approval of the tone, and after marking anew the cadence
of that airy prelude he began to play. For a minute or more his resolve
and excitement carried him along, but suddenly a note sounded false and
he stopped.

“Ah-h-h!” he cried, shaking his head as if to banish the sound from his
ears, “take her, Reuben, take her. Give her a sweet note or two to
take the taste o' that out of her mouth. Poor thing! Strike up,
lad--anything. Strike up!”

Reuben dashed into “The Wind that Shakes the Barley!” and Ezra, with his
gaunt hands folded behind him, walked twice or thrice the length of the
grass-plot.

“Theer's no fool like an old fool,” he said, when he paused at his
nephew's side. “Theer's nothing as is longed for like that as can niver
be got at. Good-day, lad. Tek her away and niver let anybody maul her i'
that fashion again, poor thing. I'll rest a while. Good-day, Reuben.”

Reuben thus dismissed shook hands and went his way, bearing his uncle's
gift with him. His way took him to Fuller's house, and finding Ruth
alone there he displayed his treasure and spent an hour in talk. If he
had said then and there what he wanted to say, the historic Muse must
needs have rested with him. But since, in spite of the promptings of his
own desire, the favorableness of the time, and the delightful confusions
of silence which overcame both Ruth and himself in the course of his
visit, he said no more than any enthusiast in music might have said to
any pretty girl who was disposed to listen to him, the historic Muse is
free to follow Joseph Beaker, with whom she has present business.

In the ordinary course of things Joseph would have taken the shortest
cut to his patron's house, but to-day neither the weight of the
barrow-load, which was considerable, nor Joseph's objection to labor,
which was strongly rooted, could prevent him from taking the lengthier
route, which lay along the village main street, and therefore took him
where he had most chance of being observed. He made but slow progress,
being constantly stopped by his admirers, and making a practice of
sitting down outside any house the doors of which happened to be closed,
and there waiting to be observed. Despite the lingering character of
his journey he had already passed the last house but one--Miss Blythe's
cottage--and was forecasting in the dim twilight of his mind the
impression he would make upon its inmate, when the little old maid
herself went by without a glance.

“Arternoon, mum,” said Joseph, setting down the wheelbarrow, and
spitting upon his hands to show how little he was conscious of the glory
of his own appearance.

“Good-afternoon,” said the old maid. “Ah! Joseph Beaker?” To Joseph's
great disappointment she took no notice of his attire, but her eye
happening to alight upon the books, she approached and turned one of
them over. Poor Joseph was not accustomed to read the signs of emotion,
or he might have noticed that the hand that turned the leaves trembled
curiously. “What are these?” she asked. “Where are you taking them?”

“These be Mr. Ezra Gold's music-books,” he answered. “He's gi'en 'em to
his nevew, and I'm a-wheelin' of 'em home for him. Look here--see what
his lordship's gi'en to me.”

But Miss Blythe was busily taking book after book, and was turning over
the leaves as if she sought for something. Her hands were trembling
more and more, and even Joseph thought it odd that so precise and neat
a personage should have let her parasol tumble and lie unregarded in the
dust.

“Wheel them to my house, Joseph Beaker,” she said at last, with a covert
eagerness. “I want to look at them; I should like to look at them.”

“My orders was to wheel 'em straight home,” returned Joseph. “I worn't
told to let nobody handle 'em, but it stands to rayson as they hadn't
ought to be handled.”

“Wheel them to my door,” said the little old maid, stooping for her
fallen sunshade. “I will give you sixpence.”

“That's another matter,” said Joseph, sagely. “If a lady wants to look
at 'em theer can't be nothin' again that, I _should_ think.”

The barrow was wheeled to Miss Blythe's door, and Miss Blythe in the
open air, without waiting to remove bonnet, gloves, or mantle, began to
turn over the leaves of the books, taking one systematically after the
other, and racing through them as if her life depended on the task.
Rapidly as she went to work at this singular task, it occupied an hour,
and when it was all over the prim, starched old lady actually sat down
upon her own door-step with lax hands, and crushed her best new bonnet
against the door-post in a very abandonment of lassitude and fatigue.

“Done?” said Joseph, who had been sitting on the handle of the
wheelbarrow, occasionally nodding and dozing in the pleasant sunlight.
Miss Blythe arose languidly and gave him the promised sixpence. “You'm a
wonner to read, you be, mum,” he said, as he pocketed the coin. “I niver
seed none on 'em goo at sich a pace as that. Sometimes my lord 'll look
at one side of a noospaper for a hour together. I've sin him do it.”

Receiving no reply, he spat upon his hands again, and started on the
final course of his journey. Rachel closed the gate behind him, and
walked automatically into her own sitting-room.

“There is no fool like an old fool,” she said, mournfully. Then, with
sudden fire, “I have known the man to be a villain these six-and-twenty
years. Why should I doubt it now?”

And then, her starched dignity and her anger alike deserting her, she
fell into a chair and cried so long and so heartily that at last, worn
out with her grief, she fell asleep.




CHAPTER IX.

The church-bells made a pleasant music in Hey-don Hay on Sunday
mornings, and were naturally at their best upon a summer Sunday, when
the sunshine had thrown itself broadly down to sleep about the
tranquil fields. Heydon Hay was undisturbed by the presence of a single
conventicle in opposition to the parish church, and the leisurely
figures in the fields and lanes and in the village street were all bent
one way. In fine weather the worshippers were for the most part a little
in advance of time, and thereby found opportunity to gather in knots
about the lich-gate, or between it and the porch, where they exchanged
observations on secular affairs with a tone and manner dimly tempered by
the presence of the church.

