← catalogue

We Three

by Gouverneur Morris · English · Gutenberg #21883 · 356,022 chars · public domain (US)

The Project Gutenberg eBook of We Three
    
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: We Three

Author: Gouverneur Morris

Illustrator: Henry Hutt


        
Release date: June 21, 2007 [eBook #21883]

Language: English

Other information and formats: www.gutenberg.org/ebooks/21883

Credits: Produced by Al Haines


*** START OF THE PROJECT GUTENBERG EBOOK WE THREE ***




Produced by Al Haines










[Frontispiece: "Dark against the light illumination of the hall stood
Lucy Fulton."]






WE THREE


BY

GOUVERNEUR MORRIS



AUTHOR OF THE SEVEN DARLINGS, ETC



ILLUSTRATED BY

HENRY HUTT



GROSSET & DUNLAP

PUBLISHERS

NEW YORK




COPYRIGHT, 1916, BY

D. APPLETON AND COMPANY


COPYRIGHT, 1913, 1916, BY THE INTERNATIONAL MAGAZINE COMPANY




LIST OF ILLUSTRATIONS


"Dark against the light illumination of the hall
  stood Lucy Fulton" . . . . . . _Frontispiece_

"They met with an honest kiss, like lovers long parted"

"It's what you and I stood up and promised before
  a lot of people"

"'You are all that counts . . . you know that'"




WE THREE


I

When I know that Lucy is going to Palm Beach for the winter I shall go
to Aiken.  When I know that she is going to Aiken, I shall go to Palm
Beach.  And I shall play the same game with Bar Harbor, Newport,
Europe, and other summer resorts.  So we shall only meet by accident,
and hardly ever.  We've been asked not to.

But I ought to begin further back.  It would do no harm to begin at the
beginning.  There is even a king's advice to that effect.  Said the
king in "Alice," "Begin at the Beginning, go on to the End, and then
stop."

In the beginning, then: When I was a little boy, old enough to be
warned against playing with matches, I began of course to think them
desirable playthings, and whenever I got a chance played with them.
And I never:

(1) Set myself on fire,

(2) Nor anybody else,

(3) Nor the house in which my parents lived with me.

And yet I had been told that I should do all of these things; not often
perhaps, but certainly every once in a while.

Of course it is possible to do all sorts of things with a match.  You
may light it and blow it out, for instance.  Lighted, you may put it in
your mouth without burning yourself.  And if you do this in the dark,
the light will shine through your cheek, and if you are a fat child you
will give the impression of a Hallowe'en lantern carved from a pumpkin.
Or you may light the butt of your father's cigar and learn to smoke.
It is one of the cheapest ways.  Or you may set fire to the lower edge
of the newspaper which your grandfather is reading in the big armchair
by the window, and I guarantee that you will surprise him.  Here is an
interesting play: Light a match, blow it out, and, while the end is
still red hot, touch the cook firmly on the back of the neck.  If she
has been reading Swinburne she will imagine that she has been kissed by
a policeman.  When she finds out that she hasn't she will be
disappointed, and perhaps you will be disappointed, too.  Oh, a match
is a wonderful thing, even the wooden ones that are made on earth!  You
may burn a whole city to the ground.  And once, I am told, there was a
man who lighted a match and fired a cannon that was heard around the
world.

To play with matches is one thing: to play with the fire that you have
lighted, or helped light, is another.  And it was not until I played
with fire that I did any real harm in this world (that I know about).
Playing with fire I singed a moth; I singed a butterfly, and I burnt a
man.

If this was just the story of my own life I wouldn't be so impertinent
as to hope that it would be interesting to anybody.  It isn't my story,
and no matter how much I may seem to figure in it, I am neither its
hero, nor, I think, the god who started the machinery.

Thirty-five years ago I took to live with me a middle-aged couple, who
had begun to fear that they were going to die without issue.  Though I
say it that shouldn't, I was very good to them.  I let them kiss me and
maul me from morning till night.  Later, when I knew that it was the
very worst thing in the world for me, I let them spoil me as much as
they wanted to.  They even gave me the man's name, without my consent,
and I didn't make a row.  But I _did_ lift my head with sufficient
suddenness and violence to cause the Bishop of New York to bite his
tongue, and to utter a word that is not to be found in the prayer book.
I was christened Archibald Mannering Damn.

But I have never used the surname with which the good Bishop so
suddenly and without due authorization provided me.  Certain old
friends, acquainted with the story, do not always, however, show my
exquisite taste and reticence in this matter.  Only the other day in
the Knickerbocker Club I overheard some men talking.  And one of them,
in a voice which I did not care for, said "Archibald Mannering--damn!"
And conveyed without other word or qualification than the tone of his
voice, that he had very little use for me.  Well, I can thank God for
putting into the world some other people who have not that man's
clearsightedness and excellent powers for passing judgment upon his
fellow men.

So the man gave me his name and took other liberties with me, and the
woman gave me her watch to break (I broke it) and took other liberties,
and a second woman who called herself Nana took still other liberties
with me--liberties which made me furiously angry at the time, and which
even now would make me blush.

Sometimes I was sorry that I had taken the man and the woman to live
with me.  At times they bored me.  They seemed to me intelligent, and I
had to choose my words carefully, and talk down to them as to a pair of
children.  But I got used to them gradually.  And I got to like them,
especially the woman.  I even formed the habit of forgiving her things
offhand without being asked to--Oh, my dear parents, I am only trying
to poke a little fun at you!  And you weren't middle-aged when you came
to live with me.  I only imagine that you must have seemed so to a baby
whose eyes had only just come undone.  Thirty-five years have rolled
by--bringing, taking, and, alas! leaving behind them cares and
vicissitudes, and still you seem no more than middle-aged to me.  You,
father, with your fine, frank weather-beaten face of a county squire
with the merry smile and the wit which makes you so welcome wherever
you go, even those ghosts of sorrow deep in your eyes don't make you
look more than middle-aged.  And yet I think no hour of your life
passes in which you don't recall, with a strangling at your throat, how
my little sister, Pitapat, came in from the garden drooping, to you,
almost always to you, when she was in trouble, and climbed and was
lifted into your lap, and cuddled against you--Oh, I can't write the
rest.  But I tell you that I, too, sir, have recalled little Pitapat,
and how she died, all on a summer's day, in her "Dada's" arms, and that
the thought of what she was to you, and what such another child might
be to such another man, has twisted even my tough entrails, and caused
me for once, at least, to draw back from a piece of easy and enticing
mischief, and play the man.

And you, mother, with your face of a saint, haven't I always poked fun
at you?  You don't look more than middle-aged either.  You look less.
And yet you too have your sorrow that never dies.  For you were fitted
to be a mother of men, and you have brought into the world only a
lovely flower that soon withered away, and a Butterfly.

I don't call myself a Butterfly from choice.  I only do it because I'm
trying to be honest, and I think that it's just about what I am.  But
do we really know what a butterfly is?  Have we given that ornamental
(though I say it--that shouldn't) and light-minded (though I say it
with shame) and light-hearted (though the very lightest of hearts must
weigh _something_, you know) insect a square deal?  I confess that only
a light-hearted insect would perpetrate such a sentence as the
foregoing; but wouldn't it be fun if, when the whole truth comes to be
known about butterflies, we found them more or less self-respecting,
more or less monogamous, occasionally ratiocinative, carelessly kind,
rather than light-hearted creatures, and not insects, in the accepted
sense, at all?  It would surprise me no more to learn that an insect
was really a man, than that a man, even so great and thinking a man as
Mr. Bryan for example, was an insect.

If the butterfly at lunch flits from flower to flower; and the
butterfly at play flits from butterfly to butterfly; so then may the
butterfly (at what he is pleased to call his work) flit from theme to
theme, from subject to subject, from character to character, from plot
to counterplot, and crosswise and back again.  If more autobiographists
realized how many difficulties may be avoided in this way, far fewer
autobiographists would be heroes and many, many more would be
butterflies.




II

Even before I was born the richer people of New York did not inhabit
that city the year round, but their holiday excursions were far shorter
than now, both in distance and duration.  To escape the intenser heats
of summer the moneyed citizen of those days sent his family to the
seaside for six weeks or to the mountains.  Later his family began to
insist that it must also be spared the seasons of intense cold.  And
nowadays there are families (and the number of these increases by leaps
and bounds) who if they are not allowed to escape from everything which
seems to them disagreeable or difficult, get very down in the mouth
about it.  Even the laboring classes are affected.  The rich man wishes
to live without any discomfort whatever, and the poor man wishes to
live without doing any work whatever.  That, I think, is at the root of
their most bloody differences of opinion, for the poor man thinks that
the rich man ought to be uncomfortable, and the rich man thinks that
the poor man ought to work.  And they will never be in agreement.

Given enough money it becomes easier and easier to run from one
difficulty or discomfort into another.  And even the laborer finds it
continually easier to make a living without earning it.

When I was a little boy, Newport and Bar Harbor were a long way from
New York.  To Europe was a real voyage; while such places as Palm Beach
and Aiken were never mentioned in polite society, for the simple reason
that polite society had never heard of them.  But nowadays it is not
uncommon for a man to have visited all these places (and some of them
more than once) in the course of a year.  Europe which was once a
foreign country is now but as a suburb of New York.  And I myself, I am
happy to say, have been far oftener in Paris than in Brooklyn.

The modern butterfly thinks little of flying out to Pittsburg or
Cleveland or St. Louis for a dance or a mere wedding.  He attends
athletic events thousands of miles apart, and knows his way from the
front door to the bar and card room of every important club between the
Jockey Club in Paris and the Pacific Union in San Francisco, excepting,
of course, those clubs in his own city to which he does not happen to
belong.

My father, because of my little sister's fragility, was one of the
first men I know to make a practice of going South for the winter, and
to Long Island for the spring and autumn.  In summer we went to Europe
or Bar Harbor, for with justice he preferred the climate of the latter
to that of Newport or Southampton.  We were less and less in our town
house, and indeed so jumped about from place to place, that although my
mother succeeded in making her other houses easy and indeed charming to
live in, I have never known what it was to have a home.  And indeed I
cannot at this moment call to mind a single New York family of the
upper class that lives in a home.

My mother is old-fashioned.  She would have preferred to live in one
place the year around, to beautify and to ennoble that place; to be
buried from it as she had been married into it, and to leave upon it
the stamp of her character, incessant industry and good taste; to fill
it gradually with the things she loved best or admired most, and to be
always there, ready for the children or the grandchildren to come home.

But she gave up this ambition at a hint of delicacy in a child's face,
and a note of anxiety in a husband's voice, and took to packing trunks
to go somewhere, and unpacking them when they arrived.  Of course she
couldn't do this to all of them, for we moved with very many, but there
were certain ones to which she would let nobody put hand but
herself--my father's, my sister's, mine, and her own.  And you always
knew that if you had accidentally left letters and notes in your
pockets that you didn't want seen, they wouldn't be.

My father would almost abuse her for doing so much work with her own
hands, and for always being up so early, but in secret he was very
proud of her; and to see her dressed for the dance or the opera, eager
and gay as a girl, slender and beautiful, her head very high and
fearless, you would have thought that she had never done anything in
all her life, but be pampered and groomed and sheltered.

Upon one good old-fashioned custom they were in firm agreement.  They
always slept in the same bed; they do still.  And they will lie in the
same grave.

Whichever home it was that we happened to be inhabiting, unless out of
season because of my sister, it was always pretty well filled with
people.  My father loved people, and my mother got to love them for his
sake.  For my part, until very recently, I have always hated to be
alone.  Flint is a gloomy solitary, but when he meets with Steel there
are sparks.

I suppose there are brooding lovers of knowledge in this world who are
fonder of their own than of any other company.  But most people can
only think half thoughts and need other people to complete them.  It is
amusing enough to knock a ball against a wall, and a wonderful help in
the perfection of strokes, but it is far more amusing to face somebody
across a net and play lawn tennis.

My father and mother always hoped that I would be a great man, and even
now they hope that I may one day turn over a new leaf.  Unfortunately
there was no greatness in me, and as for those leaves of my life which
I have not yet read, they are uncut, and I am always mislaying the
paper knife.  And whether the matter on the next leaf or the one after
will be new or not, is for the future to know.  You cannot, I think,
teach a child to grow great.

But you can teach a child to dance and swim and shoot and sail, and to
ride and to be polite, and to keep clean, and by example rather than
precept, to be natural and unaffected!  It was hoped then that I would
be a great man; in the event, however, of my turning out to be nothing
but a butterfly, I was brought up to be as ornamental a butterfly as
possible.  I cannot remember when I wasn't being prepared and groomed
to take, without awkwardness, a place in society.

Well-bred grown-ups talk to children, without affectation or
condescension, as if they too were grown-ups.  My parents were always
entertaining people, and it was assumed without comment that I too was
host no less than they.  Twice a day I had to be in evidence: at tea
time, face and hands shining clean, hair carefully brushed, my small
body covered with crisp white duck, black silk stockings, on my legs,
and patent leather pumps on my feet.  No conversation was required of
me, but if I had forgotten a name and the face that went with it, I was
allowed to feel uncomfortable; allowed to feel as a grown man feels
when he has accidentally said something that would better have been
left unsaid.  It was my duty to go accurately from guest to guest, to
shake hands, and to say perfectly naturally not "Hunh!" as so many
modern children do, but "How do you do, Mrs. Lessing," or "How do you
do, Mrs. Green," and not to stare and fidget or be awkward.  Then I had
my tea, discolored hot water with sugar and cream, my buttered toast,
and a bit of cake.  After that my mother would make it exceedingly easy
for me to get away.  My second public appearance was just before
dinner.  Then, dressed once more in white and patent leather, I came to
the drawing-room to wish and be wished good night.

To obey my mother, when there was no real temptation to disobey her,
was very easy, and nobody ever saw me look sulky or balky when I was
told to do this or that.  It was easy to obey her, because from the
first, she took it absolutely for granted that she was going to be
obeyed.  Of course it was different with general orders designed to
cover long periods of time, for here the tempter had his chance at me,
and I was forever falling.  "Stop kicking the table leg, Archie," is an
order easily and instantly obeyed.  For "Never kick a table," I cannot
say the same.  I used to divide her orders into two classes: The now
nows and the never nevers.  The latter were mostly beyond me.  Though
you may halt one sinner in the act of throwing a stone at another,
there is little reason to believe that he will not soon be trying his
aim again.

I like children when they are polite and a little reticent, when they
are not too much in evidence, and when the whole household is not made
to revolve about them.

Fulton once said to me, in that shy yet eager way of his: "If only I
could arrest my babies' development; keep them exactly as they are; on
tap when I wanted them, and hibernated like a couple of little bears
when I was busy and mustn't be disturbed!  They should never change,
while I lived, if I had my way.  And I'd promise not to abuse my
privileges.  I'd only take 'em out of the ice box when I absolutely
needed them and couldn't do without them."

It was the first time that I ever was in the Fulton house that he said
that.  The two babies, a boy and a girl, Jock and "Hurry," two
roly-polies, with their mother's eyes and mischievous smile, had been
brought in to the tea table to be polite and share a lump of sugar.
And they had been very polite, and had shown the proper command over
their shyness, and had shaken me decorously by the hand, and made their
funny grave little bows and asked me how I did.  And I had said
something in praise of the little girl to her face, and Fulton had
reproached me a little for doing so.

"In India," he had said, "it is very bad luck to praise a child to its
face, very bad luck indeed."

"I'm so sorry," I said, when the children had gone.  "I ought to have
remembered that even very little babies in the cradle understand
everything that's said to them.  May I praise them now?  Because they
are the two most delicious babies in the world.  I'd like to eat them."

"When I'm tired or worried," said Fulton, his eyes lighting with
tenderness, "Hurry always knows.  And she comes and climbs into my lap
and leans against me without saying a word, and she keeps creepy-mouse
still until she knows that I'm feeling better.  Then she chuckles, and
I hug her.  Sometimes I wish that she was made like a tennis ball; then
I could hug her as hard as I wanted to without hurting her."

While he was speaking, Mrs. Fulton looked all the time at her husband's
face.  I remember thinking, "God!  If ever some woman should look at me
like that!"  Her mouth smiled mischievously, just the way little
Hurry's smiled, and her eyes--I won't try to describe the love and
tenderness that was in them, nor the dog-like faithfulness--were eyes
that prayed.  And they were the deepest, most brilliant blue--like
those Rheims windows that the Beast smashed the other day.  She laughed
and said: "Hurry and her father don't care about each other--not _at_
all."

Fulton lifted his eyes to hers and it was as if "I _love_ you" flashed
from each to the other in that crumb of time.  His face reddened a
little, and hers became more rosy.  They weren't a bit ashamed of being
obviously in love with each other.  I think they rather prided
themselves on it.

"Why _Hurry_?" I asked.  "Is it a real name?  Of course I remember
Hurry Harry in Cooper----"

"Her real name is Lucy," said Fulton, "same as her Mumsey, but they
look so ridiculously alike that I was afraid I'd get 'em mixed up.  And
so we call her Hurry, because she always hurries; she hurries like mad.
Same as her Mumsey."

"Do you," I asked, "hurry like mad?"

She gave a comical hurried nod that made me laugh right out, and Fulton
said:

"She has smashed the more haste the less speed fallacy all to pieces."
You could see that the man was glowing with pride.  And he began to
boast about her, and though she tried to stop him, she couldn't help
looking perfectly delighted with herself, like some radiant child in
the new dress for the party.

When Fulton had finished his eulogy, a long one, filled with humor,
character drawing, and tenderness--something in his voice rather than
his words, perhaps, always gave people the feeling that he had a
wonderfully light touch, and a point of view at once sentimental and
humorous--I reproached him, in turn, for praising a child to her face.

"In India," I said, "it's considered beastly unlucky."

Mrs. Fulton sprang to his defense.  "I'm not a child," she defied me,
"I'm a married woman."

They took me to the front door themselves, and watched me as far as the
gate.  I know this, because although I did not look back, it was when I
reached the gate that I heard the door close, and I thought: "Now if I
looked back, and the door was transparent, I'd see a pretty picture.
It's a thousand to one shot that he's caught her in his arms and is
kissing her and that she's perfectly delighted."




III

It is not easy for me to keep away from Lucy Fulton either on paper or
in real life.  The latter I have to do, for I think that I am able to
keep a promise, and I ought to do the former as much as I can, if I am
to tell her story and her husband's and my own in their true
proportions.  Otherwise we should but appear as one of those "eternal
triangles" to which so much of French dramatic genius has been devoted;
whereas it appears to me, though not, I am afraid, to Fulton, that if
our relations to each other could be symbolized by a figure, that
figure would not be a triangle; but a cross, let us say, between a
triangle and a square.

Fulton and I are the same age.  We were in the same class at Mr.
Cutter's school for a year or two, and were quite friendly at times.
But except that we both collected postage stamps, we had no tastes in
common.  It is almost enough to say that he was full of character and
reserve, and that I was unstable and kept the whole of my goods
displayed in the shop window.  I cannot imagine thirteen-year-old
Fulton in love with fifteen-year-old Nell or Nancy, but I was
frequently in love with both at the same time, or so fancied myself,
and, almost consciously, as it seems, he was conserving his powers of
loving for the one great passion of his life, when he should give all
that a man may have in him of purity and faith and purpose.  But when
my time for a great passion came, though I gave all that I had to give,
it is true, still that _all_ was not the whole that I might have had;
it was only all that was left, all that had not already been given.
But there was enough at that to hurt and do harm.

Fulton was studious and enamored of knowledge for its own sake.  I was
lazy and only interested in such pieces of knowledge as I felt might be
of use to me.  But we both stood well in our classes; he because he had
brains and knew how to use them, and I because the Lord had gifted me
with a capital sight memory.

Perhaps I should do better to state who our intimates were in those
days, and what has become of them.  Fulton's most intimate friend was a
boy named Lansing, who made a practice of cutting open dead things to
see what was inside of them.  Today Lansing (of course that's not his
real name) is so great a surgeon that even the man in the street knows
him by sight.  My most intimate friend was Harry Colemain, and we were
mixed up in all sorts of deviltries together.  To me he has been always
a faithful friend and a charming companion, but of his career, what can
I say that is really pleasant?  Nothing, unless I modify each statement
by pages of explanation and reminiscence.  As he danced the old dances,
so he dances the new, to greater perfection than any man in New York.
He is gorgeously built, and has a carriage of the head, an eye and a
smile, and a way with him that can shake a man from the water wagon or
a woman from her virtue.  He smokes like a factory, and drinks like a
fish, yet at a moment's notice he is ready for some great feat of
endurance--such as playing through the racket championship, or swimming
from Newport to Narragansett Pier.  He might have been--anything you
please.  But what can I say definitely that he _is_?  Well, at this
very moment, he is co-respondent in a divorce suit which is delighting
the newspapers, and it looks as if he'd have to marry her in the end.
And that's a pity because they were tired of each other before they got
found out, and she's not the kind of woman that his friends are going
to like.

