McGuffey's Fourth Eclectic Reader
by William Holmes McGuffey · English · Gutenberg #14880 · 379,970 chars · public domain (US)
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Title: McGuffey's Fourth Eclectic Reader
Author: William Holmes McGuffey
Release date: February 2, 2005 [eBook #14880]
Most recently updated: December 19, 2020
Language: English
Other information and formats: www.gutenberg.org/ebooks/14880
Credits: Produced by Don Kostuch
*** START OF THE PROJECT GUTENBERG EBOOK MCGUFFEY'S FOURTH ECLECTIC READER ***
Produced by Don Kostuch
[Transcriber's Note:
Welcome to the schoolroom of 1900. The moral tone is plain.
"She is kind to the old blind man."
The exercises are still suitable, and perhaps more helpful than some
contemporary alternatives. Much is left to the teacher. Explanations given
in the text are enough to get started teaching a child to read and write.
Counting in Roman numerals is included as a bonus in the form of lesson
numbers.
The form of contractions includes a space. The contemporary word "don't"
was rendered as "do n't".
The author, not listed in the text, is William Holmes McGuffey.
Passages using non-ASCI characters are approximately rendered in this text
version. See the PDF or DOC versions for the original images.
The section numbers are decimal in the Table of Contents but are in
Roman Numerals in the body.
Page headings are removed, but section titles are followed by the page on
which they appear.
Don Kostuch
end transcriber's note]
ECLECTIC EDUCATIONAL SERIES.
MCGUFFEY'S (Registered)
FOURTH ECLECTIC READER.
REVISED EDITION.
McGuffey Edition and Colophon are Trademarks of
John Wiley & Sons, Inc.
New York-Chichester-Weinheim-Brisbane-Toronto
In revising the FOURTH READER, the aim has been--as it has with the other
books of the Series--to preserve unimpaired all the essential
characteristics of MCGUFFEY'S READERS. New articles have been substituted
for old ones only where the advantage was manifest.
The book has been considerably enlarged, and has been liberally
illustrated by the first artists of the country.
It can not be presumed that every pupil has at hand all the works of
reference necessary for the proper preparation of each lesson; hence all
the aids that seem requisite to this purpose have been given. Brief
notices concerning the various authors represented have been inserted; the
more difficult words have been defined, and their pronunciation has been
indicated by diacritical marks; and short explanatory notes have been
given wherever required for a full understanding of the text.
Especial acknowledgment is due to Messrs. Houghton, Osgood & Co. for their
permission to make liberal selections from their copyright editions of
many of the foremost American author whose works they publish.
COPYRIGHT, 1879, by VAN ANTWERP, BRAGG & Co.
COPYRIGHT, 1896, by AMERICAN BOOK COMPANY.
COPYRIGHT, 1907 and 1920, by H. H. VAIL.
M'G 4TH REV.
EP 309
INTRODUCTORY MATTER.
SUBJECT. PAGE
PUNCTUATION MARKS 7
ARTICULATION 9
ACCENT AND INFLECTION 23
SELECTIONS IN PROSE AND POETRY.
TITLE. AUTHOR. PAGE
1. Perseverance Charlotte Elizabeth 25
2. Try, Try Again T. H. Palmer 28
3. Why the Sea Is Salt Mary Howitt 29
4. Why the Sea Is Salt Mary Howitt 32
5. Popping Corn 34
6. Smiles 35
7. Lazy Ned 38
8. The Monkey 39
9. Meddlesome Matty 42
10. The Good Son 44
11. To-morrow Mrs. M. B. Johnson. 45
12. Where there is a Will there is a Way 47
13. Piccola Celia Thaxter 48
14. True Manliness Mrs. M. Q. Johnson 50
15. True Manliness Mrs. M. O. Johnson 52
16. The Brown Thrush Lucy Larcom 54
17. A Ship in a Storm 55
18. The Sailor's Consolation Charles Dibdin 58
19. Two Ways of Telling a Story Henry K. Oliver 60
20. Freaks of the Frost Hannah Flagg Gould 63
21. Waste not, Want not 64
22. Jeannette and Jo Mary Mapes Dodge 67
23. The Lion 69
24. Strawberries J. T. Trowbridge 71
25. Harry's Riches 74
26. In Time's Swing Lucy Larcom 77
27. Harry and his Dog Mary Russell Mitford 79
28. The Voice of the Grass Sarah Roberts 83
29. The Eagle 84
30. The Old Eagle Tree Dr. John Todd 86
31. Alpine Song W. W. Story 88
32. Circumstances alter Cases 89
33. The Noblest Revenge 94
34. Evening Hymn 97
35. How Margery Wondered Lucy Larcom 99
36. The Child's World 103
37. Susie's Composition 104
38. The Summer Shower T. B. Read 109
39. Consequences of Idleness Abbott 110
40. Advantages of Industry Abbott 113
41. The Fountain Lowell 116
42. Coffee 117
43. The Winter King Hannah Flagg Gould 120
44. The Nettle Dr. Walsh 121
45. The Tempest James T. Fields 125
46. The Creator John Keble 126
47. The Horse Bingley 128
48. Emulation 132
49. The Sandpiper Celia Thaxter 134
50. The Right Way F. R. Stockton 136
51. The Golden Rule Emma C. Embury 139
52. The Snow Man Marian Douglas 143
53. Robinson Crusoe's House Daniel DeFoe 144
54. Robinson Crusoe's Dress Daniel DeFoe 147
55. Somebody's Darling 150
56. Knowledge is Power 151
57. Good Will J. T. Trowbridge 153
58. A Chinese Story C. P. Cranch 156
59. The Way to be Happy 159
60. The Giraffe 162
61. The Lost Child Abbott 165
62. Which? Mrs. E. L. Beers 168
63. The Pet Fawn Miss S. F. Cooper 172
64. Annie's Dream 175
65. My Ghost Mrs. S. M. B. Platt 178
66. The Elephant 180
67. Dare to do Right Thomas Hughes 183
68. Dare to do Right Thomas Hughes 186
69. Wreck of the Hesperus Longfellow 190
70. Anecdotes of Birds Hall 191
71. The Rainbow Pilgrimage Grace Greenwood 197
72. The Old Oaken Bucket Samuel Woodworth 202
73. The Sermon on the Mount 204
74. The Young Witness S. H. Hammond 207
75. King Solomon and the Ants Whittier 211
76. Rivermouth Theater T. B. Aldrich 213
77. Alfred the Great 216
78. Living on a Farm 220
79. Hugh Idle and Mr. Toil Hawthorne 221
80. Hugh Idle and Mr. Toil Hawthorne 224
81. Burning of Fallow Mrs. Susanna Moodie 227
82. Dying Soldiers 230
83. The Attack on Nymwegen Motley 233
84. The Seasons
Spring H. G. Adams 237
Summer Lowell 237
Autumn Thomas Hood 238
Winter C. T. Brooks 238
85. Brandywine Ford Bayard Taylor 239
86. Brandywine Ford Bayard Taylor 242
87. The Best Capital Louisa M. Alcott 245
88. The Inchcape Rock Southey 249
89. My Mother's Grave 253
90. A Mother's Gift W. Fergusson 255
LIST OF ILLUSTRATIONS. [See PDF or DOC versions.]
SUBJECT PAGE
Perseverance 25
Popping Corn 35
The Monkey 40
Piccola 49
True Manliness 53
A Ship in a Storm 56
Two Ways of Telling a Story 60
The Lion 69
Harry and his Dog 81
Circumstances alter Cases 92
Evening Hymn 98
How Margery Wondered 100
Susie's Composition 107
Coffee 117
The Horse 128
The Sandpiper 135
Robinson Crusoe's Dress 147
A Chinese Story 158
Which? 169
Which? 170
Dare to do Right 185
The Old Oaken Bucket 202
Rivermouth Theater 215
The Attack on Nymwegen 234
The Inchcape Rock 251
PUNCTUATION MARKS. (7)
1. The Hyphen (-) is used between syllables and between the parts of a
compound word; as, No-ble, col-o-ny, and text- book, easy-chair.
2. The Comma (,), the Semicolon (;), and the Colon (:) denote grammatical
divisions.
NOTE--These marks do not indicate the comparative length of the pauses to
be made where they occur.
3. The Period (.) is placed at the end of a sentence. It is also used
after an abbreviation; as, God is love. Dr. Eben Goodwin.
4. The Interrogation point (?) denotes a question; as, Has he come? Who
are you?
5. The Exclamation point (!) denotes strong feeling; as, Oh Absaom! my
son! my son!
6. Quotation marks (" ") denote the words of another; as, God said, "Let
there be light."
7. The Apostrophe (') denotes that a letter or letters are left out; as,
O'er, for over; 't is, for it is. It also denotes the possessive case; as,
John's hat.
8. The Curves ( ) include what, if omitted, would not obscure the sense.
The parenthesis, or words included by the curves, should be read in a low
key, and with greater rapidity than the rest of the sentence.
9. Brackets [ ] include something intended to exemplify what goes before,
or to supply some deficiency, or rectify some mistake.
10. A Dash (-) denotes a long or significant pause, or an abrupt change or
transition in a sentence.
11. Marks of Ellipsis (***) indicate the omission of
letters of a word, or words of a sentence; as, P * * * * e
J**n, for Prince John; the ******* was hung, for the traitor was hung.
Sometimes a long line, or a succession of dots is used instead of stars;
as, J--n A---s, for John Adams; the D..e W.....m, for the Duke William.
12. A Brace (}) is used to connect several lines or words together.
13. A Diaeresis is put over the latter of two vowels, to show that they
belong to two distinct syllables; thus, cooperate.
14. A Section is used to divide a discourse or chapter into parts.
15. An Index points out something that requires particular attention.
16. A Paragraph denotes a new subject. It is used in the common version of
the Bible.
17. Certain marks and sometimes figures and letters are used to refer to
some remark in the margin.
18. A Caret (^) is used in writing, to show that some-thing is omitted;
as, Manner. I love her for her modesty and virtue.
ARTICULATION. (9)
ELEMENTARY SOUNDS
Articulation is the utterance of the elementary sounds of a language, and
of their combinations.
An Elementary Sound is a simple, distinct sound made by the organs of
speech.
The Elementary Sounds of the English language are divided into Vocals,
Subvocals, and Aspirates.
Vocals are those sounds which consist of pure tone only. They are the most
prominent elements of speech. A diphthong is a union of two vocals,
commencing with one and ending with the other.
Subvocals are those sounds in which the vocalized breath is more or less
obstructed.
Aspirates consist of breath only, modified by the vocal organs.
VOCALS.
DIRECTIONS FOR ARTICULATION.
1. Let the mouth be open, and the teeth, tongue, and palate in their
proper position.
2. Pronounce the word in the CHART forcibly, and with the falling
inflection, several times in succession; then drop the subvocal or
aspirate sounds which precede or follow the vocal, and repeat the vocals
alone.
TABLE.
Long Vocals.
Sound Word Sound Word
a hate e err
a hare i pine
a far o no
a pass u tube
a fall u burn
e eve oo cool
Short Vocals.
Sound Word Sound Word
a mat o not
e met u us
i it oo book
REMARK.--In this table, the short sounds, except u, are nearly or quite
the same, in quality, as certain of the long sounds. The difference
consists chiefly in quantity. As a rule, the long vocals should be
prolonged with a full, clear utterance; but the short vocals should be
uttered sharply and almost explosively.
Diphthongs.
oi, oy, as in coin, boy. ou, ow, as in noun, now.
SUBVOCALS AND ASPIRATES.
DIRECTIONS FOR ARTICULATION.
Pronounce distinctly and forcibly, several times in succession, words in
which these sounds occur as elements; then drop the other sounds, and
repeat the subvocals and aspirates alone. Each subvocal in the first table
should be practiced in connection with its cognate sound.
Let the class repeat the words and elements, at first in concert; then
separately.
Select words ending with subvocal sounds for practice on subvocals; words
beginning or ending with aspirate sounds, for practice on aspirates.
COGNATE SOUNDS.
Subvocals Aspirates
Sound Example Sound Example
b babe p rap
d rod t at
g fog k book
j judge ch chat
v live f file
th them th myth
z buzz s sink
zh azure sh shine
w win wh when
REMARK.--These eighteen sounds make nine pairs of cognate sounds. In
articulating the aspirates, the vocal organs are put in the position as
required for the articulation of the corresponding subvocals; but the
breath is expelled with some force, without the utterance of any vocal
sound. Let the pupil verify this by experiment, and then practice on these
cognates.
The following sounds are not cognates.
SUB VOCALS.
Sound Example
l mill
m him
n tin
ng sing, think
r (rough) rule
r (smooth) car
ASPIRATE.
h, as in hat.
SUBSTITUTES.
Substitutes are characters used to represent sounds ordinarily represented
by other characters. The following table indicates nearly every form of
substitution used in the language: a few exceptional cases only are
omitted
TABLE OF SUBSTITUTES.
Sub For as in Sub For as in
a e any o oo to
a o what o oo would
c z suffice o u son
c s cite ph v Stephen
c k cap ph f sylph
ch k ache q k liquor
ch sh machine qu kw quote
d j soldier s sh sure
e i England s zh rasure
e a there s z rose
e a feint u e bury
ee i been u i busy
f v of u oo rude
g j cage u oo pull
gh f laugh x ks wax
gh k lough x ksh noxious
i e police x z Xerxes
i e thirst x gz examine
i y filial y e myrrh
n ng rink y i my
o u work y i hymn
o i women z s quartz
o a form
VOCALS.
Let the teacher utter each word, and then its vocal sound, and let the
pupil imitate closely and carefully, thus:
Mate, a; Rate, a: Man, a: Far, a: etc.
a--Mate, rain, say, they, feint, gauge, break, vein, gaol
a--Man, pan, tan, shall, lamp, back, mat, stand
a--Far, hard, ah, aunt, heart, guard, psalm
a--Ball, talk, pause, saw, broad, storm, naught, bought
a--Was, what, wash, swap, nod, blot, knowledge
e--Me, tree, sea, key, field, ceiling, people, police
e--Met, bread, said (sed), says (sez), friend, heifer, leopard, guess,
any (en'y), bury (ber'ry).
e--Her, clerk, earn, were, first, myrrh.
i--Pine, sign, lie, type, sleight, buy, guide, aisle, choir.
i--Pin, fountain, been (bin), busy (biz'y), surfeit, sieve, hymn, build,
myth.
i--Sir, bird, girl, birch, mirth, birth.
o--No, door, loam, hoe, soul, snow, sew (so), yeomen, bureau (bu'ro),
hautboy (ho'boy).
o--Not, blot, chop, throb, bother, body, wan.
o--Nor, born, storm, cork, fork, small, stall.
o--Wolf, woman, bushel, would, should, pull
o--Move, who, tomb, group, soup, shoe, do, lose
o.--Love, son, flood, front, shove, touch, does, tongue.
oo--Wool, book, cook, rook, goodly.
oo.--Food, troop, tooth, goose, spoon, noon.
u.--Use, abuse, beauty, feud, view, adieu.
u.--Rub, sum, sun, such, much, tuck, luck, trouble.
u.--Fur, curl, hurt, burn, turn, spurn, work.
u.--Full, bull, push, bush
oi, oy.-Oil, point, voice, noise, boiler, boy, joy, alloy.
ou, ow.-Our, sour, cloud, owl, now, bow, couch.
SUB VOCALS.
Let the sound of each letter be given, and not its name. After
articulating the sounds, each word should be pronounced distinctly.
b.--Be, by, boy, bib, sob, bite, bone, band, bubble.
d.--Deed, did, dab, bid, bud, dead, door, indeed.
g.--Go, gag, gig, bag, beg, fog, fig, girl, rag, log.
j.--Jay, joy, jig, gill, job, judge, ginger, soldier.
l.--Lad, led, dell, mill, line, lily, folly.
m--Me, my, mad, mug, him, aim, blame.
n.--No, now, nab, nod, man, sun, none, noun.
r. (rough)--Rear, red, rough, riot, ripe, rude, ragged.
r. (smooth)--Form, farm, worn, for, ear, manner.
v.--Van, vine, vale, vivid, stove, of, Stephen.
w.--We, woe, web, wed, wig, wag, wood, will, wonder.
y.--Ye, yam, yon, yes, yarn, yoke, yawn, filial.
z.--Zag, rose, rise, zone, lives, stars, suffice.
zh.--Azure, osier, usual, measure, rouge (roozh).
th.--Thee, thy, them, blithe, beneath, those.
ng.--Bang, fang, gang, bring, sing, fling.
ASPIRATES.
f.--Fib, fob, buff, beef, if, off, life, phrase, laugh.
h.--Ha, he, hub, had, how, hill, home, hire, horse.
k.--Kill, bake, cat, cow, come, chord, black.
p.--Pop, pig, lip, map, pipe, pope, apple, path, pile.
s.--Sad, fuss, miss, cent, cease, sick, sound, sincere.
t.--Hat, mat, toe, totter, tint, time, sleet, taught.
sh.--Dash, shad, rush, sure, ocean, notion, passion, chaise.
ch.--Chin, chop, chat, rich, much, church, bastion.
th.--Thin, hath, think, teeth, truth, breath, pith.
SUBVOCALS COMBINED.
Utter the sounds only, and pronounce very distinctly.
br.--Bred, brag, brow, brim, brush, breed, brown.
bz, bst.--Fibs, fib'st, robs, rob'st, rubs, rub'st.
bd, bdst.--Fibbed, fib'd'st, sobbed, sob'd'st, robbed, rob'd'st.
bl.--Blab, blow, bluff, bliss, stable, babble, gobble.
blz, blst.--Fables, fabl'st, nibbles, nibbl'st.
bid, bldst.--Fabled, fabl'd'st, nibbled, nibbl'd'st.
dr.--Drab, drip, drop, drag drum, dress, drink.
dz, dst.--Rids, rid'st, adds, add'st, sheds, shed'st.
dl.--Addle, paddle, fiddle, riddle, needle, idle, ladle.
dlz, dlst.--Addles, addl'st, fiddles, fiddl'st.
dld.--Addled, fiddled, huddled, idled, ladled.
fr.--Fret, frog, from, fry, fresh, frame, free.
fs, fst.--Cuffs, cuff'st, stuffs, stuff'st, doffs, doff'st.
ft.--Lift, waft, drift, graft, soft, theft, craft, shaft.
fts, ftst.--Lifts, lift'st, wafts, waft'st, sifts, sift'st.
fi.--Baffle, raffle, shuffle, muffle, rifle, trifle, whiffle.
fls, flst.--Baffles, baffl'st, shuffles, shuffl'st, rifles, rifl'st.
fld, fldst.--Baffled, baffl'd'st, shuffled, shuffl'd'st.
gr.--Grab, grim, grip, grate, grant, grass, green.
gz, gst.--Begs, beg'st, digs, dig'st, gags, gag'st.
gd, gdst.--Begged, begg'd'st, digged, digg'd'st.
gl.--Higgle, joggle, straggle, glib, glow, glaze.
glz, glst.--Higgles, higgl'st, juggles, juggl'st.
gld, gldst.--Higgled, higgl'd'st, joggled, joggl'd'st.
jd.--Caged, hedged, bridged, lodged, judged, waged.
kr.--Cram, crag, crash, crop, cry, creel, crone, crown.
kw, (qu).--Quell, quick, quite, quote, quake, queen.
ks, kst, (x).--Kicks, kick'st, mix, mixed, box, boxed.
kt, kts.--Act, acts, fact, facts, tact, tacts, sect, sects.
kl.--Clad, clip, clown, clean, close, cackle, pickle.
klz, klst.--Cackles, cackl'st, buckles, buckl'st.
kld, kldst.--Cackled, cackl'd'st, buckled, buckl'd'st.
lf.--Elf, Ralph, shelf, gulf, sylph, wolf.
ld.--Hold, mold, bold, cold, wild, mild, field, yield.
ldz, ldst.--Holds, hold'st, gilds, gild'st, yields, yield'st.
lz, lst.--Fills, fill'st, pulls, pull'st, drills, drill'st.
lt, lts.--Melt, melts, tilt, tilts, salt, salts, bolt, bolts.
mz, mst.--Names, nam'st, hems, hem'st, dims, dim'st.
md, mdst.--Named, nam'd'st, dimmed, dimm'd'st.
nd.--And, lend, band, blonde, fund, bound, round, sound.
ndz, ndst.--Lends, lend'st, hands, hand'st.
ndl.--Handle, kindle, fondle, trundle, brindle.
ndlz, ndlst.--Handles, halldl'st, kindles, kindl'st.
ndld, ndldst.--Handled, handl'd'st, kindled, kindl'd'st.
nks, nkst.--Banks, hank'st, sinks, sink'st.
nkd.--Banked, clank'd, winked, thank'd, flank'd.
nz, nst.--Wins, win'st, tans, tan'st, runs run'st.
nt, nts.--Hint, hints, cent, cents, want, wants.
nch, nchd.--Pinch, pinch'd, blanch, blanch'd.
ngz, ngd.--Hangs, hang'd, rings, ring'd.
nj, njd.--Range, ranged, hinge, hinged.
pr.--Prat, prim, print, prone, prune, pry, prank.
pl.--Plant, plod, plum, plus, apple, cripple.
ps, pst.--Nips, nip'st, taps, tap'st, mops, mop'st.
pt, pts.--Adopt, adopts, adept, adepts, crypt, crypts.
rj, rjd.--Merge, merged, charge, charged, urge, urged.
rd.--Card, cord, curd, herd, ford, ward, bird.
rdz, rdst.--Cards, card'st, herds, herd'st, cords, cord'st.
rk.--Bark, jerk, dirk, cork, lurk, work.
rks, rkst.--Barks, bark'st, lurks, lurk'st.
rl.--Marl, curl, whirl, pearl, whorl, snarl.
rlz, rlst.--Curls, curl'st, whirls, whirl'st, twirls, twirl'st.
rld, rldst.-- Curled, curl'd'st, whirled, whirl'd'st, snarled, snarl'd'st.
rm.--Arm, term, form, warm, storm, worm, sperm.
rmz, rmst.--Arms, arm'st, fbrms, form'st.
rmd, rmdst.--Armed, arm'd'st, formed, form'd'st.
rn.--Barn, warn, scorn, worn, earn, turn.
rnz, rnst.--Turns, turn'st, scorns, scorn'st.
rnd, rndst.--Turned, turn'd'st, scorned, scorn'd'st.
