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Dream Life: A Fable of the Seasons

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Title: Dream Life: A Fable of the Seasons

Author: Donald Grant Mitchell


        
Release date: February 26, 2006 [eBook #17862]

Language: English

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Credits: Produced by Juliet Sutherland, Graeme Mackreth and the
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*** START OF THE PROJECT GUTENBERG EBOOK DREAM LIFE: A FABLE OF THE SEASONS ***




Produced by Juliet Sutherland, Graeme Mackreth and the
Online Distributed Proofreading Team at http://www.pgdp.net






DREAM LIFE:

A

FABLE OF THE SEASONS

BY

DONALD G. MITCHELL

            ---- We are such stuff
          As dreams are made of; and our little life
          Is rounded with a sleep

          Tempest.

NEW YORK

SCRIBNER, ARMSTRONG, AND COMPANY

1876.

Entered according to Act of Congress, in the year 1883, by
Charles Scribner & Co.,

In the Clerk's Office of the District Court of the United States for the
Southern District of New York

RIVERSIDE, CAMBRIDGE:
STEREOTYPED AND PRINTED BY
H.O. HOUGHTON AND COMPANY




_A NEW PREFACE._


Twelve years ago, this autumn, when I had finished the concluding
chapters of this little book, I wrote a letter of Dedication to
Washington Irving, and, forwarding it by mail to Sunnyside, begged his
permission to print it. I think I shall gratify a rational curiosity of
my readers (however much they may condemn my vanity) if I give his reply
in full.

     "My dear Sir,--

     "Though I have a great disinclination in general to be the object
     of literary oblations and compliments, yet in the present instance
     I have enjoyed your writings with such peculiar relish, and been so
     drawn toward the author by the qualities of head and heart evinced
     in them, that I confess I feel gratified by a dedication,
     over-flattering as I may deem it, which may serve as an outward
     sign that we are cordially linked together in sympathies and
     friendship.

     "I would only suggest that in your dedication you would omit the
     LL.D., a learned dignity urged upon me very much 'against the
     stomach of my sense,' and to which I have never laid claim.

            "Ever, my dear sir,
              "Yours, very truly,
                "Washington Irving
          "Sunnyside, Nov. 1851."

I had been personally presented to Mr. Irving for the first time, only a
year before, under the introduction of my good friend, Mr. Clark (the
veteran Editor of the old Knickerbocker in its palmy days). Thereafter I
had met him from time to time, and had paid a charming visit to his
delightful home of Sunnyside. But it was after the date of the
publication of this book and during the summer of 1852, that I saw Mr.
Irving more familiarly, and came to appreciate more fully that charming
_bonhomie_ and geniality in his character which we all recognize so
constantly in his writings. And if I set down here a few recollections
of that pleasant intercourse, they will, I am sure, more than make good
the place of the old letter of Dedication, and will serve to keep alive
the association I wish to cherish between my little book and the name of
the distinguished author who so kindly showed me his favor.

For the first time, after many years, Mr. Irving made a stay of a few
weeks at Saratoga, in the summer of 1852. By good fortune, I chanced to
occupy a room upon the same corridor of the hotel, within a few doors of
his, and shared very many of his early morning walks to the "Spring."
What at once struck me very forcibly in the course of these walks, was
the rare alertness and minuteness of his observation: not a fair young
face could dash past us in its drapery of muslin, but the eye of the old
gentleman drank in all its freshness and beauty with the keen appetite
and the grateful admiration of a boy; not a dowager brushed past us
bedizened with finery, but he fastened the apparition in my memory with
some piquant remark,--as the pin of an entomologist fastens a gaudy fly.
No rheumatic old hero-invalid, battered in long wars with the
doctors,--no droll marplot of a boy, could appear within range, but I
could see in the changeful expression of my companion the admeasurement
and quiet adjustment of the appeal which either made upon his sympathy
or his humor. A flower, a tree, a burst of music, a country market-man
hoisted upon his wagon of cabbages,--all these by turns caught and
engaged his attention, however little they might interrupt the flow of
his talk.

I ventured to ask on one occasion, if he had depended solely upon his
memory for the thousand little descriptions of natural objects which
occur in his books.

"Not wholly," he replied; and went on to tell me it had been his way, in
the earlier days of his authorship, to carry little tablets with him
into the country, and whenever he saw a scene specially picturesque,--a
cottage of marked features, a noticeable tree, any picture, in short,
which promised service to him,--to note down its distinguishing points,
and hold it in reserve.

"This," said he, "is one among those small arts and industries which a
person who writes much must avail himself of: they are equivalent to the
little thumb-sketches from which a painter makes up his larger
compositions."

On our way to the church on a certain Sunday morning, he tapped my
shoulder as we entered the little gate, and called my attention to a
lithe young Indian girl, who had strolled down from the campment on the
plains, and was standing proudly erect upon the church-porch, with
finger to her lips, scanning curiously the worshippers as they passed
in.

"What a splendid figure of a woman!" said he, "she is puzzling over the
extravagances and devotions of the white-faces."

The black, straight elf-locks, the swart face, the great wondering eye,
with the gay blanket, short gown of woollen-stuff, and brilliant
moccasins, made a striking picture to be sure; and I could not help
thinking, that if the apparition had chanced upon him earlier, she might
have figured in some story of Pokanoket or of the Prairies.

I took occasion one morning to ask if he was always able to control the
"humors of writing," and to put himself resolutely to work, whatever
might be the state of his feeling.

"No," he said, very decidedly,--"unfortunately I cannot: there are men
who do, I believe. I always envied them; but there was a period of a
month or more, after I had finally decided upon literary labors, and had
declined a lucrative position under Government, when it seemed as if I
was utterly bereft of all the fancies I ever had; for weeks I could do
nothing; but at last the clouds lifted, and I wrote off the first
numbers of the 'Sketch-Book,' and dispatched them to my good friends in
this country, to make the most of. I feared it would not be much.

"And the worst of it is," continued he, "the good people do not allow
for these periods of depression; if a man does a thing tolerably well in
his happy moods, they see no reason why he should not be always in a
happy mood."

I asked if he had never found relief, and a stimulant to work, in the
reading aloud of some favorite old author.

"Often," said he; "and none are more effective with me for this service
than the sacred writers; I think I have waked a good many sleeping
fancies by the reading of a chapter in Isaiah."

In answer to inquiries of mine in regard to the incomplete state of
several of the stories of "Wolfert's Roost," he said: "Yes, we do not
get through all we lay out. Some of those sketches had lain in my mind
for a great many years; they made a sort of garret-trumpery, of which I
thought I would make a general clearance, leaving the odds and ends to
take care of themselves.

"There was a novel too, I once laid out, in which an English lad, being
a son of one of the old Regicide Judges, was to come over to New England
in search of his father: he was to meet with a throng of adventures, and
to arrive at length upon a Saturday night, in the midst of a terrible
thunder-storm, at the house of a stern old Massachusetts Puritan, who
comes out to answer to the rappings; and by a flash of lightning which
gleams upon the harsh, iron visage of the old man, the son fancies he
recognizes his father."

And as he told it, the old gentleman wrinkled his brow, and tried to put
on the fierce look he would describe.

"It's all there is of it," said he. "If you want to make a story, you
can furbish it up."

There were among other notable people at Saratoga, during the summer of
which I speak, the well-known Mrs. Dr. R----, of Philadelphia, since
deceased,--a woman of great eccentricities, but of a wonderfully
masculine mind, and of great cultivation. It was a fancy of hers to give
special, social patronage to foreign artists; and among those just then
at Saratoga, and the recipients of her favor, were a distinguished
violinist--whose name I do not now recall--and the newly married Mme.
Alboni. Mr. Irving, in common with her other acquaintances, she was
inclined to make contributory to her attentions. To this Mr. Irving was
not averse, both from his extreme love of music, and his kindliness
toward the artists themselves; yet, in his own quiet way, I think he
fretted considerably at being pounced upon at odd hours to give them
French talk.

"It's very awkward," said he to me one day; "I have had large occasion
for practice to be sure; but I rather fancy, after all, our own
language; it's heartier and easier."

He was utterly incapable of being lionized. Time and again, under the
trees in the court of the hotel, did I hear him enter upon some pleasant
story, lighted up with that rare turn of his eye, and by his deft
expressions, when, as chance acquaintances grouped about him,--as is the
way of watering-places,--and eager listeners multiplied, his hilarity
and spirit took a chill from the increasing auditory, and drawing
abruptly to a close, he would sidle away with a friend and be gone.

Among the visitors was a tall, interesting young girl--from Louisiana,
if I mistake not--who had the reputation of being a great heiress, and
who was, of course, beset by a host of admirers. There was something
very attractive in her air, and Mr. Irving was never tired of gazing on
her as she walked, with what he called a "faun-like step," across the
lawn, or up and down the corridors. Her eyes too--"dove-like," he
termed them--were his special admiration. He watched with an amused
interest the varying fortunes of the rival lovers, and often met me
with--"Well, who is in favor to-day?" And he discussed very freely the
varying chances.

One brusque, heavy man, who thought to carry the matter through by a
_coup de main_, he was sure could never succeed. A second, who was most
assiduous, but whose brazen confidence was unyielding, he counted still
less upon. But a quiet, somewhat older gentleman, whose look was ever
full of tender appeal, and who bore himself with a modest dignity, he
reckoned the probable winner. "He will feel a Nay grievously," said he;
"but for the others, they will forget it in a supper."

I believe it eventually proved that no one of those present was the
successful suitor. I know only that the fair girl was afterward a bride;
and (what we all so little anticipated) her home is now a scene of
desolation, her fortune very likely a wreck, her family scattered or
slain, and herself, maybe, a fugitive.

I saw Mr. Irving afterward repeatedly in New York, and passed two
delightful days at Sunnyside. I can never forget a drive with him upon a
crisp autumn morning through Sleepy Hollow, and all the notable
localities of his neighborhood, in the course of which he kindly called
my attention, in the most unaffected and incidental way, to those which
had been specially illustrated by his pen; and with a rare humor
recounted to me some of his boyish adventures among the old Dutch
farmers of this region. Most of all, it is impossible for me to forget
the rare kindliness of his manner, his friendly suggestions, and the
beaming expression of his eye.

I met it last at the little stile from which I strolled away to the
station at Dearman; and when I saw the kind face again, it was in the
coffin, at the little church where he attended service. But the eyes
were closed, and the wonderful radiance of expression gone. It seemed to
me that death never took away more from a living face; it was but a cold
shadow lying there, of the man who had taught a nation to love him.

Edgewood, _Sept._ 1863.




CONTENTS.


_INTRODUCTORY._

                                                 page

I. With my Aunt Tabithy                             1

II. With my Reader                                  9


_DREAMS OF BOYHOOD._

Spring                                             21

I. Rain in the Garret                              26

II. School-Dreams                                  33

III. Boy Sentiment                                 43

IV. A Friend made and Friend lost                  49

V. Boy Religion                                    60

VI. A New-England Squire                           67

VII. The Country Church                            78

VIII. A Home Scene                                 86


_DREAMS OF YOUTH._

Summer                                             97

I. Cloister Life                                  104

II. First Ambition                                115

III. College Romance                              120

IV. First Look at the World                       132

V. A Broken Home                                  142

VI. Family Confidence                             151

VII. A Good Wife                                  159

VIII. A Broken Hope                               167


_DREAMS OF MANHOOD._

Autumn                                            179

I. Pride of Manliness                             184

II. Man of the World                              191

III. Manly Hope                                   198

IV. Manly Love                                    207

V. Cheer and Children                             213

VI. A Dream of Darkness                           221

VII. Peace                                        229


_DREAMS OF AGE._

Winter                                            239

I. What is Gone                                   243

II. What is Left                                  249

III. Grief and Joy of Age                         255

IV. The End of Dreams                             261




_INTRODUCTORY._


I.

_With my Aunt Tabithy._

"Pshaw!" said my Aunt Tabithy, "have you not done with dreaming?"

My Aunt Tabithy, though an excellent and most notable person, loves
occasionally a quiet bit of satire. And when I told her that I was
sharpening my pen for a new story of those dreamy fancies and
half-experiences which lie grouped along the journeying hours of my
solitary life, she smiled as if in derision.

----"Ah, Isaac," said she, "all that is exhausted; you have rung so many
changes on your hopes and your dreams, that you have nothing left but to
make them real--if you can."

It is very idle to get angry with a good-natured old lady. I did better
than this,--I made her listen to me.

----Exhausted, do you say, Aunt Tabithy? Is life then exhausted; is
hope gone out; is fancy dead?

No, no. Hope and the world are full; and he who drags into book-pages a
phase or two of the great life of passion, of endurance, of love, of
sorrow, is but wetting a feather in the sea that breaks ceaselessly
along the great shore of the years. Every man's heart is a living drama;
every death is a drop-scene; every book only a faint foot-light to throw
a little flicker on the stage.

There is no need of wandering widely to catch incident or adventure;
they are everywhere about us; each day is a succession of escapes and
joys,--not perhaps clear to the world, but brooding in our thought, and
living in our brain. From the very first, Angels and Devils are busy
with us, and we are struggling against them and for them.

No, no, Aunt Tabithy; this life of musing does not exhaust so easily. It
is like the springs on the farmland, that are fed with all the showers
and the dews of the year, and that from the narrow fissures of the rock
send up streams continually; or it is like the deep well in the meadow,
where one may see stars at noon when no stars are shining.

What is Reverie, and what are these Day-dreams, but fleecy cloud-drifts
that float eternally, and eternally change shapes, upon the great
over-arching sky of thought? You may seize the strong outlines that the
passion-breezes of to-day shall throw into their figures; but to-morrow
may breed a whirlwind that will chase swift, gigantic shadows over the
heaven of your thought, and change the whole landscape of your life.

Dream-land will never be exhausted, until we enter the land of dreams,
and until, in "shuffling off this mortal coil," thought will become
fact, and all facts will be only thought.

As it is, I can conceive no mood of mind more in keeping with what is to
follow upon the grave, than those fancies which warp our frail hulks
toward the ocean of the Infinite, and that so sublimate the realities of
this being, that they seem to belong to that shadowy realm whither every
day's journey is leading.

--It was warm weather, and my aunt was dozing. "What is this all to be
about?" said she, recovering her knitting-needle.

"About love, and toil, and duty, and sorrow," said I.

My aunt laid down her knitting, looked at me over the rim of her
spectacles, and--took snuff.

I said nothing.

"How many times have you been in love, Isaac?" said she.

It was now my turn to say, "Pshaw!"

Judging from her look of assurance, I could not possibly have made a
more satisfactory reply.

My aunt finished the needle she was upon, smoothed the stocking-leg over
her knee, and looking at me with a very comical expression, said, "Isaac,
you are a sad fellow!"

I did not like the tone of this; it sounded very much as if it would
have been in the mouth of any one else--"bad fellow."

And she went on to ask me, in a very bantering way, if my stock of
youthful loves was not nearly exhausted; and she cited the episode of
the fair-haired Enrica, as perhaps the most tempting that I could draw
from my experience.

A better man than myself, if he had only a fair share of vanity, would
have been nettled at this; and I replied somewhat tartly, that I had
never professed to write my experiences. These might be more or less
tempting; but certainly if they were of a kind which I have attempted to
portray in the characters of Bella, or of Carry, neither my Aunt Tabithy
nor any one else should have learned such truth from any book of mine.
There are griefs too sacred to be babbled to the world; and there may be
loves which one would forbear to whisper even to a friend.

No, no; imagination has been playing pranks with memory; and if I have
made the feeling real, I am content that the facts should be false.
Feeling, indeed, has a higher truth in it than circumstance. It appeals
to a larger jury for acquittal; it is approved or condemned by a better
judge. And if I can catch this bolder and richer truth of feeling, I
will not mind if the types of it are all fabrications.

If I run over some sweet experience of love, (my Aunt Tabithy brightened
a little,) must I make good the fact that the loved one lives, and
expose her name and qualities to make your sympathy sound? Or shall I
not rather be working upon higher and holier ground, if I take the
passion for itself, and so weave it into words, that you and every
willing sufferer may recognize the fervor, and forget the personality?

Life, after all, is but a bundle of hints, each suggesting actual and
positive development, but rarely reaching it. And as I recall these
hints, and in fancy trace them to their issues, I am as truly dealing
with life as if my life had dealt them all to me.

This is what I would be doing in the present book. I would catch up here
and there the shreds of feeling which the brambles and roughnesses of
the world have left tangling on my heart, and weave them out into those
soft and perfect tissues which, if the world had been only a little less
rough, might now perhaps enclose my heart altogether.

"Ah," said my Aunt Tabithy, as she smoothed the stocking-leg again, with
a sigh, "there is, after all, but one youth-time; and if you put down
its memories once, you can find no second growth."

My Aunt Tabithy was wrong. There is as much growth in the thoughts and
feelings that run behind us as in those that run before us. You may make
a rich, full picture of your childhood to-day; but let the hour go by,
and the darkness stoop to your pillow with its million shapes of the
past, and my word for it, you shall have some flash of childhood lighten
upon you, that was unknown to your busiest thought of the morning.

Let a week go by, and in some interval of care, as you recall the smile
of a mother, or some pale sister who is dead, a new crowd of memories
will rush upon your soul, and leave their traces in such tears as will
make you kinder and better for days and weeks. Or you shall assist at
some neighbor funeral, where the little dead one (like one you have seen
before) shall hold in its tiny grasp (as you have taught little dead
hands to do) fresh flowers, laughing flowers, lying lightly on the white
robe of the dear child,--all pale, cold, silent--

I had touched my Aunt Tabithy: she had dropped a stitch in her knitting.
I believe she was weeping.

--Aye, this brain of ours is a master-worker, whose appliances we do not
one half know; and this heart of ours is a rare storehouse, furnishing
the brain with new material every hour of our lives; and their limits we
shall not know, until they shall end--together.

Nor is there, as many faint-hearts imagine, but one phase of earnestness
in our life of feeling. One train of deep emotion cannot fill up the
heart: it radiates like a star, God-ward and earth-ward. It spends and
reflects all ways. Its force is to be reckoned not so much by token as
by capacity. Facts are the poorest and most slumberous evidences of
passion or of affection. True feeling is ranging everywhere; whereas
your actual attachments are too apt to be tied to sense.

A single affection may indeed be true, earnest, and absorbing; but such
an one, after all, is but a type--and if the object be worthy, a
glorious type--of the great book of feeling: it is only the vapor from
the caldron of the heart, and bears no deeper relation to its
exhaustless sources than the letter, which my pen makes, bears to the
thought that inspires it,--or than a single morning strain of your
orioles and thrushes bears to that wide bird-chorus which is making
every sunrise a worship, and every grove a temple!

My Aunt Tabithy nodded.

Nor is this a mere bachelor fling against constancy. I can believe,
Heaven knows, in an unalterable and unflinching affection, which neither
desires nor admits the prospect of any other. But when one is tasking
his brain to talk for his heart,--when he is not writing positive
history, but only making mention, as it were, of the heart's
capacities,--who shall say that he has reached the fulness, that he has
exhausted the stock of its feeling, or that he has touched its highest
notes? It is true, there is but one heart in a man to be stirred; but
every stir creates a new combination of feeling, that like the turn of a
kaleidoscope will show some fresh color or form.

A bachelor, to be sure, has a marvellous advantage in this; and with the
tenderest influences once anchored in the bay of marriage, there is
little disposition to scud off under each pleasant breeze of feeling.
Nay, I can even imagine--perhaps somewhat captiously--that after
marriage, feeling would become a habit, a rich and holy habit certainly,
but yet a habit, which weakens the omnivorous grasp of the affections,
and schools one to a unity of emotion that doubts and ignores the
promptness and variety of impulse which we bachelors possess.

My aunt nodded again.

Could it be that she approved what I had been saying? I hardly knew.

Poor old lady,--she did not know herself. She was asleep!




II.

_With my Reader._


Having silenced my Aunt Tabithy, I shall be generous enough, in my
triumph, to offer an explanatory chat to my reader.

This is a history of Dreams; and there will be those who will sneer at
such a history, as the work of a dreamer. So indeed it is; and you, my
courteous reader, are a dreamer too!

You would perhaps like to find your speculations about wealth, marriage,
or influence called by some better name than Dreams. You would like to
see the history of them--if written at all--baptized at the font of your
own vanity, with some such title as--life's cares, or life's work. If
there had been a philosophic naming to my observations, you might have
reckoned them good; as it is, you count them all bald and palpable
fiction.

But is it so? I care not how matter-of-fact you may be, you have in your
own life at some time proved the very truth of what I have set down; and
the chances are, that even now, gray as you may be, and economic as you
may be, and devotional as you pretend to be, you light up your Sabbath
reflections with just such dreams of wealth, of per centages, or of
family, as you will find scattered over these pages.