Half a dozen people in voluminous broadcloth were already gathered about
the lich-gate when Fuller appeared, carrying his portly waistcoat with
a waddle of good-humored dignity, and mopping at his forehead. He was
followed by a small boy, who with some difficulty carried the 'cello in
a big green baize bag. One or two of the loungers at the gate carried
smaller green bags, and while they and Fuller exchanged greetings,
Sennacherib and Isaiah appeared in different directions, each with a
baize-clothed fiddle tucked beneath his arm. The church of Heydon Hay
boasted a string band of such excellence that on special occasions
people flocked from all the surrounding parishes to listen to its
performances. The members of the band and choir held themselves rather
apart from other church-goers, like men who had special dignities and
special interests. They had their fringe of lay admirers, who listened
to their discussions on “that theer hef sharp,” which ought to have
sounded, or ought not to have sounded, in last Sunday's anthem.

Whether his lordship made a point of it or not, the Barfield carriage
was always a little late, and Ferdinand certainly approved of the habit;
but on this particular morning the young gentleman was earlier than
common and arrived on foot. The male villagers took off their hats as he
walked leisurely along, the female villagers bobbed courtesies at him,
and the children raced before him to do him a sort of processional
reverence. This simple incense was pleasant enough, for he had spent
most of his time in larger places than Heydon Hay, and had experienced
but little of the sweets of the territorial sentiment. He walked along
in high good-humor, and enjoyed his triumphal progress, though he made
himself believe that it was only the quaint, rural, and Old-world smack
of it which pleased him.

Here and there he paused, and was affable with a county elector, but
when he reached the lich-gate he was altogether friendly with Fuller and
Sennacherib, and shook hands with Isaiah with actual warmth.

“Mr. Hales was dining at the Hall last night,” he said. “He told us that
some of the local people were in favor of an organ for the church, and
had talked about getting up a subscription, but he wouldn't listen to
the idea.”

“Should think not,” said Sennacherib. “Parson knows when he's well off.”

“Indeed he does,” returned Ferdinand; “he looks on the band as being
quite a part of the church, and says that he would hardly know the place
without it.”

“A horgin!” grunted Sennacherib, scornfully. “An' when they'd got it,
theer's some on 'em as 'ud niver be content till they'd got a monkey in
a scarlit coat to sit atop on it.”

“I hardly think they want _that_ kind of organ, Mr. Eld,” said
Ferdinand, smoothly.

“I do' know why they shouldn't,” returned Sennacherib. “It's nothin' but
their Christian humbleness as could mek 'em want it at all. The Lord's
made 'em a bit better off than their neighbors, an' they feel it
undeserved. It's castin' pearls afore swine to play for half on 'em
about here.”

Fuller, with both hands posed on the baize-clad head of the 'cello,
which the small boy had surrendered to him some moments before, shook
his fat ribs at this so heartily that Sennacherib himself re laxed into
a surly grin, and then Ferdinand felt him self at liberty to laugh also.

“You are rather severe upon your audience, Mr. Eld,” he said.

“A tongue like a file, our Sennacherib's got,” said the mild Isaiah.
“Touches nothin' but what he rasps clean through it.”

Ferdinand raised his hat at this moment and made a forward step, with
his delicately gloved right hand extended.

“Good-morning, Miss Fuller.”

Mr. De Blacquaire prided himself, and not without reason, on his own
_aplomb_ and self-possession, but he felt now a curious fluttering
sensation to which he had hitherto been an entire stranger.

Ruth accepted his proffered hand and responded to his salute, and then
shook hands with the two brethren. Ferdinand, with a jealousy at which
he shortly found time to be surprised, noticed that her manner in
shaking hands with these two stout and spectacled old vulgarians
differed in no way from her manner in shaking hands with him. This in
itself was a renewal of that calm, inexplicable disdain with which the
girl had treated him from the first. If rustic beauty had been fluttered
at his magnificent pressure, he could have gone his way and thought no
more about it; but when rustic beauty was just as cool and unmoved by
his appearance as if their social positions had been reversed, the
thing became naturally moving, and had in it a lasting astonishment for
leisure moments.

And there was no denying that the girl was surprisingly pretty. Prettier
than ever this Sunday morning, in a remarkably neat dress of dove color,
a demurely coquettish hat, and a bit of cherry-colored ribbon. Rustic
beauty was not altogether disdainful of town-grown aids, it would seem,
for Ferdinand's eye, trained to be critical in such matters, noted that
the girl was finely gloved and booted.

Her dress was like a part of her, but that, though the young gentleman
could not be supposed to know it, was a charm she owed to her own good
taste and her own supple fingers. The young gentleman might have been
supposed to know, perhaps, that her greatest charm of all was her
unconsciousness of charming, and it was certainly this which touched him
more than anything else about her.

There was no outer sign of the young Ferdinand's inward disturbance.

“I am afraid,” he said, resolute to draw her into talk with himself if
he could, though it were only for a moment, “I am afraid that I have
made Mr. Eld very angry.”

Ruth's brown eyes took a half-smiling charge of Sennacherib's surly
figure.

“Seems,” said Sennacherib, “the young gentleman was a-dinin' last night
along with the vicar, and it appears as some o' the fools he knows want
to rob the parish church o' the band, and build a horgin.”

“The vicar won't listen to the idea,” said Ferdinand. “There was only
one opinion about it.”

