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Chronicles of Avonlea

by L. M. Montgomery · English · Gutenberg #1354 · 382,619 chars · public domain (US)

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Title: Chronicles of Avonlea

Author: L. M. Montgomery


        
Release date: June 1, 1998 [eBook #1354]
                Most recently updated: October 29, 2024

Language: English

Other information and formats: www.gutenberg.org/ebooks/1354

Credits: Produced by Kjell Nedrelid, and David Widger


*** START OF THE PROJECT GUTENBERG EBOOK CHRONICLES OF AVONLEA ***

CHRONICLES OF AVONLEA

By L. M. Montgomery




               TO THE MEMORY OF
               Mrs. William A. Houston,
               A DEAR FRIEND, WHO HAS GONE BEYOND







              The unsung beauty hid
              life’s common things below.
              --Whittier





Contents



        I. The Hurrying of Ludovic

       II. Old Lady Lloyd

      III. Each In His Own Tongue

       IV. Little Joscelyn

        V. The Winning of Lucinda

       VI. Old Man Shaw’s Girl

      VII. Aunt Olivia’s Beau

     VIII. The Quarantine at Alexander Abraham’s

       IX. Pa Sloane’s Purchase

        X. The Courting of Prissy Strong

       XI. The Miracle at Carmody

      XII. The End of a Quarrel




CHRONICLES OF AVONLEA




I. The Hurrying of Ludovic


Anne Shirley was curled up on the window-seat of Theodora Dix’s
sitting-room one Saturday evening, looking dreamily afar at some fair
starland beyond the hills of sunset. Anne was visiting for a fortnight
of her vacation at Echo Lodge, where Mr. and Mrs. Stephen Irving were
spending the summer, and she often ran over to the old Dix homestead
to chat for awhile with Theodora. They had had their chat out, on this
particular evening, and Anne was giving herself over to the delight of
building an air-castle. She leaned her shapely head, with its braided
coronet of dark red hair, against the window-casing, and her gray eyes
were like the moonlight gleam of shadowy pools.

Then she saw Ludovic Speed coming down the lane. He was yet far from the
house, for the Dix lane was a long one, but Ludovic could be recognized
as far as he could be seen. No one else in Middle Grafton had such a
tall, gently-stooping, placidly-moving figure. In every kink and turn of
it there was an individuality all Ludovic’s own.

Anne roused herself from her dreams, thinking it would only be tactful
to take her departure. Ludovic was courting Theodora. Everyone in
Grafton knew that, or, if anyone were in ignorance of the fact, it was
not because he had not had time to find out. Ludovic had been coming
down that lane to see Theodora, in the same ruminating, unhastening
fashion, for fifteen years!

When Anne, who was slim and girlish and romantic, rose to go, Theodora,
who was plump and middle-aged and practical, said, with a twinkle in her
eye:

“There isn’t any hurry, child. Sit down and have your call out. You’ve
seen Ludovic coming down the lane, and, I suppose, you think you’ll be a
crowd. But you won’t. Ludovic rather likes a third person around, and
so do I. It spurs up the conversation as it were. When a man has been
coming to see you straight along, twice a week for fifteen years, you
get rather talked out by spells.”

Theodora never pretended to bashfulness where Ludovic was concerned.
She was not at all shy of referring to him and his dilatory courtship.
Indeed, it seemed to amuse her.

Anne sat down again and together they watched Ludovic coming down the
lane, gazing calmly about him at the lush clover fields and the blue
loops of the river winding in and out of the misty valley below.

Anne looked at Theodora’s placid, finely-moulded face and tried to
imagine what she herself would feel like if she were sitting there,
waiting for an elderly lover who had, seemingly, taken so long to make
up his mind. But even Anne’s imagination failed her for this.

“Anyway,” she thought, impatiently, “if I wanted him I think I’d find
some way of hurrying him up. Ludovic SPEED! Was there ever such a misfit
of a name? Such a name for such a man is a delusion and a snare.”

Presently Ludovic got to the house, but stood so long on the doorstep
in a brown study, gazing into the tangled green boskage of the cherry
orchard, that Theodora finally went and opened the door before he
knocked. As she brought him into the sitting-room she made a comical
grimace at Anne over his shoulder.

Ludovic smiled pleasantly at Anne. He liked her; she was the only young
girl he knew, for he generally avoided young girls--they made him feel
awkward and out of place. But Anne did not affect him in this fashion.
She had a way of getting on with all sorts of people, and, although they
had not known her very long, both Ludovic and Theodora looked upon her
as an old friend.

Ludovic was tall and somewhat ungainly, but his unhesitating placidity
gave him the appearance of a dignity that did not otherwise pertain to
him. He had a drooping, silky, brown moustache, and a little curly tuft
of imperial,--a fashion which was regarded as eccentric in Grafton,
where men had clean-shaven chins or went full-bearded. His eyes were
dreamy and pleasant, with a touch of melancholy in their blue depths.

He sat down in the big bulgy old armchair that had belonged to
Theodora’s father. Ludovic always sat there, and Anne declared that the
chair had come to look like him.

The conversation soon grew animated enough. Ludovic was a good talker
when he had somebody to draw him out. He was well read, and frequently
surprised Anne by his shrewd comments on men and matters out in the
world, of which only the faint echoes reached Deland River. He had also
a liking for religious arguments with Theodora, who did not care much
for politics or the making of history, but was avid of doctrines, and
read everything pertaining thereto. When the conversation drifted
into an eddy of friendly wrangling between Ludovic and Theodora over
Christian Science, Anne understood that her usefulness was ended for the
time being, and that she would not be missed.

“It’s star time and good-night time,” she said, and went away quietly.

But she had to stop to laugh when she was well out of sight of the
house, in a green meadow bestarred with the white and gold of daisies.
A wind, odour-freighted, blew daintily across it. Anne leaned against a
white birch tree in the corner and laughed heartily, as she was apt to
do whenever she thought of Ludovic and Theodora. To her eager youth,
this courtship of theirs seemed a very amusing thing. She liked Ludovic,
but allowed herself to be provoked with him.

“The dear, big, irritating goose!” she said aloud. “There never was such
a lovable idiot before. He’s just like the alligator in the old rhyme,
who wouldn’t go along, and wouldn’t keep still, but just kept bobbing up
and down.”

Two evenings later, when Anne went over to the Dix place, she and
Theodora drifted into a conversation about Ludovic. Theodora, who was
the most industrious soul alive, and had a mania for fancy work into
the bargain, was busying her smooth, plump fingers with a very elaborate
Battenburg lace centre-piece. Anne was lying back in a little rocker,
with her slim hands folded in her lap, watching Theodora. She realized
that Theodora was very handsome, in a stately, Juno-like fashion of
firm, white flesh, large, clearly-chiselled outlines, and great, cowey,
brown eyes. When Theodora was not smiling, she looked very imposing.
Anne thought it likely that Ludovic held her in awe.

“Did you and Ludovic talk about Christian Science ALL Saturday evening?”
 she asked.

Theodora overflowed into a smile.

“Yes, and we even quarrelled over it. At least _I_ did. Ludovic wouldn’t
quarrel with anyone. You have to fight air when you spar with him. I
hate to square up to a person who won’t hit back.”

“Theodora,” said Anne coaxingly, “I am going to be curious and
impertinent. You can snub me if you like. Why don’t you and Ludovic get
married?”

Theodora laughed comfortably.

“That’s the question Grafton folks have been asking for quite a while,
I reckon, Anne. Well, I’d have no objection to marrying Ludovic. That’s
frank enough for you, isn’t it? But it’s not easy to marry a man unless
he asks you. And Ludovic has never asked me.”

“Is he too shy?” persisted Anne. Since Theodora was in the mood, she
meant to sift this puzzling affair to the bottom.

Theodora dropped her work and looked meditatively out over the green
slopes of the summer world.

“No, I don’t think it is that. Ludovic isn’t shy. It’s just his way--the
Speed way. The Speeds are all dreadfully deliberate. They spend
years thinking over a thing before they make up their minds to do it.
Sometimes they get so much in the habit of thinking about it that they
never get over it--like old Alder Speed, who was always talking of
going to England to see his brother, but never went, though there was
no earthly reason why he shouldn’t. They’re not lazy, you know, but they
love to take their time.”

“And Ludovic is just an aggravated case of Speedism,” suggested Anne.

“Exactly. He never hurried in his life. Why, he has been thinking for
the last six years of getting his house painted. He talks it over with
me every little while, and picks out the colour, and there the matter
stays. He’s fond of me, and he means to ask me to have him sometime. The
only question is--will the time ever come?”

“Why don’t you hurry him up?” asked Anne impatiently.

Theodora went back to her stitches with another laugh.

“If Ludovic could be hurried up, I’m not the one to do it. I’m too shy.
It sounds ridiculous to hear a woman of my age and inches say that, but
it is true. Of course, I know it’s the only way any Speed ever did make
out to get married. For instance, there’s a cousin of mine married to
Ludovic’s brother. I don’t say she proposed to him out and out, but,
mind you, Anne, it wasn’t far from it. I couldn’t do anything like that.
I DID try once. When I realized that I was getting sere and mellow, and
all the girls of my generation were going off on either hand, I tried to
give Ludovic a hint. But it stuck in my throat. And now I don’t mind. If
I don’t change Dix to Speed until I take the initiative, it will be Dix
to the end of life. Ludovic doesn’t realize that we are growing old, you
know. He thinks we are giddy young folks yet, with plenty of time before
us. That’s the Speed failing. They never find out they’re alive until
they’re dead.”

“You’re fond of Ludovic, aren’t you?” asked Anne, detecting a note of
real bitterness among Theodora’s paradoxes.

“Laws, yes,” said Theodora candidly. She did not think it worth while to
blush over so settled a fact. “I think the world and all of Ludovic. And
he certainly does need somebody to look after HIM. He’s neglected--he
looks frayed. You can see that for yourself. That old aunt of his looks
after his house in some fashion, but she doesn’t look after him. And
he’s coming now to the age when a man needs to be looked after and
coddled a bit. I’m lonesome here, and Ludovic is lonesome up there,
and it does seem ridiculous, doesn’t it? I don’t wonder that we’re the
standing joke of Grafton. Goodness knows, I laugh at it enough myself.
I’ve sometimes thought that if Ludovic could be made jealous it might
spur him along. But I never could flirt and there’s nobody to flirt with
if I could. Everybody hereabouts looks upon me as Ludovic’s property and
nobody would dream of interfering with him.”

“Theodora,” cried Anne, “I have a plan!”

“Now, what are you going to do?” exclaimed Theodora.

Anne told her. At first Theodora laughed and protested. In the end, she
yielded somewhat doubtfully, overborne by Anne’s enthusiasm.

“Well, try it, then,” she said, resignedly. “If Ludovic gets mad and
leaves me, I’ll be worse off than ever. But nothing venture, nothing
win. And there is a fighting chance, I suppose. Besides, I must admit
I’m tired of his dilly-dallying.”

Anne went back to Echo Lodge tingling with delight in her plot. She
hunted up Arnold Sherman, and told him what was required of him. Arnold
Sherman listened and laughed. He was an elderly widower, an intimate
friend of Stephen Irving, and had come down to spend part of the summer
with him and his wife in Prince Edward Island. He was handsome in a
mature style, and he had a dash of mischief in him still, so that he
entered readily enough into Anne’s plan. It amused him to think of
hurrying Ludovic Speed, and he knew that Theodora Dix could be depended
on to do her part. The comedy would not be dull, whatever its outcome.

The curtain rose on the first act after prayer meeting on the next
Thursday night. It was bright moonlight when the people came out of
church, and everybody saw it plainly. Arnold Sherman stood upon the
steps close to the door, and Ludovic Speed leaned up against a corner of
the graveyard fence, as he had done for years. The boys said he had worn
the paint off that particular place. Ludovic knew of no reason why he
should paste himself up against the church door. Theodora would come out
as usual, and he would join her as she went past the corner.

This was what happened, Theodora came down the steps, her stately figure
outlined in its darkness against the gush of lamplight from the porch.
Arnold Sherman asked her if he might see her home. Theodora took his arm
calmly, and together they swept past the stupefied Ludovic, who stood
helplessly gazing after them as if unable to believe his eyes.

For a few moments he stood there limply; then he started down the road
after his fickle lady and her new admirer. The boys and irresponsible
young men crowded after, expecting some excitement, but they were
disappointed. Ludovic strode on until he overtook Theodora and Arnold
Sherman, and then fell meekly in behind them.

Theodora hardly enjoyed her walk home, although Arnold Sherman laid
himself out to be especially entertaining. Her heart yearned after
Ludovic, whose shuffling footsteps she heard behind her. She feared that
she had been very cruel, but she was in for it now. She steeled herself
by the reflection that it was all for his own good, and she talked to
Arnold Sherman as if he were the one man in the world. Poor, deserted
Ludovic, following humbly behind, heard her, and if Theodora had known
how bitter the cup she was holding to his lips really was, she would
never have been resolute enough to present it, no matter for what
ultimate good.

When she and Arnold turned in at her gate, Ludovic had to stop. Theodora
looked over her shoulder and saw him standing still on the road. His
forlorn figure haunted her thoughts all night. If Anne had not run over
the next day and bolstered up her convictions, she might have spoiled
everything by prematurely relenting.

Ludovic, meanwhile, stood still on the road, quite oblivious to the
hoots and comments of the vastly amused small boy contingent, until
Theodora and his rival disappeared from his view under the firs in the
hollow of her lane. Then he turned about and went home, not with his
usual leisurely amble, but with a perturbed stride which proclaimed his
inward disquiet.

He felt bewildered. If the world had come suddenly to an end or if the
lazy, meandering Grafton River had turned about and flowed up hill,
Ludovic could not have been more astonished. For fifteen years he had
walked home from meetings with Theodora; and now this elderly stranger,
with all the glamour of “the States” hanging about him, had coolly
walked off with her under Ludovic’s very nose. Worse--most unkindest
cut of all--Theodora had gone with him willingly; nay, she had evidently
enjoyed his company. Ludovic felt the stirring of a righteous anger in
his easy-going soul.

When he reached the end of his lane, he paused at his gate, and looked
at his house, set back from the lane in a crescent of birches. Even in
the moonlight, its weather-worn aspect was plainly visible. He thought
of the “palatial residence” rumour ascribed to Arnold Sherman in Boston,
and stroked his chin nervously with his sunburnt fingers. Then he
doubled up his fist and struck it smartly on the gate-post.

“Theodora needn’t think she is going to jilt me in this fashion,
after keeping company with me for fifteen years,” he said. “I’LL
have something to say to it, Arnold Sherman or no Arnold Sherman. The
impudence of the puppy!”

The next morning Ludovic drove to Carmody and engaged Joshua Pye to
come and paint his house, and that evening, although he was not due till
Saturday night, he went down to see Theodora.

Arnold Sherman was there before him, and was actually sitting in
Ludovic’s own prescriptive chair. Ludovic had to deposit himself in
Theodora’s new wicker rocker, where he looked and felt lamentably out of
place.

If Theodora felt the situation to be awkward, she carried it off
superbly. She had never looked handsomer, and Ludovic perceived that she
wore her second best silk dress. He wondered miserably if she had donned
it in expectation of his rival’s call. She had never put on silk dresses
for him. Ludovic had always been the meekest and mildest of mortals, but
he felt quite murderous as he sat mutely there and listened to Arnold
Sherman’s polished conversation.

“You should just have been here to see him glowering,” Theodora told the
delighted Anne the next day. “It may be wicked of me, but I felt real
glad. I was afraid he might stay away and sulk. So long as he comes here
and sulks I don’t worry. But he is feeling badly enough, poor soul, and
I’m really eaten up by remorse. He tried to outstay Mr. Sherman last
night, but he didn’t manage it. You never saw a more depressed-looking
creature than he was as he hurried down the lane. Yes, he actually
hurried.”

The following Sunday evening Arnold Sherman walked to church with
Theodora, and sat with her. When they came in Ludovic Speed suddenly
stood up in his pew under the gallery. He sat down again at once, but
everybody in view had seen him, and that night folks in all the length
and breadth of Grafton River discussed the dramatic occurrence with keen
enjoyment.

“Yes, he jumped right up as if he was pulled on his feet, while the
minister was reading the chapter,” said his cousin, Lorella Speed, who
had been in church, to her sister, who had not. “His face was as white
as a sheet, and his eyes were just glaring out of his head. I never felt
so thrilled, I declare! I almost expected him to fly at them then and
there. But he just gave a sort of gasp and set down again. I don’t know
whether Theodora Dix saw him or not. She looked as cool and unconcerned
as you please.”

Theodora had not seen Ludovic, but if she looked cool and unconcerned,
her appearance belied her, for she felt miserably flustered. She could
not prevent Arnold Sherman coming to church with her, but it seemed to
her like going too far. People did not go to church and sit together in
Grafton unless they were the next thing to being engaged. What if this
filled Ludovic with the narcotic of despair instead of wakening him
up! She sat through the service in misery and heard not one word of the
sermon.

But Ludovic’s spectacular performances were not yet over. The Speeds
might be hard to get started, but once they were started their momentum
was irresistible. When Theodora and Mr. Sherman came out, Ludovic was
waiting on the steps. He stood up straight and stern, with his head
thrown back and his shoulders squared. There was open defiance in the
look he cast on his rival, and masterfulness in the mere touch of the
hand he laid on Theodora’s arm.

“May I see you home, Miss Dix?” his words said. His tone said, “I am
going to see you home whether or no.”

Theodora, with a deprecating look at Arnold Sherman, took his arm,
and Ludovic marched her across the green amid a silence which the very
horses tied to the storm fence seemed to share. For Ludovic ‘twas a
crowded hour of glorious life.

Anne walked all the way over from Avonlea the next day to hear the news.
Theodora smiled consciously.

“Yes, it is really settled at last, Anne. Coming home last night Ludovic
asked me plump and plain to marry him,--Sunday and all as it was.
It’s to be right away--for Ludovic won’t be put off a week longer than
necessary.”

“So Ludovic Speed has been hurried up to some purpose at last,” said Mr.
Sherman, when Anne called in at Echo Lodge, brimful with her news. “And
you are delighted, of course, and my poor pride must be the scapegoat. I
shall always be remembered in Grafton as the man from Boston who wanted
Theodora Dix and couldn’t get her.”

“But that won’t be true, you know,” said Anne comfortingly.

Arnold Sherman thought of Theodora’s ripe beauty, and the mellow
companionableness she had revealed in their brief intercourse.

“I’m not perfectly sure of that,” he said, with a half sigh.





II. Old Lady Lloyd


I. The May Chapter


Spencervale gossip always said that “Old Lady Lloyd” was rich and mean
and proud. Gossip, as usual, was one-third right and two-thirds wrong.
Old Lady Lloyd was neither rich nor mean; in reality she was pitifully
poor--so poor that “Crooked Jack” Spencer, who dug her garden and
chopped her wood for her, was opulent by contrast, for he, at least,
never lacked three meals a day, and the Old Lady could sometimes achieve
no more than one. But she WAS very proud--so proud that she would have
died rather than let the Spencervale people, among whom she had queened
it in her youth, suspect how poor she was and to what straits was
sometimes reduced. She much preferred to have them think her miserly and
odd--a queer old recluse who never went anywhere, even to church, and
who paid the smallest subscription to the minister’s salary of anyone in
the congregation.