I am not to be put aside with any talk about stocks, and duties, and
respectability: all these, though very eminent matters, are but so many
types in the volume of your thought; and your eager resolves about them
are but so many ambitious waves breaking up from that great sea of
dreamy speculation that has spread over your soul from its first start
into the realm of Consciousness.

No man's brain is so dull, and no man's eye so blind, that they cannot
catch food for dreams. Each little episode of life is full, had we but
the perception of its fulness. There is no such thing as blank in the
world of thought. Every action and emotion have their development
growing and gaining on the soul. Every affection has its tears and
smiles. Nay, the very material world is full of meaning, and by
suggesting thought is making us what we are and what we will be.

The sparrow that is twittering on the edge of my balcony is calling up
to me this moment a world of memories that reach over half my lifetime,
and a world of hope that stretches farther than any flight of sparrows.
The rose-tree which shades his mottled coat is full of buds and
blossoms; and each bud and blossom is a token of promise that has
issues covering life, and reaching beyond death. The quiet sunshine
beyond the flower and beyond the sparrow,--glistening upon the leaves,
and playing in delicious waves of warmth over the reeking earth,--is
lighting both heart and hope, and quickening into activity a thousand
thoughts of what has been and of what will be. The meadow stretching
away under its golden flood,--waving with grain, and with the feathery
blossoms of the grass, and golden buttercups, and white, nodding
daisies,--comes to my eye like the lapse of fading childhood, studded
here and there with the bright blossoms of joy, crimsoned all over with
the flush of health, and enamelled with memories that perfume the soul.
The blue hills beyond, with deep-blue shadows gathered in their bosom,
lie before me like mountains of years, over which I shall climb through
shadows to the slope of Age, and go down to the deeper shadows of Death.

Nor are dreams without their variety, whatever your character may be. I
care not how much in the pride of your practical judgment, or in your
learned fancies, you may sneer at any dream of love, and reckon it all a
poet's fiction: there are times when such dreams come over you like a
summer-cloud, and almost stifle you with their warmth.

Seek as you will for increase of lands or moneys, and there are moments
when a spark of some giant mind will flash over your cravings, and wake
your soul suddenly to a quick and yearning sense of that influence which
is begotten of intellect; and you task your dreams--as I have copied
them here--to build before you the pleasures of such a renown.

I care not how worldly you may be: there are times when all distinctions
seem like dust, and when at the graves of the great you dream of a
coming country, where your proudest hopes shall be dimmed forever.

Married or unmarried, young or old, poet or worker, you are still a
dreamer, and will one time know, and feel, that your life is but a
dream. Yet you call this fiction: you stave off the thoughts in print
which come over you in reverie. You will not admit to the eye what is
true to the heart. Poor weakling, and worldling, you are not strong
enough to face yourself!

You will read perhaps with smiles; you will possibly praise the
ingenuity; you will talk with a lip schooled against the slightest
quiver of some bit of pathos, and say that it is--well done. Yet why is
it well done?--only because it is stolen from your very life and heart.
It is good, because it is so common; ingenious, because it is so honest;
well-conceived, because it is not conceived at all.

There are thousands of mole-eyed people who count all passion in print a
lie,--people who will grow into a rage at trifles, and weep in the dark,
and love in secret, and hope without mention, and cover it all under
the cloak of what they call--propriety. I can see before me now some
gray-haired old gentleman, very money-getting, very correct, very
cleanly, who reads the morning paper with unction, and his Bible with
determination,--who listens to dull sermons with patience, and who prays
with quiet self-applause; and yet there are moments belonging to his
life, when his curdled affections yearn for something that they have
not,--when his avarice oversteps all the commandments,--when his pride
builds castles full of splendor; and yet put this before his eye, and he
reads with the most careless air in the world, and condemns as arrant
fiction, what cannot be proved to the elders.

We do not like to see our emotions unriddled: it is not agreeable to the
proud man to find his weaknesses exposed; it is shocking to the
disappointed lover to see his heart laid bare; it is a great grief to
the pining maiden to witness the exposure of her loves. We do not like
our fancies painted; we do not contrive them for rehearsal: our dreams
are private, and when they are made public, we disown them.

I sometimes think that I must be a very honest fellow for writing down
those fancies,--which every one else seems afraid to whisper. I shall at
least come in for my share of the odium in entertaining such fancies:
indeed I shall expect the charge of entertaining them exclusively, and
shall scarce expect to find a single fellow-confessor, unless it be some
pure and innocent-thoughted girl, who will say _peccavi_ to--here and
there--a single rainbow fancy.

Well, I can bear it; but in bearing it, I shall be consoled with the
reflection that I have a great company of fellow-sufferers, who lack
only the honesty to tell me of their sympathy. It will even relieve in
no small degree my burden to watch the effort they will take to conceal
what I have so boldly divulged.

Nature is very much the same thing in one man that it is in another;
and, as I have already said, Feeling has a higher truth in it than
circumstance. Let it only be touched fairly and honestly, and the heart
of humanity answers; but if it be touched foully or one-sidedly, you may
find here and there a lame-souled creature who will give response, but
there is no heart-throb in it.

Of one thing I am sure:--if my pictures are fair, worthy, and hearty,
you _must_ see it in the reading; but if they are forced and hard, no
amount of kindness can make you feel their truth, as I want them felt.

I make no self-praise out of this: if feeling has been honestly set
down, it is only in virtue of a native impulse, over which I have
altogether too little control, but if it is set down badly, I have
wronged Nature, and (as Nature is kind) I have wronged myself.

A great many inquisitive people will, I do not doubt, be asking, after
all this prelude, if my pictures are true pictures? The question--the
courteous reader will allow me to say--is an impertinent one. It is but
a shabby truth that wants an author's affidavit to make it trustworthy.
I shall not help my story by any such poor support. If there are not
enough elements of truth, honesty, and nature in my pictures to make
them believed, they shall have no oath of mine to bolster them up.

I have been a sufferer in this way before now; and a little book that I
had the whim to publish a year since, has been set down by many as an
arrant piece of imposture. Claiming sympathy as a Bachelor, I have been
recklessly set down as a cold, undeserving man of family! My story of
troubles and loves has been sneered at as the sheerest gammon.

But among this crowd of cold-blooded critics, it was pleasant to hear of
one or two pursy old fellows who railed at me for winning the affections
of a sweet Italian girl, and then leaving her to pine in discontent! Yet
in the face of this, an old companion of mine in Rome, with whom I
accidentally met the other day, wondered how on earth I could have made
so tempting a story out of the matronly and black-haired spinster with
whom I happened to be quartered in the Eternal City!

I shall leave my critics to settle such differences between themselves;
and consider it far better to bear with slanders from both sides of the
house, than to bewray the pretty tenderness of the pursy old gentlemen,
or to cast a doubt upon the practical testimony of my quondam companion.
Both give me high and judicious compliment,--all the more grateful
because only half deserved. For I never yet was conscious--alas, that
the confession should be forced from me!--of winning the heart of any
maiden, whether native or Italian; and as for such delicacy of
imagination as to work up a lovely damsel out of the withered remnant
that forty odd years of Italian life can spare, I can assure my
middle-aged friends, (and it may serve as a _caveat_,) I can lay no
claim to it whatever.

The trouble has been, that those who have believed one passage, have
discredited another; and those who have sympathized with me in trifles,
have deserted me when affairs grew earnest. I have had sympathy enough
with my married griefs, but when it came to the perplexing torments of
my single life--not a weeper could I find!

I would suggest to those who intend to believe only half of my present
book, that they exercise a little discretion in their choice. I am not
fastidious in the matter, and only ask them to believe what counts most
toward the goodness of humanity, and to discredit--if they will persist
in it--only what tells badly for our common nature. The man, or the
woman, who believes well, is apt to work well; and Faith is as much the
key to happiness here, as it is the key to happiness hereafter.

I have only one thing more to say before I get upon my story. A great
many sharp-eyed people, who have a horror of light reading,--by which
they mean whatever does not make mention of stocks, cottons, or moral
homilies,--will find much fault with my book for its ephemeral
character.

I am sorry that I cannot gratify such: homilies are not at all in my
habit; and it does seem to me an exhausting way of disposing of a good
moral, to hammer it down to a single point, so that there shall be only
one chance of driving it home. For my own part, I count it a great deal
better philosophy to fuse it, and rarefy it, so that it shall spread out
into every crevice of a story, and give a color and a taste, as it were,
to the whole mass.

I know there are very good people, who, if they cannot lay their finger
on so much doctrine set down in old-fashioned phrase, will never get an
inkling of it at all. With such people, goodness is a thing of
understanding, more than of feeling, and all their morality has its
action in the brain.

God forbid that I should sneer at this terrible infirmity, which
Providence has seen fit to inflict; God forbid too, that I should not be
grateful to the same kind Providence for bestowing upon others among
his creatures a more genial apprehension of true goodness, and a hearty
sympathy with every shade of human kindness.

But in all this I am not making out a case for my own correct teaching,
or insinuating the propriety of my tone. I shall leave the book, in this
regard, to speak for itself; and whoever feels himself growing worse for
the reading, I advise to lay it down. It will be very harmless on the
shelf, however it may be in the hand.

I shall lay no claim to the title of moralist, teacher, or romancist: my
thoughts start pleasant pictures to my mind; and in a garrulous humor I
put my finger in the button-hole of my indulgent friend, and tell him
some of them,--giving him leave to quit me whenever he chooses.

Or, if a lady is my listener, let her fancy me only an honest,
simple-hearted fellow, whose familiarities are so innocent that she can
pardon them;--taking her hand in his, and talking on; sometimes looking
in her eyes, and then looking into the sunshine for relief; sometimes
prosy with narrative, and then sharpening up my matter with a few
touches of honest pathos;--let her imagine this, I say, and we may
become the most excellent friends in the world.




_SPRING;_

OR,

_DREAMS OF BOYHOOD._




_DREAMS OF BOYHOOD._

_Spring._


The old chroniclers made the year begin in the season of frosts; and
they have launched us upon the current of the months from the snowy
banks of January. I love better to count time from spring to spring; it
seems to me far more cheerful to reckon the year by blossoms than by
blight.

Bernardin de St. Pierre, in his sweet story of Virginia, makes the bloom
of the cocoa-tree, or the growth of the banana, a yearly and a loved
monitor of the passage of her life. How cold and cheerless in the
comparison would be the icy chronology of the North;--So many years have
I seen the lakes locked, and the foliage die!

The budding and blooming of spring seem to belong properly to the
opening of the months. It is the season of the quickest expansion, of
the warmest blood, of the readiest growth; it is the boy-age of the
year. The birds sing in chorus in the spring--just as children prattle;
the brooks run full--like the overflow of young hearts; the showers drop
easily--as young tears flow; and the whole sky is as capricious as the
mind of a boy.

Between tears and smiles, the year, like the child, struggles into the
warmth of life. The old year--say what the chronologists will--lingers
upon the very lap of spring, and is only fairly gone when the blossoms
of April have strown their pall of glory upon his tomb, and the
bluebirds have chanted his requiem.

It always seems to me as if an access of life came with the melting of
the winter's snows, and as if every rootlet of grass, that lifted its
first green blade from the matted _débris_ of the old year's decay, bore
my spirit upon it, nearer to the largess of Heaven.

I love to trace the break of spring step by step: I love even those long
rain-storms, that sap the icy fortresses of the lingering winter,--that
melt the snows upon the hills, and swell the mountain-brooks,--that make
the pools heave up their glassy cerements of ice, and hurry down the
crashing fragments into the wastes of ocean.

I love the gentle thaws that you can trace, day by day, by the stained
snow-banks, shrinking from the grass; and by the gentle drip of the
cottage-eaves. I love to search out the sunny slopes by a southern wall,
where the reflected sun does double duty to the earth and where the
frail anemone, or the faint blush of the arbutus, in the midst of the
bleak March atmosphere, will touch your heart, like a hope of Heaven in
a field of graves! Later come those soft, smoky days, when the patches
of winter grain show green under the shelter of leafless woods, and the
last snow-drifts, reduced to shrunken skeletons of ice, lie upon the
slope of northern hills, leaking away their life.

Then the grass at your door grows into the color of the sprouting grain,
and the buds upon the lilacs swell and burst. The peaches bloom upon the
wall, and the plums wear bodices of white. The sparkling oriole picks
string for his hammock on the sycamore, and the sparrows twitter in
pairs. The old elms throw down their dingy flowers, and color their
spray with green; and the brooks, where you throw your worm or the
minnow, float down whole fleets of the crimson blossoms of the maple.
Finally the oaks step into the opening quadrille of spring, with grayish
tufts of a modest verdure, which by-and-by will be long and glossy
leaves. The dogwood pitches his broad, white tent in the edge of the
forest; the dandelions lie along the hillocks, like stars in a sky of
green; and the wild cherry, growing in all the hedge-rows, without other
culture than God's, lifts up to Him thankfully its tremulous white
fingers.

Amid all this come the rich rains of spring. The affections of a boy
grow up with tears to water them; and the year blooms with showers. But
the clouds hover over an April sky timidly, like shadows upon innocence.
The showers come gently, and drop daintily to the earth,--with now and
then a glimpse of sunshine to make the drops bright--like so many tears
of joy.

The rain of winter is cold, and it comes in bitter scuds that blind you;
but the rain of April steals upon you coyly, half reluctantly,--yet
lovingly--like the steps of a bride to the Altar.

It does not gather like the storm-clouds of winter, gray and heavy along
the horizon, and creep with subtle and insensible approaches (like age)
to the very zenith; but there are a score of white-winged swimmers
afloat, that your eye has chased as you lay fatigued with the delicious
languor of an April sun;--nor have you scarce noticed that a little bevy
of those floating clouds had grouped together in a sombre company. But
presently you see across the fields the dark gray streaks, stretching
like lines of mists from the green bosom of the valley to that spot of
sky where the company of clouds is loitering; and with an easy shifting
of the helm the fleet of swimmers come drifting over you, and drop their
burden into the dancing pools, and make the flowers glisten, and the
eaves drip with their crystal bounty.

The cattle linger still, cropping the new-come grass; and childhood
laughs joyously at the warm rain, or under the cottage-roof catches with
eager ear the patter of its fall.

----And with that patter on the roof,--so like to the patter of
childish feet,--my story of boyish dreams shall begin.




I.

_Rain in the Garret._


It is an old garret with big brown rafters; and the boards between are
stained darkly with the rain-storms of fifty years. And as the sportive
April shower quickens its flood, it seems as if its torrents would come
dashing through the shingles upon you, and upon your play. But it will
not; for you know that the old roof is strong, and that it has kept you,
and all that love you, for long years from the rain and from the cold;
you know that the hardest storms of winter will only make a little
oozing leak, that trickles down the brown stains--like tears.

You love that old garret-roof; and you nestle down under its slope with
a sense of its protecting power that no castle-walls can give to your
maturer years. Aye, your heart clings in boyhood to the roof-tree of the
old family garret with a grateful affection and an earnest confidence,
that the after-years--whatever may be their successes, or their
honors--can never re-create. Under the roof-tree of his home the boy
feels SAFE: and where in the whole realm of life, with its
bitter toils and its bitterer temptations, will he feel _safe_ again?

But this you do not know. It seems only a grand old place; and it is
capital fun to search in its corners, and drag out some bit of quaint
old furniture, with a leg broken, and lay a cushion across it, and fix
your reins upon the lion's claws of the feet, and then--gallop away! And
you offer sister Nelly a chance, if she will be good; and throw out very
patronizing words to little Charlie, who is mounted upon a much humbler
horse,--to wit, a decrepit nursery-chair,--as he of right should be,
since he is three years your junior.

I know no nobler forage-ground for a romantic, venturesome, mischievous
boy, than the garret of an old family mansion on a day of storm. It is a
perfect field of chivalry. The heavy rafters, the dashing rain, the
piles of spare mattresses to carouse upon, the big trunks to hide in,
the old white coats and hats hanging in obscure corners, like
ghosts,--are great! And it is so far away from the old lady who keeps
rule in the nursery, that there is no possible risk of a scolding for
twisting off the fringe of the rug. There is no baby in the garret to
wake up. There is no "company" in the garret to be disturbed by the
noise. There is no crotchety old Uncle, or Grand-Ma, with their
everlasting "Boys, boys!" and then a look of such horror!

There is great fun in groping through a tall barrel of books and
pamphlets, on the look-out for startling pictures; and there are
chestnuts in the garret drying, which you have discovered on a ledge of
the chimney; and you slide a few into your pocket, and munch them
quietly,--giving now and then one to Nelly, and begging her to keep
silent,--for you have a great fear of its being forbidden fruit.

Old family garrets have their stock, as I said, of castaway clothes of
twenty years gone by; and it is rare sport to put them on; buttoning in
a pillow or two for the sake of good fulness; and then to trick out
Nelly in some strange-shaped head-gear, and old-fashioned brocade
petticoat caught up with pins; and in such guise to steal cautiously
down-stairs, and creep slyly into the sitting-room,--half afraid of a
scolding, and very sure of good fun,--trying to look very sober, and yet
almost ready to die with the laugh that you know you will make. And your
mother tries to look harshly at little Nelly for putting on her
grandmother's best bonnet; but Nelly's laughing eyes forbid it utterly;
and the mother spoils all her scolding with a perfect shower of kisses.

After this you go, marching very stately, into the nursery, and utterly
amaze the old nurse; and make a deal of wonderment for the staring,
half-frightened baby, who drops his rattle, and makes a bob at you as if
he would jump into your waistcoat-pocket.

But you grow tired of this; you tire even of the swing, and of the
pranks of Charlie; and you glide away into a corner with an old,
dog's-eared copy of "Robinson Crusoe." And you grow heart and soul into
the story, until you tremble for the poor fellow with his guns behind
the palisade; and are yourself half dead with fright when you peep
cautiously over the hill with your glass, and see the cannibals at their
orgies around the fire.

Yet, after all, you think the old fellow must have had a capital time
with a whole island to himself; and you think you would like such a time
yourself, if only Nelly and Charlie could be there with you. But this
thought does not come till afterward; for the time you are nothing but
Crusoe; you are living in his cave with Poll the parrot, and are looking
out for your goats and man Friday.

You dream what a nice thing it would be for you to slip away some
pleasant morning,--not to York, as young Crusoe did, but to New
York,--and take passage as a sailor; and how, if they knew you were
going, there would be such a world of good-byes; and how, if they did
not know it, there would be such a world of wonder!

And then the sailor's dress would be altogether such a jaunty affair;
and it would be such rare sport to lie off upon the yards far aloft, as
you have seen sailors in pictures, looking out upon the blue and
tumbling sea. No thought now, in your boyish dreams, of sleety storms,
and cables stiffened with ice, and crashing spars, and great icebergs
towering fearfully around you!

You would have better luck than even Crusoe; you would save a compass,
and a Bible, and stores of hatchets, and the captain's dog, and great
puncheons of sweetmeats, (which Crusoe altogether overlooked;) and you
would save a tent or two, which you could set up on the shore, and an
American flag, and a small piece of cannon, which you could fire as
often as you liked. At night you would sleep in a tree,--though you
wonder how Crusoe did it,--and would say the prayers you had been taught
to say at home, and fall to sleep, dreaming of Nelly and Charlie.

At sunrise, or thereabouts, you would come down, feeling very much
refreshed; and make a very nice breakfast off of smoked herring and
sea-bread, with a little currant jam, and a few oranges. After this you
would haul ashore a chest or two of the sailors' clothes, and putting a
few large jackknives in your pocket, would take a stroll over the
island, and dig a cave somewhere, and roll in a cask or two of
sea-bread. And you fancy yourself growing after a time very tall and
corpulent, and wearing a magnificent goat-skin cap trimmed with green
ribbons, and set off with a plume. You think you would have put a few
more guns in the palisade than Crusoe did, and charged them with a
little more grape.

After a long while you fancy a ship would arrive which would carry you
back; and you count upon very great surprise on the part of your father
and little Nelly, as you march up to the door of the old family mansion,
with plenty of gold in your pocket, and a small bag of cocoa-nuts for
Charlie, and with a great deal of pleasant talk about your island far
away in the South Seas.

----Or perhaps it is not Crusoe at all, that your eyes and your heart
cling to, but only some little story about Paul and Virginia;--that dear
little Virginia! how many tears have been shed over her--not in garrets
only, or by boys only!

You would have liked Virginia, you know you would; but you perfectly
hate the beldame aunt who sent for her to come to France; you think she
must have been like the old schoolmistress, who occasionally boxes your
ears with the cover of the spelling-book, or makes you wear one of the
girls' bonnets, that smells strongly of pasteboard and calico.