“It would be a great shame to break up the band,” Ruth answered,
speaking with vivacity, and addressing Ferdinand. “Everybody would
miss it so. We would rather have the band than the finest organ in the
world.”

It happened, as such things will happen for the disturbance of lovers,
that just as Ruth turned to address Ferdinand, Reuben Gold marched under
the lich-gate and caught sight of the group. The girl, her father, the
two Elds, and the young gentleman were standing by this time opposite
the church porch, but as far away from it as the width of the pathway
would allow. Various knots of villagers, observing that his lordship's
guest had stayed to talk, stood respectfully apart to look on, and,
if it might be, to listen. Now Reuben, for reasons already hinted at,
disliked Mr. De Blacquaire. He was not, perhaps, quite so conscious
as Mr. De Blacquaire himself that all the advantage of the differences
between them rested on the young gentleman's side. Reuben was not the
sort of youngster who says to himself, “I am a handsome fellow,” or “I
am a clever fellow,” or “I am a fellow of a good heart,” but in face of
Ferdinand's obvious admiration of Ruth and his evident desire to stand
well in her graces he had sprung up at once to self-measurement, and
had set himself shoulder to shoulder with the intruder for purposes of
comparison. With all the good the love for a good woman does us, with
all the wheat and oil and wine it brings for the nourishment of the
loftier half of us, it must needs bring a foolish bitter weed or two,
which being eaten disturb the stomach and summon singular apparitions.
And when Reuben saw the girl of his heart in vivacious public talk with
a young man of another social sphere he was quite naturally a great deal
more perturbed than he need have been. The gentleman admired her, and
it was not outside the nature of things that she might admire the
gentleman. He came up, therefore, mighty serious, and shook hands with
Fuller and the brethren, and then with Ruth, with an air of severity
which was by no means usual with him. He carried his violin case tucked
beneath his arm--a fact which of itself gave him an unworthy aspect in
Ferdinand's eyes--and he had shaken hands with Ruth without raising his
hat. A denizen of Heydon Hay who had taken off his hat in the open air
to a woman would have been scoffed by his neighbors, and would probably
have startled the woman herself as much as his own sense of propriety.
But all the same Reuben's salute seemed mutilated and boorish to the man
of more finished breeding, and helped to mark him as unworthy to be the
suitor of so charming a creature as the rustic beauty.

“Mr. De Blacquaire's a-tellin' us, Reuben,” said old Fuller, “as theer's
been some talk o' breaking up the church band and starting a horgin i'
the place on it.”

“That will end in talk,” said Reuben, with a half-defiant,
half-scrutinizing look at Ferdinand, as if he charged him in his own
mind with having suggested the barbarism.

“There is no danger that it will go further in the vicar's
time,” returned Ferdinand. “Besides, his lordship is as strongly opposed
to the change as anybody.”

“It's time we was movin' inside, lads,” said Fuller, glancing up at
the church clock. Ruth inclined her head to Ferdinand, gave a nod and
a smile to Reuben (who nodded back rather gloomily), and passed like a
sunbeam into the shadow of the porch. Fuller took up his 'cello in a big
armful, and followed, with the brethren in his rear. Ferdinand, feeling
Reuben's company to be distasteful, lingered in it with a perverse hope
that the young man might address him, and Reuben stood rather sullenly
by to mark his own sense of social contrast by allowing the gentleman to
enter first.

Each being disappointed by the other's immobility and quiet, a gradual
sense of awkwardness grew up between them, and this was becoming acute
when Ezra appeared, and afforded a diversion. Under cover of his uncle's
arrival Reuben escaped into the church.

In the course of centuries the church-yard had grown so high about
the building that grass waved on a level with the sills of the lower
windows, and the church was entered by a small flight of downward steps.
The band and choir had a little bare back gallery to themselves, and
approached it by a narrow spiral stone staircase. There were no side
galleries, and band and choir had therefore an uninterrupted survey of
the building. Reuben valued his place because it gave him a constant
sight of Ruth, and perhaps, though the fancy is certain of condemnation
at the hands of some of the severer sort, the visible presence of the
maiden, for whose sake he hoped for all possible excellences in himself,
was no bad aid to devotion. She sat in a broad band of tinted sunlight
with her profile towards her lover, looking to his natural fancy as if
she caused the sunlight, and were its heart and centre. Opposite to her
and with _his_ profile towards the music gallery also, sat Ferdinand,
and Reuben saw the young gentleman cast many glances across the church
in Ruth's direction. This spectacle afforded no aid to devotion, and not
even his music could draw the mind or eyes of the lover from Ferdinand,
whom he began to regard as being an open rival.

There was enough in this reflection to spur the most laggard of admirers
into definite action, and before the service was over Reuben had made up
his mind. He would speak to Ruth after church, and at least decide
his own chances. The vicar's sermon was brief, for the good man had no
rival, and could afford to please himself; but its duration, short as it
was, gave Reuben ample time to be rejected and accepted a score of times
over, and to gild the future with the rosiest or cloud it with the most
tempestuous of colors. The Earl of Barfield, according to his custom,
had arrived late, and it comforted Reuben a little to think that in his
presence, at all events, the young gentleman could make no progress
with his love affairs. It comforted him further to see that Ruth took no
notice of the glances of her admirer, and that she was to all appearance
unconscious of them and of him.