Fulton's friend Ludlow has just published the best book on the birds of
New York, past and present, that was ever written.  My friend Pierson
died the other day of pneumonia.  As a boy he had the constitution of
an ox, and ought to have thrown off pneumonia as I would throw off a
cold in the head, but the doctors say that he had simply burned up his
powers of resistance with overdoses of alcohol.  You never saw him
drunk or off his balance or merry in any way; he simply and slowly
soaked himself till his insides were like sponges dipped in the stuff.
And Pierson's not the only man in my circle who has gone out like that;
and as they went so will others go; strong and well Saturday to the
casual eye, and dead Monday.

This is not the time to take up those great issues which have risen
between those who are tempted by drink and fall, and those who are not
tempted and don't.  But I am very sure of this: that a vast majority of
the men who make the world go round drink or have drunk; and that when
at last the world comes to be governed by those who don't and haven't,
it will be even worse governed, more pettily and meddlesomely, than it
is at present.  And that is saying a good deal, even for a butterfly.

You mustn't gather that Fulton and his friends were a goody-goody set
of boys.  They erred and strayed from their ways at times, like the
worst of us.  There was Browning for instance, a born experimenter, who
so experimented with cocktails one fine morning (at the corner of Sixth
Avenue and Forty-third Street) that he marched into Madame Castignet's
French class, drunk as a lord, full of argument, and was presently
expelled from the school.  It was commonly said that the disgrace of it
would hound him through life.  Far from it!  Those who at this day pack
Carnegie Lyceum to hear him play the violin, and who listen, laughing
and crying, and comparing him to the incomparable Kreisler, perceive no
disgrace in that youthful episode, rather they see in it an early
indication of the divine temperament trying to shake off its fetters
and be free.

One boy that I went to school with is on the famous Meadowbrook team;
another has played in Davis Cup matches; another brought home a First
from the Olympic games.  In the pack that I run with there is even one
Roper who achieves a large income by writing fiction for the magazines,
but even he isn't in the least like that brilliant little circle to
which Fulton belonged.  For we feel that we are paying him an immense
compliment when we say, "Would you ever suspect that he was an author?"
Good at games, fond of late hours and laughter, with the easiest and
most affectionate good manners, he is quite convinced, if you can get
him to talk shop, at all, that art for art's sake is bunk, and that
there is more amusement and inspiration to be had on Bailey's Beach and
in the Casino at Newport than in the whole of Italy.

I must set Roper off against Fulton's friend Garrick.  Poor Garrick
slaved and slaved and reached after perfection.  Some say that in the
thin little volume that he succeeded at last in getting published, and
leaving behind for the delight of posterity, he actually touched
perfection.  Perhaps he did.  I don't know.  But I do know this: that
he had enough talent and energy to make a living, and didn't.  That he
loved his art more than his wife and family, and that they all starved
together.  Is it worse to starve your family for love of liquor than
for love of art?  Roper loves his liquor but he fights against it and
makes a handsome income; Garrick gave himself up body and soul to his
love for art, and if it wasn't for his friends Mrs. Garrick would be
working in a sweatshop.

Fulton and I discussed him once (when I was going to the Fulton house a
good deal), but we had to give it up as a topic.  Fulton saw something
fine and generous in the man, and could not speak of him without
emotion, while I found it impossible to speak of him without contempt.

Fulton himself fell away from his friends in later years, not
spiritually but physically.  Lucy Fulton simply had to go on living
among the people with whom she had been brought up, and in the manner
to which she was accustomed; and Fulton seeing her pine and grow
sorrowful in other conditions, and bored and fretful, gradually fell
into her ways and wishes, as a gentleman shouldn't (but does always),
and made his new friends among those who are born to be amused.  Her
love and happiness were far more important to him than changed ways and
the injured feelings of old friends.  Once he talked to me about this
(for we grew quite intimate).  I remember he said:

"Somehow I don't seem to see my old friends any more or keep up with
them.  If anything happened to Lucy, I'd be absolutely alone in the
world, except for the babies.  A man does wrong to drift away from
those who he knows by a thousand proofs care for him, on any pretext or
for any cause."

And yet he had come to wear the hallmarks of the pack, and to talk the
language of the world that only asks to be happy and amused.  He took
to games seriously and played them well, and you couldn't point to him
as one of those cautious persons who never by any chance drank even one
cocktail too many.  Indeed, he often became hilarious and witty, and
added no end to the gayety of occasions, and was afterward privately
reproached by Lucy.  Coming from another, the hilarity and wit would
have rejoiced her, but, coming from her nearest and dearest, her mind
narrowed, and the cold fear that women have of liquor possessed her.

To me it has always been comical, even when I didn't feel well myself,
to see the husbands come into the club after a big night; each wearing
upon his face, as plainly as if they had been physical scratches, the
marks of the wifely tears which he had been forced to witness, and of
the reproaches which he had been forced to hear, and yet each trying to
look as if he was the master of his own house and his own destiny.  No
well-born woman, however cold and calculating, can silently put up with
her husband's drinking, yet how easily she overlooks it in any other
man!  How many excuses she will find for him:

"Why, he's quite wonderful!  Of course I knew at once that he was
tipsy, but he was perfectly sensible--perfectly."

If men didn't drink, women wouldn't have so many parties to go to or so
much money to spend.  How many teetotalers let their wives spend them
into ruin and disgrace?  It is the drinking American who indulges his
wife and lets her make a fool of herself and him.  It's his
unconfessed, and perhaps unadmitted, remorse seeking a short cut to
forgiveness.

It seems that I played too much pool and billiards for a small boy; and
got into too much city mischief, for I learned at the end of a
delightful Newport summer that I was to finish my schooling, not at Mr.
Cutter's, but at Groton.




IV

In those Groton days I let matches strictly alone; I neither played
with them, nor used them to light cigarettes with.  I was vaguely
ambitious to be great and splendid, and I was down on purposeless boys
who didn't behave themselves.

Lucy's brother was in my form.  She used to come to visit him, with her
parents, in their car.  Even for Groton parents the Ludlows were
enormously rich, or if they weren't enormously rich, they were enormous
spenders.

Lucy was seven years our junior, but even in those baby days she had
the laughing mouth and the praying eyes that were to play such havoc
later on.  She was a child of the world; natural, straightforward, and
easy-going.

Lucy at nine was so pretty, so engaging, and had so much charm and
magnetism that I remember having regretted, very solemnly, and with
youthful finality, that we did not belong to the same generation.  I
was sorry that she was not fifteen or sixteen like myself; so that I
could be in love with her and she with me!

Once Lucy was so sick that they thought she was going to die, and
Schuyler was called home from school.  The whole school was affected,
so strong and vivid was its memory of an engaging and fearless child.
I remember being sorrier than ever that I had been confirmed into a
system which makes disease contagious instead of health, and asking one
of the masters how he reconciled the death of a kid like that, whom
everybody loved, with his conception of an all-wise and all-merciful
God.  He answered, it has always seemed to me very lamely, that if we
didn't believe that all was for the best, in this best of all worlds,
we should never get anywhere.

All for the best!  If we are to forgive the Power that sets him on, why
not the murderer himself who does the real dirty work?  If _all_ is for
the best, so then must the component parts of all (each and every) be
for the best.  In short we can do no wrong in this best of worlds.  Oh,
what grim, weak-minded nonsense they prate and preach!

There was hand-clapping when the Rector told us that Schuyler Ludlow's
little sister was going to get well, and presently Schuyler returned to
school somewhat self-important, as becomes one who has sat at meat with
famous doctors, and talked of them _in extremis_.

The first rime I rode with Lucy through the Aiken woods, I recalled
this famous illness of hers, and I think it had something to do with
all that happened afterward.

We had lost ourselves, a little, as you do at Aiken, among the infinity
of sand trails beyond the Whitney drive.  We knew where we were, of
course, and we knew where Aiken was, but every trail that started
toward it fetched up short with a wrong turning.  It was one of those
bright hot days in late February, when a few jasmine flowers have
opened, and you are pretty sure that there won't be any more long
spells of rain or freezing cold.  Even Lucy, who loved riding, was
content to sit a walking horse, and bask in the sunshine.

I mentioned her famous illness, and she remembered nothing about It.
"I'm always too busy," she said, "with what's going on right now to
remember things."

"Why," I said, "Schuyler was sent for, and you were given up half a
dozen times.  Don't you really remember at all?"

"They wouldn't have told me I was being given up right and left, would
they?  Probably it didn't hurt much, and I was given a great many
presents.  It seems to me I do remember one particularly great time of
presents, when lots of old gentlemen came to see me."

"I hoped you'd remember better," I said; "because at the time it seemed
to me one of the most important things that had ever happened in the
world."

Lucy listened eagerly.  She didn't in the least mind a conversation
that was all about herself.

"The whole school," I said, "was touched with solemnity.  Now you
wouldn't take me for a praying man, would you?"

"I don't know.  Wouldn't I?"

"Whether I am or not," I said, "doesn't matter now, because I have so
little to pray for.  But at that time I went down on my knees and
prayed that you'd get well."

"You were very fond of Schuyler, weren't you?"

"And am.  But that wasn't the reason.  I don't know just what the
reason was.  Maybe I was looking forward to this ride, and didn't want
to miss it!  I was ashamed to be seen praying, so I prayed in bed.  But
I was afraid that wouldn't do any good, so when my roommate had gone to
sleep I got up in the dark and went down on my marrowbones on the bare
icy floor, and I prayed like a good 'un."

Lucy's mouth laughed, but her eyes prayed.

"Then, maybe," she said, "if it hadn't been for you, I wouldn't be here
now."

"I'd like to think that," I said; "but there must have been lots of
others who prayed.  I should like nothing better than a Carnegie hero
medal, with the attached pension, but the jury require proofs."

"It's funny," she said, "to think of you kneeling on the icy floor and
praying for me."

"For your _recovery_!" I corrected her.

"I think it would have been nicer if you had prayed for me.  Didn't
you--even a little?"

"If I had realized that I could be seven years older than you and still
belong to the same generation, my prayers would have been altogether
different, and there would have been more of them."

"Where do you think _this_ road goes?"

She turned into it without waiting for an answer, and urged her pony
into a gentle amble.

I caught up with her and said: "I know this trail.  It will take us
straight to the Whitney drive.  Then we can go right up over the hill
and come out by Sand River."

"It's fun," she said, "to find somebody that likes riding.  Everybody's
mad about golf.  John rides whenever I ask him, but it's cruel to
separate him from the new mid-iron that Jimmie made for him.  And he
won't let me ride alone."

Poor John Fulton showed little worldly wisdom in making that
prohibition.

"I'd rather ride than eat," I said.  "Will you ride again tomorrow?"

She quoted the Aiken story of the lonely bachelor in the
boarding-house.  He is called to the telephone, hears a hospitable
voice that says, "Will you come to lunch tomorrow at one-thirty?" and
answers promptly, "You _bet_ I will! . . .  Who is it?"

Just before you reach the Whitney drive there is a right angle turn
from the trail which we were following; it back-tracks a little, errs
and strays through some fine jasmine "bowers," and comes out at the old
race track.

"It's early," I said; "let's go this way."

She wheeled her pony instantly.

"Do you always do what you're told?"

She bowed her head very humbly, and meekly, through a mischievous
mouth, said: "Yes, sir!"  And added: "Except when awfully long."

"What do you mean by that?"

"That the most fun is beginning something, and then beginning something
else before you get all tired out and tangled up.  Never say no until
you are sure that what's been proposed isn't any good.  _Then_ back
out!"

"Don't you ever say no?"

"I 'spect I was very badly brought up.  Nobody ever said no to me."

We wound up a hot hillside among tangled masses of jasmine, in which
here and there were set star-like golden flowers, whose gardenia-like
perfume mixed with the resinous aromatic smell of the long-needle
pines.  I rode a little behind, on purpose, for I love to see a pretty
woman turn her head and look backward across her shoulder.  She has no
pose more charming, unless it be when she stands before the "laughing
mirror" and lifts her hands to her hair.

"I have often wondered," I said, "how you happened to marry Fulton.
But now I understand.  It was because you couldn't say no to anybody,
and yet he couldn't by any possible chance have been the first to ask.
What has become of the first poor fellow to whom you were unable to say
no? . . .  And all the others?"

She looked back at me over her shoulder, her eyebrows lifted in an
effort of memory, which, with a mischievous laugh, she presently
abandoned.

"Why," she said, "as far as I know: 'One flew east and one flew west
and one flew over the cuckoo's nest.'"  I wish I could convey by words
the lilt of her clear, fearless, boyish voice, the sparkle of mischief
and daring in her eyes, and deep beneath, like treasures in the sea,
that look of steadfastness, of praying, that made you wonder if she was
really as happy and as carefree as she seemed to be, and not some loyal
martyr upon the altar of matrimony.

To look at, she was but a child in her teens, slender and virginal, and
yet I had it from Fulton himself that her babies had weighed nine
pounds apiece and that she had nursed them both.  "She looks down," he
said, "with contempt, on bottle babies."

He was just coming in from golf, with the smug smile of one who has
played a good round, on his face.  His buggy boy, Cornelius Twombly, a
black imp of twelve, who carried a razor in his hip pocket, wore also
the smug look of one who has caddied to victory, and won certain
nickels and dimes from another caddie upon the main and minor issues of
the match.

As Fulton climbed out of his rickety, clattering runabout, Mrs. Fulton
slipped from her smart pony, and they met with an honest kiss, like
lovers long parted, and at once each began to tell the other all about
everything.

[Illustration: "They met with an honest kiss, like lovers long parted."]

"If they love each other like that," I thought, "why doesn't he always
ride with her, or why doesn't she always play golf with him?"

I heard such expressions as "And the new mid-iron" . . .  "The jasmine
will be in full bloom in a week." "As we were going to Black Jack"
(this is the eighth hole at Aiken, where the holes are all so good that
they are spoken of by name instead of by number).  "Mr. Mannering is
the _nicest_ person to ride with," etc., etc.

Then Fulton remembered my existence.  "You'll not go without a drink!"
he said.

Mrs. Fulton's eyes confirmed the invitation, so I chucked the reins
over my pony's head to make him think that he was tied to a
hitching-post, and went into the house with them.  But I did not stay
long.  Fulton wanted to talk golf; Mrs. Fulton wanted to bathe and
change into skirts, and I wanted to go away by myself and think.  I
wanted to study out why it was that toward the end of our ride
together, whenever Mrs. Fulton spoke to me or looked back at me over
her shoulder, my pulses seemed to quicken--and my breathing.




V

We were at the beginning of those parlous times when the Democrats,
having come into power upon a wave of impassioned idiocy and jealousy,
were beginning to make us poor at home and despised abroad.  A
schoolmaster president, with three cabinet officers plucked by the hair
from a Gilbert and Sullivan opera, had put a temporary end to all our
best qualities as a nation, with the possible exception of the power to
laugh at jokes.

It was a hectic winter in Aiken.  Some of the richest members of the
Aiken Club were in trouble.  There was some talk of making two and a
half cents a point bridge standard instead of five.  Even my own father
asked me to go a little light, if I could, and not be led into any
foolishness.  "I've not been hit yet," he said, "but you can't tell
what the fools will do next."  You heard very few bets made.  There was
less drinking.  It was as if certain men were going into training in
order to be at their very best when the worst times should come.

Fulton's Cartridge Company, with its headquarters in New York and its
mills in Bridgeport, Connecticut, had not paid a dividend in some time.
He had only his salary as president (twenty or twenty-five thousand a
year, I believe), and it was with the drastic intention of cutting that
salary in two, and otherwise paring the company's expenses to the
quick, that he went north the first week in March.

I dined with them the night before he left.  There were only four of
us: the Fultons, myself, and one of those charming Southampton girls,
with sea-blue eyes, and sunburned hair, who swim like seals, play
tennis like men, and fear nothing.  Evelyn Gray was the name of this
particular one.  I liked her immensely, and was not altogether sorry to
learn that she was to keep Lucy Fulton company until Fulton returned.

But it was a somewhat depressing dinner.  There was an atmosphere in
the cheerful blue and white dining-room, the white panels of the doors
and wainscoting had a narrow border of blue, like impending fate.
Fulton, it seemed, had never yet been away from home over night.  And
this was a record of devotion which he was very loath to break.  Even
more loath to see it broken was Lucy Fulton.

"I tell him," she said, "that if he goes it will be the beginning of
the end."  She spoke in jest, and although Fulton laughed back at her
you could see that what she had said troubled him and hurt him.  "As a
matter of fact," she went on, "he's been looking for an excuse for some
time.  And now he thinks he's found one, but it wouldn't pass in a
court of chivalry.  He could _write_ to his old directors just as well
as not.  Oh, you needn't think you're the only one who's going to have
a gay time.  You needn't be surprised to hear that I, too, have left
home in the company of a dark and fascinating foreigner.  And anyway I
shall give a dance and open all the champagne in the cellar."

"There are only two quarts and a pint," said Fulton, and he turned to
me.  "_You've_ never been married, have you?  So you don't know what
the modern woman can spend when she gets going, do you?"

I had a pretty good idea, but did not make the admission and continued
to look interrogative.

"Well," he said, smiling, "she just has to spend so much, she says so
herself.  Then her poor husband's dividends are passed, and still she
has to spend so much; she just has to, she says so herself.  Then her
poor husband's poor salary has to be cut in half, and she speaks calmly
of giving dances and opening wine.  Evelyn, I count on you as an old
and tried friend.  If necessary you will interpose your dead body
between Lucy and this dance of hers."

Superficially he was very tolerant and good-natured, but you could see
that beneath the surface, nerves were jumping, and that he was in that
condition of financial and perhaps mental embarrassment which causes
molehills to look like mountains.  And it was here, and now, that I
learned something new about Lucy; that even in jest she did not enjoy
having economy preached to her.  She looked a little sullen for a
moment and bored.

"What's the matter with my giving a dance?" I asked.

"Oh, will you?" cried Lucy, the sullen look vanishing beneath a radiant
flash of child-like joy and enthusiasm.  "Where will you give it?  At
Wilcox's?"

"Anywhere you say."

Fulton tossed his hands in a merry gesture of despair.

"Now _you're_ stung!" he said, and then to Lucy, with a swift change of
voice and manner: "I was only joking, you know that.  If you want to
give a dance, give it."

It was as if a child had cried to be taken up, and in the face of all
the tenets of modern training, had been taken up.  And you knew that
with the lightest heart in the world Mrs. Fulton was going to spend
money, which her husband could ill afford.

Shortly after dinner a loud yelling arose in the nursery, and the
Fultons hurried off to investigate and give comfort, leaving the
manipulation of a fearful and wonderful glass coffee machine to Evelyn
Gray and me.

"Lucy," said Evelyn, "has as much idea of money as an alcohol lamp has.
She ought to be well shaken.  I don't believe John has been able to lay
by a cent for a rainy day."

"But think what a run she gives him for his money.  He's the original
happy married man.  Think how she works to make him comfortable, and
how she mothers the babies, and how she hangs on his words, as if
nobody else was present.  Just now, most people would have sent a
servant to find out which baby was making a disturbance, and why--but
those two simply bolted for the nursery as if controlled by one brain
and one set of muscles."

"Almost makes a bachelor wish he wasn't a bachelor!"

"Just the same I think they are a model of what married people ought to
be.  Since I got to know them pretty well, I've entirely changed my
notions of the institution."

"I always thought it was a bully good institution,"' said Evelyn.
Through two glass tubes water, raised almost to the boiling point by an
alcohol flame, began to mount from one retort into another containing
pulverized coffee.

"But," she went on with an affectation of melancholy, "I've never found
the right man, or he's never found me."

"Have you looked," I asked, "diligently and with patience?"

She lifted her fine sea-blue eyes to mine.  "Not so diligently, I hope,
as to be conspicuous," she said.  "But no girl fails to examine the
possibility of every man she meets--married or single--and the girl you
think the most matter-of-fact is the one who most often slips out of
bed, sits by her window, and looks at the moon."

"Do _you_ want to get married?"

"There, you're not merely surprised, you're shocked at the idea.  Of
_course_ I do.  Look now the coffee's running down into the bottom
thing.  What do we do next?"

"It's too pale," I said.  "Put the lamp back and send it through again.
And pray that it don't explode.  But listen--for the sake of
argument--I want to get married, too."

"_You_!  A nice husband _you'd_ make!"

"That's what I wanted to know.  So even I have had my matrimonial
possibilities examined into by matter-of-fact ladies, who sit at
windows in their nightgowns, and look at the moon!  I didn't like to
ask more directly.  Now tell me what's wrong with me?"

Her eyebrows rose mirthfully.  "Are we playing truths, or shall I let
you down easily?"

"I want the truth."

"Well, if your father lost his money, or disinherited you, you couldn't
support a wife."

"Decision deferred," I said.

"You would begin married life with the highest and most generous
resolutions; your subsequent fall would be all the harder for your wife
to bear.  You have a certain something about you that few really good
men have, that attracts women.  How long could you let that power rest
without experimenting to see if you still had it?  Not very long.  You
are the kind of man whose wife doesn't dare to have a good-looking
maid."

"There," I said somewhat nettled, "you do me an injustice."

"You are a faithful friend," she said, "but you wouldn't be a faithful
lover.  Change and excitement and risk are bread and meat to you."