As for black Domingue, you think he was a capital old fellow; and you
think more of him and his bananas than you do of the bursting, throbbing
heart of poor Paul. As yet Dream-life does not take hold on love. A
little maturity of heart is wanted to make up what the poets call
sensibility. If love should come to be a dangerous, chivalric matter, as
in the case of Helen Mar and Wallace, you can very easily conceive of
it, and can take hold of all the little accessories of male costume and
embroidering of banners; but as for pure sentiment, such as lies in the
sweet story of Bernardin de St. Pierre, it is quite beyond you.

The rich, soft nights, in which one might doze in his hammock, watching
the play of the silvery moonbeams upon the orange-leaves and upon the
waves, you can understand; and you fall to dreaming of that lovely Isle
of France, and wondering if Virginia did not perhaps have some relations
on the island, who raise pine-apples, and such sort of things, still?

----And so with your head upon your hand in your quiet garret-corner,
over some such beguiling story, your thought leans away from the book
into your own dreamy cruise over the sea of life.




II.

_School-Dreams._


It is a proud thing to go out from under the realm of a schoolmistress,
and to be enrolled in a company of boys, who are under the guidance of a
master. It is one of the earliest steps of worldly pride, which has
before it a long and tedious ladder of ascent. Even the advice of the
old mistress, and the ninepenny book that she thrusts into your hand as
a parting gift, pass for nothing; and her kiss of adieu, if she tenders
it in the sight of your fellows, will call up an angry rush of blood to
the cheek, that for long years shall drown all sense of its kindness.

You have looked admiringly many a day upon the tall fellows who play at
the door of Dr. Bidlow's school; you have looked with reverence--second
only to that felt for the old village church--upon its dark-looking,
heavy brick walls. It seemed to be redolent of learning; and stopping at
times to gaze upon the gallipots and broken retorts at the second-story
window, you have pondered in your boyish way upon the inscrutable
wonders of Science, and the ineffable dignity of Dr. Bidlow's brick
school!

Dr. Bidlow seems to you to belong to a race of giants; and yet he is a
spare, thin man, with a hooked nose, a large, flat, gold watch-key, a
crack in his voice, a wig, and very dirty wristbands. Still you stand in
awe at the mere sight of him,--an awe that is very much encouraged by a
report made to you by a small boy, that "Old Bid" keeps a large ebony
ruler in his desk. You are amazed at the small boy's audacity; it
astonishes you that any one who had ever smelt the strong fumes of
sulphur and ether in the Doctor's room, and had seen him turn red
vinegar blue, (as they say he does,) should call him "Old Bid!"

You however come very little under his control; you enter upon the proud
life, in the small boy's department, under the dominion of the English
master. He is a different personage from Dr. Bidlow: he is a dapper
little man, who twinkles his eye in a peculiar fashion, and who has a
way of marching about the schoolroom with his hands crossed behind him,
giving a playful flirt to his coat-tails. He wears a pen tucked behind
his ear; his hair is carefully set up at the sides and upon the top, to
conceal (as you think later in life) his diminutive height; and he steps
very springily around behind the benches, glancing now and then at the
books,--cautioning one scholar about his dog's-ears, and startling
another from a doze by a very loud and odious snap of his forefinger
upon the boy's head.

At other times he sticks a hand in the armlet of his waistcoat; he
brandishes in the other a thickish bit of smooth cherry-wood, sometimes
dressing his hair withal; and again giving his head a slight scratch
behind the ear, while he takes occasion at the same time for an oblique
glance at a fat boy in the corner, who is reaching down from his seat
after a little paper pellet that has just been discharged at him from
some unknown quarter. The master steals very cautiously and quickly to
the rear of the stooping boy, dreadfully exposed by his unfortunate
position, and inflicts a stinging blow. A weak-eyed little scholar on
the next bench ventures a modest titter, at which the assistant makes a
significant motion with his ruler,--on the seat, as it were, of an
imaginary pair of pantaloons,--which renders the weak-eyed boy on a
sudden very insensible to the recent joke.

You meantime profess to be very much engrossed with your grammar--turned
upside-down; you think it must have hurt, and are only sorry that it did
not happen to a tall, dark-faced boy, who cheated you in a swop of
jackknives. You innocently think that he must be a very bad boy, and
fancy--aided by a suggestion of the old nurse at home on the same
point--that he will one day come to the gallows.

There is a platform on one side of the schoolroom, where the teacher
sits at a little red table; and they have a tradition among the boys,
that a pin properly bent was one day put into the chair of the English
master, and that he did not wear his hand in the armlet of his waistcoat
for two whole days thereafter. Yet his air of dignity seems proper
enough in a man of such erudition, and such grasp of imagination, as he
must possess. For he can quote poetry,--some of the big scholars have
heard him do it; he can parse the whole of "Paradise Lost," and he can
cipher in Long Division, and the Rule of Three, as if it was all Simple
Addition; and then, such a hand as he writes, and such a superb capital
B! It is hard to understand how he does it.

Sometimes lifting the lid of your desk, where you pretend to be very
busy with your papers, you steal the reading of some brief passage of
"Lazy Lawrence," or of the "Hungarian Brothers," and muse about it for
hours afterward to the great detriment of your ciphering; or, deeply
lost in the story of the "Scottish Chiefs," you fall to comparing such
villains as Menteith with the stout boys who tease you; and you only
wish they could come within reach of the fierce Kirkpatrick's claymore.

But you are frighted out of this stolen reading by a circumstance that
stirs your young blood very strangely. The master is looking very sourly
on a certain morning, and has caught sight of the little weak-eyed boy
over beyond you, reading "Roderick Random." He sends out for a long
birch rod, and having trimmed off the leaves carefully,--with a glance
or two in your direction,--he marches up behind the bench of the poor
culprit,--who turns deathly pale,--grapples him by the collar, drags him
out over the desks, his limbs dangling in a shocking way against the
sharp angles, and having him fairly in the middle of the room, clinches
his rod with a new, and, as it seems to you, a very sportive grip.

You shudder fearfully.

"Please don't whip me," says the boy, whimpering.

"Aha!" says the smirking pedagogue, bringing down the stick with a
quick, sharp cut,--"you don't like it, eh?"

The poor fellow screams, and struggles to escape; but the blows come
faster and thicker. The blood tingles in your finger-ends with
indignation.

"Please don't strike me again," says the boy, sobbing, and taking
breath, as he writhes about the legs of the master; "I won't read
another time."

"Ah, you won't, sir,--won't you? I don't mean you shall, sir;" and the
blows fall thick and fast, until the poor fellow crawls back, utterly
crestfallen and heartsick, to sob over his books.

You grow into a sudden boldness; you wish you were only large enough to
beat the master; you know such treatment would make you miserable; you
shudder at the thought of it; you do not believe he would dare; you
know the other boy has got no father. This seems to throw a new light
upon the matter, but it only intensifies your indignation. You are sure
that no father would suffer it; or, if you thought so, it would sadly
weaken your love for him. You pray Heaven, that it may never be brought
to such proof.

----Let a boy once distrust the love or the tenderness of his parents,
and the last resort of his yearning affections--so far as the world
goes--is utterly gone. He is in the sure road to a bitter fate. His
heart will take on a hard, iron covering, that will flash out plenty of
fire in his after contact with the world, but it will never--never melt!

There are some tall trees, that overshadow an angle of the schoolhouse;
and the larger scholars play some very surprising gymnastic tricks upon
their lower limbs: one boy, for instance, will hang for an incredible
length of time by his feet with his head down; and when you tell Charlie
of it at night, with such additions as your boyish imagination can
contrive, the old nurse is shocked, and states very gravely that it is
dangerous, and that the blood all runs to the head, and sometimes bursts
out of the eyes and mouth. You look at that particular boy with
astonishment afterward, and expect to see him some day burst into
bleeding from the nose and ears, and flood the schoolroom benches.

In time however you get to performing some modest experiments yourself
upon the very lowest limbs, taking care to avoid the observation of the
larger boys, who else might laugh at you; you especially avoid the
notice of one stout fellow in pea-green breeches, who is a sort of
"bully" among the small boys, and who delights in kicking your marbles
about very accidentally. He has a fashion too of twisting his
handkerchief into what he calls a "snapper," with a knot at the end, and
cracking at you with it, very much to the irritation of your spirits and
of your legs.

Sometimes, when he has brought you to an angry burst of tears, he will
very graciously force upon you the handkerchief, and insist upon your
cracking him in return; which, as you know nothing about his effective
method of making the knot bite, is a very harmless proposal on his part.

But you have still stronger reason to remember that boy. There are
trees, as I said, near the school; and you get the reputation, after a
time, of a good climber. One day you are well in the tops of the trees,
and being dared by the boys below, you venture higher--higher than any
boy has ever gone before. You feel very proudly, but just then catch
sight of the sneering face of your old enemy of the snapper; and he
dares you to go upon a limb that he points out.

The rest say,--for you hear them plainly,--"It won't bear him." And
Frank, a great friend of yours, shouts loudly to you not to try.

"Pho," says your tormentor,--"the little coward!"

If you could whip him, you would go down the tree, and do it willingly;
as it is, you cannot let him triumph; so you advance cautiously out upon
the limb; it bends and sways fearfully with your weight; presently it
cracks; you try to return, but it is too late; you feel yourself going;
your mind flashes home--over your life, your hope, your fate--like
lightning; then comes a sense of dizziness, a succession of quick blows,
and a dull, heavy crash!

You are conscious of nothing again, until you find yourself in the great
hall of the school, covered with blood, the old Doctor standing over you
with a phial, and Frank kneeling by you, and holding your shattered arm,
which has been broken by the fall.

After this come those long, weary days of confinement, when you lie
still through all the hours of noon, looking out upon the cheerful
sunshine only through the windows of your little room. Yet it seems a
grand thing to have the whole household attendant upon you. The doors
are opened and shut softly, and they all step noiselessly about your
chamber; and when you groan with pain, you are sure of meeting sad,
sympathizing looks. Your mother will step gently to your side and lay
her cool, white hand upon your forehead; and little Nelly will gaze at
you from the foot of your bed with a sad earnestness, and with tears of
pity in her soft hazel eyes. And afterward, as your pain passes away,
she will bring you her prettiest books, and fresh flowers, and whatever
she knows you will love.

But it is dreadful when you wake at night from your feverish slumber,
and see nothing but the spectral shadows that the sick-lamp upon the
hearth throws aslant the walls; and hear nothing but the heavy breathing
of the old nurse in the easy-chair, and the ticking of the clock upon
the mantel! Then silence and the night crowd upon your soul drearily.
But your thought is active. It shapes at your bedside the loved figure
of your mother, or it calls up the whole company of Dr. Bidlow's boys
and weeks of study or of play group like magic on your quickened vision;
then a twinge of pain will call again the dreariness, and your head
tosses upon the pillow, and your eye searches the gloom vainly for
pleasant faces; and your fears brood on that drearier, coming night of
Death--far longer, and far more cheerless than this.

But even here the memory of some little prayer you have been taught,
which promises a Morning after the Night, comes to your throbbing brain;
and its murmur on your fevered lips, as you breathe it, soothes like a
caress of angels, and woos you to smiles and sleep.

As the days pass, you grow stronger; and Frank comes in to tell you of
the school, and that your old tormentor has been expelled; and you grow
into a strong friendship with Frank, and you think of yourselves as a
new Damon and Pythias, and that you will some day live together in a
fine house, with plenty of horses, and plenty of chestnut-trees. Alas,
the boy counts little on those later and bitter fates of life, which
sever his early friendships like wisps of straw!

At other times, with your eye upon the sleek, trim figure of the Doctor,
and upon his huge bunch of watch-seals, you think you will some day be a
Doctor; and that with a wife and children, and a respectable gig, and
gold watch, with seals to match, you would needs be a very happy fellow.

And with such fancies drifting on your thought, you count for the
hundredth time the figures upon the curtains of your bed; you trace out
the flower-wreaths upon the paper-hangings of your room; your eyes rest
idly on the cat playing with the fringe of the curtain; you see your
mother sitting with her needle-work beside the fire; you watch the
sunbeams, as they drift along the carpet, from morning until noon; and
from noon till night you watch them playing on the leaves, and dropping
spangles on the lawn; and as you watch--you dream.




III.

_Boy Sentiment._


Weeks and even years of your boyhood roll on, in the which your dreams
are growing wider and grander,--even as the Spring, which I have made
the type of the boy-age, is stretching its foliage farther and farther,
and dropping longer and heavier shadows on the land.

Nelly, that sweet sister, has grown into your heart strangely; and you
think that all they write in their books about love cannot equal your
fondness for little Nelly. She is pretty, they say; but what do you care
for her prettiness? She is so good, so kind, so watchful of all your
wants, so willing to yield to your haughty claims!

But, alas! it is only when this sisterly love is lost forever,--only
when the inexorable world separates a family, and tosses it upon the
waves of fate to wide-lying distances, perhaps to graves,--that a man
feels, what a boy can never know,--the disinterested and abiding
affection of a sister.

All this that I have set down comes back to you long afterward, when
you recall with tears of regret your reproachful words, or some swift
outbreak of passion.

Little Madge is a friend of Nelly's,--a mischievous, blue-eyed hoiden.
They tease you about Madge. You do not of course care one straw for her,
but yet it is rather pleasant to be teased thus. Nelly never does this;
oh no, not she. I do not know but in the age of childhood the sister is
jealous of the affections of a brother, and would keep his heart wholly
at home, until, suddenly and strangely, she finds her own wandering.

But after all Madge is pretty, and there is something taking in her
name. Old people, and very precise people, call her Margaret Boyne. But
you do not: it is only plain Madge; it sounds like her, very rapid and
mischievous. It would be the most absurd thing in the world for you to
like her, for she teases you in innumerable ways: she laughs at your big
shoes, (such a sweet little foot as she has!) and she pins strips of
paper on your coat-collar; and time and again she has worn off your hat
in triumph, very well knowing that you--such a quiet body, and so much
afraid of her--will never venture upon any liberties with her gypsy
bonnet.

You sometimes wish in your vexation, as you see her running, that she
would fall and hurt herself badly; but the next moment it seems a very
wicked wish, and you renounce it. Once she did come very near it. You
were all playing together by the big swing; (how plainly it swings in
your memory now!) Madge had the seat, and you were famous for running
under with a long push, which Madge liked better than anything
else;--well, you have half run over the ground when, crash! comes the
swing, and poor Madge with it! You fairly scream as you catch her up.
But she is not hurt,--only a cry of fright, and a little sprain of that
fairy ankle; and as she brushes away the tears and those flaxen curls,
and breaks into a merry laugh,--half at your woe-worn face, and half in
vexation at herself,--and leans her hand (such a hand!) upon your
shoulder, to limp away into the shade, you dream your first dream of
love.

But it is only a dream, not at all acknowledged by you; she is three or
four years your junior,--too young altogether. It is very absurd to talk
about it. There is nothing to be said of Madge, only--Madge! The name
does it.

It is rather a pretty name to write. You are fond of making capital M's;
and sometimes you follow it with a capital A. Then you practise a little
upon a D, and perhaps back it up with a G. Of course it is the merest
accident that these letters come together. It seems funny to you--very.
And as a proof that they are made at random, you make a T or an R before
them, and some other quite irrelevant letters after it.

Finally, as a sort of security against all suspicion, you cross it
out,--cross it a great many ways, even holding it up to the light to see
that there should be no air of intention about it.

----You need have no fear, Clarence, that your hieroglyphics will be
studied so closely. Accidental as they are, you are very much more
interested in them than any one else.

----It is a common fallacy of this dream in most stages of life, that a
vast number of persons employ their time chiefly in spying out its
operations.

Yet Madge cares nothing about you, that you know of. Perhaps it is the
very reason, though you do not suspect it then, why you care so much for
her. At any rate she is a friend of Nelly's, and it is your duty not to
dislike her. Nelly too, sweet Nelly, gets an inkling of matters,--for
sisters are very shrewd in suspicions of this sort, shrewder than
brothers or fathers,--and, like the good, kind girl that she is, she
wishes to humor even your weakness.

Madge drops in to tea quite often: Nelly has something _in particular_
to show her, two or three times a week. Good Nelly! perhaps she is
making your troubles all the greater. You gather large bunches of grapes
for Madge--because she is a friend of Nelly's--which she doesn't want at
all, and very pretty bouquets, which she either drops or pulls to
pieces.

In the presence of your father one day you drop some hint about Madge
in a very careless way,--a way shrewdly calculated to lay all
suspicion,--at which your father laughs. This is odd; it makes you
wonder if your father was ever in love himself.

You rather think that he has been.

Madge's father is dead, and her mother is poor; and you sometimes dream
how--whatever your father may think or feel--you will some day make a
large fortune, in some very easy way, and build a snug cottage, and have
one horse for your carriage and one for your wife, (not Madge, of
course--that is absurd,) and a turtleshell cat for your wife's mother,
and a pretty gate to the front yard, and plenty of shrubbery; and how
your wife will come dancing down the path to meet you,--as the Wife does
in Mr. Irving's "Sketch-Book,"--and how she will have a harp in the
parlor, and will wear white dresses with a blue sash.

----Poor Clarence, it never occurs to you that even Madge may grow fat,
and wear check aprons, and snuffy-brown dresses of woollen stuff, and
twist her hair in yellow papers! Oh, no, boyhood has no such dreams as
that!

I shall leave you here in the middle of your first foray into the world
of sentiment, with those wicked blue eyes chasing rainbows over your
heart, and those little feet walking every day into your affections. I
shall leave you, before the affair has ripened into any overtures, and
while there is only a sixpence split in halves, and tied about your neck
and Maggie's neck, to bind your destinies together.

If I even hinted at any probability of your marrying her, or of your not
marrying her, you would be very likely to dispute me. One knows his own
feelings, or thinks he does, so much better than any one can tell him.




IV.

_A Friend made and Friend lost._


To visit, is a great thing in the boy calendar;--not to visit this or
that neighbor,--to drink tea, or eat strawberries, or play at
draughts,--but to go away on a visit in a coach, with a trunk, and a
great-coat, and an umbrella--this is large!

It makes no difference that they wish to be rid of your noise, now that
Charlie is sick of a fever: the reason is not at all in the way of your
pride of visiting. You are to have a long ride in a coach, and eat a
dinner at a tavern, and to see a new town almost as large as the one you
live in; and you are to make new acquaintances. In short, you are to see
the world: a very proud thing it is to see the world!

As you journey on, after bidding your friends adieu, and as you see
fences and houses to which you have not been used, you think them very
odd indeed: but it occurs to you that the geographies speak of very
various national characteristics, and you are greatly gratified with
this opportunity of verifying your study. You see new crops too, perhaps
a broad-leaved tobacco-field, which reminds you pleasantly of the
luxuriant vegetation of the tropics, spoken of by Peter Parley, and
others.

As for the houses and barns in the new town, they quite startle you with
their strangeness: you observe that some of the latter, instead of
having one stable-door have five or six,--a fact which puzzles you very
much indeed. You observe further that the houses many of them have
balustrades upon the top, which seems to you a very wonderful adaptation
to the wants of boys who wish to fly kites, or to play upon the roof.
You notice with special favor one very low roof, which you might climb
upon by a mere plank, and you think the boys whose father lives in that
house are very fortunate boys.

Your old aunt, whom you visit, you think, wears a very queer cap, being
altogether different from that of the old nurse, or of Mrs.
Boyne,--Madge's mother. As for the house she lives in, it is quite
wonderful. There are such an immense number of closets, and closets
within closets, reminding you of the mysteries of "Rinaldo Rinaldini."
Beside which there are immensely curious bits of old furniture--so black
and heavy, and with such curious carving!--and you think of the old
wainscot in the "Children of the Abbey". You think you will never tire
of rambling about in its odd corners, and of what glorious stories you
will have to tell of it when you go back to Nelly and Charlie.

As for acquaintances, you fall in the very first day with a tall boy
next door, called Nat, which seems an extraordinary name. Besides, he
has travelled; and as he sits with you on the summer nights under the
linden-trees, he tells you gorgeous stories of the things he has seen.
He has made the voyage to London; and he talks about the ship (a real
ship) and starboard and larboard, and the spanker, in a way quite
surprising; and he takes the stern-oar in the little skiff, when you row
off in the cove abreast of the town, in a most seaman-like way.