rt.--Dart, heart, pert, sort, girt, dirt, hurt.
rts, rtst.--Darts, dart'st, girts, girt'st, hurts, hurt'st.
rch, rchd.--Arch, arched, perch, perched.
sk.--Ask, scab, skip, risk, skum, bask, husk.
sks.--Asks, tasks. risks, whisks, husks.
skd, skst.--Asked, ask'st, risked, risk'st, husked, husk'st.
sp, sps.--Gasp, gasps, rasp, rasps, crisp, crisps.
spd.--Gasped, lisped, crisped, wisped, cusped.
st, sts.--Mast, masts, nest, nests, fist, fists.
sw.--Swim, swell, swill, swan, sweet, swing, swam.
str.--Strap, strip, strop, stress, strut, strife, strew.
tl.--Rattle, nettle, whittle, bottle, hurtle, scuttle.
tlz, tlst.--Rattles, rattl'st, nettles, nettl'st.
tld, tldst.--Rattled, rattl'd'st, settled, settl'd'st.
ts, tst.--Bat, bat'st, bets, bet'st, pits, pit'st, dots, dot'st.
tw.--Twin, twirl, twice, tweed, twist, twelve, twain.
tr.--Trap, trip, trot, tress, truss, trash, try, truce, trice.
vz, vst.--Gives, giv'st, loves, lov'st, saves, sav'st.
zm, zmz.--Chasm, chasms, prism, prisms.
zl.--Dazzle, frizzle, nozzle, puzzle.
zlz, zld.--Dazzles, dazzled, frizzles, frizzled.
sht.--Dashed, meshed, dished, rushed, washed.
shr.--Shrank, shred, shrill, shrunk, shrine, shroud, shrew.
thd.--Bathed, sheathed, soothed, smoothed, wreathed.
thz, thzt.--Bathes, Bath'st, sheathes, sheath'st.
ngz, ngst.--Hangs, hang'st, brings, bring'st.
ngd, ngdst.--Hanged, hang'd'st., stringed, string'd'st.
nks, nkst.--Thanks, thank'st, thinks, think'st.
nkd, nkdst.--Thanked, thank'd'st, kinked, kink'd'st.
dth, dths.--Width, widths, breadth, breadths.
kld, kldst.--Circled, circl'd'st, darkle, darkl'd'st.
kl, klz.--Circle, circles, cycle, cycles.
lj, ljd.--Bilge, bilged, bulge, bulged, indulge, indulged.
lb, lbz.--Alb, albs, bulb, bulbs.
lk, lks, lkst, lkdst.--Milk, milks, milk'st, milk'd'st.
lm, lmz.--Elm, elms, whelm, whelms, film, films.
lp, lpd, lpst, lpdst.--Help, helped, help'st, help'd'st.
lv, lvz, lvd.--Valve, valves, valved, delve, delves, delved.
lch, lchd.--Belch, belched, filch, filched, gulch, gulched.
lth, lth --Health, healths, tilth, tilth
mf, mfs.--Nymph, nymphs, triumph, triumphs.
gth, gths.--Length, lengths, strength, strengths.
rb, rbz, rbd, rbst, rbdst.--Curb, curbs, curbed, curb'st, curb'd'st.
rf, rfs, rfst, rfdst.--Dwarf, dwarfs, dwarf'st, dwarf'd'st.
rv, rvz, rvst, rvd, rvdst.--Curve, curves, curv'st, curved, curv'd'st.
rth, rths.--Birth, births, girth, girths, hearth, hearths.
rp, rps, rpd, rpst, rpdst.--Harp, harps, harped, harp'st, harp'd'st.
rs, rst.--Nurse, nursed, verse, versed, course, coursed.
thr.--Thrash, thresh, thrift, throb, thrush, thrust, throng, three,
thrive, thrice, throat, throne, throve, thrill, thrum.
thw.--Thwack, thwart.
EXERCISES IN ARTICULATION.
Errors to be Corrected.
To TEACHERS.--In the following exercises, the more common errors in
articulation and pronunciation are denoted. The letters in italics are not
silent letters, but are thus marked to point them out as the
representatives of sounds which are apt to be defectively articulated,
omitted, or incorrectly sounded.
A
Incorrect Correct Incorrect Correct
Fa-t fa-tal Sep-er-ate sep-a-rate
reel re-al temp-per-unce tem-per-ance
ras-cul ras-cal up-pear ap-pear
crit-ic-ul crit-ic-al tem-per-it tem-per-ate
test'ment tes-ta-ment mod-er-it med-er-ate
firm'ment fir-ma-ment in-ti-mit int-ti-mate
E
Incorrect Correct Incorrect Correct
Ev'ry ev-er-y sev'ral sev-er-al
b'lief be-lief prov-i-dunce prov-i-dence
pr'vail pre-vail ev-i-dunce ev-i-dence
r'tain re-tain si-lunt si-lent
trav'ler trav-el-er mon-u-munt mon-u-ment
flut'ring flut-ter-ing con-ti-nunt con-ti-nent
tel'scope tel-e-scope con-fi-dunt con-fi-dent
I
Incorrect Correct Incorrect Correct
D'rect di-rect rad'cal rad-i-cal
d'spose dis-pose sal'vate sal-i-vate
van'ty van-i-ty can'bal can-ni-bal
ven-t'late ven-ti-late mount'n moun-tain
ju-b'lee ju-bi-lee fount'n foun-tain
rid-cule rid-i-cule vill'ny vil-lain-y
O
Incorrect Correct Incorrect Correct
Des'late des-o-late rhet-er-ic rhet-o-tic
hist'ry his-to-ry in-ser-lent in-so-lent
mem'ry mem-o-ry croc-ud-ile croc-o-dile
col'ny col-o-ny com-prum-ise com-pro-mise
ag'ny ag-o-ny anch-ur-ite an-cho-rite
balc'ny bal-co-ny cor-per-al cor-po-ral
ob-s'lete ob-so-lete ob-luq-quy ob-lo-quy
wil-ler wil-low or-ther-dox or-tho-dox
wid-der wid-ow cun-di-tion con-di-tion
pil-ler pil-low pus-i-tion po-si-tion
mead-er mead-ow tug-eth-er to-geth-er
fel-ler fel-low put-a-ter po-ta-to
win-der win-dow tub-ac-cur to-bac-co
U
The most common mistake in the sound of u occurs in words of the following
kind: as, crea-ter or crea-choor, for crea-ture; nat-er or na- choor for
na-ture, etc.
Incorrect Correct
Lec'-ter lec'-choor lec'-ture
fea'-ter fea'-choor fea'-ture
mois'-ter mois'-choor mois'-ture
ver'-der ver'-jer ver-dure
mix'-ter mix'-cher mix'-ture
rup'ter rup'-cher rup'-ture
sculp'-ter sculp'-cher sculp'-ture
ges'-ter ges'cher ges'-ture
struc'-ter struc'-cher struc'-ture
stric'-ter stric'-choor stric'-ture
ves'-ter ves'-cher ves'-ture
tex'-ter tex'-cher tex'-ture
fix'-ter fix'-cher fix'-ture
vul'-ter vul'-cher vul'-ture
for'-ten for'-choon for'-tune
stat'-er sta'-choor stat'-ure
stat'-ew stat'-choo stat'ue
stat'-ewt sta'-choot stat'-ute
ed'-di-cate ed'-ju-cate ed'-u-cate
H
In order to accustom the learner to sound H properly, let him pronounce
certain words without and then with it: as aft, haft; ail, hail, etc. The H
should be clearly sounded.
Aft Haft Edge Hedge
Ail Hail Eel Heel
Air Hair Ell Hell
All Hall Elm Helm
Ark Hark Eye High
Arm Harm Ill Hill
Art Hart It Hit
Ash Hash old Hold
At Hat Yew He
D Final.
Incorrect Correct Incorrect Correct
An and frien friend
lan land soun sound
mine mind groun ground
boun bound fiel field
K Final.
Incorrect Correct Incorrect Correct
Fris frisk dus dusk
des desk mos mosque
tas task tus tusk
ris risk hus husk
N for Ng.
Incorrect Correct Incorrect Correct
Morn-in morn-ing shav-in shav-ing
run-nin run-ning hid-in hid-ing
talk-in talk-ing see-in see-ing
walk-in walk-ing lov-in lov-ing
drink-in drink-ing fight-in fight-ing
slid-in slid-ing laugh-in laugh-ing
R
Sound the R clearly and forcibly.
When it precedes a vowel, give it a slight trill.
Rule ruin rat rug reck rate
reed rill rub rig rim rite
ride rise red rag rick rote
run reek rib rob rip ruse
roar roam rack rid rip rouse
Arch farm lark far snare for
march harm bark bar spare war
larch charm mark hair sure corn
starch dark are stair lure born
arm spark star care pure horn
T Final
Incorrect Correct Incorrect Correct
Eas east wep wept
moce most ob-jec ob-ject
los lost per-fec per-fect
nes nest dear-es dear-est
gues guest high-es high-est
TS Final
Incorrect Correct Incorrect Correct
Hoce hosts sec's sects
tes tests bus busts
lifs lifts cense cents
tuffs tufts ob-jec's ob-jects
ac's acts re-spec's re-spects
W for Wh
Incorrect Correct Incorrect Correct
Wale Whale Wet Whet
Weal Wheel Wine Whine
Wen When Wip Whip
SENTENCES FOR PRACTICE
Sentences like the following may be read with great advantage, for the
purpose of acquiring distinctness and precision in articulation.
This act, more than all other acts, laid the ax at the root of the evil.
It is false to say he had no other faults.
The hosts still stand in strangest plight. That last still night. That
lasts till night. On either side an ocean exists. On neither side a notion
exists. Among the rugged rocks the restless ranger ran. I said pop-u-lar,
not pop'lar. I said pre-vail, not pr'vail. I said be-hold, not b'hold.
Think'st thou so meanly of my Phocion? Henceforth look to your hearths.
Canst thou minister to a mind diseased? A thousand shrieks for hopeless
mercy call.
ACCENT.
Accent, marked thus ('), is an increased force of voice upon some one
syllable of a word; as,
Col'o-ny, bot'a-ny; re-mem'ber, im-por'tant; rec-ol-lect', rep-re-sent'.
In the words col'o-ny and bot'a-ny, the first syllable is accented. In the
words re-mem'ber and im-por'tant, the second syllable is accented. In the
words rec-ol-lect' and rep-re-sent', the third syllable is accented.
INFLECTION.
Inflection is an upward or downward slide of the voice. The Rising
Inflection, sometimes marked thus ('), is an upward slide of the voice.
Examples
Has he come'?
Has he gone?
Are you sick'?
Will you go'?
Are they here'?
The Falling Inflection, marked thus (') is a downward slide of the voice.
Examples
They are here.
He has gone.
He has come
I will go.
I am well.
Let the pupil practice these examples until he is perfectly familiar with
the rising and falling inflections.
Are you sick or well? Will you go, or stay?
Did he ride, or walk? Is it black, or white?
Is he rich, or poor? Are they old, or young?
Did you say cap, or cat? I said cat, not cap.
Did you say am, or ham? I said ham, not am.
Is the dog white', or black'? The dog is black', not white'.
Did you say and', or hand'? I said and', not hand'.
Is the tree large', or small'? The tree is small', not large'.
Are the apples sweet', or sour'? The apples are sour' not sweet'.
Is the tide high', or low'? The tide is high', not low'.
Did you say play', or pray'? I said pray', not play'.
MCGUFFEY'S FOURTH READER.
I. PERSEVERANCE. (25)
1. "Will you give my kite a lift?" said my little nephew to his sister,
after trying in vain to make it fly by dragging it along the ground. Lucy
very kindly took it up and threw it into the air, but, her brother
neglecting to run off at the same moment, the kite fell down again.
2. "Ah! now, how awkward you are!" said the little fellow. "It was your
fault entirely," answered his sister. "Try again, children," said I.
3. Lucy once more took up the kite. But now John was in too great a hurry;
he ran off so suddenly that he twitched the kite out of her hand, and it
fell flat as before. "Well, who is to blame now?" asked Lucy. "Try again,"
said I.
4. They did, and with more care; but a side wind coming suddenly, as Lucy
let go the kite, it was blown against some shrubs, and the tail became
entangled in a moment, leaving the poor kite hanging with its head
downward.
5. "There, there!" exclaimed John, "that comes of your throwing it all to
one side." "As if I could make the wind blow straight," said Lucy. In the
meantime, I went to the kite's assistance; and having disengaged the long
tail, I rolled it up, saying, "Come, children, there are too many trees
here; let us find a more open space, and then try again."
6. We presently found a nice grassplot, at one side of which I took my
stand; and all things being prepared, I tossed the kite up just as little
John ran off. It rose with all the dignity of a balloon, and promised a
lofty flight; but John, delighted to find it pulling so hard at the
string, stopped short to look upward and admire. The string slackened, the
kite wavered, and, the wind not being very favorable, down came the kite
to the grass. "O John, you should not have stopped," said I. "However, try
again."
7. "I won't try any more," replied he, rather sullenly. "It is of no use,
you see. The kite won't fly, and I don't want to be plagued with it any
longer." "Oh, fie, my little man! would you give up the sport, after all
the pains we have taken both to make and to fly the kite? A few
disappointments ought not to discourage us. Come, I have wound up your
string, and now try again."
8. And he did try, and succeeded, for the kite was carried upward on the
breeze as lightly as a feather; and when the string was all out, John
stood in great delight, holding fast the stick and gazing on the kite,
which now seemed like a little white speck in the blue sky. "Look, look,
aunt, how high it flies! and it pulls like a team of horses, so that I can
hardly hold it. I wish I had a mile of string: I am sure it would go to
the end of it."
9. After enjoying the sight as long as he pleased, little John proceeded
to roll up the string slowly; and when the kite fell, he took it up with
great glee, saying that it was not at all hurt, and that it had behaved
very well. "Shall we come out to-morrow, aunt, after lessons, and try
again?"
10. "I have no objection, my dear, if the weather is fine. And now, as we
walk home, tell me what you have learned from your morning's sport." "I
have learned to fly my kite properly." "You may thank aunt for it,
brother," said Lucy, "for you would have given it up long ago, if she had
not persuaded you to try again."
11. "Yes, dear children, I wish to teach you the value of perseverance,
even when nothing more depends upon it than the flying of a kite. Whenever
you fail in your attempts to do any good thing, let your motto be,--try
again."
DEFINITIONS.--In defining words, that meaning is given which is
appropriate to them in the connection in which they are used.
4. En-tan'gled, twisted in, disordered. 5. As-sist'-ance, help, aid.
Dis-en-gaged, cleared, set free. 6. Grass'plot, a space covered with
grass. Dig'ni-ty, majestic manner. 7. Dis-ap-point/ments, failures or
defeats of expectation. Dis-cour'age, take away courage. 9. Glee, joy 11.
Per-se-ver'ance, continuance in anything once begun. Mot'to, a short
sentence or a word full of meaning.
EXERCISES--What is the subject of this lesson? Why was John discouraged in
his attempts to fly his kite? What did his, aunt say to him? What may we
learn from this? What should be our motto if we expect to be successful?
II. TRY, TRY AGAIN. (28)
1. 'T is a lesson you should heed,
Try, try again;
If at first you don't succeed,
Try, try again;
Then your courage should appear,
For, if you will persevere,
You will conquer, never fear;
Try, try again.
2. Once or twice though you should fail,
Try, try again;
If you would at last prevail,
Try, try again;
If we strive, 'tis no disgrace
Though we do not win the race;
What should you do in the case?
Try, try again.
3. If you find your task is hard,
Try, try again;
Time will bring you your reward,
Try, try again.
All that other folks can do,
Why, with patience, should not you?
Only keep this rule in view:
Try, try again.
DEFINITIONS.--l. Cour'age, resolution. Con'quer, gain the vic-tory. 2.
Pre-vail, overcome. Dis-grace', shame. Win, gain, ob-tain. 3. Re-ward',
anything given in return for good or bad con-duct. Pa'-tience, constany in
labor.
EXERCISES.--What does the mark before "'T is" mean?
What is it called? What point is used after the word "case" in
the second stanza? Why?
III. WHY THE SEA IS SALT. (29)
A FAIRY TALE.
Mary Howitt was born in 1804, at Coleford, England. She wrote many
charming stories for children in prose and verse, and also translated many
from Swedish, Danish, and German authors. This story is arranged from one
in a collection named "Peter Drake's Dream, and Other Stories." She died
in 1888.
1. There were, in very ancient times, two brothers, one of whom was rich,
and the other poor. Christmas was approaching, but the poor man had
nothing in the house for a Christmas dinner; so he went to his brother and
asked him for a trifling gift.
2. The rich man was ill-natured, and when he heard his brother's request
he looked very surly. But as Christmas is a time when even the worst
people give gifts, he took a fine ham down from the chimney, where it was
hanging to smoke, threw it at his brother, and bade him begone and never
to let him see his face again.
3. The poor man thanked his brother for the ham, put it under his arm, and
went his way. He had to pass through a great forest on his way home. When
he had reached the thickest part of it, he saw an old man, with a long,
white beard, hewing timber. "Good evening," said he to him.
4. "Good evening," returned the old man, raising himself up from his work,
and looking at him. "That is a fine ham you are carrying." On this, the
poor man told him all about it.
5. "It is lucky for you," said the old man, "that you have met with me. If
you will take that ham into the land of the dwarfs, the entrance to which
lies just under the roots of this tree, you can make a capital bargain
with it; for the dwarfs are very fond of ham, and rarely get any. But mind
what I say: you must not sell it for money, but demand for it the 'old
hand mill which stands behind the door.' When you come back, I'll show you
how to use it."
6. The poor man thanked his new friend, who showed him the door under a
stone below the roots of the tree, and by this door he entered into the
land of the dwarfs. No sooner had he set his foot in it, than the dwarfs
swarmed about him, attracted by the smell of the ham. They offered him
queer, old-fashioned money and gold and silver ore for it; but he refused
all their tempting offers, and said that he would sell it only for the old
hand mill behind the door.
7. At this, the dwarfs held up their little old hands, and looked quite
perplexed. "We can not make a bargain, it seems," said the poor man, "so
I'll bid you all a good day."
8. The fragrance of the ham had by this time reached the remote parts of
dwarf land. The dwarfs came flocking around in little troops, leaving
their work of digging out precious ores, eager for the ham.
9. "Let him have the old mill," said some of the newcomers; "it is quite
out of order, and he don't know how to use it. Let him have it, and we
will have the ham."
10. So the bargain was made. The poor man took the old hand mill, which
was a little thing not half so large as the ham, and went back to the
woods. Here the old man showed him how to use it. All this had taken up a
great deal of time, and it was midnight before he reached home.
11. "Where in the world have you been?" said his wife. "Here I have been
waiting and waiting, and we have no wood to make a fire, nor anything to
put into the porridge pot for our Christmas supper."
12. The house was dark and cold; but the poor man bade his wife wait and
see what would happen. He placed the little hand mill on the table, and
began to turn the crank. First, out there came some grand, lighted wax
candles, and a fire on the hearth, and a porridge pot boiling over it,
because in his mind he said they should come first. Then he ground out a
tablecloth, and dishes, and spoons, and knives and forks.
13. He was himself astonished at his good luck, as you may believe; and
his wife was almost beside herself with joy and astonishment. Well, they
had a capital supper; and after it was eaten, they ground out of the mill
every possible thing to make their house and themselves warm and
comfortable. So they had a merry Christmas eve and morning.
DEFINITIONS.--l. Tri'-fling, of small value. 5. Hand 'mill, a mill turned
by hand. 6. At-tract'ed, drawn to, allured. 7. Perplexed', puzzled. 8.
Fra'grance, sweetness of smell.
IV. WHY THE SEA IS SALT. (32)
(Concluded.)
1. When the people went by the house to church, the next day, they could
hardly believe their eyes. There was glass in the windows instead of a
wooden shutter, and the poor man and his wife, dressed in nice new
clothes, were seen devoutly kneeling in the church.
2. "There is something very strange in all this," said everyone.
"Something very strange indeed," said the rich man, when three days
afterwards he received an invitation from his once poor brother to a grand
feast. And what a feast it was! The table was covered with a cloth as
white as snow, and the dishes were all of silver or gold. The rich man
could not, in his great house, and with all his wealth, set out such a
table.
3. "Where did you get all these things?" exclaimed he. His brother told
him all about the bargain he had made with the dwarfs, and putting the
mill on the table, ground out boots and shoes, coats and cloaks,
stockings, gowns, and blankets, and bade his wife give them to the poor
people that had gathered about the house to get a sight of the grand feast
the poor brother had made for the rich one.
4. The rich man, was very envious of his brother's good fortune, and
wanted to borrow the mill, intending--for he was not an honest man--never
to return it again. His brother would not lend it, for the old man with
the white beard had told him never to sell or lend it to anyone.
5. Some years went on, and, at last, the possessor of the mill built
himself a grand castle on a rock by the sea, facing the west. Its windows,
reflecting the golden sunset, could be seen far out from the shore. It
became a noted landmark for sailors. Strangers from foreign parts often
came to see this castle and the wonderful mill of which the most
extraordinary tales were told.
6. At length, a great foreign merchant came, and when he had seen the
mill, inquired whether it would grind salt. Being told that it would, he
wanted to buy it; for he traded in salt, and thought that if he owned it
he could supply all his customers without taking long and dangerous
voyages.
7. The man would not sell it, of course. He was so rich now that he did
not want to use it for himself; but every Christmas he ground out food and
clothes and coal for the poor, and nice presents for the little children.
So he rejected all the offers of the rich merchant. The merchant, however,
determined to have it; he bribed one of the man's servants to let him go
into the castle at night, and he stole the mill and sailed away with it in
triumph.
8. He had scarcely got out to sea, before he determined to set the mill to
work. "Now, mill, grind salt," said he; "grind salt with all your
might!--salt, salt, and nothing but salt!" The mill began to grind and the
sailors to fill the sacks; but these were soon full, and in spite of all
that could be done, it began to fill the ship.
9. The dishonest merchant was now very much frightened. What was to be
done? The mill would not stop grinding; and at last the ship was
overloaded, and down it went, making a great whirlpool where it sank. The
ship soon went to pieces; but the mill stands on the bottom of the sea,
and keeps grinding out "salt, salt, nothing but salt!" That is the
reason, say the peasants of Denmark and Norway, why the sea is salt.