"Look here," I said, laughing, "you've not only considered me, you've
considered me more than once, and seriously!"

"You have always," she said, "charmed me far more than was good for me."

I answered her mocking look with one as mocking.

"I should like," I said, "nothing better than to disprove all the
things you think about me."

"You never will."

"Do you know what I think about myself?  I think that I shall astonish
the world with one of those grand passions which make history worth
reading.  The girl who gets me will be very lucky!"

"If you ever do have a grand passion," said Evelyn thoughtfully, "and
it's just barely possible, it won't be for a girl.  It won't be the
kind that brings any good to anybody."

As they appeared in the door of the living-room, Fulton's hand dropped
from his wife's waist.  She was very rosy and lovely.  They looked as
if they had loitered on their way back from the nursery.

"Mrs. Fulton," I said, "I don't like your coffee-machine because I
think it's going to explode, and we don't know how to get the coffee
out.  And I don't like your friend.  She _has_ exploded and scalded me
cruelly."

"Oh," said Lucy, with the look of a knowing child, "I know, you've been
playing truths, and Evelyn's got a New England conscience."

"If she wasn't so good-looking," I said, "I don't believe people would
have her around, after a few experiences."

"You must try not to let her get on your nerves," said Fulton, "for I'm
counting on you to keep an eye on this household while I'm away, and to
see that those who inhabit it behave themselves."

"I don't want any more talk about going away," said Mrs. Fulton; "the
fact is bad enough.  I'm not a bit ashamed to have people know that
I'll be miserable and cross all the time you are gone."

But she wasn't.

I saw her the next day just after his train had pulled out.  She had
taken Jock and Hurry to see him off.  And all three, I was told by an
eye-witness, had wept openly and without shame.  My informant, Mrs.
Deering, said that she had been reminded of Louis XVI leaving his
family for the scaffold.  But when I saw them five minutes later (you
could still hear the far-off coughing of the northbound train) only
Hurry looked grave, while Jock and his mother were illustrating to
perfection the old adage, "Out of sight out of mind."

They did not look like a mother and her children, but like a big sister
with her very littlest brother and sister.  Hurry, sitting in the
middle, was being allowed to hold the reins and the whip.  She was in
her usual hurry, and you could see at a glance that over any actual use
of the whip friction was constantly arising.  Under the runabout could
be seen the thin dangling legs of Cornelius Twombly.  I waved and
shouted.  Mrs. Fulton and Jock waved and shouted back, and Hurry seized
the opportunity to strike cunningly with the whip.  The horse lurched
sharply forward, the three handsome bare heads jerked sharply back, and
upon two wheels, in dust and laughter, they rounded the nearest corner
and vanished.

I was going nowhere in particular, and so I turned my pony and trotted
after them.  If they came to grief, I thought, I owed it to Fulton to
be on hand to pick up the pieces.  But I didn't really expect to be
useful.  I caught them just as they pulled up in front of their house,
and within a minute Hurry had commandeered me to ride her round the
block, so I took her up in front, and we had a fine ride; then Jock,
looking wistful, had to have his turn, and after that I was ordered to
leave my pony and come see the new sand pile and the new puppy.  Mrs.
Fulton had gone into the house and left me to my fate, so I gave a hand
to Jock and a hand to Hurry, and they dragged me to their own
particular playground, and made me build King Solomon's palace in the
"Butterfly that Stamped," and plant a whole palace garden with sprigs
of box and Carolina cherry.  And I built and planted with all my might,
and it was a lot of fun, until suddenly Hurry crawled into my lap, and
laid her head against me and went to sleep.

"You mustn't mind her," said Jock, "she's only a little baby."

I didn't mind her a bit; but somehow she had taken all the fun out of
me, and made me feel more serious and tender than I liked.  I made her
as comfortable as I could, and presently my own crossed legs began to
go to sleep; the new puppy made a hunter-like dash into the nearest
shrubbery, Jock caught up his bow and arrow and followed, the
children's nurse scuttled off toward the kitchen wing for a cup of tea,
and I was generally abandoned to my fate.

Once or twice Hurry twitched sharply as all young animals do in sleep;
and once she shook her head quite sharply as if a dream had required
something of her and been denied.  Then she turned her face upward so
that it was in the full glare of the sun and because I had no hat I
shielded it with my hand.

Then very quietly came Lucy Fulton and stood looking down at us, and I
looked up at her, and in that exchange of glances was promoted from an
acquaintance to an old and intimate friend of the family.  Thereafter
we did not have to make new beginnings of conversations, but could if
we chose resume where we had left off.

Hurry waked as suddenly as she had gone to sleep, and Lucy made her
thank me for taking such good care of her.  But when it was time for me
to get up out of the hot sand, I couldn't at first because of the
soundly sleeping legs, and when I managed it, it was for Hurry's
benefit, with a great, and I hope, humorous exaggeration of the pains
and difficulties.

I don't know why I drank so many cocktails that night before dinner,
nor so much champagne at dinner, nor so many whiskies afterward.  I had
neither made a heavy killing at the races, nor met with disaster.  If
the day differed from other days it was only in this, that I had
received the confidence of a little child and her mother; that this
confidence had touched my heart very nearly, and given me the wish to
be of use to those two, and if necessary to sacrifice my selfish self
for them.  Feeling then that I was a better man than I had thought
myself, elated with that thought, and almost upon the brink of good
resolutions, I cut into a rubber of bridge, and began to drink
cocktails.  Why, I shall never know.  Let those who drink explain and
understand, each to himself, and let those who don't drink despise and
condemn, publicly, as is usual with them.




VI

I was feeling very sentimental by the time I got to bed.  I had had a
long, and I suppose maudlin, talk with Harry Colemain on the beauties
of matrimony.  We had maintained the Fultons against all comers, as our
ideal example of that institution.

"Just think," I said, "this very night is the first one that John has
been away from her since they were married.  That's going some.  That's
some record.  He boarded the train like a man mounting the scaffold to
have his head chopped off."

I almost cried over the touching picture which I felt I had drawn.

"There aren't many couples like them," Harry agreed wistfully.  "But I
bet even you and I had it in us to be decent and faithful if we'd ever
struck the right girl.  Those things are the purest luck, and we've
been unlucky.  But it makes me sick to be as old as we are, and no
nearer _home_ than the day we left college."

"When that baby was asleep in my lap--did I tell you about that?"

"Twice," said Harry mournfully.

I didn't believe him, and related the episode again.  "It was
wonderful," I said; "she was like a little stove with a fire in it.
She made me feel so trusted and tender that I could have put back my
head and bawled like a wolf.  Think of having babies like that for your
very own, and a wife like Lucy Fulton thrown in."

"She could have married most anybody," said Harry, "but she took a poor
man and a rank outsider because she--hic--loved him.  That's the kind
of girl she is!  Why nobody ever thought she'd settle to anybody.  I
bet she broke her word to half a dozen men, before she gave it to
Fulton and kept it."

"I wouldn't call him exactly an outsider," I said; "anyway she's made
an insider of him.  Everybody likes him, and admires him.  I never
thought much of him at school, but I think he's a peach now.  And he
understands everything you say to him."

"He understands a good deal more than we'll ever be able to say to him.
_He's_ got brains.  Evelyn Gray is staying with them."

"I know she is.  I dined there last night.  She's looking very pretty."

"She _is_ pretty," said Harry, "and she's got pretty hands and feet;
most pretty women haven't.  It's usually the woman with a face that
would stop a clock that has pretty feet."

"Like Mrs. Deering," I suggested.

"Exactly," he said.  "But Deering is no fool."

"How do you mean he isn't a fool?"

"Why," said Harry, "he makes her sleep with her feet on the pillow."

This struck me as very funny, and I laughed until I had forgotten what
I was laughing at.  Harry got laughing, too, after a while.  He put his
whole soul in it.  Then we ordered two bottles of ale and had some fat
wood put on the fire, and watched it roar and sputter with flame as
only fat wood can.  After much meditation and a swallow of the
fresh-brought ale, my mind began to harp on Evelyn Gray, and to magnify
her good looks and attractions.  So I said:

"Harry, why don't _you_ marry Evelyn?"

For a moment he scowled at the fire.  Then he spoke in a bitter voice.

"Suppose _I_ wanted to, and _she_ wanted to," he said, "still we
couldn't."

"Why not?" I asked innocently, expecting, I think, that his phrase was
some sort of a conundrum.

"Why, Archie, my boy," he said, and his scowl faded to a look of
weariness and disgust, "it looks as if I might have to marry somebody
else."

"Not----?"

He nodded.  And presently he said, "It will be best for her--of course."

"But I haven't heard even a rumor.  Has he started anything?"

"No.  He's a decentish little chap.  He's trying to make up his mind
whether to divorce her or be divorced himself.  It hinges on the
children.  If he divorces her he'll get them, and if he lets himself be
divorced, she will."

"It's big trouble, Harry!"

"Yes.  For we are sick and tired of each other.  I'd rather like to
blow my head off."

"But if she divorces him, you needn't marry her."

He rose slowly to his full height and held out his hand.  "I'm going to
turn in," he said.  "Good night."

"Good night, Harry.  I'm sorry for you, you know that."

"I only have my deserts," he said.  "Sensible men, like you, steer
clear of family complications."

When he had gone I had another bottle of ale in front of the fire, and
from thinking of Harry, I got to thinking of how well ale seemed to go
on top of whiskey, and to congratulating myself on my strong head and
stomach.  "Nobody," I thought complacently, "would suspect that I had
been drinking."  Then I got to thinking once more about Evelyn Gray.
It was time I settled down, why not with Evelyn--if only to prove to
her that the truths she had told me about myself weren't true?  I began
to fancy that I had in me all the qualities that go to make the ideal
husband, and that in Evelyn were to be found all the qualities which
make the ideal wife.  I could have wept to think what a good sportsman
she was, and how Pilgrim-father honest.

On her writing-desk my mother has three little monkeys carved in ivory.
One has his hands clapped to his ears, one to his eyes, and the other
to his mouth.  Their names are "Hear no Evil," "See no Evil," and
"Speak no Evil."

I have to pass her door to get to my room.  But late at night that door
is never left ajar.  She is not the kind of mother who puts in a sudden
(and wholly accidental!) appearance when her son is coming home a
little the worse for wear.  She has never seen me the worse for wear
(and I'm not very often), and if she has her way (and I have mine) she
never will.

"What in thunderation started _you_ last night?" said my father at
breakfast.

"I'm hanged if I know," I said; "but what makes you think I got
started?"

"I'd just put out the lights in the library when you came in.  You
stopped in front of the hall mirror, and said:

  "Beautiful Evelyn Gray is dead
  Come and sit by her side an hour."


"I _didn't_," I exclaimed indignantly.

My father began to chuckle all over like Santa Claus in the Christmas
poem.

"You mean beautiful Evelyn Hope, don't you?" I asked.

"Gray was the name."

"I'd like to know what _you_ were doing up so late?"

"Oh, we had a big night--three tables of bridge and one of poker.  I
sat up late to count my winnings."

"How much did you drop, as a matter of fact?"

"Only about eighty."

"Any twinges this morning?"

"No, sir.  And a better appetite than you've got."

"I doubt that."

And, indeed, we both ate very hearty breakfasts.




VII

If I thought that Lucy would be melancholy during her husband's absence
I was mistaken.  It was almost as if she had no husband.  She was like
some radiant schoolgirl home for the holidays.  But I am pretty sure
that Fulton missed her during every waking moment.  He wrote to her at
least twice a day and sent her many telegrams.

"He knows what a shocking memory I have," she explained; "and he's
afraid that I'll forget him unless constantly reminded.  Wouldn't it be
funny if people only existed for us when they were actually present?
Some time I think I'm a little like that about people.  Until I really
fell in love, I always loved the boy that was on the spot."

"I've heard that you were an outrageous flirt."

"I didn't know my own mind.  _That_ isn't flirting.  And when a boy
said he liked me, I was so pleased and flattered that I always said I
liked him, too, and the minute he was out of sight, I'd find that I
didn't."

A few days of hot sunshine had worked wonders with the jasmine.  Here
and there the bright golden trumpets were so massed as to give an
effect of bonfires; here and there a vine carried beauty and sweetness
to the top of a tall tree, or festooning among the branches resembled a
string of lights.  The humming of bees was steady and insistent like
the roar of far-off surf.  And so strong was the mounting of the sap
that already the twigs and branches of deciduous trees appeared as
through a mist of green.  The buds on the laurel, swollen and pink,
looked like sugar decorations for wedding cakes.  Flashes of brightest
blue and scarlet told of birds recently arrived from still farther
south.  Lucy Fulton had just received a telegram from her husband,
saying that in New York a blizzard was raging.

She was in one of her talkative moods.  Her voice, clear and boyish and
far-carrying, was so easy and pleasant to listen to that it didn't
matter much what she said.  Should I convey an erroneous impression and
one derogatory to a charming companion if I said that she chattered
along like a magpie?  She talked about servants, and I gathered that
she had never had any trouble with servants.  And I thought, "Why
should you, you who are so friendly, so frank, and so kind?"  She gave
me both sides of the argument about bare legs for children versus
stockinged legs.  She confessed to an immense passion for so lowly a
dish as stewed prunes, she memorialized upon dogs and horses that had
belonged to her.  I learned that her favorite story was the "Brushwood
Boy," that her favorite poem was "The Last Ride Together," and that her
favorite flower was Olea fragrans, the tea-olive (she really said its
Latin name), whose waxy-white blossom is no bigger than the head of a
pin, and whose fragrance is as that of a whole basketful of hot-house
peaches.

Had I really and truly liked the teagown she wore the other night?
Would I cross my heart to that effect?  Well, then, she had made it all
herself in a day.  If the worse came to the worst, if cartridges fell
upon still more evil days, she would turn dressmaker, and become rich
and famous.  Wasn't it a pity that John had to work so hard, and miss
so many lovely days?

"I think he'd be quite rich," she said, "if it wasn't for me.  I was
brought up to spend all the money I wanted to, and I don't seem able to
stop.  I know it isn't fair to John, and John says it isn't fair to the
babies, and I make beautiful resolutions and forget all about them."

"But now that your husband has had to cut his salary in half, you'll
simply have to be good, won't you?"

She admitted that now she would simply have to be good.  And a moment
later she was making plans for the dance that she was going to give at
Wilcox's.

"Why wouldn't it be a fine beginning of economy to cut that dance out?"
I asked.  "Why not let me give it?  I'm quite flush just now.  It
wouldn't hurt me a bit."

"I thrashed it all out with John," she said, "that same night after
you'd gone.  He told me to go ahead, and not disappoint myself.  I
didn't see why you shouldn't give a dance for me if you wanted to, and
I wanted you to.  But John wouldn't listen to that for a minute.  I
must say I couldn't see why, and I don't yet.  It isn't like paying my
dressmaker's bill, or giving me a pearl necklace.  I said that.  And he
said no, it wasn't like that, but that it was a second cousin twice
removed."

"I think he'd be mightily pleased if he came back and found that the
price of this dance was still to his credit in that firm and excellent
institution, the Bank of Western Carolina."

"If we are really hard up," she said, "what does a few hundred dollars
matter one way or the other?"

It seemed to me that I had done all that I could to save Fulton's money
for him.  I had the feeling that if I continued to preach economy I
might get myself disliked, for already Lucy seemed to have lost
something of her light-heartedness and vivacity.

"When do you give it?" I said.  "Please ask me."

"I shall give it day after tomorrow night," she said; "and I shall ask
everybody in Aiken."

I said that she insulted me, and then we laughed like two silly
children, and light-heartedness and vivacity returned to her like two
bright birds to a flowering bush.  We planned the dance in full detail.
There was just time to get a famous quartette down from Washington.
She would have the rooms decorated with wagon-loads of jasmine.  Once I
had seen the expression of Hurry's face upon learning that there was to
be chocolate ice cream for dessert.  In planning her dance Lucy's face
had just the same expression.  When she was excited with happiness it
seemed to me that she had the loveliest face I had ever seen.

We rode until dusk, but I could not accept her invitation for tea or a
drink, because my mother was expecting some people over from Augusta
and I had promised to come home.  The people's motor, however, had
broken down, and I found my mother all alone, presiding at a tea table
that almost groaned with good things to eat.

"What have you been doing?" she asked.

"I've been riding--as you see.  I've been riding with Mrs. Fulton."

"Again?  It seems to me you ride with her every day.  You must find her
fascinating, or you wouldn't do it."

"You read me like a book, mother.  I certainly wouldn't.  But don't you
think fascinating is rather a strong word?  She's the most easy-going
and engaging little person in the world, but fascinating . . .?
Fascination suggests the effect of paint and fixed smiles and lights
and spangles upon old men with bald heads, the effect of the wily
serpent upon the guileless bird."

"Aiken," said my mother, "is such a very small place."

"It isn't like you to beat about the bush.  Why not say frankly that if
I keep on I'll end by making Lucy Fulton conspicuous?"

"Very well," smiled my mother (very gently), "that's just what I do
say."

"Aiken," I said, "can go hang.  If two people like to ride together,
for no worse reason than that they like riding and are good friends,
what earthly business is it of Aiken's?  People make me sick.  That's a
bromide, but it's a good one.  As for Lucy Fulton, I really like her a
lot, and she really amuses me, but if I knew that I was never to see
her again in this world, I'd lose no sleep over it.  Why, they are the
original happy married pair.  Just think he's away from home for the
first time since they were married.  They make love to each other
openly, right under your very nose, so that it's downright
embarrassing.  Latterly I've had a meal ticket at their house, and
seeing them together with their babies, and noting all the peace and
trustfulness and lovingness of it, has opened my eyes (that were so
firmly shut) to the possibilities and beauties of matrimony."

"At any rate," said my mother, "you haven't talked yourself entirely
out."

"Well, you see, I was a listener today.  Part of the time I was
lectured on the empty life I lead, and then I was almost persuaded that
I ought to fall in love with Evelyn Gray, and she with me.  I shouldn't
wonder if Mrs. Fulton bullied us into it before she got through."

"It would be a delightful marriage," said my mother with enthusiasm,
"for everybody."

"With the possible exception of Evelyn and me."

Just after this Evelyn, who was great friends with my mother, came in
without being announced, and said that she was famished, and that she
put herself entirely in our hands.  So we fed her tea, toast, hot
biscuits, three kinds of sandwiches, and as many kinds of cakes.  And
she finished off with a tumbler full of thick cream.

"Been sitting by your window lately," I asked, "looking at the moon?"

"_He_ thinks," Evelyn complained to my mother, "that delicate
sentiments and a hearty appetite don't go together.  But we know
better, don't we?"

"When I'm in love," I said, "I eat like a canary bird.  I just waste
away.  Don't I, mother?"

"Fall in love with somebody," said my mother, "and I'll tell you."

"Nobody encourages me," I said; "my life has been one long rebuff, I
remind myself of a dog with muddy paws; whenever I start to jump up I
get a whack on the nose."

"Your sad lot," said Evelyn, "is almost the only topic of conversation
among sympathetic people.  But of course, if you _will_ have muddy
paws----!"

"And yet, seriously," I said; "somewhere in this wide world there must
be one girl in whose eyes I might succeed in passing myself off as a
hero.  I wish to heaven I had her address--a little cream?"

Evelyn scorned the hospitable suggestion and reached for her gloves and
riding crop.

"I came to see you," she said to my mother, "really I did.  And I've
done nothing but eat.  I'm coming again soon when there's nobody here
but you, and the larder is low."

"Good Lord!" I said, when we had reached the front gate.  "Where's your
pony?"

"I sent him away," she said; "I'm walking.  And you _don't have_ to see
me home."

"But if I want to?  And anyway it's too late and dark for you to walk
home alone.  Once upon a time there was a girl and her name was Little
Red Riding Hood, and once as she was walking home in the dark, after an
unusually heavy tea, she met a wolf.  And he said, 'Evening, Little Red
Riding Hood,' and she, though she was twittering with fear, and in no
condition for running because of the immensely heavy tea, said,
'Evening, Mr. Wolf.'"

"Come along then!" said Evelyn.  "Already you have persuaded me that
Little Red Riding Hood is a pig, and that she is in great danger."

But we didn't walk to the Fultons', we strolled.  And the deep dusk
turned to a velvety black night, soft and warm as a garment, and all
spangled over with stars.  It was one of the Aiken nights that smells
of red cedar.  We passed more than one pair of soft-voiced darkies who
appeared to lean against each other as they strolled, and from whom
came sounds like the cooing of doves.  Once far off we heard shouting
and a pistol shot, and presently one came running and crossed our path
far ahead, but whether a white man or a black we could not tell.

The lights in the Fultons' yard had not yet been switched on.  In a
recess cut from the foliage of a cedar tree, a white garden seat
glimmered in the starlight.

"It's too early to dress for dinner," I said, "and it's a pity to go
indoors."

Without a word Evelyn turned into the fragrant recess.  The sudden
acquiescence of one usually so disputatious, where I was concerned,
troubled me a little, because I could not explain it to my
satisfaction.  It never had happened before.  I could not see her face
clearly enough to gather its expression, and so I put a cigarette in my
mouth and struck a match.  It missed fire, and Evelyn said, "Please
don't.  Unless you want to very much."