He bewilders you, too, with his talk about the great bridges of
London,--London Bridge specially, where they sell kids for a penny;
which story your new acquaintance unfortunately does not confirm. You
have read of these bridges, and seen pictures of them in the "Wonders of
the World"; but then Nat has seen them with his own eyes: he has
literally walked over London Bridge, on his own feet! You look at his
very shoes in wonderment, and are surprised you do not find some
startling difference between those shoes and your shoes. But there is
none,--only yours are a trifle stouter in the welt. You think Nat one of
the fortunate boys of this world,--born, as your old nurse used to say,
with a gold spoon in his mouth.

Beside Nat there is a girl lives over the opposite side of the way,
named Jenny,--with an eye as black as a coal, and a half a year older
than you, but about your height,--whom you fancy amazingly.

She has any quantity of toys, that she lets you play with as if they
were your own. And she has an odd old uncle, who sometimes makes you
stand up together, and then marries you after his fashion,--much to the
amusement of a grown-up house-maid, whenever she gets a peep at the
performance. And it makes you somewhat proud to hear her called your
wife; and you wonder to yourself, dreamily, if it won't be true some day
or other.

----Fie, Clarence, where is your split sixpence, and your blue ribbon!

Jenny is romantic, and talks of "Thaddeus of Warsaw" in a very touching
manner, and promises to lend you the book. She folds billets in a
lover's fashion, and practises love-knots upon her bonnet-strings. She
looks out of the corners of her eyes very often, and sighs. She is
frequently by herself, and pulls flowers to pieces. She has great pity
for middle-aged bachelors, and thinks them all disappointed men.

After a time she writes notes to you, begging you would answer them at
the earliest possible moment, and signs herself--"your attached Jenny."
She takes the marriage farce of her uncle in a cold way, as trifling
with a very serious subject, and looks tenderly at you. She is very much
shocked when her uncle offers to kiss her; and when he proposes it to
you, she is equally indignant, but--with a great change of color.

Nat says one day in a confidential conversation that it won't do to
marry a woman six months older than yourself; and this, coming from Nat
who has been to London, rather staggers you. You sometimes think that
you would like to marry Madge and Jenny both, if the thing were
possible, for Nat says they sometimes do so the other side of the ocean,
though he has never seen it himself.

----Ah, Clarence, you will have no such weakness as you grow older; you
will find that Providence has charitably so tempered our affections,
that every man of only ordinary nerve will be amply satisfied with a
single wife.

All this time--for you are making your visit a very long one, so that
autumn has come, and the nights are growing cool, and Jenny and yourself
are transferring your little coquetries to the chimney-corner--poor
Charlie lies sick at home. Boyhood, thank Heaven! does not suffer
severely from sympathy when the object is remote. And those letters from
the mother, telling you that Charlie cannot play,--cannot talk even as
he used to do,--and that perhaps his "Heavenly Father will take him away
to be with him in the better world," disturb you for a time only.
Sometimes however they come back to your thought on a wakeful night,
and you dream about his suffering, and think--why it is not you, but
Charlie, who is sick? The thought puzzles you; and well it may, for in
it lies the whole mystery of our fate.

Those letters grow more and more discouraging, and the kind admonitions
of your mother grow more earnest, as if (though the thought does not
come to you until years afterward) she was preparing herself to fasten
upon you that surplus of affection which she fears may soon be withdrawn
forever from the sick child.

It is on a frosty, bleak evening, when you are playing with Nat, that
the letter reaches you which says Charlie is growing worse, and that you
must come to your home. It makes a dreamy night for you--fancying how
Charlie will look, and if sickness has altered him much, and if he will
not be well by Christmas. From this you fall away in your reverie to the
odd old house and its secret cupboards, and your aunt's queer caps; then
come up those black eyes of "your attached Jenny," and you think it a
pity that she is six month's older than you; and again--as you recall
one of her sighs--you think that six months are not much after all!

You bid her good-bye, with a little sentiment swelling in your throat,
and are mortally afraid Nat will see your lip tremble. Of course you
promise to write, and squeeze her hand with an honesty you do not think
of doubting--for weeks.

It is a dull, cold ride, that day, for you. The winds sweep over the
withered cornfields with a harsh, chilly whistle, and the surfaces of
the little pools by the roadside are tossed up into cold blue wrinkles
of water. Here and there a flock of quail, with their feathers ruffled
in the autumn gusts, tread through the hard, dry stubble of an oatfield;
or, startled by the snap of the driver's whip, they stare a moment at
the coach, then whir away down the cold current of the wind. The blue
jays scream from the roadside oaks, and the last of the blue and purple
asters shiver along the wall. And as the sun sinks, reddening all the
western clouds to the color of the frosted maples, light lines of the
Aurora gush up from the northern hills, and trail their splintered
fingers far over the autumn sky.

It is quite dark when you reach home, but you see the bright reflection
of a fire within, and presently at the open door Nelly clapping her
hands for welcome. But there are sad faces when you enter. Your mother
folds you to her heart; but at your first noisy outburst of joy puts her
finger on her lip, and whispers poor Charlie's name. The Doctor you see
too, slipping softly out of the bedroom-door, with glasses in his hand;
and--you hardly know how--your spirits grow sad, and your heart
gravitates to the heavy air of all about you.

You cannot see Charlie, Nelly says;--and you cannot in the quiet parlor
tell Nelly a single one of the many things, which you had hoped to tell
her. She says,--"Charlie has grown so thin and so pale, you would never
know him." You listen to her, but you cannot talk: she asks you what you
have seen, and you begin, for a moment joyously; but when they open the
door of the sick-room, and you hear a faint sigh, you cannot go on. You
sit still, with your hand in Nelly's, and look thoughtfully into the
blaze.

You drop to sleep after that day's fatigue, with singular and perplexed
fancies haunting you; and when you wake up with a shudder in the middle
of the night, you have a fancy that Charlie is really dead: you dream of
seeing him pale and thin, as Nelly described him, and with the starched
grave-clothes on him. You toss over in your bed, and grow hot and
feverish. You cannot sleep; and you get up stealthily, and creep
down-stairs. A light is burning in the hall: the bedroom-door stands
half open, and you listen--fancying you hear a whisper. You steal on
through the hall, and edge around the side of the door. A little lamp is
flickering on the hearth, and the gaunt shadow of the bedstead lies dark
upon the ceiling. Your mother is in her chair with her head upon her
hand--though it is long after midnight. The Doctor is standing with his
back toward you, and with Charlie's little wrist in his fingers; and you
hear hard breathing, and now and then a low sigh from your mother's
chair.

An occasional gleam of firelight makes the gaunt shadows stagger on the
wall, like something spectral. You look wildly at them, and at the bed
where your own brother--your laughing, gay-hearted brother--is lying.
You long to see him, and sidle up softly a step or two; but your
mother's ear has caught the sound, and she beckons you to her, and folds
you again in her embrace. You whisper to her what you wish. She rises,
and takes you by the hand, to lead you to the bedside.

The Doctor looks very solemnly as we approach. He takes out his watch.
He is not counting Charlie's pulse, for he has dropped his hand, and it
lies carelessly, but oh, how thin! over the edge of the bed.

He shakes his head mournfully at your mother; and she springs forward,
dropping your hand, and lays her fingers upon the forehead of the boy,
and passes her hand over his mouth.

"Is he asleep, Doctor?" she says in a tone you do not know.

"Be calm, madam." The Doctor is very calm.

"I am calm," says your mother; but you do not think it, for you see her
tremble very plainly.

"Dear madam, he will never waken in this world!"

There is no cry,--only a bowing down of your mother's head upon the body
of poor dead Charlie!--and only when you see her form shake and quiver
with the deep, smothered sobs, your crying bursts forth loud and
strong.

The Doctor lifts you in his arms, that you may see that pale
head,--those blue eyes all sunken,--that flaxen hair gone,--those white
lips pinched and hard!--Never, never will the boy forget his first
terrible sight of Death!

In your silent chamber, after the storm of sobs has wearied you, the
boy-dreams are strange and earnest. They take hold on that awful
Visitant,--that strange slipping away from life, of which we know so
little, and yet know, alas, so much! Charlie that was your brother, is
now only a name: perhaps he is an angel; perhaps (for the old nurse has
said it when he was ugly--and now you hate her for it) he is with Satan!

But you are sure this cannot be: you are sure that God, who made him
suffer, would not now quicken and multiply his suffering. It agrees with
your religion to think so; and just now you want your religion to help
you all it can.

You toss in your bed, thinking over and over of that strange
thing--Death; and that perhaps it may overtake you before you are a man;
and you sob out those prayers (you scarce know why) which ask God to
keep life in you. You think the involuntary fear, that makes your little
prayer full of sobs, is a holy feeling;--and so it is a holy
feeling,--the same feeling which makes a stricken child yearn for the
embrace and the protection of a Parent. But you will find there are
those canting ones trying to persuade you, at a later day, that it is a
mere animal fear, and not to be cherished.

You feel an access of goodness growing out of your boyish grief; you
feel right-minded; it seems as if your little brother in going to Heaven
had opened a path-way thither, down which goodness comes streaming over
your soul.

You think how good a life you will lead; and you map out great purposes,
spreading themselves over the school-weeks of your remaining boyhood;
and you love your friends, or seem to, far more dearly than you ever
loved them before; and you forgive the boy who provoked you to that sad
fall from the oak, and you forgive him all his wearisome teasings. But
you cannot forgive yourself for some harsh words that you have once
spoken to Charlie; still less can you forgive yourself for having once
struck him in passion with your fist. You cannot forget his sobs
then;--if he were only alive one little instant to let you
say,--"Charlie, will you forgive me?"

Yourself you cannot forgive; and sobbing over it, and murmuring "Dear,
dear Charlie!" you drop into a troubled sleep.




V.

_Boy Religion._


Is any weak soul frightened, that I should write of the Religion of the
boy? How indeed could I cover the field of his moral or intellectual
growth, if I left unnoticed those dreams of futurity and of goodness,
which come sometimes to his quieter moments, and oftener to his hours of
vexation and trouble? It would be as wise to describe the season of
Spring with no note of the silent influences of that burning Day-god
which is melting day by day the shattered ice-drifts of Winter,--which
is filling every bud with succulence, and painting one flower with
crimson, and another with white.

I know there is a feeling--by much too general as it seems to me--that
the subject may not be approached except through the dicta of certain
ecclesiastic bodies, and that the language which touches it must not be
that every-day language which mirrors the vitality of our thought, but
should have some twist of that theologic mannerism, which is as cold to
the boy as to the busy man of the world.

I know very well that a great many good souls will call levity what I
call honesty, and will abjure that familiar handling of the boy's lien
upon Eternity which my story will show. But I shall feel sure, that, in
keeping true to Nature with word and with thought, I shall in no way
offend against those highest truths to which all truthfulness is
kindred.

You have Christian teachers, who speak always reverently of the Bible;
you grow up in the hearing of daily prayers; nay, you are perhaps taught
to say them.

Sometimes they have a meaning, and sometimes they have none. They have a
meaning when your heart is troubled, when a grief or a wrong weighs upon
you: then the keeping of the Father, which you implore, seems to come
from the bottom of your soul; and your eye suffuses with such tears of
feeling as you count holy, and as you love to cherish in your memory.

But they have no meaning when some trifling vexation angers you, and a
distaste for all about you breeds a distaste for all above you. In the
long hours of toilsome days little thought comes over you of the morning
prayer; and only when evening deepens its shadows, and your boyish
vexations fatigue you to thoughtfulness, do you dream of that coming and
endless night, to which--they tell you--prayers soften the way.

Sometimes upon a Summer Sunday, when you are wakeful upon your seat in
church, with some strong-worded preacher who says things that half
fright you it occurs to you to consider how much goodness you are made
of; and whether there be enough of it after all to carry you safely away
from the clutch of Evil? And straightway you reckon up those friendships
where your heart lies; you know you are a true and honest friend to
Frank; and you love your mother, and your father; as for Nelly, Heaven
knows, you could not contrive a way to love her better than you do.

You dare not take much credit to yourself for the love of little
Madge,--partly because you have sometimes caught yourself trying--not to
love her; and partly because the black-eyed Jenny comes in the way. Yet
you can find no command in the Catechism to love one girl to the
exclusion of all other girls. It is somewhat doubtful if you ever do
find it. But as for loving some half-dozen you could name, whose images
drift through your thought, in dirty, salmon-colored frocks, and
slovenly shoes, it is quite impossible; and suddenly this thought,
coupled with a lingering remembrance of the pea-green pantaloons,
utterly breaks down your hopes.

Yet you muse again,--there are plenty of good people, as the times go,
who have their dislikes, and who speak them too. Even the sharp-talking
clergyman you have heard say some very sour things about his landlord,
who raised his rent the last year. And you know that he did not talk as
mildly as he does in the church, when he found Frank and yourself
quietly filching a few of his peaches through the orchard fence.

But your clergyman will say perhaps, with what seems to you quite
unnecessary coldness, that goodness is not to be reckoned in your
chances of safety; that there is a Higher Goodness, whose merit is
All-Sufficient. This puzzles you sadly; nor will you escape the puzzle,
until, in the presence of the Home altar, which seems to guard you, as
the Lares guarded Roman children, you _feel_--you cannot tell how--that
good actions must spring from good sources; and that those sources must
lie in that Heaven toward which your boyish spirit yearns, as you kneel
at your mother's side.

Conscience too is all the while approving you for deeds well done;
and--wicked as you fear the preacher might judge it--you cannot but
found on those deeds a hope that your prayer at night flows more easily,
more freely, and more holily toward "Our Father in Heaven." Nor indeed
later in life--whatever may be the ill-advised expressions of human
teachers--will you ever find that _Duty performed_, and _generous
endeavor_ will stand one whit in the way either of Faith or of Love.
Striving to be good is a very direct road toward Goodness and if life be
so tempered by high motive as to make actions always good, Faith is
unconsciously won.

Another notion that disturbs you very much, is your positive dislike of
long sermons, and of such singing as they have when the organist is
away. You cannot get the force of that verse of Dr. Watts which likens
heaven to a never-ending Sabbath; you _do_ hope--though it seems a half
wicked hope--that old Dr. ---- will not be the preacher. You think that
your heart in its best moments craves for something more lovable. You
suggest this perhaps to some Sunday teacher, who only shakes his head
sourly, and tells you it is a thought that the Devil is putting in your
brain. It strikes you oddly that the Devil should be using a verse of
Dr. Watts to puzzle you! But if it be so, he keeps it sticking by your
thought very pertinaciously, until some simple utterance of your mother
about the Love that reigns in the other world seems on a sudden to widen
Heaven, and to waft away your doubts like a cloud.

It excites your wonder not a little to find people, who talk gravely and
heartily of the excellence of sermons and of church-going, sometimes
fall asleep under it all. And you wonder--if they really like preaching
so well--why they do not buy some of the minister's old manuscripts, and
read them over on week-days, or invite the clergyman to preach to them
in a quiet way in private.

----Ah, Clarence, you do not yet know the poor weakness of even
maturest manhood, and the feeble gropings of the soul toward a soul's
paradise in the best of the world! You do not yet know either, that
ignorance and fear will be thrusting their untruth and false show into
the very essentials of Religion.

Again you wonder, if the clergymen are all such very good men as you are
taught to believe, why it is that every little while people will be
trying to send them off, and very anxious to prove that, instead of
being so good, they are in fact very stupid and bad men. At that day you
have no clear conceptions of the distinction between stupidity and vice,
and think that a good man must necessarily say very eloquent things. You
will find yourself sadly mistaken on this point, before you get on very
far in life.

Heaven, when your mother peoples it with friends gone, and little
Charlie, and that better Friend who, she says, took Charlie in his arms,
and is now his Father above the skies, seems a place to be loved and
longed for. But to think that Mr. Such-an-one, who is only good on
Sundays, will be there too,--and to think of his talking as he does of a
place which you are sure he would spoil if he were there,--puzzles you
again; and you relapse into wonder, doubt, and yearning.

--And there, Clarence, for the present, I shall leave you. A wide, rich
heaven hangs above you, but it hangs very high. A wide, rough world is
around you, and it lies very low!

I am assuming in these sketches no office of a teacher. I am seeking
only to make a truthful analysis of the boyish thought and feeling. But
having ventured thus far into what may seem sacred ground, I shall
venture still farther, and clinch my matter with a moral.

There is very much religious teaching, even in so good a country as New
England, which is far too harsh, too dry, too cold for the heart of a
boy. Long sermons, doctrinal precepts, and such tediously-worded dogmas
as were uttered by those honest but hard-spoken men, the Westminster
Divines, fatigue, and puzzle, and dispirit him.

They may be well enough for those strong souls which strengthen by
task-work, or for those mature people whose iron habit of self-denial
has made patience a cardinal virtue; but they fall (_experto crede_)
upon the unfledged faculties of the boy like a winter's rain upon spring
flowers,--like hammers of iron upon lithe timber. They may make deep
impression upon his moral nature, but there is great danger of a sad
rebound.

Is it absurd to suppose that some adaptation is desirable? And might not
the teachings of that Religion, which is the ægis of our moral being, be
inwrought with some of those finer harmonies of speech and form which
were given to wise ends,--and lure the boyish soul by something akin to
that gentleness which belonged to the Nazarene Teacher, and which
provided not only meat for men, but "milk for babes"?




VI.

_A New-England Squire._


Frank has a grandfather living in the country, a good specimen of the
old-fashioned New-England farmer. And--go where one will the world
over--I know of no race of men who, taken as a whole, possess more
integrity, more intelligence, and more of those elements of comfort
which go to make a home beloved and the social basis firm, than the
New-England farmers.

They are not brilliant, nor are they highly refined; they know nothing
of arts, histrionic or dramatic; they know only so much of older nations
as their histories and newspapers teach them; in the fashionable world
they hold no place;--but in energy, in industry, in hardy virtue, in
substantial knowledge, and in manly independence, they make up a race
that is hard to be matched.

The French peasantry are, in all the essentials of intelligence and
sterling worth, infants compared with them; and the farmers of England
are either the merest 'ockeys in grain, with few ideas beyond their
sacks, samples, and market-days,--or, with added cultivation, they lose
their independence in a subserviency to some neighbor patron of rank;
and superior intelligence teaches them no lesson so quickly as that
their brethren of the glebe are unequal to them, and are to be left to
their cattle and the goad.

There are English farmers indeed, who are men in earnest, who read the
papers, and who keep the current of the year's intelligence; but such
men are the exceptions. In New England, with the school upon every third
hill-side, and the self-regulating, free-acting church to watch every
valley with week-day quiet, and to wake every valley with Sabbath sound,
the men become, as a class, bold, intelligent, and honest actors, who
would make again, as they have made before, a terrible army of
defence,--and who would find reasons for their actions as strong as
their armies.

Frank's grandfather has silver hair, but is still hale, erect, and
strong. His dress is homely but neat. Being a thorough-going
Protectionist, he has no fancy for the gewgaws of foreign importation,
and makes it a point to appear always in the village church, and on all
great occasions, in a sober suit of homespun. He has no pride of
appearance, and he needs none. He is known as the Squire throughout the
township; and no important measure can pass the board of selectmen
without the Squire's approval;--and this from no blind subserviency to
his opinion,--because his farm is large, and he is reckoned
"forehanded,"--but because there is a confidence in his judgment.

He is jealous of none of the prerogatives of the country parson, or of
the schoolmaster, or of the village doctor; and although the latter is a
testy politician of the opposite party, it does not all impair the
Squire's faith in his calomel; he suffers all his Radicalism with the
same equanimity that he suffers his rhubarb.

The day-laborers of the neighborhood, and the small farmers, consider
the Squire's note-of-hand for their savings better than the best bonds
of city origin; and they seek his advice in all matters of litigation.
He is a Justice of the Peace, as the title of Squire in a New-England
village implies; and many are the sessions of the country courts that
you peep upon with Frank, from the door of the great dining-room.

The defendant always seems to you in these important cases--especially
if his beard is rather long--an extraordinary ruffian, to whom Jack
Sheppard would have been a comparatively innocent boy. You watch
curiously the old gentleman sitting in his big arm-chair, with his
spectacles in their silver case at his elbow, and his snuffbox in hand,
listening attentively to some grievous complaint; you see him ponder
deeply,--with a pinch of snuff to aid his judgment,--and you listen with
intense admiration as he gives a loud preparatory "Ahem!" and clears
away the intricacies of the case with a sweep of that strong practical
sense which distinguishes the New-England farmer,--getting at the very
hinge of the matter, without any consciousness of his own precision, and
satisfying the defendant by the clearness of his talk as much as by the
leniency of his judgment.