But when once he had made up his mind to instant action, the vicar's
brief discourse began to drag itself into supernatural length. Facing
the preacher, and immediately beneath Reuben's feet, was a clock of
old-fashioned and clumsy structure, and the measured tick, tick of its
machinery communicated a faintly perceptible jar to a square foot or so
of the gallery flooring. The mechanical rhythm got into Reuben's brain
and nerves until every second seemed to hang fire for a phenomenal time,
and the twenty minutes' discourse dragged into an age. Even when the
vicar at last lifted his eyes from the neatly ranged papers which lay on
the pulpit cushion before him, laid down his glasses, and without pause
or change of voice passed on to the benediction, and even when after the
customary decent pause the outward movement of the congregation began,
Reuben's impatience had still to be controlled, for it was the duty of
the band to play a solemn selection from the works of some old master
while the people filed away. Reuben led, and since the others must needs
follow at the pace he set, the old master was led to a giddier step than
he had ever danced to in a church before. Sennacherib was scandalized,
and even the mild Fuller was conscious of an inward rebellion. The taste
in Heydon Hay was rather in favor of drawl than chatter, and the
old masters in their serious moods were accustomed to be taken with
something more than leisure.

“Why, Reuben, lad,” began Sennacherib, “how didst come to let your hand
run away with your elber i' that way?”

But Reuben, sticking his hat on anyhow, was gone before the old man had
finished his question, thrusting his violin into its case as he made his
way down the corkscrew stairs. A single glance assured him that Ruth was
no longer in the churchyard. The Earl of Barfield's carriage blocked
the way at the lich-gate, and the young fellow waited in high impatience
until the obstacle should disappear. His lordship, in view of the
approaching election, was much more amiable and talkative than common,
and he and his protégé stood exchanging talk upon indifferent topics
with a little crowd of church-goers, but in a while the earl climbed
slowly into the carriage. Ferdinand skipped nimbly after him and the two
were driven away. Reuben, with hasty nods and good-mornings at one or
two who would have detained him, strode into the highway just in time to
see the dove-colored dress turn at a distant corner. He hurried after
it at his swiftest walk, and reaching the corner in the most evident
violent hurry, narrowly escaped walking over the object of the chase,
who had halted in talk with Aunt Rachel at the place where their
homeward ways divided.

He had expected to find her still far ahead, and this sudden encounter
was amazingly disconcerting to him. To begin with, apart from his real
purpose he had no business whatsoever round that particular corner. Then
to pause suddenly in the midst of so violent a hurry was in itself a
plain proclamation of his intent, and his hot courage had so rapidly
gone cold that the change of inward temperature carried a shock with it.
Nevertheless, he stopped and stammered a disjointed greeting to Rachel,
who returned for sole answer an icy little nod, pinching her lips
together somewhat superciliously as she gave it.

Ruth, who would have been burdened by a shyness equalling Reuben's own
had he succeeded in catching her by herself, was bold enough in the
presence of one of her own sex, and observed the situation with a
delighted mischief. But this was changed, as swiftly as Reuben's
emotions themselves, to a state of freezing discomfort when Aunt Rachel
bolt upright, and with a mincing precision in her speech, demanded to
know if this young--ahem!--this person had any communication to make.

“My dear aunt,” said the poor girl, blushing scarlet, and casting an
appealing glance at Reuben.

“You appeared to be in a hurry, Mr. Gold,” said the terrible old lady.
“My niece and I will not detain you.”

“Thank you,” responded Reuben, shaken back into self-possession. “I am
not in a hurry any longer.”

Aunt Rachel turned right about face with an almost military precision,
and passing her arm through Ruth's led the girl away, leaving Reuben
shaken back into internal chaos. Ruth's blushing face and humid brown
eyes were turned towards him in momentary but keen apology, and he was
left standing alone on the cobbled pavement with a feeling of perfect
wreck.

“Aunt Rachel!” said the girl, as she suffered herself thus ignominiously
to be towed away. “How could you make me behave so rudely?”

“Have nothing to do with those people,” replied Aunt Rachel, frigidly.
“They are bad, root and branch. I know them, my dear. That young man has
the audacity to admire you. You must not encourage him.”

“I am sure,” said Ruth, guiltily, only half knowing what she said, “he
has never spoken a word--”

“It is not necessary to wait for words,” returned the old lady. “I
can see quite clearly. I am experienced. I know the Golds. I have been
familiar with the method of their villany for many years.”

“How can you speak so?” the girl asked, recovering something of her
native spirit. “I am sure that there is no better man in the world than
Mr. Ezra Gold. Everybody speaks well of him.”

“It is not quite accurate, my dear,” said Aunt Rachel, “to say that
everybody speaks well of him, when a person even so inconsiderable
as myself is in the act of speaking ill of him.” The quaint veneer of
fashion with which for many years she had overlaid her speech and manner
was more apparent in this address than common, but suddenly she broke
through it and spoke with an approach to passion. “I know them; they are
villains. Have nothing to do with any member of that family, my dear,
as you value your happiness.” She pinched her niece's arm tightly as she
spoke, and for a little time they walked on in silence, Ruth not knowing
what to say in answer to this outburst, but by no means convinced as
yet of the villany either of Ezra or Reuben. “Now, my dear,” Aunt Rachel
began again, with a return to her customary mincing tones, “you are not
far from your own residence. I observe,” with a swift glance over her
shoulder, “that the person still lingers at the corner. But if he should
attempt to follow you may rely upon me to intercept him. My niece must
act like my niece. You must show your detestation of his odious advances
in a proper manner.”