“And her just rolling in wealth!” they said indignantly. “Well, she
didn’t get her miserly ways from her parents. THEY were real generous
and neighbourly. There never was a finer gentleman than old Doctor
Lloyd. He was always doing kindnesses to everybody; and he had a way of
doing them that made you feel as if you was doing the favour, not him.
Well, well, let Old Lady Lloyd keep herself and her money to herself
if she wants to. If she doesn’t want our company, she doesn’t have to
suffer it, that’s all. Reckon she isn’t none too happy for all her money
and pride.”

No, the Old Lady was none too happy, that was unfortunately true. It
is not easy to be happy when your life is eaten up with loneliness and
emptiness on the spiritual side, and when, on the material side, all you
have between you and starvation is the little money your hens bring you
in.

The Old Lady lived “away back at the old Lloyd place,” as it was always
called. It was a quaint, low-eaved house, with big chimneys and square
windows and with spruces growing thickly all around it. The Old Lady
lived there all alone and there were weeks at a time when she never saw
a human being except Crooked Jack. What the Old Lady did with herself
and how she put in her time was a puzzle the Spencervale people could
not solve. The children believed she amused herself counting the gold in
the big black box under her bed. Spencervale children held the Old Lady
in mortal terror; some of them--the “Spencer Road” fry--believed she
was a witch; all of them would run if, when wandering about the woods
in search of berries or spruce gum, they saw at a distance the spare,
upright form of the Old Lady, gathering sticks for her fire. Mary Moore
was the only one who was quite sure she was not a witch.

“Witches are always ugly,” she said decisively, “and Old Lady Lloyd
isn’t ugly. She’s real pretty--she’s got such a soft white hair and big
black eyes and a little white face. Those Road children don’t know what
they’re talking of. Mother says they’re a very ignorant crowd.”

“Well, she doesn’t ever go to church, and she mutters and talks to
herself all the time she’s picking up sticks,” maintained Jimmy Kimball
stoutly.

The Old Lady talked to herself because she was really very fond of
company and conversation. To be sure, when you have talked to nobody but
yourself for nearly twenty years, it is apt to grow somewhat monotonous;
and there were times when the Old Lady would have sacrificed everything
but her pride for a little human companionship. At such times she felt
very bitter and resentful toward Fate for having taken everything
from her. She had nothing to love, and that is about as unwholesome a
condition as is possible to anyone.

It was always hardest in the spring. Once upon a time the Old Lady--when
she had not been the Old Lady, but pretty, wilful, high-spirited
Margaret Lloyd--had loved springs; now she hated them because they hurt
her; and this particular spring of this particular May chapter hurt her
more than any that had gone before. The Old Lady felt as if she could
NOT endure the ache of it. Everything hurt her--the new green tips on
the firs, the fairy mists down in the little beech hollow below the
house, the fresh smell of the red earth Crooked Jack spaded up in her
garden. The Old Lady lay awake all one moonlit night and cried for very
heartache. She even forgot her body hunger in her soul hunger; and the
Old Lady had been hungry, more or less, all that week. She was living on
store biscuits and water, so that she might be able to pay Crooked Jack
for digging her garden. When the pale, lovely dawn-colour came stealing
up the sky behind the spruces, the Old Lady buried her face in her
pillow and refused to look at it.

“I hate the new day,” she said rebelliously. “It will be just like all
the other hard, common days. I don’t want to get up and live it. And,
oh, to think that long ago I reached out my hands joyfully to every
new day, as to a friend who was bringing me good tidings! I loved the
mornings then--sunny or gray, they were as delightful as an unread
book--and now I hate them--hate them--hate them!”

But the Old Lady got up nevertheless, for she knew Crooked Jack would
be coming early to finish the garden. She arranged her beautiful, thick,
white hair very carefully, and put on her purple silk dress with the
little gold spots in it. The Old Lady always wore silk from motives of
economy. It was much cheaper to wear a silk dress that had belonged to
her mother than to buy new print at the store. The Old Lady had plenty
of silk dresses which had belonged to her mother. She wore them morning,
noon, and night, and Spencervale people considered it an additional
evidence of her pride. As for the fashion of them, it was, of course,
just because she was too mean to have them made over. They did not dream
that the Old Lady never put on one of the silk dresses without agonizing
over its unfashionableness, and that even the eyes of Crooked Jack cast
on her antique flounces and overskirts was almost more than her feminine
vanity could endure.

In spite of the fact that the Old Lady had not welcomed the new day, its
beauty charmed her when she went out for a walk after her dinner--or,
rather, after her mid-day biscuit. It was so fresh, so sweet, so virgin;
and the spruce woods around the old Lloyd place were athrill with busy
spring doings and all sprinkled through with young lights and shadows.
Some of their delight found its way into the Old Lady’s bitter heart
as she wandered through them, and when she came out at the little plank
bridge over the brook down under the beeches, she felt almost gentle and
tender once more. There was one big beech there, in particular, which
the Old Lady loved for reasons best known to herself--a great, tall
beech with a trunk like the shaft of a gray marble column and a leafy
spread of branches over the still, golden-brown pool made beneath it by
the brook. It had been a young sapling in the days that were haloed by
the vanished glory of the Old Lady’s life.

The Old Lady heard childish voices and laughter afar up the lane which
led to William Spencer’s place just above the woods. William Spencer’s
front lane ran out to the main road in a different direction, but this
“back lane” furnished a short cut and his children always went to school
that way.

The Old Lady shrank hastily back behind a clump of young spruces. She
did not like the Spencer children because they always seemed so afraid
of her. Through the spruce screen she could see them coming gaily down
the lane--the two older ones in front, the twins behind, clinging to the
hands of a tall, slim, young girl--the new music teacher, probably. The
Old Lady had heard from the egg pedlar that she was going to board at
William Spencer’s, but she had not heard her name.

She looked at her with some curiosity as they drew near--and then, all
at once, the Old Lady’s heart gave a great bound and began to beat as it
had not beaten for years, while her breath came quickly and she trembled
violently. Who--WHO could this girl be?

Under the new music teacher’s straw hat were masses of fine chestnut
hair of the very shade and wave that the Old Lady remembered on another
head in vanished years; from under those waves looked large, violet-blue
eyes with very black lashes and brows--and the Old Lady knew those eyes
as well as she knew her own; and the new music teacher’s face, with all
its beauty of delicate outline and dainty colouring and glad, buoyant
youth, was a face from the Old Lady’s past--a perfect resemblance in
every respect save one; the face which the Old Lady remembered had
been weak, with all its charm; but this girl’s face possessed a fine,
dominant strength compact of sweetness and womanliness. As she passed by
the Old Lady’s hiding place she laughed at something one of the children
said; and oh, but the Old Lady knew that laughter well. She had heard it
before under that very beech tree.

She watched them until they disappeared over the wooded hill beyond the
bridge; and then she went back home as if she walked in a dream. Crooked
Jack was delving vigorously in the garden; ordinarily the Old Lady
did not talk much with Crooked Jack, for she disliked his weakness for
gossip; but now she went into the garden, a stately old figure in her
purple, gold-spotted silk, with the sunshine gleaming on her white hair.

Crooked Jack had seen her go out and had remarked to himself that the
Old Lady was losing ground; she was pale and peaked-looking. He now
concluded that he had been mistaken. The Old Lady’s cheeks were pink and
her eyes shining. Somewhere in her walk she had shed ten years at least.
Crooked Jack leaned on his spade and decided that there weren’t many
finer looking women anywhere than Old Lady Lloyd. Pity she was such an
old miser!

“Mr. Spencer,” said the Old Lady graciously--she always spoke very
graciously to her inferiors when she talked to them at all--“can you
tell me the name of the new music teacher who is boarding at Mr. William
Spencer’s?”

“Sylvia Gray,” said Crooked Jack.

The Old Lady’s heart gave another great bound. But she had known it--she
had known that girl with Leslie Gray’s hair and eyes and laugh must be
Leslie Gray’s daughter.

Crooked Jack spat on his hand and resumed his work, but his tongue went
faster than his spade, and the Old Lady listened greedily. For the first
time she enjoyed and blessed Crooked Jack’s garrulity and gossip. Every
word he uttered was as an apple of gold in a picture of silver to her.

He had been working at William Spencer’s the day the new music teacher
had come, and what Crooked Jack couldn’t find out about any person in
one whole day--at least as far as outward life went--was hardly worth
finding out. Next to discovering things did he love telling them, and it
would be hard to say which enjoyed that ensuing half-hour more--Crooked
Jack or the Old Lady.

Crooked Jack’s account, boiled down, amounted to this; both Miss Gray’s
parents had died when she was a baby, she had been brought up by an
aunt, she was very poor and very ambitious.

“Wants a moosical eddication,” finished up Crooked Jack, “and, by jingo,
she orter have it, for anything like the voice of her I never heerd.
She sung for us that evening after supper and I thought ‘twas an angel
singing. It just went through me like a shaft o’ light. The Spencer
young ones are crazy over her already. She’s got twenty pupils around
here and in Grafton and Avonlea.”

When the Old Lady had found out everything Crooked Jack could tell
her, she went into the house and sat down by the window of her little
sitting-room to think it all over. She was tingling from head to foot
with excitement.

Leslie’s daughter! This Old Lady had had her romance once. Long
ago--forty years ago--she had been engaged to Leslie Gray, a young
college student who taught in Spencervale for the summer term one
year--the golden summer of Margaret Lloyd’s life. Leslie had been a
shy, dreamy, handsome fellow with literary ambitions, which, as he and
Margaret both firmly believed, would one day bring him fame and fortune.

Then there had been a foolish, bitter quarrel at the end of that golden
summer. Leslie had gone away in anger, afterwards he had written, but
Margaret Lloyd, still in the grasp of her pride and resentment, had sent
a harsh answer. No more letters came; Leslie Gray never returned; and
one day Margaret wakened to the realization that she had put love out of
her life for ever. She knew it would never be hers again; and from that
moment her feet were turned from youth to walk down the valley of shadow
to a lonely, eccentric age.

Many years later she heard of Leslie’s marriage; then came news of his
death, after a life that had not fulfilled his dreams for him. Nothing
more she had heard or known--nothing to this day, when she had seen his
daughter pass her by unseeing in the beech hollow.

“His daughter! And she might have been MY daughter,” murmured the Old
Lady. “Oh, if I could only know her and love her--and perhaps win her
love in return! But I cannot. I could not have Leslie Gray’s daughter
know how poor I am--how low I have been brought. I could not bear that.
And to think she is living so near me, the darling--just up the lane
and over the hill. I can see her go by every day--I can have that dear
pleasure, at least. But oh, if I could only do something for her--give
her some little pleasure! It would be such a delight.”

When the Old Lady happened to go into her spare room that evening, she
saw from it a light shining through a gap in the trees on the hill. She
knew that it shone from the Spencers’ spare room. So it was Sylvia’s
light. The Old Lady stood in the darkness and watched it until it went
out--watched it with a great sweetness breathing in her heart, such as
risen from old rose-leaves when they are stirred. She fancied Sylvia
moving about her room, brushing and braiding her long, glistening
hair--laying aside her little trinkets and girlish adornments--making
her simple preparations for sleep. When the light went out the Old
Lady pictured a slight white figure kneeling by the window in the soft
starshine, and the Old Lady knelt down then and there and said her own
prayers in fellowship. She said the simple form of words she had always
used; but a new spirit seemed to inspire them; and she finished with
a new petition--“Let me think of something I can do for her, dear
Father--some little, little thing that I can do for her.”

The Old Lady had slept in the same room all her life--the one looking
north into the spruces--and loved it; but the next day she moved into
the spare room without a regret. It was to be her room after this; she
must be where she could see Sylvia’s light, she put the bed where she
could lie in it and look at that earth star which had suddenly shone
across the twilight shadows of her heart. She felt very happy, she
had not felt happy for many years; but now a strange, new, dream-like
interest, remote from the harsh realities of her existence, but none the
less comforting and alluring, had entered into her life. Besides, she
had thought of something she could do for Sylvia--“a little, little
thing” that might give her pleasure.

Spencervale people were wont to say regretfully that there were no
Mayflowers in Spencervale; the Spencervale young fry, when they wanted
Mayflowers, thought they had to go over to the barrens at Avonlea, six
miles away, for them. Old Lady Lloyd knew better. In her many long,
solitary rambles, she had discovered a little clearing far back in the
woods--a southward-sloping, sandy hill on a tract of woodland belonging
to a man who lived in town--which in spring was starred over with the
pink and white of arbutus.

To this clearing the Old Lady betook herself that afternoon, walking
through wood lanes and under dim spruce arches like a woman with a glad
purpose. All at once the spring was dear and beautiful to her once more;
for love had entered again into her heart, and her starved soul was
feasting on its divine nourishment.

Old Lady Lloyd found a wealth of Mayflowers on the sandy hill. She
filled her basket with them, gloating over the loveliness which was to
give pleasure to Sylvia. When she got home she wrote on a slip of paper,
“For Sylvia.” It was not likely anyone in Spencervale would know her
handwriting, but, to make sure, she disguised it, writing in round, big
letters like a child’s. She carried her Mayflowers down to the hollow
and heaped them in a recess between the big roots of the old beech, with
the little note thrust through a stem on top.

Then the Old Lady deliberately hid behind the spruce clump. She had put
on her dark green silk on purpose for hiding. She had not long to
wait. Soon Sylvia Gray came down the hill with Mattie Spencer. When she
reached the bridge she saw the Mayflowers and gave an exclamation of
delight. Then she saw her name and her expression changed to wonder.
The Old Lady, peering through the boughs, could have laughed for very
pleasure over the success of her little plot.

“For me!” said Sylvia, lifting the flowers. “CAN they really be for me,
Mattie? Who could have left them here?”

Mattie giggled.

“I believe it was Chris Stewart,” she said. “I know he was over at
Avonlea last night. And ma says he’s taken a notion to you--she knows
by the way he looked at you when you were singing night before last. It
would be just like him to do something queer like this--he’s such a shy
fellow with the girls.”

Sylvia frowned a little. She did not like Mattie’s expressions, but
she did like Mayflowers, and she did not dislike Chris Stewart, who had
seemed to her merely a nice, modest, country boy. She lifted the flowers
and buried her face in them.

“Anyway, I’m much obliged to the giver, whoever he or she is,” she said
merrily. “There’s nothing I love like Mayflowers. Oh, how sweet they
are!”

When they had passed the Old Lady emerged from her lurking place,
flushed with triumph. It did not vex her that Sylvia should think Chris
Stewart had given her the flowers; nay, it was all the better, since she
would be the less likely to suspect the real donor. The main thing was
that Sylvia should have the delight of them. That quite satisfied the
Old Lady, who went back to her lonely house with the cockles of her
heart all in a glow.

It soon was a matter of gossip in Spencervale that Chris Stewart was
leaving Mayflowers at the beech hollow for the music teacher every other
day. Chris himself denied it, but he was not believed. Firstly, there
were no Mayflowers in Spencervale; secondly, Chris had to go to Carmody
every other day to haul milk to the butter factory, and Mayflowers grew
in Carmody, and, thirdly, the Stewarts always had a romantic streak in
them. Was not that enough circumstantial evidence for anybody?

As for Sylvia, she did not mind if Chris had a boyish admiration for
her and expressed it thus delicately. She thought it very nice of him,
indeed, when he did not vex her with any other advances, and she was
quite content to enjoy his Mayflowers.

Old Lady Lloyd heard all the gossip about it from the egg pedlar, and
listened to him with laughter glimmering far down in her eyes. The egg
pedlar went away and vowed he’d never seen the Old Lady so spry as she
was this spring; she seemed real interested in the young folk’s doings.

The Old Lady kept her secret and grew young in it. She walked back to
the Mayflower hill as long as the Mayflowers lasted; and she always hid
in the spruces to see Sylvia Gray go by. Every day she loved her more,
and yearned after her more deeply. All the long repressed tenderness of
her nature overflowed to this girl who was unconscious of it. She was
proud of Sylvia’s grace and beauty, and sweetness of voice and laughter.
She began to like the Spencer children because they worshipped Sylvia;
she envied Mrs. Spencer because the latter could minister to Sylvia’s
needs. Even the egg pedlar seemed a delightful person because he brought
news of Sylvia--her social popularity, her professional success, the
love and admiration she had won already.

The Old Lady never dreamed of revealing herself to Sylvia. That, in her
poverty, was not to be thought of for a moment. It would have been very
sweet to know her--sweet to have her come to the old house--sweet to
talk to her--to enter into her life. But it might not be. The Old Lady’s
pride was still far stronger than her love. It was the one thing she had
never sacrificed and never--so she believed--could sacrifice.



II. The June Chapter


There were no Mayflowers in June; but now the Old Lady’s garden was
full of blossoms and every morning Sylvia found a bouquet of them by the
beech--the perfumed ivory of white narcissus, the flame of tulips, the
fairy branches of bleeding-heart, the pink-and-snow of little,
thorny, single, sweetbreathed early roses. The Old Lady had no fear of
discovery, for the flowers that grew in her garden grew in every other
Spencervale garden as well, including the Stewart garden. Chris Stewart,
when he was teased about the music teacher, merely smiled and held
his peace. Chris knew perfectly well who was the real giver of those
flowers. He had made it his business to find out when the Mayflower
gossip started. But since it was evident Old Lady Lloyd did not wish it
to be known, Chris told no one. Chris had always liked Old Lady Lloyd
ever since the day, ten years before, when she had found him crying in
the woods with a cut foot and had taken him into her house, and bathed
and bound the wound, and given him ten cents to buy candy at the store.
The Old Lady went without supper that night because of it, but Chris
never knew that.

The Old Lady thought it a most beautiful June. She no longer hated the
new days; on the contrary, she welcomed them.

“Every day is an uncommon day now,” she said jubilantly to herself--for
did not almost every day bring her a glimpse of Sylvia? Even on rainy
days the Old Lady gallantly braved rheumatism to hide behind her clump
of dripping spruces and watch Sylvia pass. The only days she could not
see her were Sundays; and no Sundays had ever seemed so long to Old Lady
Lloyd as those June Sundays did.

One day the egg pedlar had news for her.

“The music teacher is going to sing a solo for a collection piece
to-morrow,” he told her.

The Old Lady’s black eyes flashed with interest.

“I didn’t know Miss Gray was a member of the choir,” she said.

“Jined two Sundays ago. I tell you, our music is something worth
listening to now. The church’ll be packed to-morrow, I reckon--her
name’s gone all over the country for singing. You ought to come and hear
it, Miss Lloyd.”

The pedlar said this out of bravado, merely to show he wasn’t scared of
the Old Lady, for all her grand airs. The Old Lady made no answer, and
he thought he had offended her. He went away, wishing he hadn’t said it.
Had he but known it, the Old Lady had forgotten the existence of all and
any egg pedlars. He had blotted himself and his insignificance out of
her consciousness by his last sentence. All her thoughts, feelings, and
wishes were submerged in a very whirlpool of desire to hear Sylvia sing
that solo. She went into the house in a tumult and tried to conquer that
desire. She could not do it, even thought she summoned all her pride to
her aid. Pride said:

“You will have to go to church to hear her. You haven’t fit clothes to
go to church in. Think what a figure you will make before them all.”