His lands lie along those swelling hills, which in southern New England
carry the chain of the White and Green Mountains in gentle undulations
to the borders of the sea. He farms some fifteen hundred
acres,--"suitably divided," as the old-school agriculturists say, into
"woodland, pasture, and tillage." The farm-house--a large,
irregularly-built mansion of wood--stands upon a shelf of the hills
looking southward, and is shaded by century-old oaks. The barns and
out-buildings are grouped in a brown phalanx a little to the northward
of the dwelling. Between them a high timber gate opens upon the
scattered pasture lands of the hills; opposite to this and across the
farmyard, which is the lounging-place of scores of red-necked turkeys
and of matronly hens, clucking to their callow brood, another gate of
similar pretensions opens upon the wide meadow-land, which rolls with a
heavy "ground-swell" along the valley of a mountain river. A veteran oak
stands sentinel at the brown meadow-gate, its trunk all scarred with the
ruthless cuts of new-ground axes, and the limbs garnished in
summer-time with the crooked snathes of murderous-looking scythes.

The high-road passes a stone's-throw away; but there is little "travel"
to be seen; and every chance passer will inevitably come under the range
of the kitchen windows, and be studied carefully by the eyes of the
stout dairy-maid,--to say nothing of the stalwart Indian cook.

This last you cannot but admire as a type of that noble old race, among
whom your boyish fancy has woven so many stories of romance. You wonder
how she must regard the white interlopers upon her own soil; and you
think that she tolerates the Squire's farming privileges with more
modesty than you would suppose. You learn however that she pays very
little regard to white rights--when they conflict with her own; and
further learn, to your deep regret, that your Princess of the old tribe
is sadly addicted to cider-drinking; and having heard her once or twice
with a very indistinct "Goo-er night, Sq-quare" upon her lips, your
dreams about her grow very tame.

The Squire, like all very sensible men, has his hobbies and
peculiarities. He has a great contempt, for instance, for all paper
money, and imagines banks to be corporate societies skilfully contrived
for the legal plunder of the community. He keeps a supply of silver and
gold by him in the foot of an old stocking, and seems to have great
confidence in the value of Spanish milled dollars. He has no kind of
patience with the new doctrines of farming. Liebig, and all the rest, he
sets down as mere theorists, and has far more respect for the contents
of his barnyard than for all the guano deposits in the world. Scientific
farming, and gentleman farming, may do very well, he says, "to keep idle
young fellows from the city out of mischief; but as for real, effective
management, there's nothing like the old stock of men, who ran barefoot
until they were ten, and who count the hard winters by their frozen
toes." And he is fond of quoting in this connection--the only quotation,
by the by, that the old gentleman ever makes--that couplet of "Poor
Richard,"--

          "He, that by the plough would thrive,
          Himself must either hold or drive."

The Squire has been in his day connected more or less intimately with
turnpike enterprise, which the railroads of the day have thrown sadly
into the background; and he reflects often in a melancholy way upon the
good old times when a man could travel in his own carriage quietly
across the country, without being frightened with the clatter of an
engine, and when turnpike stock paid wholesome yearly dividends of six
per cent.

An almost constant hanger-on about the premises, and a great favorite
with the Squire, is a stout, middle-aged man, with a heavy-bearded
face, to whom Frank introduces you as "Captain Dick"; and he tells you
moreover that he is a better butcher, a better wall-layer, and cuts a
broader "swathe," than any man upon the farm. Beside all which he has an
immense deal of information. He knows in the spring where all the
crows'-nests are to be found; he tells Frank where the foxes burrow; he
has even shot two or three raccoons in the swamps; he knows the best
season to troll for pickerel; he has a thorough understanding of
bee-hunting; he can tell the ownership of every stray heifer that
appears upon the road: indeed scarce an inquiry is made, or an opinion
formed, on any of these subjects, or on such kindred ones as the
weather, or potato crop, without previous consultation with "Captain
Dick."

You have an extraordinary respect for Captain Dick: his gruff tones,
dark beard, patched waistcoat, and cowhide boots, only add to it: you
can compare your regard for him only with the sentiments you entertain
for those fabulous Roman heroes, led on by Horatius, who cut down the
bridge across the Tiber, and then swam over to their wives and families!

A superannuated old greyhound lives about the premises, and stalks
lazily around, thrusting his thin nose into your hands in a very
affectionate manner.

Of course, in your way, you are a lion among the boys of the
neighborhood: a blue jacket that you wear, with bell buttons of white
metal, is their especial wonderment. You astonish them moreover with
your stories of various parts of the world which they have never
visited. They tell you of the haunts of rabbits, and great snake
stories, as you sit in the dusk after supper under the old oaks; and you
delight them in turn with some marvellous tale of South-American
reptiles out of Peter Parley's books.

In all this your new friends are men of observation; while Frank and
yourself are comparatively men of reading. In ciphering, and all
schooling, you find yourself a long way before them; and you talk of
problems, and foreign seas, and Latin declensions, in a way that sets
them all agape.

As for the little country girls, their bare legs rather stagger your
notions of propriety; nor can you wholly get over their out-of-the-way
pronunciation of some of the vowels. Frank however has a little
cousin,--a toddling, wee thing, some seven years your junior, who has a
rich eye for an infant. But, alas, its color means nothing; poor Fanny
is stone-blind! Your pity leans toward her strangely, as she feels her
way about the old parlor; and her dark eyes wander over the wainscot, or
over the clear, blue sky, with the same sad, painful vacancy.

And yet--it is very strange!--she does not grieve: there is a sweet,
soft smile upon her lip,--a smile, that will come to you in your
fancied troubles of after-life with a deep voice of reproach.

Altogether you grow into a liking of the country: your boyish spirit
loves its fresh, bracing air, and the sparkles of dew that at sunrise
cover the hills with diamonds; and the wild river, with its
black-topped, loitering pools; and the shaggy mists that lie in the
nights of early autumn like unravelled clouds, lost upon the meadow. You
love the hills, climbing green and grand to the skies, or stretching
away in distance their soft, blue, smoky caps, like the sweet,
half-faded memories of the years behind you. You love those oaks,
tossing up their broad arms into clear heaven with a spirit and a
strength that kindles your dawning pride and purposes, and that makes
you yearn, as your forehead mantles with fresh blood, for a kindred
spirit and a kindred strength. Above all you love--though you do not
know it now--the BREADTH of a country life. In the fields of
God's planting there is ROOM. No walls of brick and mortar
cramp one; no factitious distinctions mould your habit. The involuntary
reaches of the spirit tend toward the True and the Natural. The flowers,
the clouds, and the fresh-smelling earth, all give width to your intent.
The boy grows into manliness, instead of growing to be like men. He
claims--with tears almost of brotherhood--his kinship with Nature; and
he feels in the mountains his heirship to the Father of Nature!

This delirium of feeling may not find expression upon the lip of the
boy; but yet it underlies his thought, and will without his
consciousness give the spring to his musing dreams.

----So it is, that, as you lie there upon the sunny greensward, at the
old Squire's door, you muse upon the time when some rich-lying land,
with huge granaries, and cosy old mansion sleeping under the trees,
shall be yours,--when the brooks shall water your meadows, and come
laughing down your pasture-lands,--when the clouds shall shed their
spring fragrance upon your lawns, and the daisies bless your paths.

You will then be a Squire, with your cane, your lean-limbed hound, your
stocking-leg of specie, and your snuffbox. You will be the happy and
respected husband of some tidy old lady in black, and spectacles,--a
little phthisicky, like Frank's grandmother,--and an accomplished cook
of stewed pears and Johnny-cakes!

It seems a very lofty ambition at this stage of growth to reach such
eminence, as to convert your drawer in the wainscot, that has a secret
spring, into a bank for the country people; and the power to send a man
to jail seems one of those stretches of human prerogative to which few
of your fellow-mortals can ever hope to attain.

----Well, it may all be. And who knows but the Dreams of Age, when
they are reached, will be lighted by the same spirit and freedom of
nature that is around you now? Who knows, but that after tracking you
through the spring and the summer of Youth, we shall find frosted Age
settling upon you heavily and solemnly in the very fields where you
wanton to-day?

This American life of ours is a tortuous and shifting impulse. It brings
Age back from years of wandering to totter in the hamlet of its birth;
and it scatters armies of ripe manhood to bleach far-away shores with
their bones.

That Providence, whose eye and hand are the spy and the executioner of
the Fateful changes of our life, may bring you back in Manhood, or in
Age, to this mountain home of New England; and that very willow yonder,
which your fancy now makes the graceful mourner of your leave, may one
day shadow mournfully your grave!




VII.

_The Country Church._


The country church is a square old building of wood without paint or
decoration, and of that genuine Puritanic stamp which is now fast giving
way to Greek porticos and to cockney towers. It stands upon a hill, with
a little churchyard in its rear, where one or two sickly-looking trees
keep watch and ward over the vagrant sheep that graze among the graves.
Bramble-bushes seem to thrive on the bodies below, and there is no
flower in the little yard, save a few golden-rods, which flaunt their
gaudy inodorous color under the lee of the northern wall.

New England country-livers have as yet been very little inoculated with
the sentiment of beauty; even the doorstep to the church is a wide flat
stone, that shows not a single stroke of the hammer. Within, the
simplicity is even more severe. Brown galleries run around three sides
of the old building, supported by timbers, on which you still trace,
under the stains from the leaky roof, the deep scoring of the woodman's
axe.

Below, the unpainted pews are ranged in square forms, and by age have
gained the color of those fragmentary wrecks of cigar-boxes which you
see upon the top shelves in the bar-rooms of country taverns. The
minister's desk is lofty, and has once been honored with a coating of
paint;--as well as the huge sounding-board, which to your great
amazement protrudes from the wall at a very dangerous angle of
inclination over the speaker's head. As the Squire's pew is the place of
honor to the right of the pulpit, you have a little tremor yourself at
sight of the heavy sounding-board, and cannot forbear indulging in a
quiet feeling of relief when the last prayer is said.

There are in the Squire's pew long, faded, crimson cushions, which, it
seems to you, must date back nearly to the commencement of the Christian
era in this country. There are also sundry old thumb-worn copies of Dr.
Dwight's Version of the Psalms of David,--"appointed to be sung in
churches by authority of the General Association of the State of
Connecticut." The sides of Dr. Dwight's Version are, you observe, sadly
warped and weather-stained; and from some stray figures which appear
upon a fly-leaf you are constrained to think, that the Squire has
sometimes employed a quiet interval of the service with reckoning up the
contents of the old stocking-leg at home.

The parson is a stout man, remarkable in your opinion chiefly for a
yellowish-brown wig, a strong nasal tone, and occasional violent thumps
upon the little, dingy, red velvet cushion, studded with brass tacks, at
the top of the desk. You do not altogether admire his style; and by the
time he has entered upon his "Fourthly," you give your attention in
despair to a new reading (it must be the twentieth) of the preface to
Dr. Dwight's Version of the Psalms.

The singing has a charm for you. There is a long, thin-faced,
flax-haired man, who carries a tuning-fork in his waistcoat-pocket, and
who leads the choir. His position is in the very front rank of gallery
benches facing the desk; and by the time the old clergyman has read two
verses of the psalm, the country chorister turns around to his little
group of aids--consisting of the blacksmith, a carroty-headed
schoolmaster, two women in snuff-colored silks, and a girl in pink
bonnet--to announce the tune.

This being done in an authoritative manner, he lifts his long
music-book--glances again at his little company,--clears his throat by a
powerful ahem, followed by a powerful use of a bandanna
pocket-handkerchief,--draws out his tuning-fork, and waits for the
parson to close his reading. He now reviews once more his
company,--throws a reproving glance at the young woman in the pink hat,
who at the moment is biting off a stout bunch of fennel,--lifts his
music-book,--thumps upon the rail with his fork,--listens
keenly,--gives a slight _ahem_,--falls into the cadence,--swells into a
strong _crescendo_,--catches at the first word of the line as if he were
afraid it might get away,--turns to his company,--lifts his music-book
with spirit, gives it a powerful slap with the disengaged hand, and with
a majestic toss of the head soars away, with half the women below
straggling on in his wake, into some such brave old melody
as--LITCHFIELD!

Being a visitor, and in the Squire's pew, you are naturally an object of
considerable attention to the girls about your age, as well as to a
great many fat old ladies in iron spectacles, who mortify you
excessively by patting you under the chin after church; and insist upon
mistaking you for Frank; and force upon you very dry cookies spiced with
caraway seeds.

You keep somewhat shy of the young ladies, as they are rather stout for
your notions of beauty, and wear thick calf-skin boots. They compare
very poorly with Jenny. Jenny, you think, would be above eating
gingerbread between service. None of them, you imagine, ever read
"Thaddeus of Warsaw," or ever used a colored glass seal with a Cupid and
a dart upon it. You are quite certain they never did, or they could not
surely wear such dowdy gowns, and suck their thumbs as they do!

The farmers you have a high respect for,--particularly for one
weazen-faced old gentleman in a brown surtout, who brings his whip into
church with him, who sings in a very strong voice, and who drives a span
of gray colts. You think, however, that he has got rather a stout wife;
and from the way he humors her in stopping to talk with two or three
other fat women, before setting off for home, (though he seems a little
fidgety,) you naively think that he has a high regard for her opinion.
Another townsman who attracts your notice is a stout old deacon, who,
before entering, always steps around the corner of the church, and puts
his hat upon the ground, to adjust his wig in a quiet way. He then
marches up the broad aisle in a stately manner, and plants his hat and a
big pair of buckskin mittens on the little table under the desk. When he
is fairly seated in his corner of the pew, with his elbow upon the top
rail,--almost the only man who can comfortably reach it,--you observe
that he spreads his brawny fingers over his scalp in an exceedingly
cautious manner; and you innocently think again that it is very
hypocritical in a deacon to be pretending to lean upon his hand when he
is only keeping his wig straight.

After the morning service they have an "hour's intermission," as the
preacher calls it; during which the old men gather on a sunny side of
the building, and, after shaking hands all around, and asking after the
"folks" at home, they enjoy a quiet talk about the crops. One man, for
instance, with a twist in his nose, would say, "It's raether a growin'
season;" and another would reply, "Tolerable, but potatoes is feelin'
the wet badly." The stout deacon approves this opinion, and confirms it
by blowing his nose very powerfully.

Two or three of the more worldly-minded ones will perhaps stroll over to
a neighbor's barnyard, and take a look at his young stock, and talk of
prices, and whittle a little; and very likely some two of them will make
a conditional "swop" of "three likely ye'rlings" for a pair of
"two-year-olds."

The youngsters are fond of getting out into the graveyard, and comparing
jackknives, or talking about the schoolmaster or the menagerie, or, it
may be, of some prospective "travel" in the fall,--either to town, or
perhaps to the "sea-shore."

Afternoon service hangs heavily; and the tall chorister is by no means
so blithe, or so majestic in the toss of his head, as in the morning. A
boy in the next box tries to provoke you into familiarity by dropping
pellets of gingerbread through the bars of the pew; but as you are not
accustomed to that way of making acquaintance, you decline all
overtures.

After the service is finished, the wagons, that have been disposed on
either side of the road, are drawn up before the door. The old Squire
meantime is sure to have a little chat with the parson before he leaves;
in the course of which the parson takes occasion to say that his wife
is a little ailing,--"a slight touch," he thinks, "of the rheumatiz."
One of the children too has been troubled with the "summer complaint"
for a day or two; but he thinks that a dose of catnip, under Providence,
will effect a cure. The younger and unmarried men, with red wagons
flaming upon bright yellow wheels, make great efforts to drive off in
the van; and they spin frightfully near some of the fat, sour-faced
women, who remark in a quiet, but not very Christian tone, that they
"fear the elder's sermon hasn't done the young bucks much good." It is
much to be feared in truth that it has not.

In ten minutes the old church is thoroughly deserted; the neighbor who
keeps the key has locked up for another week the creaking door; and
nothing of the service remains within except--Dr. Dwight's Version,--the
long music-books,--crumbs of gingerbread, and refuse stalks of despoiled
fennel.

And yet under the influence of that old, weather-stained temple are
perhaps growing up--though you do not once fancy it--souls possessed of
an energy, an industry, and a respect for virtue, which will make them
stronger for the real work of life than all the elegant children of a
city. One lesson, which even the rudest churches of New England
teach,--with all their harshness, and all their repulsive severity of
form,--is the lesson of Self-Denial. Once armed with that, and manhood
is strong. The soul that possesses the consciousness of mastering
passion, is endowed with an element of force that can never harmonize
with defeat. Difficulties it wears like a summer garment, and flings
away at the first approach of the winter of Need.

Let not any one suppose, then, that in this detail of the country life
through which our hero is led, I would cast obloquy or a sneer upon its
simplicity, or upon its lack of refinement. Goodness and strength in
this world are quite as apt to wear rough coats as fine ones. And the
words of thorough and self-sacrificing kindness are far more often
dressed in the uncouth sounds of retired life than in the polished
utterance of the town. Heaven has not made warm hearts and honest hearts
distinguishable by the quality of the covering. True diamonds need no
work of the artificer to reflect and multiply their rays. Goodness is
more within than without; and purity is of nearer kin to the soul than
to the body.

----And, Clarence, it may well happen that later in life--under the
gorgeous ceilings of Venetian churches, or at some splendid mass in
Nôtre Dame, with embroidered coats and costly silks around you--your
thoughts will run back to that little storm-beaten church, and to the
willow waving in its yard, with a Hope that _glows_, and with a tear
that you embalm!




VIII.

_A Home Scene._


And now I shall not leave this realm of boyhood, or suffer my hero to
slip away from this gala-time of his life, without a fair look at that
Home where his present pleasures lie, and where all his dreams begin and
end.

Little does the boy know, as the tide of years drifts by, floating him
out insensibly from the harbor of his home upon the great sea of
life,--what joys, what opportunities, what affections, are slipping from
him into the shades of that inexorable Past, where no man can go save on
the wings of his dreams. Little does he think--and God be praised that
the thought does not sink deep lines in his young forehead!--as he leans
upon the lap of his mother, with his eye turned to her in some earnest
pleading for a fancied pleasure of the hour, or in some important story
of his griefs, that such sharing of his sorrows, and such sympathy with
his wishes, he will find nowhere again.

Little does he imagine that the fond Nelly, ever thoughtful of his
pleasure, ever smiling away his griefs, will soon be beyond the reach
of either, and that the waves of the years, which come rocking so gently
under him, will soon toss her far away upon the great swell of life.

But _now_ you are there. The firelight glimmers upon the walls of your
cherished home, like the Vestal fire of old upon the figures of adoring
virgins, or like the flame of Hebrew sacrifice, whose incense bore
hearts to Heaven. The big chair of your father is drawn to its wonted
corner by the chimney-side; his head, just touched with gray, lies back
upon its oaken top. Little Nelly leans upon his knee, looking up for
some reply to her girlish questionings. Opposite sits your mother: her
figure is thin, her look cheerful, yet subdued; her arm perhaps resting
on your shoulder, as she talks to you in tones of tender admonition of
the days that are to come.

The cat is purring on the hearth; the clock, that ticked so plainly when
Charlie died, is ticking on the mantel still. The great table in the
middle of the room with its books and work waits only for the lighting
of the evening lamp, to see a return to its stores of embroidery, and of
story.

Upon a little stand under the mirror, which catches now and then a
flicker of the firelight, and makes it play wantonly over the ceiling,
lies that big book reverenced of your New-England parents,--the Family
Bible. It is a ponderous square volume, with heavy silver clasps that
you have often pressed open for a look at its quaint old pictures, or
for a study of those prettily bordered pages which lie between the
Testaments, and which hold the Family Record.

There are the Births,--your father's, and your mother's; it seems as if
they were born a long time ago; and even your own date of birth appears
an almost incredible distance back. Then there are the marriages,--only
one as yet; and your mother's maiden name looks oddly to you: it is hard
to think of her as any one else than your doting parent. You wonder if
your name will ever come under that paging; and wonder, though you
scarce whisper the wonder to yourself, how another name would look, just
below yours,--such a name, for instance, as Fanny, or as Miss Margaret
Boyne!

Last of all come the Deaths,--only one. Poor Charlie! How it
looks?--"Died 12 September 18--Charles Henry, aged four years." You know
just how it looks. You have turned to it often; there you seem to be
joined to him, though only by the turning of a leaf. And over your
thoughts, as you look at that page of the record, there sometimes
wanders a vague shadowy fear, which _will_ come,--that your own name may
soon be there. You try to drop the notion, as if it were not fairly your
own; you affect to slight it, as you would slight a boy who presumed on
your acquaintance, but whom you have no desire to know. It is a common
thing, you will find, with our world to decline familiarity with those
ideas that fright us.