“But, Aunt Rachel!” protested Ruth, “he has never made any advances, and
I--I haven't any detestation.”

“All in good time, my dear,” responded the old lady. “In the mean time,
rely upon my protection.” With this she stood up birdlike, and pecked
affectionately at Ruth's rosy cheek. The girl was well-nigh
crying, but restrained herself, and answered Rachel's “God bless you”
 with some self-possession.

“Good-morning, dear aunt. But you are quite, oh, quite mistaken.”

“Indeed, my dear,” said Aunt Rachel, with a glitter in her youthful
eyes, and a compression of her mobile lips, “I am nothing of the
kind.” Ruth's eyes sank, and she blushed before the old lady's keen and
triumphant smile. She moved away downcast, while Aunt Rachel took the
opposite direction. The old lady wore a determined air which changed to
a sparkling triumph as she saw Reuben cross the road with an inelastic
step, and continue his homeward way with a head bent either in thought
or dejection.




CHAPTER X.

When Reuben found time to gather himself together and to face his own
emotions he discovered himself to be more amazed than disconcerted. He
cast about in his mind for an explanation of the old lady's displeasure,
and found none. Why should she desire to insult him? In what possible
way could he have offended her? Even a lover (ingenious as lovers always
are in the art of self-torment) could not persuade himself that Ruth was
a willing party to her aunt's singular treatment of him. The apology in
her glance had been unmistakable.

He was altogether at a loss to understand in what way he could have
excited Miss Blythe's anger, but it was unpleasant to know that there
was an enemy in the camp which he had always thought entirely friendly.
With the exception of Ruth herself he had been sure of the approval of
everybody concerned.

His performance at the homely one o'clock dinner spread at his mother's
table was so poor as to be noticeable, and he had to endure and answer
many tender but unnecessary inquiries as to the state of his health, and
to pretend to listen while his mother related the melancholy history
of a young man who fell into a decline and died through mere neglect of
meal-times. When this narrative was over and done with he escaped to his
own room, carrying writing materials with him, and sat down to express
on paper the hopes he had fully meant to express vocally an hour
earlier. The golden rule for writing is to know precisely what you want
to say, but though Reuben seemed to know, he found it hard to get upon
paper. Half a score of torn sheets went into the fire-grate, and were
there carefully fired and reduced to ashes. It was only the discovery
that he was reduced to his final sheet of paper which really screwed his
courage to the sticking-point. Being once there it held until the need
for it was over; but when the letter was written it would have followed
its forerunners if there had but been another sheet of paper in the
house or the day had been anything but Sunday. As it was, he let it
stand perforce, enveloped and addressed it in a sort of desperation, and
put it in his pocket ready for personal delivery. The quartette party
always met on Sunday afternoons and played sacred music. Not so long ago
they had been used to meet in church; but since the introduction of gas
to the venerable building the afternoon service had been abandoned and
an evening service instituted in its stead. The music-parties were held
at Fuller's in the summer-time, and Reuben's chance of a declaration
by letter looked simple and easy enough. It was but to slip the
all-important note into Ruth's hand with a petition to her to read it,
and the thing was done. He had time enough to do this over and over and
over again in fancy as he walked down the sunlit street with his
violin case tucked under his arm. He had time enough to be accepted
and rejected just as often--to picture and enjoy the rapture of the one
event and the misery and life-long loneliness entailed by the other.
Every time his eager fancy slipped the note into Ruth's fingers his
heart leaped and his hands went hot and moist, but if ever the screw of
courage gave a backward turn the thought of Ferdinand twisted it back
to the sticking-point again, and he was all resolve once more. The
experience of ages has declared that there is no better spur for
the halting paces of a laggard lover than that which is supplied by
jealousy. The simplest coquette that ever tortured hearts in a hay-field
is aware of the fact, and needs no appeal to the experience of ages to
support her.

Reuben pushed the green gate aside, and entering upon the lawn, found
Fuller in the act of carrying the table to its customary place. He had
been so free of the house, and had been for years so accustomed to enter
it and leave it at his will, that there was nothing in the world but his
own restraining sense of shyness to prevent him from walking past his
host with the merest salutation and fulfilling his own purpose then
and there. But the trouble was that to his own disturbed feeling Fuller
would infallibly have guessed his purpose, and either of the other
members of the quartette arriving, or any chance visitor strolling in,
would have known in a moment that he could have no other reason for
entering the house than to ask Ruth's hand in marriage. So he stood
somewhat awkwardly by the table, while Fuller re-entered the house and,
after a little pause, returned with a pile of music.

“This here's one of Ezra's books, I reckon,” said the elder, singling
one volume from the pile. “It's the one you browt here the day he gi'en
you his libery.”

“Ah!” said Reuben, “Manzini? That was the last music he opened for his
own playing, so he told me.” He fluttered the leaves, glancing towards
the house meanwhile, but seeing nothing of his goddess. Fuller contented
himself with a mere grunt in answer to Reuben's statement, and rolled
off into the house once more, returning this time with his 'cello. He
propped the instrument tenderly against the table, and, seating himself
near it, began to arrange the music. Reuben still stood awkwardly
fingering the leaves of Manzini's duets, when Ruth appeared at the house
door. He had made but a step towards her, and had not even made a step
in his mind towards reading the half-shy, half-appealing aspect she
wore, when the prim figure of Aunt Rachel appeared from behind her, and
the old woman, with defiance expressed in every line and gesture, laid
her mit-tened hand on the girl's arm and advanced by her side. Reuben
stood arrested, and made a bow which he felt to be altogether awkward.
Ruth's brown eyes drooped, and she blushed, but she found courage a
second or two later for a glance of appeal which Reuben did not see. He
offered chairs to the old woman and the young one as they came near him,
but Rachel, with a stony little nod, walked by, taking her niece with
her.