But, for the first time, a more insistent voice than pride spoke to her
soul--and, for the first time, the Old Lady listened to it. It was too
true that she had never gone to church since the day on which she had
to begin wearing her mother’s silk dresses. The Old Lady herself thought
that this was very wicked; and she tried to atone by keeping Sunday very
strictly, and always having a little service of her own, morning and
evening. She sang three hymns in her cracked voice, prayed aloud, and
read a sermon. But she could not bring herself to go to church in her
out-of-date clothes--she, who had once set the fashions in Spencervale,
and the longer she stayed away, the more impossible it seemed that she
should ever again go. Now the impossible had become, not only possible,
but insistent. She must go to church and hear Sylvia sing, no matter how
ridiculous she appeared, no matter how people talked and laughed at her.

Spencervale congregation had a mild sensation the next afternoon. Just
before the opening of service Old Lady Lloyd walked up the aisle and sat
down in the long-unoccupied Lloyd pew, in front of the pulpit.

The Old Lady’s very soul was writhing within her. She recalled the
reflection she had seen in her mirror before she left--the old black
silk in the mode of thirty years agone and the queer little bonnet of
shirred black satin. She thought how absurd she must look in the eyes of
her world.

As a matter of fact, she did not look in the least absurd. Some women
might have; but the Old Lady’s stately distinction of carriage and
figure was so subtly commanding that it did away with the consideration
of garmenting altogether.

The Old Lady did not know this. But she did know that Mrs. Kimball,
the storekeeper’s wife, presently rustled into the next pew in the very
latest fashion of fabric and mode; she and Mrs. Kimball were the same
age, and there had been a time when the latter had been content
to imitate Margaret Lloyd’s costumes at a humble distance. But the
storekeeper had proposed, and things were changed now; and there sat
poor Old Lady Lloyd, feeling the change bitterly, and half wishing she
had not come to church at all.

Then all at once the Angel of Love touched these foolish thoughts, born
of vanity and morbid pride, and they melted away as if they had never
been. Sylvia Gray had come into the choir, and was sitting just where
the afternoon sunshine fell over her beautiful hair like a halo. The Old
Lady looked at her in a rapture of satisfied longing and thenceforth the
service was blessed to her, as anything is blessed which comes through
the medium of unselfish love, whether human or divine. Nay, are they not
one and the same, differing in degree only, not in kind?

The Old Lady had never had such a good, satisfying look at Sylvia
before. All her former glimpses had been stolen and fleeting. Now
she sat and gazed upon her to her hungry heart’s content, lingering
delightedly over every little charm and loveliness--the way Sylvia’s
shining hair rippled back from her forehead, the sweet little trick she
had of dropping quickly her long-lashed eyelids when she encountered
too bold or curious a glance, and the slender, beautifully modelled
hands--so like Leslie Gray’s hands--that held her hymn book. She was
dressed very plainly in a black skirt and a white shirtwaist; but none
of the other girls in the choir, with all their fine feathers, could
hold a candle to her--as the egg pedlar said to his wife, going home
from church.

The Old Lady listened to the opening hymns with keen pleasure. Sylvia’s
voice thrilled through and dominated them all. But when the ushers got
up to take the collection, an undercurrent of subdued excitement flowed
over the congregation. Sylvia rose and came forward to Janet Moore’s
side at the organ. The next moment her beautiful voice soared through
the building like the very soul of melody--true, clear, powerful, sweet.
Nobody in Spencervale had ever listened to such a voice, except Old
Lady Lloyd herself, who, in her youth, had heard enough good singing to
enable her to be a tolerable judge of it. She realized instantly that
this girl of her heart had a great gift--a gift that would some day
bring her fame and fortune, if it could be duly trained and developed.

“Oh, I’m so glad I came to church,” thought Old Lady Lloyd.

When the solo was ended, the Old Lady’s conscience compelled her to drag
her eyes and thoughts from Sylvia, and fasten them on the minister,
who had been flattering himself all through the opening portion of the
service that Old Lady Lloyd had come to church on his account. He was
newly settled, having been in charge of the Spencervale congregation
only a few months; he was a clever little fellow and he honestly thought
it was the fame of his preaching that had brought Old Lady Lloyd out to
church.

When the service was over all the Old Lady’s neighbours came to speak
to her, with kindly smile and handshake. They thought they ought to
encourage her, now that she had made a start in the right direction; the
Old Lady liked their cordiality, and liked it none the less because she
detected in it the same unconscious respect and deference she had been
wont to receive in the old days--a respect and deference which her
personality compelled from all who approached her. The Old Lady was
surprised to find that she could command it still, in defiance of
unfashionable bonnet and ancient attire.

Janet Moore and Sylvia Gray walked home from church together. “Did you
see Old Lady Lloyd out to-day?” asked Janet. “I was amazed when she
walked in. She has never been to church in my recollection. What a
quaint old figure she is! She’s very rich, you know, but she wears her
mother’s old clothes and never gets a new thing. Some people think
she is mean; but,” concluded Janet charitably, “I believe it is simply
eccentricity.”

“I felt that was Miss Lloyd as soon as I saw her, although I had never
seen her before,” said Sylvia dreamily. “I have been wishing to see
her--for a certain reason. She has a very striking face. I should like
to meet her--to know her.”

“I don’t think it’s likely you ever will,” said Janet carelessly. “She
doesn’t like young people and she never goes anywhere. I don’t think I’d
like to know her. I’d be afraid of her--she has such stately ways and
such strange, piercing eyes.”

“_I_ shouldn’t be afraid of her,” said Sylvia to herself, as she turned
into the Spencer lane. “But I don’t expect I’ll ever become acquainted
with her. If she knew who I am I suppose she would dislike me. I suppose
she never suspects that I am Leslie Gray’s daughter.”

The minister, thinking it well to strike while the iron was hot, went up
to call on Old Lady Lloyd the very next afternoon. He went in fear and
trembling, for he had heard things about Old Lady Lloyd; but she made
herself so agreeable in her high-bred fashion that he was delighted,
and told his wife when he went home that Spencervale people didn’t
understand Miss Lloyd. This was perfectly true; but it is by no means
certain that the minister understood her either.

He made only one mistake in tact, but, as the Old Lady did not snub him
for it, he never knew he made it. When he was leaving he said, “I hope
we shall see you at church next Sunday, Miss Lloyd.”

“Indeed, you will,” said the Old Lady emphatically.



III. The July Chapter


The first day of July Sylvia found a little birch bark boat full of
strawberries at the beech in the hollow. They were the earliest of the
season; the Old Lady had found them in one of her secret haunts. They
would have been a toothsome addition to the Old Lady’s own slender bill
of fare; but she never thought of eating them. She got far more pleasure
out of the thought of Sylvia’s enjoying them for her tea. Thereafter
the strawberries alternated with the flowers as long as they lasted, and
then came blueberries and raspberries. The blueberries grew far away and
the Old Lady had many a tramp after them. Sometimes her bones ached at
night because of it; but what cared the Old Lady for that? Bone ache
is easier to endure than soul ache; and the Old Lady’s soul had stopped
aching for the first time in many year. It was being nourished with
heavenly manna.

One evening Crooked Jack came up to fix something that had gone wrong
with the Old Lady’s well. The Old Lady wandered affably out to him; for
she knew he had been working at the Spencers’ all day, and there might
be crumbs of information about Sylvia to be picked up.

“I reckon the music teacher’s feeling pretty blue this evening,” Crooked
Jack remarked, after straining the Old Lady’s patience to the last verge
of human endurance by expatiating on William Spencer’s new pump, and
Mrs. Spencer’s new washing-machine, and Amelia Spencer’s new young man.

“Why?” asked the Old Lady, turning very pale. Had anything happened to
Sylvia?

“Well, she’s been invited to a big party at Mrs. Moore’s brother’s in
town, and she hasn’t got a dress to go in,” said Crooked Jack. “They’re
great swells and everybody will be got up regardless. Mrs. Spencer was
telling me about it. She says Miss Gray can’t afford a new dress because
she’s helping to pay her aunt’s doctor’s bills. She says she’s sure Miss
Gray feels awful disappointed over it, though she doesn’t let on. But
Mrs. Spencer says she knows she was crying after she went to bed last
night.”

The Old Lady turned and went into the house abruptly. This was dreadful.
Sylvia must go to that party--she MUST. But how was it to be managed?
Through the Old Lady’s brain passed wild thoughts of her mother’s silk
dresses. But none of them would be suitable, even if there were time to
make one over. Never had the Old Lady so bitterly regretted her vanished
wealth.

“I’ve only two dollars in the house,” she said, “and I’ve got to live on
that till the next day the egg pedlar comes round. Is there anything I
can sell--ANYTHING? Yes, yes, the grape jug!”

Up to this time, the Old Lady would as soon have thought of trying to
sell her head as the grape jug. The grape jug was two hundred years old
and had been in the Lloyd family ever since it was a jug at all. It was
a big, pot-bellied affair, festooned with pink-gilt grapes, and with a
verse of poetry printed on one side, and it had been given as a wedding
present to the Old Lady’s great-grandmother. As long as the Old Lady
could remember it had sat on the top shelf in the cupboard in the
sitting-room wall, far too precious ever to be used.

Two years before, a woman who collected old china had explored
Spencervale, and, getting word of the grape jug, had boldly invaded
the old Lloyd place and offered to buy it. She never, to her dying day,
forgot the reception the Old Lady gave her; but, being wise in her
day and generation, she left her card, saying that if Miss Lloyd ever
changed her mind about selling the jug, she would find that she, the
aforesaid collector, had not changed hers about buying it. People who
make a hobby of heirloom china must meekly overlook snubs, and this
particular person had never seen anything she coveted so much as that
grape jug.

The Old Lady had torn the card to pieces; but she remembered the name
and address. She went to the cupboard and took down the beloved jug.

“I never thought to part with it,” she said wistfully, “but Sylvia must
have a dress, and there is no other way. And, after all, when I’m gone,
who would there be to have it? Strangers would get it then--it might
as well go to them now. I’ll have to go to town to-morrow morning, for
there’s no time to lose if the party is Friday night. I haven’t been to
town for ten years. I dread the thought of going, more than parting with
the jug. But for Sylvia’s sake!”

It was all over Spencervale by the next morning that Old Lady Lloyd had
gone to town, carrying a carefully guarded box. Everybody wondered why
she went; most people supposed she had become too frightened to keep her
money in a black box below her bed, when there had been two burglaries
over at Carmody, and had taken it to the bank.

The Old Lady sought out the address of the china collector, trembling
with fear that she might be dead or gone. But the collector was there,
very much alive, and as keenly anxious to possess the grape jug as ever.
The Old Lady, pallid with the pain of her trampled pride, sold the grape
jug and went away, believing that her great-grandmother must have turned
over in her grave at the moment of the transaction. Old Lady Lloyd felt
like a traitor to her traditions.

But she went unflinchingly to a big store and, guided by that special
Providence which looks after simple-minded old souls in their dangerous
excursions into the world, found a sympathetic clerk who knew just
what she wanted and got it for her. The Old Lady selected a very dainty
muslin gown, with gloves and slippers in keeping; and she ordered
it sent at once, expressage prepaid, to Miss Sylvia Gray, in care of
William Spencer, Spencervale.

Then she paid down the money--the whole price of the jug, minus a dollar
and a half for railroad fare--with a grand, careless air and departed.
As she marched erectly down the aisle of the store, she encountered
a sleek, portly, prosperous man coming in. As their eyes met, the man
started and his bland face flushed crimson; he lifted his hat and bowed
confusedly. But the Old Lady looked through him as if he wasn’t there,
and passed on with not a sign of recognition about her. He took one
step after her, then stopped and turned away, with a rather disagreeable
smile and a shrug of his shoulders.

Nobody would have guessed, as the Old Lady swept out, how her heart was
seething with abhorrence and scorn. She would not have had the courage
to come to town, even for Sylvia’s sake, if she had thought she would
meet Andrew Cameron. The mere sight of him opened up anew a sealed
fountain of bitterness in her soul; but the thought of Sylvia somehow
stemmed the torrent, and presently the Old Lady was smiling rather
triumphantly, thinking rightly that she had come off best in that
unwelcome encounter. SHE, at any rate, had not faltered and coloured,
and lost her presence of mind.

“It is little wonder HE did,” thought the Old Lady vindictively. It
pleased her that Andrew Cameron should lose, before her, the front of
adamant he presented to the world. He was her cousin and the only living
creature Old Lady Lloyd hated, and she hated and despised him with all
the intensity of her intense nature. She and hers had sustained grievous
wrong at his hands, and the Old Lady was convinced that she would rather
die than take any notice of his existence.

Presently, she resolutely put Andrew Cameron out of her mind. It was
desecration to think of him and Sylvia together. When she laid her weary
head on her pillow that night she was so happy that even the thought of
the vacant shelf in the room below, where the grape jug had always been,
gave her only a momentary pang.

“It’s sweet to sacrifice for one we love--it’s sweet to have someone to
sacrifice for,” thought the Old Lady.

Desire grows by what it feeds on. The Old Lady thought she was content;
but Friday evening came and found her in a perfect fever to see Sylvia
in her party dress. It was not enough to fancy her in it; nothing would
do the Old Lady but seeing her.

“And I SHALL see her,” said the Old Lady resolutely, looking out from
her window at Sylvia’s light gleaming through the firs. She wrapped
herself in a dark shawl and crept out, slipping down to the hollow and
up the wood lane. It was a misty, moonlight night, and a wind, fragrant
with the aroma of clover fields, blew down the lane to meet her.

“I wish I could take your perfume--the soul of you--and pour it into her
life,” said the Old Lady aloud to that wind.

Sylvia Gray was standing in her room, ready for the party. Before her
stood Mrs. Spencer and Amelia Spencer and all the little Spencer girls,
in an admiring semi-circle. There was another spectator. Outside,
under the lilac bush, Old Lady Lloyd was standing. She could see Sylvia
plainly, in her dainty dress, with the pale pink roses Old Lady Lloyd
had left at the beech that day for her in her hair. Pink as they were,
they were not so pink as her cheeks, and her eyes shone like stars.
Amelia Spencer put up her hand to push back a rose that had fallen a
little out of place, and the Old Lady envied her fiercely.

“That dress couldn’t have fitted better if it had been made for you,”
 said Mrs. Spencer admiringly. “Ain’t she lovely, Amelia? Who COULD have
sent it?”

“Oh, I feel sure that Mrs. Moore was the fairy godmother,” said Sylvia.
“There is nobody else who would. It was dear of her--she knew I wished
so much to go to the party with Janet. I wish Aunty could see me now.”
 Sylvia gave a little sigh in spite of her joy. “There’s nobody else to
care very much.”

Ah, Sylvia, you were wrong! There was somebody else--somebody who cared
very much--an Old Lady, with eager, devouring eyes, who was standing
under the lilac bush and who presently stole away through the moonlit
orchard to the woods like a shadow, going home with a vision of you in
your girlish beauty to companion her through the watches of that summer
night.



IV. The August Chapter


One day the minister’s wife rushed in where Spencervale people had
feared to tread, went boldly to Old Lady Lloyd, and asked her if she
wouldn’t come to their Sewing Circle, which met fortnightly on Saturday
afternoons.

“We are filling a box to send to our Trinidad missionary,” said the
minister’s wife, “and we should be so pleased to have you come, Miss
Lloyd.”

The Old Lady was on the point of refusing rather haughtily. Not that she
was opposed to missions--or sewing circles either--quite the contrary,
but she knew that each member of the Circle was expected to pay ten
cents a week for the purpose of procuring sewing materials; and the
poor Old Lady really did not see how she could afford it. But a sudden
thought checked her refusal before it reached her lips.

“I suppose some of the young girls go to the Circle?” she said craftily.

“Oh, they all go,” said the minister’s wife. “Janet Moore and Miss Gray
are our most enthusiastic members. It is very lovely of Miss Gray to
give her Saturday afternoons--the only ones she has free from pupils--to
our work. But she really has the sweetest disposition.”

“I’ll join your Circle,” said the Old Lady promptly. She was determined
she would do it, if she had to live on two meals a day to save the
necessary fee.

She went to the Sewing Circle at James Martin’s the next Saturday, and
did the most beautiful hand sewing for them. She was so expert at
it that she didn’t need to think about it at all, which was rather
fortunate, for all her thoughts were taken up with Sylvia, who sat in
the opposite corner with Janet Moore, her graceful hands busy with a
little boy’s coarse gingham shirt. Nobody thought of introducing Sylvia
to Old Lady Lloyd, and the Old Lady was glad of it. She sewed finely
away, and listened with all her ears to the girlish chatter which went
on in the opposite corner. One thing she found out--Sylvia’s birthday
was the twentieth of August. And the Old Lady was straightway fired with
a consuming wish to give Sylvia a birthday present. She lay awake
most of the night wondering if she could do it, and most sorrowfully
concluded that it was utterly out of the question, no matter how she
might pinch and contrive. Old Lady Lloyd worried quite absurdly over
this, and it haunted her like a spectre until the next Sewing Circle
day.

It met at Mrs. Moore’s and Mrs. Moore was especially gracious to Old
Lady Lloyd, and insisted on her taking the wicker rocker in the parlour.
The Old Lady would rather have been in the sitting-room with the young
girls, but she submitted for courtesy’s sake--and she had her reward.
Her chair was just behind the parlour door, and presently Janet Moore
and Sylvia Gray came and sat on the stairs in the hall outside, where a
cool breeze blew in through the maples before the front door.

They were talking of their favourite poets. Janet, it appeared, adored
Byron and Scott. Sylvia leaned to Tennyson and Browning.

“Do you know,” said Sylvia softly, “my father was a poet? He published
a little volume of verse once; and, Janet, I’ve never seen a copy of
it, and oh, how I would love to! It was published when he was at
college--just a small, private edition to give his friends. He never
published any more--poor father! I think life disappointed him. But I
have such a longing to see that little book of his verse. I haven’t
a scrap of his writings. If I had it would seem as if I possessed
something of him--of his heart, his soul, his inner life. He would be
something more than a mere name to me.”

“Didn’t he have a copy of his own--didn’t your mother have one?” asked
Janet.

“Mother hadn’t. She died when I was born, you know, but Aunty says there
was no copy of father’s poems among mother’s books. Mother didn’t care
for poetry, Aunty says--Aunty doesn’t either. Father went to Europe
after mother died, and he died there the next year. Nothing that he had
with him was ever sent home to us. He had sold most of his books before
he went, but he gave a few of his favourite ones to Aunty to keep for
me. HIS book wasn’t among them. I don’t suppose I shall ever find a
copy, but I should be so delighted if I only could.”

When the Old Lady got home she took from her top bureau drawer an inlaid
box of sandalwood. It held a little, slim, limp volume, wrapped in
tissue paper--the Old Lady’s most treasured possession. On the fly-leaf
was written, “To Margaret, with the author’s love.”

