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Lucile

by Earl of Edward Robert Bulwer Lytton Lytton · English · Gutenberg #1852 · 458,704 chars · public domain (US)

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Title: Lucile

Author: Earl of Edward Robert Bulwer Lytton Lytton


        
Release date: August 1, 1999 [eBook #1852]
                Most recently updated: October 15, 2008

Language: English

Other information and formats: www.gutenberg.org/ebooks/1852

Credits: Produced by Donald Lainson, and David Widger


*** START OF THE PROJECT GUTENBERG EBOOK LUCILE ***




Produced by Donald Lainson





LUCILE

by Owen Meredith




     "Why, let the stricken deer go weep.
        The hart ungalled play:
      For some must watch, while some must sleep;
        Thus runs the world away."

     Hamlet.




DEDICATION.

TO MY FATHER.


I dedicate to you a work, which is submitted to the public with a
diffidence and hesitation proportioned to the novelty of the effort
it represents.  For in this poem I have abandoned those forms of
verse with which I had most familiarized my thoughts, and have
endeavored to follow a path on which I could discover no footprints
before me, either to guide or to warn.

There is a moment of profound discouragement which succeeds to
prolonged effort; when, the labor which has become a habit having
ceased, we miss the sustaining sense of its companionship, and
stand, with a feeling of strangeness and embarrassment, before the
abrupt and naked result.  As regards myself, in the present
instance, the force of all such sensations is increased by the
circumstances to which I have referred.  And in this moment of
discouragement and doubt, my heart instinctively turns to you, from
whom it has so often sought, from whom it has never failed to
receive, support.

I do not inscribe to you this book because it contains anything
that is worthy of the beloved and honored name with which I thus
seek to associate it; nor yet because I would avail myself of a
vulgar pretext to display in public an affection that is best
honored by the silence which it renders sacred.

Feelings only such as those with which, in days when there existed
for me no critic less gentle than yourself, I brought to you my
childish manuscripts; feelings only such as those which have, in
later years, associated with your heart all that has moved or
occupied my own,--lead me once more to seek assurance from the
grasp of that hand which has hitherto been my guide and comfort
through the life I owe to you.

And as in childhood, when existence had no toil beyond the day's
simple lesson, no ambition beyond the neighboring approval of the
night, I brought to you the morning's task for the evening's
sanction, so now I bring to you this self-appointed taskwork of
maturer years; less confident indeed of your approval, but not less
confident of your love; and anxious only to realize your presence
between myself and the public, and to mingle with those severer
voices to whose final sentence I submit my work the beloved and
gracious accents of your own.

OWEN MEREDITH.




LUCILE




PART I.




CANTO I.


     I.


     LETTER FROM THE COMTESSE DE NEVERS TO LORD ALFRED VARGRAVE.


     "I hear from Bigorre you are there.  I am told
     You are going to marry Miss Darcy.  Of old,
     So long since you may have forgotten it now
     (When we parted as friends, soon mere strangers to grow),
     Your last words recorded a pledge--what you will--
     A promise--the time is now come to fulfil.
     The letters I ask you, my lord, to return,
     I desire to receive from your hand.  You discern
     My reasons, which, therefore, I need not explain.
     The distance to Luchon is short.  I remain
     A month in these mountains.  Miss Darcy, perchance,
     Will forego one brief page from the summer romance
     Of her courtship, and spare you one day from your place
     At her feet, in the light of her fair English face.
     I desire nothing more, and trust you will feel
     I desire nothing much.
                            "Your friend always,
                                                 "LUCILE."


     II.


     Now in May Fair, of course,--in the fair month of May--
     When life is abundant, and busy, and gay:
     When the markets of London are noisy about
     Young ladies, and strawberries,--"only just out;"
     Fresh strawberries sold under all the house-eaves,
     And young ladies on sale for the strawberry-leaves:
     When cards, invitations, and three-cornered notes
     Fly about like white butterflies--gay little motes
     In the sunbeam of Fashion; and even Blue Books
     Take a heavy-wing'd flight, and grow busy as rooks;
     And the postman (that Genius, indifferent and stern,
     Who shakes out even-handed to all, from his urn,
     Those lots which so often decide if our day
     Shall be fretful and anxious, or joyous and gay)
     Brings, each morning, more letters of one sort or other
     Than Cadmus, himself, put together, to bother
     The heads of Hellenes;--I say, in the season
     Of Fair May, in May Fair, there can be no reason
     Why, when quietly munching your dry toast and butter,
     Your nerves should be suddenly thrown in a flutter
     At the sight of a neat little letter, address'd
     In a woman's handwriting, containing, half guess'd,
     An odor of violets faint as the Spring,
     And coquettishly seal'd with a small signet-ring.
     But in Autumn, the season of sombre reflection,
     When a damp day, at breakfast, begins with dejection;
     Far from London and Paris, and ill at one's ease,
     Away in the heart of the blue Pyrenees,
     Where a call from the doctor, a stroll to the bath,
     A ride through the hills on a hack like a lath,
     A cigar, a French novel, a tedious flirtation,
     Are all a man finds for his day's occupation,
     The whole case, believe me, is totally changed,
     And a letter may alter the plans we arranged
     Over-night, for the slaughter of time--a wild beast,
     Which, though classified yet by no naturalist,
     Abounds in these mountains, more hard to ensnare,
     And more mischievous, too, than the Lynx or the Bear.


     III.


     I marvel less, therefore, that, having already
     Torn open this note, with a hand most unsteady,
     Lord Alfred was startled.
                               The month is September;
     Time, morning; the scene at Bigorre; (pray remember
     These facts, gentle reader, because I intend
     To fling all the unities by at the end.)
     He walk'd to the window.  The morning was chill:
     The brown woods were crisp'd in the cold on the hill:
     The sole thing abroad in the streets was the wind:
     And the straws on the gust, like the thoughts in his mind,
     Rose, and eddied around and around, as tho' teasing
     Each other.  The prospect, in truth, was unpleasing:
     And Lord Alfred, whilst moodily gazing around it,
     To himself more than once (vex'd in soul) sigh'd
    ..... "Confound it!"


     IV.


     What the thoughts were which led to this bad interjection,
     Sir, or madam, I leave to your future detection;
     For whatever they were, they were burst in upon,
     As the door was burst through, by my lord's Cousin John.

     COUSIN JOHN.

     A fool, Alfred, a fool, a most motley fool!

     LORD ALFRED.

                                                 Who?

     JOHN.

     The man who has anything better to do;
     And yet so far forgets himself, so far degrades
     His position as Man, to this worst of all trades,
     Which even a well-brought-up ape were above,
     To travel about with a woman in love,--
     Unless she's in love with himself.

     ALFRED.

                                        Indeed! why
     Are you here then, dear Jack?

     JOHN.

                                   Can't you guess it?

     ALFRED.

                                                       Not I.

     JOHN.

     Because I HAVE nothing that's better to do.
     I had rather be bored, my dear Alfred, by you,
     On the whole (I must own), than be bored by myself.
     That perverse, imperturbable, golden-hair'd elf--
     Your Will-o'-the-wisp--that has led you and me
     Such a dance through these hills--

     ALFRED.

                                         Who, Matilda?

     JOHN.

                                                       Yes! she,
     Of course! who but she could contrive so to keep
     One's eyes, and one's feet too, from falling asleep
     For even one half-hour of the long twenty-four?

     ALFRED.

     What's the matter?

     JOHN.

                         Why, she is--a matter, the more
     I consider about it, the more it demands
     An attention it does not deserve; and expands
     Beyond the dimensions which ev'n crinoline,
     When possess'd by a fair face, and saucy Eighteen,
     Is entitled to take in this very small star,
     Already too crowded, as I think, by far.
     You read Malthus and Sadler?

     ALFRED.

                                  Of course.

     JOHN.

                                             To what use,
     When you countenance, calmly, such monstrous abuse
     Of one mere human creature's legitimate space
     In this world?  Mars, Apollo, Virorum! the case
     Wholly passes my patience.

     ALFRED.

                                My own is worse tried.

     JOHN.

     Yours, Alfred?

     ALFRED.

                    Read this, if you doubt, and decide,

     JOHN (reading the letter).

     "I hear from Bigorre you are there.  I am told
     You are going to marry Miss Darcy.  Of old--"
     What is this?

     ALFRED.

                  Read it on to the end, and you'll know.

     JOHN (continues reading).

     "When we parted, your last words recorded a vow--
     What you will"...
                    Hang it! this smells all over, I swear,
     Of adventurers and violets.  Was it your hair
     You promised a lock of?

     ALFRED.

                             Read on.  You'll discern.

     JOHN (continues).

     "Those letters I ask you, my lord, to return."...
     Humph!... Letters!... the matter is worse than I guess'd;
     I have my misgivings--

     ALFRED.

                            Well, read out the rest,
     And advise.

     JOHN.

                 Eh?... Where was I?
     (continues.)
                                  "Miss Darcy, perchance,
     Will forego one brief page from the summer romance
     Of her courtship."...
                             Egad! a romance, for my part,
     I'd forego every page of, and not break my heart!

     ALFRED.

     Continue.

     JOHN (reading).

              "And spare you one day from your place
     At her feet."...
                     Pray forgive me the passing grimace.
     I wish you had MY place!
     (reads)
                              "I trust you will feel
     I desire nothing much.  Your friend,". . .
                                            Bless me!  "Lucile?"
     The Countess de Nevers?

     ALFRED.

                             Yes.

     JOHN.

                                  What will you do?

     ALFRED.

     You ask me just what I would rather ask you.

     JOHN.

     You can't go.

     ALFRED

                   I must.

     JOHN.

                           And Matilda?

     ALFRED.

                                         Oh, that
     You must manage!

     JOHN.

                      Must I?  I decline it, though, flat.
     In an hour the horses will be at the door,
     And Matilda is now in her habit.  Before
     I have finished my breakfast, of course I receive
     A message for "dear Cousin John!"...  I must leave
     At the jeweller's the bracelet which YOU broke last night;
     I must call for the music.  "Dear Alfred is right:
     The black shawl looks best: WILL I change it?  Of course
     I can just stop, in passing, to order the horse.
     Then Beau has the mumps, or St. Hubert knows what;
     WILL I see the dog-doctor?"  Hang Beau!  I will NOT.

     ALFRED.

     Tush, tush! this is serious.

     JOHN.

                                  It is.

     ALFRED.

                                          Very well,
     You must think--

     JOHN.

                     What excuse will you make, tho'?

     ALFRED.

                                                      Oh, tell
     Mrs. Darcy that... lend me your wits, Jack!...  The deuce!
     Can you not stretch your genius to fit a friend's use?
     Excuses are clothes which, when ask'd unawares,
     Good Breeding to Naked Necessity spares,
     You must have a whole wardrobe, no doubt.

     JOHN.

                                               My dear fellow,
     Matilda is jealous, you know, as Othello.

     ALFRED.

     You joke.

     JOHN.

               I am serious.  Why go to Luchon?

     ALFRED.

     Don't ask me.  I have not a choice, my dear John.
     Besides, shall I own a strange sort of desire,
     Before I extinguish forever the fire
     Of youth and romance, in whose shadowy light
     Hope whisper'd her first fairy tales, to excite
     The last spark, till it rise, and fade far in that dawn
     Of my days where the twilights of life were first drawn
     By the rosy, reluctant auroras of Love;
     In short, from the dead Past the gravestone to move;
     Of the years long departed forever to take
     One last look, one final farewell; to awake
     The Heroic of youth from the Hades of joy,
     And once more be, though but for an hour, Jack--a boy!

     JOHN.

     You had better go hang yourself.

     ALFRED.

                                      No! were it but
     To make sure that the Past from the Future is shut,
     It were worth the step back.  Do you think we should live
     With the living so lightly, and learn to survive
     That wild moment in which to the grave and its gloom
     We consign'd our heart's best, if the doors of the tomb
     Were not lock'd with a key which Fate keeps for our sake?
     If the dead could return or the corpses awake?

     JOHN.

     Nonsense!

     ALFRED.

                Not wholly.  The man who gets up
     A fill'd guest from the banquet, and drains off his cup,
     Sees the last lamp extinguish'd with cheerfulness, goes
     Well contented to bed, and enjoys its repose.
     But he who hath supp'd at the tables of kings,
     And yet starved in the sight of luxurious things;
     Who hath watch'd the wine flow, by himself but half tasted;
     Heard the music, and yet miss'd the tune; who hath wasted
     One part of life's grand possibilities:--friend,
     That man will bear with him, be sure, to the end,
     A blighted experience, a rancor within:
     You may call it a virtue, I call it a sin.

     JOHN.

     I see you remember the cynical story
     Of that wicked old piece Experience--a hoary
     Lothario, whom dying, the priest by his bed
     (Knowing well the unprincipled life he had led,
     And observing, with no small amount of surprise,
     Resignation and calm in the old sinner's eyes)
     Ask'd if he had nothing that weigh'd on his mind:
     "Well,... no,"... says Lothario, "I think not.  I find,
     On reviewing my life, which in most things was pleasant,
     I never neglected, when once it was present,
     An occasion of pleasing myself.  On the whole,
     I have naught to regret;"... and so, smiling, his soul
     Took its flight from this world.

     ALFRED.

                                      Well, Regret or Remorse,
     Which is best?

     JOHN.

                    Why, Regret.

     ALFRED.

                                 No; Remorse, Jack, of course:
     For the one is related, be sure, to the other.
     Regret is a spiteful old maid: but her brother,
     Remorse, though a widower certainly, yet
     HAS been wed to young Pleasure.  Dear Jack, hang Regret!

     JOHN.

     Bref! you mean, then, to go?

     ALFRED.

                                  Bref! I do.

     JOHN.

                                              One word... stay!
     Are you really in love with Matilda?

     ALFRED.

                                          Love, eh?
     What a question!  Of course.

     JOHN.

                                 WERE you really in love
     With Madame de Nevers?

     ALFRED.

                             What; Lucile?  No, by Jove,
     Never REALLY.

     JOHN.

                   She's pretty?

     ALFRED.

                                  Decidedly so.
     At least, so she was, some ten summers ago.
     As soft, and as sallow as Autumn--with hair
     Neither black, nor yet brown, but that tinge which the air
     Takes at eve in September, when night lingers lone
     Through a vineyard, from beams of a slow-setting sun.
     Eyes--the wistful gazelle's; the fine foot of a fairy;
     And a hand fit a fay's wand to wave,--white and airy;
     A voice soft and sweet as a tune that one knows.
     Something in her there was, set you thinking of those
     Strange backgrounds of Raphael... that hectic and deep
     Brief twilight in which southern suns fall asleep.

     JOHN.

     Coquette?

     ALFRED.

               Not at all.  'Twas her one fault.  Not she!
     I had loved her the better, had she less loved me.
     The heart of a man's like that delicate weed
     Which requires to be trampled on, boldly indeed,
     Ere it give forth the fragrance you wish to extract.
     'Tis a simile, trust me, if not new, exact.

     JOHN.

     Women change so.

     ALFRED.

                      Of course.

     JOHN.

                                 And, unless rumor errs,
     I believe, that last year, the Comtesse de Nevers*
     Was at Baden the rage--held an absolute court
     Of devoted adorers, and really made sport
     Of her subjects.


     * O Shakespeare! how couldst thou ask "What's in a name?"
     'Tis the devil's in it, when a bard has to frame
     English rhymes for alliance with names that are French:
     And in these rhymes of mine, well I know that I trench
     All too far on that license which critics refuse,
     With just right, to accord to a well-brought-up Muse.
     Yet, tho' faulty the union, in many a line,
     'Twixt my British-born verse and my French heroine,
     Since, however auspiciously wedded they be,
     There is many a pair that yet cannot agree,
     Your forgiveness for this pair, the author invites,
     Whom necessity, not inclination, unites.


     ALFRED.

                      Indeed!

     JOHN.

                             When she broke off with you
     Her engagement, her heart did not break with it?

     ALFRED.

                                                     Pooh!
     Pray would you have had her dress always in black,
     And shut herself up in a convent, dear Jack?
     Besides, 'twas my fault the engagement was broken.

     JOHN.

     Most likely.  How was it?

     ALFRED.

                               The tale is soon spoken.
     She bored me.  I show'd it.  She saw it.  What next?
     She reproach'd.  I retorted.  Of course she was vex'd.
     I was vex'd that she was so.  She sulk'd.  So did I.
     If I ask'd her to sing, she look'd ready to cry.
     I was contrite, submissive.  She soften'd.  I harden'd.
     At noon I was banish'd.  At eve I was pardon'd.
     She said I had no heart.  I said she had no reason.
     I swore she talk'd nonsense.  She sobb'd I talk'd treason.
     In short, my dear fellow, 'twas time, as you see,
     Things should come to a crisis, and finish.  'Twas she
     By whom to that crisis the matter was brought.
     She released me.  I linger'd.  I linger'd, she thought,
     With too sullen an aspect.  This gave me, of course,
     The occasion to fly in a rage, mount my horse,
     And declare myself uncomprehended.  And so
     We parted.  The rest of the story you know.

     JOHN.

     No, indeed.

     ALFRED.

                 Well, we parted.  Of course we could not
     Continue to meet, as before, in one spot.
     You conceive it was awkward?  Even Don Ferdinando
     Can do, you remember, no more than he can do.
     I think that I acted exceedingly well,
     Considering the time when this rupture befell,
     For Paris was charming just then.  It deranged
     All my plans for the winter.  I ask'd to be changed--
     Wrote for Naples, then vacant--obtain'd it--and so
     Join'd my new post at once; but scarce reach'd it, when lo!
     My first news from Paris informs me Lucile
     Is ill, and in danger.  Conceive what I feel.
     I fly back.  I find her recover'd, but yet
     Looking pale.  I am seized with a contrite regret;
     I ask to renew the engagement.

     JOHN.

                                    And she?

     ALFRED.

     Reflects, but declines.  We part, swearing to be
     Friends ever, friends only.  All that sort of thing!
     We each keep our letters... a portrait... a ring...
     With a pledge to return them whenever the one
     Or the other shall call for them back.

     JOHN.

                                             Pray go on.

     ALFRED.

     My story is finish'd.  Of course I enjoin
     On Lucile all those thousand good maxims we coin
     To supply the grim deficit found in our days,
     When love leaves them bankrupt.  I preach.  She obeys.
     She goes out in the world; takes to dancing once more--
     A pleasure she rarely indulged in before.
     I go back to my post, and collect (I must own
     'Tis a taste I had never before, my dear John)
     Antiques and small Elzevirs.  Heigho! now, Jack,
     You know all.

     JOHN (after a pause).

                   You are really resolved to go back?

     ALFRED.

     Eh, where?

     JOHN.

                To that worst of all places--the past.
     You remember Lot's wife?

     ALFRED.

                             'Twas a promise when last
     We parted.  My honor is pledged to it.

     JOHN.

                                             Well,
     What is it you wish me to do?

     ALFRED.

                                    You must tell
     Matilda, I meant to have call'd--to leave word--
     To explain--but the time was so pressing--

     JOHN.

                                                  My lord,
     Your lordship's obedient!  I really can't do...

     ALFRED.

     You wish then to break off my marriage?

     JOHN.

                                              No, no!
     But indeed I can't see why yourself you need take
     These letters.

     ALFRED.

                    Not see?  would you have me, then, break
     A promise my honor is pledged to?

     JOHN (humming).

                                       "Off, off
     And away! said the stranger"...

     ALFRED.

                                Oh, good! oh, you scoff!

     JOHN.

     At what, my dear Alfred?

     ALFRED.

                              At all things!
     JOHN.
                                              Indeed?


     ALFRED.

     Yes; I see that your heart is as dry as a reed:
     That the dew of your youth is rubb'd off you: I see
     You have no feeling left in you, even for me!
     At honor you jest; you are cold as a stone
     To the warm voice of friendship.  Belief you have none;
     You have lost faith in all things.  You carry a blight
     About with you everywhere.  Yes, at the sight
     Of such callous indifference, who could be calm?
     I must leave you at once, Jack, or else the last balm
     That is left me in Gilead you'll turn into gall.
     Heartless, cold, unconcern'd...

     JOHN.

                                  Have you done?  Is that all?
     Well, then, listen to me!  I presume when you made
     up your mind to propose to Miss Darcy, you weigh'd
     All the drawbacks against the equivalent gains,
     Ere you finally settled the point.  What remains
     But to stick to your choice?  You want money: 'tis here.
     A settled position: 'tis yours.  A career:
     You secure it.  A wife, young, and pretty as rich,
     Whom all men will envy you.  Why must you itch
     To be running away, on the eve of all this,
     To a woman whom never for once did you miss
     All these years since you left her?  Who knows what may hap?
     This letter--to ME--is a palpable trap.
     The woman has changed since you knew her.  Perchance
     She yet seeks to renew her youth's broken romance.
     When women begin to feel youth and their beauty
     Slip from them, they count it a sort of a duty
     To let nothing else slip away unsecured
     Which these, while they lasted, might once have procured.
     Lucile's a coquette to the end of her fingers,
     I will stake my last farthing.  Perhaps the wish lingers
     To recall the once reckless, indifferent lover
     To the feet he has left; let intrigue now recover
     What truth could not keep.  'Twere a vengeance, no doubt--
     A triumph;--but why must YOU bring it about?
     You are risking the substance of all that you schemed
     To obtain; and for what? some mad dream you have dream'd.