DEFINITIONS.--l. De-vout'ly, in a reverent manner. 5. Re--flect'ing,
throwing back light, heat, etc., as a mirror. Land'-mark, an object on
land serving as a guide to seamen. Ex-traor'--di-na-ry, wonderful. 9.
Whirl'-pool, a gulf in which the water moves round in a circle. Peas'ents,
those belonging to the lowest class of tillers of the soil in Europe.
EXERCISES.--What is a "fairy tale"? What fairy people are told about in
this story? How did the poor man find the way to the land of the dwarfs?
Do you think the old man would have told him if the poor man had not been
so polite? How did the poor man treat his rich brother in return for his
unkindness? How was the greed of the dishonest merchant punished? What is
meant by "strangers from foreign parts"? Where are Denmark and Norway?
V. POPPING CORN. (34)
1. One autumn night, when the wind was high,
And the rain fell in heavy plashes,
A little boy sat by the kitchen fire,
A-popping corn in the ashes;
And his sister, a curly-haired child of three,
Sat looking on, just close to his knee.
2. Pop! pop! and the kernels, one by one,
Came out of the embers flying;
The boy held a long pine stick in his hand,
And kept it busily plying;
He stirred the corn and it snapped the more,
And faster jumped to the clean-swept floor.
3. Part of the kernels flew one way,
And a part hopped out the other;
Some flew plump into the sister's lap,
Some under the stool of the brother;
The little girl gathered them into a heap,
And called them a flock of milk-white sheep.
VI. SMILES. (35)
1. Poor lame Jennie sat at her window, looking out upon the dismal, narrow
street, with a look of pain and weariness on her face. "Oh, dear," she
said with a sigh, "what a long day this is going to be," and she looked
wishfully up the street.
2. Suddenly she leaned forward and pressed her pale face against the
glass, as a rosy-checked boy came racing down the street, swinging his
schoolbooks by the strap. Looking up to the window, he took off his hat
and bowed with a bright, pleasant smile.
3. "What a nice boy he is," said Jennie to herself, as he ran out of
sight. "I am so glad he goes by here on his way to school. When he smiles,
it seems like having the sun shine. I wish everybody who goes by would
look up and smile."
4. "Mamma," said George West, as he came from school, "I can't help
thinking about that poor little girl I told you of the other day. She
looks so tired. I took off my hat and bowed to her to-day. I wish I could
do something for her,"
5. "Suppose you should carry her a handful of pretty flowers some time
when you go to school," said Mrs. West. "I'll do that to-morrow morning,"
said George, "if I can find my way into that rickety old house."
6. The next morning, as Jennie sat leaning her head wearily against the
window, watching the raindrops chasing one another down the glass, she
spied George with a handful of beautiful flowers carefully picking his way
across the street. He stopped in front of her window, and, smiling very
pleasantly, said, "How shall I find the way to your room?"
7. Jennie pointed to an alley near by, where he turned in, and with some
difficulty found his way to the dingy staircase. Opening the door to
Jennie's gentle "Come in," he said, "I have brought you a handful of
flowers to look at this rainy day."
8. "Are they for me?" exclaimed Jennie, clapping her hands in delight.
"How kind you are," she continued, as George laid them in her lap. "I have
not had a flower since we live in the city."
9. "Did you use to live in the country?" asked George. "Oh, yes," answered
Jennie, "we used to live in a beautiful cottage, and there were trees and
flowers and green grass, and the air was so sweet."
10. "Well, what made you move here?" "Oh," said Jennie, softly, "papa
died, and mamma was sick so long that the money was all gone. Then mamma
had to sell the cottage, and she moved here to try to get work to do."
11. "Do you have to sit here all day?" asked George, glancing around the
bare room and out into the dismal street. "Yes," said Jennie, "because I
am lame; but I would not care for that, if I could only help mamma."
12. "I declare, it's too had!" said George, who dreaded nothing so much as
being obliged to stay in the house. "Oh, no, it isn't," said Jennie,
pleasantly; "mamma says maybe we should forget the Lord if we had
everything we wanted, and He never forgets us, you know."
13. "Well, I must rush for school," said George, not knowing exactly what
to say next; and he was soon out of Jennie's sight, but had a happy little
corner in his heart, because he had tried to do a kind act. He did not
know how much good he had done in making a pleasant day out of a dreary
one for a little sick girl.
14. "Mamma," said George, that evening, after he had told her what Jennie
said, "papa must give them some money, so they can go back to their home."
15. "No," said his mother; "he can not do that, and they would not wish
him to do so; but perhaps he can help us contrive some way to assist them,
so that they can live more comfortably."
16. "I am going to carry Jennie some of the grapes grandpa sent me,
to-morrow," said George, turning over the leaves of his geography. "I will
put some of my pears into your basket, and go with you," said his mother;
"but there is one thing we can always give, and sometimes it does more
good than nice things to eat, or even money."
17. "What is that, mamma,--smiles?" asked George, looking up. "Yes,"
answered his mother; "and it is a good plan to throw in a kind word or two
with them when you can."
DEFINITIONS.-l. Dis'mal, gloomy, cheerless. Wish'ful-ly, with desire. 5.
Rick'et-y, imperfect, worn out. 7. Din'gy, dark. 11. Glan'cing, looking
about quickly. 13. Drear'y, comfortless, gloomy. 15. Con-trive', to plan.
EXERCISES.--What is the subject of this lesson? How did George West make
the day pleasant for Jennie? What did his mother suggest? What happened
next day? What did Jennie tell George about her life? Relate what happened
at George's home that evening. What does the lesson teach?
VII. LAZY NED. (38)
1. "'T is royal fun," cried lazy Ned,
"To coast, upon my fine, new sled,
And beat the other boys;
But then, I can not bear to climb
The tiresome hill, for every time
It more and more annoys."
2. So, while his schoolmates glided by,
And gladly tugged uphill, to try
Another merry race,
Too indolent to share their plays,
Ned was compelled to stand and gaze,
While shivering in his place.
3. Thus, he would never take the pains
To seek the prize that labor gains,
Until the time had passed;
For, all his life, he dreaded still
The silly bugbear of uphill,
And died a dunce at last.
DEFINITIONS.-l. Roy'al, excellent, noble. Coast, to slide. An--noys',
troubles. 2. In'do-lent, lazy. 3. Prize, a reward. Bug-bear, something
frightful. Dunce, a silly fellow.
EXERCISES.--What did Ned like? What did he not like?
VIII. THE MONKEY. (39)
1. The monkey is a very cunning little animal, and is found in many parts
of the world.
2. A lady once had a monkey, which had been brought to her as a present.
This monkey, like all others, was very fond of mischief and of doing
whatever he saw others do.
3. His mistress found him one day sitting on her toilet table, holding in
one hand a little china mug with water in it, and in the other her
toothbrush, with which he was cleaning his teeth, looking all the time in
the glass.
4. Her little daughter, Maria, had a large doll with a very handsome head
and face. She one day left this doll in the cradle, and went out of the
room. The monkey came in, took the doll in his arms, and jumping upon the
washstand, he began to wash its face.
5. He first rubbed it all over with soap. Then seizing the towel, he
dipped it in the wash bowl, and rubbed it so hard that the doll's face was
entirely spoiled, the paint being all washed off.
6. There have been many tales of monkeys who, armed with sticks, have
joined together and made war or resisted their enemies with great effect.
These are not true, as it is known that in their native state monkeys have
no idea of weapons.
7. The sticks and other missiles said to be thrown at travelers as they
pass under the branches of trees, are usually the dead branches, etc.,
accidentally broken off, as the monkeys, with the natural curiosity of
their tribe, pass along the tops of trees to watch the actions of the
people below.
8. They can, however, be taught to use a stick, and to use it well. Some
time ago, two Italians together owned an organ and a monkey, by means of
which they earned their living. During one of their exhibitions, a dog
flew at the little monkey, which made its owners very angry.
9. They and the owner of the dog quarreled about it, and at last it was
agreed that the dog and the monkey should fight it out; the monkey,
because he was smaller, was to be allowed a stick.
10. The monkey was taught what he was to do in the following manner: One
of the Italians crawled on his hands and knees, barking like a dog, while
the other got on his back, grasped his hair, and beat him about the head
with a stick.
11. The monkey looked on with great gravity, and, when the instruction was
over, received the stick with the air of a man who knew his work and meant
to do it.
12. Everything being settled the dog flew at the monkey with open month.
The monkey immediately leaped on his back, and, grasping the dog's ear,
beat away at his head with such good will that his adversary speedily gave
in. The monkey, however, was not content with a mere victory, but
continued pounding at the dog's head until he left him senseless on the
ground.
DEFINITIONS.--1. Cun'ning, sly. 3. Toi'let ta'ble, dressing table. 6.
Re-sist'ed, opposed. 7. Mis'siles, weapons thrown. 8. Ex-hi-bi'tions,
public shows. 11. Grav'i-ty, seriousness. In-struc'-tion, lesson, 12.
Sense'less, without apparent life.
EXERCISES.--What kind of an animal is a monkey? Where did the lady find
the monkey one day? What was he doing? What did he do with Maria's doll?
Do monkeys in their native state know how to use sticks as weapons? Can
they be taught to use them? Relate the story of the two Italians. What is
the meaning of "etc." in the seventh paragraph?
IX. MEDDLESOME MATTY. (42)
1. Oh, how one ugly trick has spoiled
The sweetest and the best!
Matilda, though a pleasant child,
One grievous fault possessed,
Which, like a cloud before the skies,
Hid all her better qualities.
2. Sometimes, she'd lift the teapot lid
To peep at what was in it;
Or tilt, the kettle, if you did
But turn your back a minute.
In vain you told her not to touch,
Her trick of meddling grew so much.
3. Her grand mamma went out one day,
And, by mistake, she laid
Her spectacles and snuffbox gay,
Too near the little maid;
"Ah! well," thought she, "I'll try them on,
As soon as grand mamma is gone."
4. Forthwith, she placed upon her nose
The glasses large and wide;
And looking round, as I suppose,
The snuffbox, too, she spied.
"Oh, what a pretty box is this!
I'll open it," said little miss.
5. "I know that grandmamma would say,
'Don't meddle with it, dear;'
But then she's far enough away,
And no one else is near;
Beside, what can there be amiss
In opening such a box as this?"
6. So, thumb and finger went to work
To move the stubborn lid;
And, presently, a mighty jerk
The mighty mischief did;
For all at once, ah! woeful case!
The snuff came puffing in her face.
7. Poor eyes, and nose, and mouth, and chin
A dismal sight presented;
And as the snuff got further in,
Sincerely she repented.
In vain she ran about for ease,
She could do nothing else but sneeze.
8. She dashed the spectacles away,
To wipe her tingling eyes;
And, as in twenty bits they lay,
Her grandmamma she spies.
"Heyday! and what's the matter now?"
Cried grandmamma, with angry brow.
9. Matilda, smarting with the pain,
And tingling still, and sore,
Made many a promise to refrain
From meddling evermore;
And 't is a fact, as I have heard,
She ever since has kept her word.
DEFINITIONS.-l. Qual'i-ties, traits of character. 2. Med'-dling,
interfering without right. 4. Forth-with', at once. Spied, saw. 5.
A-miss', wrong, faulty. 6. Woe'ful, sad, sorrowful 8. Tin'gling, smarting.
9. Re-frain', to keep from.
EXERCISES.--What did Matilda do? How was she punished? What effect did it
have on her?
X. THE GOOD SON. (44)
1. There was once a jeweler, noted for many virtues. One day, the Jewish
elders came to him to buy some diamonds, to put upon that part of the
dress of their high priest, which the Bible calls an ephod.
2. They told him what they wanted, and offered him a fair price for the
diamonds. He replied that he could not let them see the jewels at that
moment, and requested them to call again.
3. As they wanted them without delay, and thought that the object of the
jeweler was only to increase the price of the diamonds, the elders offered
him twice, then three times, as much as they were worth. But he still
refused, and they went away in very bad humor.
4. Some hours after, he went to them, and placed before them the diamonds,
for which they again offered him the last price they had named; but he
said, "I will only accept the first one you offered to me this morning."
5. "Why, then, did you not close with us at once?" asked they in surprise.
"When you came," replied he, "my father had the key of the chest, in which
the diamonds were kept, and as he was asleep, I should have been obliged
to wake him to obtain them.
6. "At his age, a short hour of sleep does him a great deal of good; and
for all the gold in the world, I would not be wanting in respect to my
father, or take from him a single comfort."
7. The elders, affected by these feeling words, spread their hands upon
the jeweler's head, and said, "Thou shalt be blessed of Him who has said,
'Honor thy father and thy mother;' and thy children shall one day pay thee
the same respect and love thou hast shown to thy father."
DEFINITIONS.--l. Jew'el-er, one who buys and sells precious stones.
Not'ed, well known. Eld'er, an officer of the Jewish church. Eph'od, part
of the dress of a Jewish priest, made of two pieces, one covering the
chest and the other the back, united by a girdle. 2. Di'a-monds, precious
stones. 3. Hu'mor, state of mind, temper. 5. Close, come to an agreement.
EXERCISES.--Relate the story of the jeweler and his
diamonds. What did the elders say to him, when they heard
his reason for not giving them the diamonds at first?
XI. TO-MORROW. (45)
Mrs. M. B. Johnson is the authoress of "To-morrow," one of a collection
of poems; entitled "Poems of Home Life."
1. A bright, merry boy, with laughing face,
Whose every motion was full of grace,
Who knew no trouble and feared no care,
Was the light of our household--the youngest there.
2. He was too young, this little elf,
With troublesome questions to vex himself;
But for many days a thought would rise,
And bring a shade to his dancing eyes.
3. He went to one whom he thought more wise
Than any other beneath the skies;
"Mother,"--O word that makes the home!--
"Tell me, when will to-morrow come?"
4. "It is almost night," the mother said,
"And time for my boy to be in bed;
When you wake up and it's day again,
It will be to-morrow, my darling, then."
5. The little boy slept through all the night,
But woke with the first red streak of light;
He pressed a kiss to his mother's brow,
And whispered, "Is it to-morrow now?"
6. "No, little Eddie, this is to-day:
To-morrow is always one night away."
He pondered a while, but joys came fast,
And this vexing question quickly passed.
7. But it came again with the shades of night;
"Will it be to-morrow when it is light?"
From years to come he seemed care to borrow,
He tried so hard to catch to-morrow.
8. "You can not catch it, my little Ted;
Enjoy to-day," the mother said;
"Some wait for to-morrow through many a year
It is always coming, but never is here."
DEFINITIONS.--1. House'hold, family, those living in the same house. 2.
Elf, a small fairy-like person. Vex, worry, trouble. Pon'dered, thought
anxiously. A-while', for a short time.
EXERCISES.--What is meant by "dancing eyes" in the second stanza? What is
meant by "the shades of night," in the seventh stanza? Of what name are
"Eddie" and "Ted" nicknames? What troubled Eddie? Can you define tomorrow?
What did Eddie's mother advise him to do?
XII. WHERE THERE IS A WILL THERE IS A WAY. (47)
1. Henry Bond was about ten years old when his father died. His mother
found it difficult to provide for the support of a large family, thus left
entirely in her care. By good management, however, she contrived to do so,
and also to send Henry, the oldest, to school, and to supply him, for the
most part, with such books as he needed.
2. At one time, however, Henry wanted a grammar, in order to join a class
in that study, and his mother could not furnish him with the money to buy
it. He was very much troubled about it, and went to bed with a heavy
heart, thinking what could be done.
3. On waking in the morning, he found that a deep snow had fallen, and the
cold wind was blowing furiously. "Ah," said he, "it is an ill wind that
blows nobody good."
4. He rose, ran to the house of a neighbor, and offered his service to
clear a path around his premises. The offer was accepted. Having completed
this work, and received his pay, he went to another place for the same
purpose, and then to another, until he had earned enough to buy a grammar.
5. When school commenced, Henry was in his seat, the happiest boy there,
ready to begin the lesson in his new book.
6. From that time, Henry, was always the first in all his classes. He knew
no such word as fail, but always succeeded in all he attempted. Having the
will, he always found the way.
DEFINITIONS.--l. Man'age-ment, manner of directing things. 2. Fur'nish, to
supply. 3. Fu'ri-ous-ly, violently. 4. Serv'ice, labor. Prem'i-ses,
grounds around a house.
XIII. PICCOLA. (48)
By Celia Laighton Thaxter, who was born at Portsmouth, N. H., June 29,
1836. Much of her childhood was passed at White Island, one of the Isles
of Shoals, off the coast of New Hampshire. "Among the Isles of Shoals," is
her most noted work in prose. She published a volume of poems, many of
which are favorites with children. She died in 1894.
1. Poor, sweet Piccola! Did you hear
What happened to Piccola, children dear?
'T is seldom Fortune such favor grants
As fell to this little maid of France.
2. 'T was Christmas time, and her parents poor
Could hardly drive the wolf from the door,
Striving with poverty's patient pain
Only to live till summer again.
3. No gift for Piccola! sad were they
When dawned the morning of Christmas day!
Their little darling no joy might stir;
St. Nicholas nothing would bring to her!
4. But Piccola never doubted at all
That something beautiful must befall
Every child upon Christmas day,
And so she slept till the dawn was gray.
5. And full of faith, when at last she woke,
She stole to her shoe as the morning broke;
Such sounds of gladness filled all the air,
'T was plain St. Nicholas had been there.
6. In rushed Piccola, sweet, half wild--
Never was seen such a joyful child--
"See what the good saint brought!" she cried,
And mother and father must peep inside.
7. Now such a story I never heard!
There was a little shivering bird!
A sparrow, that in at the window flew,
Had crept into Piccola's tiny shoe!
8. "How good poor Piccola must have been!"
She cried, as happy as any queen,
While the starving sparrow she fed and warmed,
And danced with rapture, she was so charmed.
9. Children, this story I tell to you
Of Piccola sweet and her bird, is true.
In the far-off land of France, they say,
Still do they live to this very day.
DEFINITIONS.--3. Dawned, began to grow light. Stir, excite. 4. Be-fall,
happen. 7. Shiv'er-ing, trembling from cold. Ti'ny, very small. 8.
Rapture, great joy. Charmed, greatly.
EXERCISES.--What is meant by "driving the wolf from the door"? In the
third stanza, what does "St." before Nicholas mean? Who is St. Nicholas?
What did Piccola find in her shoe on Christmas morning?
XIV. TRUE MANLINESS. (50)
By MRS. M. O. JOHNSON.--(ADAPTED.)
1. "Please, mother, do sit down and let me try my hand," said Fred Liscom,
a bright, active boy twelve years old. Mrs. Liscom, looking pale and worn,
was moving languidly about, trying to clear away the breakfast she had
scarcely tasted.
2. She smiled, and said, "You, Fred, you wash dishes?" "Yes, indeed,
mother," replied Fred; "I should be a poor scholar if I couldn't, when
I've seen you do it so many times. Just try me."
3. A look of relief came over his mother's face as she seated herself in
her low rocking-chair. Fred washed the dishes, and put them in the closet.
He then swept the kitchen, brought up the potatoes from the cellar for
the dinner and washed them, and then set out for school.
4. Fred's father was away from home, and as there was some cold meat in
the pantry, Mrs. Liscom found it an easy task to prepare dinner. Fred
hurried home from school, set the table, and again washed the dishes.
5. He kept on in this way for two or three days, till his mother was able
to resume her usual work, and he felt amply rewarded when the doctor, who
happened in one day, said, "Well, madam, it's my opinion that you would
have been very sick if you had not kept quiet."
6. The doctor did not know how the "quiet" had been secured, nor how the
boy's heart bounded at his words. Fred had given up a great deal of what
boys hold dear, for the purpose of helping his mother, coasting and
skating being just at this time in perfection.
7. Besides this, his temper and his patience had been severely tried. He
had been in the habit of going early to school, and staying to play after
it was dismissed.
8. The boys missed him, and their curiosity was excited when he would give
no other reason for not coming to school earlier, or staying after school,
than that he was a "wanted at home." "I'll tell you," said Tom Barton,
"I'll find him out, boys--see if I don't!"
9. So he called for Fred to go to school, and on his way to the side door
walked lightly and somewhat nearer the kitchen window than was absolutely
needful. Looking in, he saw Fred standing at the table with a dishcloth in
his hand.
10. Of course he reported this at school, and various were the greetings
poor Fred received at recess. "Well, you're a brave one to stay at home
washing dishes." "Girl boy!" "Pretty Bessie!" "Lost your apron, have n't
you, Polly!"
11. Fred was not wanting either in spirit or courage, and he was strongly
tempted to resent these insults and to fight some of his tormentors. But
his consciousness of right and his love for his mother helped him.
12. While he was struggling for self mastery, his teacher appeared at the
door of the schoolhouse. Fred caught his eye, and it seemed to look, if it
did not say, "Don't give up! Be really brave!" He knew the teacher had
heard the insulting taunts of his thoughtless schoolmates.
13. The boys received notice during the day that Fred must not be taunted
or teased in any manner. They knew that the teacher meant what he said;
and so the brave little boy had no farther trouble.
DEFINITIONS.--1. Lan'guid-ly, feebly. 5. Am'ply, fully. O-pin'ion,
judgment, belief. 9. Ab'so-lute-ly, wholly, entirely. 11. Re-sent', to
consider as an injury. Con'scious-ness, inward feeling, knowledge of what
passes in one's own mind.
EXERCISES.--Why did Fred offer to wash the dishes?
Was it a disgraceful thing to do? How was he rewarded?
How did his schoolmates show their lack of manliness?
XV. TRUE MANLINESS. (52)
(Concluded.)
1. "Fire! fire!" The cry crept out on the still night air, and the fire
bells began to ring. Fred was wakened by the alarm and the red light
streaming into his room. He dressed himself in a moment, almost, and
tapped at the door of his mother's bedroom.
2. "It is Mr. Barton's house, mother. Do let me go," he said in eager,
excited tones. Mrs. Liscom thought a moment. He was young, but she could
trust him, and she knew how much his heart was in the request.
3. "Yes, you may go," she answered; "but be careful, my boy. If you can
help, do so; but do nothing rashly." Fred promised to follow her advice,
and hurried to the fire.
4. Mr. and Mrs. Barton were not at home. The house had been left in charge
of the servants. The fire spread with fearful speed, for there was a high
wind, and it was found impossible to save the house. The servants ran
about, screaming and lamenting, but doing nothing to any purpose.