"I don't want to at all," I said; "it was just habit.  Cedar smells
better than tobacco, and that's saying a good deal."

She did not answer and a few moments later I said:

"Any other couple, I suppose, seated on this bench in these
surroundings would make a noise like the cooing of doves.  But either
you or I don't say anything, like tonight walking home, or we fight.
And yet I think that if the whole truth were told we like each other
quite a good deal.  I admit that you often say hard things about me to
my face, but I deny that you say them behind my back.  Behind my back I
have heard that you sometimes make valiant and comradely efforts
to--well to make a silk purse out of a sow's ear, so to speak."

"I've always remembered," she said, very gently, "and never forgotten
how nice you were to me at my coming-out party, when I was so scared
and young and all.  I thought you were the most wonderful man in the
world, and had the most understanding and the most tact."

She laughed softly, but not mirthfully.

"That night," she said; "if you'd asked me to run away with you I'd
have done it like a shot."

"But tonight," I said, "if I so much as touched your hand, you'd turn
into an icicle, and send me about my business with a few disagreeable
truths to wear in my bonnet.  And I think I know the reason.  It's
because on that first night, even if I had been desperately in love
with you, I wouldn't have thought of asking you to run away with me,
whereas now I can conceive of making such a proposition to somebody
that I didn't even love two bits' worth--for no better reason than that
she was lovely to look at and that the night smelled of cedar."

"I've only been out seven years," said Evelyn; "seven years tonight."

"Many happy returns, Evelyn.  I had no idea this was an anniversary."

"It doesn't seem possible," she went on, "for a man to change his whole
moral nature in seven years, and to boast about that change."

"I haven't changed and I didn't boast.  If I ever knew what was right
and what was wrong, I still know.  The only difference is that I used
to think it mattered a lot, and now I'm not so sure.  I see good people
suffer, and wicked people triumph; and I don't think that everything is
for the best in this best of worlds; I think most things are decidedly
for the worst.  Why should so many people be poor and sick and
uncomfortable?  Why should so many men marry the wrong girls, so many
girls the wrong men?  If we are suffering for our sins, well and good,
but what was the use of making us so pesky sinful!  You won't, of
course, but most people come back at one with one's inability to
comprehend--they always say 'comprehend' the Great Design.  As if they
themselves comprehended said Great Design to perfection.  If there _is_
a Great Design, no human being understands a jot of it; that's certain.
Why be so sure then that something we don't understand, and which may
not even exist, is absolutely right and beautiful?  Suppose it could be
proved to us that there was no Great Design, and no Great Designer,
that the world was the result of some blind, happy-go-lucky creative
force, what would we think of the world then, poor thing?  A poor woman
with nothing to live for walks the streets that she may live; a rich
woman with much to live for dies slowly and in great torture, of
cancer.  If we accept the Great Design we shouldn't even feel pity for
these two women, we should say of them merely, 'How right!  How
beautiful!'  But we do feel pity for them, and by that mere feeling of
pity deny automatically the beauty of the Great Design, in the first
place, and its subsequent execution.  I can conceive, I think, of a
lovely picture: you for instance, on a white bench, under a cedar in
the starlight, listening to my delightful conversation, but I couldn't
possibly draw the picture, let alone paint it.  The Great Design, it
seems to me, had a tremendous gift for landscape, but fell down a
little when it came to people."

"Archie," said Evelyn, "you talk like an irreverent schoolboy."

"Of course I do," I said; "I must.  I can't help myself.  I am only
playing my part in the Great Design.  But if you believe in that then
it is irreverent of you to say that my talk is anything but absolutely
right, just, and beautiful.  So there!"

She said nothing.  And after a few moments of silence I began to feel
sorry that I had talked flippantly.

"Evelyn," I said, "you mustn't mind poor old me."

Almost unconscious of what I was doing I lifted her right hand from her
lap, and held it in both mine.  She made one feeble little effort to
tug her hand away and then no more.  In the heavens, a star slipped,
and from the heavens fell, leaving a wake of golden glory.  And it
seemed after that sudden blazing as if the night was blacker than
before.

I slid my left arm around her shoulders, and, unresisted, drew her a
little toward me, until I could feel her heart beating strongly against
mine.

Just then the latch of the house door turned with a strong oil click,
the door swung open, and dark against the light illumination of the
hall stood Lucy Fulton.  As she stood looking and listening, the strong
bell of the far-off courthouse clock began to strike.  Long before the
lights and last clanging concussion, Evelyn and I had withdrawn to the
uttermost ends of our bench.

Then Lucy turned and went back into the house and shut the door after
her.

Evelyn had risen.

"Good night," she said, but she did not hold out her hand.

"Good night," I said; "I've made you late.  I'm sorry."

She started to speak, hesitated, and then said, very quietly, "Why did
you make love to me just now?"

It seemed to me that the least I could do was to answer "Because I love
you."  But the words must have choked me, and with shame, I told her
the truth.

"I made love to you," I said, "because I have only one life to live."

"I thought so," she said, still very quietly, and turned toward the
house.  But I had caught up with her in a mere crumb of time.

"I have been honest with you, Evelyn," I said; "will you be honest with
me?  I have told you why I made love to you.  I want to know; it seems
to me that I _ought_ to know.  Why did you let me?"

"Oh," she said, "I shut my eyes and pretended that we were in the
conservatory, seven years ago tonight."

"Pretended?"

"Yes, Archie, honestly."

Halfway up the steps of the house she turned, and said a little
wearily, "How many lives do you think _I_ have to live?"

"May it be long and happy."

On that we parted, and I heard the ghost of a cynical laugh as she let
herself into the house.

And I hurried home, inexcusably late for dinner, and filled with shame
and remorse.  And ever at the back of my head was the image, not of
Evelyn Gray, vague and illusive in the starlight, but of that other
image that had stood forth dark and sharply defined against the light
of the hall.

"Lucy Fulton," I said to myself, "you came in the nick of time.  And
you are my good angel."




VIII

On the following day I had no especial desire to see Evelyn.  I thought
that it might be embarrassing for her, and I knew that it would be
embarrassing for me, so that it was not without trepidation that I
presented myself at the Fultons' house to keep a riding engagement with
Lucy.

But you never know what will embarrass a woman and what won't.  I
remember when the Jocelyn house burned down, and nothing was saved but
a piano (at which Peter Reddy seated himself and played the "Fire
Music") and a scuttle of coal, how Mrs. Jocelyn, usually the shyest and
most easily shocked person in the world, came down a ladder in nothing
but a flimsy nightgown, and stood among us utterly unselfconscious and
calmly making the best of things, until someone (it was a warm night
and there were no overcoats in the crowd) tore down a veranda awning
and wrapped her in it.  And I remember a certain very rich and pushing
Mrs. Edison from somewhere in New Jersey who worked herself almost into
the top circle of society, and was then caught in a very serious and
offensive lie, which ended her social career as suddenly as a sentence
is ended by a period.  I had been present when she told the lie, and I
was present when it was brought home to her, and I felt almost as sick
as if I had told it myself, and been caught.  But she didn't turn a
hair.  She just laughed and said, "Yes.  I made it up.  What are you
going to do about it?"  Morgan Forbes, about whom the lie had been
told, was trembling so with rage that he could hardly articulate.  He
said, "The next time you set foot in Newport you will be arrested and
prosecuted for criminal libel."  And she knew that he meant it and that
her career was ended; still she didn't turn a hair.  You couldn't help
admiring her.  Sometimes I can't help wondering what has become of her.
She looked like one of those Broken Pitcher girls that Greuze painted;
and you'd no more have expected to find poison in her than in a
humming-bird.

Nor did Evelyn show any embarrassment whatever.  She was sitting
cross-legged on the big living-room lounge, reading a Peter Rabbit book
to Jock and Hurry, and looking cool as a lily.  She looked serene and
aloof.  I could not believe that only a few hours before she had felt
that, having but one life to live, nothing mattered much one way or
another.  "At least," I thought, "she'll never wish to talk the thing
over, and that's a blessing!"

Lucy, dressed for riding, was drumming on a window-pane, and looking
out into the shady, over-grown garden.  I thought her expression a
little quizzical, her hand a little cool and casual, not altogether
friendly.  And I was surprised to find how great an effect of
discomfort and dreariness this thought had upon me.

"Any news from the man of the house?" I asked.

"Be back Monday," she said.  This was a day sooner than she had
expected him, but she spoke without any show of enthusiasm.  Indeed,
she spoke a little wearily.  I had never seen her face with so little
color in it.  Evelyn, after a friendly nod, and a "You mustn't
interrupt," had gone on with her reading.

"Are we riding?" I said.  "We don't seem to be wanted here."

"Yes," said Lucy.  "Let's ride.  I feel as if I hadn't exercised for a
week."  She led the way to the ponies, through the garden and round the
house, almost brusquely.  A Spanish bayonet pricked her in the arm, and
she made a monosyllabic exclamation in which there was more anger than
pain.  Usually so gay and chattersome, she seemed now a petulant and
taciturn creature.

But she was no sooner astride her pony than the color returned to her
cheeks, and the sparkle, if not the gayety, to her eyes.  And at once,
as if her taciturnity had been a vow, to be ended when she should touch
leather, she began to talk.  "I'm cross with you," she said.

"With _me_?"

"About last night.  I thought--I don't know what I thought.  But I've
liked you so much.  And all your thoughts about people are kind and
generous, and I simply won't believe that it's all put on for effect,
and----"

"What about last night?  I didn't even see you.  What have I done?"

"Evelyn saw you, didn't she?  Well, I saw Evelyn right afterward.  A
child could have seen that she was upset, and I made her tell me all
about everything.  You don't care two straws about her, really.  Do
you?"

"Does she care two straws about me?"

"Was it just one of those things that happen when it's dark and
romantic and two people feel lonely, and----"

"And have forgotten yesterday, and aren't considering tomorrow.  But
nothing did happen.  You came out on the porch, and the courthouse bell
sounded a shockingly late hour, and if we didn't remember yesterday or
consider tomorrow, at least we thought of dinner."

"Evelyn," said Lucy, "was wild with anger and shame."

"I am sorry."

"You don't look a bit sorry."

"I don't believe a man is ever sorry unless he makes real trouble."

"Isn't losing faith in oneself real trouble?"

"And who has done that?"

"Why, Evelyn, of course.  She thought that she was as unapproachable as
an icicle, and now she says all sorts of wild things about herself.
Just before you came in the children asked her to read Peter Rabbit to
them.  She said she would, but that she didn't think she was _fit_ to."

I burst out laughing, and so did Lucy.  "And still," she cried, "you
don't look sorry."

"I'm looking at you," I said, "and I'm hanged if I can look at you and
either feel sorry or half the time keep a straight face.  And if I
could, I wouldn't.  As for Evelyn I'm glad she's found out that she
isn't an icicle.  Look here, I'll bet you a thousand dollars she's
engaged or married within a year, beginning today."

"I couldn't pay if I lost," said Lucy.  "But if you'll make it ten
dollars, I'll take you ten times."

We shook hands, and then, as is usual, tried to prove that we had bet
wisely.

"She's lonely," I said, "that's all that is the matter with her.  She
sees all her friends married and established, she has the perfectly
ludicrous idea that she is not as young as she used to be.  She feels
like an ambitious thoroughbred that's been left at the post."

To this characterization of Evelyn Lucy took opposing views.  Her
friend, as a matter of fact, wasn't in the least lonely, but was
excellent company for herself, and led a full life.  She was not the
marrying kind.  If she liked men it was only because they played the
games she liked to play better than women play them.  "Imagine Evelyn,"
she said, "unable to eat, unable to sleep!  Imagine her sitting at the
window in her nightgown and looking pensively at the moon!"

"Funny," I said, "but that's just what I was imagining.  All girls do
it and some wives.  It's as much a part of a girl as long hair, and the
fear of spiders.  If a girl didn't get her moon bath now and then,
she'd just shrivel up and die."

"Well," said Lucy, and she pretended to sigh, "there may be something
in it.  But not for Evelyn."

A moment later.

"Listen," she said, "just to make me out wrong, and win my good money
you wouldn't----"

"My word," I said, "you are suspicious.  But I thought you were a born
matchmaker.  I thought you'd be pleased if you got Evelyn and me
married!"

"It wouldn't do at all," she said.

"Why not?"

"Oh," she said, "if you must know, it's because I like
you--both--better the way you are."

And from a walk she put her pony into a brisk gallop, and I followed
suit, and caught up with her.  And I was a little moved and troubled by
what she had said.  For it seemed to me as if she had said it of me
alone, and that the inclusion of Evelyn in that delayed and hanging
fire "both" of her phrase had been an afterthought.

After a pleasant uphill while of soft galloping, she signaled with her
hand, and once more the ponies walked.

"Tell me truthfully," she said.  "_Are_ you interested in Evelyn?"

"Is it manners for a man to say he isn't interested in a girl?"

"You couldn't say it to me, because--Oh, because I really want to know."

"Mrs. Fulton," I said, "if I've made her think so, I deserve to be
kicked."

"Then that's all right.  She knows exactly the value to put on your
attentions.  And I'm glad."

"Why?"

"I don't think it would be much fun to ride with a man who couldn't
bring his mind along with him, do you?  Especially now that all the
flowers are popping out and it's so lovely in the woods."

"But," I said, "you have yet to forgive me for last night."

"There's nothing to forgive," she said.  "Don't you know that though
the man always takes the blame, it's always the girl's fault.  A man
can't get himself into trouble by just sitting still and looking
pensive, but a girl can.  From the moment Evelyn sat on that bench
under the cedar she had only one thought.  It was to see if she could
make you kiss her."

"No, no, Mrs. Fulton," I exclaimed.  "It wasn't a bit like that.
Honestly it wasn't."

"In that case," said Mrs. Fulton, and her rosy face was at its very
gayest, "Evelyn is a liar."

"She told you that she tried to make me?"

"Why, what else was there for her to be ashamed about?"

"But you said she was also angry."

"I suppose," said Lucy mischievously, "she was angry because I came out
on the porch."




IX

In the days of the waltz and the twostep, Aiken did not dance, but
immediately upon the introduction of the Turkey Trot and the Grizzly
Bear, she made honorable amends.  Wilcox built an oval ballroom with a
platform for musicians, the big room at the Golf Club was found to have
a capital floor, and the grip of bridge whist upon society was rudely
loosened.

Whatever may be said in derogation of the modern dances, they have
rejuvenated the old and knocked a lot of nonsense out of the young.  To
my eye there is nothing more charming than a well-danced maxixe.  To
dance well a man must be an athlete and a musician; to be either is
surely a worthy ambition.  To dance well a girl must at the very least
have grace and charm.

So far as I am concerned, Lucy Fulton's dance was a great success, from
the arrival of the first guest.  I was the first guest.

We had a whole dance to ourselves while Evelyn was busy with the
telephone and before the second guest arrived.  In all her life Lucy
had never looked more animated or more lovely.  The musicians caught
her enthusiasm and the high spirit which flowed from her like an
electric current, and at once these things appeared in their music.

"I've only one sorrow," I said, "that I can't dance with you and watch
you dance at the same time."

"But if you had to choose one or the other?"

"I shall choose often," I said, "but I'm afraid others will begin
getting chosen.  If I had my way there would be no other man but me and
no other girl but you, and we'd dance till breakfast time."

"Evelyn," said Lucy, her eyes full of mischief, "could chaperon us from
a bench.  She could send for her knitting."

"Who is this Evelyn?" I said.

And then the rhythm of the music became too much for us, and we did not
speak any more, only danced; only danced and liked each other more and
more.

That night it seemed there were no tired men or women in Aiken.  There
were no lingering groups of yarn-swapping men in the buffet, only
half-melted humanity who gulped down a glass of champagne and flew back
to the dance.  We made so much noise that half the dogs in Aiken barked
all night, and roosters waked from sleep began to crow at eleven
o'clock.

I am sure that Lucy did not give many thoughts to poor John Fulton,
worrying his head off in far New York.  She had the greatest power upon
her own thoughts of any woman or man I ever knew.  And always she chose
agreeable and even delightful things to think about.  When I try to
make castles in the air I get worrying about details, such as neighbors
and plumbing.  Sometimes I have felt that it would be agreeable to run
away from everyone and everything, and live on some South Sea beach in
an undershirt and an old pair of trousers.  I can see the palms and the
breadfruit, as well as the next man.  I can picture the friendly brown
girls with their bright, black eyes and their long necklaces of scarlet
flowers and many-colored shells, and I can hear the long-drawn roar of
the surf on the coral beach.  But always my bright, hopeful pictures go
to smash on details.  More insistent than the roar of the surf, I hear
the humming of great angry mosquitoes, and I try to figure out what I
should do if I came down with appendicitis and no surgeon within a
thousand miles.

Lucy chose her thoughts as she would have selected neckties, choosing
the pretty ones, tossing the ugly ones aside and never thinking of them
again, or, for that matter, of the bill for the pretty neckties that
would be sent to her husband.  Only very great matters, such as love
and death, could have occupied her mind against her will.

Toward one o'clock the dance became hilarious.  One or two men had the
good sense to go home, two or three others had not.  One of them--the
King boy--made quite a nuisance of himself, and to revenge himself for
a snub (greatly exaggerated by the alcoholic mind), sought and found
the hotel switchboard and in the midst of a fox trot shut off all the
lights.

But the music went right on, and so did many of the dancers.  There
were violent collisions, shouts of laughter, and exclamations of pain.

I was facing the nearest wall of the room when the lights went out and
I backed Lucy toward it, and then, groping, for I hadn't a match in my
clothes, found it and stood guard over her, one hand pressing the wall
on each side of her and my back braced.  I received one thundering jolt
over the kidneys, and one cruel kick on the ankle bone.  And then the
lights went on again, and we finished our dance.

Lucy said she hated people who weren't cool and collected in time of
danger.  That if she was ever in a theater when it caught fire she
hoped there'd be somebody with her, like _me_, to take care of her!
"That was the neatest thing," she said, "the way you got us out of
that.  We might have been knocked down and trampled to death."

When that dance ended, we went out of doors for a few minutes to get
cool.  We took a turn the length of the narrow, sanded yard and back.
We could hear the buggy boys just beyond the tall privet hedge.  Some
were cracking jokes; others were heavily snoring, and there were
whispered conversations that had to do, no doubt, with mischief, and
petty crimes.

"It's been a grand party," I said.  "By and by I'm going to give one."

"But not for me, you know, just a spontaneous party.  Oh, do please,
will you?"

"Of course I will.  But it will really be given----"

"I mustn't know."

"You shall never know if you mustn't."

"I think you ought to dance once with Evelyn."

"I have danced with her, but only half a dance.  She said she was
tired--and then she finished it with Dawson Cooper."

"I wish they'd get to like each other."

"So do I.  They're the right age.  They've the right amount of money
between them, and they like the same sort of things.  But it rests with
Evelyn.  Dawson would fly to a dropped handkerchief as a pigeon flies
home; but he's very shy and doesn't think much of himself."

It seemed a good omen when we entered the main hall and found them
sitting out a dance together.

Dawson rose, but with some reluctance, it seemed to me.

"Isn't it about my turn, Lucy?" he said.  "Will you?"

"Did Evelyn tell you you had to?"

He blushed like a schoolboy, and Evelyn burst out laughing.

"Then I will," said Lucy, "when I see a man trying to do his duty like
a man, I help him always, and besides you dance like a breeze."

So they went away together, he apologizing and she teasing.

"How about me?" I said to Evelyn.  "Is it my turn?"

"No," she said, "it isn't.  I want to talk to you."

I sat down facing her in the chair that Dawson Cooper had occupied.
"Just now," she said, "when you and Lucy went outside, I heard someone
say to someone else----"

"Hadn't they any names?"

"No.  She said to him, 'It's about time John Fulton came back.  Lucy's
making a fool of herself.'"

Somehow I seemed to turn all cold inside.

"Of course," said Evelyn, "Lucy knows and you know and I know, but the
man in the street who sees you ride out together day after day, and the
woman who's no particular friend of yours, who sees you dance dance
after dance together--_they_ don't know.  Aiken is a small place, but
like the night, it has a thousand eyes, and as many idle tongues.  If I
didn't know Lucy so well, and you so well, I'd be a little worried."

"Why," I said, "it's a golf year.  Nobody would rather ride, except
Lucy and me."

"The reason doesn't matter," said Evelyn.  "When two young people are
together a whole lot, their feelings don't stand still.  They either
get to like each other less and less, or more and more.  You and Lucy
don't like each other less and less.  Anybody can see that, so it must
be more and more.  And there's always danger in that.  Isn't there?"

I thought for a moment, and then said: "Not for her, certainly."