     ALFRED.

     But there's nothing to risk.  You exaggerate, Jack,
     You mistake.  In three days, at the most, I am back.

     JOHN.

     Ay, but how?... discontented, unsettled, upset,
     Bearing with you a comfortless twinge of regret.
     Preoccupied, sulky, and likely enough
     To make your betroth'd break off all in a huff.
     Three days, do you say?  But in three days who knows
     What may happen?  I don't, nor do you, I suppose.


     V.


     Of all the good things in this good world around us,
     The one most abundantly furnish'd and found us,
     And which, for that reason, we least care about,
     And can best spare our friends, is good counsel, no doubt.
     But advice, when 'tis sought from a friend (though civility
     May forbid to avow it), means mere liability
     In the bill we already have drawn on Remorse,
     Which we deem that a true friend is bound to indorse.
     A mere lecture on debt from that friend is a bore.
     Thus, the better his cousin's advice was, the more
     Alfred Vargrave with angry resentment opposed it.
     And, having the worst of the contest, he closed it
     With so firm a resolve his bad ground to maintain,
     That, sadly perceiving resistance was vain,
     And argument fruitless, the amiable Jack
     Came to terms and assisted his cousin to pack
     A slender valise (the one small condescension
     Which his final remonstrance obtain'd), whose dimension
     Excluded large outfits; and, cursing his stars, he
     Shook hands with his friend and return'd to Miss Darcy.


     VI.


     Lord Alfred, when last to the window he turn'd,
     Ere he lock'd up and quitted his chamber, discern'd
     Matilda ride by, with her cheek beaming bright
     In what Virgil has call'd, "Youth's purpureal light"
     (I like the expression, and can't find a better).
     He sigh'd as he look'd at her.  Did he regret her?
     In her habit and hat, with her glad golden hair,
     As airy and blithe as a blithe bird in air,
     And her arch rosy lips, and her eager blue eyes,
     With her little impertinent look of surprise,
     And her round youthful figure, and fair neck, below
     The dark drooping feather, as radiant as snow,--
     I can only declare, that if I had the chance
     Of passing three days in the exquisite glance
     Of those eyes, or caressing the hand that now petted
     That fine English mare, I should much have regretted
     Whatever might lose me one little half-hour
     Of a pastime so pleasant, when once in my power.
     For, if one drop of milk from the bright Milky Way
     Could turn into a woman, 'twould look, I dare say,
     Not more fresh than Matilda was looking that day.


     VII.


     But, whatever the feeling that prompted the sigh
     With which Alfred Vargrave now watched her ride by,
     I can only affirm that, in watching her ride,
     As he turned from the window he certainly sigh'd.




CANTO II.

     I.


     LETTER FROM LORD ALFRED VARGRAVE TO THE COMTESSE DE NEVERS.

     BIGORRE, TUESDAY.


     "Your note, Madam, reach'd me to-day, at Bigorre,
     And commands (need I add?) my obedience.  Before
     The night I shall be at Luchon--where a line,
     If sent to Duval's, the hotel where I dine,
     Will find me, awaiting your orders.  Receive
     My respects.
                "Yours sincerely,
                              "A. VARGRAVE.
                                           "I leave
     In an hour."


     II.


                In an hour from the time he wrote this
     Alfred Vargrave, in tracking a mountain abyss,
     Gave the rein to his steed and his thoughts, and pursued,
     In pursuing his course through the blue solitude,
     The reflections that journey gave rise to.
                                                 And
     (Because, without some such precaution, I fear
     You might fail to distinguish, them each from the rest
     Of the world they belong to; whose captives are drest,
     As our convicts, precisely the same one and all,
     While the coat cut for Peter is pass'd on to Paul)
     I resolve, one by one, when I pick from the mass
     The persons I want, as before you they pass,
     To label them broadly in plain black and white
     On the backs of them.  Therefore whilst yet he's in sight,
     I first label my hero.


     III.


                             The age is gone o'er
     When a man may in all things be all.  We have more
     Painters, poets, musicians, and artists, no doubt,
     Than the great Cinquecento gave birth to; but out
     Of a million of mere dilettanti, when, when
     Will a new LEONARDO arise on our ken?
     He is gone with the age which begat him.  Our own
     Is too vast, and too complex, for one man alone
     To embody its purpose, and hold it shut close
     In the palm of his hand.  There were giants in those
     Irreclaimable days; but in these days of ours,
     In dividing the work, we distribute the powers.
     Yet a dwarf on a dead giant's shoulders sees more
     Than the 'live giant's eyesight availed to explore;
     And in life's lengthen'd alphabet what used to be
     To our sires X Y Z is to us A B C.
     A Vanini is roasted alive for his pains,
     But a Bacon comes after and picks up his brains.
     A Bruno is angrily seized by the throttle
     And hunted about by thy ghost, Aristotle,
     Till a More or Lavater step into his place:
     Then the world turns and makes an admiring grimace.
     Once the men were so great and so few, they appear,
     Through a distant Olympian atmosphere,
     Like vast Caryatids upholding the age.
     Now the men are so many and small, disengage
     One man from the million to mark him, next moment
     The crowd sweeps him hurriedly out of your comment;
     And since we seek vainly (to praise in our songs)
     'Mid our fellows the size which to heroes belongs,
     We take the whole age for a hero, in want
     Of a better; and still, in its favor, descant
     On the strength and the beauty which, failing to find
     In any one man, we ascribe to mankind.


     IV.


     Alfred Vargrave was one of those men who achieve
     So little, because of the much they conceive:
     With irresolute finger he knock'd at each one
     Of the doorways of life, and abided in none.
     His course, by each star that would cross it, was set,
     And whatever he did he was sure to regret.
     That target, discuss'd by the travellers of old,
     Which to one appear'd argent, to one appear'd gold,
     To him, ever lingering on Doubt's dizzy margent,
     Appear'd in one moment both golden and argent.
     The man who seeks one thing in life, and but one,
     May hope to achieve it before life be done;
     But he who seeks all things, wherever he goes,
     Only reaps from the hopes which around him he sows
     A harvest of barren regrets.  And the worm
     That crawls on in the dust to the definite term
     Of its creeping existence, and sees nothing more
     Than the path it pursues till its creeping be o'er,
     In its limited vision, is happier far
     Than the Half-Sage, whose course, fix'd by no friendly star
     Is by each star distracted in turn, and who knows
     Each will still be as distant wherever he goes.


     V.


     Both brilliant and brittle, both bold and unstable,
     Indecisive yet keen, Alfred Vargrave seem'd able
     To dazzle, but not to illumine mankind.
     A vigorous, various, versatile mind;
     A character wavering, fitful, uncertain,
     As the shadow that shakes o'er a luminous curtain,
     Vague, flitting, but on it forever impressing
     The shape of some substance at which you stand guessing:
     When you said, "All is worthless and weak here," behold!
     Into sight on a sudden there seem'd to unfold
     Great outlines of strenuous truth in the man:
     When you said, "This is genius," the outlines grew wan,
     And his life, though in all things so gifted and skill'd,
     Was, at best, but a promise which nothing fulfill'd.


     VI.


     In the budding of youth, ere wild winds can deflower
     The shut leaves of man's life, round the germ of his power
     Yet folded, his life had been earnest.  Alas!
     In that life one occasion, one moment, there was
     When this earnestness might, with the life-sap of youth,
     Lusty fruitage have borne in his manhood's full growth;
     But it found him too soon, when his nature was still
     The delicate toy of too pliant a will,
     The boisterous wind of the world to resist,
     Or the frost of the world's wintry wisdom.
                                                He miss'd
     That occasion, too rathe in its advent.
                                              Since then,
     He had made it a law, in his commerce with men,
     That intensity in him, which only left sore
     The heart it disturb'd, to repel and ignore.
     And thus, as some Prince by his subjects deposed,
     Whose strength he, by seeking to crush it, disclosed,
     In resigning the power he lack'd power to support
     Turns his back upon courts, with a sneer at the court,
     In his converse this man for self-comfort appeal'd
     To a cynic denial of all he conceal'd
     In the instincts and feelings belied by his words.
     Words, however, are things: and the man who accords
     To his language the license to outrage his soul,
     Is controll'd by the words he disdains to control.
     And, therefore, he seem'd in the deeds of each day
     The light code proclaim'd on his lips to obey;
     And, the slave of each whim, follow'd wilfully aught
     That perchance fool'd the fancy, or flatter'd the thought.
     Yet, indeed, deep within him, the spirits of truth,
     Vast, vague aspirations, the powers of his youth,
     Lived and breathed, and made moan--stirr'd themselves--strove to start
     Into deeds--though deposed, in that Hades, his heart.
     Like those antique Theogonies ruin'd and hurl'd,
     Under clefts of the hills, which, convulsing the world,
     Heaved, in earthquake, their heads the rent caverns above,
     To trouble at times in the light court of Jove
     All its frivolous gods, with an undefined awe,
     Of wrong'd rebel powers that own'd not their law.
     For his sake, I am fain to believe that, if born
     To some lowlier rank (from the world's languid scorn
     Secured by the world's stern resistance) where strife,
     Strife and toil, and not pleasure, gave purpose to life,
     He possibly might have contrived to attain
     Not eminence only, but worth.  So, again,
     Had he been of his own house the first-born, each gift
     Of a mind many-gifted had gone to uplift
     A great name by a name's greatest uses.
                                             But there
     He stood isolated, opposed, as it were,
     To life's great realities; part of no plan;
     And if ever a nobler and happier man
     He might hope to become, that alone could be when
     With all that is real in life and in men
     What was real in him should have been reconciled;
     When each influence now from experience exiled
     Should have seized on his being, combined with his nature,
     And form'd as by fusion, a new human creature:
     As when those airy elements viewless to sight
     (The amalgam of which, if our science be right,
     The germ of this populous planet doth fold)
     Unite in the glass of the chemist, behold!
     Where a void seem'd before, there a substance appears,
     From the fusion of forces whence issued the spheres!


     VII.


     But the permanent cause why his life fail'd and miss'd
     The full value of life was,--where man should resist
     The world, which man's genius is call'd to command,
     He gave way, less from lack of the power to withstand,
     Than from lack of the resolute will to retain
     Those strongholds of life which the world strives to gain.
     Let this character go in the old-fashion'd way,
     With the moral thereof tightly tack'd to it.  Say--
     "Let any man once show the world that he feels
     Afraid of its bark, and 'twill fly at his heels:
     Let him fearlessly face it, 'twill leave him alone:
     But 'twill fawn at his feet if he flings it a bone."


     VIII.


     The moon of September, now half at the full,
     Was unfolding from darkness and dreamland the lull
     Of the quiet blue air, where the many-faced hills
     Watch'd, well-pleased, their fair slaves, the light, foam-footed rills,
     Dance and sing down the steep marble stairs of their courts,
     And gracefully fashion a thousand sweet sports,
     Lord Alfred (by this on his journeying far)
     Was pensively puffing his Lopez cigar,
     And brokenly humming an old opera strain,
     And thinking, perchance, of those castles in Spain
     Which that long rocky barrier hid from his sight;
     When suddenly, out of the neighboring night,
     A horseman emerged from a fold of the hill,
     And so startled his steed that was winding at will
     Up the thin dizzy strip of a pathway which led
     O'er the mountain--the reins on its neck, and its head
     Hanging lazily forward--that, but for a hand
     Light and ready, yet firm, in familiar command,
     Both rider and horse might have been in a trice
     Hurl'd horribly over the grim precipice.


     IX.


     As soon as the moment's alarm had subsided,
     And the oath with which nothing can find unprovided
     A thoroughbred Englishman, safely exploded,
     Lord Alfred unbent (as Apollo his bow did
     Now and then) his erectness; and looking, not ruder
     Than such inroad would warrant, survey'd the intruder,
     Whose arrival so nearly cut short in his glory
     My hero, and finished abruptly this story.


     X.


     The stranger, a man of his own age or less,
     Well mounted, and simple though rich in his dress,
     Wore his beard and mustache in the fashion of France.
     His face, which was pale, gather'd force from the glance
     Of a pair of dark, vivid, and eloquent eyes.
     With a gest of apology, touch'd with surprise,
     He lifted his hat, bow'd and courteously made
     Some excuse in such well-cadenced French as betray'd,
     At the first word he spoke, the Parisian.


     XI.


                                                I swear
     I have wander'd about in the world everywhere;
     From many strange mouths have heard many strange tongues;
     Strain'd with many strange idioms my lips and my lungs;
     Walk'd in many a far land, regretting my own;
     In many a language groaned many a groan;
     And have often had reason to curse those wild fellows
     Who built the high house at which Heaven turn'd jealous,
     Making human audacity stumble and stammer
     When seized by the throat in the hard gripe of Grammar.
     But the language of languages dearest to me
     Is that in which once, O ma toute cherie,
     When, together, we bent o'er your nosegay for hours,
     You explain'd what was silently said by the flowers,
     And, selecting the sweetest of all, sent a flame
     Through my heart, as, in laughing, you murmur'd
                      Je t'aime.


     XII.


     The Italians have voices like peacocks; the Spanish
     Smell, I fancy, of garlic; the Swedish and Danish
     Have something too Runic, too rough and unshod, in
     Their accents for mouths not descended from Odin;
     German gives me a cold in the head, sets me wheezing
     And coughing; and Russian is nothing but sneezing;
     But, by Belus and Babel!  I never have heard,
     And I never shall hear (I well know it), one word
     Of that delicate idiom of Paris without
     Feeling morally sure, beyond question or doubt,
     By the wild way in which my heart inwardly flutter'd
     That my heart's native tongue to my heart had been utter'd
     And whene'er I hear French spoken as I approve
     I feel myself quietly falling in love.


     XIII.


     Lord Alfred, on hearing the stranger, appeased
     By a something, an accent, a cadence, which pleased
     His ear with that pledge of good breeding which tells
     At once of the world in whose fellowship dwells
     The speaker that owns it, was glad to remark
     In the horseman a man one might meet after dark
     Without fear.
                  And thus, not disagreeably impress'd,
     As it seem'd, with each other, the two men abreast
     Rode on slowly a moment.


     XIV.


     STRANGER.

                              I see, Sir, you are
     A smoker.  Allow me!

     ALFRED.

                           Pray take a cigar.

     STRANGER.

     Many thanks!...  Such cigars are a luxury here.
     Do you go to Luchon?

     ALFRED.

                          Yes; and you?

     STRANGER.

                                        Yes.  I fear,
     Since our road is the same, that our journey must be
     Somewhat closer than is our acquaintance.  You see
     How narrow the path is.  I'm tempted to ask
     Your permission to finish (no difficult task!)
     The cigar you have given me (really a prize!)
     In your company.

     ALFRED.

                     Charm'd, Sir, to find your road lies
     In the way of my own inclinations!  Indeed
     The dream of your nation I find in this weed.
     In the distant Savannahs a talisman grows
     That makes all men brothers that use it... who knows?
     That blaze which erewhile from the Boulevart out-broke,
     It has ended where wisdom begins, Sir,--in smoke.
     Messieurs Lopez (whatever your publicists write)
     Have done more in their way human kind to unite,
     Perchance, than ten Prudhons.

     STRANGER.

                                  Yes.  Ah, what a scene!

     ALFRED.

     Humph!  Nature is here too pretentious.  Her mien
     Is too haughty.  One likes to be coax'd, not compell'd,
     To the notice such beauty resents if withheld.
     She seems to be saying too plainly, "Admire me!"
     And I answer, "Yes, madam, I do: but you tire me."

     STRANGER.

     That sunset, just now though...

     ALFRED.

                                     A very old trick!
     One would think that the sun by this time must be sick
     Of blushing at what, by this time, he must know
     Too well to be shocked by--this world.

     STRANGER.

                                             Ah, 'tis so
     With us all.  'Tis the sinner that best knew the world
     At Twenty, whose lip is, at sixty, most curl'd
     With disdain of its follies.  You stay at Luchon?

     ALFRED.

     A day or two only.

     STRANGER.

                         The season is done.


     ALFRED.

     Already?

     STRANGER.

              'Twas shorter this year than the last.
     Folly soon wears her shoes out.  She dances so fast
     We are all of us tired.

     ALFRED.

                             You know the place well?

     STRANGER.

     I have been there two seasons.

     ALFRED.

                                    Pray who is the Belle
     Of the Baths at this moment?

     STRANGER.

                                 The same who has been
     The belle of all places in which she is seen;
     The belle of all Paris last winter; last spring
     The belle of all Baden.

     ALFRED.

                              An uncommon thing!

     STRANGER.

     Sir, an uncommon beauty!... I rather should say
     An uncommon character.  Truly, each day
     One meets women whose beauty is equal to hers,
     But none with the charm of Lucile de Nevers.

     ALFRED.

     Madame de Nevers!

     STRANGER.

                       Do you know her?

     ALFRED.

                                         I know
     Or, rather, I knew her--a long time ago.
     I almost forget...

     STRANGER.

                           What a wit! what a grace
     In her language! her movements! what play in her face!
     And yet what a sadness she seems to conceal!

     ALFRED.

     You speak like a lover.

     STRANGER.

                              I speak as I feel,
     But not like a lover.  What interests me so
     In Lucile, at the same time forbids me, I know,
     To give to that interest, whate'er the sensation,
     The name we men give to an hour's admiration,
     A night's passing passion, an actress's eyes,
     A dancing girl's ankles, a fine lady's sighs.

     ALFRED.

     Yes, I quite comprehend.  But this sadness--this shade
     Which you speak of?... it almost would make me afraid
     Your gay countrymen, Sir, less adroit must have grown,
     Since when, as a stripling, at Paris, I own
     I found in them terrible rivals,--if yet
     They have all lack'd the skill to console this regret
     (If regret be the word I should use), or fulfil
     This desire (if desire be the word), which seems still
     To endure unappeased.  For I take it for granted,
     From all that you say, that the will was not wanted.


     XV.


     The stranger replied, not without irritation:
     "I have heard that an Englishman--one of your nation
     I presume--and if so, I must beg you, indeed,
     To excuse the contempt which I..."

     ALFRED.

                                          Pray, Sir, proceed
     With your tale.  My compatriot, what was his crime?

     STRANGER.

     Oh, nothing!  His folly was not so sublime
     As to merit that term.  If I blamed him just now,
     It was not for the sin, but the silliness.

     ALFRED.

                                                How?

     STRANGER.

     I own I hate Botany.  Still,... admit,
     Although I myself have no passion for it,
     And do not understand, yet I cannot despise
     The cold man of science, who walks with his eyes
     All alert through a garden of flowers, and strips
     The lilies' gold tongues, and the roses' red lips,
     With a ruthless dissection; since he, I suppose,
     Has some purpose beyond the mere mischief he does.
     But the stupid and mischievous boy, that uproots
     The exotics, and tramples the tender young shoots,
     For a boy's brutal pastime, and only because
     He knows no distinction 'twixt heartsease and haws,--
     One would wish, for the sake of each nursling so nipp'd,
     To catch the young rascal and have him well whipp'd!

     ALFRED.

     Some compatriot of mine, do I then understand,
     With a cold Northern heart, and a rude English hand,
     Has injured your Rosebud of France?

     STRANGER.

                                         Sir, I know
     But little, or nothing.  Yet some faces show
     The last act of a tragedy in their regard:
     Though the first scenes be wanting, it yet is not hard
     To divine, more or less, what the plot may have been,
     And what sort of actors have pass'd o'er the scene.
     And whenever I gaze on the face of Lucile,
     With its pensive and passionless languor, I feel
     That some feeling hath burnt there... burnt out, and burnt up
     Health and hope.  So you feel when you gaze down the cup
     Of extinguish'd volcanoes: you judge of the fire
     Once there, by the ravage you see;--the desire,
     By the apathy left in its wake, and that sense
     Of a moral, immovable, mute impotence.

     ALFRED.

     Humph!... I see you have finished, at last, your cigar;
     Can I offer another?

     STRANGER.

                          No, thank you.  We are
     Not two miles from Luchon.

     ALFRED.

                                You know the road well?

     STRANGER.

     I have often been over it.


     XVI.


                                Here a pause fell
     On their converse.  Still musingly on, side by side,
     In the moonlight, the two men continued to ride
     Down the dim mountain pathway.  But each for the rest
     Of their journey, although they still rode on abreast,
     Continued to follow in silence the train
     Of the different feelings that haunted his brain;
     And each, as though roused from a deep revery,
     Almost shouted, descending the mountain, to see
     Burst at once on the moonlight the silvery Baths,
     The long lime-tree alley, the dark gleaming paths,
     With the lamps twinkling through them--the quaint wooden roofs--
     The little white houses.
                               The clatter of hoofs,
     And the music of wandering bands, up the walls
     Of the steep hanging hill, at remote intervals
     Reached them, cross'd by the sound of the clacking of whips,
     And here and there, faintly, through serpentine slips
     Of verdant rose-gardens deep-sheltered with screens
     Of airy acacias and dark evergreens,
     They could mark the white dresses and catch the light songs
     Of the lovely Parisians that wander'd in throngs,
     Led by Laughter and Love through the old eventide
     Down the dream-haunted valley, or up the hillside.