The Old Lady turned the yellow leaves with trembling fingers and,
through eyes brimming with tears, read the verses, although she had
known them all by heart for years. She meant to give the book to Sylvia
for a birthday present--one of the most precious gifts ever given, if
the value of gifts is gauged by the measure of self-sacrifice involved.
In that little book was immortal love--old laughter--old tears--old
beauty which had bloomed like a rose years ago, holding still its
sweetness like old rose leaves. She removed the telltale fly-leaf; and
late on the night before Sylvia’s birthday, the Old Lady crept, under
cover of the darkness, through byways and across fields, as if bent on
some nefarious expedition, to the little Spencervale store where the
post-office was kept. She slipped the thin parcel through the slit in
the door, and then stole home again, feeling a strange sense of loss
and loneliness. It was as if she had given away the last link between
herself and her youth. But she did not regret it. It would give Sylvia
pleasure, and that had come to be the overmastering passion of the Old
Lady’s heart.

The next night the light in Sylvia’s room burned very late, and the
Old Lady watched it triumphantly, knowing the meaning of it. Sylvia was
reading her father’s poems, and the Old Lady in her darkness read them
too, murmuring the lines over and over to herself. After all, giving
away the book had not mattered so very much. She had the soul of it
still--and the fly-leaf with the name, in Leslie’s writing, by which
nobody ever called her now.

The Old Lady was sitting on the Marshall sofa the next Sewing Circle
afternoon when Sylvia Gray came and sat down beside her. The Old Lady’s
hands trembled a little, and one side of a handkerchief, which was
afterwards given as a Christmas present to a little olive-skinned coolie
in Trinidad, was not quite so exquisitely done as the other three sides.

Sylvia at first talked of the Circle, and Mrs. Marshall’s dahlias, and
the Old Lady was in the seventh heaven of delight, though she took care
not to show it, and was even a little more stately and finely mannered
than usual. When she asked Sylvia how she liked living in Spencervale,
Sylvia said,

“Very much. Everybody is so kind to me. Besides”--Sylvia lowered her
voice so that nobody but the Old Lady could hear it--“I have a fairy
godmother here who does the most beautiful and wonderful things for me.”

Sylvia, being a girl of fine instincts, did not look at Old Lady Lloyd
as she said this. But she would not have seen anything if she had
looked. The Old Lady was not a Lloyd for nothing.

“How very interesting,” she said, indifferently.

“Isn’t it? I am so grateful to her and I have wished so much she might
know how much pleasure she has given me. I have found lovely flowers
and delicious berries on my path all summer; I feel sure she sent me
my party dress. But the dearest gift came last week on my birthday--a
little volume of my father’s poems. I can’t express what I felt on
receiving them. But I longed to meet my fairy godmother and thank her.”

“Quite a fascinating mystery, isn’t it? Have you really no idea who she
is?”

The Old Lady asked this dangerous question with marked success. She
would not have been so successful if she had not been so sure that
Sylvia had no idea of the old romance between her and Leslie Gray. As it
was, she had a comfortable conviction that she herself was the very last
person Sylvia would be likely to suspect.

Sylvia hesitated for an almost unnoticeable moment. Then she said, “I
haven’t tried to find out, because I don’t think she wants me to know.
At first, of course, in the matter of the flowers and dress, I did try
to solve the mystery; but, since I received the book, I became convinced
that it was my fairy godmother who was doing it all, and I have
respected her wish for concealment and always shall. Perhaps some day
she will reveal herself to me. I hope so, at least.”

“I wouldn’t hope it,” said the Old Lady discouragingly. “Fairy
godmothers--at least, in all the fairy tales I ever read--are somewhat
apt to be queer, crochety people, much more agreeable when wrapped up in
mystery than when met face to face.”

“I’m convinced that mine is the very opposite, and that the better I
became acquainted with her, the more charming a personage I should find
her,” said Sylvia gaily.

Mrs. Marshall came up at this juncture and entreated Miss Gray to sing
for them. Miss Gray consenting sweetly, the Old Lady was left alone and
was rather glad of it. She enjoyed her conversation with Sylvia much
more in thinking it over after she got home than while it was taking
place. When an Old Lady has a guilty conscience, it is apt to make her
nervous and distract her thoughts from immediate pleasure. She wondered
a little uneasily if Sylvia really did suspect her. Then she concluded
that it was out of the question. Who would suspect a mean, unsociable
Old Lady, who had no friends, and who gave only five cents to the Sewing
Circle when everyone else gave ten or fifteen, to be a fairy godmother,
the donor of beautiful party dresses, and the recipient of gifts from
romantic, aspiring young poets?



V. The September Chapter


In September the Old Lady looked back on the summer and owned to herself
that it had been a strangely happy one, with Sundays and Sewing Circle
days standing out like golden punctuation marks in a poem of life.
She felt like an utterly different woman; and other people thought her
different also. The Sewing Circle women found her so pleasant, and even
friendly, that they began to think they had misjudged her, and that
perhaps it was eccentricity after all, and not meanness, which accounted
for her peculiar mode of living. Sylvia Gray always came and talked to
her on Circle afternoons now, and the Old Lady treasured every word she
said in her heart and repeated them over and over to her lonely self in
the watches of the night.

Sylvia never talked of herself or her plans, unless asked about them;
and the Old Lady’s self-consciousness prevented her from asking any
personal questions: so their conversation kept to the surface of things,
and it was not from Sylvia, but from the minister’s wife that the Old
Lady finally discovered what her darling’s dearest ambition was.

The minister’s wife had dropped in at the old Lloyd place one evening
late in September, when a chilly wind was blowing up from the northeast
and moaning about the eaves of the house, as if the burden of its
lay were “harvest is ended and summer is gone.” The Old Lady had been
listening to it, as she plaited a little basket of sweet grass for
Sylvia. She had walked all the way to Avonlea sand-hills for it the
day before, and she was very tired. And her heart was sad. This summer,
which had so enriched her life, was almost over; and she knew that
Sylvia Gray talked of leaving Spencervale at the end of October. The
Old Lady’s heart felt like very lead within her at the thought, and
she almost welcomed the advent of the minister’s wife as a distraction,
although she was desperately afraid that the minister’s wife had called
to ask for a subscription for the new vestry carpet, and the Old Lady
simply could not afford to give one cent.

But the minister’s wife had merely dropped in on her way home from the
Spencers’ and she did not make any embarrassing requests. Instead, she
talked about Sylvia Gray, and her words fell on the Old Lady’s ears like
separate pearl notes of unutterably sweet music. The minister’s wife
had nothing but praise for Sylvia--she was so sweet and beautiful and
winning.

“And with SUCH a voice,” said the minister’s wife enthusiastically,
adding with a sigh, “It’s such a shame she can’t have it properly
trained. She would certainly become a great singer--competent critics
have told her so. But she is so poor she doesn’t think she can ever
possibly manage it--unless she can get one of the Cameron scholarships,
as they are called; and she has very little hope of that, although the
professor of music who taught her has sent her name in.”

“What are the Cameron scholarships?” asked the Old Lady.

“Well, I suppose you have heard of Andrew Cameron, the millionaire?”
 said the minister’s wife, serenely unconscious that she was causing the
very bones of the Old Lady’s family skeleton to jangle in their closet.

Into the Old Lady’s white face came a sudden faint stain of colour, as
if a rough hand had struck her cheek.

“Yes, I’ve heard of him,” she said.

“Well, it seems that he had a daughter, who was a very beautiful girl,
and whom he idolized. She had a fine voice, and he was going to send her
abroad to have it trained. And she died. It nearly broke his heart, I
understand. But ever since, he sends one young girl away to Europe every
year for a thorough musical education under the best teachers--in memory
of his daughter. He has sent nine or ten already; but I fear there isn’t
much chance for Sylvia Gray, and she doesn’t think there is herself.”

“Why not?” asked the Old Lady spiritedly. “I am sure that there can be
few voices equal to Miss Gray’s.”

“Very true. But you see, these so-called scholarships are private
affairs, dependent solely on the whim and choice of Andrew Cameron
himself. Of course, when a girl has friends who use their influence with
him, he will often send her on their recommendation. They say he sent a
girl last year who hadn’t much of a voice at all just because her father
had been an old business crony of his. But Sylvia doesn’t know anyone at
all who would, to use a slang term, have any ‘pull’ with Andrew Cameron,
and she is not acquainted with him herself. Well, I must be going; we’ll
see you at the Manse on Saturday, I hope, Miss Lloyd. The Circle meets
there, you know.”

“Yes, I know,” said the Old Lady absently. When the minister’s wife had
gone, she dropped her sweetgrass basket and sat for a long, long time
with her hands lying idly in her lap, and her big black eyes staring
unseeingly at the wall before her.

Old Lady Lloyd, so pitifully poor that she had to eat six crackers the
less a week to pay her fee to the Sewing Circle, knew that it was in her
power--HERS--to send Leslie Gray’s daughter to Europe for her musical
education! If she chose to use her “pull” with Andrew Cameron--if she
went to him and asked him to send Sylvia Gray abroad the next
year--she had no doubt whatever that it would be done. It all lay with
her--if--if--IF she could so far crush and conquer her pride as to stoop
to ask a favour of the man who had wronged her and hers so bitterly.

Years ago, her father, acting under the advice and urgency of Andrew
Cameron, had invested all his little fortune in an enterprise that had
turned out a failure. Abraham Lloyd lost every dollar he possessed, and
his family were reduced to utter poverty. Andrew Cameron might have been
forgiven for a mistake; but there was a strong suspicion, amounting to
almost certainty, that he had been guilty of something far worse than
a mistake in regard to his uncle’s investment. Nothing could be legally
proved; but it was certain that Andrew Cameron, already noted for his
“sharp practices,” emerged with improved finances from an entanglement
that had ruined many better men; and old Doctor Lloyd had died
brokenhearted, believing that his nephew had deliberately victimized
him.

Andrew Cameron had not quite done this; he had meant well enough by
his uncle at first, and what he had finally done he tried to justify to
himself by the doctrine that a man must look out for Number One.

Margaret Lloyd made no such excuses for him; she held him responsible,
not only for her lost fortune, but for her father’s death, and never
forgave him for it. When Abraham Lloyd had died, Andrew Cameron, perhaps
pricked by his conscience, had come to her, sleekly and smoothly, to
offer her financial aid. He would see, he told her, that she never
suffered want.

Margaret Lloyd flung his offer back in his face after a fashion that
left nothing to be desired in the way of plain speaking. She would die,
she told him passionately, before she would accept a penny or a favour
from him. He had preserved an unbroken show of good temper, expressed
his heartfelt regret that she should cherish such an unjust opinion of
him, and had left her with an oily assurance that he would always be her
friend, and would always be delighted to render her any assistance in
his power whenever she should choose to ask for it.

The Old Lady had lived for twenty years in the firm conviction that she
would die in the poorhouse--as, indeed, seemed not unlikely--before she
would ask a favour of Andrew Cameron. And so, in truth, she would have,
had it been for herself. But for Sylvia! Could she so far humble herself
for Sylvia’s sake?

The question was not easily or speedily settled, as had been the case in
the matters of the grape jug and the book of poems. For a whole week
the Old Lady fought her pride and bitterness. Sometimes, in the hours
of sleepless night, when all human resentments and rancours seemed petty
and contemptible, she thought she had conquered it. But in the daytime,
with the picture of her father looking down at her from the wall,
and the rustle of her unfashionable dresses, worn because of Andrew
Cameron’s double dealing, in her ears, it got the better of her again.

But the Old Lady’s love for Sylvia had grown so strong and deep and
tender that no other feeling could endure finally against it. Love is
a great miracle worker; and never had its power been more strongly made
manifest than on the cold, dull autumn morning when the Old Lady walked
to Bright River railway station and took the train to Charlottetown,
bent on an errand the very thought of which turned her soul sick within
her. The station master who sold her her ticket thought Old Lady Lloyd
looked uncommonly white and peaked--“as if she hadn’t slept a wink
or eaten a bite for a week,” he told his wife at dinner time. “Guess
there’s something wrong in her business affairs. This is the second time
she’s gone to town this summer.”

When the Old Lady reached the town, she ate her slender little lunch and
then walked out to the suburb where the Cameron factories and warehouses
were. It was a long walk for her, but she could not afford to drive. She
felt very tired when she was shown into the shining, luxurious office
where Andrew Cameron sat at his desk.

After the first startled glance of surprise, he came forward beamingly,
with outstretched hand.

“Why, Cousin Margaret! This is a pleasant surprise. Sit down--allow me,
this is a much more comfortable chair. Did you come in this morning? And
how is everybody out in Spencervale?”

The Old Lady had flushed at his first words. To hear the name by which
her father and mother and lover had called her on Andrew Cameron’s lips
seemed like profanation. But, she told herself, the time was past for
squeamishness. If she could ask a favour of Andrew Cameron, she could
bear lesser pangs. For Sylvia’s sake she shook hands with him, for
Sylvia’s sake she sat down in the chair he offered. But for no living
human being’s sake could this determined Old Lady infuse any cordiality
into her manner or her words. She went straight to the point with Lloyd
simplicity.

“I have come to ask a favour of you,” she said, looking him in the eye,
not at all humbly or meekly, as became a suppliant, but challengingly
and defiantly, as if she dared him to refuse.

“DE-lighted to hear it, Cousin Margaret.” Never was anything so bland
and gracious as his tone. “Anything I can do for you I shall be only
too pleased to do. I am afraid you have looked upon me as an enemy,
Margaret, and I assure you I have felt your injustice keenly. I realize
that some appearances were against me, but--”

The Old Lady lifted her hand and stemmed his eloquence by that one
gesture.

“I did not come here to discuss that matter,” she said. “We will not
refer to the past, if you please. I came to ask a favour, not for
myself, but for a very dear young friend of mine--a Miss Gray, who has a
remarkably fine voice which she wishes to have trained. She is poor,
so I came to ask you if you would give her one of your musical
scholarships. I understand her name has already been suggested to you,
with a recommendation from her teacher. I do not know what he has said
of her voice, but I do know he could hardly overrate it. If you send her
abroad for training, you will not make any mistake.”

The Old Lady stopped talking. She felt sure Andrew Cameron would
grant her request, but she did hope he would grant it rather rudely or
unwillingly. She could accept the favour so much more easily if it were
flung to her like a bone to a dog. But not a bit of it. Andrew Cameron
was suaver than ever. Nothing could give him greater pleasure than to
grant his dear Cousin Margaret’s request--he only wished it involved
more trouble on his part. Her little protege should have her musical
education assuredly--she should go abroad next year--and he was
DE-lighted--

“Thank you,” said the Old Lady, cutting him short again. “I am much
obliged to you--and I ask you not to let Miss Gray know anything of my
interference. And I shall not take up any more of your valuable time.
Good afternoon.”

“Oh, you mustn’t go so soon,” he said, with some real kindness or
clannishness permeating the hateful cordiality of his voice--for Andrew
Cameron was not entirely without the homely virtues of the average man.
He had been a good husband and father; he had once been very fond of his
Cousin Margaret; and he was really very sorry that “circumstances” had
“compelled” him to act as he had done in that old affair of her father’s
investment. “You must be my guest to-night.”

“Thank you. I must return home to-night,” said the Old Lady firmly, and
there was that in her tone which told Andrew Cameron that it would be
useless to urge her. But he insisted on telephoning for his carriage to
drive her to the station. The Old Lady submitted to this, because she
was secretly afraid her own legs would not suffice to carry her there;
she even shook hands with him at parting, and thanked him a second time
for granting her request.

“Not at all,” he said. “Please try to think a little more kindly of me,
Cousin Margaret.”

When the Old Lady reached the station she found, to her dismay, that her
train had just gone and that she would have to wait two hours for the
evening one. She went into the waiting-room and sat down. She was very
tired. All the excitement that had sustained her was gone, and she felt
weak and old. She had nothing to eat, having expected to get home in
time for tea; the waiting-room was chilly, and she shivered in her thin,
old, silk mantilla. Her head ached and her heart likewise. She had won
Sylvia’s desire for her; but Sylvia would go out of her life, and the
Old Lady did not see how she was to go on living after that. Yet she sat
there unflinchingly for two hours, an upright, indomitable old figure,
silently fighting her losing battle with the forces of physical and
mental pain, while happy people came and went, and laughed and talked
before her.

At eight o’clock the Old Lady got off the train at Bright River station,
and slipped off unnoticed into the darkness of the wet night. She had
two miles to walk, and a cold rain was falling. Soon the Old Lady was
wet to the skin and chilled to the marrow. She felt as if she were
walking in a bad dream. Blind instinct alone guided her over the last
mile and up the lane to her own house. As she fumbled at her door,
she realized that a burning heat had suddenly taken the place of her
chilliness. She stumbled in over her threshold and closed the door.



VI. The October Chapter


On the second morning after Old Lady Lloyd’s journey to town, Sylvia
Gray was walking blithely down the wood lane. It was a beautiful autumn
morning, clear and crisp and sunny; the frosted ferns, drenched and
battered with the rain of yesterday, gave out a delicious fragrance;
here and there in the woods a maple waved a gay crimson banner, or a
branch of birch showed pale golden against the dark, unchanging spruces.
The air was very pure and exhilarating. Sylvia walked with a joyous
lightness of step and uplift of brow.

At the beech in the hollow she paused for an expectant moment, but there
was nothing among the gray old roots for her. She was just turning
away when little Teddy Kimball, who lived next door to the manse,
came running down the slope from the direction of the old Lloyd place.
Teddy’s freckled face was very pale.

“Oh, Miss Gray!” he gasped. “I guess Old Lady Lloyd has gone clean crazy
at last. The minister’s wife asked me to run up to the Old Lady, with a
message about the Sewing Circle--and I knocked--and knocked--and nobody
came--so I thought I’d just step in and leave the letter on the
table. But when I opened the door, I heard an awful queer laugh in the
sitting-room, and next minute, the Old Lady came to the sitting-room
door. Oh, Miss Gray, she looked awful. Her face was red and her eyes
awful wild--and she was muttering and talking to herself and laughing
like mad. I was so scared I just turned and run.”

Sylvia, without stopping for reflection, caught Teddy’s hand and ran
up the slope. It did not occur to her to be frightened, although she
thought with Teddy that the poor, lonely, eccentric Old Lady had really
gone out of her mind at last.

The Old Lady was sitting on the kitchen sofa when Sylvia entered. Teddy,
too frightened to go in, lurked on the step outside. The Old Lady still
wore the damp black silk dress in which she had walked from the station.
Her face was flushed, her eyes wild, her voice hoarse. But she knew
Sylvia and cowered down.

“Don’t look at me,” she moaned. “Please go away--I can’t bear that YOU
should know how poor I am. You’re to go to Europe--Andrew Cameron is
going to send you--I asked him--he couldn’t refuse ME. But please go
away.”

Sylvia did not go away. At a glance she had seen that this was sickness
and delirium, not insanity. She sent Teddy off in hot haste for Mrs.
Spencer and when Mrs. Spencer came they induced the Old Lady to go to
bed, and sent for the doctor. By night everybody in Spencervale knew
that Old Lady Lloyd had pneumonia.