"You knew Lucy when she was a little girl, but you didn't see her often
when she was growing up, did you?  Her best friend never thought that
she would ever settle to any one man.  She was the most outrageous
little flirt you ever saw.  No, not outrageous, because each time she
thought she was really in love herself.  It was one boy after another,
all crazy about her, and she about them.  Then it was one man after
another.  What Lucy doesn't know about moonlight and verandas, and the
sad sounds of the sea at night, isn't worth knowing.  But all the time,
from the time she was fifteen, there was John Fulton in the background.
He was never first favorite till she actually accepted him and married
him, but he was always in the running, in second or third place, and
whether he won her down by faithfulness and devotion nobody knows.
Nobody quite knows how or why she changed toward him.  I don't believe
she does.  He was just about the last man anybody thought she'd marry.
But anyway her young and flighty affections got round to him at last,
and fastened to him.  They fastened to him like leeches.  No man was
ever loved as hard as she loved him when she got round to it.  She made
up for all the sorry dances she'd led him.  She was absolutely
shameless.  She made love to him in public, she----"

"She still does, Evelyn," I said.  "I think that's one reason why I
like her so much, and him.  There's nobody else so frank and natural
about their feelings for each other.  Why, it's beautiful to see."

"Archie," said Evelyn, "for short periods of time she loved some of the
men she didn't marry almost as hard."

After a moment's silence, she said with hesitation,

"It's a lucky thing for her that all the men she thought she cared
about were gentlemen.  You must have noticed yourself how little
yesterday means to her, how less than nothing tomorrow means, until it
becomes today."

"Well," I said, "it all bolls down to this, that after many
vicissitudes, she found her Paradise at last."

"Who can be sure that a girl who had as many love affairs as she had
is--all through!"

Just then Dawson Cooper came back and took Evelyn away with him.  I was
immensely interested in all that she had told me about Lucy.  I rather
wished that I might, for a while, have been one of the many.  And I was
annoyed to learn that people were undertaking to make our business
theirs.

"I'll tell John about it when he comes back," I said, "and if he thinks
best, why I won't see so much of her."

But when he came back it did not seem worth while to tell him.




X

I had forgotten that John Fulton was to return Monday, until Lucy gave
it as a reason for not being able to ride on that afternoon.

"Even if the train is on time," she said, "I don't think I ought to go
chasing off, do you?  He'd like us all to be at home together and maybe
later he'd like me to take him for a little drive."

She was rather solemn for Lucy.  I did not in the least gather that she
would rather ride with me than play around with her husband.  I did
gather that she was not using her own wishes and preferences as an
excuse, but the physical fact of John's home-coming.  And I learned in
the same moment that I wished his return might be indefinitely
postponed, and that Monday afternoon with no Lucy to ride with promised
to be a bore.

I saw her doing chores in the village, Jock and Hurry crowded into the
seat beside her, just before the arrival of the New York train.  From
the back of the runabout dangled the reed-like, moth-eaten legs of
Cornelius Twombley.  For him, too, the return of the master was a
joyous occasion; there would be a quarter for him if he had been a good
boy, and some inner voice evidently was telling him that he had.  There
was a red-and-white-striped camellia in his buttonhole, and his narrow
body was beautified by a dirty white waistcoat.

The New York train whistled.  Lucy flicked the horse with the whip,
three handsome hatless heads were jerked backward, Cornelius Twombley's
peanut-shaped head was jerked forward, the voices of Jock and Hurry
made noises like excited tree frogs, and away they all flew toward the
station.

It was easy to picture the beaming faces that John Fulton could see
when he got off the train; it was [Transcriber's note: two words
obliterated here] hear the happy joyous voices all going at once, that
would greet him.  If there was trouble in his life he would forget it
in those moments.

I turned into the Aiken Club feeling a little lonely.  How good, I
thought, it would be to be met, even once, as Fulton is being met.

And now I must set down things that I did not know at this time, and
only found out afterward.  And other things that are only approximately
true, things that wouldn't happen in my presence, but which I am very
sure must have happened.

When Lucy drove off at such a reckless pace to get to the station
before the train, I don't think it even occurred to her that during his
absence her feelings for her husband had changed in any way.  It was
he, I think, who was the first to know that there was a change.  He did
not realize it at the station or on the way home.  How could he with
Jock and Hurry piled in his lap, and both talking two-forty, and Lucy
at his side, trying to make herself heard and even understood?  No man
could.  It must have been shortly after he got home, at that moment,
indeed, when he was alone with her, and his arms went out to her with
all the love and yearning accumulated at compound interest during
absence.  Habit, and the wish to hurt no one, must have carried her
arms to tighten a little about him, and to lift her lips to him.  Then
I think she must have turned her head a little, so that it was only her
cheek that he kissed.  I imagine that until that time Fulton's
love-making had always found the swiftest response, that with those two
passion had always been as mutual and spontaneous as passion can be;
and that now, perhaps the very first time, his fire met with that which
it could not kindle into answering flame.

I do not think that he at once let her go.  I think that first his arms
that held her so close loosened (already the pressure had all gone out
of hers).  I think she was sorry they had to loosen, and glad that they
had.  Then his arms must have dropped to his sides.  He did not at once
turn away, but kept on looking at her, as she at him--he, hurt, he did
not know why, but brimming with love and compassion and tenderness and
a little desperate with the effort to understand and to make allowances
for whatever might have to be understood.  Her great blue eyes looked
almost black for once, prayer upon prayer was in their depths, they
were steady upon his and unfaltering.  It was as if she was giving him
every opportunity to look down through them and see what was in her
soul.

It could not have been till many days later that a whole sequence of
episodes which hurt and could not be understood forced him into speech.
I think he must suddenly in a moment of trial, have come out with
something like this:

"Why, Lucy, it sometimes seems as if you didn't love me any more."

When she didn't answer, it must have flashed through him like a streak
of ice-cold lightning that perhaps she really didn't.

I am glad that it is only in imagination that I can hear his next
question and her answer.  There must have been a something in his voice
from which the most callous-hearted would have wished to run, as from
the deathbed of a little child.

"_Don't_ you, Lucy?"

And how terribly it must have hurt her to answer that question!
Considering what he had been to her and she to him, for how long a
period of time neither had been able to see anything in this world
beyond the other, and considering with even more weight than these
things their own children for whom the feelings of neither could ever
really change, I think that Lucy ought to have lied.  I think she ought
to have lied with all her might and main, lied as John Fulton would
have lied if the situation had been reversed, and that thereafter,
until his death or hers, she ought to have acted those lies, with
unflagging fervor and patience.  Tenderness for him she never lost.
She might, upon that foundation, have built a saintly edifice of
simulated love and passion.

But it was not in her nature to lie.  I think she probably said: "I
don't know.  I'm afraid not."  And then I think her sad face must have
begun to pucker like that of a little child going to cry, and I think
it is very likely, so strong is habit, that she then hurried into her
husband's arms and had her cry upon his breast.




XI

I imagine that thereafter for a time John Fulton's attitude toward Lucy
was now dignified and manly, and now almost childlike in its despair.
Having made her love him once, he must have felt at first that he could
make her love him again.  I imagine him making love to her with all the
chivalry and poetry that was in him, and then breaking off short to
rail against fate, against the whole treacherous race of women,
perhaps, and to ask what he had done to deserve so much suffering?
"Why didn't you do this to me when I was proposing?  Why did you wait
till I was stone broke and worried half sick, with everything going
from bad to worse?  Is it anything I've done, anything I've failed to
do?  Why, Lucy, we were such a model of happiness that people looked up
to us.  How can anybody suddenly stop caring the way you have?  If it
had been gradual!  But you were in love with me the night I went away,
weren't you?  _Weren't_ you?"

Here he catches her shoulders and forces that one admission from her,
and makes the great praying woebegone eyes meet his.  Then, almost, he
pushes her away from him.

"And I go away for a few days," he cries, "and come back and everything
is changed.  I who had a sweetheart, haven't even a wife.  Why have you
changed so?  There must be a reason?  What is it?  Are you sick?  Have
you eaten something that has made you forget?  Have you been bewitched?
That's no fool question.  Have you?  Have you?"

"Have I what?"

"Have you been bewitched?  Tell me, dear, who has done this thing to
you?"

Again he has her by the shoulders.

"Lucy, is there someone?  Never mind the other things, just tell me
that?  You've gotten to like someone else?  Is that it?"

And Lucy must have answered that there was no one else.  And there is
no question but that to the best of her belief and knowledge she was
telling the truth.

But the mere thought that there might be someone else had moved Fulton
as he had never been moved before.  He once told me that even as a
little boy he had never in all his life known one pang of jealousy.  He
will never be able to make that boast again.  And like some damned
insidious tropical malaria, the passion has taken root in his system,
so that only death can wholly cure him.

Like some vile reptile it had found within him some cave from which it
might emerge to brandish its hideous envenomed horned head, and into
which betimes it might withdraw.

I can imagine no one so stupid as to question any serious statement of
fact that Lucy might make.  Her eyes were wells of truth; her voice
fearless and sure, like that of some kingly boy.

So when she said there was _no one_, Fulton, who knew her far better
than anyone else, believed her without any question.  And a great
weight must have been lifted from his heart.  With the truth that he
had wrung from her, I think he must have rested almost content for a
few hours.

But contentment is far off from a man who hears the great edifice of
love and happiness which he has reared, crashing about his ears.

He could not make up his mind to any definite course of action.  Now,
calm and judicial, I hear him discussing matters with coolness, and
self-forgetfulness.

"If there is any chance for me, ever," he would say, "it would be silly
of us to take any action which would be final.  And, besides, I don't
see how I could reconcile my conscience to giving you a divorce.  Or
you yours to getting one.  It would be hard enough for you to lie about
the most trifling thing.  You couldn't, you simply couldn't face the
court and tell them that I had been cruel and unfaithful.  You couldn't
accuse me of anything so gross, and so unlike me, as the other woman
who would have to be hired for the occasion.  There's another side to
it.  I think the children are better off with you than with me.  You're
the best mother that ever was, the most sensible and the most careful.
But I don't think I could give them up.  If you and the babies were all
three to drop out of my life, I'd have nothing left but the duty of
finding money to support you.  There's a certain pleasure in doing your
duty, of course, but in this case hardly enough.  Honestly, dear, with
never a sight or touch of you, I simply couldn't keep things going
long."

Then perhaps Lucy asked some such question as this: "Don't people
often, when they've stopped caring about each other, go on living
together just the same, as far as other people know?  And really just
be good friends and live their own lives?"

"This is very different.  We haven't stopped caring about each other.
You've stopped caring about me.  I care about you, just as I did in the
beginning, and always shall.  We _couldn't_ lead separate lives under
the same roof.  God knows I feel old enough, but I'm still a young man,
and like it or not, you are still my wife.  It is something to own the
shell that once contained the pearl."

Another time he goes hurrying through the house, prayer-book in hand, a
thumb marking the marriage ceremony.  He has been brooding and brooding
and snatching at straws.

"Read this, Lucy.  Just look it over.  It's what you and I stood up and
promised before a lot of people.  I'm glad I looked it up.  You'll see
right away that it's a contract which nobody could have the face to
break.  I want you to read it over to yourself."

[Illustration: "'It's what you and I stood up and promised before a lot
of people.'"]

Finally she does, just to please him, in the sad knowledge that no good
will come of it.

"You'd forgotten, hadn't you?  But just see what you promised.  Didn't
you mean to keep these promises when you made them?"

"Oh, of course I did.  Why ask that?"

"But now you want to back out."

Then the old argument that a promise which one is powerless to keep
isn't a bona fide promise and cannot be so regarded.  Fulton sees that
for himself presently.

"No, of course," he says.  "If you don't love me, you can't make
yourself by an effort of will.  And if you don't honor me . . ."

"You _know_ I do."

"How about the other thing, the promise to obey?  That is surely in
your power to keep."

She admits that she can keep that promise; but she leaves herself a
loophole.  She does not say that she _will_ keep it.

And so the words of the prayer book shed no light on the situation, and
I shouldn't wonder if Fulton raged against the book, and flung it into
a far corner, and was immediately sorry.

For a man situated as Fulton was, some definite plan of action is
necessary; and to my mind the one that would be best would be one in
which the least possible consideration for the woman should be shown.
When Lucy began to play clench-dummy with her own life, with her
husband's love, and with the institution of marriage, Fulton, I think,
would have made no mistake if he had stripped her to the skin and taken
a great whip to her.

Her whole life had been one of self-indulgence.  She had indulged
herself with Fulton's love till she was glutted with it; that she was
the mother of two children may, perhaps, be traced to self-indulgence,
and surely it must be laid down to self-indulgence that she was not the
mother of more than two.  Her self-indulgence kept Fulton poor and in
debt, and it had come to this: that her impulse to self-indulgence
would now stop at nothing unless circumstances should prove too strong
for it.

It is not the gentle, faithful, self-sacrificing man who keeps his
wife's love; it never was.  It was always the man who had in him a good
deal of the brute.

But, except in a moment of insanity, a man does not go against his
nature.  Fulton has too good a brain not to think that if Lucy were
locked up for a week or so, and fed on bread and water, good might come
of it.  But his was not the hand to turn the key in the lock.  He could
no more have done it than he could have struck her.  This sudden
failure of her love for him was only another evidence of that
wastefulness and extravagance which had so often hurt him financially.
Surely it must have occurred to him more than once to publish notices
in the newspapers to the effect that he would only be responsible for
his own debts.  He must, I think, have threatened the thing from time
to time, knowing in his heart that he could never bring himself to put
it into execution.

I wonder how Fulton felt when hard upon the knowledge that she no
longer loved him, he received the bill for the dance which she had
given against his wishes, and in full knowledge of his present
financial predicament?

She had treated him so badly that it is a wonder of wonders that he
kept on loving her.

For one thing they deserve great credit.  Even Evelyn Gray, a guest in
the house, did not know that there was any trouble between them.  All
she thought was that owing to financial and other worries, which time
would right, Fulton seemed a little graver and less enthusiastic than
usual.

Nor was I any wiser.  I had not, of course, so many chances of seeing
the two together, but I saw as much of Lucy as ever, for we rode
together nearly every day.




XII

If nothing more definite had come of all this, I should now see but
little significance in those long afternoons of riding with Lucy.  She
could leave the substance of her trouble behind, as easily as she could
have left a pair of gloves, and she took into the saddle with her only
a shadow of the tragedy that was glowering upon her house.

I see now, that, at this time, we must have begun to talk more
seriously and upon more intimate topics; that we laughed less and that
there were longer silences between us.  We began to take an interest in
the trees and flowers among which we rode, to learn their names, and to
linger longer over those which did not at once strike the eye.

And I see now that Lucy talked more than usually about her husband.  It
was as if by doing constant justice to his character she hoped to make
up to him for her failure of affection.  In his domestic relations he
was a real hero by all accounts.  Didn't I _think_ they lived nicely?
She thought so, too, but it wasn't her fault.  She was so extravagant,
and such a bad manager, it was a wonder they could live at all.  She
admitted so much with shame.  But if I could understand how it is with
some men about drink, then it must be easy for me to understand how it
is with some women about money.  Oh, she'd spent John into some
dreadful holes; but he had always managed to creep out of them.  How he
hated an unpaid bill!  It wasn't his fault that there were so many of
them.  For her part (wasn't it awful!) they filled her neither with
shame nor compunction.  And he'd been so fine about people.  His
instinct was to be a scholar and a hermit.  But she loved people, she
simply couldn't be happy without them, and (wasn't it fun?) she had had
her way, and now John liked people almost as much as she did.  And he
had a knack of putting life and laughter into the simplest parties.

Sometimes when we had finished riding, we had tea in the garden.  It
would be turning cool, and she would slip a heavy coon-skin coat over
her riding things; and there was a long voluminous polo-coat of John's
that I used to borrow.  Evelyn nearly always joined us, John not so
often.  Sometimes Dawson Cooper came.  He was getting over his shyness.
Sometimes he was quite brazen and facetious.  It looked almost as if he
was being encouraged by someone.

Of the sorrow that was gnawing at John Fulton's heart I saw no sign.
He was alert, hospitable, humorous often, and toward Lucy his manner
was wonderfully considerate and gentle.  If I had guessed at anything,
it would have been that the wife was in trouble and not the husband.
He could not sit still for long at a time, but he did not in the least
suggest a man who was on the verge of a nervous breakdown.  His
activity and sudden shiftings from place to place and from topic to
topic were rather those of a man who superabounds in physical and
mental energy.

At this time he did not know whether he and Lucy were going to separate
or not.  If they should, he was already preparing dust to throw in the
world's eyes.  He let it be known that at any moment he might have to
go to Messina in the interests of his cartridge company (this was a
polite fiction) and that he might have to be gone a long time.
Business was a hard master.  He had always tried to keep it out of his
home life, but in times like these a man must be ready to catch at
straws.

And Lucy, just her head and fingers showing from the great coon-skin
coat, would give him a look that I should not now interpret as I did
then.  I thought that it made her feel sick at heart even to think of
his going to some far-off place without her!

"Speaking of far-off places," I said once, "Gerald Colebridge is taking
some men to Burlingham to play polo.  He's asked me, and I'm tempted
almost beyond my strength.  What does everybody think?"

"I'd go like a shot," said Dawson Cooper.  "Gerald will take his car
and everything will be beautifully done; and California just about
now!"  Here he bunched his fingers, kissed them and sent the kiss
heavenward.

"Wish _I_ was asked!" exclaimed Evelyn.

"Ever been to California?" Fulton asked.  "Because if not, go.  And
still I've thought sometimes that spring in Aiken is almost as lovely."

Poor fellow, it must have been quite obvious that he didn't think so
any more.  But then Evelyn, Dawson, and I were blind and deaf, at this
time.

"When," said Lucy at last, "would you go, if you go?"

"Why, in a day or two," I said.  "I'd probably leave day after tomorrow
on the three o'clock and join the party in New York."

"Oh, dear," she said, "I'll have to take up golf then.  You're the only
man in Aiken who likes to ride.  And John won't let me ride alone."

"Why not," said he, "ask me to ride with you?"

"Oh, I know you'd do it," she said.  "You're a hero, but I'm not quite
such a brute."

I wish I could have gone to California.

I rode with Lucy the next afternoon, for the last time as we both
thought.  As we came home through Lover's Lane, the ponies walking very
slowly, she leaned toward me a little, turned the great praying eyes
upon me, and said, her mouth smiling falteringly:

"Please don't go away.  I hate it.  Everything's gone all wrong with
the world.  And if you're not my friend that I can talk to and tell
things to, I haven't one."

"Are you serious, Lucy?"

"Oh, it's no matter!" she said lightly, and began to gather her reins,
preparatory to a gallop.

"It's only that it didn't seem possible that you could need one
particular friend out of so many.  Of course, I stay.  Will you tell me
now what it is that's gone all wrong?"

"Yes," she said with a quickly drawn breath.  "I've had to tell John
that I don't love him any more, and don't want to be his wife."

If one of those still and stately pines which lend Lover's Lane the
appearance of a cathedral aisle had fallen across my shoulders, I could
hardly have been more suddenly stunned.

When I looked at her the corners of her lovely mouth were down like
those of a child in trouble.

"Please don't look at me," she said.

We rode on very slowly in silence.  Sometimes, without looking, I could
not be sure that she was still crying.  Then I would hear a little
pathetic sniffling--a catching of the breath.  Or she would fall to
pounding the thigh with her fist.

But she pulled herself together very quickly and borrowed my
handkerchief and when we reached the telegraph office her own husband
could not have known that she had been crying.

She held my pony while I telegraphed Gerald Colebridge that I could not
go to California with him.

Far from looking like one who had recently been crying, she looked a
triumphant little creature, as she sat the one pony, and held the
other.  The color had all come back to her face, and she looked--why,
she looked happy!




XIII

"Well, my dear," said my mother, "we shall miss you."

"Oh," I said, "I've given it up.  I'm not going."

As she had said that she would miss me, this answer ought to have given
my mother unmixed pleasure.  It didn't seem to.  She smiled upon me
with the greatest affection, and at the same time looked troubled.

"When you came into my room this morning your mind was definitely made
up.  Has anything happened?"

"Only that I've changed my mind.  Aiken is too nice to leave."

"I sometimes think," said my mother, "that the life you lead is
narrowing.  At your age, how I should have jumped at the chance to see
California in spring!  But I shan't ask you why you don't jump.  I know
very well you'd not tell me."

"Must I have a reason?  They say women don't have reasons for doing
things.  Why should men?"

"A woman," said my mother, "does nothing without a reason.  But often
she has to be ashamed of her reasons, and so she pretends she hasn't
any.  Men are stronger.  They don't have to give their reasons, and so
they don't pretend."

"Maybe," I said, "I'm fond of my family and don't want to be away from
them."

My mother blushed a little, and laughed.

"I shall pretend to myself," she said, "that that is why you have given
up your trip.  But I'm afraid it isn't your father and me that you've
suddenly grown so fond of."

"Now look here, mamma," I said, "we thrashed that all out the other
day."

"Thrashed all what out?--Oh, I remember--your attentions to Lucy
Fulton, or hers to you, which was it?"

"It wasn't our attentions to each other, as I remember.  It was the
attention which Aiken is or was paying to us."

"So it was," said my mother.

She gave me, then, a second cup of tea, and talked cheerfully of other
things.  Some people came in, and I managed presently to escape from
them.