Yet your mother--how strange it is!--has no fears of such dark fancies.
Even now as you stand beside her, and as the twilight deepens in the
room, her low, silvery voice is stealing upon your ear, telling you that
she cannot be long with you; that the time is coming when you must be
guided by your own judgment, and struggle with the world unaided by the
friends of your boyhood. There is a little pride, and a great deal more
of anxiety, in your thoughts now, as you look steadfastly into the home
blaze, while those delicate fingers, so tender of your happiness, play
with the locks upon your brow.

----To struggle with the world,--that is a proud thing; to struggle
alone,--there lies the doubt! Then crowds in swift upon the calm of
boyhood the first anxious thought of youth; then chases over the sky of
Spring the first heated and wrathful cloud of Summer.

But the lamps are now lit in the little parlor, and they shed a soft
haze to the farthest corner of the room; while the firelight streams
over the floor, where puss lies purring. Little Madge is there; she has
dropped in softly with her mother, and Nelly has welcomed her with a
bound and with a kiss. Jenny has not so rosy a cheek as Madge. But
Jenny with her love-notes, and her languishing dark eye, you think of as
a lady; and the thought of her is a constant drain upon your sentiment.
As for Madge,--that girl Madge, whom you know so well,--you think of her
as a sister; and yet--it is very odd--you look at her far oftener than
you do at Nelly!

Frank too has come in to have a game with you at draughts; and he is in
capital spirits, all brisk and glowing with his evening's walk.
He--bless his honest heart!--never observes that you arrange the board
very adroitly, so that you may keep half an eye upon Madge, as she sits
yonder beside Nelly. Nor does he once notice your blush as you catch her
eye when she raises her head to fling back the ringlets, and then with a
sly look at you bends a most earnest gaze upon the board, as if she were
especially interested in the disposition of the men.

You catch a little of the spirit of coquetry yourself,--(what a native
growth it is!)--and if she lift her eyes when you are gazing at her, you
very suddenly divert your look to the cat at her feet, and remark to
your friend Frank in an easy off-hand way--how still the cat is lying!

And Frank turns--thinking probably, if he thinks at all about it, that
cats are very apt to lie still when they sleep.

As for Nelly, half neglected by your thought as well as by your eye,
while mischievous-looking Madge is sitting by her, you little know as
yet what kindness, what gentleness, you are careless of. Few loves in
life, and you will learn it before life is done, can balance the lost
love of a sister.

As for your parents, in the intervals of the game you listen dreamily to
their talk with the mother of Madge,--good Mrs. Boyne. It floats over
your mind, as you rest your chin upon your clenched hand, like a strain
of old familiar music,--a household strain that seems to belong to the
habit of your ear,--a strain that will linger about it melodiously for
many years to come,--a strain that will be recalled long time hence,
when life is earnest and its cares heavy, with tears of regret and with
sighs of bitterness.

By-and-by your game is done; and other games, in which join Nelly (the
tears come when you write her name _now_!) and Madge, (the smiles come
when you look on her _then_,) stretch out that sweet eventide of Home,
until the lamp flickers, and you speak your friends--adieu. To Madge, it
is said boldly,--a boldness put on to conceal a little lurking tremor;
but there is no tremor in the home good-night.

----Aye, my boy, kiss your mother,--kiss her again; fondle your sweet
Nelly; pass your little hand through the gray locks of your father; love
them dearly while you can! Make your good-nights linger and make your
adieus long, and sweet, and often repeated. Love with your whole
soul,--Father, Mother, and Sister,--for these loves shall die!

----Not indeed in thought,--God be thanked! Nor yet in tears,--for He
is merciful! But they shall die, as the leaves die,--die, as Spring dies
into the heat and ripeness of Summer, and as boyhood dies into the
elasticity and ambition of youth. Death, Distance, and Time shall each
one of them dig graves for your affections; but this you do not know,
nor can know, until the story of your life is ended.

The dreams of riches, of love, of voyage, of learning, that light up the
boy age with splendor, will pass on and over into the hotter dreams of
youth. Spring buds and blossoms, under the glowing sun of April, nurture
at their heart those firstlings of fruit which the heat of summer shall
ripen.

You little know--and for this you may well thank Heaven--that you are
leaving the Spring of life, and that you are floating fast from the
shady sources of your years into heat, bustle, and storm. Your dreams
are now faint, flickering shadows, that play like fire-flies in the
coppices of leafy June. They have no rule but the rule of infantile
desire; they have no joys to promise greater than the joys that belong
to your passing life; they have no terrors but such terrors as the
darkness of a Spring night makes. They do not take hold on your soul as
the dreams of youth and manhood will do.

Your highest hope is shadowed in a cheerful, boyish home. You wish no
friends but the friends of boyhood; no sister but your fond Nelly; none
to love better than the playful Madge.

You forget, Clarence, that the Spring with you is the Spring with them,
and that the storms of Summer may chase wide shadows over your path and
over theirs. And you forget that Summer is even now lowering with its
mist, and with its scorching rays, upon the hem of your flowery May!

       *       *       *       *       *

----The hands of the old clock upon the mantel, that ticked off the
hours when Charlie sighed and when Charlie died, draw on toward
midnight. The shadows that the fire-flame makes grow dimmer and dimmer.
And thus it is that Home, boy home, passes away forever,--like the
swaying of a pendulum,--like the fading of a shadow on the floor!





_SUMMER;_

OR,

_THE DREAMS OF YOUTH._




_DREAMS OF YOUTH._

_Summer._


I feel a great deal of pity for those honest but misguided people who
call their little, spruce suburban towns, or the shaded streets of their
inland cities,--the country and I have still more pity for those who
reckon a season at the summer resorts--country enjoyment. Nay, my
feeling is more violent than pity; and I count it nothing less than
blasphemy so to take the name of the country in vain.

I thank Heaven every summer's day of my life, that my lot was humbly
cast within the hearing of romping brooks, and beneath the shadow of
oaks. And from all the tramp and bustle of the world into which fortune
has led me in these latter years of my life, I delight to steal away for
days, and for weeks together, and bathe my spirit in the freedom of the
old woods; and to grow young again, lying upon the brook-side, and
counting the white clouds that sail along the sky softly and
tranquilly--even as holy memories go stealing over the vault of life.

I am deeply thankful that I could never find it in my heart so to
pervert truth as to call the smart villages with the tricksy shadow of
their maple avenues--the Country.

I love these in their way, and can recall pleasant passages of thought,
as I have idled through the Sabbath-looking towns, or lounged at the
inn-door of some quiet New-England village. But I love far better to
leave them behind me, and to dash boldly out to where some out-lying
farm-house sits--like a sentinel--under the shelter of wooded hills, or
nestles in the lap of a noiseless valley.

In the town, small as it may be, and darkened as it may be with the
shadows of trees, you cannot forget--men. Their voice, and strife, and
ambition come to your eye in the painted paling, in the swinging
signboard of the tavern, and--worst of all--in the trim-printed
"ATTORNEY AT LAW." Even the little milliner's shop, with its
meagre show of leghorns, and its string across the window all hung with
tabs and with cloth roses, is a sad epitome of the great and
conventional life of a city neighborhood.

I like to be rid of them all, as I am rid of them this midsummer's day.
I like to steep my soul in a sea of quiet, with nothing floating past
me, as I lie moored to my thought, but the perfume of flowers, and
soaring birds, and shadows of clouds.

Two days since I was sweltering in the heat of the City, jostled by the
thousand eager workers, and panting under the shadow of the walls. But I
have stolen away; and for two hours of healthful regrowth into the
darling Past I have been lying this blessed summer's morning upon the
grassy bank of a stream that babbled me to sleep in boyhood.--Dear old
stream, unchanging, unfaltering,--with no harsher notes now than
then,--never growing old,--smiling in your silver rustle, and calming
yourself in the broad, placid pools,--I love you as I love a friend!

But now that the sun has grown scalding hot, and the waves of heat have
come rocking under the shadow of the meadow-oaks, I have sought shelter
in a chamber of the old farm-house. The window-blinds are closed; but
some of them are sadly shattered, and I have intertwined in them a few
branches of the late-blossoming white azalia, so that every puff of the
summer air comes to me cooled with fragrance. A dimple or two of the
sunlight still steals through my flowery screen, and dances (as the
breeze moves the branches) upon the oaken floor of the farm-house.

Through one little gap indeed I can see the broad stretch of meadow, and
the workmen in the field bending and swaying to their scythes. I can see
too the glistening of the steel, as they wipe their blades, and can just
catch floating on the air the measured, tinkling thwack of the
rifle-stroke.

Here and there a lark, scared from his feeding-place in the grass, soars
up, bubbling forth his melody in globules of silvery sound, and settles
upon some tall tree, and waves his wings, and sinks to the swaying
twigs. I hear too a quail piping from the meadow fence, and another
trilling his answering whistle from the hills. Nearer by, a tyrant
king-bird is poised on the topmost branch of a veteran pear-tree, and
now and then dashes down, assassin-like, upon some homebound,
honey-laden bee, and then with a smack of his bill resumes his predatory
watch.

A chicken or two lie in the sun, with a wing and a leg stretched
out,--lazily picking at the gravel, or relieving their _ennui_ from time
to time with a spasmodic rustle of their feathers. An old, matronly hen
stalks about the yard with a sedate step, and with quiet self-assurance
she utters an occasional series of hoarse and heated clucks. A speckled
turkey, with an astonished brood at her heels, is eying curiously, and
with earnest variations of the head, a full-fed cat, that lies curled
up, and dozing, upon the floor of the cottage porch.

As I sit thus, watching through the interstices of my leafy screen the
various images of country life, I hear distant mutterings from beyond
the hills.

The sun has thrown its shadow upon the pewter dial two hours beyond the
meridian line. Great cream colored heads of thunder-clouds are lifting
above the sharp, clear line of the western horizon; the light breeze
dies away, and the air becomes stifling, even under the shadow of my
withered boughs in the chamber-window. The white-capped clouds roll up
nearer and nearer to the sun, and the creamy masses below grow dark in
their seams. The mutterings, that came faintly before, now spread into
wide volumes of rolling sound, that echo again and again from the
eastward heights.

I hear in the deep intervals the men shouting to their teams in the
meadows; and great companies of startled swallows are dashing in all
directions around the gray roofs of the barn.

The clouds have now wellnigh reached the sun, which seems to shine the
fiercer for his coming eclipse. The whole west, as I look from the
sources of the brook to its lazy drift under the swamps that lie to the
south, is hung with a curtain of darkness; and like swift-working,
golden ropes, that lift it toward the zenith, long chains of lightning
flash through it; and the growing thunder seems like the rumble of the
pulleys.

I thrust away my azalia-boughs, and fling back the shattered blinds, as
the sun and the clouds meet, and my room darkens with the coming
shadows. For an instant the edges of the thick, creamy masses of cloud
are gilded by the shrouded sun, and show gorgeous scallops of gold,
that toss upon the hem of the storm. But the blazonry fades as the
clouds mount; and the brightening lines of the lightning dart up from
the lower skirts, and heave the billowy masses into the middle heaven.

The workmen are urging their oxen fast across the meadow, and the
loiterers come straggling after with rakes upon their shoulders. The
matronly hen has retreated to the stable-door; and the brood of turkeys
stand dressing their feathers under the open shed.

The air freshens, and blows now from the face of the coming clouds. I
see the great elms in the plain swaying their tops, even before the
storm-breeze has reached me; and a bit of ripened grain upon a swell of
the meadow waves and tosses like a billowy sea.

Presently I hear the rush of the wind; and the cherry-and pear-trees
rustle through all their leaves; and my paper is whisked away by the
intruding blast.

There is a quiet of a moment, in which the wind even seems weary and
faint, and nothing finds utterance save one hoarse tree-toad, doling out
his lugubrious notes.

Now comes a blinding flash from the clouds, and a quick, sharp clang
clatters through the heavens, and bellows loud and long among the hills.
Then--like great grief spending its pent agony in tears--come the big
drops of rain,--pattering on the lawn and on the leaves, and most
musically of all upon the roof above me,--not now with the light fall of
the Spring shower, but with strong steppings, like the first proud tread
of Youth!




I.

_Cloister Life._


It has very likely occurred to you, my reader, that I am playing the
wanton in these sketches, and am breaking through all the canons of the
writers in making You my hero.

It is even so; for my work is a story of those vague feelings, doubts,
passions, which belong more or less to every man of us all; and
therefore it is that I lay upon your shoulders the burden of these
dreams. If this or that one never belonged to your experience, have
patience for a while. I feel sure that others are coming which will lie
like a truth upon your heart, and draw you unwittingly--perhaps
tearfully even--into the belief that You are indeed my hero.

The scene now changes to the cloister of a college; not the gray,
classic cloisters which lie along the banks of the Cam or the
Isis,--huge, battered hulks, on whose weather-stained decks great
captains of learning have fought away their lives,--nor yet the
cavernous, quadrangular courts that sleep under the dingy walls of the
Sorbonne.

The youth-dreams of Clarence begin under the roof of one of those long,
ungainly piles of brick and mortar which make the colleges of New
England.

The floor of the room is rough, and divided by wide seams. The
study-table does not stand firmly without a few spare pennies to prop it
into solid footing. The bookcase of stained fir-wood, suspended against
the wall by cords, is meagrely stocked with a couple of Lexicons, a pair
of Grammars, a Euclid, a Xenophon, a Homer, and a Livy. Beside these are
scattered about here and there a thumb-worn copy of British ballads, an
odd volume of the "Sketch-Book," a clumsy Shakspeare, and a pocket
edition of the Bible.

With such appliances, added to the half-score of professors and tutors
who preside over the awful precincts, you are to work your way up to
that proud entrance upon our American life which begins with the
Baccalaureate degree. There is a tingling sensation in first walking
under the shadow of those walls, uncouth as they are, and in feeling
that you belong to them,--that you are a member, as it were, of the
body-corporate, subject to an actual code of printed laws, and to actual
moneyed fines varying from a shilling to fifty cents!

There is something exhilarating in the very consciousness of your
subject state, and in the necessity of measuring your hours by the habit
of such a learned community. You think back upon your respect for the
lank figure of some old teacher of boy-days as a childish weakness; even
the little coteries of the home fireside lose their importance when
compared with the extraordinary sweep and dignity of your present
position.

It is pleasant to measure yourself with men; and there are those about
you who seem to your untaught eye to be men already. Your chum, a
hard-faced fellow of ten more years than you, digging sturdily at his
tasks, seems by that very community of work to dignify your labor. You
watch his cold, gray eye bending down over some theorem of Euclid, with
a kind of proud companionship in what so tasks his manliness.

It is nothing for him to quit sleep at the first tinkling of the
alarm-clock that hangs in your chamber, or to brave the weather in that
cheerless run to the morning prayers of winter. Yet with what a dreamy
horror you wake on mornings of snow to that tinkling alarum!--and glide
in the cold and darkness under the shadow of the college-walls,
shuddering under the sharp gusts that come sweeping between the
buildings,--and afterward, gathering yourself up in your cloak, watch in
a sleepy, listless maze the flickering lamps that hang around the dreary
chapel! You follow half unconsciously some tutor's rhetorical reading of
a chapter of Isaiah; and then, as he closes the Bible with a flourish,
your eye, half open, catches the feeble figure of the old Dominie as he
steps to the desk, and, with his frail hands stretched out upon the
cover of the big book, and his head leaning slightly to one side, runs
through in gentle and tremulous tones his wonted form of invocation.

Your Division room is steaming with foul heat, and there is a strong
smell of burnt feathers and oil. A jaunty tutor with pug nose and
consequential air steps into the room--while you all rise to show him
deference--and takes his place at the pulpit-like desk. Then come the
formal loosing of his camlet cloak-clasp,--the opening of his sweaty
Xenophon to where the day's _parasangs_ begin,--the unsliding of his
silver pencil-case,--the keen, sour look around the benches, and the
cool pinch of his thumb and forefinger into the fearful box of names!

How you listen for each as it is uttered,--running down the page in
advance,--rejoicing when some hard passage comes to a stout man in the
corner; and what a sigh of relief--on mornings after you have been out
late at night--when the last paragraph is reached, the ballot drawn,
and--you, safe!

You speculate dreamily upon the faces around you. You wonder what sort
of schooling they may have had, and what sort of homes. You think one
man has got an extraordinary name, and another a still more
extraordinary nose. The glib, easy way of one student, and his perfect
_sang-froid_, completely charm you: you set him down in your own mind
as a kind of Crichton. Another weazen-faced, pinched-up fellow in a
scant cloak, you think must have been sometime a schoolmaster: he is so
very precise, and wears such an indescribable look of the ferule. There
is one big student, with a huge beard and a rollicking good-natured eye,
whom you would quite like to see measure strength with your old usher,
and on careful comparison rather think the usher would get the worst of
it. Another appears as venerable as some fathers you have seen; and it
seems wonderfully odd that a man old enough to have children should
recite Xenophon by morning candle-light!

The class in advance you study curiously; and are quite amazed at the
precocity of certain youths belonging to it, who are apparently about
your own age. The Juniors you look upon with a quiet reverence for their
aplomb and dignity of character; and look forward with intense yearnings
to the time when you too shall be admitted freely to the precincts of
the Philosophical chamber, and to the very steep benches of the
Laboratory. This last seems, from occasional peeps through the blinds, a
most mysterious building. The chimneys, recesses, vats, and cisterns--to
say nothing of certain galvanic communications, which, you are told,
traverse the whole building in a way capable of killing a rat at an
incredible remove from the bland professor--utterly fatigue your
wonder! You humbly trust--though you have doubts upon the point--that
you will have the capacity to grasp it all, when once you shall have
arrived at the dignity of a Junior.

As for the Seniors, your admiration for them is entirely boundless. In
one or two individual instances, it is true, it has been broken down by
an unfortunate squabble with thick-set fellows in the Chapel aisle. A
person who sits not far before you at prayers, and whose name you seek
out very early, bears a strong resemblance to some portrait of Dr.
Johnson; you have very much the same kind of respect for him that you
feel for the great lexicographer, and do not for a moment doubt his
capacity to compile a dictionary equal, if not superior, to Johnson's.

Another man with very bushy, black hair, and an easy look of importance,
carries a large cane, and is represented to you as an astonishing
scholar and speaker. You do not doubt it; his very air proclaims it. You
think of him as presently--(say four or five years hence)--astounding
the United States Senate with his eloquence. And when once you have
heard him in debate, with that ineffable gesture of his, you absolutely
languish in your admiration for him, and you describe his speaking to
your country friends as very little inferior, if at all, to Mr. Burke's.
Beside this one are some half dozen others, among whom the question of
superiority is, you understand, strongly mooted. It puzzles you to
think, what an avalanche of talent will fall upon the country at the
graduation of those Seniors!

You will find however that the country bears such inundations of college
talent with a remarkable degree of equanimity. It is quite wonderful how
all the Burkes, and Scotts, and Peels, among college Seniors, do quietly
disappear, as a man gets on in life.

As for any degree of fellowship with such giants, it is an honor hardly
to be thought of. But you have a classmate--I will call him Dalton--who
is very intimate with a dashing Senior; they room near each other
outside the college. You quite envy Dalton, and you come to know him
well. He says that you are not a "green-one,"--that you have "cut your
eye-teeth"; in return for which complimentary opinions you entertain a
strong friendship for Dalton.

He is a "fast" fellow, as the Senior calls him; and it is a proud thing
to happen at their rooms occasionally, and to match yourself for an hour
or two (with the windows darkened) against a Senior at "old sledge." It
is quite "the thing," as Dalton says, to meet a Senior familiarly in the
street. Sometimes you go, after Dalton has taught you "the ropes," to
have a cosy sit-down over oysters and champagne,--to which the Senior
lends himself with the pleasantest condescension in the world. You are
not altogether used to hard drinking; but this you conceal--as most
spirited young fellows do--by drinking a great deal. You have a dim
recollection of certain circumstances--very unimportant, yet very
vividly impressed on your mind--which occurred on one of these
occasions.

The oysters were exceedingly fine, and the champagne exquisite. You have
a recollection of something being said, toward the end of the first
bottle, of Xenophon, and of the Senior's saying in his playful way, "Oh,
d--n Xenophon!"

You remember Dalton laughed at this; and you laughed--for company. You
remember that you thought, and Dalton thought, and the Senior thought,
by a singular coincidence, that the second bottle of champagne was
better even than the first. You have a dim remembrance of the Senior's
saying very loudly, "Clarence--(calling you by your family name)--is no
spooney;" and drinking a bumper with you in confirmation of the remark.

You remember that Dalton broke out into a song, and that for a time you
joined in the chorus; you think the Senior called you to order for
repeating the chorus in the wrong place. You think the lights burned
with remarkable brilliancy; and you remember that a remark of yours to
that effect met with very much such a response from the Senior as he had
before employed with reference to Xenophon.