     XVII.


     At length, at the door of the inn l'HERISSON,
     Pray go there, if ever you go to Luchon!
     The two horsemen, well pleased to have reached it, alighted
     And exchanged their last greetings.
                                         The Frenchman invited
     Lord Alfred to dinner.  Lord Alfred declined.
     He had letters to write, and felt tired.  So he dined
     In his own rooms that night.
                                  With an unquiet eye
     He watched his companion depart; nor knew why,
     Beyond all accountable reason or measure,
     He felt in his breast such a sovran displeasure.
     "The fellow's good looking," he murmur'd at last,
     "And yet not a coxcomb."  Some ghost of the past
     Vex'd him still.
                      "If he love her," he thought, "let him win her."
     Then he turn'd to the future--and order'd his dinner.


     XVIII.


     O hour of all hours, the most bless'd upon earth,
     Blessed hour of our dinners!
                                  The land of his birth;
     The face of his first love; the bills that he owes;
     The twaddle of friends and the venom of foes;
     The sermon he heard when to church he last went;
     The money he borrow'd, the money he spent;--
     All of these things, a man, I believe, may forget,
     And not be the worse for forgetting; but yet
     Never, never, oh never! earth's luckiest sinner
     Hath unpunish'd forgotten the hour of his dinner!
     Indigestion, that conscience of every bad stomach,
     Shall relentlessly gnaw and pursue him with some ache
     Or some pain; and trouble, remorseless, his best ease,
     As the Furies once troubled the sleep of Orestes.


     XIX.


     We may live without poetry, music, and art:
     We may live without conscience, and live without heart;
     We may live without friends; we may live without books;
     But civilized man cannot live without cooks.
     He may live without books,--what is knowledge but grieving?
     He may live without hope,--what is hope but deceiving?
     He may live without love,--what is passion but pining?
     But where is the man that can live without dining?


     XX.


     Lord Alfred found, waiting his coming, a note
     From Lucile.
                  "Your last letter has reach'd me," she wrote.
     "This evening, alas! I must go to the ball,
     And shall not be at home till too late for your call;
     But to-morrow, at any rate, sans faute, at One
     You will find me at home, and will find me alone.
     Meanwhile, let me thank you sincerely, milord,
     For the honor with which you adhere to your word.
     Yes, I thank you, Lord Alfred!  To-morrow then.
                                                     "L."

     XXI.


     I find myself terribly puzzled to tell
     The feelings with which Alfred Vargrave flung down
     This note, as he pour'd out his wine.  I must own
     That I think he, himself, could have hardly explain'd
     Those feelings exactly.
                             "Yes, yes," as he drain'd
     The glass down, he mutter'd, "Jack's right, after all.
     The coquette!"
                    "Does milord mean to go to the ball?"
     Ask'd the waiter, who linger'd.
                                     "Perhaps.  I don't know.
     You may keep me a ticket, in case I should go."


     XXII.


     Oh, better, no doubt, is a dinner of herbs,
     When season'd by love, which no rancor disturbs,
     And sweeten'd by all that is sweetest in life,
     Than turbot, bisque, ortolans, eaten in strife!
     But if, out of humor, and hungry, alone,
     A man should sit down to a dinner, each one
     Of the dishes of which the cook chooses to spoil
     With a horrible mixture of garlic and oil,
     The chances are ten against one, I must own,
     He gets up as ill-temper'd as when he sat down.
     And if any reader this fact to dispute is
     Disposed, I say... "Allium edat cicutis
     Nocentius!"
                  Over the fruit and the wine
     Undisturb'd the wasp settled.  The evening was fine.
     Lord Alfred his chair by the window had set,
     And languidly lighted his small cigarette.
     The window was open.  The warm air without
     Waved the flame of the candles.  The moths were about.
     In the gloom he sat gloomy.


     XXIII.


                                 Gay sounds from below
     Floated up like faint echoes of joys long ago,
     And night deepen'd apace; through the dark avenues
     The lamps twinkled bright; and by threes and by twos,
     The idlers of Luchon were strolling at will,
     As Lord Alfred could see from the cool window-sill,
     Where his gaze, as he languidly turn'd it, fell o'er
     His late travelling companion, now passing before
     The inn, at the window of which he still sat,
     In full toilet,--boots varnish'd, and snowy cravat,
     Gayly smoothing and buttoning a yellow kid glove,
     As he turned down the avenue.
                                   Watching above,
     From his window, the stranger, who stopp'd as he walk'd
     To mix with those groups, and now nodded, now talk'd,
     To the young Paris dandies, Lord Alfred discern'd,
     By the way hats were lifted, and glances were turn'd,
     That this unknown acquaintance, now bound for the hall,
     Was a person of rank or of fashion; for all
     Whom he bow'd to in passing, or stopped with and chatter'd,
     Walk'd on with a look which implied... "I feel flatter'd!"


     XXIV.


     His form was soon lost in the distance and gloom.


     XXV.


     Lord Alfred still sat by himself in his room.
     He had finish'd, one after the other, a dozen
     Or more cigarettes.  He had thought of his cousin;
     He had thought of Matilda, and thought of Lucile:
     He had thought about many things; thought a great deal
     Of himself, of his past life, his future, his present:
     He had thought of the moon, neither full moon nor crescent;
     Of the gay world, so sad! life, so sweet and so sour!
     He had thought, too, of glory, and fortune, and power:
     Thought of love, and the country, and sympathy, and
     A poet's asylum in some distant land:
     Thought of man in the abstract, and woman, no doubt,
     In particular; also he had thought much about
     His digestion, his debts, and his dinner: and last,
     He thought that the night would be stupidly pass'd
     If he thought any more of such matters at all:
     So he rose and resolved to set out for the ball.


     XXVI.


     I believe, ere he finish'd his tardy toilet,
     That Lord Alfred had spoil'd, and flung by in a pet,
     Half a dozen white neckcloths, and look'd for the nonce
     Twenty times in the glass, if he look'd in it once.
     I believe that he split up, in drawing them on,
     Three pair of pale lavender gloves, one by one.
     And this is the reason, no doubt, that at last,
     When he reach'd the Casino, although he walk'd fast,
     He heard, as he hurriedly enter'd the door,
     The church clock strike Twelve.


     XXVII.


                                     The last waltz was just o'er.
     The chaperons and dancers were all in a flutter.
     A crowd block'd the door: and a buzz and a mutter
     Went about in the room as a young man, whose face
     Lord Alfred had seen ere he enter'd that place,
     But a few hours ago, through the perfumed and warm
     Flowery porch, with a lady that lean'd on his arm
     Like a queen in a fable of old fairy days,
     Left the ballroom.


     XXVIII.


                       The hubbub of comment and praise
     Reach'd Lord Alfred as just then he enter'd.
                                                 "Ma foi!"
     Said a Frenchman beside him,... "That lucky Luvois
     Has obtained all the gifts of the gods... rank and wealth,
     And good looks, and then such inexhaustible health!
     He that hath shall have more; and this truth, I surmise,
     Is the cause why, to-night, by the beautiful eyes
     Of la charmante Lucile more distinguish'd than all,
     He so gayly goes off with the belle of the ball."
     "Is it true," asked a lady aggressively fat,
     Who, fierce as a female Leviathan, sat
     By another that look'd like a needle, all steel
     And tenuity--"Luvois will marry Lucile?"
     The needle seem'd jerk'd by a virulent twitch,
     As though it were bent upon driving a stitch
     Through somebody's character.
                                   "Madam," replied,
     Interposing, a young man who sat by their side,
     And was languidly fanning his face with his hat,
     "I am ready to bet my new Tilbury that,
     If Luvois has proposed, the Comtesse has refused."
     The fat and thin ladies were highly amused.
     "Refused!... what! a young Duke, not thirty, my dear,
     With at least half a million (what is it?) a year!"
     "That may be," said a third; "yet I know some time since
     Castelmar was refused, though as rich, and a Prince.
     But Luvois, who was never before in his life
     In love with a woman who was not a wife,
     Is now certainly serious."


     XXIX.


                                The music once more
     Recommenced.


     XXX.


                  Said Lord Alfred, "This ball is a bore!"
     And return'd to the inn, somewhat worse than before.


     XXXI.


     There, whilst musing he lean'd the dark valley above,
     Through the warm land were wand'ring the spirits of love.
     A soft breeze in the white window drapery stirr'd;
     In the blossom'd acacia the lone cricket chirr'd;
     The scent of the roses fell faint o'er the night,
     And the moon on the mountain was dreaming in light.
     Repose, and yet rapture! that pensive wild nature
     Impregnate with passion in each breathing feature!
     A stone's throw from thence, through the large lime-trees peep'd
     In a garden of roses, a white chalet, steep'd
     In the moonbeams.  The windows oped down to the lawn;
     The casements were open; the curtains were drawn;
     Lights stream'd from the inside; and with them the sound
     Of music and song.  In the garden, around
     A table with fruits, wine, tea, ices, there set,
     Half a dozen young men and young women were met.
     Light, laughter, and voices, and music all stream'd
     Through the quiet-leaved limes.  At the window there seem'd
     For one moment the outline, familiar and fair,
     Of a white dress, white neck, and soft dusky hair,
     Which Lord Alfred remember'd... a moment or so
     It hover'd, then pass'd into shadow; and slow
     The soft notes, from a tender piano upflung,
     Floated forth, and a voice unforgotten thus sung:--


     "Hear a song that was born in the land of my birth!
        The anchors are lifted, the fair ship is free,
     And the shout of the mariners floats in its mirth
        'Twixt the light in the sky and the light on the sea.

     "And this ship is a world.  She is freighted with souls,
        She is freighted with merchandise: proudly she sails
     With the Labor that stores, and the Will that controls
        The gold in the ingots, the silk in the bales.

     "From the gardens of Pleasure where reddens the rose,
        And the scent of the cedar is faint on the air,
     Past the harbors of Traffic, sublimely she goes,
        Man's hopes o'er the world of the waters to bear!

     "Where the cheer from the harbors of Traffic is heard,
        Where the gardens of Pleasure fade fast on the sight,
     O'er the rose, o'er the cedar, there passes a bird;
        'Tis the Paradise Bird, never known to alight.

     "And that bird, bright and bold as a poet's desire,
        Roams her own native heavens, the realms of her birth.
     There she soars like a seraph, she shines like a fire,
        And her plumage hath never been sullied by earth.

     "And the mariners greet her; there's song on each lip,
        For that bird of good omen, and joy in each eye.
     And the ship and the bird, and the bird and the ship,
        Together go forth over ocean and sky.

     "Fast, fast fades the land! far the rose-gardens flee,
        And far fleet the harbors.  In regions unknown
     The ship is alone on a desert of sea,
        And the bird in a desert of sky is alone.

     "In those regions unknown, o'er that desert of air,
        Down that desert of waters--tremendous in wrath--
     The storm-wind Euroclydon leaps from his lair,
        And cleaves, thro' the waves of the ocean, his path.

     "And the bird in the cloud, and the ship on the wave,
        Overtaken, are beaten about by wild gales;
     And the mariners all rush their cargo to save,
        Of the gold in the ingots, the silk in the bales.

     "Lo! a wonder, which never before hath been heard,
        For it never before hath been given to sight;
     On the ship bath descended the Paradise Bird,
        The Paradise Bird, never known to alight!

     "The bird which the mariners bless'd, when each lip
        Had a song for the omen that gladden'd each eye;
     The bright bird for shelter hath flown to the ship
        From the wrath on the sea and the wrath in the sky.

     "But the mariners heed not the bird any more.
        They are felling the masts--they are cutting the sails;
     Some are working, some weeping, and some wrangling o'er
        Their gold in the ingots, their silk in the bales.

     "Souls of men are on board; wealth of man in the hold;
        And the storm-wind Euroclydon sweeps to his prey;
     And who heeds the bird?  'Save the silk and the gold!'
        And the bird from her shelter the gust sweeps away!

     "Poor Paradise Bird! on her lone flight once more
        Back again in the wake of the wind she is driven--
     To be 'whelmed in the storm, or above it to soar,
        And, if rescued from ocean, to vanish in heaven!

     "And the ship rides the waters and weathers the gales:
        From the haven she nears the rejoicing is heard.
     All hands are at work on the ingots, the bales,
        Save a child sitting lonely, who misses--the bird!"




CANTO III.

     I.


     With stout iron shoes be my Pegasus shod!
     For my road is a rough one: flint, stubble, and clod,
     Blue clay, and black quagmire, brambles no few,
     And I gallop up-hill, now.

                                There's terror that's true
     In that tale of a youth who, one night at a revel,
     Amidst music and mirth lured and wiled by some devil,
     Follow'd ever one mask through the mad masquerade,
     Till, pursued to some chamber deserted ('tis said),
     He unmasked, with a kiss, the strange lady, and stood
     Face to face with a Thing not of flesh nor of blood.
     In this Mask of the Passions, call'd Life, there's no human
     Emotion, though mask'd, or in man or in woman,
     But, when faced and unmask'd, it will leave us at last
     Struck by some supernatural aspect aghast.
     For truth is appalling and eldrich, as seen
     By this world's artificial lamplights and we screen
     From our sight the strange vision that troubles our life.
     Alas! why is Genius forever at strife
     With the world, which, despite the world's self, it ennobles?
     Why is it that Genius perplexes and troubles
     And offends the effete life it comes to renew?
     'Tis the terror of truth! 'tis that Genius is true!


     II.


     Lucile de Nevers (if her riddle I read)
     Was a woman of genius: whose genius, indeed,
     With her life was at war.  Once, but once, in that life
     The chance had been hers to escape from this strife
     In herself; finding peace in the life of another
     From the passionate wants she, in hers, failed to smother.
     But the chance fell too soon, when the crude restless power
     Which had been to her nature so fatal a dower,
     Only wearied the man it yet haunted and thrall'd;
     And that moment, once lost, had been never recall'd.
     Yet it left her heart sore: and, to shelter her heart
     From approach, she then sought, in that delicate art
     Of concealment, those thousand adroit strategies
     Of feminine wit, which repel while they please,
     A weapon, at once, and a shield to conceal
     And defend all that women can earnestly feel.
     Thus, striving her instincts to hide and repress,
     She felt frighten'd at times by her very success:
     She pined for the hill-tops, the clouds, and the stars:
     Golden wires may annoy us as much as steel bars
     If they keep us behind prison windows: impassion'd
     Her heart rose and burst the light cage she had fashion'd
     Out of glittering trifles around it.

                                          Unknown
     To herself, all her instincts, without hesitation,
     Embraced the idea of self-immolation.
     The strong spirit in her, had her life been but blended
     With some man's whose heart had her own comprehended,
     All its wealth at his feet would have lavishly thrown.
     For him she had struggled and striven alone;
     For him had aspired; in him had transfused
     All the gladness and grace of her nature; and used
     For him only the spells of its delicate power:
     Like the ministering fairy that brings from her bower
     To some maze all the treasures, whose use the fond elf,
     More enrich'd by her love, disregards for herself.
     But standing apart, as she ever had done,
     And her genius, which needed a vent, finding none
     In the broad fields of action thrown wide to man's power,
     She unconsciously made it her bulwark and tower,
     And built in it her refuge, whence lightly she hurl'd
     Her contempt at the fashions and forms of the world.

     And the permanent cause why she now miss'd and fail'd
     That firm hold upon life she so keenly assail'd,
     Was, in all those diurnal occasions that place
     Say--the world and the woman opposed face to face,
     Where the woman must yield, she, refusing to stir,
     Offended the world, which in turn wounded her.

     As before, in the old-fashion'd manner, I fit
     To this character, also, its moral: to wit,
     Say--the world is a nettle; disturb it, it stings:
     Grasp it firmly, it stings not.  On one of two things,
     If you would not be stung, it behoves you to settle
     Avoid it, or crush it.  She crush'd not the nettle;
     For she could not; nor would she avoid it: she tried
     With the weak hand of woman to thrust it aside,
     And it stung her.  A woman is too slight a thing
     To trample the world without feeling its sting.


     III.


     One lodges but simply at Luchon; yet, thanks
     To the season that changes forever the banks
     Of the blossoming mountains, and shifts the light cloud
     O'er the valley, and hushes or rouses the loud
     Wind that wails in the pines, or creeps murmuring down
     The dark evergreen slopes to the slumbering town,
     And the torrent that falls, faintly heard from afar,
     And the blue-bells that purple the dapple-gray scaur,
     One sees with each month of the many-faced year
     A thousand sweet changes of beauty appear.
     The chalet where dwelt the Comtesse de Nevers
     Rested half up the base of a mountain of firs,
     In a garden of roses, reveal'd to the road,
     Yet withdrawn from its noise: 'twas a peaceful abode.
     And the walls, and the roofs, with their gables like hoods
     Which the monks wear, were built of sweet resinous woods.
     The sunlight of noon, as Lord Alfred ascended
     The steep garden paths, every odor had blended
     Of the ardent carnations, and faint heliotropes,
     With the balms floated down from the dark wooded slopes:
     A light breeze at the window was playing about,
     And the white curtains floated, now in, and now out.
     The house was all hush'd when he rang at the door,
     Which was open'd to him in a moment, or more,
     By an old nodding negress, whose sable head shined
     In the sun like a cocoa-nut polished in Ind,
     'Neath the snowy foulard which about it was wound.


     IV.


     Lord Alfred sprang forward at once, with a bound.
     He remembered the nurse of Lucile.  The old dame,
     Whose teeth and whose eyes used to beam when he came,
     With a boy's eager step, in the blithe days of yore,
     To pass, unannounced, her young mistress's door.
     The old woman had fondled Lucile on her knee
     When she left, as an infant, far over the sea,
     In India, the tomb of a mother, unknown,
     To pine, a pale flow'ret, in great Paris town.
     She had sooth'd the child's sobs on her breast, when she read
     The letter that told her, her father was dead.
     An astute, shrewd adventurer, who, like Ulysses,
     Had studied men, cities, laws, wars, the abysses
     Of statecraft, with varying fortunes, was he.
     He had wander'd the world through, by land and by sea,
     And knew it in most of its phases.  Strong will,
     Subtle tact, and soft manners, had given him skill
     To conciliate Fortune, and courage to brave
     Her displeasure.  Thrice shipwreck'd, and cast by the wave
     On his own quick resources, they rarely had fail'd
     His command: often baffled, he ever prevail'd,
     In his combat with fate: to-day flatter'd and fed
     By monarchs, to-morrow in search of mere bread
     The offspring of times trouble-haunted, he came
     Of a family ruin'd, yet noble in name.
     He lost sight of his fortune, at twenty, in France,
     And, half statesman, half soldier, and wholly Freelance,
     Had wander'd in search of it, over the world
     Into India.

                 But scarce had the nomad unfurl'd
     His wandering tent at Mysore, in the smile
     Of a Rajah (whose court he controll'd for a while,
     And whose council he prompted and govern'd by stealth);
     Scarce, indeed, had he wedded an Indian of wealth,
     Who died giving birth to this daughter, before
     He was borne to the tomb of his wife at Mysore.
     His fortune, which fell to his orphan, perchance
     Had secured her a home with his sister in France,
     A lone woman, the last of the race left.  Lucile
     Neither felt, nor affected, the wish to conceal
     The half-Eastern blood, which appear'd to bequeath
     (Reveal'd now and then, though but rarely, beneath
     That outward repose that concealed it in her)
     A something half wild to her strange character.
     The nurse with the orphan, awhile broken-hearted,
     At the door of a convent in Paris had parted.
     But later, once more, with her mistress she tarried,
     When the girl, by that grim maiden aunt, had been married
     To a dreary old Count, who had sullenly died,
     With no claim on her tears--she had wept as a bride.
     Said Lord Alfred, "Your mistress expects me."

                                                  The crone
     Oped the drawing-room door, and there left him alone.


     V.


     O'er the soft atmosphere of this temple of grace
     Rested silence and perfume.  No sound reach'd the place.
     In the white curtains waver'd the delicate shade
     Of the heaving acacias, through which the breeze play'd.
     O'er the smooth wooden floor, polished dark as a glass,
     Fragrant white Indian matting allowed you to pass.
     In light olive baskets, by window and door,
     Some hung from the ceiling, some crowding the floor,
     Rich wild flowers pluck'd by Lucile from the hill,
     Seem'd the room with their passionate presence to fill:
     Blue aconite, hid in white roses, reposed;
     The deep belladonna its vermeil disclosed;
     And the frail saponaire, and the tender blue-bell,
     And the purple valerian,--each child of the fell
     And the solitude flourish'd, fed fair from the source
     Of waters the huntsman scarce heeds in his course
     Where the chamois and izard, with delicate hoof,
     Pause or flit through the pinnacled silence aloof.


     VI.


     Here you felt, by the sense of its beauty reposed,
     That you stood in a shrine of sweet thoughts.  Half unclosed
     In the light slept the flowers; all was pure and at rest;
     All peaceful; all modest; all seem'd self-possess'd,
     And aware of the silence.  No vestige nor trace
     Of a young woman's coquetry troubled the place.
     He stood by the window.  A cloud pass'd the sun.
     A light breeze uplifted the leaves, one by one.
     Just then Lucile enter'd the room, undiscern'd
     By Lord Alfred, whose face to the window was turned,
     In a strange revery.
                          The time was, when Lucile,
     In beholding that man, could not help but reveal
     The rapture, the fear, which wrench'd out every nerve
     In the heart of the girl from the woman's reserve.
     And now--she gazed at him, calm, smiling,--perchance
     Indifferent.