Mrs. Spencer announced that she meant to stay and nurse the Old
Lady. Several other women offered assistance. Everybody was kind and
thoughtful. But the Old Lady did not know it. She did not even know
Sylvia Gray, who came and sat by her every minute she could spare.
Sylvia Gray now knew all that she had suspected--the Old Lady was her
fairy godmother. The Old Lady babbled of Sylvia incessantly, revealing
all her love for her, betraying all the sacrifices she had made.
Sylvia’s heart ached with love and tenderness, and she prayed earnestly
that the Old Lady might recover.

“I want her to know that I give her love for love,” she murmured.

Everybody knew now how poor the Old Lady really was. She let slip all
the jealously guarded secrets of her existence, except her old love for
Leslie Gray. Even in delirium something sealed her lips as to that.
But all else came out--her anguish over her unfashionable attire,
her pitiful makeshifts and contrivances, her humiliation over wearing
unfashionable dresses and paying only five cents where every other
Sewing Circle member paid ten. The kindly women who waited on her
listened to her with tear-filled eyes, and repented of their harsh
judgments in the past.

“But who would have thought it?” said Mrs. Spencer to the minister’s
wife. “Nobody ever dreamed that her father had lost ALL his money,
though folks supposed he had lost some in that old affair of the silver
mine out west. It’s shocking to think of the way she has lived all these
years, often with not enough to eat--and going to bed in winter days to
save fuel. Though I suppose if we had known we couldn’t have done much
for her, she’s so desperate proud. But if she lives, and will let us
help her, things will be different after this. Crooked Jack says he’ll
never forgive himself for taking pay for the few little jobs he did for
her. He says, if she’ll only let him, he’ll do everything she wants done
for her after this for nothing. Ain’t it strange what a fancy she’s took
to Miss Gray? Think of her doing all those things for her all summer,
and selling the grape jug and all. Well, the Old Lady certainly isn’t
mean, but nobody made a mistake in calling her queer. It all does seem
desperate pitiful. Miss Gray’s taking it awful hard. She seems to think
about as much of the Old Lady as the Old Lady thinks of her. She’s so
worked up she don’t even seem to care about going to Europe next year.
She’s really going--she’s had word from Andrew Cameron. I’m awful glad,
for there never was a sweeter girl in the world; but she says it will
cost too much if the Old Lady’s life is to pay for it.”

Andrew Cameron heard of the Old Lady’s illness and came out to
Spencervale himself. He was not allowed to see the Old Lady, of course;
but he told all concerned that no expense or trouble was to be spared,
and the Spencervale doctor was instructed to send his bill to Andrew
Cameron and hold his peace about it. Moreover, when Andrew Cameron
went back home, he sent a trained nurse out to wait on the Old Lady, a
capable, kindly woman who contrived to take charge of the case without
offending Mrs. Spencer--than which no higher tribute could be paid to
her tact!

The Old Lady did not die--the Lloyd constitution brought her through.
One day, when Sylvia came in, the Old Lady smiled up at her, with a
weak, faint, sensible smile, and murmured her name, and the nurse said
that the crisis was past.

The Old Lady made a marvellously patient and tractable invalid. She did
just as she was told, and accepted the presence of the nurse as a matter
of course.

But one day, when she was strong enough to talk a little, she said to
Sylvia,

“I suppose Andrew Cameron sent Miss Hayes here, did he?” “Yes,” said
Sylvia, rather timidly.

The Old Lady noticed the timidity and smiled, with something of her old
humour and spirit in her black eyes.

“Time has been when I’d have packed off unceremoniously any person
Andrew Cameron sent here,” she said. “But, Sylvia, I have gone through
the Valley of the Shadow of Death, and I have left pride and resentment
behind me for ever, I hope. I no longer feel as I felt towards Andrew.
I can even accept a personal favour from him now. At last I can forgive
him for the wrong he did me and mine. Sylvia, I find that I have been
letting no ends of cats out of bags in my illness. Everybody knows now
how poor I am--but I don’t seem to mind it a bit. I’m only sorry that
I ever shut my neighbours out of my life because of my foolish pride.
Everyone has been so kind to me, Sylvia. In the future, if my life is
spared, it is going to be a very different sort of life. I’m going to
open it to all the kindness and companionship I can find in young and
old. I’m going to help them all I can and let them help me. I CAN help
people--I’ve learned that money isn’t the only power for helping people.
Anyone who has sympathy and understanding to give has a treasure that is
without money and without price. And oh, Sylvia, you’ve found out what I
never meant you to know. But I don’t mind that now, either.”

Sylvia took the Old Lady’s thin white hand and kissed it.

“I can never thank you enough for what you have done for me, dearest
Miss Lloyd,” she said earnestly. “And I am so glad that all mystery is
done away with between us, and I can love you as much and as openly as
I have longed to do. I am so glad and so thankful that you love me, dear
fairy godmother.”

“Do you know WHY I love you so?” said the Old Lady wistfully. “Did I let
THAT out in my raving, too?”

“No, but I think I know. It is because I am Leslie Gray’s daughter,
isn’t it? I know that father loved you--his brother, Uncle Willis, told
me all about it.”

“I spoiled my own life because of my wicked pride,” said the Old Lady
sadly. “But you will love me in spite of it all, won’t you, Sylvia? And
you will come to see me sometimes? And write me after you go away?”

“I am coming to see you every day,” said Sylvia. “I am going to stay
in Spencervale for a whole year yet, just to be near you. And next year
when I go to Europe--thanks to you, fairy godmother--I’ll write you
every day. We are going to be the best of chums, and we are going to
have a most beautiful year of comradeship!”

The Old Lady smiled contentedly. Out in the kitchen, the minister’s
wife, who had brought up a dish of jelly, was talking to Mrs. Spencer
about the Sewing Circle. Through the open window, where the red vines
hung, came the pungent, sun-warm October air. The sunshine fell over
Sylvia’s chestnut hair like a crown of glory and youth.

“I do feel so perfectly happy,” said the Old Lady, with a long,
rapturous breath.





III. Each In His Own Tongue


The honey-tinted autumn sunshine was falling thickly over the crimson
and amber maples around old Abel Blair’s door. There was only one outer
door in old Abel’s house, and it almost always stood wide open. A little
black dog, with one ear missing and a lame forepaw, almost always slept
on the worn red sandstone slab which served old Abel for a doorstep;
and on the still more worn sill above it a large gray cat almost always
slept. Just inside the door, on a bandy-legged chair of elder days, old
Abel almost always sat.

He was sitting there this afternoon--a little old man, sadly twisted
with rheumatism; his head was abnormally large, thatched with long, wiry
black hair; his face was heavily lined and swarthily sunburned; his
eyes were deep-set and black, with occasional peculiar golden flashes in
them. A strange looking man was old Abel Blair; and as strange was he as
he looked. Lower Carmody people would have told you.

Old Abel was almost always sober in these, his later years. He was sober
to-day. He liked to bask in that ripe sunlight as well as his dog and
cat did; and in such baskings he almost always looked out of his doorway
at the far, fine blue sky over the tops of the crowding maples. But
to-day he was not looking at the sky, instead, he was staring at the
black, dusty rafters of his kitchen, where hung dried meats and strings
of onions and bunches of herbs and fishing tackle and guns and skins.

But old Abel saw not these things; his face was the face of a man who
beholds visions, compact of heavenly pleasure and hellish pain, for old
Abel was seeing what he might have been--and what he was; as he always
saw when Felix Moore played to him on the violin. And the awful joy of
dreaming that he was young again, with unspoiled life before him, was
so great and compelling that it counterbalanced the agony in the
realization of a dishonoured old age, following years in which he had
squandered the wealth of his soul in ways where Wisdom lifted not her
voice.

Felix Moore was standing opposite to him, before an untidy stove, where
the noon fire had died down into pallid, scattered ashes. Under his chin
he held old Abel’s brown, battered fiddle; his eyes, too, were fixed
on the ceiling; and he, too, saw things not lawful to be uttered in any
language save that of music; and of all music, only that given forth by
the anguished, enraptured spirit of the violin. And yet this Felix was
little more than twelve years old, and his face was still the face of a
child who knows nothing of either sorrow or sin or failure or remorse.
Only in his large, gray-black eyes was there something not of the
child--something that spoke of an inheritance from many hearts, now
ashes, which had aforetime grieved and joyed, and struggled and failed,
and succeeded and grovelled. The inarticulate cries of their longings
had passed into this child’s soul, and transmuted themselves into the
expression of his music.

Felix was a beautiful child. Carmody people, who stayed at home, thought
so; and old Abel Blair, who had roamed afar in many lands, thought so;
and even the Rev. Stephen Leonard, who taught, and tried to believe,
that favour is deceitful and beauty is vain, thought so.

He was a slight lad, with sloping shoulders, a slim brown neck, and a
head set on it with stag-like grace and uplift. His hair, cut straight
across his brow and falling over his ears, after some caprice of Janet
Andrews, the minister’s housekeeper, was a glossy blue-black. The
skin of his face and hands was like ivory; his eyes were large and
beautifully tinted--gray, with dilating pupils; his features had the
outlines of a cameo. Carmody mothers considered him delicate, and had
long foretold that the minister would never bring him up; but old Abel
pulled his grizzled moustache when he heard such forebodings and smiled.

“Felix Moore will live,” he said positively. “You can’t kill that kind
until their work is done. He’s got a work to do--if the minister’ll let
him do it. And if the minister don’t let him do it, then I wouldn’t be
in that minister’s shoes when he comes to the judgment--no, I’d rather
be in my own. It’s an awful thing to cross the purposes of the Almighty,
either in your own life or anybody else’s. Sometimes I think it’s what’s
meant by the unpardonable sin--ay, that I do!”

Carmody people never asked what old Abel meant. They had long ago given
up such vain questioning. When a man had lived as old Abel had lived for
the greater part of his life, was it any wonder he said crazy things?
And as for hinting that Mr. Leonard, a man who was really almost
too good to live, was guilty of any sin, much less an unpardonable
one--well, there now! what use was it to be taking any account of old
Abel’s queer speeches? Though, to be sure, there was no great harm in
a fiddle, and maybe Mr. Leonard was a mite too strict that way with the
child. But then, could you wonder at it? There was his father, you see.

Felix finally lowered the violin, and came back to old Abel’s kitchen
with a long sigh. Old Abel smiled drearily at him--the smile of a man
who has been in the hands of the tormentors.

“It’s awful the way you play--it’s awful,” he said with a shudder. “I
never heard anything like it--and you that never had any teaching since
you were nine years old, and not much practice, except what you could
get here now and then on my old, battered fiddle. And to think you make
it up yourself as you go along! I suppose your grandfather would never
hear to your studying music--would he now?”

Felix shook his head.

“I know he wouldn’t, Abel. He wants me to be a minister. Ministers are
good things to be, but I’m afraid I can’t be a minister.”

“Not a pulpit minister. There’s different kinds of ministers, and each
must talk to men in his own tongue if he’s going to do ‘em any real
good,” said old Abel meditatively. “YOUR tongue is music. Strange that
your grandfather can’t see that for himself, and him such a broad-minded
man! He’s the only minister I ever had much use for. He’s God’s own if
ever a man was. And he loves you--yes, sir, he loves you like the apple
of his eye.”

“And I love him,” said Felix warmly. “I love him so much that I’ll even
try to be a minister for his sake, though I don’t want to be.”

“What do you want to be?”

“A great violinist,” answered the child, his ivory-hued face suddenly
warming into living rose. “I want to play to thousands--and see their
eyes look as yours do when I play. Sometimes your eyes frighten me, but
oh, it’s a splendid fright! If I had father’s violin I could do better.
I remember that he once said it had a soul that was doing purgatory for
its sins when it had lived on earth. I don’t know what he meant, but it
did seem to me that HIS violin was alive. He taught me to play on it as
soon as I was big enough to hold it.”

“Did you love your father?” asked old Abel, with a keen look.

Again Felix crimsoned; but he looked straightly and steadily into his
old friend’s face.

“No,” he said, “I didn’t; but,” he added, gravely and deliberately, “I
don’t think you should have asked me such a question.”

It was old Abel’s turn to blush. Carmody people would not have believed
he could blush; and perhaps no living being could have called that
deepening hue into his weather-beaten cheek save only this gray-eyed
child of the rebuking face.

“No, I guess I shouldn’t,” he said. “But I’m always making mistakes.
I’ve never made anything else. That’s why I’m nothing more than ‘Old
Abel’ to the Carmody people. Nobody but you and your grandfather ever
calls me ‘Mr. Blair.’ Yet William Blair at the store up there, rich and
respected as he is, wasn’t half as clever a man as I was when we started
in life: you mayn’t believe that, but it’s true. And the worst of it is,
young Felix, that most of the time I don’t care whether I’m Mr. Blair or
old Abel. Only when you play I care. It makes me feel just as a look I
saw in a little girl’s eyes some years ago made me feel. Her name was
Anne Shirley and she lived with the Cuthberts down at Avonlea. We got
into a conversation at Blair’s store. She could talk a blue streak
to anyone, that girl could. I happened to say about something that it
didn’t matter to a battered old hulk of sixty odd like me. She looked
at me with her big, innocent eyes, a little reproachful like, as if I’d
said something awful heretical. ‘Don’t you think, Mr. Blair,’ she says,
‘that the older we get the more things ought to matter to us?’--as grave
as if she’d been a hundred instead of eleven. ‘Things matter SO much to
me now,’ she says, clasping her hands thisaway, ‘and I’m sure that when
I’m sixty they’ll matter just five times as much to me.’ Well, the
way she looked and the way she spoke made me feel downright ashamed of
myself because things had stopped mattering with me. But never mind all
that. My miserable old feelings don’t count for much. What come of your
father’s fiddle?”

“Grandfather took it away when I came here. I think he burned it. And I
long for it so often.”

“Well, you’ve always got my old brown fiddle to come to when you must.”

“Yes, I know. And I’m glad for that. But I’m hungry for a violin all the
time. And I only come here when the hunger gets too much to bear. I
feel as if I oughtn’t to come even then--I’m always saying I won’t do it
again, because I know grandfather wouldn’t like it, if he knew.”

“He has never forbidden it, has he?”

“No, but that is because he doesn’t know I come here for that. He never
thinks of such a thing. I feel sure he WOULD forbid it, if he knew. And
that makes me very wretched. And yet I HAVE to come. Mr. Blair, do you
know why grandfather can’t bear to have me play on the violin? He loves
music, and he doesn’t mind my playing on the organ, if I don’t neglect
other things. I can’t understand it, can you?”

“I have a pretty good idea, but I can’t tell you. It isn’t my secret.
Maybe he’ll tell you himself some day. But, mark you, young Felix, he
has got good reasons for it all. Knowing what I know, I can’t blame him
over much, though I think he’s mistaken. Come now, play something more
for me before you go--something that’s bright and happy this time, so
as to leave me with a good taste in my mouth. That last thing you played
took me straight to heaven,--but heaven’s awful near to hell, and at the
last you tipped me in.”

“I don’t understand you,” said Felix, drawing his fine, narrow black
brows together in a perplexed frown.

“No--and I wouldn’t want you to. You couldn’t understand unless you was
an old man who had it in him once to do something and be a MAN, and just
went and made himself a devilish fool. But there must be something in
you that understands things--all kinds of things--or you couldn’t put it
all into music the way you do. How do you do it? How in--how DO you do
it, young Felix?”

“I don’t know. But I play differently to different people. I don’t know
how that is. When I’m alone with you I have to play one way; and
when Janet comes over here to listen I feel quite another way--not so
thrilling, but happier and lonelier. And that day when Jessie Blair was
here listening I felt as if I wanted to laugh and sing--as if the violin
wanted to laugh and sing all the time.”

The strange, golden gleam flashed through old Abel’s sunken eyes.

“God,” he muttered under his breath, “I believe the boy can get into
other folk’s souls somehow, and play out what HIS soul sees there.”

“What’s that you say?” inquired Felix, petting his fiddle.

“Nothing--never mind--go on. Something lively now, young Felix. Stop
probing into my soul, where you haven’t no business to be, you infant,
and play me something out of your own--something sweet and happy and
pure.”

“I’ll play the way I feel on sunshiny mornings, when the birds are
singing and I forget I have to be a minister,” said Felix simply.



A witching, gurgling, mirthful strain, like mingled bird and brook song,
floated out on the still air, along the path where the red and golden
maple leaves were falling very softly, one by one. The Reverend Stephen
Leonard heard it, as he came along the way, and the Reverend Stephen
Leonard smiled. Now, when Stephen Leonard smiled, children ran to him,
and grown people felt as if they looked from Pisgah over to some fair
land of promise beyond the fret and worry of their care-dimmed earthly
lives.

Mr. Leonard loved music, as he loved all things beautiful, whether in
the material or the spiritual world, though he did not realize how much
he loved them for their beauty alone, or he would have been shocked and
remorseful. He himself was beautiful. His figure was erect and youthful,
despite seventy years. His face was as mobile and charming as a woman’s,
yet with all a man’s tried strength and firmness in it, and his dark
blue eyes flashed with the brilliance of one and twenty; even his silken
silvery hair could not make an old man of him. He was worshipped by
everyone who knew him, and he was, in so far as mortal man may be,
worthy of that worship.

“Old Abel is amusing himself with his violin again,” he thought. “What
a delicious thing he is playing! He has quite a gift for the violin. But
how can he play such a thing as that,--a battered old hulk of a man who
has, at one time or another, wallowed in almost every sin to which human
nature can sink? He was on one of his sprees three days ago--the
first one for over a year--lying dead-drunk in the market square in
Charlottetown among the dogs; and now he is playing something that only
a young archangel on the hills of heaven ought to be able to play. Well,
it will make my task all the easier. Abel is always repentant by the
time he is able to play on his fiddle.”

Mr. Leonard was on the door-stone. The little black dog had frisked down
to meet him, and the gray cat rubbed her head against his leg. Old Abel
did not notice him; he was beating time with uplifted hand and smiling
face to Felix’s music, and his eyes were young again, glowing with
laughter and sheer happiness.

“Felix! what does this mean?”

The violin bow clattered from Felix’s hand upon the floor; he swung
around and faced his grandfather. As he met the passion of grief and
hurt in the old man’s eyes, his own clouded with an agony of repentance.

“Grandfather--I’m sorry,” he cried brokenly.

“Now, now!” Old Abel had risen deprecatingly. “It’s all my fault, Mr.
Leonard. Don’t you blame the boy. I coaxed him to play a bit for me. I
didn’t feel fit to touch the fiddle yet myself--too soon after Friday,
you see. So I coaxed him on--wouldn’t give him no peace till he played.
It’s all my fault.”

“No,” said Felix, throwing back his head. His face was as white as
marble, yet it seemed ablaze with desperate truth and scorn of old
Abel’s shielding lie. “No, grandfather, it isn’t Abel’s fault. I came
over here on purpose to play, because I thought you had gone to the
harbour. I have come here often, ever since I have lived with you.”

“Ever since you have lived with me you have been deceiving me like this,
Felix?”