You have a confused idea of calling Dalton--Xenophon. You think the
meeting broke up with a chorus, and that somebody--you cannot tell
who--broke two or three glasses. You remember questioning yourself very
seriously as to whether you were, or were not, tipsy. You think you
decided that you were not, but--might be.

You have a confused recollection of leaning upon some one, or something,
going to your room; this sense of a desire to lean, you think, was very
strong. You remember being horribly afflicted with the idea of having
tried your night-key at the tutor's door, instead of your own; you
remember further a hot stove,--made certain indeed by a large blister
which appeared on your hand next day. You think of throwing off your
clothes by one or two spasmodic efforts,--leaning in the intervals
against the bedpost.

There is a recollection of an uncommon dizziness afterward, as if your
body was very quiet, and your head gyrating with strange velocity, and a
kind of centrifugal action, all about the room, and the college, and
indeed the whole town. You think that you felt uncontrollable nausea
after this, followed by positive sickness,--which waked your chum, who
thought you very incoherent, and feared derangement.

A dismal state of lassitude follows, broken by the college-clock
striking three, and by very rambling reflections upon champagne,
Xenophon, "Captain Dick," Madge, and the old deacon who clinched his wig
in the church.

The next morning (ah, how vexatious that all our follies are followed by
a "next morning!") you wake with a parched mouth, and a torturing
thirst; the sun is shining broadly into your reeking chamber. Prayers
and recitations are long ago over; and you see through the door in the
outer room that hard-faced chum with his Lexicon and Livy open before
him, working out with all the earnestness of his iron purpose the steady
steps toward preferment and success.

You go with some story of sudden sickness to the tutor,--half fearful
that the bloodshot, swollen eyes will betray you. It is very mortifying
too to meet Dalton appearing so gay and lively after it all, while you
wear such an air of being "used up." You envy him thoroughly the
extraordinary capacity that he has.

Here and there creeps in, amid all the pride and shame of the new life,
a tender thought of the old home; but its joys are joys no longer: its
highest aspirations even have resolved themselves into fine mist,---
like rainbows that the sun drinks with his beams.

The affection for a mother, whose kindness you recall with a suffused
eye, is not gone, or blighted; but it is woven up, as only a single
adorning tissue, into the growing pride of youth: it is cherished in the
proud soul rather as a redeeming weakness than as a vital energy.

And the love for Nelly, though it bates no jot of fervor, is woven into
the scale of growing purposes rather as a color to adorn than as a
strand to strengthen.

As for your other loves, those romantic ones which were kindled by
bright eyes, and the stolen reading of Miss Porter's novels, they linger
on your mind like perfumes; and they float down your memory--with the
figure, the step, the last words of those young girls who raised
them--like the types of some dimly shadowed but deeper passion, which is
some time to spur your maturer purposes and to quicken your manly
resolves.

It would be hard to tell, for you do not as yet know, but that Madge
herself--hoidenish, blue-eyed Madge--is to be the very one who will gain
such hold upon your riper affections as she has held already over your
boyish caprice. It is a part of the pride--I may say rather an evidence
of the pride--which youth feels in leaving boyhood behind him, to talk
laughingly and carelessly of those attachments which made his young
years so balmy with dreams.




II.

_First Ambition._


I believe that sooner or later there come to every man dreams of
ambition. They may be covered with the sloth of habit, or with the
pretence of humility; they may come only in dim, shadowy visions, that
feed the eye like the glories of an ocean sunrise; but you may be sure
that they will come: even before one is aware, the bold, adventurous
goddess, whose name is Ambition, and whose dower is Fame, will be toying
with the feeble heart. And she pushes her ventures with a bold hand; she
makes timidity strong, and weakness valiant.

The way of a man's heart will be foreshadowed by what goodness lies in
him,--coming from above, and from around;--but a way foreshadowed is not
a way made. And the making of a man's way comes only from that
quickening of resolve which we call Ambition. It is the spur that makes
man struggle with Destiny: it is Heaven's own incentive, to make Purpose
great, and Achievement greater.

It would be strange if you, in that cloister life of a college, did not
sometimes feel a dawning of new resolves. They grapple you indeed
oftener than you dare to speak of. Here you dream first of that very
sweet, but very shadowy success called Reputation.

You think of the delight and astonishment it would give your mother and
father, and most of all little Nelly, if you were winning such honors as
now escape you. You measure your capacities by those about you, and
watch their habit of study; you gaze for a half-hour together upon some
successful man who has won his prizes, and wonder by what secret action
he has done it. And when in time you come to be a competitor yourself,
your anxiety is immense.

You spend hours upon hours at your theme. You write and rewrite; and
when it is at length complete and out of your hands, you are harassed by
a thousand doubts. At times, as you recall your hours of toil, you
question if so much has been spent upon any other; you feel almost
certain of success. You repeat to yourself some passages of special
eloquence at night. You fancy the admiration of the professors at
meeting with such a wonderful performance. You have a slight fear that
its superior goodness may awaken the suspicion that some one out of the
college, some superior man, may have written it. But this fear dies
away.

The eventful day is a great one in your calendar you hardly sleep the
night previous. You tremble as the chapel-bell is rung; you profess to
be very indifferent, as the reading and the prayer close; you even stoop
to take up your hat, as if you had entirely overlooked the fact that the
old President was in the desk for the express purpose of declaring the
successful names. You listen dreamily to his tremulous, yet fearfully
distinct enunciation. Your head swims strangely.

They all pass out with a harsh murmur along the aisles and through the
doorways. It would be well if there were no disappointments in life more
terrible than this. It is consoling to express very depreciating
opinions of the Faculty in general,--and very contemptuous ones of that
particular officer who decided upon the merit of the prize-themes. An
evening or two at Dalton's room go still farther toward healing the
disappointment, and--if it must be said--toward moderating the heat of
your ambition.

You grow up however, unfortunately, as the college years fly by, into a
very exaggerated sense of your own capacities. Even the good, old,
white-haired Squire, for whom you once entertained so much respect,
seems to your crazy, classic fancy a very humdrum sort of personage.
Frank, although as noble a fellow as ever sat a horse, is yet--you
cannot help thinking--very ignorant of Euripides; even the English
master at Dr. Bidlow's school, you feel sure, would balk at a dozen
problems you could give him.

You get an exalted idea of that uncertain quality which turns the heads
of a vast many of your fellows, called--Genius. An odd notion seems to
be inherent in the atmosphere of those college chambers, that there is a
certain faculty of mind--first developed, as would seem, in
colleges--which accomplishes whatever it chooses without any special
painstaking. For a time you fall yourself into this very unfortunate
hallucination; you cultivate it after the usual college fashion, by
drinking a vast deal of strong coffee and whiskey-toddy, by writing a
little poor verse in the Byronic temper, and by studying very late at
night with closed blinds.

It costs you however more anxiety and hypocrisy than you could possibly
have believed.

----You will learn, Clarence, when the Autumn has rounded your hopeful
Summer, if not before, that there is no Genius in life like the Genius
of energy and industry. You will learn, that all the traditions so
current among very young men that certain great characters have wrought
their greatness by an inspiration, as it were, grow out of a sad
mistake.

And you will further find, when you come to measure yourself with men,
that there are no rivals so formidable as those earnest, determined
minds which reckon the value of every hour, and which achieve eminence
by persistent application.

Literary ambition may inflame you at certain periods and a thought of
some great names will flash like a spark into the mine of your purposes;
you dream till midnight over books; you set up shadows, and chase them
down,--other shadows, and they fly. Dreaming will never catch them.
Nothing makes the "scent lie well" in the hunt after distinction, but
labor.

And it is a glorious thing, when once you are weary of the dissipation,
and the _ennui_ of your own aimless thought, to take up some glowing
page of an earnest thinker, and read--deep and long, until you feel the
metal of his thought tinkling on your brain, and striking out from your
flinty lethargy flashes of ideas that give the mind light and heat. And
away you go in the chase of what the soul within is creating on the
instant, and you wonder at the fecundity of what seemed so barren, and
at the ripeness of what seemed so crude. The glow of toil wakes you to
the consciousness of your real capacities: you feel sure that they have
taken a new step toward final development. In such mood it is that one
feels grateful to the musty tomes, which at other hours stand like
wonder-making mummies with no warmth and no vitality. Now they grow into
the affections like new-found friends, and gain a hold upon the heart,
and light a fire in the brain, that the years and the mould cannot cover
nor quench.




III.

_College Romance._


In following the mental vagaries of youth, I must not forget the
curvetings and wiltings of the heart.

The black-eyed Jenny, with whom a correspondence at red heat was kept up
for several weeks, is long before this entirely out of your regard,--not
so much by reason of the six months' disparity of age, as from the fact,
communicated quite confidentially by the travelled Nat, that she has had
a desperate flirtation with a handsome midshipman. The conclusion is
natural that she is an inconstant, cruel-hearted creature, with little
appreciation of real worth; and furthermore, that all midshipmen are a
very contemptible--not to say dangerous--set of men. She is consigned to
forgetfulness and neglect; and the late lover has long ago consoled
himself by reading in a spirited way that passage of Childe Harold
commencing,--

          "I have not loved the world, nor the world me."

As for Madge, the memory of her has been more wakeful, but less violent.
To say nothing of occasional returns to the old homestead, when you have
met her Nelly's letters not unfrequently drop a careless half-sentence
that keeps her strangely in mind.

"Madge," she says, "is sitting by me with her work;" or, "You ought to
see the little silk purse that Madge is knitting;" or,--speaking of some
country rout,--"Madge was there in the sweetest dress you can imagine."
All this will keep Madge in mind; not, it is true, in the ambitious
moods, or in the frolics with Dalton; but in those odd half-hours that
come stealing over one at twilight, laden with sweet memories of the
days of old.

A new romantic admiration is started by those pale lady-faces which
light up on a Sunday the gallery of the college chapel. An amiable and
modest fancy gives to them all a sweet classic grace. The very
atmosphere of these courts, wakened with high metaphysic discourse,
seems to lend them a Greek beauty and fineness; and you attach to the
prettiest, that your eye can reach, all the charms of some Sciote
maiden, and all the learning of her father--the professor. And as you
lie half-wakeful and half-dreaming, through the long Divisions of the
Doctor's morning discourse, the twinkling eyes in some corner of the
gallery bear you pleasant company as you float down those streaming
visions which radiate from you far over the track of the coming life.

But following very closely upon this comes a whole volume of street
romance. There are prettily shaped figures that go floating at
convenient hours for college observation along the thoroughfares of the
town. And these figures come to be known, and the dresses, and the
streets; and even the door-plate is studied. The hours are ascertained,
by careful observation and induction, at which some particular figure is
to be met,--or is to be seen at some low parlor-window, in white summer
dress, with head leaning on the hand, very melancholy, and very
dangerous. Perhaps her very card is stuck proudly into a corner of the
mirror in the college-chamber. After this may come moonlight meetings at
the gate, or long listenings to the plaintive lyrics that steal out of
the parlor-windows, and that blur wofully the text of the Conic
Sections.

Or perhaps she is under the fierce eye of some Cerberus of a
schoolmistress, about whose grounds you prowl piteously, searching for
small knot-holes in the surrounding board fence, through which little
_souvenirs_ of impassioned feeling may be thrust. Sonnets are written
for the town papers, full of telling phrases, and with classic allusions
and foot-notes which draw attention to some similar felicity of
expression in Horace or Ovid. Correspondence may even be ventured on,
enclosing locks of hair, and interchanging rings, and paper oaths of
eternal fidelity.

But the old Cerberus is very wakeful: the letters fail; the lamp that
used to glimmer for a sign among the sycamores is gone out; a stolen
wave of a handkerchief, a despairing look, and tears,--which you fancy,
but do not see,--make you miserable for long days.

The tyrant teacher, with no trace of compassion in her withered heart,
reports you to the college authorities. There is a long lecture of
admonition upon the folly of such dangerous practices; and if the
offence be aggravated by some recent joviality with Dalton and the
Senior, you are condemned to a month of exile with a country clergyman.
There are a few tearful regrets over the painful tone of the home
letters; but the bracing country air, and the pretty faces of the
village girls, heal your heart--with fresh wounds.

The old Doctor sees dimly through his spectacles; and his pew gives a
good look-out upon the smiling choir of singers. A collegian wears the
honors of a stranger, and the country bucks stand but poor chance in
contrast with your wonderful attainments in cravats and verses. But this
fresh dream, odorous with its memories of sleigh-rides or
lilac-blossoms, slips by, and yields again to the more ambitious dreams
of the cloister.

In the prouder moments that come when you are more a man and less a
boy,--with more of strategy and less of faith,--your thought of woman
runs loftily; not loftily in the realm of virtue or goodness, but
loftily on your new world-scale. The pride of intellect, that is
thirsting in you, fashions ideal graces after a classic model. The
heroines of fable are admired; and the soul is tortured with that
intensity of passion which gleams through the broken utterances of
Grecian tragedy.

In the vanity of self-consciousness one feels at a long remove above the
ordinary love and trustfulness of a simple and pure heart. You turn away
from all such with a sigh of conceit, to graze on that lofty but bitter
pasturage where no daisies grow. Admiration may be called up by some
graceful figure that you see moving under those sweeping elms; and you
follow it with an intensity of look that makes you blush, and
straightway hide the memory of the blush by summing up some artful
sophistry, that resolves your delighted gaze into a weakness, and your
contempt into a virtue.

But this cannot last. As the years drop off, a certain pair of eyes beam
one day upon you that seem to have been cut out of a page of Greek
poetry. They have all its sentiment, its fire, its intellectual reaches:
it would be hard to say what they have not. The profile is a Greek
profile, and the heavy chestnut hair is plaited in Greek bands. The
figure, too, might easily be that of Helen, or of Andromache.

You gaze, ashamed to gaze; and your heart yearns, ashamed of its
yearning. It is no young girl who is thus testing you: there is too
much pride for that. A ripeness and maturity rest upon her look and
figure that completely fill up that ideal which exaggerated fancies have
wrought out of the Grecian heaven. The vision steals upon you at all
hours,--now rounding its flowing outline to the mellifluous metre of
Epic hexameter, and again with its bounding life pulsating with the
glorious dashes of tragic verse.

Yet with the exception of stolen glances and secret admiration, you keep
aloof. There is no wish to fathom what seems a happy mystery. There lies
a content in secret obeisance. Sometimes it shames you, as your mind
glows with its fancied dignity; but the heart thrusts in its voice; and,
yielding to it, you dream dreams like fond old Boccaccio's upon the
olive-shaded slopes of Italy. The tongue even is not trusted with the
thoughts that are seething within: they begin and end in the voiceless
pulsations of your nature.

After a time--it seems a long time, but it is in truth a very short
time--you find who she is who is thus entrancing you. It is done most
carelessly. No creature could imagine that you felt any interest in the
accomplished sister--of your friend Dalton. Yet it is even she who has
thus beguiled you; and she is at least some ten years Dalton's senior,
and by even more years--your own!

It is singular enough, but it is true, that the affections of that
transition state from youth to manliness run toward the types of
maturity. The mind in its reaches toward strength and completeness
creates a heart-sympathy--which in its turn craves fulness. There is a
vanity too about the first steps of manly education, which is disposed
to underrate the innocence and unripened judgment of the other sex. Men
see the mistake as they grow older; for the judgment of a woman, in all
matters of the affections, ripens by ten years faster than a man's.

In place of any relentings on such score you are set on fire anew. The
stories of her accomplishments, and of her grace of conversation,
absolutely drive you mad. You watch your occasion for meeting her upon
the street. You wonder if she has any conception of your capacity for
mental labor, and if she has any adequate idea of your admiration for
Greek poetry, and for herself.

You tie your cravat poet-wise, and wear broad collars turned down,
wondering how such disposition may affect her. Her figure and step
become a kind of moving romance to you, drifting forward and outward
into that great land of dreams which you call the world. When you see
her walking with others, you pity her, and feel perfectly sure, that, if
she had only a hint of that intellectual fervor which in your own mind
blazes up at the very thought of her, she would perfectly scorn the
stout gentleman who spends his force in tawdry compliments.

A visit to your home wakens ardor by contrast as much as by absence.
Madge, so gentle, and now stealing sly looks at you in a way so
different from her hoidenish manner of school-days, you regard
complacently as a most lovable, fond girl,--the very one for some fond
and amiable young man whose soul is not filled, as yours is, with higher
things! To Nelly, earnestly listening, you drop only exaggerated hints
of the wonderful beauty and dignity of this new being of your fancy. Of
her age you scrupulously say nothing.

The trivialities of Dalton amaze you: it is hard to understand how a man
within the limit of such influences as Miss Dalton must inevitably
exert, can tamely sit down to a rubber of whist, and cigars! There must
be a sad lack of congeniality;--it would certainly be a proud thing to
supply that lack!

The new feeling, wild and vague as it is,--for as yet you have only most
casual acquaintance with Laura Dalton,--invests the whole habit of your
study; not quickening overmuch the relish for Dugald Stewart, or the
miserable skeleton of college Logic, but spending a sweet charm upon the
graces of Rhetoric and the music of Classic Verse. It blends
harmoniously with your quickened ambition. There is some last appearance
that you have to make upon the college stage, in the presence of the
great worthies of the State, and of all the beauties of the town,--Laura
chiefest among them. In view of it you feel dismally intellectual.
Prodigious faculties are to be brought to the task.

You think of throwing out ideas that will quite startle His Excellency
the Governor, and those very distinguished public characters whom the
college purveyors vote into their periodic public sittings. You are
quite sure of surprising them, and of deeply provoking such scheming,
shallow politicians as have never read Wayland's "Treatise," and who
venture incautiously within hearing of your remarks. You fancy yourself
in advance the victim of a long leader in the next day's paper, and the
thoughtful but quiet cause of a great change in the political programme
of the State. But crowning and eclipsing all the triumph, are those dark
eyes beaming on you from some corner of the church their floods of
unconscious praise and tenderness.

Your father and Nelly are there to greet you. He has spoken a few calm,
quiet words of encouragement, that make you feel--very wrongfully--that
he is a cold man, with no earnestness of feeling. As for Nelly, she
clasps your arm with a fondness, and with a pride, that tell at every
step her praises and her love.

But even this, true and healthful as it is, fades before a single word
of commendation from the new arbitress of your feeling. You have seen
Miss Dalton! You have met her on that last evening of your cloistered
life in all the elegance of ball-costume; your eye has feasted on her
elegant figure, and upon her eye sparkling with the consciousness of
beauty. You have talked with Miss Dalton about Byron, about Wordsworth,
about Homer. You have quoted poetry to Miss Dalton; you have clasped
Miss Dalton's hand!

Her conversation delights you by its piquancy and grace; she is quite
ready to meet you (a grave matter of surprise!) upon whatever subject
you may suggest. You lapse easily and lovingly into the current of her
thought, and blush to find yourself vacantly admiring when she is
looking for reply. The regard you feel for her resolves itself into an
exquisite mental love, vastly superior, as you think, to any other kind
of love. There is no dream of marriage as yet, but only of sitting
beside her in the moonlight during a countless succession of hours, and
talking of poetry and nature, of destiny and love.

Magnificent Miss Dalton!

----And all the while vaunting youth is almost mindless of the presence
of that fond Nelly whose warm sisterly affection measures itself
hopefully against the proud associations of your growing years,--and
whose deep, loving eye, half suffused with its native tenderness, seems
longing to win you back to the old joys of that Home-love, which linger
on the distant horizon of your boyhood like the golden glories of a
sinking day.

As the night wanes, you wander for a last look toward the dingy walls
that have made for you so long a home. The old broken expectancies, the
days of glee, the triumphs, the rivalries, the defeats, the friendships,
are recalled with a fluttering of the heart that pride cannot wholly
subdue. You step upon the chapel-porch in the quiet of the night as you
would step on the graves of friends. You pace back and forth in the wan
moonlight, dreaming of that dim life which opens wide and long from the
morrow. The width and length oppress you: they crush down your
struggling self-consciousness like Titans dealing with Pygmies. A single
piercing thought of the vast and shadowy future, which is so near, tears
off on the instant all the gewgaws of pride, strips away the vanity that
doubles your bigness, and forces you down to the bare nakedness of what
you truly _are_!

With one more yearning look at the gray hulks of building, you loiter
away under the trees. The monster elms, which have bowered your proud
steps through four years of proudest life, lift up to the night their
rounded canopy of leaves with a quiet majesty that mocks you. They kiss
the same calm sky which they wooed four years ago; and they droop their
trailing limbs lovingly to the same earth, which has steadily and
quietly wrought in them their stature and their strength. Only here and
there you catch the loitering footfall of some other benighted dreamer,
strolling around the vast quadrangle of level green, which lies, like a
prairie-child, under the edging shadows of the town. The lights glimmer
one by one; and one by one, like breaking hopes, they fade away from the
houses. The full-risen moon, that dapples the ground beneath the trees,
touches the tall church-spires with silver, and slants their
loftiness--as memory slants grief--in long, dark, tapering lines upon
the silvered Green.