     VII.


                  Indifferently turning his glance,
     Alfred Vargrave encounter'd that gaze unaware.
     O'er a bodice snow-white stream'd her soft dusky hair:
     A rose-bud half blown in her hand; in her eyes
     A half-pensive smile.

                            A sharp cry of surprise
     Escaped from his lips: some unknown agitation.
     An invincible trouble, a strange palpitation,
     Confused his ingenious and frivolous wit;
     Overtook, and entangled, and paralyzed it.
     That wit so complacent and docile, that ever
     Lightly came at the call of the lightest endeavor,
     Ready coin'd, and availably current as gold,
     Which, secure of its value, so fluently roll'd
     In free circulation from hand on to hand
     For the usage of all, at a moment's command;
     For once it rebell'd, it was mute and unstirr'd,
     And he looked at Lucile without speaking a word.


     VIII.


     Perhaps what so troubled him was, that the face
     On whose features he gazed had no more than a trace
     Of the face his remembrance had imaged for years.
     Yes! the face he remember'd was faded with tears:
     Grief had famish'd the figure, and dimmed the dark eyes,
     And starved the pale lips, too acquainted with sighs,
     And that tender, and gracious, and fond coquetterie
     Of a woman who knows her least ribbon to be
     Something dear to the lips that so warmly caress
     Every sacred detail of her exquisite dress,
     In the careless toilet of Lucile--then too sad
     To care aught to her changeable beauty to add--
     Lord Alfred had never admired before!
     Alas! poor Lucile, in those weak days of yore,
     Had neglected herself, never heeding, or thinking
     (While the blossom and bloom of her beauty were shrinking)
     That sorrow can beautify only the heart--
     Not the face--of a woman; and can but impart
     Its endearment to one that has suffer'd.  In truth
     Grief hath beauty for grief; but gay youth loves gay youth.


     IX.


     The woman that now met, unshrinking his gaze,
     Seem'd to bask in the silent but sumptuous haze
     Of that soft second summer, more ripe than the first,
     Which returns when the bud to the blossom hath burst
     In despite of the stormiest April.  Lucile
     Had acquired that matchless unconscious appeal
     To the homage which none but a churl would withhold--
     That caressing and exquisite grace--never bold,
     Ever present--which just a few women possess.
     From a healthful repose, undisturb'd by the stress
     Of unquiet emotions, her soft cheek had drawn
     A freshness as pure as the twilight of dawn.
     Her figure, though slight, had revived everywhere
     The luxurious proportions of youth; and her hair--
     Once shorn as an offering to passionate love--
     Now floated or rested redundant above
     Her airy pure forehead and throat; gather'd loose
     Under which, by one violet knot, the profuse
     Milk-white folds of a cool modest garment reposed,
     Rippled faint by the breast they half hid, half disclosed,
     And her simple attire thus in all things reveal'd
     The fine art which so artfully all things conceal'd.


     X.


     Lord Alfred, who never conceived that Lucile
     Could have look'd so enchanting, felt tempted to kneel
     At her feet, and her pardon with passion implore;
     But the calm smile that met him sufficed to restore
     The pride and the bitterness needed to meet
     The occasion with dignity due and discreet.


     XI.


     "Madam,"--thus he began with a voice reassured,--
     "You see that your latest command has secured
     My immediate obedience--presuming I may
     Consider my freedom restored from this day."--
     "I had thought," said Lucile, with a smile gay yet sad,
     "That your freedom from me not a fetter has had.
     Indeed!... in my chains have you rested till now?
     I had not so flattered myself, I avow!"
     "For Heaven's sake, Madam," Lord Alfred replied,
     "Do not jest! has the moment no sadness?" he sigh'd.
     "'Tis an ancient tradition," she answer'd, "a tale
     Often told--a position too sure to prevail
     In the end of all legends of love.  If we wrote,
     When we first love, foreseeing that hour yet remote,
     Wherein of necessity each would recall
     From the other the poor foolish records of all
     Those emotions, whose pain, when recorded, seem'd bliss,
     Should we write as we wrote?  But one thinks not of this!
     At Twenty (who does not at Twenty?) we write
     Believing eternal the frail vows we plight;
     And we smile with a confident pity, above
     The vulgar results of all poor human love:
     For we deem, with that vanity common to youth,
     Because what we feel in our bosoms, in truth,
     Is novel to us--that 'tis novel to earth,
     And will prove the exception, in durance and worth,
     To the great law to which all on earth must incline.
     The error was noble, the vanity fine!
     Shall we blame it because we survive it? ah, no;
     'Twas the youth of our youth, my lord, is it not so?"


     XII.


     Lord Alfred was mute.  He remember'd her yet
     A child--the weak sport of each moment's regret,
     Blindly yielding herself to the errors of life,
     The deceptions of youth, and borne down by the strife
     And the tumult of passion; the tremulous toy
     Of each transient emotion of grief or of joy.
     But to watch her pronounce the death-warrant of all
     The illusions of life--lift, unflinching, the pall
     From the bier of the dead Past--that woman so fair,
     And so young, yet her own self-survivor; who there
     Traced her life's epitaph with a finger so cold!
     'Twas a picture that pain'd his self-love to behold.
     He himself knew--none better--the things to be said
     Upon subjects like this.  Yet he bow'd down his head:
     And as thus, with a trouble he could not command,
     He paused, crumpling the letters he held in his hand,
     "You know me enough," she continued, "or what
     I would say is, you yet recollect (do you not,
     Lord Alfred?) enough of my nature, to know
     That these pledges of what was perhaps long ago
     A foolish affection, I do not recall
     From those motives of prudence which actuate all
     Or most women when their love ceases.  Indeed,
     If you have such a doubt, to dispel it I need
     But remind you that ten years these letters have rested
     Unreclaim'd in your hands."  A reproach seem'd suggested
     By these words.  To meet it, Lord Alfred look'd up
     (His gaze had been fix'd on a blue Sevres cup
     With a look of profound connoisseurship--a smile
     Of singular interest and care, all this while.)
     He look'd up, and look'd long in the face of Lucile,
     To mark if that face by a sign would reveal
     At the thought of Miss Darcy the least jealous pain.
     He look'd keenly and long, yet he look'd there in vain.
     "You are generous, Madam," he murmur'd at last,
     And into his voice a light irony pass'd.
     He had look'd for reproaches, and fully arranged
     His forces.  But straightway the enemy changed
     The position.


     XIII.


                    "Come!" gayly Lucile interposed,
     With a smile whose divinely deep sweetness disclosed
     Some depth in her nature he never had known,
     While she tenderly laid her light hand on his own,
     "Do not think I abuse the occasion.  We gain
     Justice, judgment, with years, or else years are in vain.
     From me not a single reproach can you hear.
     I have sinn'd to myself--to the world--nay, I fear
     To you chiefly.  The woman who loves should, indeed,
     Be the friend of the man that she loves.  She should heed
     Not her selfish and often mistaken desires,
     But his interest whose fate her own interest inspires;
     And rather than seek to allure, for her sake,
     His life down the turbulent, fanciful wake
     Of impossible destinies, use all her art
     That his place in the world find its place in her heart.
     I, alas!--I perceived not this truth till too late;
     I tormented your youth, I have darken'd your fate.
     Forgive me the ill I have done for the sake
     Of its long expiation!"


     XIV.


                             Lord Alfred, awake,
     Seem'd to wander from dream on to dream.  In that seat
     Where he sat as a criminal, ready to meet
     His accuser, he found himself turn'd by some change,
     As surprising and all unexpected as strange,
     To the judge from whose mercy indulgence was sought.
     All the world's foolish pride in that moment was naught;
     He felt all his plausible theories posed;
     And, thrill'd by the beauty of nature disclosed
     In the pathos of all he had witness'd, his head
     He bow'd, and faint words self-reproachfully said,
     As he lifted her hand to his lips.  'Twas a hand
     White, delicate, dimpled, warm, languid, and bland.
     The hand of a woman is often, in youth,
     Somewhat rough, somewhat red, somewhat graceless, in truth;
     Does its beauty refine, as its pulses grow calm,
     Or as Sorrow has cross'd the life-line in the palm?


     XV.


     The more that he look'd, that he listen'd, the more
     He discover'd perfections unnoticed before.
     Less salient than once, less poetic, perchance,
     This woman who thus had survived the romance
     That had made him its hero, and breathed him its sighs,
     Seem'd more charming a thousand times o'er to his eyes.
     Together they talk'd of the years since when last
     They parted, contrasting the present, the past.
     Yet no memory marr'd their light converse.  Lucile
     Question'd much, with the interest a sister might feel,
     Of Lord Alfred's new life,--of Miss Darcy--her face,
     Her temper, accomplishments--pausing to trace
     The advantage derived from a hymen so fit.
     Of herself, she recounted with humor and wit
     Her journeys, her daily employments, the lands
     She had seen, and the books she had read, and the hands
     She had shaken.
                     In all that she said there appear'd
     An amiable irony.  Laughing, she rear'd
     The temple of reason, with ever a touch
     Of light scorn at her work, reveal'd only so much
     As their gleams, in the thyrsus that Bacchanals bear,
     Through the blooms of a garland the point of a spear.
     But above, and beneath, and beyond all of this,
     To that soul, whose experience had paralyzed bliss,
     A benignant indulgence, to all things resign'd,
     A justice, a sweetness, a meekness of mind,
     Gave a luminous beauty, as tender and faint
     And serene as the halo encircling a saint.


     XVI.


     Unobserved by Lord Alfred the time fleeted by.
     To each novel sensation spontaneously
     He abandon'd himself with that ardor so strange
     Which belongs to a mind grown accustom'd to change.
     He sought, with well-practised and delicate art,
     To surprise from Lucile the true state of her heart;
     But his efforts were vain, and the woman, as ever,
     More adroit than the man, baffled every endeavor.
     When he deem'd he had touch'd on some chord in her being,
     At the touch it dissolved, and was gone.  Ever fleeing
     As ever he near it advanced, when he thought
     To have seized, and proceeded to analyze aught
     Of the moral existence, the absolute soul,
     Light as vapor the phantom escaped his control.


     XVII.


     From the hall, on a sudden, a sharp ring was heard.
     In the passage without a quick footstep there stirr'd;
     At the door knock'd the negress, and thrust in her head,
     "The Duke de Luvois had just enter'd," she said,
     "And insisted"--
                     "The Duke!" cried Lucile (as she spoke,
     The Duke's step, approaching, a light echo woke).
     "Say I do not receive till the evening.  Explain,"
     As she glanced at Lord Alfred, she added again,
     "I have business of private importance."
                                             There came
     O'er Lord Alfred at once, at the sound of that name,
     An invincible sense of vexation.  He turn'd
     To Lucile, and he fancied he faintly discern'd
     On her face an indefinite look of confusion.
     On his mind instantaneously flash'd the conclusion
     That his presence had caused it.
                                      He said, with a sneer
     Which he could not repress, "Let not ME interfere
     With the claims on your time, lady! when you are free
     From more pleasant engagements, allow me to see
     And to wait on you later."
                                The words were not said
     Ere he wish'd to recall them.  He bitterly read
     The mistake he had made in Lucile's flashing eye.
     Inclining her head as in haughty reply,
     More reproachful perchance than all utter'd rebuke,
     She said merely, resuming her seat, "Tell the Duke
     He may enter."
                    And vex'd with his own words and hers,
     Alfred Vargrave bow'd low to Lucile de Nevers,
     Pass'd the casement and enter'd the garden.  Before
     His shadow was fled the Duke stood at the door.


     XVIII.


     When left to his thoughts in the garden alone,
     Alfred Vargrave stood, strange to himself.  With dull tone
     Of importance, through cities of rose and carnation,
     Went the bee on his business from station to station.
     The minute mirth of summer was shrill all around;
     Its incessant small voices like stings seem'd to sound
     On his sore angry sense.  He stood grieving the hot
     Solid sun with his shadow, nor stirr'd from the spot.
     The last look of Lucile still bewilder'd, perplex'd,
     And reproach'd him.  The Duke's visit goaded and vex'd.
     He had not yet given the letters.  Again
     He must visit Lucile.  He resolved to remain
     Where he was till the Duke went.  In short, he would stay,
     Were it only to know when the Duke went away.
     But just as he form'd this resolve, he perceived
     Approaching towards him, between the thick-leaved
     And luxuriant laurels, Lucile and the Duke.
     Thus surprised, his first thought was to seek for some nook
     Whence he might, unobserved, from the garden retreat.
     They had not yet seen him.  The sound of their feet
     And their voices had warn'd him in time.  They were walking
     Towards him.  The Duke (a true Frenchman) was talking
     With the action of Talma.  He saw at a glance
     That they barr'd the sole path to the gateway.  No chance
     Of escape save in instant concealment!  Deep-dipp'd
     In thick foliage, an arbor stood near.  In he slipp'd,
     Saved from sight, as in front of that ambush they pass'd,
     Still conversing.  Beneath a laburnum at last
     They paused, and sat down on a bench in the shade,
     So close that he could not but hear what they said.


     XIX.


     LUCILE.

     Duke, I scarcely conceive...

     LUVOIS.

                               Ah! forgive!... I desired
     So deeply to see you to-day.  You retired
     So early last night from the ball... this whole week
     I have seen you pale, silent, preoccupied... speak,
     Speak, Lucile, and forgive me!... I know that I am
     A rash fool--but I love you! I love you, Madame.
     More than language can say!  Do not deem, O Lucile,
     That the love I no longer have strength to conceal
     Is a passing caprice!  It is strange to my nature,
     It has made me, unknown to myself, a new creature.
     I implore you to sanction and save the new life
     Which I lay at your feet with this prayer--Be my wife
     Stoop, and raise me!
                          Lord Alfred could scarcely restrain
     The sudden, acute pang of anger and pain
     With which he had heard this.  As though to some wind
     The leaves of the hush'd, windless laurels behind
     The two thus in converse were suddenly stirr'd.
     The sound half betrayed him.  They started.  He heard
     The low voice of Lucile; but so faint was its tone
     That her answer escaped him.
                                   Luvois hurried on,
     As though in remonstrance with what had been spoken.
     "Nay, I know it, Lucile! but your heart was not broken
     By the trial in which all its fibres were proved.
     Love, perchance, you mistrust, yet you need to be loved.
     You mistake your own feelings.  I fear you mistake
     What so ill I interpret, those feelings which make
     Words like these vague and feeble.  Whatever your heart
     May have suffer'd of yore, this can only impart
     A pity profound to the love which I feel.
     Hush! hush! I know all.  Tell me nothing, Lucile."
     "You know all, Duke?" she said; "well then, know that, in truth,
     I have learn'd from the rude lesson taught to my youth
     From my own heart to shelter my life; to mistrust
     The heart of another.  We are what we must,
     And not what we would be.  I know that one hour
     Assures not another.  The will and the power
     Are diverse."
                   "O madam!" he answer'd, "you fence
     With a feeling you know to be true and intense.
     'Tis not MY life, Lucile, that I plead for alone:
     If your nature I know, 'tis no less for your own.
     That nature will prey on itself; it was made
     To influence others.  Consider," he said,
     "That genius craves power--what scope for it here?
     Gifts less noble to ME give command of that sphere
     In which genius IS power.  Such gifts you despise?
     But you do not disdain what such gifts realize!
     I offer you, Lady, a name not unknown--
     A fortune which worthless, without you, is grown--
     All my life at your feet I lay down--at your feet
     A heart which for you, and you only, can beat."

     LUCILE.

     That heart, Duke, that life--I respect both.  The name
     And position you offer, and all that you claim
     In behalf of their nobler employment, I feel
     To deserve what, in turn, I now ask you--

     LUVOIS.

                                              Lucile!

     LUCILE.

     I ask you to leave me--

     LUVOIS.

                              You do not reject?

     LUCILE.

     I ask you to leave me the time to reflect.

     LUVOIS.

     You ask me?

     LUCILE.

                 --The time to reflect.

     LUVOIS.

                                        Say--One word!
     May I hope?
                 The reply of Lucile was not heard
     By Lord Alfred; for just then she rose, and moved on.
     The Duke bow'd his lips o'er her hand, and was gone.


     XX.


     Not a sound save the birds in the bushes.  And when
     Alfred Vargrave reel'd forth to the sunlight again,
     He just saw the white robe of the woman recede
     As she entered the house.
                               Scarcely conscious indeed
     Of his steps, he too follow'd, and enter'd.


     XXI.


                                                He enter'd
     Unnoticed; Lucile never stirr'd: so concentred
     And wholly absorb'd in her thoughts she appear'd.
     Her back to the window was turn'd.  As he near'd
     The sofa, her face from the glass was reflected.
     Her dark eyes were fix'd on the ground.  Pale, dejected,
     And lost in profound meditation she seem'd.
     Softly, silently, over her droop'd shoulders stream'd
     The afternoon sunlight.  The cry of alarm
     And surprise which escaped her, as now on her arm
     Alfred Vargrave let fall a hand icily cold
     And clammy as death, all too cruelly told
     How far he had been from her thoughts.


     XXII.


                                            All his cheek
     Was disturb'd with the effort it cost him to speak.
     "It was not my fault.  I have heard all," he said.
     "Now the letters--and farewell, Lucile!  When you wed
     May--"
            The sentence broke short, like a weapon that snaps
     When the weight of a man is upon it.
                                          "Perhaps,"
     Said Lucile (her sole answer reveal'd in the flush
     Of quick color which up to her brow seem'd to rush
     In reply to those few broken words), "this farewell
     Is our last, Alfred Vargrave, in life.  Who can tell?
     Let us part without bitterness.  Here are your letters.
     Be assured I retain you no more in my fetters!"--
     She laughed, as she said this, a little sad laugh,
     And stretched out her hand with the letters.  And half
     Wroth to feel his wrath rise, and unable to trust
     His own powers of restraint, in his bosom he thrust
     The packet she gave, with a short angry sigh,
     Bow'd his head, and departed without a reply.


     XXIII.


     And Lucile was alone.  And the men of the world
     Were gone back to the world.  And the world's self was furl'd
     Far away from the heart of the woman.  Her hand
     Droop'd, and from it, unloosed from their frail silken band,
     Fell those early love-letters, strewn, scatter'd, and shed
     At her feet--life's lost blossoms!  Dejected, her head
     On her bosom was bow'd.  Her gaze vaguely stray'd o'er
     Those strewn records of passionate moments no more.
     From each page to her sight leapt some words that belied
     The composure with which she that day had denied
     Every claim on her heart to those poor perish'd years.
     They avenged themselves now, and she burst into tears.




CANTO IV.

     I.


     LETTER FROM COUSIN JOHN TO COUSIN ALFRED.

                                "BIGORRE, THURSDAY.
     "Time up, you rascal!  Come back, or be hang'd.
     Matilda grows peevish.  Her mother harangued
     For a whole hour this morning about you.  The deuce!
     What on earth can I say to you?--nothing's of use.
     And the blame of the whole of your shocking behavior
     Falls on ME, sir!  Come back,--do you hear?--or I leave your
     Affairs, and, abjure you forever.  Come back
     To your anxious betroth'd; and perplexed
                                              "COUSIN JACK."


     II.


     Alfred needed, in truth, no entreaties from John
     To increase his impatience to fly from Luchon.
     All the place was now fraught with sensations of pain
     Which, whilst in it, he strove to escape from in vain.
     A wild instinct warn'd him to fly from a place
     Where he felt that some fatal event, swift of pace,
     Was approaching his life.  In despite his endeavor
     To think of Matilda, her image forever
     Was effaced from his fancy by that of Lucile.
     From the ground which he stood on he felt himself reel.
     Scared, alarm'd by those feelings to which, on the day
     Just before, all his heart had so soon given way,
     When he caught, with a strange sense of fear, for assistance,
     And what was, till then, the great fact in existence,
     'Twas a phantom he grasp'd.


     III.


                                 Having sent for his guide,
     He order'd his horse, and determin'd to ride
     Back forthwith to Bigorre.
                                Then, the guide, who well knew
     Every haunt of those hills, said the wild lake of Oo
     Lay a league from Luchon; and suggested a track
     By the lake to Bigorre, which, transversing the back
     Of the mountain, avoided a circuit between
     Two long valleys; and thinking, "Perchance change of scene
     May create change of thought," Alfred Vargrave agreed,
     Mounted horse, and set forth to Bigorre at full speed.


     IV.


     His guide rode beside him.
                                The king of the guides!
     The gallant Bernard! ever boldly he rides,
     Ever gayly he sings!  For to him, from of old,
     The hills have confided their secrets, and told
     Where the white partridge lies, and the cock o' the woods;
     Where the izard flits fine through the cold solitudes;
     Where the bear lurks perdu; and the lynx on his prey
     At nightfall descends, when the mountains are gray;
     Where the sassafras blooms, and the bluebell is born,
     And the wild rhododendron first reddens at morn;
     Where the source of the waters is fine as a thread;
     How the storm on the wild Maladetta is spread;
     Where the thunder is hoarded, the snows lie asleep,
     Whence the torrents are fed, and the cataracts leap;
     And, familiarly known in the hamlets, the vales
     Have whisper'd to him all their thousand love-tales;
     He has laugh'd with the girls, he has leap'd with the boys;
     Ever blithe, ever bold, ever boon, he enjoys
     An existence untroubled by envy or strife,
     While he feeds on the dews and the juices of life.
     And so lightly he sings, and so gayly he rides,
     For BERNARD LE SAUTEUR is the king of all guides!