There was no anger in Mr. Leonard’s tone--only measureless sorrow. The
boy’s sensitive lips quivered.

“Forgive me, grandfather,” he whispered beseechingly.

“You never forbid him to come,” old Abel broke in angrily. “Be just, Mr.
Leonard--be just.”

“I AM just. Felix knows that he has disobeyed me, in the spirit if not
in the letter. Do you not know it, Felix?”

“Yes, grandfather, I have done wrong--I’ve known that I was doing wrong
every time I came. Forgive me, grandfather.”

“Felix, I forgive you, but I ask you to promise me, here and now,
that you will never again, as long as you live, touch a violin.” Dusky
crimson rushed madly over the boy’s face. He gave a cry as if he had
been lashed with a whip. Old Abel sprang to his feet.

“Don’t you ask such a promise of him, Mr. Leonard,” he cried furiously.
“It’s a sin, that’s what it is. Man, man, what blinds you? You ARE
blind. Can’t you see what is in the boy? His soul is full of music.
It’ll torture him to death--or to worse--if you don’t let it have way.”

“There is a devil in such music,” said Mr. Leonard hotly.

“Ay, there may be, but don’t forget that there’s a Christ in it, too,”
 retorted old Abel in a low tense tone.

Mr. Leonard looked shocked; he considered that old Abel had uttered
blasphemy. He turned away from him rebukingly.

“Felix, promise me.”

There was no relenting in his face or tone. He was merciless in the
use of the power he possessed over that young, loving spirit. Felix
understood that there was no escape; but his lips were very white as he
said,

“I promise, grandfather.”

Mr. Leonard drew a long breath of relief. He knew that promise would be
kept. So did old Abel. The latter crossed the floor and sullenly took
the violin from Felix’s relaxed hand. Without a word or look he went
into the little bedroom off the kitchen and shut the door with a slam
of righteous indignation. But from its window he stealthily watched his
visitors go away. Just as they entered on the maple path Mr. Leonard
laid his hand on Felix’s head and looked down at him. Instantly the boy
flung his arm up over the old man’s shoulder and smiled at him. In
the look they exchanged there was boundless love and trust--ay, and
good-fellowship. Old Abel’s scornful eyes again held the golden flash.

“How those two love each other!” he muttered enviously. “And how they
torture each other!”



Mr. Leonard went to his study to pray when he got home. He knew that
Felix had run for comforting to Janet Andrews, the little, thin,
sweet-faced, rigid-lipped woman who kept house for them. Mr. Leonard
knew that Janet would disapprove of his action as deeply as old Abel had
done. She would say nothing, she would only look at him with reproachful
eyes over the teacups at suppertime. But Mr. Leonard believed he had
done what was best and his conscience did not trouble him, though his
heart did.

Thirteen years before this, his daughter Margaret had almost broken that
heart by marrying a man of whom he could not approve. Martin Moore was
a professional violinist. He was a popular performer, though not in any
sense a great one. He met the slim, golden-haired daughter of the manse
at the house of a college friend she was visiting in Toronto, and
fell straightway in love with her. Margaret had loved him with all
her virginal heart in return, and married him, despite her father’s
disapproval. It was not to Martin Moore’s profession that Mr. Leonard
objected, but to the man himself. He knew that the violinist’s past
life had not been such as became a suitor for Margaret Leonard; and his
insight into character warned him that Martin Moore could never make any
woman lastingly happy.

Margaret Leonard did not believe this. She married Martin Moore and
lived one year in paradise. Perhaps that atoned for the three bitter
years which followed--that, and her child. At all events, she died as
she had lived, loyal and uncomplaining. She died alone, for her husband
was away on a concert tour, and her illness was so brief that her father
had not time to reach her before the end. Her body was taken home to be
buried beside her mother in the little Carmody churchyard. Mr. Leonard
wished to take the child, but Martin Moore refused to give him up.

Six years later Moore, too, died, and at last Mr. Leonard had his
heart’s desire--the possession of Margaret’s son. The grandfather
awaited the child’s coming with mingled feelings. His heart yearned for
him, yet he dreaded to meet a second edition of Martin Moore. Suppose
Margaret’s son resembled his handsome vagabond of a father! Or, worse
still, suppose he were cursed with his father’s lack of principle, his
instability, his Bohemian instincts. Thus Mr. Leonard tortured himself
wretchedly before the coming of Felix.

The child did not look like either father or mother. Instead, Mr.
Leonard found himself looking into a face which he had put away under
the grasses thirty years before--the face of his girl bride, who had
died at Margaret’s birth. Here again were her lustrous gray-black eyes,
her ivory outlines, her fine-traced arch of brow; and here, looking out
of those eyes, seemed her very spirit again. From that moment the soul
of the old man was knit to the soul of the child, and they loved each
other with a love surpassing that of women.

Felix’s only inheritance from his father was his love of music. But the
child had genius, where his father had possessed only talent. To
Martin Moore’s outward mastery of the violin was added the mystery and
intensity of his mother’s nature, with some more subtle quality still,
which had perhaps come to him from the grandmother he so strongly
resembled. Moore had understood what a career was naturally before the
child, and he had trained him in the technique of his art from the time
the slight fingers could first grasp the bow. When nine-year-old Felix
came to the Carmody manse, he had mastered as much of the science of
the violin as nine out of ten musicians acquire in a lifetime; and he
brought with him his father’s violin; it was all Martin Moore had to
leave his son--but it was an Amati, the commercial value of which nobody
in Carmody suspected. Mr. Leonard had taken possession of it and Felix
had never seen it since. He cried himself to sleep many a night for
the loss of it. Mr. Leonard did not know this, and if Janet Andrews
suspected it she held her tongue--an art in which she excelled. She “saw
no harm in a fiddle,” herself, and thought Mr. Leonard absurdly strict
in the matter, though it would not have been well for the luckless
outsider who might have ventured to say as much to her. She had connived
at Felix’s visits to old Abel Blair, squaring the matter with her
Presbyterian conscience by some peculiar process known only to herself.

When Janet heard of the promise which Mr. Leonard had exacted from Felix
she seethed with indignation; and, though she “knew her place” better
than to say anything to Mr. Leonard about it, she made her disapproval
so plainly manifest in her bearing that the stern, gentle old man found
the atmosphere of his hitherto peaceful manse unpleasantly chill and
hostile for a time.

It was the wish of his heart that Felix should be a minister, as he
would have wished his own son to be, had one been born to him. Mr.
Leonard thought rightly that the highest work to which any man could be
called was a life of service to his fellows; but he made the mistake of
supposing the field of service much narrower than it is--of failing to
see that a man may minister to the needs of humanity in many different
but equally effective ways.



Janet hoped that Mr. Leonard might not exact the fulfilment of Felix’s
promise; but Felix himself, with the instinctive understanding of
perfect love, knew that it was vain to hope for any change of viewpoint
in his grandfather. He addressed himself to the keeping of his promise
in letter and in spirit. He never went again to old Abel’s; he did not
even play on the organ, though this was not forbidden, because any
music wakened in him a passion of longing and ecstasy which demanded
expression with an intensity not to be borne. He flung himself grimly
into his studies and conned Latin and Greek verbs with a persistency
which soon placed him at the head of all competitors.

Only once in the long winter did he come near to breaking his promise.
One evening, when March was melting into April, and the pulses of spring
were stirring under the lingering snow, he was walking home from school
alone. As he descended into the little hollow below the manse a lively
lilt of music drifted up to meet him. It was only the product of a
mouth-organ, manipulated by a little black-eyed, French-Canadian hired
boy, sitting on the fence by the brook; but there was music in the
ragged urchin and it came out through his simple toy. It tingled over
Felix from head to foot; and, when Leon held out the mouth-organ with a
fraternal grin of invitation, he snatched at it as a famished creature
might snatch at food.

Then, with it half-way to his lips, he paused. True, it was only the
violin he had promised never to touch; but he felt that if he gave way
ever so little to the desire that was in him, it would sweep everything
before it. If he played on Leon Buote’s mouth-organ, there in that misty
spring dale, he would go to old Abel’s that evening; he KNEW he would
go. To Leon’s amazement, Felix threw the mouth-organ back at him and
ran up the hill as if he were pursued. There was something in his boyish
face that frightened Leon; and it frightened Janet Andrews as Felix
rushed past her in the hall of the manse.

“Child, what’s the matter with you?” she cried. “Are you sick? Have you
been scared?”

“No, no. Leave me alone, Janet,” said Felix chokingly, dashing up the
stairs to his own room.

He was quite composed when he came down to tea, an hour later, though he
was unusually pale and had purple shadows under his large eyes.

Mr. Leonard scrutinized him somewhat anxiously; it suddenly occurred to
the old minister that Felix was looking more delicate than his wont
this spring. Well, he had studied hard all winter, and he was certainly
growing very fast. When vacation came he must be sent away for a visit.

“They tell me Naomi Clark is real sick,” said Janet. “She has been
ailing all winter, and now she’s fast to her bed. Mrs. Murphy says she
believes the woman is dying, but nobody dares tell her so. She won’t
give in she’s sick, nor take medicine. And there’s nobody to wait on her
except that simple creature, Maggie Peterson.”

“I wonder if I ought to go and see her,” said Mr. Leonard uneasily.

“What use would it be to bother yourself? You know she wouldn’t see
you--she’d shut the door in your face like she did before. She’s an
awful wicked woman--but it’s kind of terrible to think of her lying
there sick, with no responsible person to tend her.”

“Naomi Clark is a bad woman and she lived a life of shame, but I like
her, for all that,” remarked Felix, in the grave, meditative tone in
which he occasionally said rather startling things.

Mr. Leonard looked somewhat reproachfully at Janet Andrews, as if to ask
her why Felix should have attained to this dubious knowledge of good
and evil under her care; and Janet shot a dour look back which, being
interpreted, meant that if Felix went to the district school she could
not and would not be held responsible if he learned more there than
arithmetic and Latin.

“What do you know of Naomi Clark to like or dislike?” she asked
curiously. “Did you ever see her?”

“Oh, yes,” Felix replied, addressing himself to his cherry preserve with
considerable gusto. “I was down at Spruce Cove one night last summer
when a big thunderstorm came up. I went to Naomi’s house for shelter.
The door was open, so I walked right in, because nobody answered my
knock. Naomi Clark was at the window, watching the cloud coming up over
the sea. She just looked at me once, but didn’t say anything, and then
went on watching the cloud. I didn’t like to sit down because she hadn’t
asked me to, so I went to the window by her and watched it, too. It was
a dreadful sight--the cloud was so black and the water so green, and
there was such a strange light between the cloud and the water; yet
there was something splendid in it, too. Part of the time I watched the
storm, and the other part I watched Naomi’s face. It was dreadful to
see, like the storm, and yet I liked to see it.

“After the thunder was over it rained a while longer, and Naomi sat down
and talked to me. She asked me who I was, and when I told her she asked
me to play something for her on her violin,”--Felix shot a deprecating
glance at Mr. Leonard--“because, she said, she’d heard I was a great
hand at it. She wanted something lively, and I tried just as hard as I
could to play something like that. But I couldn’t. I played something
that was terrible--it just played itself--it seemed as if something was
lost that could never be found again. And before I got through, Naomi
came at me, and tore the violin from me, and--SWORE. And she said, ‘You
big-eyed brat, how did you know THAT?’ Then she took me by the arm--and
she hurt me, too, I can tell you--and she put me right out in the rain
and slammed the door.”

“The rude, unmannerly creature!” said Janet indignantly.

“Oh, no, she was quite in the right,” said Felix composedly. “It served
me right for what I played. You see, she didn’t know I couldn’t help
playing it. I suppose she thought I did it on purpose.”

“What on earth did you play, child?”

“I don’t know.” Felix shivered. “It was awful--it was dreadful. It was
fit to break your heart. But it HAD to be played, if I played anything at
all.”

“I don’t understand what you mean--I declare I don’t,” said Janet in
bewilderment.

“I think we’ll change the subject of conversation,” said Mr. Leonard.



It was a month later when “the simple creature, Maggie” appeared at the
manse door one evening and asked for the preached.

“Naomi wants ter see yer,” she mumbled. “Naomi sent Maggie ter tell yer
ter come at onct.”

“I shall go, certainly,” said Mr. Leonard gently. “Is she very ill?”

“Her’s dying,” said Maggie with a broad grin. “And her’s awful skeered
of hell. Her just knew ter-day her was dying. Maggie told her--her
wouldn’t believe the harbour women, but her believed Maggie. Her yelled
awful.”

Maggie chuckled to herself over the gruesome remembrance. Mr. Leonard,
his heart filled with pity, called Janet and told her to give the poor
creature some refreshment. But Maggie shook her head.

“No, no, preacher, Maggie must get right back to Naomi. Maggie’ll tell
her the preacher’s coming ter save her from hell.”

She uttered an eerie cry, and ran at full speed shoreward through the
spruce woods.

“The Lord save us!” said Janet in an awed tone. “I knew the poor girl
was simple, but I didn’t know she was like THAT. And are you going,
sir?”

“Yes, of course. I pray God I may be able to help the poor soul,” said
Mr. Leonard sincerely. He was a man who never shirked what he believed
to be his duty; but duty had sometimes presented itself to him in
pleasanter guise than this summons to Naomi Clark’s death-bed.

The woman had been the plague spot of Lower Carmody and Carmody
Harbour for a generation. In the earlier days of his ministry to the
congregation he had tried to reclaim her, and Naomi had mocked and
flouted him to his face. Then, for the sake of those to whom she was
a snare or a heart-break, he had endeavoured to set the law in motion
against her, and Naomi had laughed the law to scorn. Finally, he had
been compelled to let her alone.

Yet Naomi had not always been an outcast. Her girlhood had been
innocent; but she was the possessor of a dangerous beauty, and her
mother was dead. Her father was a man notorious for his harshness and
violence of temper. When Naomi made the fatal mistake of trusting to a
false love that betrayed and deserted, he drove her from his door with
taunts and curses.

Naomi took up her quarters in a little deserted house at Spruce Cove.
Had her child lived it might have saved her. But it died at birth, and
with its little life went her last chance of worldly redemption. From
that time forth, her feet were set in the way that takes hold on hell.

For the past five years, however, Naomi had lived a tolerably
respectable life. When Janet Peterson had died, her idiot daughter,
Maggie, had been left with no kin in the world. Nobody knew what was to
be done with her, for nobody wanted to be bothered with her. Naomi Clark
went to the girl and offered her a home. People said she was no fit
person to have charge of Maggie, but everybody shirked the unpleasant
task of interfering in the matter, except Mr. Leonard, who went to
expostulate with Naomi, and, as Janet said, for his pains got her door
shut in his face.

But from the day when Maggie Peterson went to live with her, Naomi
ceased to be the harbour Magdalen.



The sun had set when Mr. Leonard reached Spruce Cove, and the harbour
was veiling itself in a wondrous twilight splendour. Afar out, the
sea lay throbbing and purple, and the moan of the bar came through the
sweet, chill spring air with its burden of hopeless, endless longing and
seeking. The sky was blossoming into stars above the afterglow; out
to the east the moon was rising, and the sea beneath it was a thing of
radiance and silver and glamour; and a little harbour boat that went
sailing across it was transmuted into an elfin shallop from the coast of
fairyland.

Mr. Leonard sighed as he turned from the sinless beauty of the sea and
sky to the threshold of Naomi Clark’s house. It was very small--one room
below, and a sleeping-loft above; but a bed had been made up for the
sick woman by the down-stairs window looking out on the harbour; and
Naomi lay on it, with a lamp burning at her head and another at her
side, although it was not yet dark. A great dread of darkness had always
been one of Naomi’s peculiarities.

She was tossing restlessly on her poor couch, while Maggie crouched on a
box at the foot. Mr. Leonard had not seen her for five years, and he
was shocked at the change in her. She was much wasted; her clear-cut,
aquiline features had been of the type which becomes indescribably
witch-like in old age, and, though Naomi Clark was barely sixty, she
looked as if she might be a hundred. Her hair streamed over the pillow
in white, uncared-for tresses, and the hands that plucked at the
bed-clothes were like wrinkled claws. Only her eyes were unchanged; they
were as blue and brilliant as ever, but now filled with such agonized
terror and appeal that Mr. Leonard’s gentle heart almost stood still
with the horror of them. They were the eyes of a creature driven wild
with torture, hounded by furies, clutched by unutterable fear.

Naomi sat up and dragged at his arm.

“Can you help me? Can you help me?” she gasped imploringly. “Oh, I
thought you’d never come! I was skeered I’d die before you got here--die
and go to hell. I didn’t know before today that I was dying. None of
those cowards would tell me. Can you help me?”

“If I cannot, God can,” said Mr. Leonard gently. He felt himself very
helpless and inefficient before this awful terror and frenzy. He had
seen sad death-beds--troubled death-beds--ay, and despairing death-beds,
but never anything like this. “God!” Naomi’s voice shrilled terribly as
she uttered the name. “I can’t go to God for help. Oh, I’m skeered of
hell, but I’m skeereder still of God. I’d rather go to hell a thousand
times over than face God after the life I’ve lived. I tell you, I’m
sorry for living wicked--I was always sorry for it all the time. There
ain’t never been a moment I wasn’t sorry, though nobody would believe
it. I was driven on by fiends of hell. Oh, you don’t understand--you
CAN’T understand--but I was always sorry!”

“If you repent, that is all that is necessary. God will forgive you if
you ask Him.”

“No, He can’t! Sins like mine can’t be forgiven. He can’t--and He
won’t.”

“He can and He will. He is a God of love, Naomi.”

“No,” said Naomi with stubborn conviction. “He isn’t a God of love at
all. That’s why I’m skeered of him. No, no. He’s a God of wrath and
justice and punishment. Love! There ain’t no such thing as love! I’ve
never found it on earth, and I don’t believe it’s to be found in God.”

“Naomi, God loves us like a father.”

“Like MY father?” Naomi’s shrill laughter, pealing through the still
room, was hideous to hear.

The old minister shuddered.

“No--no! As a kind, tender, all-wise father, Naomi--as you would have
loved your little child if it had lived.”

Naomi cowered and moaned.

“Oh, I wish I could believe THAT. I wouldn’t be frightened if I could
believe that. MAKE me believe it. Surely you can make me believe that
there’s love and forgiveness in God if you believe it yourself.”

“Jesus Christ forgave and loved the Magdalen, Naomi.”

“Jesus Christ? Oh, I ain’t afraid of HIM. Yes, HE could understand and
forgive. He was half human. I tell you, it’s God I’m skeered of.”

“They are one and the same,” said Mr. Leonard helplessly. He knew he
could not make Naomi realize it. This anguished death-bed was no place
for a theological exposition on the mysteries of the Trinity.

“Christ died for you, Naomi. He bore your sins in His own body on the
cross.”

“We bear our own sins,” said Naomi fiercely. “I’ve borne mine all my
life--and I’ll bear them for all eternity. I can’t believe anything
else. I CAN’T believe God can forgive me. I’ve ruined people body and
soul--I’ve broken hearts and poisoned homes--I’m worse than a murderess.
No--no--no, there’s no hope for me.” Her voice rose again into that
shrill, intolerable shriek. “I’ve got to go to hell. It ain’t so much
the fire I’m skeered of as the outer darkness. I’ve always been so
skeered of darkness--it’s so full of awful things and thoughts. Oh,
there ain’t nobody to help me! Man ain’t no good and I’m too skeered of
God.”