The young man took instant counsel with himself. He sat down near the
table with Manzini's oblong folio in his lap, and, turning the pages
here and there, selected a moment when he was unobserved, and slipped
his missive between the front board of the binding and the first blank
leaf. It would be strange if he could not find time to whisper, “Look in
Manzini” before the day was over; and even if that course should fail he
could at least forward his letter by the penny-post, though that would
imply a delay of twelve hours, and was hardly tolerable to think of. If
he missed the opportunity for that hasty whisper he would carry Manzini
away, and so re-secure possession of his letter.

While he was planning thus, Rachel and her niece were walking up and
down the grass-plot, and the old lady was talking away at a great rate,
describing the glories of the house of Lady De Blacquaire, and affecting
to be absorbed in her theme. She was not so much absorbed, however,
that her manner did not clearly indicate her misliking sense of Reuben's
nearness every time she passed him, though she did not so much as cast
a glance in his direction. By-and-by the two Elds appeared, and the
customary business of the afternoon began. Reuben had much ado to pin
himself down to the music, but he succeeded fairly well, and gave nobody
reason to suppose that his mind wandered far and often from his task. It
was well for his repute for sanity, especially after the wild leadership
at morning service, that he was familiar with the theme. Even when his
thoughts wandered farthest he was mechanically accurate. All the time
the book with the all-important missive in it lay on the table before
him, and in his fancy disasters were constantly happening which revealed
his secret. He repeated the terms of the note again and again, and added
to it and altered it and resolved to rewrite it, and again resolved to
leave it as it was.

The afternoon party received an unusual addition in the persons of
Mrs. Sennacherib and Mrs. Isaiah, who arrived when the performers were
half-way through their programme.

“I forgot to tell thee, Reuben, lad,” said Fuller, “Ruth's got a bit
of a tay-party this afternoon, and thee beest to stop with the rest on
'em.”

“Thank you,” said Reuben; “I shall stay with pleasure.” He felt Rachel's
disapproving glance upon him, and looking up met it for a moment, and
returned it with a puzzled gravity. She was standing alone at a little
distance from the table, and Ruth and the two new arrivals were in the
act of entering the house. Reuben obeyed the impulse which moved him,
and rising from his place crossed over to where the little old lady
stood. “May I ask,” he said, “how I came to fall under your displeasure,
Miss Blythe?” He glanced over his shoulder to assure himself that nobody
took especial note of him, and spoke in a low and guarded voice.

Miss Blythe made the most of her small figure, glanced with extreme
deliberation from his eyes to his boots and back again, and, turning
away, followed her niece and the two new arrivals, walking with an air
of exaggerated dignity. Reuben, returning to his seat, had to make great
play with his pocket-handkerchief to cover the signs of confusion
which arose at this rebuff. Miss Blythe could scarcely have expressed a
livelier contempt for him if he had been a convicted pick-pocket.

His share of the music went so ill after this that he excited something
like consternation in the minds of his friends.

“What's come to the lad, 'Saiah,” asked Sennacherib.

“Bist a bit out o' sorts, Reuben, bisent?” said Isaiah, mildly anxious.

“I can't play to-day,” Reuben answered, almost fretfully. “Let us try
again. No. There's nothing the matter. Nothing in the world. Let us try
again.”

They tried again, and by dint of great effort Reuben kept control
over himself and escaped further disgrace, although at one time Ruth's
sympathetic, shy look almost broke him down, and at another, Rachel's
stony gaze so filled him with wonderment and anger that he had much ado
to save himself from falling.

Ruth retired to superintend the preparation of the tea-table
within-doors, and Rachel followed her. In their absence he got on
better, but it was almost as great a relief as he had ever known to find
that the concert at last was over, and that he could give unrestrained
attention to the thoughts which pressed upon him.

“Tea is ready,” said Ruth, standing in the doorway, and shading her eyes
from the afternoon sunlight with one hand. Rachel surveyed the quartette
party from the window, but Reuben could see that she was held in talk by
Mrs. Sennacherib.

“This may be my only chance to-day,” said the lover to himself, with
one great heart-beat and a series of flutterings after it. He controlled
himself as well as he might, and with a single glance towards Ruth stood
a little behind the rest and feigned to arrange the music on the table.

Isaiah and Sennacherib went first, and Fuller waddled in their rear.
Reuben, after as long a pause as he dared to make, followed them, and
raising his eyes saw that Ruth stood just without the door-way making
room for her guests to pass. “Would she give him a chance for a word?
The girl saw the unconscious pleading in his eyes, and blushing, looked
on the ground. But she kept her place, and Reuben coming up to her just
as Fuller's burly figure rolled out of sight through the door of the
sitting-room, took both her hands in his, not knowing in his eagerness
that he dared to advance so far, and murmured,

“Ruth, look in the Manzini. The duets. The book my uncle gave me.”

“Niece Ruth,” said Rachel's voice from the sitting-room door-way. Reuben
dropped the hands he held, becoming conscious in that action only of
the fact that he had taken them, and stepped into the dusky passage,
thankful for the gloom, for he felt that he was blushing like a boy.
Ruth had made a guilty start forward into the garden, and did not pause
until she had reached the table. “I beg your pardon, sir,” said Rachel,
frostily, as she moved aside to make room for Reuben to pass her, but
when she had once seen the young people wide apart she was satisfied,
and forbore to call the girl again.