     V.


     But Bernard found, that day, neither song not love-tale,
     Nor adventure, nor laughter, nor legend avail
     To arouse from his deep and profound revery
     Him that silent beside him rode fast as could be.


     VI.


     Ascending the mountain they slacken'd their pace,
     And the marvellous prospect each moment changed face.
     The breezy and pure inspirations of morn
     Breathed about them.  The scarp'd ravaged mountains, all worn
     By the torrents, whose course they watch'd faintly meander,
     Were alive with the diamonded shy salamander.
     They paused o'er the bosom of purple abysses,
     And wound through a region of green wildernesses;
     The waters went whirling above and around,
     The forests hung heap'd in their shadows profound.
     Here the Larboust, and there Aventin, Castellon,
     Which the Demon of Tempest, descending upon,
     Had wasted with fire, and the peaceful Cazeaux
     They mark'd; and far down in the sunshine below,
     Half dipp'd in a valley of airiest blue,
     The white happy homes of the valley of Oo,
     Where the age is yet golden.
                                  And high overhead
     The wrecks of the combat of Titans were spread.
     Red granite, and quartz; in the alchemic sun,
     Fused their splendors of crimson and crystal in one;
     And deep in the moss gleam'd the delicate shells,
     And the dew linger'd fresh in the heavy harebells;
     The large violet burn'd; the campanula blue;
     And Autumn's own flower, the saffron, peer'd through
     The red-berried brambles and thick sassafras;
     And fragrant with thyme was the delicate grass;
     And high up, and higher, and highest of all,
     The secular phantom of snow!
                                   O'er the wall
     Of a gray sunless glen gaping drowsy below,
     That aerial spectre, reveal'd in the glow
     Of the great golden dawn, hovers faint on the eye
     And appears to grow in, and grow out of, the sky
     And plays with the fancy, and baffles the sight.
     Only reach'd by the vast rosy ripple of light,
     And the cool star of eve, the Imperial Thing,
     Half unreal, like some mythological king
     That dominates all in a fable of old,
     Takes command of a valley as fair to behold
     As aught in old fables; and, seen or unseen,
     Dwells aloof over all, in the vast and serene
     Sacred sky, where the footsteps of spirits are furl'd
     'Mid the clouds beyond which spreads the infinite world
     Of man's last aspirations, unfathom'd, untrod,
     Save by Even and Morn, and the angels of God.


     VII.


     Meanwhile, as they journey'd, that serpentine road,
     Now abruptly reversed, unexpectedly show'd
     A gay cavalcade some few feet in advance.
     Alfred Vargrave's heart beat; for he saw at a glance
     The slight form of Lucile in the midst.  His next look
     Show'd him, joyously ambling beside her, the Duke
     The rest of the troop which had thus caught his ken
     He knew not, nor noticed them (women and men).
     They were laughing and talking together.  Soon after
     His sudden appearance suspended their laughter.


     VIII.


     "You here!... I imagined you far on your way
     To Bigorre!"... said Lucile.  "What has caused you to stay?"
     "I AM on my way to Bigorre," he replied,
     "But since MY way would seem to be YOURS, let me ride
     For one moment beside you."  And then, with a stoop
     At her ear,... "and forgive me!"


     IX.


                                         By this time the troop
     Had regather'd its numbers.
                                  Lucile was as pale
     As the cloud 'neath their feet, on its way to the vale.
     The Duke had observed it, nor quitted her side,
     For even one moment, the whole of the ride.
     Alfred smiled, as he thought, "he is jealous of her!"
     And the thought of this jealousy added a spur
     To his firm resolution and effort to please.
     He talk'd much; was witty, and quite at his ease.


     X.


     After noontide, the clouds, which had traversed the east
     Half the day, gather'd closer, and rose and increased.
     The air changed and chill'd.  As though out of the ground,
     There ran up the trees a confused hissing sound,
     And the wind rose.  The guides sniff'd, like chamois, the air,
     And look'd at each other, and halted, and there
     Unbuckled the cloaks from the saddles.  The white
     Aspens rustled, and turn'd up their frail leaves in fright.
     All announced the approach of the tempest.
                                                Erelong,
     Thick darkness descended the mountains among,
     And a vivid, vindictive, and serpentine flash
     Gored the darkness, and shore it across with a gash.
     The rain fell in large heavy drops.  And anon
     Broke the thunder.
                        The horses took fright, every one.
     The Duke's in a moment was far out of sight.
     The guides whoop'd.  The band was obliged to alight;
     And, dispersed up the perilous pathway, walk'd blind
     To the darkness before from the darkness behind.


     XI.


     And the Storm is abroad in the mountains!
                                               He fills
     The crouch'd hollows and all the oracular hills
     With dread voices of power.  A roused million or more
     Of wild echoes reluctantly rise from their hoar
     Immemorial ambush, and roll in the wake
     Of the cloud, whose reflection leaves vivid the lake.
     And the wind, that wild robber, for plunder descends
     From invisible lands, o'er those black mountain ends;
     He howls as he hounds down his prey; and his lash
     Tears the hair of the timorous wan mountain-ash,
     That clings to the rocks, with her garments all torn,
     Like a woman in fear; then he blows his hoarse horn
     And is off, the fierce guide of destruction and terror,
     Up the desolate heights, 'mid an intricate error
     Of mountain and mist.


     XII.


                            There is war in the skies!
     Lo! the black-winged legions of tempest arise
     O'er those sharp splinter'd rocks that are gleaming below
     In the soft light, so fair and so fatal, as though
     Some seraph burn'd through them, the thunderbolt searching
     Which the black cloud unbosom'd just now.  Lo! the lurching
     And shivering pine-trees, like phantoms, that seem
     To waver above, in the dark; and yon stream,
     How it hurries and roars, on its way to the white
     And paralyzed lake there, appall'd at the sight
     of the things seen in heaven!


     XIII.


                                   Through the darkness and awe
     That had gather'd around him, Lord Alfred now saw,
     Reveal'd in the fierce and evanishing glare
     Of the lightning that momently pulsed through the air
     A woman alone on a shelf of the hill,
     With her cheek coldly propp'd on her hand,--and as still
     As the rock that she sat on, which beetled above
     The black lake beneath her.
                                  All terror, all love
     Added speed to the instinct with which he rush'd on.
     For one moment the blue lightning swathed the whole stone
     In its lurid embrace: like the sleek dazzling snake
     That encircles a sorceress, charm'd for her sake
     And lull'd by her loveliness; fawning, it play'd
     And caressingly twined round the feet and the head
     Of the woman who sat there, undaunted and calm
     As the soul of that solitude, listing the psalm
     Of the plangent and laboring tempests roll slow
     From the caldron of midnight and vapor below.
     Next moment from bastion to bastion, all round,
     Of the siege-circled mountains, there tumbled the sound
     Of the battering thunder's indefinite peal,
     And Lord Alfred had sprung to the feet of Lucile.


     XIV.


     She started.  Once more, with its flickering wand,
     The lightning approach'd her.  In terror, her hand
     Alfred Vargrave had seized within his; and he felt
     The light fingers, that coldly and lingeringly dwelt
     In the grasp of his own, tremble faintly.
                                               "See! see!
     Where the whirlwind hath stricken and strangled yon tree!"
     She exclaim'd,... "like the passion that brings on its breath,
     To the being it embraces, destruction and death!
     Alfred Vargrave, the lightning is round you!"
                                                   "Lucile!
     I hear--I see--naught but yourself.  I can feel
     Nothing here but your presence.  My pride fights in vain
     With the truth that leaps from me.  We two meet again
     'Neath yon terrible heaven that is watching above
     To avenge if I lie when I swear that I love,--
     And beneath yonder terrible heaven, at your feet,
     I humble my head and my heart.  I entreat
     Your pardon, Lucile, for the past--I implore
     For the future your mercy--implore it with more
     Of passion than prayer ever breathed.  By the power
     Which invisibly touches us both in this hour,
     By the rights I have o'er you, Lucile, I demand--"
     "The rights!"... said Lucile, and drew from him her hand.

     "Yes, the rights! for what greater to man may belong
     Than the right to repair in the future the wrong
     To the past? and the wrong I have done you, of yore,
     Hath bequeath'd to me all the sad right to restore,
     To retrieve, to amend!  I, who injured your life,
     Urge the right to repair it, Lucile!  Be my wife,
     My guide, my good angel, my all upon earth,
     And accept, for the sake of what yet may give worth
     To my life, its contrition!"


     XV.


                                  He paused, for there came
     O'er the cheek of Lucile a swift flush like the flame
     That illumined at moments the darkness o'erhead.
     With a voice faint and marr'd by emotion, she said,
     "And your pledge to another?"


     XVI.


                                  "Hush, hush!" he exclaim'd,
     "My honor will live where my love lives, unshamed.
     'Twere poor honor indeed, to another to give
     That life of which YOU keep the heart.  Could I live
     In the light of those young eyes, suppressing a lie?
     Alas, no! YOUR hand holds my whole destiny.
     I can never recall what my lips have avow'd;
     In your love lies whatever can render me proud.
     For the great crime of all my existence hath been
     To have known you in vain.  And the duty best seen,
     And most hallow'd--the duty most sacred and sweet,
     Is that which hath led me, Lucile, to your feet.
     O speak! and restore me the blessing I lost
     When I lost you--my pearl of all pearls beyond cost!
     And restore to your own life its youth, and restore
     The vision, the rapture, the passion of yore!
     Ere our brows had been dimm'd in the dust of the world,
     When our souls their white wings yet exulting unfurl'd!
     For your eyes rest no more on the unquiet man,
     The wild star of whose course its pale orbit outran,
     Whom the formless indefinite future of youth,
     With its lying allurements, distracted.  In truth
     I have wearily wander'd the world, and I feel
     That the least of your lovely regards, O Lucile,
     Is worth all the world can afford, and the dream
     Which, though follow'd forever, forever doth seem
     As fleeting, and distant, and dim, as of yore
     When it brooded in twilight, at dawn, on the shore
     Of life's untraversed ocean!  I know the sole path
     To repose, which my desolate destiny hath,
     Is the path by whose course to your feet I return.
     And who else, O Lucile, will so truly discern,
     And so deeply revere, all the passionate strength,
     The sublimity in you, as he whom at length
     These have saved from himself, for the truth they reveal
     To his worship?"


     XVII.


                      She spoke not; but Alfred could feel
     The light hand and arm, that upon him reposed,
     Thrill and tremble.  Those dark eyes of hers were half closed.
     But, under their languid mysterious fringe,
     A passionate softness was beaming.  One tinge
     Of faint inward fire flush'd transparently through
     The delicate, pallid, and pure olive hue
     Of the cheek, half averted and droop'd.  The rich bosom
     Heaved, as when in the heart of a ruffled rose-blossom
     A bee is imprison'd and struggles.


     XVIII.


                                         Meanwhile
     The sun, in his setting, sent up the last smile
     Of his power, to baffle the storm.  And, behold!
     O'er the mountains embattled, his armies, all gold,
     Rose and rested: while far up the dim airy crags,
     Its artillery silenced, its banners in rags,
     The rear of the tempest its sullen retreat
     Drew off slowly, receding in silence, to meet
     The powers of the night, which, now gathering afar,
     Had already sent forward one bright, signal star
     The curls of her soft and luxuriant hair,
     From the dark riding-hat, which Lucile used to wear,
     Had escaped; and Lord Alfred now cover'd with kisses
     The redolent warmth of those long falling tresses.
     Neither he, nor Lucile, felt the rain, which not yet
     Had ceased falling around them; when, splash'd, drench'd, and wet,
     The Duc de Luvois down the rough mountain course
     Approached them as fast as the road, and his horse,
     Which was limping, would suffer.  The beast had just now
     Lost his footing, and over the perilous brow
     Of the storm-haunted mountain his master had thrown;
     But the Duke, who was agile, had leap'd to a stone,
     And the horse, being bred to the instinct which fills
     The breast of the wild mountaineer in these hills,
     Had scrambled again to his feet; and now master
     And horse bore about them the signs of disaster,
     As they heavily footed their way through the mist,
     The horse with his shoulder, the Duke with his wrist,
     Bruised and bleeding.


     XIX.


                           If ever your feet, like my own,
     O reader, have traversed these mountains alone,
     Have you felt your identity shrink and contract
     At the sound of the distant and dim cataract,
     In the presence of nature's immensities?  Say,
     Have you hung o'er the torrent, bedew'd with its spray,
     And, leaving the rock-way, contorted and roll'd,
     Like a huge couchant Typhon, fold heaped over fold,
     Track'd the summits from which every step that you tread
     Rolls the loose stones, with thunder below, to the bed
     Of invisible waters, whose mistical sound
     Fills with awful suggestions the dizzy profound?
     And, laboring onwards, at last through a break
     In the walls of the world, burst at once on the lake?
     If you have, this description I might have withheld.
     You remember how strangely your bosom has swell'd
     At the vision reveal'd.  On the overwork'd soil
     Of this planet, enjoyment is sharpen'd by toil;
     And one seems, by the pain of ascending the height,
     To have conquer'd a claim of that wonderful sight.


     XX.


     Hail, virginal daughter of cold Espingo!
     Hail, Naiad, whose realm is the cloud and the snow;
     For o'er thee the angels have whiten'd their wings,
     And the thirst of the seraphs is quench'd at thy springs.
     What hand hath, in heaven, upheld thine expanse?
     When the breath of creation first fashion'd fair France,
     Did the Spirit of Ill, in his downthrow appalling,
     Bruise the world, and thus hollow thy basin while falling?
     Ere the mammoth was born hath some monster unnamed
     The base of thy mountainous pedestal framed?
     And later, when Power to Beauty was wed,
     Did some delicate fairy embroider thy bed
     With the fragile valerian and wild columbine?


     XXI.


     But thy secret thou keepest, and I will keep mine;
     For once gazing on thee, it flash'd on my soul,
     All that secret!  I saw in a vision the whole
     Vast design of the ages; what was and shall be!
     Hands unseen raised the veil of a great mystery
     For one moment.  I saw, and I heard; and my heart
     Bore witness within me to infinite art,
     In infinite power proving infinite love;
     Caught the great choral chant, mark'd the dread pageant move--
     The divine Whence and Whither of life!  But, O daughter
     Of Oo, not more safe in the deep silent water
     Is thy secret, than mine in my heart.  Even so.
     What I then saw and heard, the world never shall know.


     XXII.


     The dimness of eve o'er the valleys had closed,
     The rain had ceased falling, the mountains reposed.
     The stars had enkindled in luminous courses
     Their slow-sliding lamps, when, remounting their horses,
     The riders retraversed that mighty serration
     Of rock-work.  Thus left to its own desolation,
     The lake, from whose glimmering limits the last
     Transient pomp of the pageants of sunset had pass'd,
     Drew into its bosom the darkness, and only
     Admitted within it one image--a lonely
     And tremulous phantom of flickering light
     That follow'd the mystical moon through the night.


     XXIII.


     It was late when o'er Luchon at last they descended.
     To her chalet, in silence, Lord Alfred attended
     Lucile.  As they parted, she whispered him low,
     "You have made to me, Alfred, an offer I know
     All the worth of, believe me.  I cannot reply
     Without time for reflection.  Good night!--not good by."
     "Alas! 'tis the very same answer you made
     To the Duc de Luvois but a day since," he said.
     "No, Alfred! the very same, no," she replied.
     Her voice shook.  "If you love me, obey me.  Abide
     My answer to-morrow."


     XXIV.


                            Alas, Cousin Jack!
     You Cassandra in breeches and boots! turn your back
     To the ruins of Troy.  Prophet, seek not for glory
     Amongst thine own people.
                               I follow my story.




CANTO V.


     I.


     Up!--forth again, Pegasus!--"Many's the slip,"
     Hath the proverb well said, "'twixt the cup and the lip!"
     How blest should we be, have I often conceived,
     Had we really achieved what we nearly achieved!
     We but catch at the skirts of the thing we would be,
     And fall back on the lap of a false destiny.
     So it will be, so has been, since this world began!
     And the happiest, noblest, and best part of man
     Is the part which he never hath fully play'd out:
     For the first and last word in life's volume is--
           Doubt.
     The face of the most fair to our vision allow'd
     Is the face we encounter and lose in the crowd.
     The thought that most thrills our existence is one
     Which, before we can frame it in language, is gone.
     O Horace! the rustic still rests by the river,
     But the river flows on, and flows past him forever!
     Who can sit down, and say... "What I will be, I will"?
     Who stand up, and affirm... "What I was, I am still"?
     Who is that must not, if question'd, say......
           "What
     I would have remain'd or become, I am not"?
     We are ever behind, or beyond, or beside
     Our intrinsic existence.  Forever at hide
     And seek with our souls.  Not in Hades alone
     Doth Sisyphus roll, ever frustrate, the stone,
     Do the Danaids ply, ever vainly, the sieve.
     Tasks as futile does earth to its denizens give.
     Yet there's none so unhappy, but what he hath been
     Just about to be happy, at some time, I ween;
     And none so beguiled and defrauded by chance,
     But what once in his life, some minute circumstance
     Would have fully sufficed to secure him the bliss
     Which, missing it then, he forever must miss.
     And to most of us, ere we go down to the grave,
     Life, relenting, accords the good gift we would have;
     But, as though by some strange imperfection in fate,
     The good gift, when it comes, comes a moment too late.
     The Future's great veil our breath fitfully flaps,
     And behind it broods ever the mighty Perhaps.
     Yet! there's many a slip 'twixt the cup and the lip;
     But while o'er the brim of life's beaker I dip,
     Though the cup may next moment be shatter'd, the wine
     Spilt, one deep health I'll pledge, and that health shall be thine,
     O being of beauty and bliss! seen and known
     In the deeps of my soul, and possess'd there alone!
     My days know thee not; and my lips name thee never.
     Thy place in my poor life is vacant forever.
     We have met: we have parted.  No more is recorded
     In my annals on earth.  This alone was afforded
     To the man whom men know me, or deem me, to be.
     But, far down, in the depth of my life's mystery,
     (Like the siren that under the deep ocean dwells,
     Whom the wind as it wails, and the wave as it swells,
     Cannot stir in the calm of her coralline halls,
     'Mid the world's adamantine and dim pedestals;
     At whose feet sit the sylphs and sea fairies; for whom
     The almondine glimmers, the soft samphires bloom)--
     Thou abidest and reignest forever, O Queen
     Of that better world which thou swayest unseen!
     My one perfect mistress! my all things in all!
     Thee by no vulgar name known to men do I call;
     For the Seraphs have named thee to me in my sleep,
     And that name is a secret I sacredly keep.
     But, wherever this nature of mine is most fair,
     And its thoughts are the purest--belov'd, thou art there!
     And whatever is noblest in aught that I do,
     Is done to exalt and to worship thee too.
     The world gave thee not to me, no! and the world
     Cannot take thee away from me now.  I have furl'd
     The wings of my spirit above thy bright head;
     At thy feet are my soul's immortalities spread.
     Thou mightest have been to me much.  Thou art more.
     And in silence I worship, in darkness adore.
     If life be not that which without us we find--
     Chance, accident, merely--but rather the mind,
     And the soul which, within us, surviveth these things,
     If our real existence have truly its springs
     Less in that which we do than in that which we feel,
     Not in vain do I worship, not hopeless I kneel!
     For then, though I name thee not mistress or wife,
     Thou art mine--and mine only,--O life of my life!
     And though many's the slip 'twixt the cup and the lip,
     Yet while o'er the brim of life's beaker I dip,
     While there's life on the lip, while there's warmth in the wine,
     One deep health I'll pledge, and that health shall be thine!


     II.


     This world, on whose peaceable breast we repose
     Unconvulsed by alarm, once confused in the throes
     Of a tumult divine, sea and land, moist and dry,
     And in fiery fusion commix'd earth and sky.
     Time cool'd it, and calm'd it, and taught it to go
     The round of its orbit in peace, long ago.
     The wind changeth and whirleth continually:
     All the rivers run down and run into the sea:
     The wind whirleth about, and is presently still'd:
     All the rivers run down, yet the sea is not fill'd:
     The sun goeth forth from his chambers; the sun
     Ariseth, and lo! he descendeth anon.
     All returns to its place.  Use and Habit are powers
     Far stronger than Passion, in this world of ours.
     The great laws of life readjust their infraction,
     And to every emotion appoint a reaction.


     III.


     Alfred Vargrave had time, after leaving Lucile,
     To review the rash step he had taken, and feel
     What the world would have call'd "his erroneous position."
     Thought obtruded its claim, and enforced recognition:
     Like a creditor who, when the gloss is worn out
     On the coat which we once wore with pleasure, no doubt,
     Sends us in his account for the garment we bought.
     Ev'ry spendthrift to passion is debtor to thought.