5. Fred found Tom outside, in safety. "Where is Katy?" he asked. Tom,
trembling with terror, seemed to have had no thought but of his own
escape. He said, "Katy is in the house!" "In what room?" asked Fred. "In
that one," pointing to a window in the upper story.
6. It was no time for words, but for instant, vigorous action. The
staircase was already on fire; there was but one way to reach Katy, and
that full of danger. The second floor might fall at any moment, and Fred
knew it. But he trusted in an arm stronger than his own, and silently
sought help and guidance.
7. A ladder was quickly brought, and placed against the house. Fred
mounted it, followed by the hired man, dashed in the sash of the window,
and pushed his way into the room where the poor child lay nearly
suffocated with smoke.
8. He roused her with some difficulty, carried her to the window, and
placed her upon the sill. She was instantly grasped by strong arms, and
carried down the ladder, Fred following as fast as possible. They had
scarcely reached the ground before a crash of falling timbers told them
that they had barely escaped with their lives.
9. Tom Barton never forgot the lesson of that night; and he came to
believe, and to act upon the belief, in after years, that true manliness
is in harmony with gentleness, kindness, and self-denial.
EXERCISES.--Relate the story of the fire. What is meant
by "to any purpose," in paragraph four? Did Fred show any
lack of manliness when tested? What does this lesson teach?
XVI. THE BROWN THRUSH. (54)
Lucy Larcom, the author of the following poem, was born in 1826, and
passed many years of her life as a factory girl at Lowell, Mass. She died
in 1893.
1. There's a merry brown thrush sitting up in a tree;
"He's singing to me! he's singing to me!"
And what does he say, little girl, little boy?
"Oh, the world's running over with joy!
Don't You hear? Don't you see?
Hush! look! In my tree
I'm as happy as happy can be!"
2. And the brown thrush keeps singing, "A nest do you see,
And five eggs hid by me in the juniper tree?
Don't meddle! don't touch! little girl, little boy,
Or the world will lose some of its joy!
Now I'm glad! now I'm free!
And I always shall be,
If you never bring sorrow to me."
3. So the merry brown thrush sings away in the tree,
To you and to me, to you and to me;
And he sings all the day, little girl, little boy,
"Oh, the world's running over with joy!
But long it won't be,
Don't you know? Don't you see?
Unless we're as good as can be."
EXERCISES.--What is a thrush? Why was the thrush so
happy? Do you think he would have been happy if the little
boy or girl had robbed the nest?
XVII. A SHIP IN A STORM. (55)
1. Did you ever go far out upon the great ocean? How beautiful it is to
be out at sea, when the sea is smooth and still!
2. Let a storm approach, and the scene is changed. The heavy, black clouds
appear in the distance, and throw a deep, deathlike shade over the world
of waters.
3. The captain and sailors soon see in the clouds the signs of evil. All
hands are then set to work to take in sail.
4. The hoarse notes of the captain, speaking through his trumpet, are
echoed from lip to lip among the rigging. Happy will it be, if all is made
snug before the gale strikes the vessel.
5. At last, the gale comes like a vast moving mountain of air. It strikes
the ship. The vessel heaves and groans under the dreadful weight, and
struggles to escape through the foaming waters.
6. If she is far out at sea, she will be likely to ride out the storm in
safety. But if the wind is driving her upon the shore, the poor sailors
will hardly escape being dashed upon the rocks, and drowned.
7. Once there was a ship in a storm. Some of her masts were already
broken, and her sails lost. While the wind was raging, and the billows
were dashing against her, the cry was heard, "A man has fallen overboard!"
8. Quickly was the boat lowered, and she was soon seen bounding on her way
over the mountain waves. At one moment, the boat seemed lifted to the
skies, and the next, it sank down, and appeared to be lost beneath the
waves!
9. At length, the man was found. He was well nigh drowned; but he was
taken on board, and now they made for the ship. But the ship rolled so
dreadfully, that it seemed certain death to go near her. And now, what
should they do?
10. The captain told one of the men to go aloft and throw down a rope.
This was made fast to the boat, and when the sea was somewhat calm it was
hoisted, and all fell down into the ship with a dreadful crash. It was a
desperate way of getting on board; but fortunately no lives were lost.
11. On the dangerous points along our seacoast are lighthouses, which can
be seen far out at sea, and serve as guides to ships. Sometimes the fog is
so dense that these lights can not be seen, but most lighthouses have
great fog bells or fog horns; some of the latter are made to sound by
steam, and can be heard for a long distance. These bells and horns are
kept sounding as long as the fog lasts.
12. There are also many life-saving stations along the coast where trained
men are ready with lifeboats. "When a ship is driven ashore they at once
go to the rescue of those on board, and thus many valuable lives are
saved.
13. Take it all in all, a sailor's life is a very hard one. Our young
friends owe a debt of gratitude to those whose home is upon the great
waters, and who bring them the luxuries of other countries.
DEFINITIONS.--4. Ech'oed, sounded again. Gale, a wind storm. 5. Heaves,
pitches up and down. 7. Bil'lows, waves. 10. Des'-per-ate, hopeless. 11.
Fog, watery vapor, mist. 13. Grat'i-tude, thankfulness. Lux'u-ries, nice
things.
EXERCISES.--What is this lesson about? When is it dangerous to be at sea?
What do sailors then do? In what situation are they most likely to be
saved? Relate the story of the man overboard. Tell about the lighthouses.
How are vessels warned of danger in a fog? What about the life-saving
stations? What is said of a sailor's life?
XVIII. THE SAILOR'S CONSOLATION. (58)
Charles Dibdin, the author, was born at Southampton, England, in 1745. He
wrote a number of fine sea songs. He died in 1814.
1. One night came on a hurricane,
The sea was mountains rolling,
When Barney Buntline turned his quid,
And said to Billy Bowling:
"A strong norwester's blowing, Bill;
Hark! don't ye hear it roar now?
Lord help 'em, how I pities all
Unhappy folks on shore now!
2. "Foolhardy chaps who live in town,
What danger they are all in,
And now are quaking in their beds,
For fear the roof shall fall in;
Poor creatures, how they envy us,
And wish, as I've a notion,
For our good luck, in such a storm,
To be upon the ocean.
3. "But as for them who're out all day,
On business from their houses,
And late at night are coming home,
To cheer the babes and spouses;
While you and I, Bill, on the deck,
Are comfortably lying,
My eyes! what tiles and chimney pots
About their heads are flying!
4. "And very often have we heard
How men are killed and undone
By overturns of carriages,
By thieves, and fires in London.
We know what risks all landsmen run,
From noblemen to tailors;
Then, Bill, let us thank Providence
That you and I are sailors."
DEFINITIONS.-l. Hur'ri-cane, a violent windstorm. Quid, a small piece of
tobacco. 2. Fool'har'dy, reckless. Quak'ing, shak-ing with fear. No'tion,
idea. 3. Spous'es, wives. Tiles, thin pieces of baked clay used in roofing
houses. Chim'ney pots, earthenware tops of chimneys. 4. Un-done', injured,
ruined.
NOTES.--l. "Barney Buntline" and "Billy Bowling" are supposed to be two
sailors. "Norwester" is a sailor's name for a northwest storm. 4.
"Landsmen" is a term applied by sailors to all who live on shore.
XIX. TWO WAYS OF TELLING A STORY. (60)
By HENRY K. OLIVER.
1. In one of the most populous cities of New England, a few years ago, a
party of lads, all members of the same school, got up a grand sleigh ride.
The sleigh was a very large one, drawn by six gray horses.
2. On the following day, as the teacher entered the schoolroom, he found
his pupils in high glee, as they chattered about the fun and frolic of
their excursion. In answer to some inquiries, one of the lads gave him an
account of their trip and its various incidents.
3. As he drew near the end of his story, he exclaimed: "Oh, sir! there was
one thing I had almost forgotten. As we were coming home, we saw ahead of
us a queer looking affair in the road. It proved to be a rusty old sleigh,
fastened behind a covered wagon, proceeding at a very slow rate, and
taking up the whole road.
4. "Finding that the owner was not disposed to turn out, we determined
upon a volley of snowballs and a good hurrah. They produced the right
effect, for the crazy machine turned out into the deep snow, and the
skinny old pony started on a full trot.
5. "As we passed, some one gave the horse a good crack, which made him run
faster than he ever did before, I'll warrant.
6. "With that, an old fellow in the wagon, who was buried up under an old
hat, bawled out, 'Why do you frighten my horse?' 'Why don't you turn out,
then?' says the driver. So we gave him three rousing cheers more. His
horse was frightened again, and ran up against a loaded wagon, and, I
believe, almost capsized the old creature--and so we left him."
7. "Well, boys," replied the teacher, "take your seat", and I will tell
you a story, and all about a sleigh ride, too. Yesterday afternoon a very
venerable old clergyman was on his way from Boston to Salem, to pass the
rest of the winter at the house of his son. That he might be prepared for
journeying in the following spring he took with him his wagon, and for the
winter his sleigh, which he fastened behind the wagon.
8. "His sight and hearing were somewhat blunted by age, and he was
proceeding very slowly; for his horse was old and feeble, like his owner.
He was suddenly disturbed by loud hurrahs from behind, and by a furious
pelting of balls of snow and ice upon the top of his wagon.
9. "In his alarm he dropped his reins, and his horse began to run away. In
the midst of the old man's trouble, there rushed by him, with loud shouts,
a large party of boys, in a sleigh drawn by six horses. 'Turn out! turn
out, old fellow!' 'Give us the road!' 'What will you take for your pony?'
'What's the price of oats, old man?' were the various cries that met his
cars.
10. "'Pray, do not frighten my horse!' exclaimed the infirm driver. 'Turn
out, then! turn out!' was the answer, which was followed by repeated
cracks and blows from the long whip of the 'grand sleigh,' with showers of
snowballs, and three tremendous hurrahs from the boys.
11. "The terror of the old man and his horse was increased, and the latter
ran away with him, to the great danger of his life. He contrived, however,
to stop his horse just in season to prevent his being dashed against a
loaded wagon. A short distance brought him to the house of his son. That
son, boys, is your instructor, and that 'old fellow,' was your teacher's
father!"
12. When the boys perceived how rude and unkind their conduct appeared
from another point of view, they were very much ashamed of their
thoughtlessness, and most of them had the manliness to apologize to their
teacher for what they had done.
DEFINITIONS.-l. Pop'u-lous, full of inhabitants. 2. Ex-cur'-sion, a
pleasure trip. In'ci-dents, things that happen, events. 5. War'rant, to
declare with assurance. 6. Cap-sized', upset. 7. Ven'er-a-ble, deserving
of honor and respect. 8. Blunt'ed, dulled.
EXERCISES.--Repeat the boys' story of the sleigh ride. The teacher's
story. Were the boys ill-natured or only thoughtless? Is thoughtlessness
any excuse for rudeness or unkindness?
XX. FREAKS OF THE FROST. (63)
By Hannah Flagg Gould, who was born at Lancaster, Vermont, in 1789. She
published several volumes of poems (one for children) and one collection
of prose articles, entitled "Gathered Leaves." She died in 1865.
1. The Frost looked forth one still, clear night,
And whispered, "Now I shall be out of sight;
So through the valley and over the height
In silence I'll take my way;
I will not go on, like that blustering train,
The wind and the snow, the hail and the rain,
Who make so much bustle and noise in vain,
But I'll be as busy as they."
2. Then he flew to the mountain, and powdered its crest;
He lit on the trees, and their boughs he dressed
In diamond beads; and over the breast
Of the quivering lake, he spread
A coat of mail, that it need not fear
The downward point of many a spear,
That he hung on its margin, far and near,
Where a rock could rear its head.
3. He went to the windows of those who slept,
And over each pane, like a fairy, crept;
Wherever he breathed, wherever he stepped,
By the light of the morn were seen
Most beautiful things; there were flowers and trees;
There were bevies of birds, and swarms of bees;
There were cities with temples and towers, and these
All pictured in silver sheen.
4. But he did one thing that was hardly fair;
He peeped in the cupboard, and, finding there
That all had forgotten for him to prepare,
"Now just to set them a-thinking,
I'll bite this basket of fruit," said he,
"This costly pitcher I'll burst in three;
And the glass of water they've left for me
Shall 'tchick!' to tell them I'm drinking."
DEFINITIONS.--l. Blus'ter-ing, being noisy and loud. Bus'tle, stir. 2.
Crest, the top. Quiv'er-ing, trembling, shaking. Mar'gin, edge, border. 3.
Bev'ies, flocks. Pic'tured, painted. Sheen, brightness, splendor of
appearance.
EXERCISES.--What did the frost say? What did he do to the mountain? The
trees? The lake? What is a "coat of mail"? What did he do to the window?
The pitcher?
XXI. WASTE NOT, WANT NOT. (64)
1. Mr. Jones. Boys, if you have nothing to do, will you unpack these
parcels for me?
2. The two parcels were exactly alike, both of them well tied up with good
whipcord. Ben took his parcel to the table, and began to examine the knot,
and then to untie it.
3. John took the other parcel, and tried first at one corner, and then at
the other, to pull off the string. But the cord had been too well secured,
and he only drew the knots tighter.
4. John. I wish these people would not tie up their parcels so tightly, as
if they were never to be undone. Why, Ben, how did you get yours undone?
What is in your parcel? I wonder what is in mine! I wish I could get the
string off. I will cut it.
5. Ben. Oh, no, do not cut it, John! Look, what a nice cord this is, and
yours is the same. It is a pity to cut it.
6. John. Pooh! what signifies a bit of pack thread?
7. Ben. It is whipcord.
8. John. Well, whipcord then! what signifies a bit of whipcord? You can
get a piece of whipcord twice as long as that for three cents; and who
cares for three cents? Not I, for one. So, here it goes.
9. So he took out his knife, and cut it in several places.
10. Mr. Jones. Well, my boys, have you undone the parcels for me?
11. John. Yes, sir; here is the parcel.
12. Ben. And here is my parcel, father, and here is also the string.
13. Mr. Jones. You may keep the string, Ben.
14. Ben. Thank you, sir. What excellent whipcord it is!
15. Mr. Jones. And you, John, may keep your string, too, if it will be of
any use to you.
16. John. It will be of no use to me, thank you, sir.
17. Mr. Jones. No, I am afraid not, if this is it.
18. A few weeks after this, Mr. Jones gave each of his sons a new top.
19. John. How is this, Ben? These tops have no strings. What shall we do
for strings?
20. Ben. I have a string that will do very well for mine. And he pulled it
out of his pocket.
21. John. Why, if that is not the whipcord! I wish I had saved mine.
22. A few days afterward, there was a shooting match, with bows and
arrows, among the lads. The prize was a fine bow and arrows, to be given
to the best marksman. "Come, come," said Master Sharp, "I am within one
inch of the mark. I should like to see who will go nearer."
23. John drew his bow, and shot. The arrow struck within a quarter of an
inch of Master Sharp's. "Shoot away," said Sharp; "but you must understand
the rules. We settled them before you came. You are to have three shots
with your own arrows. Nobody is to borrow or lend. So shoot away."
24. John seized his second arrow; "If I have any luck," said he;--but just
as he pronounced the word "luck," the string broke, and the arrow fell
from his hands.
25. Master Sharp. There! It is all over with you.
26. Ben. Here is my bow for him, and welcome.
27. Master Sharp. No, no, sir; that is not fair. Did you not hear the
rules? There is to be no lending.
28. It was now Ben's turn to make his trial. His first arrow missed the
mark; the second was exactly as near as John's first. Before venturing the
last arrow, Ben very prudently examined the string of his bow; and, as he
pulled it to try its strength, it snapped.
29. Master Sharp clapped his hands and danced for joy. But his dancing
suddenly ceased, when careful Ben drew out of his pocket an excellent
piece of cord, and began to tie it to the bow.
30. "The everlasting whipcord, I declare!" cried John. "Yes," said Ben, "I
put it in my pocket today, because I thought I might want it."
31. Ben's last arrow won the prize; and when the bow and arrows were
handed to him, John said, "How valuable that whipcord has been to you,
Ben. I'll take care how I waste anything hereafter."
DEFINITIONS,--2. Ex-am'ine, to look at carefully. 6. Sig'ni--fies, to be
important. 22. Marks'man, one who shoots well. 28. Pru'dent-ly, with
proper caution. 29. Ceased, stopped. 30. Ev--er-last'ing, lasting always.
EXERCISES.--What is this lesson designed to teach? Which of the boys
preserved his whipcord? What good did it do him? What did the other boy do
with his? What was the consequence? What did he learn from it?
XXII. JEANNETTE AND JO. (67)
By Mary Mapes Dodge, who was born in New York City in 1838. She is the
editor of the "St. Nicholas" magazine, and has written many stories for
children.
1. Two girls I know--Jeannette and Jo,
And one is always moping;
The other lassie, come what may,
Is ever bravely hoping.
2. Beauty of face and girlish grace
Are theirs, for joy or sorrow;
Jeannette takes brightly every day,
And Jo dreads each to-morrow.
3. One early morn they watched the dawn--
I saw them stand together;
Their whole day's sport, 't was very plain,
Depended on the weather.
4. "'T will storm!" cried Jo. Jeannette spoke low;
"Yes, but 't will soon be over."
And, as she spoke, the sudden shower
Came, beating down the clover.
5. "I told you so!" cried angry Jo:
"It always is a-raining!"
Then hid her face in dire despair,
Lamenting and complaining.
6. But sweet Jeannette, quite hopeful yet,--
I tell it to her honor,--
Looked up and waited till the sun
Came streaming in upon her.
7. The broken clouds sailed off in crowds,
Across a sea of glory.
Jeannette and Jo ran, laughing, in--
Which ends my simple story.
8. Joy is divine. Come storm, come shine,
The hopeful are the gladdest;
And doubt and dread, children, believe
Of all things are the saddest.
9. In morning's light, let youth be bright;
Take in the sunshine tender;
Then, at the close, shall life's decline
Be full of sunset splendor.
10. And ye who fret, try, like Jeannette,
To shun all weak complaining;
And not, like Jo, cry out too soon--
"It always is a-raining!"
XXIII. THE LION. (69)
1. The lion is often called the "king of beasts," His height varies from
three to four feet, and he is from six to nine feet long. His coat is of
it yellowish brown or tawny color, and about his neck is a great shaggy
mane which gives his head a majestic appearance.
2. The strength of the lion is so great that he can easily crush the
skulls of such animals as the horse or ox with one blow of his paw. No one
who has not seen the teeth of a full grown lion taken out of their sockets
can have any idea of their real size; one of them forms a good handful,
and might easily be mistaken for a small elephant's tooth.
3. The home of the lion is in the forests of Asia and Africa, where he is
a terror to man and beast. He generally lies concealed during the day, but
as darkness comes on he prowls about where other animals are accustomed to
go for food or drink, and springs upon them unawares, with a roar that
sounds like the rumble of thunder.
4. The lion sometimes lives to a great age. One by the name of Pompey died
at London, in the year 1760, at the age of seventy years. If taken when
young the lion can be tamed, and will even show marks of kindness to his
keeper.
5. In a menagerie at Brussels, there was a cell where a large lion, called
Danco, used to be kept. The cell happened to be in need of repair, and the
keeper, whose name was William, desired a carpenter to come and mend it.
The carpenter came, but was so afraid of the lion, that he would not go
near the cell alone.
6. So William entered the cell, and led the lion to the upper part of it,
while the other part was refitting. He played with the lion for some time;
but, at last, being wearied, both he and the lion fell asleep. The
carpenter went on with his work, and when he had finished he called out
for William to come and see it.
7. He called again and again, but no William answered. The poor carpenter
began to be frightened, lest the lion had made his dinner of the keeper,
or else crushed him with his great paws. He crept round to the upper part
of the cell, and there, looking through the railing, he saw the lion and
William sleeping side by side as contentedly as two little brothers.
8. He was so astonished that he uttered a loud cry. The lion, awakened by
the noise, stared at the carpenter with an eye of fury, and then placing
his paw on the breast of his keeper, as if to say, "Touch him if you
dare," the heroic beast lay down to sleep again. The carpenter was
dreadfully alarmed, and, not knowing how he could rouse William, he ran
out and related what he had seen.
9. Some people came, and, opening the door of the cell, Contrived to
awaken the keeper, who, rubbing his eyes, quietly looked around him, and
expressed himself very well satisfied with his nap. He took the lion's
paw, shook it kindly, and then retired uninjured from the cell.
DEFINITIONS.--l. Ma-jes'tic, royal, noble. 3. Prowls, wanders in search of
prey. Un-a-wares', unexpectedly. Rum'ble, a low heavy sound. 5.
Men-ag'er-ie, a collection of wild animals. 6. Re-fit'ting, repairing. 8.
He-ro'-ic, bold.
EXERCISES.--Describe the lion's appearance. What is said of his strength?
His teeth? Describe the lion's home and habits. To what age do lions live?
Can they be tamed? Relate the story about the lion Danco.
XXIV. STRAWBERRIES. (71)
By John Townsend Trowbridge, who was born at Ogden, N. Y., in 1827. He is
a well-known author, and has written much for children both in poetry and
prose.
1. Little Pearl Honeydew, six years old,
From her bright ear parted the curls of gold;
And laid her head on the strawberry bed,
To hear what the red-cheeked berries said.
2. Their cheeks were blushing, their breath was sweet,
She could almost hear their little hearts beat;
And the tiniest, lisping, whispering sound
That ever you heard, came up from the ground.
3. "Little friends," she said, "I wish I knew
How it is you thrive on sun and dew!"
And this is the story the berries told
To little Pearl Honeydew, six years old.
4. "You wish you knew? And so do we.
But we can't tell you, unless it be
That the same Kind Power that cares for you
Takes care of poor little berries, too.
5. "Tucked up snugly, and nestled below
Our coverlid of wind-woven snow,
We peep and listen, all winter long,
For the first spring day and the bluebird's song.
6. "When the swallows fly home to the old brown shed,
And the robins build on the bough overhead,
Then out from the mold, from the darkness and cold,
Blossom and runner and leaf unfold.
7. "Good children, then, if they come near,
And hearken a good long while, may hear
A wonderful tramping of little feet,--
So fast we grow in the summer heat.
8. "Our clocks are the flowers; and they count the hours
Till we can mellow in suns and showers,
With warmth of the west wind and heat of the south,
A ripe red berry for a ripe red month.
9. "Apple blooms whiten, and peach blooms fall,
And roses are gay by the garden wall,
Ere the daisy's dial gives the sign
That we may invite little Pearl to dine.