“Look in the Manzini,” Reuben had said, and the girl, almost without
knowing it, had paused with her hands resting on the glazed brown
mill-board which bound it. He would think, if she opened the book at
once, that she was curiously eager to obey him, and her heart told her
pretty truly what she would find when she looked there. The fear almost
made her turn away; but then, since she was there, if she did not care
to look he would think her cruelly disdainful. Was anybody watching
her? In every nerve she felt the eyes of all the party in the
sitting-room as if they actually pierced and burned her. But standing
with bent head, with an attitude of reverie which she felt to be
unspeakably guilty, she raised the board with an air of chance, a
semblance of no interest touching her features--as though that could
influence anybody, since her face was hidden--and saw a letter with her
name upon it. To lay one hand upon this, and to slip it into the pocket
of her dress while actually turning with a look of nonchalance towards
the sitting-room window, was felt by the criminal herself to be the most
barefaced and wickedest of pretences. To make the tour of the garden
afterwards with the letter in her pocket, and to gather flowers for a
bouquet for the tea-table, while tea was actually ready and everybody
was awaiting her, was at once a necessity, an hypocrisy, and a dreadful
breach of good-manners.

She took her place at the tea-table with perfect innocence and
unconsciousness of aspect; but Reuben looked guilty enough for two,
until the genuine gravity of the situation recalled him to himself, when
he began to look as solemn as a graven image, and returned wry
answers to the talk of those about him. There was no calling back his
declaration now, and he felt it to be clumsy beyond expression, and
inadequate alike to his sense of Ruth's perfections and his own poor
deserts. No man can quite know, until he has tried it, how severe an
ordeal it is to sit at table with the lady of his heart, while that lady
has his declaration, as yet unread, in her pocket.

Ruth was so self-possessed and tranquil that it was evident to her
lover's masculine understanding that she was ignorant of the nature
of his missive, and probably indifferent to it. Reuben's anxiety and
preoccupation were in themselves a gladness to the girl, for they bore
out the delightful prophecy of her own heart. She had always thought
Reuben, even when she was a school-girl, the handsomest and manliest and
cleverest of men. If it were unmaidenly to have thought so, and to allow
her heart to be captured by a man who had never spoken a word of open
love to her, she must be called unmaidenly. But there was never a purer
heart in the world, and the sophistications of experience, vicarious
or otherwise, had not touched her. It came natural to love Reuben, and
perhaps the young man's eyes had made more of an excuse for her than
would readily be fancied by those who have never experimented.

It may be, if the truth were known, that the maiden found the situation
almost as trying as her lover, for there was a most tantalizing element
of uncertainty in it, and uncertainty is especially grievous to the
feminine heart. But at last her duty as hostess no longer severely
holding her, she left the room, ostensibly to assist in clearing away
the tea-things, and was no sooner out of sight than she skimmed like a
swallow to her own chamber and there read Reuben's letter. When she came
back again Reuben knew that she had read it, and knew, too, that she
had read it with favor and acceptance. There was a subtle, shy, inward
happiness in Ruth's heart which diffused itself for her lover's delight
as if it had been a perfume. Not another creature but himself and her
knew of it, and yet to him it was real, and as evident as anything he
saw or touched.

Once or twice she looked at him so sweetly, so shyly, so tenderly, and
yet withal so frankly, that his heart ached with the desire he felt to
rise and clasp her in his arms and claim her for his own before them
all. Aunt Rachel looked at him once or twice also, as if she stabbed him
with an icicle, but he glanced back with a smile sunny enough to have
thawed the weapon if only the bearer of it had been within measurable
distance.

Rachel did not read her niece, for the simple reason that she was too
resolved on reading what she supposed herself to have written to be able
to trace the characters of mere nature. But she partly read the young
man's triumph, and adjudged it as a piece of insolence, determining that
he should be punished for it richly, as he deserved. She had exposed
the character of the Golds to her niece, and had told her that they were
wicked and bad and shameless--male jilts, whose one delight it was to
break feminine hearts. Ruth would certainly believe what she had
been told on such unimpeachable authority, and would never dream
of permitting herself to be duped by a man of whom she knew so much
beforehand. Any airs of triumph the young man might display were
therefore ridiculous and insolent, deserving both of chastisement and
contempt.

Ruth's household occupations took her away a second time, and if she
chose to fill a mere two or three minutes by writing a note to a young
man who sat within six yards of her, nobody suspected her of being so
engaged. When she came back to her visitors, Reuben would fain have
made opportunity to be near her, but Rachel was unwinking in her
watchfulness, and he was compelled to surrender his design. The bells
began to ring for evening church, and Ruth and the womenfolk went
up-stairs to make ready for out-of-doors. The quartette party sat
downstairs with open windows, each of the three seniors pulling gravely
at a long church-warden, and the junior pretending to look at an
old-fashioned book of beauty, in which a number of impossible ladies
simpered on the observer from bowers of painted foliage.

Sitting near the window with his back to the garden, and deeply absorbed
in his own fancies, he found himself on a sudden impelled to turn his
head, not because of any sound that reached him, but because of some
curious intuition of Ruth's neighborhood to him. She was walking towards
him at that moment, her footsteps falling soundlessly on the greensward,
her face blushing and her eyes downcast. As she passed him and entered
the house she raised her eyes for a moment, and Reuben read in them a
sweet, enigmatical intelligence, and a charmed shyness so delicious that
he thrilled at it from head to feet.