     IV.


     He felt ill at ease with himself.  He could feel
     Little doubt what the answer would be from Lucile.
     Her eyes, when they parted--her voice, when they met,
     Still enraptured his heart, which they haunted.  And yet,
     Though, exulting, he deem'd himself loved, where he loved,
     Through his mind a vague self-accusation there moved.
     O'er his fancy, when fancy was fairest, would rise
     The infantine face of Matilda, with eyes
     So sad, so reproachful, so cruelly kind,
     That his heart fail'd within him.  In vain did he find
     A thousand just reasons for what he had done;
     The vision that troubled him would not be gone.
     In vain did he say to himself, and with truth,
     "Matilda has beauty, and fortune, and youth;
     And her heart is too young to have deeply involved
     All its hopes in the tie which must now be dissolved.
     'Twere a false sense of honor in me to suppress
     The sad truth which I owe it to her to confess.
     And what reason have I to presume this poor life
     Of my own, with its languid and frivolous strife,
     And without what alone might endear it to her,
     Were a boon all so precious, indeed, to confer,
     Its withdrawal can wrong her?
                                   It is not as though
     I were bound to some poor village maiden, I know,
     Unto whose simple heart mine were all upon earth,
     Or to whose simple fortunes mine own could give worth.
     Matilda, in all the world's gifts, will not miss
     Aught that I could procure her.  'Tis best as it is!"


     V.


     In vain did he say to himself, "When I came
     To this fatal spot, I had nothing to blame
     Or reproach myself for, in the thoughts of my heart.
     I could not foresee that its pulses would start
     Into such strange emotion on seeing once more
     A woman I left with indifference before.
     I believed, and with honest conviction believed,
     In my love for Matilda.  I never conceived
     That another could shake it.  I deem'd I had done
     With the wild heart of youth, and looked hopefully on
     To the soberer manhood, the worthier life,
     Which I sought in the love that I vow'd to my wife.
     Poor child! she shall learn the whole truth.  She shall know
     What I knew not myself but a few days ago.
     The world will console her--her pride will support--
     Her youth will renew its emotions.  In short,
     There is nothing in me that Matilda will miss
     When once we have parted.  'Tis best as it is!"


     VI.


     But in vain did he reason and argue.  Alas!
     He yet felt unconvinced that 'TWAS best as it was.
     Out of reach of all reason, forever would rise
     That infantine face of Matilda, with eyes
     So sad, so reproachful, so cruelly kind,
     That they harrow'd his heart and distracted his mind.


     VII.


     And then, when he turned from these thoughts to Lucile,
     Though his heart rose enraptured he could not but feel
     A vague sense of awe of her nature.  Behind
     All the beauty of heart, and the graces of mind,
     Which he saw and revered in her, something unknown
     And unseen in that nature still troubled his own.
     He felt that Lucile penetrated and prized
     Whatever was noblest and best, though disguised,
     In himself; but he did not feel sure that he knew,
     Or completely possess'd, what, half hidden from view,
     Remained lofty and lonely in HER.
                                       Then, her life,
     So untamed and so free! would she yield as a wife
     Independence, long claimed as a woman?  Her name
     So link'd by the world with that spurious fame
     Which the beauty and wit of a woman assert,
     In some measure, alas! to her own loss and hurt
     In the serious thoughts of a man!... This reflection
     O'er the love which he felt cast a shade of dejection,
     From which he forever escaped to the thought
     Doubt could reach not... "I love her, and all else is naught!"


     VIII.


     His hand trembled strangely in breaking the seal
     Of the letter which reach'd him at last from Lucile.
     At the sight of the very first words that he read,
     That letter dropp'd down from his hand like the dead
     Leaf in autumn, that, falling, leaves naked and bare
     A desolate tree in a wide wintry air.
     He pass'd his hand hurriedly over his eyes,
     Bewilder'd, incredulous.  Angry surprise
     And dismay, in one sharp moan, broke from him.  Anon
     He picked up the page, and read rapidly on.


     IX.


     THE COMTESSE DE NEVERS TO LORD ALFRED VARGRAVE:

       "No, Alfred!
                    If over the present, when last
     We two met, rose the glamour and mist of the past,
     It hath now rolled away, and our two paths are plain,
     And those two paths divide us.
                                    "That hand which again
     Mine one moment has clasp'd as the hand of a brother,
     That hand and your honor are pledged to another!
     Forgive, Alfred Vargrave, forgive me, if yet
     For that moment (now past!) I have made you forget
     What was due to yourself and that other one.  Yes,
     Mine the fault, and be mine the repentance.  Not less,
     In now owning this fault, Alfred, let me own, too,
     I foresaw not the sorrow involved in it.
                                              "True,
     That meeting, which hath been so fatal, I sought,
     I alone!  But oh! deem not it was with the thought
     Of your heart to regain, or the past to rewaken.
     No! believe me, it was with the firm and unshaken
     Conviction, at least, that our meeting would be
     Without peril to YOU, although haply to me
     The salvation of all my existence.
                                        "I own,
     When the rumor first reach'd me, which lightly made known
     To the world your engagement, my heart and my mind
     Suffer'd torture intense.  It was cruel to find
     That so much of the life of my life, half unknown
     To myself, had been silently settled on one
     Upon whom but to think it would soon be a crime.
     Then I said to myself, 'From the thraldom which time
     Hath not weaken'd there rests but one hope of escape.
     That image which Fancy seems ever to shape
     From the solitude left round the ruins of yore,
     Is a phantom.  The Being I loved is no more.
     What I hear in the silence, and see in the lone
     Void of life, is the young hero born of my own
     Perish'd youth: and his image, serene and sublime
     In my heart rests unconscious of change and of time,
     Could I see it but once more, as time and as change
     Have made it, a thing unfamiliar and strange,
     See, indeed, that the Being I loved in my youth
     Is no more, and what rests now is only, in truth,
     The hard pupil of life and the world: then, oh, then,
     I should wake from a dream, and my life be again
     Reconciled to the world; and, released from regret,
     Take the lot fate accords to my choice.'
                                              "So we met.
     But the danger I did not foresee has occurr'd:
     The danger, alas, to yourself!  I have err'd.
     But happy for both that this error hath been
     Discover'd as soon as the danger was seen!
     We meet, Alfred Vargrave, no more.  I, indeed,
     Shall be far from Luchon when this letter you read.
     My course is decided; my path I discern:
     Doubt is over; my future is fix'd now.
                                            "Return,
     O return to the young living love!  Whence, alas!
     If, one moment, you wander'd, think only it was
     More deeply to bury the past love.
                                        "And, oh!
     Believe, Alfred Vargrave, that I, where I go
     On my far distant pathway through life, shall rejoice
     To treasure in memory all that your voice
     Has avow'd to me, all in which others have clothed
     To my fancy with beauty and worth your betrothed!
     In the fair morning light, in the orient dew
     Of that young life, now yours, can you fail to renew
     All the noble and pure aspirations, the truth,
     The freshness, the faith, of your own earnest youth?
     Yes! YOU will be happy.  I, too, in the bliss
     I foresee for you, I shall be happy.  And this
     Proves me worthy your friendship.  And so--let it prove
     That I cannot--I do not respond to your love.
     Yes, indeed! be convinced that I could not (no, no,
     Never, never!) have render'd you happy.  And so,
     Rest assured that, if false to the vows you have plighted,
     You would have endured, when the first brief, excited
     Emotion was o'er, not alone the remorse
     Of honor, but also (to render it worse)
     Disappointed affection.
                             "Yes, Alfred; you start?
     But think! if the world was too much in your heart,
     And too little in mine, when we parted ten years
     Ere this last fatal meeting, that time (ay, and tears!)
     Have but deepen'd the old demarcations which then
     Placed our natures asunder; and we two again,
     As we then were, would still have been strangely at strife.
     In that self-independence which is to my life
     Its necessity now, as it once was its pride,
     Had our course through the world been henceforth side by side,
     I should have revolted forever, and shock'd
     Your respect for the world's plausibilities, mock'd,
     Without meaning to do so, and outraged, all those
     Social creeds which you live by.
                                      "Oh! do not suppose
     That I blame you.  Perhaps it is you that are right.
     Best, then, all as it is!
                               "Deem these words life's Good-night
     To the hope of a moment: no more!  If there fell
     Any tear on this page, 'twas a friend's.
                                              "So farewell
     To the past--and to you, Alfred Vargrave.
                                               "LUCILE."


     X.


     So ended that letter.
                            The room seem'd to reel
     Round and round in the mist that was scorching his eyes
     With a fiery dew.  Grief, resentment, surprise,
     Half chocked him; each word he had read, as it smote
     Down some hope, rose and grasped like a hand at his throat,
     To stifle and strangle him.
                                  Gasping already
     For relief from himself, with a footstep unsteady,
     He pass'd from his chamber.  He felt both oppress'd
     And excited.  The letter he thrust in his breast,
     And, in search of fresh air and of solitude, pass'd
     The long lime-trees of Luchon.  His footsteps at last
     Reach'd a bare narrow heath by the skirts of a wood:
     It was sombre and silent, and suited his mood.
     By a mineral spring, long unused, now unknown,
     Stood a small ruin'd abbey.  He reach'd it, sat down
     On a fragment of stone, 'mid the wild weed and thistle,
     And read over again that perplexing epistle.


     XI.


     In re-reading that letter, there roll'd from his mind
     The raw mist of resentment which first made him blind
     To the pathos breath'd through it.  Tears rose in his eyes,
     And a hope sweet and strange in his heart seem'd to rise.
     The truth which he saw not the first time he read
     That letter, he now saw--that each word betray'd
     The love which the writer had sought to conceal.
     His love was received not, he could not but feel,
     For one reason alone,--that his love was not free.
     True! free yet he was not: but could he not be
     Free erelong, free as air to revoke that farewell,
     And to sanction his own hopes? he had but to tell
     The truth to Matilda, and she were the first
     To release him: he had but to wait at the worst.
     Matilda's relations would probably snatch
     Any pretext, with pleasure, to break off a match
     In which they had yielded, alone at the whim
     Of their spoil'd child, a languid approval to him.
     She herself, careless child! was her love for him aught
     Save the first joyous fancy succeeding the thought
     She last gave to her doll? was she able to feel
     Such a love as the love he divined in Lucile?
     He would seek her, obtain his release, and, oh! then
     He had but to fly to Lucile, and again
     Claim the love which his heart would be free to command.
     But to press on Lucile any claim to her hand,
     Or even to seek, or to see, her before
     He could say, "I am free! free, Lucile, to implore
     That great blessing on life you alone can confer,"
     'Twere dishonor in him, 'twould be insult to her.
     Thus still with the letter outspread on his knee
     He follow'd so fondly his own revery,
     That he felt not the angry regard of a man
     Fix'd upon him; he saw not a face stern and wan
     Turn'd towards him; he heard not a footstep that pass'd
     And repass'd the lone spot where he stood, till at last
     A hoarse voice aroused him.
                                 He look'd up and saw,
     On the bare heath before him, the Duc de Luvois.


     XII.


     With aggressive ironical tones, and a look
     Of concentrated insolent challenge, the Duke
     Address'd to Lord Alfred some sneering allusion
     To "the doubtless sublime reveries his intrusion
     Had, he fear'd, interrupted.  Milord would do better,
     He fancied, however, to fold up a letter
     The writing of which was too well known, in fact,
     His remark as he pass'd to have failed to attract."


     XIII.


     It was obvious to Alfred the Frenchman was bent
     Upon picking a quarrel! and doubtless 'twas meant
     From HIM to provoke it by sneers such as these.
     A moment sufficed his quick instinct to seize
     The position.  He felt that he could not expose
     His own name, or Lucile's, or Matilda's, to those
     Idle tongues that would bring down upon him the ban
     Of the world, if he now were to fight with this man.
     And indeed, when he look'd in the Duke's haggard face,
     He was pain'd by the change there he could not but trace.
     And he almost felt pity.
                              He therefore put by
     Each remark from the Duke with some careless reply,
     And coldly, but courteously, waving away
     The ill-humor the Duke seem'd resolved to display,
     Rose, and turn'd, with a stern salutation, aside.


     XIV.


     Then the Duke put himself in the path, made one stride
     In advance, raised a hand, fix'd upon him his eyes,
     And said...
                    "Hold, Lord Alfred!  Away with disguise!
     I will own that I sought you, a moment ago,
     To fix on you a quarrel.  I still can do so
     Upon any excuse.  I prefer to be frank.
     I admit not a rival in fortune or rank
     To the hand of a woman, whatever be hers
     Or her suitor's.  I love the Comtesse de Nevers.
     I believed, ere you cross'd me, and still have the right
     To believe, that she would have been mine.  To her sight
     You return, and the woman is suddenly changed.
     You step in between us: her heart is estranged.
     You! who now are betrothed to another, I know:
     You! whose name with Lucile's nearly ten years ago
     Was coupled by ties which you broke: you! the man
     I reproach'd on the day our acquaintance began.
     You! that left her so lightly,--I cannot believe
     That you love, as I love, her; nor can I conceive
     You, indeed, have the right so to love her.
                                                 Milord,
     I will not thus tamely concede at your word,
     What, a few days ago, I believed to be mine!
     I shall yet persevere: I shall yet be, in fine,
     A rival you dare not despise.  It is plain
     That to settle this contest there can but remain
     One way--need I say what it is?"


     XV.


                                      Not unmoved
     With regretful respect for the earnestness proved
     By the speech he had heard, Alfred Vargrave replied
     In words which he trusted might yet turn aside
     The quarrel from which he felt bound to abstain,
     And, with stately urbanity, strove to explain
     To the Duke that he too (a fair rival at worst!)
     Had not been accepted.


     XVI.


                            "Accepted! say first
     Are you free to have offer'd?"
                                    Lord Alfred was mute.


     XVII.


     "Ah, you dare not reply!" cried the Duke.  "Why dispute,
     Why palter with me?  You are silent! and why?
     Because, in your conscience, you cannot deny
     'Twas from vanity, wanton and cruel withal,
     And the wish an ascendancy lost to recall,
     That you stepp'd in between me and her.  If, milord,
     You be really sincere, I ask only one word.
     Say at once you renounce her.  At once, on my part,
     I will ask your forgiveness with all truth of heart,
     And there CAN be no quarrel between us.  Say on!"
     Lord Alfred grew gall'd and impatient.  This tone
     Roused a strong irritation he could not repress.
     "You have not the right, sir," he said, "and still less
     The power, to make terms and conditions with me.
     I refuse to reply."


     XVIII.


                          As diviners may see
     Fates they cannot avert in some figure occult,
     He foresaw in a moment each evil result
     Of the quarrel now imminent.
                                  There, face to face,
     'Mid the ruins and tombs of a long-perish'd race,
     With, for witness, the stern Autumn Sky overhead,
     And beneath them, unnoticed, the graves, and the dead,
     Those two men had met, as it were on the ridge
     Of that perilous, narrow, invisible bridge
     Dividing the Past from the Future, so small
     That if one should pass over, the other must fall.


     XIX.


     On the ear, at that moment, the sound of a hoof,
     Urged with speed, sharply smote; and from under the roof
     Of the forest in view, where the skirts of it verged
     On the heath where they stood, at full gallop emerged
     A horseman.
                 A guide he appear'd, by the sash
     Of red silk round the waist, and the long leathern lash
     With a short wooden handle, slung crosswise behind
     The short jacket; the loose canvas trouser, confined
     By the long boots; the woollen capote; and the rein,
     A mere hempen cord on a curb.
                                   Up the plain
     He wheel'd his horse, white with the foam on his flank,
     Leap'd the rivulet lightly, turn'd sharp from the bank,
     And, approaching the Duke, raised his woollen capote,
     Bow'd low in the selle, and deliver'd a note.


     XX.


     The two stood astonish'd.  The Duke, with a gest
     Of apology, turnd, stretch'd his hand, and possess'd
     Himself of the letter, changed color, and tore
     The page open and read.
                             Ere a moment was o'er
     His whole aspect changed.  A light rose to his eyes,
     And a smile to his lips.  While with startled surprise
     Lord Alfred yet watch'd him, he turn'd on his heel,
     And said gayly, "A pressing request from Lucile!
     You are quite right, Lord Alfred! fair rivals at worst,
     Our relative place may perchance be reversed.
     You are not accepted,--nor free to propose!
     I, perchance, am accepted already; who knows?
     I had warned you, milord, I should still persevere.
     This letter--but stay! you can read it--look here!"


     XXI.


     It was now Alfred's turn to feel roused and enraged.
     But Lucile to himself was not pledged or engaged
     By aught that could sanction resentment.  He said
     Not a word, but turn'd round, took the letter, and read...

     THE COMTESSE DE NEVERS TO THE DUC DE LUVOIS.


                                   "SAINT SAVIOUR.

     "Your letter, which follow'd me here, makes me stay
     Till I see you again.  With no moment's delay
     I entreat, I conjure you, by all that you feel
     Or profess, to come to me directly.
                                         "LUCILE."


     XXII.


     "Your letter!"  He then had been writing to her!
     Coldly shrugging his shoulders, Lord Alfred said, "Sir,
     Do not let me detain you!"
                                The Duke smiled and bow'd;
     Placed the note in his bosom; address'd, half aloud,
     A few words to the messenger,... "Say your despatch
     Will be answer'd ere nightfall;" then glanced at his watch,
     And turn'd back to the Baths.


     XXIII.


                                   Alfred Vargrave stood still,
     Torn, distracted in heart, and divided in will.
     He turn'd to Lucile's farewell letter to him.
     And read over her words; rising tears made them dim:
     "Doubt is over; my future is fix'd now," they said.
     "My course is decided."  Her course? what! to wed
     With this insolent rival!  With that thought there shot
     Through his heart an acute jealous anguish.  But not
     Even thus could his clear worldly sense quite excuse
     Those strange words to the Duke.  She was free to refuse
     Himself, free the Duke to accept, it was true:
     Even then, though, this eager and strange rendezvous,
     How imprudent!  To some unfrequented lone inn,
     And so late (for the night was about to begin)--
     She, companionless there!--had she bidden that man?
     A fear, vague, and formless, and horrible, ran
     Through his heart.


     XXIV.


                        At that moment he look'd up, and saw,
     Riding fast through the forest, the Duc de Luvois,
     Who waved his hand to him, and sped out of sight.
     The day was descending.  He felt 'twould be night
     Ere that man reached Saint Saviour.


     XXV.


                                         He walk'd on, but not
     Back toward Luchon: he walk'd on, but knew not in what
     Direction, nor yet with what object, indeed,
     He was walking, but still he walk'd on without heed.


     XXVI.


     The day had been sullen; but, towards his decline,
     The sun sent a stream of wild light up the pine.
     Darkly denting the red light reveal'd at its back,
     The old ruin'd abbey rose roofless and black.
     The spring that yet oozed through the moss-paven floor
     Had suggested, no doubt, to the monks there, of yore,
     The sight of that refuge where back to its God
     How many a heart, now at rest 'neath the sod,
     Had borne from the world all the same wild unrest
     That now prey'd on his own!


     XXVII.


                                 By the thoughts in his breast
     With varying impulse divided and torn,
     He traversed the scant heath, and reach'd the forlorn
     Autumn woodland, in which but a short while ago
     He had seen the Duke rapidly enter; and so
     He too enter'd.  The light waned around him, and pass'd
     Into darkness.  The wrathful, red Occident cast
     One glare of vindictive inquiry behind,
     As the last light of day from the high wood declined,
     And the great forest sigh'd its farewell to the beam,
     And far off on the stillness the voice of the stream
     Fell faintly.


     XXVIII.


                   O Nature, how fair is thy face,
     And how light is thy heart, and how friendless thy grace!
     Thou false mistress of man! thou dost sport with him lightly
     In his hours of ease and enjoyment; and brightly
     Dost thou smile to his smile; to his joys thou inclinest,
     But his sorrows, thou knowest them not, nor divinest.
     While he woos, thou art wanton; thou lettest him love thee;
     But thou art not his friend, for his grief cannot move thee;
     And at last, when he sickens and dies, what dost thou?
     All as gay are thy garments, as careless thy brow,
     And thou laughest and toyest with any new comer,
     Not a tear more for winter, a smile less for summer!
     Hast thou never an anguish to heave the heart under
     That fair breast of thine, O thou feminine wonder!
     For all those--the young, and the fair, and the strong,
     Who have loved thee, and lived with thee gayly and long,
     And who now on thy bosom lie dead? and their deeds
     And their days are forgotten!  O hast thou no weeds
     And not one year of mourning,--one out of the many
     That deck thy new bridals forever,--nor any
     Regrets for thy lost loves, conceal'd from the new,
     O thou widow of earth's generations?  Go to!
     If the sea and the night wind know aught of these things,
     They do not reveal it.  We are not thy kings.




CANTO VI.


     I.