It hadn't been easy to tell my mother that I had given up the
California trip.  I knew that her triple intuition would connect the
change of plan with Lucy Fulton, and I was not in the mood to meet such
an accusation with the banter and levity which it no longer deserved.

Like it or not, I was staying on in Aiken because Lucy had asked me to.
That we had been gossiped about had angered me; but it could do so no
longer.  That we were good friends, and enjoyed riding and being
together, was no longer the whole truth.  There was in addition this:
that Lucy no longer loved her husband, and that she had made me her
confidant.

From the first to the last of my dressing for dinner that night,
everything went wrong.  I stepped into a cold tub, under the impression
that I had told my man to run a hot one.  He had laid out for me an
undershirt that had lost all its buttons, and a pair of socks that I
hated.  I broke the buckle of the belt that I always wear with my
dinner trousers; I dropped my watch face downward on the brick hearth,
and I spilled a cocktail all over my dress shirt, _after_ I had got my
collar on and tied my tie!

Usually such a succession of misadventures would have given rise to one
rage after another.  But I was too busy thinking about Lucy.  I could
no longer deny that she attracted me immensely.  Perhaps she had from
the beginning.  I can't be sure.  But I should never have confessed
this to myself, or so I think, if I had not learned that she had
suddenly fallen out of love with her husband.  In that ideal state of
matrimony, in which I had first gotten to know her, she had seemed a
holy thing upon a plane far above this covetous world.  But now the
angel had fallen out of that which had been her heaven, and come down
to earth.  That I had had anything to do with this, I should even now
have denied to God or man with complete conviction.  I had no interest
in the causes of her descent, only in the fact of it.  And all that
time of bungling dressing for dinner I kept thinking, not that I should
help her look for a new heaven, but that I must try, as her true
friend, to get her back into her old one.  At that time John Fulton had
no better friend than I.  It seemed to me really terrible that things
should have gone wrong with these two.

My father came in while I was still dressing.

"Hear you've given up California," he said bluntly; "do you think
that's wise? . . .  Where do you keep your bell?"

I showed him.

"How many times do you ring if you want a cocktail?"

"Twice.  If you'll ring four times I'll have one with you.  I spilt
mine."

So my father pushed the bell four times and complimented me on my love
of system and order, and then he returned to his first question.

"Do you think it wise?"

"Well, father," I said, "we've always been pretty good friends.  Will
you tell me why you think it isn't wise?"

"Yes, I will," he said; "I think it's foolish for a man to run after
women in his own class for any other purpose than matrimony."

"So do I!" said I.

"A man," he persisted, "doesn't always know that he is running after a
woman.  Nature will fool him.  Look at young lovers!  Why, they
actually believe in the beautiful fabric of spiritual poetry that they
weave about each other.  And nature lets 'em.  But men who have seen
life, and have lived, as I shouldn't be at all surprised if you had,
for instance, are able to see the ugly mundane facts through the rosy
mist.  My boy, you and Lucy Fulton are being talked about.  You don't
have to tell me it's none of my business, I know that.  But I can't
help wanting you to steer clear of rows, and I don't want to see any
woman get mud thrown on her because of you.  For a man of course,
unfortunately, consequences never amount to much.  It's for the woman
that I should plead if I had any eloquence or persuasiveness.  I'd say
to you, don't run away for your own sake, that's not worth while; but
run away for hers.  Now you will forgive me, my dear fellow, won't you,
for butting in like this. . . ."

The cocktails came, and when the man who brought them had gone, I said:

"It's for her sake that I'm staying, father; will you listen a little?
You're the only man in the world that I can talk to without fear of
being repeated.  As far as going to California is concerned I _was_
going--until a late hour this afternoon.  I felt more concern at
leaving my mother than anyone else.  You believe that?"

He nodded to what was left of his cocktail.

"Lucy and I may have been talked about, but there was absolutely no
reason why we should have been.  We rode together this afternoon and
out of a clear sky she told me that she had fallen out of love with her
husband--for no _reason_ at all, that's the worst of it--and she
doesn't know what to do, and has no friend she feels like talking to
about it, except me.  That's why I'm staying.  She _asked_ me not to
go.  And of course I said I wouldn't."

My father finished his cocktail, and blew his nose.

"Oh," I said, "I'm not infatuated with the situation either."

"Women certainly do beat the Dutch!" said my father.  "I suppose she
wants advice, and backing when she doesn't follow it."

"If I can keep her in the path of her duty, father, be sure I will."

"And if you can't?"

"It's a real tragedy," I said.  "They were the happiest and most loving
couple in the world, except you and mother, and only a short time ago."

"What time is it?" asked my father.

"I've broken my watch."

"Well, it doesn't matter if we are a little late for dinner."

He cleared his throat, and turned a fine turkey-cock red, and looked
very old-fashioned and handsome.

"I never thought to tell you this," he said; "it's like throwing mud on
a saint.  Once your mother came to me and said she didn't love me any
more and that she loved another man and wanted to go away with him."

"I feel as if you'd kicked my feet out from under me."

"It doesn't seem to have come quite to that with Lucy, but it may, and
in some ways the cases are parallel.  I took counsel with your
grandfather.  He advised me to whip her.  When I refused to do that, he
gave less drastic advice, which I followed.  I told your mother and the
man that if after a year during which they should neither see each
other nor communicate they still wanted each other, I would give your
mother a divorce.  I don't know when they stopped caring about each
other.  I think it took your mother less than three months to get over
him.  And if he lasted three weeks, why I'm the dog that--he was."

I detected a ring of passionate hatred in my father's voice.

"So she came back to me," he said presently, "in a little less than a
year.  Your little sister was your mother's offering of conciliation.
And we have lived happily.  But things have never been with us quite as
they were.  I have never known if your mother really got to loving me
again, or if she has raised a great monument of simulation and devotion
upon a pedestal of shame and remorse.  Even now, if I drink a little
more than is good for me, she never criticizes.  She feels that she has
forfeited that prerogative."

"What became of the man?"

"He died of heart failure," said my father, "in a disreputable place.
They tried to hush it up, but the facts came out.  When I heard of it,
I plumped right down in a chair and laughed till I was almost sick.  I
knew what he was," he said with sudden savageness, "all along.  But
there is no making a woman believe what she doesn't want to believe.
He was fascinating to women, and a cur.  He kept his compact with me,
not because of his given word, but because he was physically afraid of
me."

"Thank you for telling me all this, father," I said; "I like you better
and better.  But in one way the cases aren't parallel.  In Lucy's case
there is no other man."

"Not yet," said my father; "but when a woman no longer loves her
husband, look out for her.  She has become a huntress--she is a lovely
sloop-of-war that has cleared her decks for action. . . .  Are you
ready?"

I slipped my arm through my father's and we went downstairs together.

"I'm sorry you're mixed up in this," he said; "but you couldn't go when
she made a point of your staying.  I'm obliged to you for telling me."




XIV

It grew very warm during the evening and windy.  By bedtime there was a
hot, lifeless gale blowing from the southeast.  Now and then the moon
shone out brightly through the smother of tearing clouds, and was
visible for a moment in all her glory, only to be submerged the next
moment and blotted out.  About two o'clock single raindrops began to
splash so loudly on the veranda roof just outside my window that the
noise waked me; after that I only slept fitfully, and my ears were
never free from the loud roaring of the tropic rain that began
presently to fall upon Aiken.  I dreamed that somebody had stolen the
Great Lakes and while being hotly pursued had dropped them.  All day it
rained like that, and all the following night, and only let up a little
the afternoon of the second day.  I got into an oilskin then and walked
out to the Fultons'.

Theirs was a nervous household.  Jock and Hurry confined indoors for
nearly two days had had too little exercise and too many good things to
eat.  They were quite cross and irrepressible.  John had the fidgets.
He couldn't even stay in the same room for more than a minute, and he
wouldn't even try sitting down for a change.  Lucy had had to give up
at least a dozen things that required dry weather and sunshine.  She
seemed to take the rain as something directed particularly against
herself by malicious persons.  Evelyn, also cross and nervous, was on
the point of retiring to her own room to write letters.  Just then
Dawson Cooper telephoned to know if she cared to take a little walk in
the rain and she accepted with alacrity.

"It's gotten so that he only has to whistle," said Lucy petulantly,
when Evelyn had gone.  "I think she's made up her mind to be landed."

Fulton came and went.  Every now and then he dropped on the piano-stool
for a few moments and made the instrument roar and thunder; once he
played something peaceful and sad and even, in which one voice with
tears in it ran away from another.

The piano was in the next room, and whenever it began to sound, Lucy
dropped her work into her lap and listened.  At such time she had an
alert, startled look.  She resembled a fawn when it hears a stick snap
in the forest.

We heard him leave the piano, cross the hall and go into the
dining-room.

"He's hardly touched his piano in years," said Lucy.  "But now he's at
it in fits and starts from morning till night.  Night before last when
the rain began he got up and went down in his bare feet and played for
hours.  I had to fetch him and make him come back to bed."

Then she seemed to feel that an explanation was necessary.  She bent
rosily over the work, and said: "We don't want the servants to know."

Again the piano began to ripple and thunder.  Again we heard John go
into the dining-room.

I must have lifted an eyebrow, for Lucy said:

"Yes.  I'm afraid so, but it doesn't seem to go to his head.  Oh," she
said, "it wrings my heart, but I haven't the right to say anything."

"Lucy," I said, "have you thought out anything since I saw you last?"

"I think in circles," she said; "one minute I'm for doing my duty to
him, the next minute I can only think of myself.  It _can't_ be right
for me to be his wife when I've stopped being--Oh, anything but awfully
fond of him."

"You _are_ that?"

"Of course I am."

"It's just about the saddest thing that ever came to my knowledge," I
said; "and you won't be angry if I say that I think you ought to stick
to him and make the best of it?"

"You're not a woman.  No man understands a woman's feeling of
degradation at belonging to a man she doesn't love.  Oh, it's an
impossible situation.  And I can't see any way out.  I _couldn't_ take
money from John, if I left him; I haven't got a penny of my own.  And I
think it would kill me to go away from Jock and Hurry for long.  And
the other thing would just kill me."

"That," I said, "Lucy, I don't believe."

"You don't know.  Not being a woman, you _can't_ know."

"Men," I said, "and women too survive all sorts of things, mental and
physical, that they think _can't be_ survived.  I read up the Spanish
Inquisition once for a college essay, and the things they did to people
were so bad that I was ashamed to put them in, and yet lots of those
people survived and lived usefully to ripe old ages."

"Who did?"

Unheard by us, John had finished in the dining-room and had come to pay
us a flying visit.

"People that were tortured by the Spanish Inquisition," I said.

"A lot they know about torture," said he.  "They only did things to
people that the same people could imagine doing back to them.  Nothing
is real torture if you can see your way to revenge it--if only in
imagination.  Torture is what you get through no fault of your own from
somebody you'd not torture back for anything in the world.  It's what
sons do to mothers, husbands to wives, wives to husbands.  Isn't that
so, Lucy?"

"I suppose so," she said very quietly, her head bent close to her work.

"But what," exclaimed John, "has all this to do with the high cost of
living?"

He would neither sit down nor stand still.  He moved here and there,
changing the positions of framed photographs and ash trays, lighting
cigarettes, and throwing them into the fire.  He had the pinched,
hungry look of a man who is not sleeping well, and whose temperature is
a little higher than normal.

"Were you in the Spanish War?" he asked me suddenly.

(At the moment I was thinking: "If you go on like this you'll never win
her back, you'll only make matters worse!")  I said: "In a way, but I
didn't see any fighting.  I got mixed up in the Porto Rico campaign."

"I was with the Rough Riders," he said; "I've just been remembering
what fun it all was.  I wish you could go to a war whenever you wanted
to, the way you can to a ball game."

Then as quickly as he had introduced war, he switched to a new subject.

"I want you to try some old Bourbon a man sent me."

He had crossed the room, quick as thought, and pushed a bell; when the
waitress came he told her to bring a tray.

"Isn't whiskey bad for you when you're so nervous?" said Lucy quietly,
and without looking up.

"I don't know," said John, with a certain frolicking quality in his
voice; "I'm trying to find out."

"What was that you were playing a while ago?" I asked.  "The slow,
peaceful, sad sort of thing."

"This?"  And he whistled a few bars.

I nodded.

"I made it up as I went along," he said; "music's like a language.
When a man's heard a lot of the words and the idioms he can make a
bluff at talking it; but I can only speak a few words.  I've only got a
child's vocabulary.  I can only say, 'I'm hungry,' or 'I'm sleepy,' or
'I want a set of carpenter's tools,' or 'Brown swiped my tennis bat and
I'm going to punch his head,' or 'The little girl over the fence has
bright blue eyes and throws a ball like a boy and climbs trees.'"

He had to laugh himself at the idea of being able to express such
things in musical terms, but when he had sponged up a long glass of
very darkly mixed Bourbon and Apollinaris, the picture of the little
girl over the fence must have been still in his mind, for having left
us abruptly for the piano, he preluded and then began to improvise upon
that theme.  He talked rather than sang, but always in tune and with
the clearest enunciation, and any amount of experience.

He began merrily, and in no time had us both laughing; I think the
first air which he tortured to fit his unrhymed and unrhythmical words
belonged once to Mozart, but I am not sure.  It was made out of
merriness, sunshine, and dew.

  "The little girl over the fence, the fence
    Has bri-i-i-ight blue-ooo eyes
  And throws a ball like a boy, a boy,
    And cli-i-i-i-i-i-imbs trees."


He repeated in the minor, modulated into a more solemn key, and once
more talked off the words.  He left you with a slight feeling of
anxiety.  You began to be afraid that the little girl would fall out of
the trees and hurt herself.  But no, instead he grabbed something by
the hair right out of a Beethoven adagio, and began to want that little
girl with the blue eyes as a little girl with blue eyes has seldom been
wanted before; she became Psyche, Trojan Helen, a lover's dream; all
that is most exquisite and to be desired in the world--and then
suddenly he lost all hope of her and borrowed from Palestrina to tell
about it, and the last time she climbed trees it was plump on up into
Heaven that she climbed, and from hell below, or pretty close to it,
there arose the words "And climb trees" like a solemn ecclesiastical
amen.

It was an astounding performance, almost demoniac in its cleverness and
in its power to move the hearer.

Lucy's eyes were filled with tears.

"I wish he wouldn't," she said.

There was quite a long silence, but as we did not hear him moving
about, he probably sat on at the piano, for presently, in a whisper,
you may say, more to himself than to us, he sang that Scotch song,
"Turn ye to me," which to my ear at least stands a head and shoulders
taller and lovelier than any folk song in all the world, unless it's
that Norman sailor song that Chopin used in one of the Nocturnes.

  "The waves are dancing merrily, merrily,
  Ho-ro, Whairidher, turn ye to me:
  The sea-birds are wailing, wearily, wearily,
  Horo Whairidher, turn ye to me.

  "Hushed be thy moaning, love bird of the sea,
  Thy home on the rocks is a shelter to thee;
  Thy home is the angry wave, mine but the lonely grave,
  Horo Whairidher, turn ye to me."


Lucy rose abruptly and left the room.  I could hear her whispering to
him, pleading.

Surely he must have sung that song to her when she was only the little
girl with blue eyes over the fence, and it must have had something to
do with making her love him.  But the qualities of his voice that could
once make her heart beat and fire her with love for him could do so no
more.  He had left, poor fellow, only the power to torture her with
remorse and make her cry.




XV

The next day I kept a riding engagement with Lucy, but she didn't.

"She's gone for a walk with John," said Evelyn, who had come out of the
house to give me Lucy's messages of regret and apology.

"Lucy gone walking!" I exclaimed.  "Have the heavens fallen?"

"Sometimes I think they have," said Evelyn.  "But you know more about
that than I do."

"Know more about what?"

"Haven't you noticed?"

I shook my head.

"Why, John is all up in the air about something or other, and Lucy is
worried sick about him.  I thought probably she'd told you what the
trouble was.  I've asked.  She said probably money had something to do
with it; and that was all I could get out of her.  Come down off that
high horse and talk to me.  I'm not riding till four."

So I left my pony standing at the front gate and Evelyn and I strolled
about the grounds.

"Money isn't the whole trouble," said Evelyn presently.  "I know that.
Something even more serious has gone terribly wrong.  And I want to
help."

"Won't they work it out best by themselves?" I suggested.

"Sometimes," she said, "it seems almost as if they had quarreled.
Sometimes John looks at her--Oh, as if he was going to die and was
looking at her for the last time.  Could he have something serious the
matter with him?"

"He could, of course, but it doesn't seem likely."

"He doesn't _look_ well."

"True."

"Look here, Archie, don't you know what's wrong?"

"I wish I did," said I.  "If I could right it."

As a matter of fact I didn't know what was wrong.  I knew only that
Lucy no longer loved her husband.  But why she no longer loved him was
the real trouble, and she had not told me that, even if she knew It
herself.  But wishing to strengthen my answer, I said: "You're the one
who ought to know what's wrong.  You're on the spot.  And besides,
you're a woman and a woman is supposed to have three intuitions to a
man's one."

Evelyn ignored this.

"Sometimes," she said, "John's so gentle and pathetic that I want to
cry.  Sometimes he is cantankerous and flies into rages about trifles.
It's getting on my nerves."

"Why not pack up your duds and move on?"

"Oh, because----"

I laughed maliciously.  "We might move on together," I suggested.

"_You_ were going to move on," she said, "but you have stayed.  I
wonder why?"

I did not enlighten her.

"If," she said presently, "people find out that things in this house
are at sixes and sevens I wonder if they won't find fault with you and
Lucy?  Has that occurred to you?"

"It has occurred to you," I said, "to my own mamma and doubtless to
other connections.  But it hasn't occurred to me.  We see too much of
each other?"

"Altogether."

"You really think that?"

Evelyn shrugged her shoulders.  "For appearance' sake, yes," she said.
"Of course you do.  But it's my opinion that if you'd been going to get
sentimental about each other you'd have done it long ago."

"Evelyn," I said, "I've never made trouble in a family."

"Is that because of your natural virtue or because you have never
wanted to?"

"A little of both, I think.  People fall in love at first sight.  That
can't be helped.  Or they fall in love very quickly, and that's hard to
help.  But people who fall in love gradually through long association
have no good excuse for doing so, if they oughtn't.  They should see it
coming and quit seeing each other before it's too late."

"But I don't agree," said Evelyn.  "I think love is always a
first-sight affair.  I don't mean necessarily the first time two people
see each other, but that suddenly after years of association even, they
will see each other in a new light."

"A light that was never on sea or land?"

"A light that is always where people are, just waiting to be turned on."

At that moment we heard Dawson Cooper's voice calling: "Hallo there!
Where are you?"

Presently he hove into sight, and did not seem altogether pleased at
finding Evelyn and me together.

"Archie thought he was going to ride with Lucy," Evelyn explained, "but
she threw him down, and I suppose we have got to ask him to ride with
us!"

"Yes," I said, "I think you have, but I don't have to accept, do I?
You're just doing it so's not to hurt my feelings, aren't you?  Of
course if you really want me----"

"Come along, Coops," said Evelyn.  "He's trying to tease us.  He
wouldn't ride with us for a farm."

We separated at the mounting-block, and I watched them a little way
down the road.  And felt a little touch of envy.  Evelyn was looking
very alluring that afternoon.

I rode in the opposite direction until I came to the big open flat
north of the racetrack; there, a long way off, I saw John Fulton and
Lucy walking slowly side by side.  John was sabering dead weed stalks
with his stick.  So I turned east to avoid them, then north, until I
had passed the forlorn yellow pesthouse with its high, deer-park fence,
and was well out in the country.

Then I left the main road, and followed one tortuous sandy track after
another.  Suddenly Heroine shied.  I looked up from a deep, aimless
reverie, and saw sitting at the side of a trail a withered old negress.
She looked like a monkey buried in a mound of rags.

"Evening, Auntie," I said.

"Evening, boss."

Heroine had broken into a sweat, and was trembling.  She kept her eyes
on the old negress and her ears pointed at her, her nostrils widely
dilated.

"My horse thinks you're a witch, Auntie," I said.  "Hope you'll excuse
her."

"I allows I got ter, boss, caze that's jes what I is."

"Honest to Gospel?" I laughed.

"You got fifty cents, boss?"

I found such a coin in my pocket and tossed it to her.

"I used to have," I said.

She rose to her feet and Heroine drew away from her, firmly and rudely.

"Don' min' me, honey," said the old woman, and she held out a hand like
a monkey's paw.  To my astonishment Heroine began to crane her head
toward the hand, sniffed at it presently, gave a long sigh of relief
and stood at ease, muscles relaxed, and eyelids drooping.

"Now I believe you," I said.  "What else can you do?"

She turned her bright, beady eyes this way and that, searching perhaps
for anyone who might be watching and listening.  Then she said, "I kin
tell fo'tunes, boss."

"Just tell me my name."

"You is Mista Mannering, boss."

"Hum, that's too easy," I said.  "I've been coming to Aiken a great
many years.  What is my horse's name?"

"Her name is He'win, boss."

"Hum," I said and felt a little creepy feeling of wonder.

"Does you want to know any mo'?"