She wrung her hands. Mr. Leonard walked up and down the room in the
keenest anguish of spirit he had ever known. What could he do? What
could he say? There was healing and peace in his religion for this woman
as for all others, but he could express it in no language which this
tortured soul could understand. He looked at her writhing face; he
looked at the idiot girl chuckling to herself at the foot of the bed;
he looked through the open door to the remote, starlit night--and
a horrible sense of utter helplessness overcame him. He could do
nothing--nothing! In all his life he had never known such bitterness of
soul as the realization brought home to him.

“What is the good of you if you can’t help me?” moaned the dying woman.
“Pray--pray--pray!” she shrilled suddenly.

Mr. Leonard dropped on his knees by the bed. He did not know what
to say. No prayer that he had ever prayed was of use here. The old,
beautiful formulas, which had soothed and helped the passing of many a
soul, were naught save idle, empty words to Naomi Clark. In his anguish
of mind Stephen Leonard gasped out the briefest and sincerest prayer his
lips had ever uttered.

“O, God, our Father! Help this woman. Speak to her in a tongue which she
can understand.”



A beautiful, white face appeared for a moment in the light that streamed
out of the doorway into the darkness of the night. No one noticed it,
and it quickly drew back into the shadow. Suddenly, Naomi fell back on
her pillow, her lips blue, her face horribly pinched, her eyes rolled up
in her head. Maggie started up, pushed Mr. Leonard aside, and proceeded
to administer some remedy with surprising skill and deftness. Mr.
Leonard, believing Naomi to be dying, went to the door, feeling sick and
bruised in soul.

Presently a figure stole out into the light.

“Felix, is that you?” said Mr. Leonard in a startled tone.

“Yes, sir.” Felix came up to the stone step. “Janet got frightened that
you might fall on that rough road after dark, so she made me come after
you with a lantern. I’ve been waiting behind the point, but at last I
thought I’d better come and see if you would be staying much longer. If
you will be, I’ll go back to Janet and leave the lantern here with you.”
 “Yes, that will be the best thing to do. I may not be ready to go home
for some time yet,” said Mr. Leonard, thinking that the death-bed of sin
behind him was no sight for Felix’s young eyes.

“Is that your grandson you’re talking to?” Naomi spoke clearly and
strongly. The spasm had passed. “If it is, bring him in. I want to see
him.”

Reluctantly, Mr. Leonard signed Felix to enter. The boy stood by Naomi’s
bed and looked down at her with sympathetic eyes. But at first she did
not look at him--she looked past him at the minister.

“I might have died in that spell,” she said, with sullen reproach in her
voice, “and if I had, I’d been in hell now. You can’t help me--I’m done
with you. There ain’t any hope for me, and I know it now.”

She turned to Felix.

“Take down that fiddle on the wall and play something for me,” she said
imperiously. “I’m dying--and I’m going to hell--and I don’t want to
think of it. Play me something to take my thoughts off it--I don’t care
what you play. I was always fond of music--there was always something in
it for me I never found anywhere else.”

Felix looked at his grandfather. The old man nodded, he felt too ashamed
to speak; he sat with his fine silver head in his hands, while Felix
took down and tuned the old violin, on which so many godless lilts had
been played in many a wild revel. Mr. Leonard felt that he had failed
his religion. He could not give Naomi the help that was in it for her.

Felix drew the bow softly, perplexedly over the strings. He had no
idea what he should play. Then his eyes were caught and held by Naomi’s
burning, mesmeric, blue gaze as she lay on her crumpled pillow. A
strange, inspired look came over the boy’s face. He began to play as if
it were not he who played, but some mightier power, of which he was but
the passive instrument.

Sweet and soft and wonderful was the music that stole through the
room. Mr. Leonard forgot his heartbreak and listened to it in puzzled
amazement. He had never heard anything like it before. How could the
child play like that? He looked at Naomi and marvelled at the change
in her face. The fear and frenzy were going out of it; she listened
breathlessly, never taking her eyes from Felix. At the foot of the bed
the idiot girl sat with tears on her cheeks.

In that strange music was the joy of the innocent, mirthful childhood,
blent with the laughter of waves and the call of glad winds. Then it
held the wild, wayward dreams of youth, sweet and pure in all their
wildness and waywardness. They were followed by a rapture of young
love--all-surrendering, all-sacrificing love. The music changed. It
held the torture of unshed tears, the anguish of a heart deceived and
desolate. Mr. Leonard almost put his hands over his ears to shut out its
intolerable poignancy. But on the dying woman’s face was only a strange
relief, as if some dumb, long-hidden pain had at last won to the healing
of utterance.

The sullen indifference of despair came next, the bitterness of
smouldering revolt and misery, the reckless casting away of all good.
There was something indescribably evil in the music now--so evil that
Mr. Leonard’s white soul shuddered away in loathing, and Maggie cowered
and whined like a frightened animal.

Again the music changed. And in it now there was agony and fear--and
repentance and a cry for pardon. To Mr. Leonard there was something
strangely familiar in it. He struggled to recall where he had heard
it before; then he suddenly knew--he had heard it before Felix came in
Naomi’s terrible words! He looked at his grandson with something like
awe. Here was a power of which he knew nothing--a strange and dreadful
power. Was it of God? Or of Satan?

For the last time the music changed. And now it was not music at all--it
was a great, infinite forgiveness, an all-comprehending love. It was
healing for a sick soul; it was light and hope and peace. A Bible text,
seemingly incongruous, came into Mr. Leonard’s mind--“This is the house
of God; this is the gate of heaven.”

Felix lowered the violin and dropped wearily on a chair by the bed. The
inspired light faded from his face; once more he was only a tired boy.
But Stephen Leonard was on his knees, sobbing like a child; and Naomi
Clark was lying still, with her hands clasped over her breast.

“I understand now,” she said very softly. “I couldn’t see it before--and
now it’s so plain. I just FEEL it. God IS a God of love. He can forgive
anybody--even me--even me. He knows all about it. I ain’t skeered any
more. He just loves me and forgives me as I’d have loved and forgiven
my baby if she’d lived, no matter how bad she was, or what she did. The
minister told me that but I couldn’t believe it. I KNOW it now. And He
sent you here to-night, boy, to tell it to me in a way that I could feel
it.”



Naomi Clark died just as the dawn came up over the sea. Mr. Leonard rose
from his watch at her bedside and went to the door. Before him spread
the harbour, gray and austere in the faint light, but afar out the sun
was rending asunder the milk-white mists in which the sea was scarfed,
and under it was a virgin glow of sparkling water.

The fir trees on the point moved softly and whispered together. The
whole world sang of spring and resurrection and life; and behind him
Naomi Clark’s dead face took on the peace that passes understanding.

The old minister and his grandson walked home together in a silence that
neither wished to break. Janet Andrews gave them a good scolding and an
excellent breakfast. Then she ordered them both to bed; but Mr. Leonard,
smiling at her, said:

“Presently, Janet, presently. But now, take this key, go up to the black
chest in the garret, and bring me what you will find there.”

When Janet had gone, he turned to Felix.

“Felix, would you like to study music as your life-work?”

Felix looked up, with a transfiguring flush on his wan face.

“Oh, grandfather! Oh, grandfather!”

“You may do so, my child. After this night I dare not hinder you. Go
with my blessing, and may God guide and keep you, and make you strong to
do His work and tell His message to humanity in your own appointed way.
It is not the way I desired for you--but I see that I was mistaken. Old
Abel spoke truly when he said there was a Christ in your violin as well
as a devil. I understand what he meant now.”

He turned to meet Janet, who came into the study with a violin. Felix’s
heart throbbed; he recognized it. Mr. Leonard took it from Janet and
held it out to the boy.

“This is your father’s violin, Felix. See to it that you never make
your music the servant of the power of evil--never debase it to unworthy
ends. For your responsibility is as your gift, and God will exact the
accounting of it from you. Speak to the world in your own tongue through
it, with truth and sincerity; and all I have hoped for you will be
abundantly fulfilled.”





IV. Little Joscelyn


“It simply isn’t to be thought of, Aunty Nan,” said Mrs. William
Morrison decisively. Mrs. William Morrison was one of those people who
always speak decisively. If they merely announce that they are going
to peel the potatoes for dinner their hearers realize that there is
no possible escape for the potatoes. Moreover, these people are always
given their full title by everybody. William Morrison was called Billy
oftener than not; but, if you had asked for Mrs. Billy Morrison, nobody
in Avonlea would have known what you meant at first guess.

“You must see that for yourself, Aunty,” went on Mrs. William, hulling
strawberries nimbly with her large, firm, white fingers as she talked.
Mrs. William always improved every shining moment. “It is ten miles to
Kensington, and just think how late you would be getting back. You are
not able for such a drive. You wouldn’t get over it for a month. You
know you are anything but strong this summer.”

Aunty Nan sighed, and patted the tiny, furry, gray morsel of a kitten in
her lap with trembling fingers. She knew, better than anyone else could
know it, that she was not strong that summer. In her secret soul, Aunty
Nan, sweet and frail and timid under the burden of her seventy years,
felt with mysterious unmistakable prescience that it was to be her last
summer at the Gull Point Farm. But that was only the more reason why
she should go to hear little Joscelyn sing; she would never have another
chance. And oh, to hear little Joscelyn sing just once--Joscelyn, whose
voice was delighting thousands out in the big world, just as in the
years gone by it had delighted Aunty Nan and the dwellers at the Gull
Point Farm for a whole golden summer with carols at dawn and dusk about
the old place!

“Oh, I know I’m not very strong, Maria.” said Aunty Nan pleadingly, “but
I am strong enough for that. Indeed I am. I could stay at Kensington
over night with George’s folks, you know, and so it wouldn’t tire
me much. I do so want to hear Joscelyn sing. Oh, how I love little
Joscelyn.”

“It passes my understanding, the way you hanker after that child,” cried
Mrs. William impatiently. “Why, she was a perfect stranger to you when
she came here, and she was here only one summer!”

“But oh, such a summer!” said Aunty Nan softly. “We all loved little
Joscelyn. She just seemed like one of our own. She was one of God’s
children, carrying love with them everywhere. In some ways that little
Anne Shirley the Cuthberts have got up there at Green Gables reminds
me of her, though in other ways they’re not a bit alike. Joscelyn was a
beauty.”

“Well, that Shirley snippet certainly isn’t that,” said Mrs. William
sarcastically. “And if Joscelyn’s tongue was one third as long as Anne
Shirley’s the wonder to me is that she didn’t talk you all to death out
of hand.”

“Little Joscelyn wasn’t much of a talker,” said Aunty Nan dreamily. “She
was kind of a quiet child. But you remember what she did say. And I’ve
never forgotten little Joscelyn.”

Mrs. William shrugged her plump, shapely shoulders.

“Well, it was fifteen years ago, Aunty Nan, and Joscelyn can’t be very
‘little’ now. She is a famous woman, and she has forgotten all about
you, you can be sure of that.”

“Joscelyn wasn’t the kind that forgets,” said Aunty Nan loyally. “And,
anyway, the point is, _I_ haven’t forgotten HER. Oh, Maria, I’ve longed
for years and years just to hear her sing once more. It seems as if I
MUST hear my little Joscelyn sing once again before I die. I’ve never
had the chance before and I never will have it again. Do please ask
William to take me to Kensington.”

“Dear me, Aunty Nan, this is really childish,” said Mrs. William,
whisking her bowlful of berries into the pantry. “You must let other
folks be the judge of what is best for you now. You aren’t strong enough
to drive to Kensington, and, even if you were, you know well enough that
William couldn’t go to Kensington to-morrow night. He has got to attend
that political meeting at Newbridge. They can’t do without him.”

“Jordan could take me to Kensington,” pleaded Aunty Nan, with very
unusual persistence.

“Nonsense! You couldn’t go to Kensington with the hired man. Now, Aunty
Nan, do be reasonable. Aren’t William and I kind to you? Don’t we do
everything for your comfort?”

“Yes, oh, yes,” admitted Aunty Nan deprecatingly.

“Well, then, you ought to be guided by our opinion. And you must just
give up thinking about the Kensington concert, Aunty, and not worry
yourself and me about it any more. I am going down to the shore field
now to call William to tea. Just keep an eye on the baby in chance he
wakes up, and see that the teapot doesn’t boil over.”

Mrs. William whisked out of the kitchen, pretending not to see the tears
that were falling over Aunty Nan’s withered pink cheeks. Aunty Nan was
really getting very childish, Mrs. William reflected, as she marched
down to the shore field. Why, she cried now about every little
thing! And such a notion--to want to go to the Old Timers’ concert at
Kensington and be so set on it! Really, it was hard to put up with her
whims. Mrs. William sighed virtuously.

As for Aunty Nan, she sat alone in the kitchen, and cried bitterly, as
only lonely old age can cry. It seemed to her that she could not bear
it, that she MUST go to Kensington. But she knew that it was not to be,
since Mrs. William had decided otherwise. Mrs. William’s word was law at
Gull Point Farm.

“What’s the matter with my old Aunty Nan?” cried a hearty young voice
from the doorway. Jordan Sloane stood there, his round, freckled face
looking as anxious and sympathetic as it was possible for such a very
round, very freckled face to look. Jordan was the Morrisons’ hired boy
that summer, and he worshipped Aunty Nan.

“Oh, Jordan,” sobbed Aunty Nan, who was not above telling her troubles
to the hired help, although Mrs. William thought she ought to be, “I
can’t go to Kensington to-morrow night to hear little Joscelyn sing at
the Old Timers’ concert. Maria says I can’t.”

“That’s too bad,” said Jordan. “Old cat,” he muttered after the
retreating and serenely unconscious Mrs. William. Then he shambled in
and sat down on the sofa beside Aunty Nan.

“There, there, don’t cry,” he said, patting her thin little shoulder
with his big, sunburned paw. “You’ll make yourself sick if you go on
crying, and we can’t get along without you at Gull Point Farm.”

Aunty Nan smiled wanly.

“I’m afraid you’ll soon have to get on without me, Jordan. I’m not going
to be here very long now. No, I’m not, Jordan, I know it. Something
tells me so very plainly. But I would be willing to go--glad to go, for
I’m very tired, Jordan--if I could only have heard little Joscelyn sing
once more.”

“Why are you so set on hearing her?” asked Jordan. “She ain’t no kin to
you, is she?”

“No, but dearer to me--dearer to me than many of my own. Maria thinks
that is silly, but you wouldn’t if you’d known her, Jordan. Even Maria
herself wouldn’t, if she had known her. It is fifteen years since she
came here one summer to board. She was a child of thirteen then, and
hadn’t any relations except an old uncle who sent her to school in
winter and boarded her out in summer, and didn’t care a rap about her.
The child was just starving for love, Jordan, and she got it here.
William and his brothers were just children then, and they hadn’t
any sister. We all just worshipped her. She was so sweet, Jordan. And
pretty, oh my! like a little girl in a picture, with great long curls,
all black and purply and fine as spun silk, and big dark eyes, and such
pink cheeks--real wild rose cheeks. And sing! My land! But couldn’t she
sing! Always singing, every hour of the day that voice was ringing round
the old place. I used to hold my breath to hear it. She always said that
she meant to be a famous singer some day, and I never doubted it a mite.
It was born in her. Sunday evening she used to sing hymns for us. Oh,
Jordan, it makes my old heart young again to remember it. A sweet child
she was, my little Joscelyn! She used to write me for three or four
years after she went away, but I haven’t heard a word from her for long
and long. I daresay she has forgotten me, as Maria says. ‘Twouldn’t be
any wonder. But I haven’t forgotten her, and oh, I want to see and hear
her terrible much. She is to sing at the Old Timers’ concert to-morrow
night at Kensington. The folks who are getting the concert up are
friends of hers, or, of course, she’d never have come to a little
country village. Only sixteen miles away--and I can’t go.”

Jordan couldn’t think of anything to say. He reflected savagely that if
he had a horse of his own he would take Aunty Nan to Kensington, Mrs.
William or no Mrs. William. Though, to be sure, it WAS a long drive for
her; and she was looking very frail this summer.

“Ain’t going to last long,” muttered Jordan, making his escape by the
porch door as Mrs. William puffed in by the other. “The sweetest old
creetur that ever was created’ll go when she goes. Yah, ye old madam,
I’d like to give you a piece of my mind, that I would!”

This last was for Mrs. William, but was delivered in a prudent
undertone. Jordan detested Mrs. William, but she was a power to be
reckoned with, all the same. Meek, easy-going Billy Morrison did just
what his wife told him to.

So Aunty Nan did not get to Kensington to hear little Joscelyn sing. She
said nothing more about it but after that night she seemed to fail very
rapidly. Mrs. William said it was the hot weather, and that Aunty Nan
gave way too easily. But Aunty Nan could not help giving way now; she
was very, very tired. Even her knitting wearied her. She would sit for
hours in her rocking chair with the gray kitten in her lap, looking out
of the window with dreamy, unseeing eyes. She talked to herself a good
deal, generally about little Joscelyn. Mrs. William told Avonlea folk
that Aunty Nan had got terribly childish and always accompanied the
remark with a sigh that intimated how much she, Mrs. William, had to
contend with.

Justice must be done to Mrs. William, however. She was not unkind to
Aunty Nan; on the contrary, she was very kind to her in the letter. Her
comfort was scrupulously attended to, and Mrs. William had the grace to
utter none of her complaints in the old woman’s hearing. If Aunty Nan
felt the absence of the spirit she never murmured at it.

One day, when the Avonlea slopes were golden-hued with the ripened
harvest, Aunty Nan did not get up. She complained of nothing but great
weariness. Mrs. William remarked to her husband that if SHE lay in bed
every day she felt tired, there wouldn’t be much done at Gull Point
Farm. But she prepared an excellent breakfast and carried it patiently
up to Aunty Nan, who ate little of it.

After dinner Jordan crept up by way of the back stairs to see her. Aunty
Nan was lying with her eyes fixed on the pale pink climbing roses that
nodded about the window. When she saw Jordan she smiled.

“Them roses put me so much in mind of little Joscelyn,” she said softly.
“She loved them so. If I could only see her! Oh, Jordan, if I could only
see her! Maria says it’s terrible childish to be always harping on that
string, and mebbe it is. But--oh, Jordan, there’s such a hunger in my
heart for her, such a hunger!”

Jordan felt a queer sensation in his throat, and twisted his ragged
straw hat about in his big hands. Just then a vague idea which had
hovered in his brain all day crystallized into decision. But all he said
was:

“I hope you’ll feel better soon, Aunty Nan.”

“Oh, yes, Jordan dear, I’ll be better soon,” said Aunty Nan with her own
sweet smile. “‘The inhabitant shall not say I am sick,’ you know. But if
I could only see little Joscelyn first!”

Jordan went out and hurried down-stairs. Billy Morrison was in the
stable, when Jordan stuck his head over the half-door.