     "The huntsman has ridden too far on the chase,
     And eldrich, and eerie, and strange is the place!
     The castle betokens a date long gone by.
     He crosses the courtyard with curious eye:
     He wanders from chamber to chamber, and yet
     From strangeness to strangeness his footsteps are set;
     And the whole place grows wilder and wilder, and less
     Like aught seen before.  Each in obsolete dress,
     Strange portraits regard him with looks of surprise,
     Strange forms from the arras start forth to his eyes;
     Strange epigraphs, blazon'd, burn out of the wall:
     The spell of a wizard is over it all.
     In her chamber, enchanted, the Princess is sleeping
     The sleep which for centuries she has been keeping.
     If she smile in her sleep, it must be to some lover
     Whose lost golden locks the long grasses now cover:
     If she moan in her dream, it must be to deplore
     Some grief which the world cares to hear of no more.
     But how fair is her forehead, how calm seems her cheek!
     And how sweet must that voice be, if once she would speak!
     He looks and he loves her; but knows he (not he!)
     The clew to unravel this old mystery?
     And he stoops to those shut lips.  The shapes on the wall,
     The mute men in armor around him, and all
     The weird figures frown, as though striving to say,
     'Halt! invade not the Past, reckless child of Today!
     And give not, O madman! the heart in thy breast
     To a phantom, the soul of whose sense is possess'd
     By an Age not thine own!'
                                "But unconscious is he,
     And he heeds not the warning, he cares not to see
     Aught but ONE form before him!
                                    "Rash, wild words are o'er,
     And the vision is vanish'd from sight evermore!
     And the gray morning sees, as it drearily moves
     O'er a land long deserted, a madman that roves
     Through a ruin, and seeks to recapture a dream.
     Lost to life and its uses, withdrawn from the scheme
     Of man's waking existence, he wanders apart."
     And this is an old fairy-tale of the heart.
     It is told in all lands, in a different tongue;
     Told with tears by the old, heard with smiles by the young.
     And the tale to each heart unto which it is known
     Has a different sense.  It has puzzled my own.


     II.


     Eugene de Luvois was a man who, in part
     From strong physical health, and that vigor of heart
     Which physical health gives, and partly, perchance,
     From a generous vanity native to France,
     With the heart of a hunter, whatever the quarry,
     Pursued it, too hotly impatient to tarry
     Or turn, till he took it.  His trophies were trifles:
     But trifler he was not.  When rose-leaves it rifles,
     No less than when oak-trees it ruins, the wind
     Its pleasure pursues with impetuous mind.
     Both Eugene de Luvois and Lord Alfred had been
     Men of pleasure: but men's pleasant vices, which, seen
     Floating faint in the sunshine of Alfred's soft mood,
     Seem'd amiable foibles, by Luvois pursued
     With impetuous passion, seemed semi-Satanic.
     Half pleased you see brooks play with pebbles; in panic
     You watch them whirl'd down by the torrent.
                                                 In truth,
     To the sacred political creed of his youth
     The century which he was born to denied
     All realization.  Its generous pride
     To degenerate protest on all things was sunk;
     Its principles each to a prejudice shrunk.
     Down the path of a life that led nowhere he trod,
     Where his whims were his guides, and his will was his god,
     And his pastime his purpose.
                                  From boyhood possess'd
     Of inherited wealth, he had learned to invest
     Both his wealth and those passions wealth frees from the cage
     Which penury locks, in each vice of an age
     All the virtues of which, by the creed he revered,
     Were to him illegitimate.
                                Thus, he appear'd
     To the world what the world chose to have him appear,--
     The frivolous tyrant of Fashion, a mere
     Reformer in coats, cards, and carriages!  Still
     'Twas the vigor of nature, and tension of will,
     That found for the first time--perhaps for the last--
     In Lucile what they lacked yet to free from the Past,
     Force, and faith, in the Future.
                                      And so, in his mind,
     To the anguish of losing the woman was join'd
     The terror of missing his life's destination,
     Which in her had its mystical representation.


     III.


     And truly, the thought of it, scaring him, pass'd
     O'er his heart, while he now through the twilight rode fast
     As a shade from the wing of some great bird obscene
     In a wide silent land may be suddenly seen,
     Darkening over the sands, where it startles and scares
     Some traveller stray'd in the waste unawares,
     So that thought more than once darken'd over his heart
     For a moment, and rapidly seem'd to depart.
     Fast and furious he rode through the thickets which rose
     Up the shaggy hillside: and the quarrelling crows
     Clang'd above him, and clustering down the dim air
     Dropp'd into the dark woods.  By fits here and there
     Shepherd fires faintly gleam'd from the valleys.  Oh, how
     He envied the wings of each wild bird, as now
     He urged the steed over the dizzy ascent
     Of the mountain!  Behind him a murmur was sent
     From the torrent--before him a sound from the tracts
     Of the woodlands that waved o'er the wild cataracts,
     And the loose earth and loose stones roll'd momently down
     From the hoofs of his steed to abysses unknown.
     The red day had fallen beneath the black woods,
     And the Powers of the night through the vast solitudes
     Walk'd abroad and conversed with each other.  The trees
     Were in sound and in motion, and mutter'd like seas
     In Elfland.  The road through the forest was hollow'd.
     On he sped through the darkness, as though he were follow'd
     Fast, fast by the Erl King!
                                 The wild wizard-work
     Of the forest at last open'd sharp, o'er the fork
     Of a savage ravine, and behind the black stems
     Of the last trees, whose leaves in the light gleam'd like gems,
     Broke the broad moon above the voluminous
     Rock-chaos,--the Hecate of that Tartarus!
     With his horse reeking white, he at last reach'd the door
     Of a small mountain inn, on the brow of a hoar
     Craggy promontory, o'er a fissure as grim,
     Through which, ever roaring, there leap'd o'er the limb
     Of the rent rock a torrent of water, from sight,
     Into pools that were feeding the roots of the night.
     A balcony hung o'er the water.  Above
     In a glimmering casement a shade seem'd to move.
     At the door the old negress was nodding her head
     As he reach'd it.  "My mistress awaits you," she said.
     And up the rude stairway of creeking pine rafter
     He follow'd her silent.  A few moments after,
     His heart almost stunned him, his head seem'd to reel,
     For a door closed--Luvois was alone with Lucile.


     IV.


     In a gray travelling dress, her dark hair unconfined
     Streaming o'er it, and tossed now and then by the wind
     From the lattice, that waved the dull flame in a spire
     From a brass lamp before her--a faint hectic fire
     On her cheek, to her eyes lent the lustre of fever:
     They seem'd to have wept themselves wider than ever,
     Those dark eyes--so dark and so deep!
                                           "You relent?
     And your plans have been changed by the letter I sent?"
     There his voice sank, borne down by a strong inward strife.

     LUCILE.

     Your letter! yes, Duke.  For it threaten'd man's life--
     Woman's honor.

     Luvois.

                    The last, madam, NOT?

     LUCILE.

                                           Both.  I glance
     At your own words; blush, son of the knighthood of France,
     As I read them!  You say, in this letter...
                                                   "I know
     Why now you refuse me: 'tis (is it not so?)
     For the man who has trifled before, wantonly,
     And now trifles again with the heart you deny
     To myself.  But he shall not!  By man's last wild law,
     I will seize on the right (the right, Duc de Luvois!)
     To avenge for you, woman, the past, and to give
     To the future its freedom.  That man shalt not live
     To make you as wretched as you have made me!"

     LUVOIS.

     Well, madam, in those words what words do you see
     That threatens the honor of woman?

     LUCILE.

                                        See!... what,
     What word, do you ask?  Every word! would you not,
     Had I taken your hand thus, have felt that your name
     Was soil'd and dishonor'd by more than mere shame
     If the woman that bore it had first been the cause
     Of the crime which in these words is menaced?  You pause!
     Woman's honor, you ask?  Is there, sir, no dishonor
     In the smile of a woman, when men, gazing on her,
     Can shudder, and say, "In that smile is a grave"?
     No! you can have no cause, Duke, for no right you have
     In the contest you menace.  That contest but draws
     Every right into ruin.  By all human laws
     Of man's heart I forbid it, by all sanctities
     Of man's social honor!
                            The Duke droop'd his eyes.
     "I obey you," he said, "but let woman beware
     How she plays fast and loose thus with human despair,
     And the storm in man's heart.  Madam, yours was the right,
     When you saw that I hoped, to extinguish hope quite.
     But you should from the first have done this, for I feel
     That you knew from the first that I loved you."
                                                     Lucile
     This sudden reproach seem'd to startle.
                                             She raised
     A slow, wistful regard to his features, and gazed
     On them silent awhile.  His own looks were downcast.
     Through her heart, whence its first wild alarm was now pass'd,
     Pity crept, and perhaps o'er her conscience a tear,
     Falling softly, awoke it.
                               However severe,
     Were they unjust, these sudden upbraidings, to her?
     Had she lightly misconstrued this man's character,
     Which had seem'd, even when most impassion'd it seem'd,
     Too self-conscious to lose all in love?  Had she deem'd
     That this airy, gay, insolent man of the world,
     So proud of the place the world gave him, held furl'd
     In his bosom no passion which once shaken wide
     Might tug, till it snapped, that erect lofty pride?
     Were those elements in him, which once roused to strife
     Overthrow a whole nature, and change a whole life?
     There are two kinds of strength.  One, the strength of the river
     Which through continents pushes its pathway forever
     To fling its fond heart in the sea; if it lose
     This, the aim of its life, it is lost to its use,
     It goes mad, is diffused into deluge, and dies.
     The other, the strength of the sea; which supplies
     Its deep life from mysterious sources, and draws
     The river's life into its own life, by laws
     Which it heeds not.  The difference in each case is this:
     The river is lost, if the ocean it miss;
     If the sea miss the river, what matter?  The sea
     Is the sea still, forever.  Its deep heart will be
     Self-sufficing, unconscious of loss as of yore;
     Its sources are infinite; still to the shore,
     With no diminution of pride, it will say,
     "I am here; I, the sea! stand aside, and make way!"
     Was his love, then, the love of the river? and she,
     Had she taken that love for the love of the sea?


     V.


     At that thought, from her aspect whatever had been
     Stern or haughty departed; and, humble in mien,
     She approach'd him and brokenly murmur'd, as though
     To herself more than him, "Was I wrong? is it so?
     Hear me, Duke! you must feel that, whatever you deem
     Your right to reproach me in this, your esteem
     I may claim on ONE ground--I at least am sincere.
     You say that to me from the first it was clear
     That you loved me.  But what if this knowledge were known
     At a moment in life when I felt most alone,
     And least able to be so? a moment, in fact,
     When I strove from one haunting regret to retract
     And emancipate life, and once more to fulfil
     Woman's destinies, duties, and hopes? would you still
     So bitterly blame me, Eugene de Luvois,
     If I hoped to see all this, or deem'd that I saw
     For a moment the promise of this in the plighted
     Affection of one who, in nature, united
     So much that from others affection might claim,
     If only affection were free?  Do you blame
     The hope of that moment?  I deem'd my heart free
     From all, saving sorrow.  I deem'd that in me
     There was yet strength to mould it once more to my will,
     To uplift it once more to my hope.  Do you still
     Blame me, Duke, that I did not then bid you refrain
     From hope? alas! I too then hoped!"

     LUVOIS.

                                         Oh, again,
     Yet again, say that thrice blessed word! say, Lucile,
     That you then deign'd to hope--

     LUCILE.

                                    Yes! to hope I could feel,
     And could give to you, that without which all else given
     Were but to deceive, and to injure you even:--
     A heart free from thoughts of another.  Say, then,
     Do you blame that one hope?

     LUVOIS.

                                 O Lucile!
                                           "Say again,"
     She resumed, gazing down, and with faltering tone,
     "Do you blame me that, when I at last had to own
     To my heart that the hope it had cherish'd was o'er,
     And forever, I said to you then, 'Hope no more'?
     I myself hoped no more!"
                              With but ill-suppressed wrath
     The Duke answer'd... "What, then! he recrosses your path,
     This man, and you have but to see him, despite
     Of his troth to another, to take back that light
     Worthless heart to your own, which he wrong'd years ago!"
     Lucile faintly, brokenly murmur'd... "No! no!
     'Tis not that--but alas!--but I cannot conceal
     That I have not forgotten the past--but I feel
     That I cannot accept all these gifts on your part,--
     In return for what... ah, Duke, what is it?... a heart
     Which is only a ruin!"
                             With words warm and wild,
     "Though a ruin it be, trust me yet to rebuild
     And restore it," Luvois cried; "though ruin'd it be,
     Since so dear is that ruin, ah, yield it to me!"
     He approach'd her.  She shrank back.  The grief in her eyes
     Answer'd, "No!"
                      An emotion more fierce seem'd to rise
     And to break into flame, as though fired by the light
     Of that look, in his heart.  He exclaim'd, "Am I right?
     You reject ME!  Accept HIM?"
                                   "I have not done so,"
     She said firmly.  He hoarsely resumed, "Not yet--no!
     But can you with accents as firm promise me
     That you will not accept him?"
                                    "Accept?  Is he free?
     Free to offer?" she said.
                                "You evade me, Lucile,"
     He replied; "ah, you will not avow what you feel!
     He might make himself free?  Oh, you blush--turn away!
     Dare you openly look in my face, lady, say!
     While you deign to reply to one question from me?
     I may hope not, you tell me: but tell me, may he?
     What! silent?  I alter my question.  If quite
     Freed in faith from this troth, might he hope then?"
                                                          "He might,"
     She said softly.


     VI.


                      Those two whisper'd words, in his breast,
     As he heard them, in one maddening moment releast
     All that's evil and fierce in man's nature, to crush
     And extinguish in man all that's good.  In the rush
     Of wild jealousy, all the fierce passions that waste
     And darken and devastate intellect, chased
     From its realm human reason.  The wild animal
     In the bosom of man was set free.  And of all
     Human passions the fiercest, fierce jealousy, fierce
     As the fire, and more wild than the whirlwind, to pierce
     And to rend, rush'd upon him; fierce jealousy, swell'd
     By all passions bred from it, and ever impell'd
     To involve all things else in the anguish within it,
     And on others inflict its own pangs!
                                           At that minute
     What pass'd through his mind, who shall say? who may tell
     The dark thoughts of man's heart, which the red glare of hell
     Can illumine alone?
                          He stared wildly around
     That lone place, so lonely!  That silence! no sound
     Reach'd that room, through the dark evening air, save drear
     Drip and roar of the cataract ceaseless and near!
     It was midnight all round on the weird silent weather;
     Deep midnight in him!  They two,--alone and together,
     Himself and that woman defenceless before him!
     The triumph and bliss of his rival flash'd o'er him.
     The abyss of his own black despair seem'd to ope
     At his feet, with that awful exclusion of hope
     Which Dante read over the city of doom.
     All the Tarquin pass'd into his soul in the gloom,
     And uttering words he dared never recall,
     Words of insult and menace, he thunder'd down all
     The brew'd storm-cloud within him: its flashes scorch'd blind
     His own senses.  His spirit was driven on the wind
     Of a reckless emotion beyond his control;
     A torrent seem'd loosen'd within him.  His soul
     Surged up from that caldron of passion that hiss'd
     And seeth'd in his heart.


     VII.


                               He had thrown, and had miss'd
     His last stake.


     VIII.


                     For, transfigured, she rose from the place
     Where he rested o'erawed: a saint's scorn on her face;
     Such a dread vade retro was written in light
     On her forehead, the fiend would himself, at that sight,
     Have sunk back abash'd to perdition.  I know
     If Lucretia at Tarquin but once had looked so,
     She had needed no dagger next morning.
                                            She rose
     And swept to the door, like that phantom the snows
     Feel at nightfall sweep o'er them, when daylight is gone,
     And Caucasus is with the moon all alone.
     There she paused; and, as though from immeasurable,
     Insurpassable distance, she murmur'd--
                                            "Farewell!
     We, alas! have mistaken each other.  Once more
     Illusion, to-night, in my lifetime is o'er.
     Duc de Luvois, adieu!"
                            From the heart-breaking gloom
     Of that vacant, reproachful, and desolate room,
     He felt she was gone--gone forever!


     IX.


                                          No word,
     The sharpest that ever was edged like a sword,
     Could have pierced to his heart with such keen accusation
     As the silence, the sudden profound isolation,
     In which he remain'd.
                           "O return; I repent!"
     He exclaimed; but no sound through the stillness was sent,
     Save the roar of the water, in answer to him,
     And the beetle that, sleeping, yet humm'd her night-hymn:
     An indistinct anthem, that troubled the air
     With a searching, and wistful, and questioning prayer.
     "Return," sung the wandering insect.  The roar
     Of the waters replied, "Nevermore! nevermore!"
     He walked to the window.  The spray on his brow
     Was flung cold from the whirlpools of water below;
     The frail wooden balcony shook in the sound
     Of the torrent.  The mountains gloom'd sullenly round.
     A candle one ray from a closed casement flung.
     O'er the dim balustrade all bewilder'd he hung,
     Vaguely watching the broken and shimmering blink
     Of the stars on the veering and vitreous brink
     Of that snake-like prone column of water; and listing
     Aloof o'er the languors of air the persisting
     Sharp horn of the gray gnat.  Before he relinquish'd
     His unconscious employment, that light was extinguish'd.
     Wheels at last, from the inn door aroused him.  He ran
     Down the stairs; reached the door--just to see her depart.
     Down the mountain the carriage was speeding.


     X.


                                                  His heart
     Peal'd the knell of its last hope.  He rush'd on; but whither
     He knew not--on, into the dark cloudy weather--
     The midnight--the mountains--on, over the shelf
     Of the precipice--on, still--away from himself!
     Till exhausted, he sank 'mid the dead leaves and moss
     At the mouth of the forest.  A glimmering cross
     Of gray stone stood for prayer by the woodside.  He sank
     Prayerless, powerless, down at its base, 'mid the dank
     Weeds and grasses; his face hid amongst them.  He knew
     That the night had divided his whole life in two.
     Behind him a past that was over forever:
     Before him a future devoid of endeavor
     And purpose.  He felt a remorse for the one,
     Of the other a fear.  What remain'd to be done?
     Whither now should he turn?  Turn again, as before,
     To his old easy, careless existence of yore
     He could not.  He felt that for better or worse
     A change had pass'd o'er him; an angry remorse
     Of his own frantic failure and error had marr'd
     Such a refuge forever.  The future seem'd barr'd
     By the corpse of a dead hope o'er which he must tread
     To attain it.  Life's wilderness round him was spread,
     What clew there to cling by?
                                  He clung by a name
     To a dynasty fallen forever.  He came
     Of an old princely house, true through change to the race
     And the sword of Saint Louis--a faith 'twere disgrace
     To relinquish, and folly to live for!  Nor less
     Was his ancient religion (once potent to bless
     Or to ban; and the crozier his ancestors kneel'd
     To adore, when they fought for the Cross, in hard field
     With the Crescent) become, ere it reach'd him, tradition;
     A mere faded badge of a social position;
     A thing to retain and say nothing about,
     Lest, if used, it should draw degradation from doubt.
     Thus, the first time he sought them, the creeds of his youth
     Wholly fail'd the strong needs of his manhood, in truth!
     And beyond them, what region of refuge? what field
     For employment, this civilized age, did it yield,
     In that civilized land? or to thought? or to action?
     Blind deliriums, bewilder'd and endless distraction!
     Not even a desert, not even the cell
     Of a hermit to flee to, wherein he might quell
     The wild devil-instincts which now, unreprest,
     Ran riot through that ruin'd world in his breast.


     XI.


     So he lay there, like Lucifer, fresh from the sight
     Of a heaven scaled and lost; in the wide arms of night
     O'er the howling abysses of nothingness!  There
     As he lay, Nature's deep voice was teaching him prayer;
     But what had he to pray to?
                                  The winds in the woods,
     The voices abroad o'er those vast solitudes,
     Were in commune all round with the invisible
     Power that walk'd the dim world by Himself at that hour.
     But their language he had not yet learn'd--in despite
     Of the much he HAD learn'd--or forgotten it quite,
     With its once native accents.  Alas! what had he
     To add to that deep-toned sublime symphony
     Of thanksgiving?...  A fiery finger was still
     Scorching into his heart some dread sentence.  His will,
     Like a wind that is put to no purpose, was wild
     At its work of destruction within him.  The child
     Of an infidel age, he had been his own god,
     His own devil.
                    He sat on the damp mountain sod,
     and stared sullenly up at the dark sky.
                                             The clouds
     Had heap'd themselves over the bare west in crowds
     Of misshapen, incongruous potents.  A green
     Streak of dreary, cold, luminous ether, between
     The base of their black barricades, and the ridge
     Of the grim world, gleam'd ghastly, as under some bridge,
     Cyclop-sized, in a city of ruins o'erthrown
     By sieges forgotten, some river, unknown
     And unnamed, widens on into desolate lands.
     While he gazed, that cloud-city invisible hands
     Dismantled and rent; and reveal'd, through a loop
     In the breach'd dark, the blemish'd and half-broken hoop
     Of the moon, which soon silently sank; and anon
     The whole supernatural pageant was gone.
     The wide night, discomforted, conscious of loss,
     Darken'd round him.  One object alone--that gray cross--
     Glimmer'd faint on the dark.  Gazing up, he descried,
     Through the void air, its desolate arms outstretch'd, wide,
     As though to embrace him.
                               He turn'd from the sight,
     Set his face to the darkness, and fled.


     XII.