10. "The days are longest, the month is June,
The year is nearing its golden noon,
The weather is fine, and our feast is spread
With a green cloth and berries red.
11. "Just take us betwixt your finger and thumb,
And quick, oh, quick! for, see! there come
Tom on all fours, and Martin the man,
And Margaret, picking as fast as they can.
12. "Oh, dear! if you only knew how it shocks
Nice berries like us to be sold by the box,
And eaten by strangers, and paid for with pelf,
You would surely take pity, and eat us yourself!"
13. And this is the story the small lips told
To dear Pearl Honeydew, six years old,
When she laid her head on the strawberry bed
To hear what the red-cheeked berries said.
DEFINITIONS.--3. Thrive, to grow well, to flourish. 5. Nes'tled, gathered
closely together. 6. Mold, fine, soft earth. Run'ner, a slender branch
running along the ground. 8. Mel'low, to ripen. 9. Di'al, the face of a
timepiece. 10. Feast, a festive or joyous meal, a banquet. 12. Pelf,
money.
EXERCISES.--What did little Pearl ask of the strawberries? What did they
reply? Can you tell what name is given to this kind of story?
XVV. HARRY'S RICHES. (74)
1. One day, our little Harry spent the morning with his young playmate,
Johnny Crane, who lived in a fine house, and on Sundays rode to church in
the grandest carriage to be seen in all the country round.
2. When Harry returned home, he said, "Mother, Johnny has money in both
pockets!"
3. "Has he, dear?"
4. "Yes, ma'am; and he says he could get ever so much more if he wanted
it."
5. "Well, now, that's very pleasant for him," I returned, cheerfully, as a
reply was plainly expected. "Very pleasant; don't you think so?"
6. "Yes, ma'am; only--"
7. "Only what, Harry?"
8. "Why, he has a big popgun, and a watch, and a hobbyhorse, and lots of
things." And Harry looked up at my face with a disconsolate stare.
9. "Well, my boy, what of that?"
10. "Nothing, mother," and the telltale tears sprang to his eyes, "only I
guess we are very poor, aren't we?"
11. "No, indeed, Harry, we are very far from being poor. We are not so
rich as Mr. Crane's family, if that is what you mean."
12. "O mother!" insisted the little fellow, "I do think we are very poor;
anyhow, I am!"
13. "O Harry!" I exclaimed, reproachfully.
14. "Yes, ma'am I am," he sobbed; "I have scarcely any thing--I mean
anything that's worth money--except things to eat and wear, and I'd have
to have them anyway."
15. "Have to have them?" I echoed, at the same time laying my sewing upon
the table, so that I might reason with him on that point; "do you not
know, my son--"
16. Just then Uncle Ben looked up from the paper he had been reading:
"Harry," said he, "I want to find out something about eyes; so, if you
will let me have yours, I will give you a dollar apiece for them."
17. "For my eyes!" exclaimed Harry, very much astonished.
18. "Yes," resumed Uncle Ben, quietly, "for your eyes. I will give you
chloroform, so it will not hurt you in the least, and you shall have a
beautiful glass pair for nothing, to wear in their place. Come, a dollar
apiece, cash down! What do you say? I will take them out as quick as a
wink."
19. "Give you my eyes, uncle!" cried Harry, looking wild at the very
thought, "I think not." And the startled little fellow shook his head
defiantly.
20. "Well, five, ten, twenty dollars, then." Harry shook his head at every
offer.
21. "No, sir! I wouldn't let you have them for a thousand dollars! What
could I do without my eyes? I couldn't see mother, nor the baby, nor the
flowers, nor the horses, nor anything," added Harry, growing warmer and
warmer.
22. "I will give you two thousand," urged Uncle Ben, taking a roll of bank
notes out of his pocket. Harry, standing at a respectful distance, shouted
that he never would do any such thing.
23. "Very well," continued the uncle, with a serious air, at the same time
writing something in his notebook, "I can't afford to give you more than
two thousand dollars, so I shall have to do without your eyes; but," he
added, "I will tell you what I will do, I will give you twenty dollars if
you will let me put a few drops from this bottle in your ears. It will not
hurt, but it will make you deaf. I want to try some experiments with
deafness, you see. Come quickly, now! Here are the twenty dollars all
ready for you."
24. "Make me deaf!" shouted Harry, without even looking at the gold pieces
temptingly displayed upon the table. "I guess you will not do that,
either. Why, I couldn't hear a single word if I were deaf, could I?"
25. "Probably not," replied Uncle Ben. So, of course, Harry refused again.
He would never give up his hearing, he said, "no, not for three thousand
dollars."
26. Uncle Ben made another note in his book, and then came out with large
bids for "a right arm," then "left arm," "hands," "feet," "nose," finally
ending with an offer of ten thousand dollars for "mother," and five
thousand for "the baby."
27. To all of these offers Harry shook his head, his eyes flashing, and
exclamations of surprise and indignation bursting from his lips. At last,
Uncle Ben said he must give up his experiments, for Harry's prices were
entirely too high.
28. "Ha! ha!" laughed the boy, exultingly, and he folded his dimpled arms
and looked as if to say, "I'd like to see the man who could pay them!"
29. "Why, Harry, look here!" exclaimed Uncle Ben, peeping into his
notebook, "here is a big addition sum, I tell you!" He added the numbers,
and they amounted to thirty-two thousand dollars.
30. "There, Harry," said Uncle Ben, "don't you think you are foolish not
to accept some of my offers?" "No, sir, I don't," answered Harry,
resolutely. "Then," said Uncle Ben, "you talk of being poor, and by your
own showing you have treasures for which you will not take thirty-two
thousand dollars. What do you say to that?"
31. Harry didn't know exactly what to say. So he blushed for a second, and
just then tears came rolling down his cheeks, and he threw his chubby arms
around my neck. "Mother," he whispered, "isn't God good to make everybody
so rich?"
DEFINITIONS.--8. Dis-con'so-late, filled with grief. 13.
Re-proach'ful-ly, with censure or reproof. 18. Chlo're-form, an oily
liquid, the vapor of which causes insensibility. 19. Startled, shocked.
De-fi'ant-ly, daringly. 23. Af-ford', to be able to pay for.
Ex-per'i-ments, acts performed to discover some truth. 27.
Ex-cla-ma'tions, expressions of surprise, anger, etc. 28. Ex-ult'ing-ly,
in a triumphant manner. 30. Treas'ures, things which are very much valued.
XXVI. IN TIME'S SWING. (77)
By Lucy Larcom.
1. Father Time, your footsteps go
Lightly as the falling snow.
In your swing I'm sitting, see!
Push me softly; one, two; three,
Twelve times only. Like a sheet,
Spread the snow beneath my feet.
Singing merrily, let me swing
Out of winter into spring.
2. Swing me out, and swing me in!
Trees are bare, but birds begin
Twittering to the peeping leaves,
On the bough beneath the eaves.
Wait,--one lilac bud I saw.
Icy hillsides feel the thaw.
April chased off March to-day;
Now I catch a glimpse of May.
3. Oh, the smell of sprouting grass!
In a blur the violets pass.
Whispering from the wildwood come
Mayflower's breath and insect's hum.
Roses carpeting the ground;
Thrushes, orioles, warbling sound:--
Swing me low, and swing me high,
To the warm clouds of July.
4. Slower now, for at my side
White pond lilies open wide.
Underneath the pine's tall spire
Cardinal blossoms burn like fire.
They are gone; the golden-rod
Flashes from the dark green sod.
Crickets in the grass I hear;
Asters light the fading year.
5. Slower still! October weaves
Rainbows of the forest leaves.
Gentians fringed, like eyes of blue,
Glimmer out of sleety dew.
Meadow green I sadly miss:
Winds through withered sedges hiss.
Oh, 't is snowing, swing me fast,
While December shivers past!
6. Frosty-bearded Father Time,
Stop your footfall on the rime!
Hard you push, your hand is rough;
You have swung me long enough.
"Nay, no stopping," say you? Well,
Some of your best stories tell,
While you swing me--gently, do!--
From the Old Year to the New.
DEFINITIONS.--2. Twit'ter-ing, making a succession of small, chirping
noises. Glimpse, a short, hurried view. 3. Blur, a dim, confused
appearance. 6. Rime, whitefrost, hoarfrost.
XXVII. HARRY AND HIS DOG. (79)
1. "Beg, Frisk, beg," said little Harry, as he sat on an inverted basket,
at his grandmother's door, eating, with great satisfaction, a porringer of
bread and milk. His little sister Annie, who had already dispatched her
breakfast, sat on the ground opposite to him, now twisting her flowers
into garlands, and now throwing them away.
2. "Beg, Frisk, beg!" repeated Harry, holding a bit of bread just out of
the dog's reach; and the obedient Frisk squatted himself on his hind legs,
and held up his fore paws, waiting for master Harry to give him the
tempting morsel.
3. The little boy and the little dog were great friends. Frisk loved him
dearly, much better than he did anyone else; perhaps, because he
recollected that Harry was his earliest and firmest friend during a time
of great trouble.
4. Poor Frisk had come as a stray dog to Milton, the place where Harry
lived. If he could have told his own story, it would probably have been a
very pitiful one, of kicks and cuffs, of hunger and foul weather.
5. Certain it is, he made his appearance at the very door where Harry was
now sitting, in miserable plight, wet, dirty, and half starved; and that
there he met Harry, who took a fancy to him, and Harry's grandmother, who
drove him off with a broom.
6. Harry, at length, obtained permission for the little dog to remain as a
sort of outdoor pensioner, and fed him with stray bones and cold potatoes,
and such things as he could get for him. He also provided him with a
little basket to sleep in, the very same which, turned up, afterward
served Harry for a seat.
7. After a while, having proved his good qualities by barking away a set
of pilferers, who were making an attack on the great pear tree, he was
admitted into the house, and became one of its most vigilant and valued
inmates. He could fetch or carry either by land or water; would pick up a
thimble or a ball of cotton, if little Annie should happen to drop them;
or take Harry's dinner to school for him with perfect honesty.
8. "Beg, Frisk, beg!" said Harry, and gave him, after long waiting, the
expected morsel. Frisk was satisfied, but Harry was not. The little boy,
though a good-humored fellow in the main, had turns of naughtiness, which
were apt to last him all day, and this promised to prove one of his worst.
It was a holiday, and in the afternoon his cousins, Jane and William, were
to come and see him and Annie; and the pears were to be gathered, and the
children were to have a treat.
9. Harry, in his impatience, thought the morning would never be over. He
played such pranks--buffeting Frisk, cutting the curls off of Annie's
doll, and finally breaking his grandmother's spectacles--that before his
visitors arrived, indeed, almost immediately after dinner, he contrived to
be sent to bed in disgrace.
10. Poor Harry! there he lay, rolling and kicking, while Jane, and
William, and Annie were busy about the fine, mellow Windsor pears. William
was up in the tree, gathering and shaking; Annie and Jane catching them in
their aprons, and picking them up from the ground; now piling them in
baskets, and now eating the nicest and ripest; while Frisk was barking
gayly among them, as if he were catching Windsor pears, too!
11. Poor Harry! He could hear all this glee and merriment through the open
window as he lay in bed. The storm of passion having subsided, there he
lay weeping and disconsolate, a grievous sob bursting forth every now and
then, as he heard the loud peals of childish laughter, and as he thought
how he should have laughed, and how happy he should have been, had he not
forfeited all this pleasure by his own bad conduct.
12. He wondered if Annie would not be so good-natured as to bring him a
pear. All on a sudden, he heard a little foot on the stair, pitapat, and
he thought she was coming. Pitapat came the foot, nearer and nearer, and
at last a small head peeped, half afraid, through the half-open door.
13. But it was not Annie's head; it was Frisk's--poor Frisk, whom Harry
had been teasing and tormenting all the morning, and who came into the
room wagging his tail, with a great pear in his mouth; and, jumping upon
the bed, He laid it in the little boy's hand.
14. Is not Frisk a fine, grateful fellow? and does he not deserve a share
of Harry's breakfast, whether he begs for it or not? And little Harry will
remember from the events of this day that kindness, even though shown to a
dog, will always be rewarded; and that ill nature and bad temper are
connected with nothing but pain and disgrace.
DEFINITIONS.--l. In-vert'ed, turned upside down. Por'rin-ger, a small
metallic dish. 3. Rec-ol-lect'ed, brought back to mind. 5. Plight,
condition. 6. Pen'sion-er, one who is supported by others. 7. Pil'fer-ers,
those who steal little things. Vig'i-lant, watchful. Intimates, those
living in the same house. 8. Holiday, a day of amusement. 9. Buf'fet-ing,
striking with the hand. 11. Sub-sid'ed, become quiet. For'feit-ed, lost.
14. Con-nect'ed, united, have a close relation.
XXVIII. THE VOICE OF THE GRASS. (83)
By Sarah Roberts.
1. Here I come, creeping, creeping, everywhere;
By the dusty roadside,
On the sunny hillside,
Close by the noisy brook,
In every shady nook,
I come creeping, creeping, everywhere.
2. Here I come, creeping, creeping everywhere;
All round the open door,
Where sit the aged poor,
Here where the children play,
In the bright and merry May,
I come creeping, creeping, everywhere.
3. Here I come, creeping, creeping, everywhere;
You can not see me coming,
Nor hear my low, sweet humming,
For in the starry night,
And the glad morning light,
I come, quietly creeping, everywhere.
4. Here I come, creeping, creeping, everywhere;
More welcome than the flowers,
In summer's pleasant hours;
The gentle cow is glad,
And the merry birds not sad,
To see me creeping, creeping, everywhere.
5. Here I come, creeping, creeping, everywhere;
When you're numbered with the dead,
In your still and narrow bed,
In the happy spring I'll come,
And deck your narrow home,
Creeping, silently creeping, everywhere.
6. Here I come, creeping, creeping, everywhere;
My humble song of praise,
Most gratefully I raise,
To Him at whose command
I beautify the land,
Creeping, silently creeping, everywhere.
XXIX. THE EAGLE. (84)
1. The eagle seems to enjoy a kind of supremacy over the rest of the
inhabitants of the air. Such is the loftiness of his flight, that he often
soars in the sky beyond the reach of the naked eye, and such is his
strength that he has been known to carry away children in his talons. But
many of the noble qualities imputed to him are rather fanciful than true.
2. He has been described as showing a lofty independence, which makes him
disdain to feed on anything that is not slain by his own strength. But
Alexander Wilson, the great naturalist, says that he has seen an eagle
feasting on the carcass of a horse. The eagle lives to a great age. One at
Vienna is stated to have died after a confinement of one hundred and four
years.
3. There are several species of the eagle. The golden eagle, which is one
of the largest, is nearly four feet from the point of the beak to the end
of the tail. He is found in most parts of Europe, and is also met with in
America. High rocks and ruined and lonely towers are the places which he
chooses for his abode. His nest is composed of sticks and rushes. The tail
feathers are highly valued as ornaments by the American Indians.
4. The most interesting species is the bald eagle, as this is an American
bird, and the adopted emblem of our country. He lives chiefly upon fish,
and is found in the neighborhood of the sea, and along the shores and
cliffs of our large lakes and rivers.
5. According to the description given by Wilson, he depends, in procuring
his food, chiefly upon the labors of others. He watches the fish hawk as
he dives into the sea for his prey, and darting down upon him as he rises,
forces him to relinquish his victim, and then seizes it before it again
reaches the water.
6. One of the most notable species is the harpy eagle. This is said to be
bold and strong, and to attack beasts, and even man himself. He is fierce,
quarrelsome, and sullen, living alone in the deepest forests. He is found
chiefly in South America.
XXX. THE OLD EAGLE TREE. (86)
1. In a distant field, stood a large tulip tree, apparently of a century's
growth, and one of the most gigantic. It looked like the father of the
surrounding forest. A single tree of huge dimensions, standing all alone,
is a sublime object.
2. On the top of this tree, an old eagle, commonly called the "Fishing
Eagle," had built her nest every year, for many years, and, undisturbed,
had raised her young. A remarkable place to choose, as she procured her
food from the ocean, and this tree stood full ten miles from the seashore.
It had long been known as the "Old Eagle Tree."
3. On a warm, sunny day, the workmen were hoeing corn in an adjoining
field. At a certain hour of the day, the old eagle was known to set off
for the seaside, to gather food for her young. As she this day returned
with a large fish in her claws, the workmen surrounded the tree, and, by
yelling and hooting, and throwing stones, so scared the poor bird that she
dropped her fish, and they carried it off in triumph.
4. The men soon dispersed, but Joseph sat down under a hush near by, to
watch, and to bestow unavailing pity. The bird soon returned to her nest,
without food. The eaglets at once set up a cry for food, so shrill, so
clear, and so clamorous that the boy was greatly moved.
5. The parent bird seemed to try to soothe them; but their appetites were
too keen, and it was all in vain. She then perched herself on a limb near
them, and looked down into the nest in a manner that seemed to say, "I
know not what to do next."
6. Her indecision was but momentary; again she poised herself, uttered one
or two sharp notes, as if telling them to a "lie still," balanced her
body, spread her wings, and was away again for the sea.
7. Joseph was determined to see the result. His eye followed her till she
grew small, smaller, a mere speck in the sky, and then disappeared. What
boy has not thus watched the flight of the bird of his country!
8. She was gone nearly two hours, about double her usual time for a
voyage, when she again returned, on a slow, weary wing, flying uncommonly
low, in order to have a heavier atmosphere to sustain her, with another
fish in her talons.
9. On nearing the field, she made a circuit round it, to see if her
enemies were again there. Finding the coast clear, she once more reached
the tree, drooping, faint, and weary, and evidently nearly exhausted.
Again the eaglets set up their cry, which was soon hushed by the
distribution of a dinner, such as, save the cooking, a king might admire.
10. "Glorious bird!" cried the boy, "what a spirit!" Other birds can fly
more swiftly, others can sing more sweetly, others scream more loudly; but
what other bird, when persecuted and robbed, when weary, when discouraged,
when so far from the sea, would do this?
11. "Glorious bird! I will learn a lesson from thee to-day. I will never
forget, hereafter, that when the spirit is determined it can do almost
anything. Others would have drooped, and hung the head, and mourned over
the cruelty of man, and sighed over the wants of the nestlings; but thou,
by at once recovering the loss, hast forgotten all."
12. "I will learn of thee, noble bird! I will remember this. I will set my
mark high. I will try to do something, and to be something in the world; I
will never yield to discouragements."
DEFINITIONS.--l. Cen'tu-ry, the space of a hundred years. Gi-gan'tic, very
large. Di-men'sions, size. Sub-lime', grand, noble. 4. Dis-persed',
scattered. Un-a-vail'ing, useless. Ea'glets, young eagles. Clam'or-ous,
loud, noisy. 6. In-de-ci'sion, want of fixed purpose. Mo'men-ta-ry, for a
single moment. 9. Cir'cuit, movement round in a circle. Ex-haust'ed,
wholly tired. 11. Nes'-tlings, young birds in the nest.
EXERCISES.--Relate the story of the "Old Eagle Tree." What lesson was
taught the boy who watched the eagle's actions?
XXXI. ALPINE SONG. (88)
William W. Story, the author, was born in Salem, Mass.,
In 1819. His writings in poetry and prose are well known, and he also
gained distinction in his profession as a sculptor. He died in 1895.
1. With alpenstock and knapsack light,
I wander o'er hill and valley;
I climb the snow peak's flashing height,
And sleep in the sheltered chalet,--
Free in heart--happy and free--
This is the summer life for me.
2. The city's dust I leave behind
For the keen, sweet air of the mountain,
The grassy path by the wild rose lined,
The gush of the living fountain,--
Free in heart--happy and free--
This is the summer life for me.
3. High above me snow clouds rise,
In the early morning gleaming;
And the patterned valley beneath me lies
Softly in sunshine dreaming,--
Free in heart--happy and free--
This is the summer life for me.
4. The bells of wandering herds I list,
Chiming in upland meadows;
How sweet they sound, as I lie at rest
Under the dark pine shadows--
Glad in heart--happy and free--
This is the summer life for me.
DEFINITIONS.--l. Al'pen-stock, a long staff, pointed with iron, used in
traveling among the Alps. Knap'sack, a leather sack for carrying food or
clothing, borne on the back. Cha-let' (pro. sha-la'), a mountain hut. 2.
Gush, a rapid outflowing. 3. Pat'terned, marked off in figures or
patterns. 4. List, hearken to.
XXXII. CIRCUMSTANCES ALTER CASES. (89)
1. Derby. Good morning, neighbor Scrapewell. I have half a dozen miles to
ride to-day, and shall be extremely obliged if you will lend me your gray
mare.
2. Scrapewell. It would give me great pleasure to oblige you, friend
Derby; but I am under the necessity of going to the mill this very
morning, with a bag of corn. My wife wants the meal to-day, and you know
what a time there'll be if I disappoint her.
3. D. Then she must want it still, for I can assure you the mill does not
go to-day. I heard the miller tell Will Davis that the water was too low.
4. S. You don't say so! That is bad, indeed; for in that case I shall be
obliged to gallop off to town for the meal. My wife would comb my head for
me if I should neglect it.
5. D. I can save you this journey, for I have plenty of meal at home, and
will lend your wife as much as she wants.
6. S. Ah! neighbor Derby, I am sure your meal would never suit my wife.
You can't conceive how whimsical she is.
7. D. If she were ten times more whimsical than she is, I
am certain she would like it; for you sold it to me yourself,
and you assured me it was the best you ever had.
8. S. Yes, yes! that's true, indeed; I always have the best of
everything. You know, neighbor Derby, that no one is more
ready to oblige a friend than I am; but I must tell you the
mare this morning refused to eat hay; and, truly, I am afraid
she will not carry you.
9. D. Oh, never fear! I will feed her well with oats on the road.
10. S. Oats! neighbor; oats are very dear.
11. D. Never mind that. When I have a good job in view, I never stand for
trifles.
12. S. But it is very slippery; and I am really afraid she will fall and
break your neck.
13. D. Give yourself no uneasiness about that. The mare is certainly
sure-footed; and, besides, you were just now talking of galloping her to
town.
14. S. Well, then, to tell you the plain truth, though I wish to oblige
you with all my heart, my saddle is torn quite in pieces, and I have just
sent my bridle to be mended.
15. D. Luckily, I have both a bridle and a saddle hanging up at home.
16. S. Ah! that may be; but I am sure your saddle will never fit my mare.
She's very notional.