I nodded.

"You's flighty, boss, but you ain't bad.  You is goin' ter be lucky in
love, 'n then you is goin' ter be unlucky.  You is goin' ter risk
gettin' shot, but dere ain't goin' ter be no shootin'.  When summer
come around you is goin' ter have sorrer in you' breas', and when
winter comes around dere'll be de same ole sorrer, a twistin' and a
gnawin'."

"What sort of a sorrow, Auntie?"

"Sorrer like when you strikes a lil chile what ain't done no harm, only
seem like he done harm, sorrer like you feels w'en you baby dies, 'case
you is too close-fisted ter sen' fer de doctor, sorrer like----"

She broke off short, looking a little dazed and foolish.

"You've had your share of sorrow, Auntie, I can see that."

"Is I a beas' o' de fiel'?" she exclaimed indignantly, "or is I a
humanous bein'?"

"Must all human beings have sorrows?"

"Yes, boss, but each has he own kin'!  Big man has big sorrer, little
man have little sorrer, and dem as is middlin' men dey has middlin'
sorrers."

"It's all one," I said, "each gets what he can stand and no more.  Put
a big sorrow on a little man and he'd break under it; put a little
sorrow on a big man and he wouldn't know that he was carrying it.  What
else can you tell me, Auntie?"

"I ain't goin' ter tell yo' no mo'."

"Not for another half-dollar?"

"No, boss."

"Well, there it is anyway.  Good evening."

"Good evening, boss."

She had made me feel a little shivery and I rode off at the gallop.

XVI

I was surprised to find John Fulton in the Club.  As a home-loving man
he was not a frequent visitor.  He had dropped in, he said, to get a
game of bridge, had tired of waiting for somebody to cut out, and had
been reading the newspapers to find out how the world was getting along.

"I haven't more than glanced at them in a week," he said, "but there's
nothing new, is there?  Just new variations of public animosity and
domestic misfortunes.  Have you read this Overman business?"

"I haven't."

"It's a case or a hard-working, thoroughly respectable man who, for no
reason that is known, suddenly shoots down his wife and children in
cold blood, and then blows his own head to smithereens."

"But of course there was a reason," I said; "he must have felt that he
was justified."

"He seems to have had enough money and good health.  And he passed for
a sane, matter-of-fact sort of fellow."

"If it was the regular reason," I said, "jealousy, he wouldn't have
hurt the children."

"Only a very unhappy man could kill his children," said Fulton.  "His
idea would be to save them from such unhappiness as he himself had
experienced.  But in nine cases out of ten it would be a mistaken
kindness.  Causes similar to those which drove the father into a
despair of unhappiness would in all probability affect the children
less.  No two persons enjoy to the same degree, suffer to the same
degree or are tempted alike.  How many wronged husbands are there who
swallow their trouble and endure to one who shoots?"

"Legions," I said.  "Fortunately.  Otherwise one could hardly sleep for
the popping of pistols."

"Do you believe that or do you say it to be amusing?"

"I think that the number of husbands who find out that they have been
wronged is only exceeded by the number who never even suspect it.  But
they are not the husbands we know, the modern novelist to the contrary
notwithstanding.  In our class it is the wives who are wronged as a
rule; in the lower classes, the husbands.  I've known hundreds of what
the newspapers call society people; the women are good, with just
enough exceptions to prove the rule: the men aren't."

"When you say that the women are good, you mean they are technically
good?"

"Who is technically good?"

"Hallo, Harry!"

Colemain, having pushed a bell, pulled up a big chair and joined us.

"We were saying that the average woman we know is technically good."

"You bet she is!" said Colemain.  "She has to be!  If she wasn't how
could she ever put over the things she does put over?  And as a rule
her husband isn't technically good and so she has power over him.  She
says nothing, but he knows that she knows, and so when she does
something peculiarly extravagant and outrageous, he reaches meekly for
his checkbook.  For one man who is ruined by drink there are ten ruined
by women; and not by the kind of women who are supposed to ruin men
either; not by the street-walker, the chorus girl or the demi-mondaine.
American men are ruined by their wives and daughters who are
technically good.  Don't we know dozens of cases?  When there is a
crash in Wall Street how many well-to-do married men go to smash to one
well-to-do bachelor?  A marriage isn't a partnership.  It's the
opposite except in name.  It's a partnership in which the junior
partner gives her whole mind to extracting from the business sums of
money which ought to go back into it.  And she spends those sums almost
invariably on things which diminish in value the moment they are
bought.  It isn't the serpent that is the arch enemy of mankind.  It's
the pool in which Eve first saw that she was beautiful, or would be if
she could only get her fig-leaf skirt to hang right."

"But I think," said Fulton gently, "that women ought to have pretty
clothes, and bright jewels and luxuries.  If a girl loves a man, and
proves it and keeps on loving him, how is it possible for him to pay
her back short of ruining himself?  Haven't you ever felt that if the
whole world was yours to give you'd give it gladly?  Why complain then
when afterwards you are only asked to give that infinitesimal portion
of the world that happens at the moment to be yours?  If a man is
ruined for his wife, if cares shorten his life, even then he has done
far, far less than he once said he was willing and eager to do."

He looked at the big clock over the mantelpiece, sat silent for a
moment, then rose, wished us good-night and went out.

"You wouldn't think," said Harry, "to hear him talk that a woman was
playing chuck-cherry with that infinitesimal portion of the world that
happens to be his.  I was in the bank this morning and I saw him come
out of the President's room.  He looked a little as if he'd just
identified the body of a missing dear one in the morgue."

"I'm afraid he is frightfully hard up," I said, "but he hasn't said
anything to me about it, and I don't like to volunteer."

"He's a good man," said Harry, "one of the few really good men I know,
and it's a blamed shame."

"Oh, it will all come out in the wash."

"It depends on how dirty the linen is!"

"American men," I said, "never seem to have the courage to retrench.
Why not take your family to a cheap boarding-house for a year or two?
Cut the Gordian knot and get right down to bed rock?  Boarding-house
food may be bad for the spirit, but it's good for the body.  My father
had dyspepsia one spring, and his doctor told him to spend six weeks in
a summer hotel--_any_ summer hotel--and take _all_ his meals in it."

Just then one of the bell-boys interrupted us.  He said that Mrs.
Fulton wished to speak with me.  He followed me into the coat room,
where the telephone is, in a persistent sort of way, so that I turned
on him rather sharply and asked what he wanted.

His eyes were bulging with a look of importance and his black face had
an expression of mystery.  "She ain't on de telephone," he said, "she's
outside."

"Well, why couldn't you say so?"

I went out bareheaded into the dusk and walked quickly between the
bedded hyacinths and the evergreen hedges of Carolina cherry to the
sidewalk.  But she wasn't there.  Far up the street I saw a familiar
horse and buggy, and a whip that signaled to me.

She was all alone.  Even Cornelius Twombley, as much a part of the
buggy as one of the wheels, had been dropped off somewhere.

"I haven't seen you all day," she said.  "I thought maybe you'd like to
go for a little drive."

I simply climbed into the buggy and sat down beside her.

"Evelyn and Dawson," she explained, "were crowding the living-room, so
I thought of this.  Is John in the Club?"

"He was, but he said good-night to Harry Colemain and me, and I think
he went home. . . .  How is everything?  I saw you and John from afar,
walking together.  I knew you could run because I've seen you play
tennis, but I didn't suppose you'd ever learned to walk.  You're always
either on a horse or behind one."

"Was it very bold of me to come to the Club for you?  I suppose I ought
to have telephoned."  Then she laughed.  "I ought to have had more
consideration of your reputation," she said.

"My reputation will survive," I said.  "But look here, Lucy----"

"I'm looking!"

"I meant look with your mind.  I don't know if I ought to bring it up;
it's just gossip.  Harry saw John coming out of the President's room in
the bank.  He said it looked to him as if John had been trying to make
a touch and hadn't gotten away with it.  You know I hate to see him
distressed for money, especially now when other things are distressing
him, and I wonder if there isn't some tactful arrangement by which I
could let him have some money without his knowing that it came from me."

"_Aren't_ you good!" she exclaimed.  "Oh, I suppose he makes things out
as bad as he can so as to influence me as much as possible; but he says
we are in a terrible hole, that we oughtn't to have come here at all,
that if he'd had any idea how much money I'd been spending in New York
before we came he wouldn't have considered coming, that everybody is
hounding him for money, and that he doesn't see how he can possibly pay
his bills at the end of the season.  Of course it's mostly my fault;
but I can't help it if the Democrats are in power and business is bad,
can I?"

"Well," I said, "I'm flush just now and I'll think up a scheme.
Meanwhile let's forget about everything that isn't pleasant.  Where are
you going to drive me?"

"I don't care.  Let's get away from the lights.  What time is it?  John
doesn't like me to be late; and besides I haven't kissed the kiddies
good-night.  Let's just take a little dip in the woods.  On a hot night
it's almost like going for a swim.  Oughtn't you to have a hat or
something?  If you get cold you can put the cooler on like a shawl."

Her manner affected me as it had never affected me before.

The dip from the hot dusk of the dusty road into the cool midnight of
the pine woods had all the exhilaration of an adventure.  The fact that
she had sent into the Club for me flattered my vanity.  She wanted me
and not another to be with her.  I felt a tenderness for her that I had
never felt before.  I wanted a chance to show that I understood her and
was her friend without qualification.  Shoulder touched shoulder now
and then and it seemed to me as if I was being appealed to by that
contact for support, countenance, and protection.

We chattered about the night and the pale stars, and the smells of
flowers.  We wished that there was no such thing as dinner, that the
woods lasted forever, and that we might drive on through the soft
perfumed air until we came to the end of them.

Then there was quite a long silence, and for the first time in my life
I experienced the wish, well, not to kiss her, but to lay my cheek
against hers.  It was a wish singularly hard to resist.

"I suppose we ought to turn back."

"You know best," I said.

"Do you want to?"

"No, do you?"

"No."

But we turned back and came up out of the woods into the lights of the
town.

"Where shall I drop you--at the Club?"

"Let me drop you," I said, "and borrow your buggy afterward to take me
home.  You ought not to drive alone at night."

"Maybe it would be better if I did," she said.

We said good-night at the door of her house, but not easily.  For once
it seemed hard to say anything final.

"Was I very brazen," she said, "to ask you to go with me, when I didn't
want to be alone?"

"You were not," I said, "it was sweet of you.  I loved it."

Cornelius Twombly lunged from the black shadow of a cedar tree and went
to the horse's head.

"Good-night, Lucy.  Good luck!"

Just then we heard John calling.

"That you, Lucy?  You're late.  I was getting anxious."

We could see him coming down the path, a vague shadow among the
shadows, his cigarette burning brightly.

"Hallo, who is it?  I can't see."

"It's Archie Mannering," said Lucy.

"Oh, is it?  Won't you come in?"

"Can't, thanks.  Got to dress.  Lovely night, isn't it?  Good-night.
Good-night, Lucy."

When I had driven a little way I turned and looked over my shoulder,
but though I could only see the fire of John's cigarette, I imagined
that I could see his face--a little puzzled, a little anxious, and very
sad.

It was on that same night that he said to Lucy: "Aren't you seeing a
good deal of Archie Mannering?"

And she answered:

"Am I?  I suppose I am.  I like him awfully."




XVII

I awoke the next morning with the feeling that something or other was
impending.  I had no idea what it might be, pleasant or unpleasant.  I
felt a little the way you feel just before a race on which you have bet
altogether too much money, a little excited, a little nervous, equally
ready for laughter or anger.  I had also the feeling that I had a great
many things to do, and could not possibly get them done in so short a
space of time as one day.

I hurried through breakfast.  I hurried through the papers.  And then I
realized with a sense of anti-climax that until four o'clock, when I
was to ride with Lucy, I had but one thing of any possible importance
to do.  And upon that business from first to last including the walk to
the village and thence to the Club I spent no more than three-quarters
of an hour.  It had been an eccentric piece of business, and I was
rather pleased with myself for having brought it to a satisfactory
conclusion.  But I wanted others to know what I had done and to be
pleased with me for doing it; and to tell anyone was quite out of the
question.

In the Club letter-box under "M," I saw a small gray envelope.
Instinct told me that it was for me, and that it was from Lucy.  Then
somehow all my feeling of restlessness and suspense melted away like a
lump of sugar in hot tea.  I felt at once serene and comfortable.

I carried the note to a writing-table, for I imagined that it would
require an immediate answer, and then read it.  Like all Lucy's notes
it began without the conventional endearment, and ended with initials.
It contained also her usual half-dozen mistakes in spelling.


John says he has no money and can't get any.  So we've got to close the
house and go back north, and live very cheaply till better times.  So
I've got to begin packing.  So I can't ride this afternoon.  Isn't it
all a beastly shame?  But please drop in and say how-dy-do just the
same, and don't mind if you have to sit on a trunk.  And please be a
little sorry because I'm going away and we can't have any more rides.
And please don't say anything about this; because John isn't just
himself and maybe when we get all packed up he'll change his mind.

L. F.


Long before they were "all packed up," John did change his mind.  I was
present when he changed it.  Lucy, Evelyn, and I were in the
living-room helping each other to pack large silver-framed photographs
into the tray of a trunk.  It was slow work.  During the winter none of
us had looked at the photographs or commented on the originals, but now
that they were to be swathed in tissue paper and put out of sight each
one had to be approved or disapproved, and long excursions had to be
made into the life histories and affairs of the friends who had sat for
them.

Lucy had just taken a large photograph of Evelyn from the top of the
low bookshelves that filled one end of the room when John came in from
the garden with an open letter in his hand.  He was smiling in a
puzzled sort of way.

"What do you know about this!" he exclaimed rather than asked.

"Nothing," said Lucy, "_yet_."  And she began to wrap Evelyn's
photograph in many folds of tissue paper.

"Yesterday," said John, "I tried to get some money from the bank, but
they turned me down.  Now they write that upon reconsideration I can
have anything I like."

Well, Lucy's expression at that moment was worth a great deal more than
the few thousands which her husband would see fit to borrow from the
bank, and I couldn't but feel that there are moments when it is really
worth while to be alive and rich.

"Wonder what made 'em change their minds?" said John.

"There's one thing sure," said Lucy.  "You are not to look a gift horse
in the mouth."

She unwrapped the photograph of Evelyn and put it back in its old place
on top of the bookshelves.

"This settles everything, does it?" asked John.  "We don't go back to
New York?"

"We do not," said Lucy firmly.

"Well," said John, "I'd better see the bank before it changes its mind
again.  Is the buggy outside?"

"No, but you can take Archie's or Evelyn's.  Can't he?  I sent
Cornelius Twombly to do some chores."

"I'll drive you down," said Evelyn, "having a telegram to send."

"And I'll stay and help Lucy unpack," I said.  "Lord, people, I'm glad
you're not going!"

The moment we were alone Lucy said: "You did it."

"Did what?"

"Don't beat about the bush!  Don't pretend that you are not a blessed
angel in disguise!"

Her face was very grave and lovely.

"It's the kindest, tactfulest thing that anybody ever did."

"I couldn't bear the thought of your going back to the city when it's
such fun here."

"What can I say or do to thank you?"

"Nothing, Lucy.  Yes, you can.  You can ride with me this afternoon."

She looked a little troubled.  "Last night, after you had gone," she
said, "John said, 'Aren't you seeing a good deal of Archie Mannering?'"

For a moment I felt distinctly chilled and uncomfortable.  Then I said:
"Oh, dear!  Now Brutus himself is beginning to worry about us.  How
silly!"

"How silly!" echoed Lucy, and we stood staring at each other rather
vapidly, finding nothing to say.

After a while I asked if John had said any more on the subject.  "Did
he embroider the theme at all?" I asked.

Lucy took a photograph out of the trunk tray and began to unwrap it.
"Yes," she said.  "He did.  He even held forth.  He said that when a
woman no longer cared for her husband, it was dangerous for her to see
much of another man.  He realized, he said, that ours was an
exceptional case, but that soon people would guess about _him_ and me,
and that then they'd begin to talk about _you_ and me.  And he hates
anything conspicuous, and so forth, and so forth."

"What did you say?"

She smiled up at me, but not very joyously.  "I said, 'I'm not going to
be rude to one of the best friends I've got, just for fun.  If you
forbid me to see him, why I suppose I'll obey you, but I'd have to
explain to him, wouldn't I?  I'd have to say, "John considers our
friendship dangerous, so we're not to see each other any more!"'  And
of course he said that that was out of the question, and I agreed with
him."

"Still you've said it."

And we smiled at each other.

"He didn't give me a good character," said Lucy dolefully.  "He said I
never think of yesterday or tomorrow, but only of the moment.  He said
I neglect the children, and Oh, I'd like to end it all!  It's an
impossible situation.  I'd give my life gladly to feel about him the
way I used to, but I can't--I can't ever."

She looked very tragic.

"Oh," she went on vehemently, "it's terrible.  I'm all cold and dumb.
Every power of affection that I had has gone out like a candle.  I _do_
neglect the children!  It's because I can't look them in the face.
I've failed him, and I've failed them, and I ought to tie a stone round
my neck and jump into the nearest millpond."

"It's a good three miles to the nearest millpond," I said.  "And there
isn't a stone in this part of South Carolina.  You are all up in the
air now, because the situation you are in is so new to you.  But you'll
get used to it."

"If I don't go mad first."

"Why, Lucy?"

"You don't understand," she cried.  "You have never had loving arms to
go to when you were in trouble.  I've had them and I've lost them.  I
mean I've lost the power to go to them and find comfort."

A picture of her running to my arms for comfort flashed through my
mind, and troubled me to the marrow.  And I had from that moment the
definite wish to take her in my arms.  And in that same moment I
realized that those who thought we were too much together were not such
meddling fools as I had thought them.

"Lucy," I said, and I hardly recognized my own voice.  "Whatever
happens, you've a friend who will never fail you."

"I know that," she said, and she held out her two hands, and I took
them in mine.

"If you sent for me to the ends of the earth, I would come."

"I know that."

"There is nothing you could ask of me that I wouldn't give."

"I know that."

And that afternoon we rode together in the woods.




XVIII

A man must have descended to the very deepest levels of depression
before he loses his power to laugh, or to be cheered by an unexpected
bettering of his financial position.  John Fulton was in a bad way, but
certain things still struck him as funny, and the money which he had
been enabled to borrow from the bank had eased his mind.  Still, so
Lucy told me, he could not sleep at night, and it must have been
obvious to the most casual observer that he was a sick man.  He had a
drawn and hungry look.  Jock and Hurry could by no means satisfy his
appetite for affection.  Indeed, I think the sight and touch and the
sounds of them at play were no great comfort to him at this time.  He
must have felt in their presence something of that anguish of pity
which a man feels for children who have lost their mother.

He had hoped at first that Lucy's failure of affection was but a
temporary aberration.  But at last he must have come to despair of any
change in her feelings for him, at least under existing conditions.
Indeed their relations were going from bad to worse.  A man loved and
beloved falls into habits of passion for which there is no cure but
death or old age.  Yet a man would readily believe that separation
might affect him like an opiate, and it must have been in this belief
that Fulton determined to accompany Harry Colemain on a trip to Palm
Beach.  To me he vouchsafed the explanation that he was not well and
that he couldn't sleep, and that when he wasn't well, and that when he
couldn't sleep, his one thought and desire was to get to salt water.
"It always cures me," he said, just as if he had often been sick
before.  From Lucy I had the truth of the matter.

"He thinks," she said, "that if he goes away and stays away for a long
time that perhaps I will miss him enough to want him back, and on the
old footing.  He isn't even going to write to me.  It's going to be
exactly as if he didn't exist."

"Do you think it wise for him to go, Lucy?"

"Perhaps it will do him good.  It won't change me.  I know that.  If
only he'd change.  Haven't I done him enough harm to make him hate me?
Archie, I'm so sorry for him that I wish I was dead.  And yet I want to
live.  I'm too young to die.  I want to live, and be happy--happy the
way I used to be happy."

"And you can't with John?"

She shook her head quietly.  "It's the most wonderful thing to be in
love!" she said.  "I wonder what I did to have that wonderful thing?  I
wonder what I've done to deserve to lose it?  And even if--even if it
happened again it could never be the same.  There can be only one first
time--even if you've got a silly memory that doesn't remember very
well.  And you make ties and habits and all these have to be thrown
overboard when the second time happens, and there's scandal, and cold
shoulders, and--what do you think I _ought_ to do?  If I can't give him
what he's paying for oughtn't I to cut loose on my own, to support
myself, and not be a burden to him and a ubiquitous reminder that we've
failed to make a go of living together?  What _ought_ I to do?"

It had become very hard for me to tell her what I thought she ought to
do.  Ever since that moment when I had first known that I wanted to
take her in my arms and comfort her, I had begun to have doubts of my
own honesty.  And now she had put that honesty to a definite test, and
I was determined that it should come through the ordeal alive.

"Must I really tell you what I think you ought to do?"

"Yes."

"Some of the things I think you ought to do, are things that I know you
don't want to do--things that you think perhaps you _can't_ do.  Women
often say _can't_ when they mean _won't_, don't they?"