                                             When the light
     Of the dawn grayly flicker'd and glared on the spent
     Wearied ends of the night, like a hope that is sent
     To the need of some grief when its need is the sorest,
     He was sullenly riding across the dark forest
     Toward Luchon.
                    Thus riding, with eyes of defiance
     Set against the young day, as disclaiming alliance
     With aught that the day brings to man, he perceived
     Faintly, suddenly, fleetingly, through the damp-leaved
     Autumn branches that put forth gaunt arms on his way,
     The face of a man pale and wistful, and gray
     With the gray glare of morning.  Eugene de Luvois,
     With the sense of a strange second sight, when he saw
     That phantom-like face, could at once recognize,
     By the sole instinct now left to guide him, the eyes
     Of his rival, though fleeting the vision and dim,
     With a stern sad inquiry fix'd keenly on him,
     And, to meet it, a lie leap'd at once to his own;
     A lie born of that lying darkness now grown
     Over all in his nature!  He answer'd that gaze
     With a look which, if ever a man's look conveys
     More intensely than words what a man means convey'd
     Beyond doubt in its smile an announcement which said,
     "I have triumph'd.  The question your eyes would imply
     Comes too late, Alfred Vargrave!"
                                        And so he rode by,
     And rode on, and rode gayly, and rode out of sight,
     Leaving that look behind him to rankle and bite.


     XIII.


     And it bit, and it rankled.


     XIV.


                                 Lord Alfred, scarce knowing,
     Or choosing, or heeding the way he was going,
     By one wild hope impell'd, by one wild fear pursued,
     And led by one instinct, which seem'd to exclude
     From his mind every human sensation, save one
     The torture of doubt--had stray'd moodily on,
     Down the highway deserted, that evening in which
     With the Duke he had parted; stray'd on, through rich
     Haze of sunset, or into the gradual night,
     Which darken'd, unnoticed, the land from his sight,
     Toward Saint Saviour; nor did the changed aspect of all
     The wild scenery around him avail to recall
     To his senses their normal perceptions, until,
     As he stood on the black shaggy brow of the hill
     At the mouth of the forest, the moon, which had hung
     Two dark hours in a cloud, slipp'd on fire from among
     The rent vapors, and sunk o'er the ridge of the world.
     Then he lifted his eyes, and saw round him unfurl'd,
     In one moment of splendor, the leagues of dark trees,
     And the long rocky line of the wild Pyrenees.
     And he knew by the milestone scored rough on the face
     Of the bare rock, he was but two hours from the place
     Where Lucile and Luvois must have met.  This same track
     The Duke must have traversed, perforce, to get back
     To Luchon; not yet then the Duke had returned!
     He listen'd, he look'd up the dark, but discern'd
     Not a trace, not a sound of a horse by the way.
     He knew that the night was approaching to day.
     He resolved to proceed to Saint Saviour.  The morn,
     Which, at last, through the forest broke chill and forlorn,
     Reveal'd to him, riding toward Luchon, the Duke.
     'Twas then that the two men exchanged look for look.


     XV.


     And the Duke's rankled in him.


     XVI.


                                    He rush'd on.  He tore
     His path through the thicket.  He reach'd the inn door,
     Roused the yet drowsing porter, reluctant to rise,
     And inquired for the Countess.  The man rubb'd his eyes,
     The Countess was gone.  And the Duke?
                                           The man stared
     A sleepy inquiry.
                        With accents that scared
     The man's dull sense awake, "He, the stranger," he cried,
     "Who had been there that night!"
                                      The man grinn'd and replied,
     With a vacant intelligence, "He, oh ay, ay!
     He went after the lady."
                               No further reply
     Could he give.  Alfred Vargrave demanded no more,
     Flung a coin to the man, and so turn'd from the door.
     "What! the Duke, then, the night in that lone inn had pass'd?
     In that lone inn--with her!"  Was that look he had cast
     When they met in the forest, that look which remain'd
     On his mind with its terrible smile, thus explain'd?


     XVII.


     The day was half turn'd to the evening, before
     He re-entered Luchon, with a heart sick and sore.
     In the midst of a light crowd of babblers, his look,
     By their voices attracted, distinguished the Duke,
     Gay, insolent, noisy, with eyes sparkling bright,
     With laughter, shrill, airy, continuous.
                                              Right
     Through the throng Alfred Vargrave, with swift sombre stride,
     Glided on.  The Duke noticed him, turn'd, stepp'd aside,
     And, cordially grasping his hand, whisper'd low,
     "O, how right have you been!  There can never be--no,
     Never--any more contest between us!  Milord,
     Let us henceforth be friends!"
                                    Having utter'd that word,
     He turn'd lightly round on his heel, and again
     His gay laughter was heard, echoed loud by that train
     Of his young imitators.
                             Lord Alfred stood still,
     Rooted, stunn'd, to the spot.  He felt weary and ill,
     Out of heart with his own heart, and sick to the soul
     With a dull, stifling anguish he could not control.
     Does he hear in a dream, through the buzz of the crowd,
     The Duke's blithe associates, babbling aloud
     Some comment upon his gay humor that day?
     He never was gayer: what makes him so gay?
     'Tis, no doubt, say the flatterers, flattering in tune,
     Some vestal whose virtue no tongue dare impugn
     Has at last found a Mars--who, of course, shall be nameless,
     That vestal that yields to Mars ONLY is blameless!
     Hark! hears he a name which, thus syllabled, stirs
     All his heart into tumult?... Lucile de Nevers
     With the Duke's coupled gayly, in some laughing, light,
     Free allusion?  Not so as might give him the right
     To turn fiercely round on the speaker, but yet
     To a trite and irreverent compliment set!


     XVIII.


     Slowly, slowly, usurping that place in his soul
     Where the thought of Lucile was enshrined, did there roll
     Back again, back again, on its smooth downward course
     O'er his nature, with gather'd momentum and force,
     THE WORLD.


     XIX.


                "No!" he mutter'd, "she cannot have sinn'd!
     True! women there are (self-named women of mind!)
     Who love rather liberty--liberty, yes!
     To choose and to leave--than the legalized stress
     Of the lovingest marriage.  But she--is she so?
     I will not believe it.  Lucile! O no, no!
     Not Lucile!
                 "But the world? and, ah, what would it say?
     O the look of that man, and his laughter, to-day!
     The gossip's light question! the slanderous jest!
     She is right! no, we could not be happy.  'Tis best
     As it is.  I will write to her--write, O my heart!
     And accept her farewell.  OUR farewell! must we part--
     Part thus, then--forever, Lucile?  Is it so?
     Yes! I feel it.  We could not be happy, I know.
     'Twas a dream! we must waken!"


     XX.


                                    With head bow'd, as though
     By the weight of the heart's resignation, and slow
     Moody footsteps, he turned to his inn.
                                            Drawn apart
     From the gate, in the courtyard, and ready to start,
     Postboys mounted, portmanteaus packed up and made fast,
     A travelling-carriage, unnoticed, he pass'd.
     He order'd his horse to be ready anon:
     Sent, and paid, for the reckoning, and slowly pass'd on,
     And ascended the staircase, and enter'd his room.
     It was twilight.  The chamber was dark in the gloom
     Of the evening.  He listlessly kindled a light
     On the mantel-piece; there a large card caught his sight--
     A large card, a stout card, well-printed and plain,
     Nothing flourishing, flimsy, affected, or vain.
     It gave a respectable look to the slab
     That it lay on.  The name was--

                     SIR RIDLEY MACNAB.

     Full familiar to him was the name that he saw,
     For 'twas that of his own future uncle-in-law.
     Mrs. Darcy's rich brother, the banker, well known
     As wearing the longest philacteried gown
     Of all the rich Pharisees England can boast of,
     A shrewd Puritan Scot, whose sharp wits made the most of
     This world and the next; having largely invested
     Not only where treasure is never molested
     By thieves, moth, or rust; but on this earthly ball
     Where interest was high, and security small.
     Of mankind there was never a theory yet
     Not by some individual instance upset:
     And so to that sorrowful verse of the Psalm
     Which declares that the wicked expand like the palm
     In a world where the righteous are stunted and pent,
     A cheering exception did Ridley present.
     Like the worthy of Uz, Heaven prosper'd his piety.
     The leader of every religious society,
     Christian knowledge he labor'd t though life to promote
     With personal profit, and knew how to quote
     Both the Stocks and the Scripture, with equal advantage
     To himself and admiring friends, in this Cant-Age.


     XXI.


     Whilst over this card Alfred vacantly brooded,
     A waiter his head through the doorway protruded;
     "Sir Ridley MacNab with Milord wish'd to speak."
     Alfred Vargrave could feel there were tears on his cheek;
     He brushed them away with a gesture of pride.
     He glanced at the glass; when his own face he eyed,
     He was scared by its pallor.  Inclining his head,
     He with tones calm, unshaken, and silvery, said,
     "Sir Ridley may enter."
                             In three minutes more
     That benign apparition appeared at the door.
     Sir Ridley, released for a while from the cares
     Of business, and minded to breathe the pure airs
     Of the blue Pyrenees, and enjoy his release,
     In company there with his sister and niece,
     Found himself now at Luchon--distributing tracts,
     Sowing seed by the way, and collecting new facts
     For Exeter Hall; he was starting that night
     For Bigorre: he had heard, to his cordial delight,
     That Lord Alfred was there, and, himself, setting out
     For the same destination: impatient, no doubt!
     Here some commonplace compliments as to "the marriage
     Through his speech trickled softly, like honey: his carriage
     Was ready.  A storm seem'd to threaten the weather;
     If his young friend agreed, why not travel together?
     With a footstep uncertain and restless, a frown
     Of perplexity, during this speech, up and down
     Alfred Vargrave was striding; but, after a pause
     And a slight hesitation, the which seem'd to cause
     Some surprise to Sir Ridley, he answer'd--"My dear
     Sir Ridley, allow me a few moments here--
     Half an hour at the most--to conclude an affair
     Of a nature so urgent as hardly to spare
     My presence (which brought me, indeed, to this spot),
     Before I accept your kind offer."
                                        "Why not?"
     Said Sir Ridley, and smiled.  Alfred Vargrave, before
     Sir Ridley observed it, had pass'd through the door.
     A few moments later, with footsteps revealing
     Intense agitation of uncontroll'd feeling,
     He was rapidly pacing the garden below.
     What pass'd through his mind then is more than I know.
     But before one half-hour into darkness had fled,
     In the courtyard he stood with Sir Ridley.  His tread
     Was firm and composed.  Not a sign on his face
     Betrayed there the least agitation.  "The place
     You so kindly have offer'd," he said, "I accept."
     And he stretch'd out his hand.  The two travellers stepp'd
     Smiling into the carriage.
                                And thus, out of sight,
     They drove down the dark road, and into the night.


     XXII.


     Sir Ridley was one of those wise men who, so far
     As their power of saying it goes, say with Zophar,
     "We, no doubt, are the people, and wisdom shall die with us!"
     Though of wisdom like theirs there is no small supply with us.
     Side by side in the carriage ensconced, the two men
     Began to converse somewhat drowsily, when
     Alfred suddenly thought--"Here's a man of ripe age,
     At my side, by his fellows reputed as sage,
     Who looks happy, and therefore who must have been wise;
     Suppose I with caution reveal to his eyes
     Some few of the reasons which make me believe
     That I neither am happy nor wise? 'twould relieve
     And enlighten, perchance, my own darkness and doubt."
     For which purpose a feeler he softly put out.
     It was snapp'd up at once.
                                "What is truth? "jesting Pilate
     Ask'd, and pass'd from the question at once with a smile at
     Its utter futility.  Had he address'd it
     To Ridley MacNab, he at least had confess'd it
     Admitted discussion! and certainly no man
     Could more promptly have answer'd the sceptical Roman
     Than Ridley.  Hear some street astronomer talk!
     Grant him two or three hearers, a morsel of chalk,
     And forthwith on the pavement he'll sketch you the scheme
     Of the heavens.  Then hear him enlarge on his theme!
     Not afraid of La Place, nor of Arago, he!
     He'll prove you the whole plan in plain A B C.
     Here's your sun--call him A; B's the moon; it is clear
     How the rest of the alphabet brings up the rear
     Of the planets.  Now ask Arago, ask La Place,
     (Your sages, who speak with the heavens face to face!)
     Their science in plain A B C to accord
     To your point-blank inquiry, my friends! not a word
     Will you get for your pains from their sad lips.  Alas!
     Not a drop from the bottle that's quite full will pass.
     'Tis the half-empty vessel that freest emits
     The water that's in it.  'Tis thus with men's wits;
     Or at least with their knowledge.  A man's capability
     Of imparting to others a truth with facility
     Is proportion'd forever with painful exactness
     To the portable nature, the vulgar compactness,
     The minuteness in size, or the lightness in weight,
     Of the truth he imparts.  So small coins circulate
     More freely than large ones.  A beggar asks alms,
     And we fling him a sixpence, nor feel any qualms;
     But if every street charity shook an investment,
     Or each beggar to clothe we must strip off a vestment,
     The length of the process would limit the act;
     And therefore the truth that's summ'd up in a tract
     Is most lightly dispensed.
                                As for Alfred, indeed,
     On what spoonfuls of truth he was suffer'd to feed
     By Sir Ridley, I know not.  This only I know,
     That the two men thus talking continued to go
     Onward somehow, together--on into the night--
     The midnight--in which they escape from our sight.


     XXIII.


     And meanwhile a world had been changed in its place,
     And those glittering chains that o'er blue balmy space
     Hang the blessing of darkness, had drawn out of sight
     To solace unseen hemispheres, the soft night;
     And the dew of the dayspring benignly descended,
     And the fair morn to all things new sanction extended,
     In the smile of the East.  And the lark soaring on,
     Lost in light, shook the dawn with a song from the sun.
     And the world laugh'd.
                            It wanted but two rosy hours
     From the noon, when they pass'd through the thick passion flowers
     Of the little wild garden that dimpled before
     The small house where their carriage now stopp'd at Bigorre.
     And more fair than the flowers, more fresh than the dew,
     With her white morning robe flitting joyously through
     The dark shrubs with which the soft hillside was clothed,
     Alfred Vargrave perceived, where he paused, his betrothed.
     Matilda sprang to him, at once, with a face
     Of such sunny sweetness, such gladness, such grace,
     And radiant confidence, childlike delight,
     That his whole heart upbraided itself at that sight.
     And he murmur'd, or sigh'd, "O, how could I have stray'd
     From this sweet child, or suffer'd in aught to invade
     Her young claim on my life, though it were for an hour,
     The thought of another?"
                               "Look up, my sweet flower!"
     He whisper'd her softly," my heart unto thee
     Is return'd, as returns to the rose the wild bee!"
     "And will wander no more?" laughed Matilda.
                                                 "No more,"
     He repeated.  And, low to himself, "Yes, 'tis o'er!
     My course, too, is decided, Lucile!  Was I blind
     To have dream'd that these clever Frenchwomen of mind
     Could satisfy simply a plain English heart,
     Or sympathize with it?"


     XXIV.


                              And here the first part
     Of the drama is over.  The curtain falls furl'd
     On the actors within it--the Heart, and the World.
     Woo'd and wooer have play'd with the riddle of life,--
     Have they solved it?
                          Appear! answer, Husband and Wife.


     XXV.


     Yet, ere bidding farewell to Lucile de Nevers,
     Hear her own heart's farewell in this letter of hers.

     THE COMTESSE DE NEVERS TO A FRIEND IN INDIA.

     "Once more, O my friend, to your arms and your heart,
     And the places of old... never, never to part!
     Once more to the palm, and the fountain!  Once more
     To the land of my birth, and the deep skies of yore
     From the cities of Europe, pursued by the fret
     Of their turmoil wherever my footsteps are set;
     From the children that cry for the birth, and behold,
     There is no strength to bear them--old Time is SO old!
     From the world's weary masters, that come upon earth
     Sapp'd and mined by the fever they bear from their birth:
     From the men of small stature, mere parts of a crowd,
     Born too late, when the strength of the world hath been bow'd;
     Back,--back to the Orient, from whose sunbright womb
     Sprang the giants which now are no more, in the bloom
     And the beauty of times that are faded forever!
     To the palms! to the tombs! to the still Sacred River!
     Where I too, the child of a day that is done,
     First leaped into life, and look'd up at the sun,
     Back again, back again, to the hill-tops of home
     I come, O my friend, my consoler, I come!
     Are the three intense stars, that we watch'd night by night
     Burning broad on the band of Orion, as bright?
     Are the large Indian moons as serene as of old,
     When, as children, we gather'd the moonbeams for gold?
     Do you yet recollect me, my friend?  Do you still
     Remember the free games we play'd on the hill,
     'Mid those huge stones up-heav'd, where we recklessly trod
     O'er the old ruin'd fane of the old ruin'd god?
     How he frown'd while around him we carelessly play'd!
     That frown on my life ever after hath stay'd,
     Like the shade of a solemn experience upcast
     From some vague supernatural grief in the past.
     For the poor god, in pain, more than anger, he frown'd,
     To perceive that our youth, though so fleeting, had found,
     In its transient and ignorant gladness, the bliss
     Which his science divine seem'd divinely to miss.
     Alas! you may haply remember me yet
     The free child, whose glad childhood myself I forget.
     I come--a sad woman, defrauded of rest:
     I bear to you only a laboring breast:
     My heart is a storm-beaten ark, wildly hurl'd
     O'er the whirlpools of time, with the wrecks of a world:
     The dove from my bosom hath flown far away:
     It is flown and returns not, though many a day
     Have I watch'd from the windows of life for its coming.
     Friend, I sigh for repose, I am weary of roaming.
     I know not what Ararat rises for me
     Far away, o'er the waves of the wandering sea:
     I know not what rainbow may yet, from far hills,
     Lift the promise of hope, the cessation of ills:
     But a voice, like the voice of my youth, in my breast
     Wakes and whispers me on--to the East! to the East!
     Shall I find the child's heart that I left there? or find
     The lost youth I recall with its pure peace of mind?
     Alas! who shall number the drops of the rain?
     Or give to the dead leaves their greenness again?
     Who shall seal up the caverns the earthquake hath rent?
     Who shall bring forth the winds that within them are pent?
     To a voice who shall render an image? or who
     From the heats of the noontide shall gather the dew?
     I have burn'd out within me the fuel of life.
     Wherefore lingers the flame?  Rest is sweet after strife.
     I would sleep for a while.  I am weary.
                                             "My friend,
     I had meant in these lines to regather, and send
     To our old home, my life's scatter'd links.  But 'tis vain!
     Each attempt seems to shatter the chaplet again;
     Only fit now for fingers like mine to run o'er,
     Who return, a recluse, to those cloisters of yore
     Whence too far I have wander'd.
                                     "How many long years
     Does it seem to me now since the quick, scorching tears,
     While I wrote to you, splash'd out a girl's premature
     Moans of pain at what women in silence endure!
     To your eyes, friend of mine, and to your eyes alone,
     That now long-faded page of my life hath been shown
     Which recorded my heart's birth, and death, as you know,
     Many years since,--how many!
                                  "A few months ago
     I seem'd reading it backward, that page!  Why explain
     Whence or how?  The old dream of my life rose again.
     The old superstition! the idol of old!
     It is over.  The leaf trodden down in the mould
     Is not to the forest more lost than to me
     That emotion.  I bury it here by the sea
     Which will bear me anon far away from the shore
     Of a land which my footsteps will visit no more.
     And a heart's requiescat I write on that grave.
     Hark! the sigh of the wind, and the sound of the wave,
     Seem like voices of spirits that whisper me home!
     I come, O you whispering voices, I come!
     My friend, ask me nothing.
                                "Receive me alone
     As a Santon receives to his dwelling of stone
     In silence some pilgrim the midnight may bring:
     It may be an angel that, weary of wing,
     Hath paused in his flight from some city of doom,
     Or only a wayfarer stray'd in the gloom.
     This only I know: that in Europe at least
     Lives the craft or the power that must master our East.
     Wherefore strive where the gods must themselves yield at last?
     Both they and their altars pass by with the Past.
     The gods of the household Time thrust from the shelf;
     And I seem as unreal and weird to myself
     As those idols of old.
                             "Other times, other men,
     Other men, other passions!
                                "So be it! yet again
     I turned to my birthplace, the birthplace of morn,
     And the light of those lands where the great sun is born!
     Spread your arms, O my friend! on your breast let me feel
     The repose which hath fled from my own.
                                             "Your LUCILE."




PART II.




CANTO I.


     I.


     Hail, Muse!  But each Muse by this time has, I know,
     Been used up, and Apollo has bent his own bow
     All too long; so I leave unassaulted the portal
     Of Olympus, and only invoke here a mortal.

     Hail, Murray!--not Lindley,--but Murray and Son.
     Hail, omniscient, beneficent, great Two-in-One!
     In Albermarle Street may thy temple long stand!
     Long enlighten'd and led by thine erudite hand,
     May each novice in science nomadic unravel
     Statistical mazes of modernized travel!
     May each inn-keeper knave long thy judgment revere,
     And the postboys of Europe regard thee with fear;
     While they feel, in the silence of baffled extortion,
     That knowledge is power!  Long, long, like that portion
     Of the national soil which the Greek exile took
     In his baggage wherever he went, may thy book
     Cheer each poor British pilgrim, who trusts to thy wit
     Not to pay through his nose just for following it!
     May'st

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