17. D. Why, then I'll borrow neighbor Clodpole's.
18. S. Clodpole's! his will no more fit than yours.
19. D. At the worst, then, I will go to my good friend, Squire Jones. He
has half a score of them; and I am sure he will lend me one that will fit
her.
20. S. You know, friend Derby, that no one is more willing to oblige his
neighbors than I am. I do assure you the beast should be at your service,
with all my heart; but she has not been curried, I believe, for three
weeks past. Her foretop and mane want combing and cutting very much. If
anyone should see her in her present plight, it would ruin the sale of
her.
21. D. Oh, a horse is soon curried, and my son Sam shall attend to it at
once.
22. S. Yes, very likely; but I this moment recollect the creature has no
shoes on.
23. D. Well, is there not a blacksmith hard by?
24. S. What, that tinker, Dobson? I would not trust such a bungler to
shoe a goat. No, no; none but uncle Tom Thumper shall shoe my mare.
25. D. As good luck will have it, then, I shall pass right by his door.
26. S. [Calling to his son.] Tim, Tim! here's neighbor Derby, who wants
the loan of the gray mare, to ride to town to-day. You know the skin was
rubbed off her back, last week, a hand's breadth or more. [Gives Tim a
wink.] However, I believe she is well enough by this time. You know, Tim,
how ready I am to oblige my neighbors; indeed, we ought to do all the good
we can in this world. We must certainly let neighbor Derby have her if she
will possibly answer his purpose. Yes, yes; I see plainly by Tim's
countenance, neighbor Derby, that he's disposed to oblige you. I would not
have refused you the mare for the worth of her. If I had, I should have
expected you to refuse me in turn. None of my neighbors can accuse me of
being backward in doing them a kindness whenever it is possible. Come,
Tim, what do you say?
27. Tim. What do I say, father? Why, sir, I say that I am no less ready
than you are to do a neighborly kindness. But the mare is by no means
capable of performing the journey. About a hand's breadth, did you say?
Why, sir, the skin is torn from the poor creature's back the bigness of
your broad-brimmed hat! And, besides, I have promised her, so soon as she
is able to travel, to Ned Saunders, to carry a load of apples to market.
28. S. Do you hear that, neighbor? I am very sorry matters are thus. I
would not have disobliged you for the price of two such mares. Believe me,
neighbor Derby, I am really sorry, for your sake, that matters turn out
thus.
29. D. And I as much for yours, neighbor Scrapewell; for to tell you the
truth I received a letter this morning from Mr. Griffin, who tells me if I
will be in town to-day he will give me the refusal of all that lot of
timber, which he is about cutting down, on the side of the hill; and I had
intended you should have shared half of it, which would have been not less
than fitly dollars in your pocket. But, as your--
30. S. Fifty dollars, did you say?
31. D. Ay, truly, did I; but as your mare is out of order, I'll go and see
if I can get old Roan, the blacksmith's horse.
32. S. Old Roan! My mare is at your service, neighbor, Here, Tim, tell Ned
Saunders he can't have the mare: neighbor Derby wants her; and I won't
refuse so good a friend anything he asks for.
33. D. But what are you to do for meal?
34. S. My wife can do without it for a week if you want the mare so long.
35. D. But, then, your saddle is all in pieces.
36. S. I meant the old one. I have bought a new one since, and you shall
have the first use of it.
37. D. And shall I call at Thumper's and get the mare shod?
38. S. No, no; I had forgotten to tell you that I let neighbor Dobson shoe
her, last week, by way of trial; and, to do him justice, he shoes
extremely well.
39. D. But, if the poor creature has lost so much skin from off her back--
40. S. Poh, poh! That is just one of Tim's large stories. I do assure you
it was not, at first, bigger than my thumb nail, and I am certain it has
not grown any since.
41. D. At least, however, let her have something she will eat, since she
refuses hay.
42. S. She did, indeed, refuse hay this morning; but the only reason was
that she was crammed full of oats. You have nothing to fear, neighbor; the
mare is in perfect trim; and she will skim you over the ground like a
bird. I wish you a good journey and a profitable job.
DEFINITIONS.--l. Ex-treme'ly, very much. 6. Whim'si-cal, full of whims.
20. Cur'ried, cleaned. Fore'top, hair on the forepart of the head. 24.
Bun'gler, a clumsy workman. 26. Dis-posed', inclined to, Back'ward, slow,
unwilling. 27. Ca'pa-ble, possessing ability. Per-form'ing, accomplishing.
29. Re-fus'al, choice of tak-ing. 42. Crammed, stuffed.
XXXIII. THE NOBLEST REVENGE. (94)
1. "I will have revenge on him, that I will, and make him heartily repent
it," said Philip to himself, with a countenance quite red with anger. His
mind was so engaged that he did not see Stephen, who happened at that
instant to meet him.
2. "Who is that," said Stephen, "on whom you intend to be revenged?"
Philip, as if awakened from a dream, stopped short, and looking at his
friend, soon resumed a smile that was natural to his countenance. "Ah,"
said he, "you remember my bamboo, a very pretty cane which was given me by
my father, do you not? Look! there it is in pieces. It was farmer
Robinson's son who reduced it to this worthless state."
3. Stephen very coolly asked him what had induced young Robinson to break
it. "I was walking peaceably along," replied he, "and was playing with my
cane by twisting it round my body. By accident, one of the ends slipped
out of my hand, when I was opposite the gate, just by the wooden bridge,
where the ill natured fellow had put down a pitcher of water, which he was
taking home from the well."
4. "It so happened that my cane, in springing back, upset the pitcher, but
did not break it. He came up close to me, and began to call me names, when
I assured him that what I had done had happened by accident, and that I
was sorry for it. Without regarding what I said, he instantly seized my
cane, and twisted it, as you see; but I will make him repent of it."
5. "To be sure," said Stephen, "he is a very wicked boy, and is already
very properly punished for being such, since nobody likes him or will have
anything to do with him. He can scarcely find a companion to play with
him; and is often at a loss for amusement, as he deserves to be. This,
properly considered, I think will appear sufficient revenge for you."
6. "All this is true," replied Philip, "but he has broken my cane. It was
a present from my father, and a very pretty cane it was. I offered to fill
his pitcher for him again, as I knocked it down by accident. I will be
revenged."
7. "Now, Philip;" said Stephen, "I think you will act better in not
minding him, as your contempt will be the best punishment you can inflict
upon him. Be assured, he will always be able to do more mischief to you
than you choose to do to him. And, now I think of it, I will tell you what
happened to him not long since."
8. "Very unluckily for him, he chanced to see a bee hovering about a
flower which he caught, and was going to pull off its wings out of sport,
when the animal stung him, and flew away in safety to the hive. The pain
put him into a furious passion, and, like you, he vowed revenge. He
accordingly procured a stick, and thrust it into the beehive."
9. "In an instant the whole swarm flew out, and alighting upon him stung
him in a hundred different places. He uttered the most piercing cries, and
rolled upon the ground in the excess of his agony. His father immediately
ran to him, but could not put the bees to flight until they had stung him
so severely that he was confined several days to his bed."
l0. "Thus, you see, he was not very successful in his pursuit of revenge.
I would advise you, therefore, to pass over his insult. He is a wicked
boy, and much stronger than you; so that your ability to obtain this
revenge may be doubtful."
11. "I must own," replied Philip, "that your advice seems very good. So
come along with me, and I will tell my father the whole matter, and I
think he will not be angry with me." They went, and Philip told his father
what had happened. He thanked Stephen for the good advice he had given his
son, and promised Philip to give him another cane exactly like the first.
12. A few days afterward, Philip saw this ill-natured boy fall as he was
carrying home a heavy log of wood, which he could not lift up again.
Philip ran to him, and helped him to replace it on his shoulder. Young
Robinson was quite ashamed at the thought of this unmerited kindness, and
heartily repented of his behavior. Philip went home quite satisfied.
"This," said he, "is the noblest vengeance I could take, in returning good
for evil. It is impossible I should repent of it."
DEFINITIONS.--l. Re-venge', return for an injury. Re-pent', to feel sorry
for. Coun'te-nance, the face. 2. Re-sumed', took again. 3. In-duced',
caused. 4. As-sured, declared positively. Re-gard'ing, noticing. 5.
Con-sid'ered, thought of care'fully. 7. Con-tempt', disdain, scorn.
In-flict', to impose, to put on. 8. Hov'er-ing, hanging over or about. 9.
Ag'o-ny, very great pain. 10. A-bil'i-ty, power.
EXERCISES.--What is revenge? Is it right to take revenge on those who
injure us? How should we treat such persons?
XXXIV. EVENING HYMN. (97)
1. Come to the sunset tree,
The day is past and gone;
The woodman's ax lies free,
And the reaper's work is done;
The twilight star to heaven,
And the summer dew to flowers,
And rest to us is given,
By the soft evening hours.
2. Sweet is the hour of rest,
Pleasant the woods' low sigh,
And the gleaming of the west,
And the turf whereon we lie,
When the burden and the heat
Of the laborer's task is o'er,
And kindly voices greet
The tired one at the door.
3. Yes, tuneful is the sound
That dwells in whispering boughs:
Welcome the freshness round,
And the gale that fans our brows;
But rest more sweet and still
Than ever the nightfall gave,
Our yearning hearts shall fill,
In the world beyond the grave.
4. There, shall no tempests blow,
Nor scorching noontide heat;
There, shall be no more snow,
No weary, wandering feet;
So we lift our trusting eyes
From the hills our fathers trod,
To the quiet of the skies,
To the Sabbath of our God.
XXXV. HOW MARGERY WONDERED. (99)
By Lucy Larcom.
1. One bright morning late in March, little Margery put on her hood and
her Highland plaid shawl, and went trudging across the beach. It was the
first time she had been trusted out alone, for Margery was a little girl;
nothing about her was large, except her round gray eyes, which had yet
scarcely opened upon half a dozen springs and summers.
2. There was a pale mist on the far-off sea and sky, and up around the sun
were white clouds edged with the hues of pinks and violets. The sunshine
and the mild air made Margery's very heart feel warm, and she let the soft
wind blow aside her Highland shawl, as she looked across the waters at the
sun, and wondered! For, somehow, the sun had never looked before as it did
to-day;--it seemed like a great golden flower bursting out of its
pearl-lined calyx,--a flower without a stem. Or was there a strong stem
away behind it in the sky, that reached down below the sea, to a root,
nobody could guess where?
3. Margery did not stop to puzzle herself about the answer to her
question, for now the tide, was coming in, and the waves, little at first,
but growing larger every moment, were crowding up along the sand and
pebbles, laughing, winking, and whispering, as they tumbled over each
other, like thousands of children hurrying home from somewhere, each with
its own precious little secret to tell.
4. Where did the waves come from? Who was down there under the blue wall
of the horizon, with the hoarse, hollow voice, urging and pushing them
across the beach at her feet? And what secret was it they were lisping to
each other with their pleasant voices? Oh, what was there beneath the sea,
and beyond the sea, so deep, so broad, and so dim, too, away off where the
white ships, that looked smaller than sea birds, were gliding out and in?
5. But while Margery stood still for a moment on a dry rock, and wondered,
there came a low, rippling warble to her ear from a cedar tree on the
cliff above her. It had been a long winter, and Margery had forgotten that
there were birds, and that birds could sing. So she wondered again what
the music was.
6. And when she saw the bird perched on a yellow-brown bough, she wondered
yet more. It was only a bluebird, but then it was the first bluebird
Margery had ever seen. He fluttered among the prickly twigs, and looked as
if he had grown out of them, as the cedar berries had, which were dusty
blue, the color of his coat. But how did the music get in his throat? And
after it was in his throat, how could it untangle itself, and wind itself
off so evenly? And where had the bluebird flown from, across the snow
banks down to the shore of the blue sea?
7. The waves sang a welcome to him, and he sang a welcome to the waves;
they seemed to know each other well; and the ripple and the warble sounded
so much alike, the bird and the wave must have both learned their music of
the same teacher. And Margery kept on wondering as she stepped between the
song of the bluebird and the echo of the sea, and climbed a sloping bank,
just turning faintly green in the spring sunshine.
8. The grass was surely beginning to grow! There were fresh, juicy shoots
running up among the withered blades of last year, as if in hopes of
bringing them back to life; and closer down she saw the sharp points of
new spears peeping from their sheaths. And scattered here and there were
small, dark green leaves folded around buds shut up so tightly that only
those who had watched them many seasons could tell what flowers were to be
let out of their safe prisons by and by. So no one could blame Margery for
not knowing that they were only common things, nor for stooping over the
tiny buds, and wondering.
9. What made the grass come up so green out of the black earth? And how
did the buds know when it was time to take off their little green hoods,
and see what there was in the world around them? And how came they to be
buds at all? Did they bloom in another world before they sprung up
here?--and did they know, themselves, what kind of flowers they should
blossom into? Had flowers souls, like little girls, that would live in
another world when their forms had faded away in this?
10. Margery thought she would like to sit down on the bank, and wait
beside the buds until they opened; perhaps they would tell her their
secret if the very first thing they saw was her eyes watching them. One
bud was beginning to unfold; it was streaked with yellow in little stripes
that she could imagine became wider every minute. But she would not touch
it, for it seemed almost as much alive as herself. She only wondered, and
wondered!
11. Margery heard her mother calling her, and she trudged home across the
shells and pebbles with a pleasant smile dimpling her cheeks; for she felt
very much at home in this large, wonderful world, and was happy to be
alive, although she neither could have told, nor cared to know, the reason
why. But when her mother unpinned the little girl's Highland shawl, and
took off her hood, she said, "O mother, do let me live on the doorstep! I
don't like houses to stay in. What makes everything so pretty and so glad?
Don't you like to wonder?"
12. Margery's mother was a good woman. But then there was all the
housework to do, and, if she had thoughts, she did not often let them
wander outside of the kitchen door. And just now she was baking some
gingerbread, which was in danger of getting burned in the oven. So she
pinned the shawl around the child's neck again, and left her on the
doorstep, saying to herself, as she returned to her work, "Queer child! I
wonder what kind of a woman she will be!"
13. But Margery sat on the doorstep, and wondered, as the sea sounded
louder, and the sunshine grew warmer around her. It was all so strange,
and grand, and beautiful! Her heart danced with joy to the music that went
echoing through the wide world from the roots of the sprouting grass to
the great golden blossom of the sun.
14. And when the round, gray eyes closed that night, at the first peep of
the stars, the angels looked down and wondered over Margery. For the
wisdom of the wisest being God has made, ends in wonder; and there is
nothing on earth so wonderful as the budding soul of a little child.
DEFINITIONS.-l. Trudg'ing, walking sturdily. 2. Hues, colors. Ca'lyx, the
outer covering of a flower. 4. Ho-ri'zon, the line where the sky and earth
seem to meet. 5. War'ble, a trill of the voice. Spears, shoots of grass.
Sheaths, coverings.
EXERCISES.--Name the things about which Margery
wondered. What did she wonder about each? What is still
more wonderful than all that at which Margery wondered?
XXXVI. THE CHILD'S WORLD. (103)
1. "Great, wide, beautiful, wonderful world,
With the wonderful water round you curled,
And the wonderful grass upon your breast,--
World, you are beautifully drest."
2. "The wonderful air is over me,
And the wonderful wind is shaking the tree;
It walks on the water, and whirls the mills,
And talks to itself on the tops of the hills."
3. "You friendly Earth! how far do you go
With the wheat fields that nod, and the rivers that flow;
With cities and gardens, and cliffs and isles,
And people upon you for thousands of miles?"
4. "Ah, you are so great, and I am so small,
I tremble to think of you, World, at all:
And yet, when I said my prayers, to-day,
A whisper inside me seemed to say,
You are more than the Earth, though you are such a dot:
You can love and think, and the Earth can not!'"
XXXVII. SUSIE'S COMPOSITION. (104)
1. Susie Smith came home from school one day, and had no sooner entered
the sitting room than she burst into tears. "What is the matter, my dear
child?" said her mother, drawing her daughter to her side and smiling.
2. "O mother, matter enough," sobbed Susie. "All our class must bring in
compositions to-morrow morning, and I never, never can write one. We must
write twelve lines at least, and I have written only a few words after
trying nearly all the afternoon. See what work I have made of it!"
3. Mrs. Smith took the rumpled, tear-stained paper which Susie held in her
hand, and glanced at what she had written. In a careful hand she had tried
to write upon three themes: "Time," "Temperance," and "Industry."
4. "Time is short. We should all improve our time." "Temperance is a very
useful thing." "We should all be industrious if we wish to do anything in
the world." These sentences were all she had written.
5. "Now," said Susie, "I can't think of another word to say upon any of
these subjects, and I know I shall have to go to school without a
composition, for I won't be so mean as to copy one from a book, or to ask
you or papa to write one for me."
6. "That is right, my dear," said her mother. "You will be far happier
with a poor composition, if it is all your own, than with a fine one
written by somebody else. But cheer up. You have not begun right--you have
been trying to write upon subjects that you know nothing about. Run into
the garden and play. I will call you in half an hour."
7. "But my composition," began Susie. "Don't think about your composition
while you are gone," said Mrs. Smith, "but have as pleasant a time as you
can."
8. It seemed but a few minutes to Susie before she heard her mother's
voice calling her. She went into the house at once--her hands full of
sweet flowers, and her cheeks rosy with exercise.
9. "Now, Susie," said her mother, "I want you to sit by the window with
this nice sheet of paper and a pencil, and write something about what you
can see." "But my composition, mother," said Susie; "when shall I begin
that?" "Never mind your composition, my dear; do this to please me, and we
will talk about that by and by."
10. Susie thought her mother's request was a strange one; but she knew
that she always had a good reason for everything she did: so she took the
paper and pencil, and sat by the window.
11. "Do not talk to me at all," said her mother. "Look out of the window,
and then write down your thoughts about everything you see."
12. Susie could not help laughing, it seemed such a funny thing to be
doing. As she looked out, she first saw the western sky and some bright,
sunset clouds. "O mother!" she exclaimed, "what a splendid sunset!" "Don't
talk," said her mother, "but write."
13. "I'll write about the sunset, then," said she, and the pencil began to
move rapidly across the paper. In a few moments she said, "Mother, shall I
read you what I have written?" "No, not now," answered her mother; "I am
going into the dining room. You may sit and write until I return."
14. As Susie went on writing, she became very much interested in her
occupation, and for a time forgot all about the dreaded composition. She
wrote about the sunset clouds, the appearance of the distant hills, the
trees, the river, the garden with its gay flowers, and the birds flying
past the window.
15. Just as she had reached the bottom of the page, her mother came in.
"Well, Susie," said she, with a smile, "how does that composition come
on?" "Composition!" exclaimed Susie; "you told me not to think about my
composition, and I have not thought of it once; I have had such a nice
time writing about what I could see from the window."
16. Mrs. Smith took the paper and read aloud what Susie had written: "I am
sitting on a low seat at the bay window, one half of which is open, so
that I can smell the sweet flowers in the garden. The sky is all bright
with sunset; I can see purple, and pink, and golden. I do not believe that
anyone on earth has a paint box with such lovely colors in it."
17. "I can see one cloud, far above the rest, that looks like a ship
sailing in the blue sea. I should like to sail on a cloud, if it would not
make me dizzy. Now, while I have been writing, the clouds have changed in
color and form, but they are just as beautiful as they were before."
18. "The green hills are tipped with light, and look as if they were
wearing golden crowns. I can see a river a great way off, and it looks
quite still, although I know it is running as fast as it can to get to the
ocean."
19. "The birds are flying past the window to go home and take care of
their little ones. I am glad the birds are not afraid to live in our
garden, and to build nests in our trees."
20. "Our garden is full of flowers--pinks, lilies, and roses. Mother calls
this the month of roses. My birthday will come in a week, and we can have
all the flowers we wish for wreaths and bouquets."
21. "There, Susie," said Mrs. Smith, "that is a very nice composition,
indeed." "A composition!" exclaimed Susie, "is that a composition?" "Yes,
my dear, and a very good one, too," replied her mother. "When it hasn't
even a subject?"
22. "We can find one for it, and I do not doubt it will please your
teacher, as it does me. You see, my dear," continued her mother, "that it
is easy enough to write if you have anything interesting to write about."
23. The next morning Susie copied her composition very neatly, and started
to school with a happy heart, saying, as she gave her mother a kiss, "Just
think how funny it is, dear mother, that I should have written so long a
composition without knowing it."
DEFINITIONS.--Com-po-si'tion, that which is thought out and arranged, a
written or literary work. 3. Rum'pled, wrinkled, creased. Themes, subjects
or topics on which a person writes. 10. Re-quest', that which is asked.
14. Oc-cu-pa'tion, that which employs the time. 20. Bou-quets' (pro.
boo-kas'), bunches of flowers.
EXERCISES.--What is a composition? Why was Susie so troubled? Why could
she not write about "Time," "Temperance," or "Industry"? What did her
mother have her do? What did Susie write? Was it a composition? Did she
know, at the time, that it was? What fault did she find with it? Can you
give her composition a proper subject?
XXXVIII. THE SUMMER SHOWER. (109)
The author, Thomas Buchanan Read, was born in Chester Co., Pa., March 12,
1822. His life was devoted to the fine arts, and he attained a high
reputation both as artist and poet. He died in New York, May 11, 1872.
1. Before the stout harvesters falleth the grain,
As when the strong stormwind is reaping the plain,
And loiters the boy in the briery lane;
But yonder aslant comes the silvery rain,
Like a long line of spears brightly burnished and tall.
2. Adown the white highway like cavalry fleet,
It dashes the dust with its numberless feet.
Like a murmurless school, in their leafy retreat,
The wild birds sit listening the drops round them beat;
And the boy crouches close to the blackberry wall.
3. The swallows alone take the storm on the wing,
And, taunting the tree-sheltered laborers, sing.
Like pebbles the rain breaks the face of the spring,
While a bubble darts up from each widening ring;
And the boy in dismay hears the loud shower fall.
4. But soon are the harvesters tossing their sheaves;
The robin darts out from his bower of leaves;
The wren peereth forth from the moss-covered eaves;
And the rain-spattered urchin now gladly perceives
That the beautiful bow bendeth over them all.
DEFINITIONS.--l. A-slant', toward one side. 2. High'way, a public road.
Re-treat', a place of refuge or safety, Crouch'es, stoops low. 3.
Taunt'ing, deriding, mocking. 4. Ur'chin, a child.