"Maybe."

"I'm afraid you aren't going to like what I'm going to say, nor me for
saying it."

"Try me," she said, and she gave me a look of great trust and
understanding.

"I'm going to tell you what I think you ought to do, Lucy, and what I
think you ought to have done."

Any teacher whose scholars looked at him with the trustfulness and
expectation with which Lucy now looked at me, must be inspired, I
think, to the very top notch of his sense of honor and duty.  I am sure
at least that I laid the law down of what I thought she should do, and
should have done with complete honesty and without regard to
consequences.  If I got nothing better for my pains than dislike, at
least I could criticize her conduct and character without being biased
by my growing affection for her.

"In the first place," I said, "when you found out that you no longer
loved your husband, you made your first mistake.  By your own admission
he had given you everything in the way of devotion and faithfulness
that a man can give a woman.  When you found that you no longer loved
him, you shouldn't have told him.  He ought never to have known.  You
should have summoned all your fortitude and delicacy to deceive him
into thinking that you had not changed toward him, and never would."

"I _couldn't_!" exclaimed Lucy.

"You wouldn't," I said.

"It wouldn't have been honest."

"Perhaps not.  But it would have been noble."

Lucy naturally enough preferred praise to blame, and this showed in her
face and in her voice.  I felt infinitely removed from our previous
terms of intimate confidence, when she said: "Couldn't or wouldn't,
it's history that I didn't."

"That being so," I said, "I think you should go now to your husband and
tell him that love or no love you propose to be his faithful wife till
death part you; to put him first in your head, if not in your heart.
It may be that through a long course of simulation you will come once
more to care for him.  Self-sacrifice is a noble weapon.  I think,
Lucy, that you would be very wise if you told him that two is not a
lucky number."

"I don't understand."

"Jock and Hurry," I said, "are two."

She changed color to the roots of her hair.  "Oh," she cried, "you
don't understand how a woman feels about that!  I'd rather die.  I--I
_couldn't_!"

"You _won't_."

"I thought _you_ understood me better.  I thought _you_ wanted me to be
happy!"

"Upon my soul, Lucy, I think that you might find happiness that way."

She shrugged her shoulders and her face looked hard as marble.  "And
that's your advice!" she said.  And then with a sudden change of
expression, "It's what you think I _ought_ to do.  Would it please you
if I took your advice?  Is it what you _want_ me to do?"

I had spoken as I thought duty commanded.  It hadn't been easy.  With
each word I felt that I had lost ground in her estimation.  She asked
that last question with the expression of a weary woebegone child, and
I answered it without thought, and upon the urge of a wrong impulse.

"No--no," I cried.  "It's not what I want you to do.  I had almost
rather see you dead."

There was a long silence.

"Do you mean that?"

"Yes, Lucy.  Yes."

"Then you _do_ care.  Oh, thank God!"

I don't know how she got there.  It was as if I had waked up and found
her in my arms.

Kissed and kissing, we heard the opening of the distant front door.
And Oh, how I wish I had found the courage when Fulton came into the
livingroom, to tell him that I loved his wife, and that she loved me,
and what was he going to do about it!  I did have the impulse, but not
the courage.  When Fulton came in Lucy was knitting at an interminable
green necktie, and I was talking to her from a far chair across an open
number of the illustrated _London News_.  We looked, I believe, as
casual and innocent as cherubim, but my conscience was very guilty, and
it seemed to me, rightly or wrongly, that for the first time Fulton
showed me a certain curtness of manner, as if he was not pleased at
finding me so often in his house.




XIX

With the knowledge that I loved Lucy and that she loved me, came also
the knowledge that for a long time the situation had been
inevitable--inevitable if we kept on being so much in each other's
company.  Passages between us of words and looks now recurred to my
memory filled with portentous meaning.  Oh, I thought, how could I have
been so blind!  A fool must have seen it coming.  I ought to have seen
it coming.  I ought to have run from it as a man runs from a
conflagration.  When Lucy told me that she no longer loved her husband
I ought to have known that the fault was mine, and I ought to have gone
to a far place, and left that little family to rehabilitate itself in
peace.  Surely after a "blank" spell Lucy would have loved her husband
again.

But all the thoughts that I carried to bed with me that night were not
dark with remorse.  It was possible for whole minutes of time,
especially between sleeping and waking, to forget the complications of
the situation and to bask in the blissful warmth of its serenities.
The laughter, the prayers, the adoration of Lucy's lovely eyes were
mine now.  She loved me better than her children, better than life
itself.  She had not said these things to me, she had looked them to
me.  It was wonderful to feel that I had been trusted with so much that
was beautiful and precious.

Once a spoiled child, always a spoiled child.  In the scheme of things
I _would_ not at first give their proper place to those awful barriers
which society has set up between a man and another man's wife.  We
loved each other with might and main, and our only happiness could be
in passing over those barriers and belonging to each other.  John
Fulton and his children were but vague pale shadows across the sunshine.

The sleep that I got that night, short though it was, was infinitely
refreshing.  I waked with the feeling that happiness had at last come
into my life, and that I was not thirty-five years old, but twenty
years young.

I walked in my mother's garden waiting for servants to come downstairs
and make coffee for me and poach eggs.  It was going to be a lovely
day.  Already the sun had coaxed the tea-olives to give out their odor
of ripe peaches.  "How she loves them," I thought.  "If only she were
with me now."

The garden seemed very beautiful to me.  For the first time in my life,
I think, I took a flower in my hands and examined it to see how it was
made.  A great and new curiosity filled me.  How beautiful the world
was, and all things in it; how short the time to find out all that
there was to be known about all those beautiful things!  And what an
ignoble basis of ignorance I must start from if I was to "find out,"
and to "understand!"  There filled me a sense of unworthiness and a
strong desire for self-improvement.

"I must learn the names of some of these things," I thought, and I
began to read the labels which stood among the flowers and shrubbery,
for in such matters my mother was very strict and particular: _Abeleia
grandiflora, Laurestinus, Olea fragrans, Ligustrum napalense, Rosa
watsoniana_----  Now really could that thing be a rose?  It looked more
like a cross between a fern and an ostrich plume.  I looked closer.
Each slender light green leaf was mottled with lighter green, a miracle
of exquisite tracing, and the thing was in bud, millions and millions
of buds no bigger than the eggs in a shad roe.  Yes, it was a rose.  I
looked at the drop of blood on the ball of my thumb, and thought what a
beautiful color it was, and how gladly, if need be, I would shed every
drop of it for Her.

Dark smoke began to pour from the kitchen chimney, and I knew that the
cook was down.  Hilda must have seen me in the garden, for she was
setting a place for me at one end of the big dining-table.  How fresh
and clean she always looked and how tidy.  Almost you might have
thought that her hair was carved from some rich brown substance.  It
was always as neat as the hair of a statue.

"Good morning, Hilda."

"Good morning, Mr. Archie."

"How about breakfast?"

"It will be ready directly."

"Wish you'd give me a long glass of Apollinaris with a lot of ice in
it."

"With pleasure."

I heard her pounding ice in the pantry and then the pop as the bottle
came open.  She stood behind my chair while I drank.  And somehow I got
the feeling that she was smiling.  I turned my head quickly.  She was
smiling, but tremulously, almost as if she was going to cry.

"What's the matter, Hilda--have I forgotten to brush the back of my
hair?"

"No, sir--it's----"

"It's _what_?"

"Nothing, sir--only----"

"Don't be silly----  Tell me."

She told me, and for a moment, so odd was her statement, I thought she
must have gone out of her mind.

"The window of my room," she said, "is just over one of the windows of
yours."

I didn't know what to say.  I really thought she must be slightly
deranged.  I said lamely: "Which window?"

"The one by your bed, the one you always leave open so's the air can
get to you."

"Well, Hilda, what about it?"

"Sometimes I hear you talking in your sleep, and then I lean out of my
window and listen."

With this admission she blushed crimson and no longer looked me in the
eyes.

"Do you think that's quite fair?"

"I don't lead a very full life, Mr. Archie."

"And my unconscious prattle helps to fill it?  Do I often talk in my
sleep?"

"You talked last night."

Her voice was full of meaning and somehow I felt chilled and no longer
so very gay and happy.

"What did I talk about?"

"About a lady."

With humiliation I realized that I was now turning red; but I laughed,
and said: "We look like a couple of boiled lobsters, Hilda.  What did I
say about the lady?"

"You said--I only thought you ought to know that I know--so's--well
so's you can keep that window shut, and fix it so no one else will
know."

I felt like a convicted criminal.

"Did I--mention the lady's name?"

She nodded.  "You were talking about Mrs. Fulton," she said in a low
voice, "only you didn't call her that."

"Hilda," I said firmly.  "Mrs. Fulton and I are very old
friends--nothing more."

I could see that she didn't believe me, and I changed my tactics.
"You'll not talk, Hilda?"

Her face had resumed its natural color, and she now looked me once more
in the eyes.  "I'd sooner die than hurt you, Mr. Archie."

"Why, Hilda----!"

All this time I had been sitting and talking over my shoulder, but now
I got quickly out of my chair, and drew her hands away from her face.
"Oh, Hilda, I _am_ so sorry.  What _can_ I do?  I'm so sorry, Hilda,
and so proud, too."

She looked up at that.

"You poor child!  I feel like a dog, a miserable dog!"

"You couldn't help it, Mr. Archie.  You can't help being you.  Can you?"

She tried to smile.

"How long," I asked, "has it been like this?"

"Ever since the day I came--three years and two hundred and twenty-one
days ago--and I heard you say to Mrs. Mannering--to your
mother--'Mother,' you said, 'that new maid is as pretty as a picture.'
And that did it!"

"Hilda," I said as quietly as I could, "I'm more touched and flattered
than I can express.  I'll be a good friend to you as long as I live.
But--I think I ought to say it, even if it's a cold rough thing to say.
I don't believe I'm ever going to feel the same way about you, and
so----"

"Oh, I know that, but----  Oh, do you still think I'm pretty?"

"_Indeed_ I do.  I've always thought that.  Always known that."

"Well," she said, speaking very bravely but with a mouth that quivered,
"that's something.  I don't lead a very full life, but that's
something."




XX

"Mother, are you very busy with those letters?"

"Yes, dear, very."

"I thought so; so put them down and come into the garden.  There is a
bench where the thyme and eglantine----"

"My dear, you frighten me.  What has happened?"

My mother rose, one hand on her bosom.

"Nothing to be frightened about.  It's only a little tragedy in a life
that isn't very full.  Come and talk it over."

I gave her my arm and we strolled into the garden like a pair of lovers.

"Do you remember when Hilda came to us?"

"Perfectly."

"I said to you on that day, 'Mother, the new maid is as pretty as a
picture.'  Do you remember?"

"No."

"Well, I said it, and Hilda heard me say it, and please don't laugh, it
seems that my saying it made the poor child--Oh, care about me.  She's
cared ever since, and I'm afraid she cares a whole lot."

"How did you get to know?"

"She told me, this morning, practically out of a clear sky.  One thing
I want to make clear is that it's just as little my fault as it
possibly can be.  I feel like the devil about it, but I can't for the
life of me find one little hook to hang a shred of self-reproach on.
My morals aren't what they should be.  But I am a fastidious man, and
the roof under which my mother lives is to me as the roof of a temple.
But you know all this.  Now what's to be done?  One thing is clear, I
can't and won't be amorously waited on.  I think the poor child will
have to be sent away."

"Oh, dear!" cried my mother, "and just when she's getting to be a
perfect servant, and your father so used to her now--says he never
knows when she's in the room and when she isn't."

We returned to the house.

"I'll talk it over with her," announced my mother, "and try to decide
what's best--best for her, the poor, pretty little thing."

You may be sure that that meeting in the little room where my mother
wrote her letters was no meeting between a mistress and a servant, but
between two honest women who in different ways loved the same man.

I was with Lucy while it took place, but certain gists of what was said
and done have come to me, some from my mother, and some from Hilda.

My mother, it seemed, waived at once all those degrees of the social
scale which separated them, took Hilda in her arms, kissed her, and
held her while Hilda had what women call a "good cry."  My mother is
too proud and brave to cry, but she was unhappy without affectation.
After the embrace and the cry they sat side by side on a little
brocaded sofa and talked.  My mother fortunately did not have to point
out the social obstacles in the way of a match between Hilda and me, as
there was never any question of such a match.  Indeed, in the talk
between them I was not at first mentioned.  My mother took the position
that Hilda was just a sweet, nice-minded girl who was very unhappy and
needed comforting, and advice.  First she made Hilda tell the story of
her life.  To be permitted to do this in the presence of a sincere
listener and well-wisher is one of the greatest comforts to anyone.

"The poor child," said my mother, "has had such a drab, colorless,
unhappy life that it made her almost happy to tell about it."

It seemed that Hilda wasn't "anybody" even for a servant.  Her earliest
recollections were of life in an English orphanage--one of those
orphanages where the mothers of the orphans are still alive and there
never were any fathers.

"But she's made herself think," my mother told me, "that her father was
a gentleman--God save the mark!"

Well, she went into service when she was a "great" girl of fourteen or
fifteen, and after various drab adventures in servitude came to this
country and was presently sent to my mother on approval.  She had left
her last place in England because of a horrible butler.  He was
bowlegged and very old.  He drank and made the poor frightened girls in
the house listen to horrible stories.  One found notes, printed notes,
pinned on one's pincushion.  "Have a heart.  Don't lock your door
tonight," and such like.  Or a piece of plate would be missed and one
would find it in one's bureau drawer, where the horrible old man had
put it, and one dared not complain to the master lest upon carefully
planned circumstantial evidence one be made out to be a thief.

It had been so wonderful coming to live in my mother's house.  The
servants were so different, so kind, so worthy.  The servants' rooms
were so clean and neat and well-furnished as the master's rooms.  So
much was done to make the servants comfortable and happy.  Nobody had
ever spoken crossly to one in my mother's house----"And, Oh, Mrs.
Mannering, I feel so low and ashamed to have made so much trouble for
you and Mr. Archie."

That was the first mention of my name.

"My dear Hilda, you mustn't feel ashamed because you've had a romance."

"Oh, it has been a sort of romance, hasn't it, Mrs. Mannering?  But I
never--never should have let it all come out.  Because now I'll have to
go away, and never even see him ever any more.  I never should have let
it come out, but I couldn't help it.  And him always so kind and
polite, and never once guessing all these years!"

Now my mother had not gone into that interview without a definite plan.
She had heard that the Fultons--of all the people in this world whom it
might have been!--were being abandoned by their waitress, and already
by a brisk use of the telephone my mother had secured the place for
Hilda.

It's a wonder that Hilda did not burst out laughing or screaming when
she heard into whose service she was to go.  I don't think she hated
Lucy--yet.  But for a woman who loved a man to take a place with the
woman the man loved must have struck her as the most grotesque of
propositions.  But what could she do?  Loyal to me, and to my secret,
she wasn't going to give me away to my mother.

"But," she protested, "Mr. Archie goes so much to that house!"

"But now," said my mother, "don't you see, he won't go so much."

Indeed the dear manager felt that she had killed two birds with one
stone.  Lucy had a good place, and from now on there would be in the
Fultons' house a living reason why a man of tact (like her beloved
son!) should keep away.  Alas, mother, there were other living reasons
in that house which should have served to keep me away, and didn't.

I heard from my mother of the arrangement and was troubled.  For once
in her life of smoothing out other people's lives she had blundered
seriously.  Her measures had in them only this of success: that I found
many excuses for not taking meals in the Fultons' house, and from that
time forward saw Hilda very seldom.  My mother gave her a lot of
clothes, and quite a lot of money, I suppose, and the poor child for a
while dropped out of sight.  But not out of mind, I can tell you; for
it worried me sick to feel that she was always in Lucy's house,
watching and listening when she could.

I had not at this time had any great experience with the passion of
jealousy.  But a man who reads the newspapers, or has done his turn at
jury duty in Criminal Sessions, cannot be ignorant of the desperate
acts to which now and again it drives men and women.

Hilda, according to the slight knowledge I had of her character, was
gentle and patient; she would be treated by Lucy as all Lucy's servants
were, with the greatest tact and friendliness, and still the mere fact
of her presence in that house filled me with forebodings.  She would be
in a position to make so much trouble, if ever anything should happen
to start her on the war path.  She had proved already that her moral
nature was not superior to eavesdropping; already she had my secret by
the ears, and one-sided and innocent though that secret may have
appeared to her, it was not really a one-sided secret, and when she had
got her clutch upon the other side, she could be almost as dangerous
and mischievous as you please.

At best, Hilda was one more difficulty with which Lucy and I would have
to contend.

It would have been wisest to tell Lucy all that I knew about Hilda.
But you may have noticed with butterflies that they do not fly the
straight line between two points; rather they fly in circles, with
back-tracking, excursions, and gyrations, so that unless you have seen
them start you cannot guess where they have started from, nor until the
wings close and the insects come to a definite rest, are you in a
position to know what their objective was.

In the face of our recently declared love for each other, any mention
of Hilda's below-stairs passion for the "young master" seemed to me a
blatant indelicacy.  Almost it might have a quality of pluming and
boasting, a gross acceptance of man's polygamous potentialities.

There would be time later for conversations in which future
practicalities should take precedence over romantic fancies and
protestations.  Just now the Butterfly did not care a rap what should
happen when winter came; for the present the world was filled with
flowers--all his, and all containing honey.




XXI

"He broke up their home," is a familiar phrase.  But few men in the act
of breaking up a home realize the gravity of what they are about.  I
had gone a long way toward breaking up Fulton's happy family life
without having the slightest notion that I was doing anything of the
kind.  When Lucy fell out of love with her husband, it was not because
she had fallen in love with me.  It was because she was going to.  The
lovely little sloop-of-war was merely clearing her decks for action.
She didn't know this; I didn't.  I frequented the house a little more
than other men; that was all.  And I frequented it not because of the
charm exercised upon me by an individual member of the Fulton family,
but of the charm which it exercised upon me as a whole.  _There_ was
peace, _there_ was happiness, _there_ was love and understanding; there
was poignant food for a lonely bachelor to chew upon.  Remembering this
how can I believe that this is the best of all possible worlds, and
that everything in it is for the best?  If I had not been fascinated by
the Fultons as a family, I should never have become a frequenter of
their house.  If I had not been a frequenter of their house, I should
never have split that family which as a whole so fascinated me with a
wedge of tragedy.  It is a horrid circle of thought.

When I learned that Lucy no longer loved her husband my heart had given
no guilty bound of anticipation; instead it had turned lead-heavy for
sheer sorrowing and sunk into my boots.  The other day the Germans
smashed the blue glass in Rheims Cathedral.  A friend brought me a
little fragment of this, and among my personal possessions I give it
the place of first treasure.  It's a more wonderful blue than Lucy's
eyes, even.  The light of heaven has poured through it to illumine the
face of Joan of Arc.  Its price is far above rubies and sapphires, and
it seems to me the most wonderful treasure to have for my very own.
But does this fact automatically make me glad that the Germans banged
the great cathedral to pieces?  It does not.  Sometimes when I look at
the light through my piece of blue glass I see red.  And I hope that
those who trained guns against the holy shrine and who are not already
in hell, soon will be.  And I could wish myself the hell of never
having known Lucy's love, if by so doing I could restore the Fulton
family to the blessed and tranquil state in which I first knew them.

I began this chapter with an idea of self-defense.  How much of the
tragedy am I responsible for?  Upon my soul I can never answer that
question to my satisfaction, and my conscience has put it to me
thousands of times.  I ought to have seen it coming.  I didn't--at
least I'm very sure that I didn't.  But sometimes I am not so very sure
of this.  It is so obvious (now) that I ought to have seen it coming,
that sometimes I persuade myself that I actually did.  But how could I?
For if I had, with any certainty at all, surely I would have been man
enough to hide myself away somewhere, even at the ends of the earth.
Love does not grow and wax great upon air.  Solid food is needed in the
occasional presence of the beloved.  Suppose I had fled away the moment
I learned that Lucy no longer loved her husband?  Already her heart
must have been turning to me, if only a little, but with the magnet
which had caused it to turn that little removed from sight, first, and
presently from mind, I believe that after a dazed numbed period that
heart of hers might have swung back into its place.

Later when Fulton said to me, "But you ought to have seen it coming,
and taken measures to see that it didn't come," I gave him my word that
I hadn't seen it coming, and it was very obvious that he didn't believe
me.  Will anyone believe me?  It doesn't matter.  I am not even sure
myself that I am telling the truth.  But I know that I am trying to.

I had left my mother to her interview with Hilda, and betaken myself to
the club.  It was too early even to hope for a sight of Lucy.  There
were a number of men in the reading-room discussing the morning leader
in that fair-minded and pithy sheet, the _Charleston News and Courier_,
and one of these, eyeing me with a quizzical expression, said: "You
look as if you had won a bet."

So already _it_ showed in my face.

Well, I felt as if I had won many bets, and was only twenty, and that
the course before me was all plain sailing.  I was not yet in a
condition to argue with myself about right and wrong.  It did not seem

Showing first 200,000 characters. Full text: gutenberg.org/ebooks/21883