IV.

_First Look at the World._


Our Clarence is now fairly afloat upon the swift tide of Youth. The
thrall of teachers is ended, and the audacity of self-resolve is begun.
It is not a little odd, that, when we have least strength to combat the
world, we have the highest confidence in our ability.

Very few individuals in the world possess that happy consciousness of
their own prowess which belongs to the newly-graduated collegian. He has
most abounding faith in the tricksy panoply that he has wrought out of
the metal of his Classics. His Mathematics, he has not a doubt, will
solve for him every complexity of life's questions; and his Logic will
as certainly untie all Gordian knots, whether in politics or ethics.

He has no idea of defeat; he proposes to take the world by storm; he
half wonders that quiet people are not startled by his presence. He
brushes with an air of importance about the halls of country hotels; he
wears his honor at the public tables; he fancies that the inattentive
guests can have little idea that the young gentleman, who so recently
delighted the public ear with his dissertation on the "General Tendency
of Opinion," is actually among them, and quietly eating from the same
dish of beef and of pudding!

Our poor Clarence does not know--Heaven forbid he should!--that he is
but little wiser now than when he turned his back upon the old Academy,
with its gallipots and broken retorts; and that with the addition of a
few Greek roots, a smattering of Latin, and some readiness of speech, he
is almost as weak for breasting the strong current of life as when a
boy. America is but a poor place for the romantic book-dreamer. The
demands of this new, Western life of ours are practical and earnest.
Prompt action, and ready tact, are the weapons by which to meet it, and
subdue it. The education of the cloister offers at best only a sound
starting-point from which to leap into the tide.

The father of Clarence is a cool, matter-of-fact man. He has little
sympathy with any of the romantic notions that enthrall a youth of
twenty. He has a very humble opinion--much humbler than you think he
should have--of your attainments at college. He advises a short period
of travel, that by observation you may find out more fully how that
world is made up with which you are henceforth to struggle.

Your mother half fears your alienation from the affections of home. Her
letters all run over with a tenderness that makes you sigh, and that
makes you feel a deep reproach. You may not have been wanting in the
more ordinary tokens of affection; you have made your periodic visits;
but you blush for the consciousness that fastens on you of neglect at
heart. You blush for the lack of that glow of feeling which once
fastened to every home-object.

[Does a man indeed outgrow affections as his mind ripens? Do the early
and tender sympathies become a part of his intellectual perceptions, to
be appreciated and reasoned upon as one reasons about truths of science?
Is their vitality necessarily young? Is there the same ripe, joyous
burst of the heart at the recollection of later friendships, which
belonged to those of boyhood; and are not the later ones more the
suggestions of judgment, and less the absolute conditions of the heart's
health?]

The letters of your mother, as I said, make you sigh: there is no moment
in our lives when we feel less worthy of the love of others, and less
worthy of our own respect, than when we receive evidences of kindness
which we know we do not merit,--and when souls are laid bare to us, and
we have too much indifference to lay bare our own in return.

"Clarence,"--writes that neglected mother,--"you do not know how much
you are in our thoughts, and how often you are the burden of my prayers.
Oh, Clarence, I could almost wish that you were still a boy,--still
running to me for those little favors which I was only too happy to
bestow,--still dependent in some degree on your mother's love for
happiness.

"Perhaps I do you wrong, Clarence, but it does seem from the changing
tone of your letters, that you are becoming more and more forgetful of
us all; that you are feeling less need of our advice, and--what I feel
far more deeply--less need of our affection. Do not, my son, forget the
lessons of home. There will come a time, I feel sure, when you will know
that those lessons are good. They may not indeed help you in that
intellectual strife which soon will engross you; and they may not have
fitted you to shine in what are called the brilliant circles of the
world, but they are such, Clarence, as make the heart pure and honest
and strong!

"You may think me weak to write you thus, as I would have written to my
light-hearted boy years ago; indeed I am not strong, but growing every
day more feeble.

"Nelly, your sweet sister, is sitting by me. 'Tell Clarence,' she says,
'to come home soon.' You know, my son, what hearty welcome will greet
you; and that, whether here or away, our love and prayers will be with
you always; and may God in his infinite mercy keep you from all harm!"

A tear or two--brushed away as soon as they come--is all that youth
gives to embalm such treasure of love! A gay laugh, or the challenge of
some companion of a day, will sweep away into the night the earnest,
regretful, yet happy dreams that rise like incense from the pages of
such hallowed affection.

The brusque world too is to be met, with all its hurry and promptitude.
Manhood, in our swift American world, is measured too much by
forgetfulness of all the sweet bonds which tie the heart to the home of
its first attachments. We deaden the glow that nature has kindled, lest
it may lighten our hearts into an enchanting flame of weakness. We have
not learned to make that flame the beacon of our purposes and the warmer
of our strength. We are men too early.

But an experience is approaching Clarence, that will drive his heart
home for shelter, like a wounded bird!

----It is an autumn morning, with such crimson glories to kindle it as
lie along the twin ranges of mountain that guard the Hudson. The white
frosts shine like changing silk in the fields of late-growing clover;
the river-mists curl, and idle along the bosom of the water, and creep
up the hill-sides, and at noon float their feathery vapors aloft in
clouds; the crimson trees blaze in the side valleys, and blend their
vermilion tints under the fairy hands of our American frost-painters
with the dark blood of the ash-trees and the orange-tinted oaks. Blue
and bright under the clear Fall heaven, the broad river shines before
the surging prow of the boat like a shield of steel.

The bracing air lights up rich dreams of life. Your fancy peoples the
valleys and the hill-tops with its creations; and your hope lends some
crowning beauty of the landscape to your dreamy future. The vision of
your last college year is not gone. That figure, whose elegance your
eyes then feasted on, still floats before you; and the memory of the
last talk with Laura is as vivid as if it were only yesterday that you
listened. Indeed this opening campaign of travel--although you are half
ashamed to confess it to yourself--is guided by the thought of her.

Dalton with a party of friends, his sister among them, is journeying to
the north. A hope of meeting them--scarce acknowledged as an
intention--spurs you on. The eye rests dreamily and vaguely on the
beauties that appear at every turn: they are beauties that charm you,
and charm you the more by an indefinable association with that fairy
object that floats before you, half unknown, and wholly unclaimed. The
quiet towns with their noonday stillness, the out-lying mansions with
their stately splendor, the bustling cities with their mocking din, and
the long reaches of silent and wooded shore, chime with their several
beauties to your heart, in keeping with the master-key that was touched
long weeks before.

The cool, honest advices of the father drift across your memory in
shadowy forms, as you wander through the streets of the first northern
cities; and all the need for observation, and the incentives to purpose,
which your ambitious designs would once have quickened, fade dismally
when you find that _she_ is not there. All the lax gayety of Saratoga
palls on the appetite; even the magnificent shores of Lake George,
though stirring your spirit to an insensible wonder and love, do not
cheat you into a trance that lingers. In vain the sun blazons every
isle, and lights every shaded cove, and at evening stretches the Black
Mountain in giant slumber on the waters.

Your thought bounds away from the beauty of sky and lake, and fastens
upon the ideal which your dreamy humors cherish. The very glow of
pursuit heightens your fervor,--a fervor that dims sadly the new-wakened
memories of home. The southern gates of Champlain, those fir-draped
Trosachs of America, are passed, and you find yourself, upon a golden
evening of Canadian autumn, in the quaint old city of Montreal.

Dalton with his party has gone down to Quebec. He is to return within a
few days on his way to Niagara. There is a letter from Nelly awaiting
you. It says:--"Mother is much more feeble: she often speaks of your
return in a way that I am sure, if you heard, Clarence, would bring you
back to us soon."

There is a struggle in your mind: old affection is weaker than young
pride and hope. Moreover, the world is to be faced; the new scenes
around you are to be studied. An answer is penned full of kind
remembrances, and begging a few days of delay. You wander, wondering,
under the quaint old houses, and wishing for the return of Dalton.

He meets you with that happy, careless way of his,--the dangerous way
which some men are born to, and which chimes easily to every tone of the
world,--a way you wondered at once; a way you admire now; and a way that
you will distrust as you come to see more of men. Miss Dalton--(it seems
sacrilege to call her Laura)--is the same elegant being that entranced
you first.

They urge you to join their party. But there is no need of urging: those
eyes, that figure, the whole presence indeed of Miss Dalton, attract you
with a power which you can neither explain nor resist. One look of grace
enslaves you; and there is a strange pride in the enslavement.

----Is it dream, or is it earnest,--those moonlit walks upon the hills
that skirt the city, when you watch the stars, listening to her voice,
and feel the pressure of that jewelled hand upon your arm?--when you
drain your memory of its whole stock of poetic beauties to lavish upon
her ear? Is it love, or is it madness, when you catch her eye as it
beams more of eloquence than lies in all your moonlight poetry, and feel
an exultant gush of the heart that makes you proud as a man, and yet
timid as a boy, beside her?

Has Dalton, with that calm, placid, _nonchalant_ look of his, any
inkling of the raptures which his elegant sister is exciting? Has the
stout, elderly gentleman, who is so prodigal of his bouquets and
attentions, any idea of the formidable rival that he has found? Has
Laura herself--you dream--any conception of that intensity of admiration
with which you worship?

----Poor Clarence! it is his first look at Life!

The Thousand Isles with their leafy beauties lie around your passing
boat, like the joys that skirt us, and pass us, on our way through life.
The Thousand Isles rise sudden before you, and fringe your yeasty track,
and drop away into floating spectres of beauty, of haze, of distance,
like those dreams of joy that your passion lends the brain. The low
banks of Ontario look sullen by night; and the moon, rising tranquilly
over the tops of vast forests that stand in majestic ranks over ten
thousand acres of shore-land, drips its silvery sparkles along the
rocking waters, and flashes across your foamy wake.

With such attendance, that subdues for the time the dreamy forays of
your passion, you draw toward the sound of Niagara; and its distant,
vague roar, coming through great aisles of gloomy forest, bears up your
spirit, like a child's, into the Highest Presence.

The morning after, you are standing with your party upon the steps of
the hotel. A letter is handed to you. Dalton remarks in a quizzical way,
that "it shows a lady's hand."

"Aha, a lady!" says Miss Dalton,--and _so_ gayly!

"A sister," I say; for it is Nelly's hand.

"By the by, Clarence," says Dalton, "it was a very pretty sister you
gave us a glimpse of at Commencement."

"Ah, you think so;" and there is something in your tone that shows a
little indignation at this careless mention of your fond Nelly; and from
those lips! It will occur to you again.

A single glance at the letter blanches your cheek. Your heart
throbs--throbs harder--throbs tumultuously. You bite your lip, for there
are lookers-on. But it will not do. You hurry away; you find your
chamber; you close and lock the door, and burst into a flood of tears.




V.

_A Broken Home._


It is Nelly's own fair hand, yet sadly blotted,--blotted with her tears,
and blotted with yours.

----"It is all over, dear, dear Clarence! Oh, how I wish you were here
to mourn with us! I can hardly now believe that our poor mother is
indeed dead."

----Dead!--It is a terrible word! You repeat it with a fresh burst of
grief. The letter is crumpled in your hand. Unfold it again, sobbing,
and read on.

"For a week she had been failing every day; but on Saturday we thought
her very much better. I told her I felt sure she would live to see you
again.

"'I shall never see him again, Nelly,' said she, bursting into tears."

----Ah, Clarence, where is your youthful pride, and your strength
now?--with only that frail paper to annoy you, crushed in your grasp!

"She sent for father, and taking his hand in hers, told him she was
dying. I am glad you did not see his grief. I was kneeling beside her,
and she put her hand upon my head, and let it rest there for a moment,
while her lips moved as if she were praying.

"'Kiss me, Nelly,' said she, growing fainter: kiss me again for
Clarence.'

"A little while after she died."

For a long time you remain with only that letter, and your thought, for
company. You pace up and down your chamber: again you seat yourself, and
lean your head upon the table, enfeebled by the very grief that you
cherish still. The whole day passes thus: you excuse yourself from all
companionship: you have not the heart to tell the story of your troubles
to Dalton,--least of all, to Miss Dalton. How is this? Is sorrow too
selfish, or too holy?

Toward nightfall there is a calmer and stronger feeling. The voice of
the present world comes to your ear again. But you move away from it
unobserved to that stronger voice of God in the Cataract. Great masses
of angry cloud hang over the west; but beneath them the red harvest sun
shines over the long reach of Canadian shore, and bathes the whirling
rapids in splendor. You stroll alone over the quaking bridge, and under
the giant trees of the Island, to the edge of the British Fall. You go
out to the little shattered tower, and gaze down, with sensations that
will last till death, upon the deep emerald of those awful masses of
water.

It is not the place for a bad man to ponder; it is not the atmosphere
for foul thoughts, or weak ones. A man is never better than when he has
the humblest sense of himself: he is never so unlike the spirit of Evil
as when his pride is utterly vanished. You linger, looking upon the
stream of fading sunlight that plays across the rapids, and down into
the shadow of the depths below, lit up with their clouds of spray;--yet
farther down, your sight swims upon the black eddying masses, with white
ribbons streaming across their glassy surface; and your dizzy eye
fastens upon the frail cockle-shells--their stout oarsmen dwindled to
pygmies--that dance like atoms upon the vast chasm, or like your own
weak resolves upon the whirl of Time.

Your thought, growing broad in the view, seems to cover the whole area
of life: you set up your affections and your duties; you build hopes
with fairy scenery, and away they all go, tossing like the relentless
waters to the deep gulf that gapes a hideous welcome! You sigh at your
weakness of heart, or of endeavor, and your sighs float out into the
breeze, that rises ever from the shock of the waves, and whirl,
empty-handed, to Heaven. You avow high purposes, and clench them with
round utterance; and your voice, like a sparrow's, is caught up in the
roar of the fall, and thrown at you from the cliffs, and dies away in
the solemn thunders of nature. Great thoughts of life come over you--of
its work and destiny--of its affections and duties, and roll down
swift--like the river--into the deep whirl of doubt and danger. Other
thoughts, grander and stronger, like the continuing rush of waters, come
over you, and knit your purposes together with their weight, and crush
you to exultant tears, and then leap, shattered and broken, from the
very edge of your intent into mists of fear!

The moon comes out, and gleaming through the clouds, braids its light
fantastic bow upon the waters. You feel calmer as the night deepens. The
darkness softens you; it hangs--like the pall that shrouds your mother's
corpse--low and heavily to your heart. It helps your inward grief with
some outward show. It makes the earth a mourner; it makes the flashing
water-drops so many attendant mourners. It makes the Great Fall itself a
mourner, and its roar a requiem!

The pleasure of travel is cut short. To one person of the little company
of fellow-voyagers you bid adieu with regret; pride, love, and hope
point toward her, while all the gentler affections stray back to the
broken home. Her smile of parting is very gracious, but it is not, after
all, such a smile as your warm heart pines for.

Ten days after, you are walking toward the old homestead with such
feelings as it never called up before. In the days of boyhood there were
triumphant thoughts of the gladness and the pride with which, when
grown to the stature of manhood, you would come back to that little town
of your birth. As you have bent with your dreamy resolutions over the
tasks of the cloister life, swift thoughts have flocked on you of the
proud step, and prouder heart, with which you would one day greet the
old acquaintances of boyhood; and you have regaled yourself on the
jaunty manner with which you would meet old Dr. Bidlow, and the
patronizing air with which you would address the pretty, blue-eyed
Madge.

It is late afternoon when you come in sight of the tall sycamores that
shade your home; you shudder now, lest you may meet any whom you once
knew. The first keen grief of youth seeks little of the sympathy of
companions: it lies--with a sensitive man--bounded within the narrowest
circles of the heart. They only who hold the key to its innermost
recesses can speak consolation. Years will make a change;--as the Summer
grows in fierce heats, the balminess of the violet banks of Spring is
lost in the odors of a thousand flowers;--the heart, as it gains in age,
loses freshness, but wins breadth.

----Throw a pebble into the brook at its source, and the agitation is
terrible, and the ripples chafe madly their narrowed banks;--throw in a
pebble when the brook has become a river, and you see a few circles,
widening and widening and widening, until they are lost in the gentle
every-day murmur of its life!

You draw your hat over your eyes, as you walk toward the familiar door:
the yard is silent; the night is falling gloomily; a few katydids are
crying in the trees. The mother's window, where at such a season as this
it was her custom to sit watching your play, is shut, and the blinds are
closed over it. The honeysuckle, which grew over the window, and which
she loved so much, has flung out its branches carelessly; and the
spiders have hung their foul nets upon its tendrils.

And she, who made that home so dear to your boyhood, so real to your
after-years,--standing amid all the flights of your youthful ambition,
and your paltry cares (for they seem paltry now), and your doubts, and
anxieties and weaknesses of heart, like the light of your hope--burning
ever there under the shadow of the sycamores,--a holy beacon, by whose
guidance you always came to a sweet haven, and to a refuge from all your
toils,--is gone, gone forever!

The father is there indeed,--beloved, respected, esteemed; but the
boyish heart, whose old life is now reviving, leans more readily and
more kindly into that void where once beat the heart of a mother.

Nelly is there,--cherished now with all the added love that is stricken
off from her who has left you forever. Nelly meets you at the door.

----"Clarence!"

----"Nelly!"

There are no other words; but you feel her tears as the kiss of welcome
is given. With your hand joined in hers, you walk down the hall into the
old, familiar room,--not with the jaunty college step,--not with any
presumption on your dawning manhood,--oh, no,--nothing of this!

Quietly, meekly, feeling your whole heart shattered, and your mind
feeble as a boy's, and your purposes nothing, and worse than
nothing,--with only one proud feeling you fling your arm around the form
of that gentle sister,--the pride of a protector,--the feeling--"_I_
will care for you now, dear Nelly!"--that is all. And even that, proud
as it is, brings weakness.

You sit down together upon the lounge; Nelly buries her face in her
hands, sobbing.

"Dear Nelly!" and your arm clasps her more fondly.

There is a cricket in the corner of the room, chirping very loudly. It
seems as if nothing else were living,--only Nelly, Clarence, and the
noisy cricket. Your eye on the chair where she used to sit; it is drawn
up with the same care as ever beside the fire.

"I am _so_ glad to see you, Clarence," says Nelly, recovering herself;
there is a sweet, sad smile now And sitting there beside you, she tells
you of it all,--of the day, and of the hour,--and how she looked,--and
of her last prayer, and how happy she was.

"And did she leave no message for me, Nelly?"

"Not to forget us, Clarence; but you could not!"

"Thank you, Nelly. And was there nothing else?"

"Yes, Clarence,--to meet her one day!"

You only press her hand.

Presently your father comes in: he greets you with far more than his
usual cordiality. He keeps your hand a long time, looking quietly in
your face, as if he were reading traces of some resemblance that had
never struck him before.

The father is one of those calm, impassive men, who shows little upon
the surface, and whose feelings you have always thought cold. But now
there is a tremulousness in his tones that you never remember observing
before. He seems conscious of it himself, and forbears talking. He goes
to his old seat, and after gazing at you a little while with the same
steadfastness as at first, leans forward, and buries his face in his
hands.

From that very moment you feel a sympathy and a love for him, that you
have never known until then. And in after-years, when suffering or trial
come over you, and when your thoughts fly as to a refuge to that
shattered home, you will recall that stooping image of the
father,--with his head bowed, and from time to time trembling
convulsively with grief,--and feel that there remains yet by the
household fires a heart of kindred love and of kindred sorrow!

Nelly steals away from you gently, and stepping across the room, lays
her hand upon his shoulder with a touch that says, as plainly as words
could say it,--"We are here, father!"

And he rouses himself,--passes his arm around her,--looks in her face
fondly,--draws her to him, and prints a kiss upon her forehead.

"Nelly, we must love each other now more than ever."

Nelly's lips tremble, but she cannot answer; a tear or two go stealing
down her cheek.

You approach them; and your father takes your hand again with a firm
grasp,--looks at you thoughtfully,--drops his eyes upon the fire, and
for a moment there is a pause;--"We are quite alone now, my boy!"

----It is a Broken Home!




VI.

_Family Confidence._


Grief has a strange power in opening the hearts of those who sorrow in
common. The father, who has seemed to you, not so much neglectful, as
careless of your aims and purposes,--toward wh

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