XXXIX. CONSEQUENCES OF IDLENESS. (110)
1. Many young persons seem to think it of not much consequence if they do
not improve their time well in youth, vainly expecting that they can make
it up by diligence when they are older. They also think it is disgraceful
for men and women to be idle, but that there can be no harm for persons
who are young to spend their time in any manner they please.
2. George Jones thought so. When he was twelve years old, he went to an
academy to prepare to enter college. His father was at great expense in
obtaining books for him, clothing him, and paying his tuition. But George
was idle. The preceptor of the academy would often tell him that if he did
not study diligently when young he would never succeed well.
3. But George thought of nothing but present pleasure. He would often go
to school without having made any preparation for his morning lesson; and,
when called to recite with his class, he would stammer and make such
blunders that the rest of the class could not help laughing at him. He was
one of the poorest scholars in the school, because he was one of the most
idle.
4. When recess came, and all the boys ran out of the academy upon the
playground, idle George would come moping along. Instead of studying
diligently while in school, he was indolent and half asleep. When the
proper time for play came, he had no relish for it. I recollect very well,
that, when "tossing up" for a game of ball, we used to choose everybody on
the playground before we chose George; and if there were enough without
him we used to leave him out. Thus he was unhappy in school and out of
school.
5. There is nothing which makes a person enjoy play so well as to study
hard. When recess was over, and the rest of the boys returned, fresh and
vigorous, to their studies, George might be seen lagging and moping along
to his seat. Sometimes he would be asleep in school; sometimes he would
pass his time in catching flies, and penning them up in little holes,
which he cut in his seat; and sometimes, when the preceptor's back was
turned, he would throw a paper ball across the room.
6. When the class was called up to recite, George would come drowsily
along, looking as mean and ashamed as though he were going to be whipped.
The rest of the class stepped up to the recitation with alacrity, and
appeared happy and contented. When it came George's turn to recite, he
would be so long in doing it, and make such blunders, that all most
heartily wished him out of the class.
7. At last, George went with his class to enter college. Though he passed
a very poor examination, he was admitted with the rest; for those who
examined him thought it was possible that the reason why he did not answer
questions better was because he was frightened. Now came hard times for
poor George. In college there is not much mercy shown to bad scholars; and
George had neglected his studies so long that he could not now keep up
with his class, let him try ever so hard.
8. He could, without much difficulty, get along in the academy, where
there were only two or three boys of his own class to laugh at him. But
now he had to go into a large recitation room, filled with students from
all parts of the country. In the presence of all these, he must rise and
recite to a professor. Poor fellow! He paid dearly for his idleness.
9. You would have pitied him if you could have seen him trembling in his
scat, every moment expecting to be called upon to recite. And when he was
called upon, he would stand up and take what the class called a "dead
set;" that is, he could not recite at all. Sometimes he would make such
ludicrous blunders that the whole class would burst into a laugh. Such are
the applauses an idler gets. He was wretched, of course. He had been idle
so long that he hardly knew how to apply his mind to study. All the good
scholars avoided him; they were ashamed to be seen in his company. He
became discouraged, and gradually grew dissipated.
10. The officers of the college were soon compelled to suspend him. He
returned in a few months, but did no better; and his father was then
advised to take him from college. He left college, despised by everyone. A
few months ago, I met him, a poor wanderer, without money and without
friends. Such are the wages of idleness. I hope every reader will, from
this history, take warning, and "stamp improvement on the wings of time."
DEFINITIONS.--1. Con'se-quence, importance, influence. 2. A-cad'e-my, a
school of high order. Col'lege, a seminary of learning of the highest
order. Pre-cep'tor, a teacher. 3. Prep-a-ra'-tion, a making ready. 5.
Vig'or-ous, full of activity and strength. 6. A-lac'ri-ty, cheerfulness,
sprightliness. 8. Pro-fess'or, a teacher in a college. 9. Lu'di-crous,
adapted to raise laughter. Ap--plaus'es, praises. Dis'-si-pa-ted, given up
to bad habits. 10. Im-prove'ment, increase of knowledge.
XL. ADVANTAGES OF INDUSTRY. (113)
1. I gave you, in the last lesson, the history of George Jones, an idle
boy, and showed you the consequences of his idleness. I shall now give you
the history of Charles Bullard, a classmate of George. Charles was about
the same age as George, and did not possess superior talents. Indeed, I
doubt whether he was equal to him in natural powers of mind.
2. But Charles was a hard student. When quite young, he was always careful
and diligent in school. Sometimes, when there was a very hard lesson,
instead of going out to play during recess, he would stay in to study. He
had resolved that his first object should be to get his lessons well, and
then he could play with a good conscience. He loved play as well as
anybody, and was one of the best players on the ground. I hardly ever saw
any boy catch a ball better than he could. When playing any game, everyone
was glad to get Charles on his side.
3. I have said that Charles would sometimes stay in at recess. This,
however, was very seldom; it was only when the lessons were very hard
indeed. Generally, he was among the first on the playground, and he was
also among the first to go into school when called. Hard study gave him a
relish for play, and play again gave him a relish for hard study; so he
was happy both in school and out. The preceptor could not help liking him,
for he always had his lessons well committed, and never gave him any
trouble.
4. When he went to enter college, the preceptor gave him a good
recommendation. He was able to answer all the questions which were put to
him when he was examined. He had studied so well when he was in the
academy, and was so thoroughly prepared for college, that he found it very
easy to keep up with his class, and had much time for reading interesting
books.
5. But he would always get his lesson well before he did anything else,
and would review it just before recitation. When called upon to recite, he
rose tranquil and happy, and very seldom made mistakes. The officers of
the college had a high opinion of him, and he was respected by all the
students.
6. There was, in the college, a society made up of all the best scholars.
Charles was chosen a member of that society. It was the custom to choose
some one of the society to deliver a public address every year. This honor
was conferred on Charles; and he had studied so diligently, and read so
much, that he delivered an address which was very interesting to all who
heard it.
7. At last he graduated, as it is called; that is, he finished his
collegiate course, and received his degree. It was known by all that he
was a good scholar, and by all that he was respected. His father and
mother, brothers and sisters, came on the commencement day to hear him
speak.
8. They all felt gratified, and loved Charles more than ever. Many
situations of usefulness and profit were opened to him; for Charles was
now an intelligent man, and universally respected. He is still a useful
and a happy man. He has a cheerful home, and is esteemed by all who know
him.
9. Such are the rewards of industry. How strange it is that any person
should be willing to live in idleness when it will certainly make him
unhappy! The idle boy is almost invariably poor and miserable; the
industrious boy is happy and prosperous.
10. But perhaps some child who reads this, asks, "Does God notice little
children in school?" He certainly does. And if you are not diligent in the
improvement of your time, it is one of the surest evidences that your
heart is not right with God. You are placed in this world to improve your
time. In youth you must be preparing for future usefulness. And if you do
not improve the advantages you enjoy, you sin against your Maker.
With books, or work, or healthful play,
Let your first years be passed;
That you may give, for every day,
Some good account, at last.
DEFINITIONS.--l. His'to-ry, a description or a narration of events. 2.
Con'science, our own knowledge of right and wrong. Game, play, sport. 3.
Com-mit'ted, fixed in mind. 4. Rec-om-men-da'tion, what is said in praise
of anyone. 5. Re view', to examine again. Tran'quil, quiet, calm. 6.
Con-ferred', given to or bestowed upon anyone. 7. Grad'u-a-ted, received a
degree from a college. Com-mence'ment, the day when students receive their
degree. 8. U-ni-ver'sal-ly, by all, without exception. 9. In-va'ri-a-bly,
always, uniformly. 10. Ev'i-den-ces, proofs. Ad-van'ta-ges, opportunities
for improvement.
EXERCISES.--What was the character of George Jones? Of Charles Bullard?
How did George appear in the class at school? How did he behave at recess?
How did Charles differ from him in these respects? Relate what happened
when George went to college. What became of him? Did Charles succeed at
college? Which of them do you think more worthy of imitation? What is said
of the idle? What is said of the industrious? Who watches all our actions
wherever we may be? For what are we placed in this world? Should you not
then be diligent in your studies?
XLI. THE FOUNTAIN. (116)
By James Russell Lowell, one of the most noted of American poets; also
well known as an essayist and lecturer. He was born at Cambridge, Mass.,
in 1819, and died there in 1891.
1.
Into the sunshine,
Full of the light,
Leaping and flashing,
From morn till night!
2.
Into the moonlight,
Whiter than snow,
Waving so flower-like
When the winds blow!
3.
Into the starlight,
Rushing in spray,
Happy at midnight,
Happy by day!
4.
Ever in motion,
Blithesome and cheery,
Still climbing heavenward,
Never aweary;
5.
Glad of all weathers,
Still seeming best,
Upward or downward,
Motion, thy rest;
6.
Full of a nature
Nothing can tame,
Changed every moment,
Ever the same;
7.
Ceaseless aspiring,
Ceaseless content,
Darkness or sunshine
Thy element;
8.
Glorious fountain!
Let my heart be
Fresh, changeful, constant,
Upward like thee!
DEFINITIONS.--4. Blithe'some, gay. Cheer'y, in good spirits. A-wea'ry,
weary, tired. 7. As-pir'ing, ambitious. El'e-ment, the proper habitation
or sphere of anything, suitable state. 8. Con'-stant, fixed, not to be
changed.
XLII. COFFEE. (117)
1. The coffee tree is a native of eastern Africa, but it was in Arabia
that it first became known to the people of Europe, and until about the
year 1700 A. D. that country afforded the entire supply.
2. Then the coffee seeds found their way to Java, by means of some
traders, and one of the first plants grown on that island was sent as a
present to the governor of the Dutch East India Company, who lived in
Holland.
3. It was planted in the Botanical Gardens at Amsterdam, and in a few
years seeds taken from it were sent to South America, where the
cultivation of coffee has steadily increased, extending to the West
Indies, until now the offspring of this one plant produce more coffee than
is obtained from all the other plants in the world.
4. The plant is an evergreen, and is from six to twelve feet high, the
stem being from ten to fifteen inches in diameter. The lower branches bend
down when the tree begins to grow old, and extend themselves into a round
form somewhat like an umbrella; and the wood is so pliable that the ends
of the largest branches may be bent down to within two or three feet of
the earth.
5. The bark is whitish and somewhat rough. A tree is never without leaves,
which are at small distances from one another, and on almost opposite
sides of a bough. Blossoms and green and ripe fruit may be seen on the
same tree at the same time. When the blossom falls off, there grows in its
place a small green fruit, which becomes dark red as it ripens.
6. This fruit is not unlike a cherry, and is very good to eat. Under the
pulp of this cherry is found the bean or berry we call coffee, wrapped in
a fine, thin skin. The berry is at first very soft, and has a bad taste;
but as the cherry ripens the berry grows harder, and the dried-up fruit
becomes a shell or pod of a deep brown color.
7. The berry is now solid, and its color is a translucent green. Each
shell contains two seeds, rounded on one side and flat on the other. The
seeds lie with the flat sides together, and, in one highly prized variety,
the two seeds grow together, forming one: this is known as the pea berry.
When the fruit is so ripe that it can be shaken from the tree, the husks
are separated from the berries, and are used, in Arabia, by the natives,
while the berries are sold.
8. The young plants are inserted in holes from twelve to eighteen inches
deep, and six or eight feet apart. If left to themselves, they would grow
to the height of eighteen or twenty feet; but they are usually dwarfed by
pruning, so that the fruit may be easily got at by the gatherer.
9. Thus dwarfed, they extend their branches until they cover the whole
space about them. They begin to yield fruit the third year. By the sixth
or seventh year they are at full bearing, and continue to bear for twenty
years or more.
l0. Before the berry can be used, it undergoes a process of roasting. The
amount of aromatic oil brought out in roasting has much to do with the
market value of coffee, and it has been found that the longer the raw
coffee is kept, the richer it becomes in this peculiar oil, and so the
more valuable. But after the coffee is roasted, and especially after it is
ground, it loses its aroma rapidly.
11. Arabia produces the celebrated Mocha, or "Mokha," coffee, which is the
finest in the world; but little or none of the best product is ever taken
out of that country. The Java coffee from the East Indies is next prized,
but the best quality of this kind is also quite difficult to obtain, and
many, therefore, prefer the finest grades of Rio coffee from South America
to such Mocha and Java as can be had in our country.
DEFINITIONS.--l. Af-ford'ed, yielded, produced. 3. Off'spring,
descendants, however remote, from, the stock. 4. Pli'a-ble, easily bent.
7. Trans-lu'cent, permitting the passage of light. 8. Prun'-ing, trimming.
10. Ar-o-mat'ic, containing aroma, fragrant.
EXERCISES.--What country first supplied coffee? How did the plant come to
be grown in other countries? Describe the plant. What is said of the
fruit? How are the plants cultivated? What is said about the roasting of
coffee? What are the three principal kinds of coffee used, and how are
they valued?
XLIII. THE WINTER KING. (120)
1. Oh! what will become of thee, poor little bird?
The muttering storm in the distance is heard;
The rough winds are waking, the clouds growing black,
They'll soon scatter snowflakes all over thy back!
From what sunny clime hast thou wandered away?
And what art thou doing this cold winter day?
2. "I'm picking the gum from the old peach tree;
The storm doesn't trouble me. Pee, dee, dee!"
3. But what makes thee seem so unconscious of care?
The brown earth is frozen, the branches are bare:
And how canst thou be so light-hearted and free,
As if danger and suffering thou never should'st see,
When no place is near for thy evening nest,
No leaf for thy screen, for thy bosom no rest?
4. "Because the same Hand is a shelter for me,
That took off the summer leaves. Pee, dee, dee!"
5. But man feels a burden of care and of grief,
While plucking the cluster and binding the sheaf:
In the summer we faint, in the winter we're chilled,
With ever a void that is yet to be filled.
We take from the ocean, the earth, and the air,
Yet all their rich gifts do not silence our care.
6. "A very small portion sufficient will be,
If sweetened with gratitude. Pee, dee, dee!"
7. But soon there'll be ice weighing down the light bough,
On which thou art flitting so playfully now;
And though there's a vesture well fitted and warm,
Protecting the rest of thy delicate form,
What, then, wilt thou do with thy little bare feet,
To save them from pain, mid the frost and the sleet?
8. "I can draw them right up in my feathers, you see,
To warm them, and fly away. Pee, dee, dee!"
9. I thank thee, bright monitor; what thou hast taught
Will oft be the theme of the happiest thought;
We look at the clouds; while the birds have an eye
To Him who reigns over them, changeless and high.
And now little hero, just tell me thy name,
That I may be sure whence my oracle came.
10. "Because, in all weather, I'm merry and free,
They call me the Winter King. Pee, dee, dee!"
DEFINITIONS.--l. Mut'ter-ing, murmuring, rumbling. 3. Un-con'scious, not
knowing, not perceiving. 5. Clus'ter, a bunch. 7. Flit'ing, moving about
in a lively manner. Ves'ture, clothing, covering. 9. Mon'i-tor, one who
warns of faults. Or'a-cle, a wise sentence or decision.
XLIV. THE NETTLE. (121)
1. Anna. O papa! I have stung my hand with that nettle.
2. Father. Well, my dear, I am sorry for it; but pull up that large dock
leaf you see near it; now bruise the juice out of it on the part which is
stung. Well, is the pain lessened?
3. A. Oh, very much indeed, I hardly feel it now. But I wish there was not
a nettle in the world. I am sure I do not know what use there can be in
them.
4. F. If you knew anything of botany, Nanny, you would not say so.
5. A. What is botany, papa?
6. F. Botany, my dear, is the knowledge of plants.
7. A. Some plants are very beautiful. If the lily were growing in our
fields, I should not complain. But this ugly nettle! I do not know what
beauty or use there can be in that.
8. F. And yet, Nanny, there is more beauty, use, and instruction in a
nettle, than even in a lily.
9. A. O papa, how can you make that out?
10. F. Put on your gloves, pluck up that nettle, and let us examine it.
First, look at the flower.
11. A. The flower, papa? I see no flower, unless those little ragged knobs
are flowers, which have neither color nor smell, and are not much larger
than the heads of pins.
12. F. Here, take this magnifying glass and examine them.
13. A. Oh, I see now; every little knob is folded up in leaves, like a
rosebud. Perhaps there is a flower inside.
14. F. Try; take this pin and touch the knob. Well, what do you see?
15. A. Oh, how curious!
16. F. What is curious?
17. A. The moment I touched it, it flew open. A little cloud rose out like
enchantment, and four beautiful little stems sprung up as if they were
alive; and, now that I look again with the glass, I see an elegant little
flower as nice and perfect as a lily itself.
18. F. Well, now examine the leaves.
19. A. Oh, I see they are all covered over with little bristles; and when
I examine them with the glass, I see a little bag, filled with a juice
like water, at the bottom of each. Ha! these are the things which stung
me.
20. F. Now touch the little bag with the point of the pin.
21. A. When I press the bag, the juice runs up and comes out at the small
point at the top; so I suppose the little thorn must be hollow inside,
though it is finer than the point of my cambric needle.
22. F. Have all the leaves those stings?
23. A. No, papa; some of the young ones are quite green and soft, like
velvet, and I may handle them without any danger.
24. F. Now look at the stem, and break it.
25. A. I can easily crack it, but I can not break it asunder, for the bark
is so strong that it holds it together.
26. F. Well, now you see there are more curious things in
the nettle than you expected.
27. A. Yes, indeed, I see that. But you have often told me that God makes
nothing without its use; and I am sure I can not see any use in all these
things.
28. F. That we will now consider. You saw the little flower burst open,
and a cloud rose, you say, like enchantment. Now all this is necessary for
the nature of the plant. There are many thousand plants in the world, and
it has pleased God, in his wisdom, to make them all different. Now look at
this other nettle, which grew on the opposite side of the road; you see
that it is not exactly like the one you have just examined.
29. A. No, papa; this has little flat seeds instead of flowers.
30. F. Very right, my dear. Now, in order to make those seeds grow, it is
necessary that the little flower of this plant and the seed of that should
be together, as they are in most others. But plants can not walk, like
animals. The wisdom of God, therefore, has provided a remedy for this.
When the little flower bursts open it throws out a fine powder, which you
saw rise like a cloud; this is conveyed by the air to the other plant, and
when it falls upon the seed of that plant it gives it power to grow, and
makes it a perfect seed, which, in its turn, when it falls to the ground,
will produce a new plant. Were it not for this fine powder, that seed
would never be perfect or complete.
31. A. That is very curious, indeed; and I see the use of the little cloud
and the flower; but the leaf that stung me, of what use can that be?
There, dear papa, I am afraid I puzzle you to tell me that.
32. P. Even these stings are made useful to man. The poor people in some
countries use them instead of blisters, when they are sick. Those leaves
which do not sting are used by some for food, and from the stalk others
get a stringy bark, which answers the purpose of flax. Thus you see that
even the despised nettle is not made in vain; and this lesson may serve to
teach you that we only need to understand the works of God to see that "in
goodness and wisdom he has made them all."
DEFINITIONS.--12. Mag'ni-fy-ing glass, an instrument used to make objects
appear larger. 17. En-chant'ment, magic art, witch-craft. 5. A-sun'der,
apart, into parts. 30. Rem'e-dy, that which removes an evil. Con-veyed',
carried. 32. String'y, full of strings.
XLV. THE TEMPEST. (125)
By James T. Fields (born 1817, died 1881), who was born at Portsmouth, N.
H. He was a poet, and the author, also, of some well known prose works. Of
these, his "Yesterdays with Authors" is the most noted.
1. We were crowded in the cabin;
Not a soul would dare to sleep:
It was midnight on the waters,
And a storm was on the deep.
2. 'T is a fearful thing in winter
To be shattered by the blast,
And to hear the rattling trumpet
Thunder, "Cut away the mast!"
3. So we shuddered there in silence,
For the stoutest held his breath,
While the hungry sea was roaring,
And the breakers threatened death.
4. And as thus we sat in darkness,
Each one busy in his prayers,
"We are lost!" the captain shouted,
As he staggered down the stairs.
5. But his little daughter whispered,
As she took his icy hand,
"Is n't God upon the ocean,
Just the same as on the land?"
6. Then we kissed the little maiden,
And we spoke in better cheer;
And we anchored safe in harbor
When the morn was shining clear.
DEFINITIONS.--l. Deep, the ocean. 2. Blast, tempest. 3. Break'ers, waves
of the sea broken by rocks. 6. Cheer, state of mind.
XLVI. THE CREATOR. (126)
The poetry at the close of this selection is by John Keble, a celebrated
English clergyman, born in 1792. He held for some years the professorship
of Poetry at Oxford University. He died in 1866.
1. Come, and I will show you what is beautiful. It is a rose fully blown.
See how she sits upon her mossy stem, the queen of flowers. Her leaves
glow like fire. The air is filled with her sweet odor. She is the delight
of every eye.
2. But there is one fairer than the rose. He that made the rose is more
beautiful than the rose. He is altogether lovely. He is the delight of
every heart.
3. I will show you what is strong. The lion is strong. When he raiseth
himself up from his lair, when he shaketh his mane, when the voice of his
roaring is heard, the cattle of the field fly, and the wild beasts of the
desert hide themselves; for he is terrible.
4. But He who made the lion is stronger than the lion. He can do all
things. He gave us life, and in a moment can take it away, and no one can
save us from his hand.
5. I will show you what is glorious. The sun is glorious. When he shineth
in the clear sky, when he sitteth on his throne in the heavens, and
looketh abroad over the earth, he is the most glorious and excellent
object the eye can behold.
6. But He who made the sun is more glorious than the sun. The eye cannot
look on his dazzling brightness. He seeth all dark places, by night as
well as by day. The light of his countenance is over all the world.
7. This great Being is God. He made all things, but He is more excellent
than all that He has made. He is the Creator, they are the creatures. They
may be beautiful, but He is Beauty. They may be strong, but He is
Strength. They may be perfect, but He is Perfection.
8. There is a book, who runs may read,
Which heavenly truth imparts,
And all the lore its scholars need--
Pure eyes and loving hearts.
9. The works of God, above, below,
Within us, and around,
Are pages in that book, to show
How God himself is found.
10. The glorious sky, embracing all,
Is like the Father's love;
Wherewith encompassed, great and small
In peace and order move.
11. Thou who hast given me eyes to see
And love this sight so fair,
Give me a heart to find out Thee
And read Thee everywhere.