He longed, as any lover may imagine of him, to exchange a word with
her. He was certain, but he desired to be more than certain. To know was
nothing--his heart demanded to hear the good news and to be surfeited
with hearing. But the small dragon still guarded his Hesperides, and
on the way to church he escorted Mrs. Isaiah, a matron gaunt and stern,
whose cheerful doctrine it was that any spoken word not made actually
necessary by the business of life was a sin. Mrs. Isaiah's grim
reticence was less of a trouble to him than it would have been under
ordinary circumstances, for he had his own thoughts to think, and did
not care to be drawn away from them.

At the lich-gate Aunt Rachel paused to shake hands with everybody but
Ruth and Reuben.

“You had better take Manzini home to-night, Reuben,” said Ruth. She
tried hard to make her voice commonplace; but to Reuben's ears there was
a meaning in it, and his eyes answered to the meaning with such a flash
of tenderness and assured joy that, in spite of all she could do, Ruth
must needs lower her head and blush again.

Rachel's youthful eyes flashed from one to the other.

“I do not propose to attend the service this evening, Niece Ruth,” she
said, a minute later, when Reuben and his _confrere_ had entered on
the cavernous darkness of the winding stairway. “I will call for you,
however,” she added. “I shall be in the porch at the close of the
service.”

At the first clause of this speech Ruth rejoiced, but at the second her
sense of relief was spoiled.

“Very well, dear,” she answered. Aunt Rachel could not stand much longer
between her and Reuben, and if a fight should have to be made it would
be early enough to begin it when she had her father definitely on her
side, as she would have to-morrow. So she went into church and made
strenuous efforts to attend to the service and the sermon, and failed
dismally, and thought herself terribly profane.

Aunt Rachel, being left alone at the church porch, turned away and
walked straight back to the house she had left. The green door in the
high wall needed no more than a push to open it, and Rachel entered the
garden, and, walking straight to the table at which the quartette party
had sat playing an hour or two earlier, laid hands upon Manzini's volume
of duets for the violin. She took it by the back of the cover and gave
it a shake, and out from its pages fell a neatly folded little note,
addressed in her niece's hand to Mr. Reuben Gold, and sealed in bronze
wax with the impress of a rose. The little old lady pounced upon it, and
held it at arm's-length in both hands.

“Infatuated child!” she said, in her primmest and most fashionable
accent. “My premonitions have not deceived me.”

She placed the note in the bosom of her dress, set the book in its
former position upon the table, and left the garden. Nobody looking at
her could have supposed that she had been guilty of such an act; for
if ever conscious rectitude and high resolve for good shone in a human
face, they lighted hers. Once she stopped short in the lonely lane, and
stamped one small foot with lofty emphasis.

“The very method!” she said aloud, in a voice of scorn. “For aught I
know, the very book! You shall not suffer as I have suffered, my poor
dear child. I thank Heaven that I am at hand to preserve you.”

Thus animated by her own self-approval, Aunt Rachel, sometimes in scorn,
sometimes in tenderness, but of tener in triumph, walked homeward,
waited the due time, and walked back to church again. She succeeded in
getting Ruth away without a sight of Reuben, but the young man passed
them on their way with a step still quicker than he had used that
morning. He threw a gay “good-night, Ruth,” over his shoulder as he
walked, and Ruth felt the old lady's hand tighten on her arm, though she
was far from guessing the nature of the emotion which moved her.

Once out of sight in the summer dusk, Reuben ran. He reached the green
door, and with no surprise found it wide open. He approached the table,
seized the old folio? and turning it back downward so that nothing could
fall from it, sped home, hugging it by the way. When he reached his own
room he was breathless, but he struck a light, drew down the blinds, and
turned over the leaves of the music-book one by one. In the centre
of the book he paused, for there he seemed to find the object of his
search. A note, bearing for sole superscription “Mr. Gold,” was pinned
to the edge of the page. But was that quaint, old-fashioned handwriting
Ruth's? Why should she write to him on paper so old and yellow and
faded? Why should the very pin that held it to the page be rusted as if
it had been there for years?

The note was sealed with two wafers, and the paper cracked across as he
opened it. It began “Dear Mr. Gold,” and was signed “R.” It ran thus--

“I have not ansrd your estmd note until now, though in receipt of it
since Thursday, for I dare not seem precipitate in such a matter. But I
have consulted my own heart, and have laid it before the Throne, knowing
no earthly adviser. Dear Mr. Gold, it shall be as you wish, and I trust
God may help me to be a worthy helpmeet. So no more till I hear again
from you.”

It was impossible that this should be meant for him, or that Ruth should
have written it; but though he searched the book from cover to cover,
there was no other missive to be found within it.




CHAPTER X.

“That is a very insolent young man,” said Aunt Rachel, as Reuben threw
his hurried greeting over his shoulder in the dusk.

“Indeed, aunt,” the girl answered, a little more boldly than she would
have dared to speak had the light been clearer--“indeed, aunt, you are
quite mistaken about him, and I don't understand why you should speak of
Mr. Gold and his uncle as you do.”

She cared less what Rachel thought or said of Reuben's uncle, though she
had always had a friendly and admiring friendship for the old solitary,
than she cared what was thought and said of Reuben. But it was easier to
champion the two together than to defend her lover alone.

“You are a child,” said Aunt Rachel, composedly. “What do you know

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