DEFINITIONS.--1. Blown, blossomed, bloomed. O'dor, smell, scent. 3. Lair,
bed of a wild beast. Des'ert, a wilderness, a place where no one lives. 5.
Ex'cel-lent, surpassing others in worth, su-perior. 6. Daz'zling,
overpowering with light. 7. Per-fec'tion, the state of being perfect, so
that nothing is wanting. 8. Im-parts', makes known. Lore, learning. 10.
En-com'passed, surrounded.
EXERCISES.--What is described as beautiful? As strong? As glorious? Who is
more beautiful than the rose, stronger than the lion, and more glorious
than the sun? What is the book which we may all read? What should it teach
us?
XLVII. THE HORSE. (128)
1. Uncle Thomas. Well, boys, I am glad to see you again. Since I last saw
you I have made quite a tour, and at some future time will describe to you
what I have seen. I promised at this meeting, however, to tell you
something about animals, and I propose to begin with the horse. But I know
that you like stories better than lecturing, so I will proceed at once to
tell you some which I have gathered for you.
2. Frank. We never feel tired of listening to you, Uncle Thomas. We know
you always have something curious to tell us.
3. Uncle Thomas. Well then, Frank, to begin at once with the horse.
4. In several parts of the world there are to be found large herds of wild
horses. In South America the immense plains are inhabited by them, and it
is said that ten thousand are sometimes found in a single herd. These
herds are always preceded by a leader, who directs their motions; and such
is the regularity with which they perform their movements, that it seems
as if they could hardly be surpassed by the best trained cavalry.
5. It is extremely dangerous for travelers to meet a herd of this
description. When they are unaccustomed to the sight of such a mass of
creatures, they can not help feeling greatly alarmed at their rapid and
apparently irresistible approach. The trampling of the animals sounds like
distant thunder; and such is the rapidity and impetuosity of their
advance, that it seems to threaten instant destruction.
6. Sometimes, however, they suddenly stop short, utter a loud and piercing
neigh, and, with a rapid wheel, take an opposite course, and altogether
disappear. On such occasions it requires great care in the traveler to
prevent his horses from breaking loose and escaping with the wild herd.
7. In those countries where wild horses are so plentiful, the inhabitants
do not take the trouble to raise others, but whenever they want one they
mount upon an animal accustomed to the sport, and gallop over the plain
toward a herd, which is readily found at no great distance.
8. The rider gradually approaches some stragglers from the main body, and,
having selected the one he wishes, he dexterously throws the lasso (which
is a long rope with a running noose, and is firmly fixed to his saddle)
either over the wild horse's head or in such a manner as to entangle his
hind legs; and by the sudden checking of his own horse, he throws the
captured animal over on its side.
9. In an instant he jumps off his horse, wraps his cloak round the head of
the captive, forces a bit into his mouth, and straps a saddle on his back.
He then removes the cloak, and the animal starts to his feet. With equal
quickness the hunter leaps into his saddle; and, in spite of the kicking
of the captive, keeps his seat, till, being wearied out with his efforts,
the horse submits to the guidance of his new master, and is reduced to
complete obedience.
10. Frank. But, Uncle Thomas, are all horses originally wild? I have heard
that Arabia is famous for raising horses.
11. Uncle Thomas. Arabia has, for a long time, been noted for the beauty
and speed of its horses. It is not strange, however, that the Arabian
horse should be the most excellent, when we consider the care and kindness
with which it is treated. One of the best stories which I have ever heard
of the love of an Arabian for his steed, is that related of an Arab, from
whom an English officer wished to purchase his horse.
12. The animal was a bright bay mare, of fine form and great beauty; and
the owner, proud of her appearance and qualities, paraded her before the
Englishman's tent until she attracted his attention. On being asked if he
would sell her, "What will you give me?" was the reply. "That depends upon
her age. I suppose she is past five?" "Guess again," said he. "Four?"
"Look at her mouth," said the Arab, with a smile. On examination she was
found to be about three. This, from her size and symmetry, greatly
increased her value.
13. The gentleman said, "I will give you eighty tomans," (nearly two
hundred and fifty dollars). "A little more, if you please," said the
fellow, somewhat entertained. "Ninety--a hundred." He shook his head and
smiled. The officer at last came to three hundred tomans, (nearly one
thousand dollars). "Well," said the Arab, "you need not tempt me further.
You are a rich nobleman, and, I am told, have loads of silver and gold.
Now," added he, "you want my mare, but you shall not have her for all you
have got." He put spurs to his horse, and was soon out of the reach of
temptation.
14. The horse can swim, when necessary, as well as most other animals,
although he is not very fond of the water. Some years ago a vessel was
driven upon the rocks, on the coast of the Cape of Good Hope, and most of
the crew fell an immediate sacrifice to the waves. Those who were left
were seen from the shore, clinging to the different pieces of the wreck.
The sea ran so high that no boat could venture off to their assistance.
15. Meanwhile, a planter had come from his farm to be a spectator of the
shipwreck. His heart was melted at the sight of the unhappy seamen, and,
knowing the bold spirit of his horse and his excellence as a swimmer, he
determined to make a desperate effort for their deliverance. Having blown
a little Brandy into his horse's nostrils, he pushed into the midst of the
breakers. At first both horse and rider disappeared, but it was not long
before they floated to the surface, and swam up to the wreck; when, taking
two men with him, each of whom held on by one of his boots, the planter
brought them safe to shore.
16. This was repeated no less than seven times, and he saved fourteen
lives; but on his return the eighth time, being much fatigued, and meeting
a tremendous wave, he lost his balance and sank in a moment. His horse
swam safely to land, but its gallant rider sank, to rise no more.
DEFINITIONS.--4. Im-mense', very large. In-hab'it-ed, occupied as a home.
Cav'al-ry, a body of military troops on horses. 5. Im--pet-u-os'i-ty,
fury, violence. 8. Dex'ter-ous-ly, skillfully. 9. Re--duced', brought
into. 10. O-rig'i-nal-ly, at first. 12. Pa-rad'ed, showed off.
8. Sym'me-try, a proper proportion of the several parts. 13. To-man', a
Persian coin valued at about three dollars. 15. Des'per-ate, without care
of safety. De-liv'er-ance, release from danger. 16. Gal'lant, brave,
heroic.
EXERCISES.--Where are wild horses found? How are they taken? For what
purpose are they taken? In what country are the finest horses raised? Why
are the horses so excellent there? Are not animals always made better by
kind treatment? Why would not the Arab sell his horse? Relate the anecdote
of the planter and the shipwrecked seamen.
XLVIII. EMULATION. (132)
1. Frank's father was speaking to a friend, one day, on the subject of
competition at school. He said that he could answer for it that envy is
not always connected with it.
2. He had been excelled by many, but did not recollect ever having felt
envious of his successful rivals; "nor did my winning many a prize from my
friend Birch," said he, "ever lessen his friendship for me."
3. In support of the truth of this, a friend who was present related an
anecdote which had fallen under his own notice in a school in his
neighborhood.
4. At this school the sons of several wealthy farmers, and others, who
were poorer, received instruction. Frank listened with great attention
while the gentleman gave the following account of the two rivals:
5. It happened that the son of a rich farmer and the son of a poor widow
came in competition for the head of their class. They were so nearly equal
that the teacher could scarcely decide between them; some days one, and
some days the other, gained the head of the class. It was determined by
seeing who should be at the head of the class for the greater number of
days in the week.
6. The widow's son, by the last day's trial, gained the victory, and kept
his place the following week, till the school was dismissed for the
holidays.
7. When they met again the widow's son did not appear, and the farmer's
son, being next to him, might now have been at the head of his class.
Instead of seizing the vacant place, however, he went to the widow's house
to inquire what could be the cause of her son's absence.
8. Poverty was the cause; the poor woman found that she was not able, with
her utmost efforts, to continue to pay for the tuition and books of her
son, and so he, poor fellow! had been compelled to give up his schooling,
and to return to labor for her support.
9. The farmer's son, out of the allowance of pocket money which his father
gave him, bought all the necessary books and paid for the tuition of his
rival. He also permitted him to be brought back again to the head of his
class, where he continued for some time, at the expense of his generous
rival.
DEFINITIONS.--Em-u-la'tion, rivalry, contest. 1. Com-pe-ti'tion, rivalry.
2. Ex-celled', surpassed, exceeded in good qualities. Ri'vals, those who
pursue the same thing. 3. An'ec-dote, a short story. 8. Tu-i'tion, payment
for teaching.
EXERCISES.--What is the subject of this lesson? What do you mean by
emulation? What is envy? What story is told about the two rivals? Is it
right to envy any person?
XLIX. THE SANDPIPER. (134)
By CELIA THAXTER.
1. Across the lonely beach we flit,
One little sandpiper and I,
And fast I gather, bit by bit,
The scattered driftwood, bleached and dry.
The wild waves reach their hands for it,
The wild wind raves, the tide runs high,
As up and down the beach we flit,
One little sandpiper and I.
2. Above our heads the sullen clouds
Scud, black and swift, across the sky;
Like silent ghosts in misty shrouds
Stand out the white lighthouses high.
Almost as far as eye can reach
I see the close-reefed vessels fly,
As fast we flit across the beach,
One little sandpiper and I.
3. I watch him as he skims along,
Uttering his sweet and mournful cry;
He starts not at my fitful song,
Nor flash of fluttering drapery.
He has no thought of any wrong,
He scans me with a fearless eye;
Stanch friends are we, well-tried and strong,
The little sandpiper and I.
4. Comrade, where wilt thou be to-night,
When the loosed storm breaks furiously?
My driftwood fire will burn so bright!
To what warm shelter canst thou fly?
I do not fear for thee, though wroth
The tempest rushes through the sky;
For are we not God's children both,
Thou, little sandpiper, and I?
DEFINITIONS.--l. Sand'pi-per, a bird of the snipe family, found along the
seacoast. Drift'wood. wood tossed on shore by the waves. Bleached,
whitened. Tide, the regular rise and fall of the ocean which occurs twice
in a little over twenty-four hours. 2. Scud, fly hastily. Shrouds, Winding
sheets, dresses of the dead. Close'reefed, with sails contracted as much
as possible. 3. Fit'ful, irregularly variable. Draper-y, garments. Scans,
looks at care-fully. Stanch, firm. 4. Wroth, angry.
L. THE RIGHT WAY. (136)
Adapted from a story by Frank H. Stockton. He was born at Philadelphia,
April 5, 1834, and when quite a young boy used to write stories for his
own pleasure. He was once a designer and engraver on wood, and afterwards
an editor; but he now devotes himself entirely to writing, not only for
young but also for grown people.
1. "O Andy!" said little Jenny Murdock, "I'm so glad you came along this
way. I can't get over."
2. "Can't get over?" said Andrew. "Why what's the matter?"
3. "The bridge is gone," said Jenny. "When I came across after breakfast
it was there, and now it's over on the other side, and how can I get back
home?"
4. "Why, so it is," said Andrew. "It was all right when I came over a
little while ago, but old Donald pulls it on the other side every morning
after he has driven his cows across, and I don't think he has any right to
do it. I suppose he thinks the bridge was made for him and his cows."
5. "Now I must go down to the big bridge, Andy, and I want you to go with
me. I'm afraid to go through all those dark woods by myself," said Jenny.
6. "But I can't go, Jenny," said Andrew, "it's nearly school time now."
7. Andrew was a Scotch boy, and a fine fellow. He was next to the head of
his school, and he was as good at play as he was at his book.
8. Jenny Murdock, his most particular friend, was a little girl who lived
very near Andrew's home. She had no brothers or sisters, but Andrew had
always been as good as a brother to her; and, therefore, when she stood by
the water's edge that morning, just ready to burst into tears, she thought
all her troubles over when she saw Andrew coming along the road.
9. He had always helped her out of her troubles before, and she saw no
reason why he should not do it now. She had crossed the creek in search of
wild flowers, and when she wished to return had found the bridge removed,
as Andrew supposed, by old Donald McKensie, who pastured his cows on this
side of the creek.
10. This stream was not very wide, nor very deep at its
edges, but the center it was four or five feet deep; and in the
spring the water ran very swiftly, so that wading across it,
either by cattle or men, was quite a difficult undertaking. As
for Jenny, she could not get across at all without a bridge,
and there was none nearer than the wagon bridge, a mile and
a half below.
11. "You will go with me, Andy, won't you?" said the little girl.
12. "And be late to school?" said he. "I have not been late yet, you know,
Jenny."
13. "Perhaps Dominie Black will think you have been sick or had to mind
the cows," said Jenny.
14. "He won't think so unless I tell him," said Andrew, "and you know I
won't do that."
15. "If we were to run all the way, would you be too late?" said Jenny.
16. "If we were to run all the way to the bridge, and I were to run all
the way back, I should not get to school till after copy time. I expect
every minute to hear the school bell ring," said Andrew.
17. "But what can I do, then?" said poor little Jenny. "I can't wait here
till school's out, and I don't want to go up to the schoolhouse, for all
the boys to laugh at me."
18. "No," said Andrew, reflecting very seriously, "I must take you home
some way or other. It won't do to leave you here, and, no matter where you
might stay, your mother would be very much troubled about you."
19. "Yes," said Jenny, "she would think I was drowned."
20. Time pressed, and Jenny's countenance became more and more overcast,
but Andrew could think of no way in which he could take the little girl
home without being late and losing his standing in the school.
21. It was impossible to get her across the stream at any place nearer
than the "big bridge;" he would not take her that way, and make up a false
story to account for his lateness at school, and he could not leave her
alone or take her with him.
22. What was to be done? While several absurd and impracticable plans were
passing through his brain, the school bell began to ring, and he must
start immediately to reach the schoolhouse in time.
23. And now his anxiety and perplexity became more intense than ever; and
Jenny, looking up into his troubled countenance, began to cry.
24. Andrew, who had never before failed to be at the school door before
the first tap of the bell, began to despair. Was there nothing to be done?
25. Yes! a happy thought passed through his mind. How strange that he
should not have thought of it before! He would ask Dominie Black to let
him take Jenny home. What could be more sensible and straightforward than
such a plan?
26. Of course, the good old schoolmaster gave Andrew the desired
permission, and everything ended happily. But the best thing about the
whole affair was the lesson that the young Scotch boy learned that day.
27. The lesson was this: when we are puzzling our brains with plans to
help ourselves out of trouble, let us always stop a moment in our
planning, and try to think if there is not some simple way out of the
difficulty, which shall be in every respect perfectly right. If we do
this, we shall probably find a way more easy and satisfactory than any
which we can devise.
DEFINITIONS.--8. Par-tic'u-lar, not ordinary, worthy of partic-ular
attention, chief. 13. Dom'i-nie, the Scotch name for school-master. 18.
Re-flect'ing, thinking earnestly. 20 Over-cast', cov-ered with gloom. 21.
Ac-count', to state the reasons. 22. Im--prac'ti-ca-ble, not possible. 23.
Anx-i'e-ty, care, trouble of mind. 27. De-vise', plan, contrive.
EXERCISES.--Why could not Jenny cross the stream? Whom did she ask to help
her? What can you tell about Andrew? Who was Jenny Murdock? What did Jenny
wish Andrew to do? Why could he not go with her? Would it have been right
for Andrew to have told an untruth even to help Jenny out of trouble? What
did he finally do? What does this lesson teach us to do in case of
trouble?
LI. THE GOLDEN RULE. (139)
1. To act with integrity and good faith was such a habit with Susan that
she had never before thought of examining the Golden Rule: "All things
whatsoever ye would that men should do to you, do ye even so to them." But
the longer she reflected upon it, the stronger was her conviction that she
did not always obey the precept; at length, she appealed to her mother for
its meaning.
2. "It implies," said her mother, "in the first place, a total destruction
of all selfishness: for a man who loves himself better than his neighbors,
can never do to others as he would have others do to him. We are bound not
only to do, but to feel, toward others as we would have others feel toward
us. Remember, it is much easier to reprove the sin of others than to
overcome temptation when it assails ourselves.
3. "A man may be perfectly honest and yet very selfish; but the command
implies something more than mere honesty; it requires charity as well as
integrity. The meaning of the command is fully explained in the parable of
the Good Samaritan. The Levite, who passed by the wounded man without
offering him assistance, may have been a man of great honesty; but he did
not do unto the poor stranger as he would have wished others to do unto
him."
4. Susan pondered carefully and seriously on what her mother had said.
When she thought over her past conduct, a blush of shame crept to her
cheeks, and a look of sorrow into her eyes, as many little acts of
selfishness and unkindness came back to her memory. She resolved that for
the future, both in great things and small, she would remember and follow
the Golden Rule.
5. It was not long after this that an opportunity occurred of trying
Susan's principles. One Saturday evening when she went, as usual, to
farmer Thompson's inn, to receive the price of her mother's washing for
the boarders, which amounted to five dollars, she found the farmer in the
stable yard.
6. He was apparently in a terrible rage with some horse dealers with whom
he had been bargaining. He held in his hand an open pocketbook, full of
bills; and scarcely noticing the child as she made her request, except to
swear at her, as usual, for troubling him when he was busy, he handed her
a bank note.
7. Glad to escape so easily, Susan hurried out of the gate, and then,
pausing to pin the money safely in the folds of her shawl, she discovered
that he had given her two bills instead of one. She looked around; nobody
was near to share her discovery; and her first impulse was joy at the
unexpected prize.
8. "It is mine, all mine," said she to herself; "I will buy
mother a new cloak with it, and she can give her old one to
sister Mary, and then Mary can go to the Sunday school with
me next winter. I wonder if it will not buy a pair of shoes for
brother Tom, too."
9. At that moment she remembered that he must have given it to her by
mistake; and therefore she had no right to it. But again the voice of the
tempter whispered, "He gave it, and how do you know that he did not intend
to make you a present of it? Keep it; he will never know it, even if it
should be a mistake; for he had too many such bills in that great
pocketbook to miss one."
10. While this conflict was going on in her mind between good and evil,
she was hurrying homeward as fast as possible. Yet, before she came in
sight of her home, she had repeatedly balanced the comforts which the
money would buy against the sin of wronging her neighbor.
11. As she crossed the little bridge over the narrow creek before her
mother's door, her eye fell upon a rustic seat which they had occupied
during the conversation I have before narrated. Instantly the words of
Scripture, "Whatsoever ye would that men should do to you, do ye even so
to them," sounded in her ears like a trumpet.
12. Turning suddenly round, as if flying from some unseen peril, the child
hastened along the road with breathless speed until she found herself once
more at farmer Thompson's gate. "What do you want now?" asked the gruff
old fellow, as he saw her again at his side.
13. "Sir, you paid me two bills, instead of one," said she, trembling in
every limb. "Two bills? did I? let me see; well, so I did; but did you
just find it out? Why did you not bring it back sooner?" Susan blushed and
hung her head.
14. "You wanted to keep it, I suppose," said he. "Well, I am glad your
mother was more honest than you, or I should have been five dollars poorer
and none the wiser." "My mother knows nothing about it, sir," said Susan;
"I brought it back before I went home."
15. The old man looked at the child, and, as he saw the tears rolling down
her checks, he seemed touched by her distress. Putting his band in his
pocket, he drew out a shilling and offered it to her.
16. "No, sir, I thank you," sobbed she; "I do not want to be paid for
doing right; I only wish you would not think me dishonest, for, indeed, it
was a sore temptation. Oh! sir, if you had ever seen those you love best
wanting the common comforts of life, you would know how hard it is for us
always to do unto others as we would have others do unto us,"
17. The heart of the selfish man was touched. "There be things which are
little upon the earth, but they are exceeding wise," murmured he, as he
bade the little girl good night, and entered his house a sadder, and, it
is to be hoped, a better man. Susan returned to her humble home with a
lightened heart, and through the course of a long and useful life she
never forgot her first temptation.
DEFINITIONS.--1. In-teg'ri-ty, honesty, uprightness. Con-vic'tion, strong
belief. Ap-pealed', referred to. 2. Temp-ta'tion, that which has a
tendency to induce one to do wrong. As-sails', attacks. 10. Con'flict,
struggle. Bal'anced, weighed, compared. 12. Gruff, rough. 17. Mur'mured,
spoke in a low voice. Light'ened, made cheerful or lighter.
EXERCISES.--What is the Golden Rule? What does it imply? Can a man be
perfectly honest and still not follow the Golden Rule? What parable is a
perfect illustration of its meaning? How was Susan tempted? What did she
first think of doing? What changed her intention? Relate what happened
when she returned the money. What effect did her action have?
LII. THE SNOW MAN. (143)
By Marian Douglas.
1. Look! how the clouds are flying south!
The winds pipe loud and shrill!
And high above the white drifts stands
The snow man on the hill.
2. Blow, wild wind from the icy north!
Here's one who will not fear
To feel thy coldest touch, or shrink
Thy loudest blast to hear.
3. Proud triumph of the schoolboy's skill!
Far rather would I be
A winter giant, ruling o'er
A frosty realm, like thee,
4. And stand amid the drifted snow,
Like thee, a thing apart,
Than be a man who walks with men,
But has a frozen heart!
DEFINITIONS.--l. Pipe, whistle. 2. Shrink, to draw back on account of
fear. 3. Triumph, success causing exultation. Realm, the territory over
which authority is used, dominion.
EXERCISES.--With what is the snow man compared in this poem? What is meant
by a man with "a frozen heart"? Do you think such a man would follow the
Golden Rule?
LIII. ROBINSON CRUSOE'S HOUSE. (144)
Daniel DeFoe, the author of "Robinson Crusoe" (from which these selections
are adapted), was born in London, England, in 1661, and died in 1731. He
wrote a number of books; but his "Robinson Crusoe" is the only one that
attained great notoriety.
1. I have already described my habitation, which was a tent under the side
of a rock, surrounded with a strong pale of posts and cables, but I might
now rather call it a wall, for I raised a kind of wall up against it of
turf, about two feet thick on the outside; and, after some time (I think
it was a year and a half) I raised rafters from it, leaning to the rock,
and thatched or covered it with boughs of trees and such things as I could
get to keep out the rain, which I found at some times of the year very
violent.
2. I have already observed how I brought all my goods into this pale, and
into the cave which I had made behind me; but I must observe, too, that at
first this was a confused heap of goods, which, as they lay in no order,
took up all my place, so that I had no room to turn myself. So I set to
work to enlarge my cave and work farther into the earth; for it was a
loose, sandy rock, which yielded easily to the labor I bestowed upon it.
3. And so when I found that I was pretty safe as to beasts of prey, I
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