“Say, can I have the rest of the day off, sir? I want to go to
Kensington.”

“Well, I don’t mind,” said Billy Morrison amiably. “May’s well get you
jaunting done ‘fore harvest comes on. And here, Jord; take this quarter
and get some oranges for Aunty Nan. Needn’t mention it to headquarters.”

Billy Morrison’s face was solemn, but Jordan winked as he pocketed the
money.

“If I’ve any luck, I’ll bring her something that’ll do her more good
than the oranges,” he muttered, as he hurried off to the pasture. Jordan
had a horse of his own now, a rather bony nag, answering to the name of
Dan. Billy Morrison had agreed to pasture the animal if Jordan used
him in the farm work, an arrangement scoffed at by Mrs. William in no
measured terms.

Jordan hitched Dan into the second best buggy, dressed himself in his
Sunday clothes, and drove off. On the road he re-read a paragraph he had
clipped from the Charlottetown Daily Enterprise of the previous day.

“Joscelyn Burnett, the famous contralto, is spending a few days in
Kensington on her return from her Maritime concert tour. She is the
guest of Mr. and Mrs. Bromley, of The Beeches.”

“Now if I can get there in time,” said Jordan emphatically.

Jordan got to Kensington, put Dan up in a livery stable, and inquired
the way to The Beeches. He felt rather nervous when he found it, it was
such a stately, imposing place, set back from the street in an emerald
green seclusion of beautiful grounds.

“Fancy me stalking up to that front door and asking for Miss Joscelyn
Burnett,” grinned Jordan sheepishly. “Mebbe they’ll tell me to go around
to the back and inquire for the cook. But you’re going just the same,
Jordan Sloane, and no skulking. March right up now. Think of Aunty Nan
and don’t let style down you.”

A pert-looking maid answered Jordan’s ring, and stared at him when he
asked for Miss Burnett.

“I don’t think you can see her,” she said shortly, scanning his country
cut of hair and clothes rather superciliously. “What is your business
with her?”

The maid’s scorn roused Jordan’s “dander,” as he would have expressed
it.

“I’ll tell her that when I see her,” he retorted coolly. “Just you tell
her that I’ve a message for her from Aunty Nan Morrison of Gull Point
Farm, Avonlea. If she hain’t forgot, that’ll fetch her. You might as
well hurry up, if you please, I’ve not overly too much time.”

The pert maid decided to be civil at least, and invited Jordan to enter.
But she left him standing in the hall while she went in search of Miss
Burnett. Jordan gazed about him in amazement. He had never been in any
place like this before. The hall was wonderful enough, and through the
open doors on either hand stretched vistas of lovely rooms that, to
Jordan’s eyes, looked like those of a palace.

“Gee whiz! How do they ever move around without knocking things over?”

Then Joscelyn Burnett came, and Jordan forgot everything else. This
tall, beautiful woman, in her silken draperies, with a face like nothing
Jordan had ever seen, or even dreamed about,--could this be Aunty Nan’s
little Joscelyn? Jordan’s round, freckled countenance grew crimson. He
felt horribly tonguetied and embarrassed. What could he say to her? How
could he say it?

Joscelyn Burnett looked at him with her large, dark eyes,--the eyes of a
woman who had suffered much, and learned much, and won through struggle
to victory.

“You have come from Aunty Nan?” she said. “Oh, I am so glad to hear from
her. Is she well? Come in here and tell me all about her.”

She turned toward one of those fairy-like rooms, but Jordan interrupted
her desperately.

“Oh, not in there, ma’am. I’d never get it out. Just let me blunder
through it out here someways. Yes’m, Aunty Nan, she ain’t very well.
She’s--she’s dying, I guess. And she’s longing for you night and day.
Seems as if she couldn’t die in peace without seeing you. She wanted
to get to Kensington to hear you sing, but that old cat of a Mrs.
William--begging you pardon, ma’am--wouldn’t let her come. She’s always
talking of you. If you can come out to Gull Point Farm and see her, I’ll
be most awful obliged to you, ma’am.”

Joscelyn Burnett looked troubled. She had not forgotten Gull Point Farm,
nor Aunty Nan; but for years the memory had been dim, crowded into the
background of consciousness by the more exciting events of her busy
life. Now it came back with a rush. She recalled it all tenderly--the
peace and beauty and love of that olden summer, and sweet Aunty Nan, so
very wise in the lore of all things simple and good and true. For the
moment Joscelyn Burnett was a lonely, hungry-hearted little girl again,
seeking for love and finding it not, until Aunty Nan had taken her into
her great mother-heart and taught her its meaning.

“Oh, I don’t know,” she said perplexedly. “If you had come sooner--I
leave on the 11:30 train tonight. I MUST leave by then or I shall not
reach Montreal in time to fill a very important engagement. And yet I
must see Aunty Nan, too. I have been careless and neglectful. I might
have gone to see her before. How can we manage it?”

“I’ll bring you back to Kensington in time to catch that train,” said
Jordan eagerly. “There’s nothing I wouldn’t do for Aunty Nan--me and
Dan. Yes, sir, you’ll get back in time. Just think of Aunty Nan’s face
when she sees you!”

“I will come,” said the great singer, gently.

It was sunset when they reached Gull Point Farm. An arc of warm gold
was over the spruces behind the house. Mrs. William was out in the
barn-yard, milking, and the house was deserted, save for the sleeping
baby in the kitchen and the little old woman with the watchful eyes in
the up-stairs room.

“This way, ma’am,” said Jordan, inwardly congratulating himself that the
coast was clear. “I’ll take you right up to her room.”

Up-stairs, Joscelyn tapped at the half-open door and went in. Before
it closed behind her, Jordan heard Aunty Nan say, “Joscelyn! Little
Joscelyn!” in a tone that made him choke again. He stumbled thankfully
down-stairs, to be pounced upon by Mrs. William in the kitchen.

“Jordan Sloane, who was that stylish woman you drove into the yard with?
And what have you done with her?”

“That was Miss Joscelyn Burnett,” said Jordan, expanding himself. This
was his hour of triumph over Mrs. William. “I went to Kensington and
brung her out to see Aunty Nan. She’s up with her now.”

“Dear me,” said Mrs. William helplessly. “And me in my milking rig!
Jordan, for pity’s sake, hold the baby while I go and put on my black
silk. You might have given a body some warning. I declare I don’t know
which is the greatest idiot, you or Aunty Nan!”

As Mrs. William flounced out of the kitchen, Jordan took his
satisfaction in a quiet laugh.

Up-stairs in the little room was a great glory of sunset and gladness
of human hearts. Joscelyn was kneeling by the bed, with her arms about
Aunty Nan; and Aunty Nan, with her face all irradiated, was stroking
Joscelyn’s dark hair fondly.

“O, little Joscelyn,” she murmured, “it seems too good to be true. It
seems like a beautiful dream. I knew you the minute you opened the door,
my dearie. You haven’t changed a bit. And you’re a famous singer now,
little Joscelyn! I always knew you would be. Oh, I want you to sing a
piece for me--just one, won’t you, dearie? Sing that piece people like
to hear you sing best. I forget the name, but I’ve read about it in the
papers. Sing it for me, little Joscelyn.”

And Joscelyn, standing by Aunty Nan’s bed, in the sunset light, sang
the song she had sung to many a brilliant audience on many a noted
concert-platform--sang it as even she had never sung before, while Aunty
Nan lay and listened beatifically, and downstairs even Mrs. William held
her breath, entranced by the exquisite melody that floated through the
old farmhouse.

“O, little Joscelyn!” breathed Aunty Nan in rapture, when the song
ended.

Joscelyn knelt by her again and they had a long talk of old days. One by
one they recalled the memories of that vanished summer. The past gave up
its tears and its laughter. Heart and fancy alike went roaming through
the ways of the long ago. Aunty Nan was perfectly happy. And then
Joscelyn told her all the story of her struggles and triumphs since they
had parted.

When the moonlight began to creep in through the low window, Aunty Nan
put out her hand and touched Joscelyn’s bowed head.

“Little Joscelyn,” she whispered, “if it ain’t asking too much, I want
you to sing just one other piece. Do you remember when you were here how
we sung hymns in the parlour every Sunday night, and my favourite always
was ‘The Sands of Time are Sinking?’ I ain’t never forgot how you used
to sing that, and I want to hear it just once again, dearie. Sing it for
me, little Joscelyn.”

Joscelyn rose and went to the window. Lifting back the curtain, she
stood in the splendour of the moonlight, and sang the grand old hymn.
At first Aunty Nan beat time to it feebly on the counterpane; but when
Joscelyn came to the verse, “With mercy and with judgment,” she folded
her hands over her breast and smiled.

When the hymn ended, Joscelyn came over to the bed.

“I am afraid I must say good-bye now, Aunty Nan,” she said.

Then she saw that Aunty Nan had fallen asleep. She would not waken her,
but she took from her breast the cluster of crimson roses she wore and
slipped them gently between the toil-worn fingers.

“Good-bye, dear, sweet mother-heart,” she murmured.

Down-stairs she met Mrs. William splendid in rustling black silk, her
broad, rubicund face smiling, overflowing with apologies and welcomes,
which Joscelyn cut short coldly.

“Thank you, Mrs. Morrison, but I cannot possibly stay longer. No, thank
you, I don’t care for any refreshments. Jordan is going to take me back
to Kensington at once. I came out to see Aunty Nan.” “I’m certain she’d
be delighted,” said Mrs. William effusively. “She’s been talking about
you for weeks.”

“Yes, it has made her very happy,” said Joscelyn gravely. “And it has
made me happy, too. I love Aunty Nan, Mrs. Morrison, and I owe her much.
In all my life I have never met a woman so purely, unselfishly good and
noble and true.”

“Fancy now,” said Mrs. William, rather overcome at hearing this great
singer pronounce such an encomium on quiet, timid old Aunty Nan.

Jordan drove Joscelyn back to Kensington; and up-stairs in her room
Aunty Nan slept, with that rapt smile on her face and Joscelyn’s red
roses in her hands. Thus it was that Mrs. William found her, going in
the next morning with her breakfast. The sunlight crept over the pillow,
lighting up the sweet old face and silver hair, and stealing downward
to the faded red roses on her breast. Smiling and peaceful and happy
lay Aunty Nan, for she had fallen on the sleep that knows no earthy
wakening, while little Joscelyn sang.





V. The Winning of Lucinda


The marriage of a Penhallow was always the signal for a gathering of
the Penhallows. From the uttermost parts of the earth they would
come--Penhallows by birth, and Penhallows by marriage and Penhallows
by ancestry. East Grafton was the ancient habitat of the race, and
Penhallow Grange, where “old” John Penhallow lived, was a Mecca to them.

As for the family itself, the exact kinship of all its various branches
and ramifications was a hard thing to define. Old Uncle Julius Penhallow
was looked upon as a veritable wonder because he carried it all in his
head and could tell on sight just what relation any one Penhallow was
to any other Penhallow. The rest made a blind guess at it, for the most
part, and the younger Penhallows let it go at loose cousinship.

In this instance it was Alice Penhallow, daughter of “young” John
Penhallow, who was to be married. Alice was a nice girl, but she and
her wedding only pertain to this story in so far as they furnish a
background for Lucinda; hence nothing more need be said of her.

On the afternoon of her wedding day--the Penhallows held to the
good, old-fashioned custom of evening weddings with a rousing dance
afterwards--Penhallow Grange was filled to overflowing with guests who
had come there to have tea and rest themselves before going down to
“young” John’s. Many of them had driven fifty miles. In the big
autumnal orchard the younger fry foregathered and chatted and coquetted.
Up-stairs, in “old” Mrs. John’s bedroom, she and her married daughters
held high conclave. “Old” John had established himself with his sons and
sons-in-law in the parlour, and the three daughters-in-law were making
themselves at home in the blue sitting-room, ear-deep in harmless family
gossip. Lucinda and Romney Penhallow were also there.

Thin Mrs. Nathaniel Penhallow sat in a rocking chair and toasted her
toes at the grate, for the brilliant autumn afternoon was slightly
chilly and Lucinda, as usual, had the window open. She and plump Mrs.
Frederick Penhallow did most of the talking. Mrs. George Penhallow being
rather out of it by reason of her newness. She was George Penhallow’s
second wife, married only a year. Hence, her contributions to the
conversation were rather spasmodic, hurled in, as it were, by dead
reckoning, being sometimes appropriate and sometimes savouring of a
point of view not strictly Penhallowesque.

Romney Penhallow was sitting in a corner, listening to the chatter of
the women, with the inscrutable smile that always vexed Mrs. Frederick.
Mrs. George wondered within herself what he did there among the women.
She also wondered just where he belonged on the family tree. He was not
one of the uncles, yet he could not be much younger than George.

“Forty, if he is a day,” was Mrs. George’s mental dictum, “but a very
handsome and fascinating man. I never saw such a splendid chin and
dimple.”

Lucinda, with bronze-colored hair and the whitest of skins, defiant of
merciless sunlight and revelling in the crisp air, sat on the sill of
the open window behind the crimson vine leaves, looking out into the
garden, where dahlias flamed and asters broke into waves of purple and
snow. The ruddy light of the autumn afternoon gave a sheen to the waves
of her hair and brought out the exceeding purity of her Greek outlines.

Mrs. George knew who Lucinda was--a cousin of the second generation,
and, in spite of her thirty-five years, the acknowledged beauty of the
whole Penhallow connection.

She was one of those rare women who keep their loveliness unmarred by
the passage of years. She had ripened and matured, but she had not
grown old. The older Penhallows were still inclined, from sheer force of
habit, to look upon her as a girl, and the younger Penhallows hailed her
as one of themselves. Yet Lucinda never aped girlishness; good taste and
a strong sense of humour preserved her amid many temptations thereto.
She was simply a beautiful, fully developed woman, with whom Time had
declared a truce, young with a mellow youth which had nothing to do with
years.

Mrs. George liked and admired Lucinda. Now, when Mrs. George liked and
admired any person, it was a matter of necessity with her to impart her
opinions to the most convenient confidant. In this case it was Romney
Penhallow to whom Mrs. George remarked sweetly:

“Really, don’t you think our Lucinda is looking remarkably well this
fall?”

It seemed a very harmless, inane, well-meant question. Poor Mrs. George
might well be excused for feeling bewildered over the effect. Romney
gathered his long legs together, stood up, and swept the unfortunate
speaker a crushing Penhallow bow of state.

“Far be it from me to disagree with the opinion of a lady--especially
when it concerns another lady,” he said, as he left the blue room.

Overcome by the mordant satire in his tone, Mrs. George glanced
speechlessly at Lucinda. Behold, Lucinda had squarely turned her back on
the party and was gazing out into the garden, with a very decided flush
on the snowy curves of her neck and cheek. Then Mrs. George looked at
her sisters-in-law. They were regarding her with the tolerant amusement
they might bestow on a blundering child. Mrs. George experienced that
subtle prescience whereby it is given us to know that we have put our
foot in it. She felt herself turning an uncomfortable brick-red. What
Penhallow skeleton had she unwittingly jangled? Why, oh, why, was it
such an evident breach of the proprieties to praise Lucinda?

Mrs. George was devoutly thankful that a summons to the tea-table
rescued her from her mire of embarrassment. The meal was spoiled for
her, however; the mortifying recollection of her mysterious blunder
conspired with her curiosity to banish appetite. As soon as possible
after tea she decoyed Mrs. Frederick out into the garden and in the
dahlia walk solemnly demanded the reason of it all.

Mrs. Frederick indulged in a laugh which put the mettle of her festal
brown silk seams to the test.

“My dear Cecilia, it was SO amusing,” she said, a little patronizingly.

“But WHY!” cried Mrs. George, resenting the patronage and the mystery.
“What was so dreadful in what I said? Or so funny? And WHO is this
Romney Penhallow who mustn’t be spoken to?”

“Oh, Romney is one of the Charlottetown Penhallows,” explained Mrs.
Frederick. “He is a lawyer there. He is a first cousin of Lucinda’s and
a second of George’s--or is he? Oh, bother! You must go to Uncle John
if you want the genealogy. I’m in a chronic muddle concerning Penhallow
relationship. And, as for Romney, of course you can speak to him about
anything you like except Lucinda. Oh, you innocent! To ask him if he
didn’t think Lucinda was looking well! And right before her, too! Of
course he thought you did it on purpose to tease him. That was what made
him so savage and sarcastic.”

“But WHY?” persisted Mrs. George, sticking tenaciously to her point.

“Hasn’t George told you?”

“No,” said George’s wife in mild exasperation. “George has spent most
of his time since we were married telling me odd things about the
Penhallows, but he hasn’t got to that yet, evidently.”

“Why, my dear, it is our family romance. Lucinda and Romney are in love
with each other. They have been in love with each other for fifteen
years and in all that time they have never spoken to each other once!”

“Dear me!” murmured Mrs. George, feeling the inadequacy of mere
language. Was this a Penhallow method of courtship? “But WHY?”

“They had a quarrel fifteen years ago,” said Mrs. Frederick patiently.
“Nobody knows how it originated or anything about it except that Lucinda
herself admitted it to us afterwards. But, in the first flush of her
rage, she told Romney that she would never speak to him again as long
as she lived. And HE said he would never speak to her until she spoke
first--because, you see, as she was in the wrong she ought to make the
first advance. And they never have spoken. Everybody in the connection,
I suppose, has taken turns trying to reconcile them, but nobody has
succeeded. I don’t believe that Romney has ever so much as THOUGHT
of any other woman in his whole life, and certainly Lucinda has never
thought of any other man. You will notice she still wears Romney’s ring.
They’re practically engaged still, of course. And Romney said once that
if Lucinda would just say one word, no matter what it was, even if it
were something insulting, he would speak, too, and beg her pardon
for his share in the quarrel--because then, you see, he would not be
breaking his word. He hasn’t referred to the matter for years, but I
presume that he is of the same mind still. And they are just as much in
love with each other as they ever were. He’s always hanging about where
she is--when other people are there, too, that is. He avoids her like a
plague when she is alone. That was why he was stuck out in the blue
room with us to-day. There doesn’t seem to be a particle of resentment
between them. If Lucinda would only speak! But that Lucinda will not
do.”

“Don’t you think she will yet?” said Mrs. George.

Mrs. Frederick shook her crimped head sagely.

“Not now. The whole thing has hardened too long. Her pride will
never let her speak. We used to hope she would be tricked into it by
forgetfulness or accident--we used to lay traps for her--but all to no
effect. It is such a shame, too. They were made for each other. Do you
know, I get cross when I begin to thrash the whole silly affair over
like this. Doesn’t it sound as if we were talking of the quarrel of two
school-children? Of late years we have learned that it does not do to
speak of Lucinda to Romney, even in the most commonplace way. He seems
to resent it.”

“HE ought to speak,” cried Mrs. George warmly. “Even if she were in the
wrong ten times over, he ought to overlook it and speak first.”

“But he won’t. And she won’t. You never saw two such determined mortals.
They get it from their grandfather on the mother’s side--old Absalom
Gordon. There is no such stubbornness on the Penhallow side. His
obstinacy was a proverb, my dear--actually a proverb. What ever he said,
he would stick to if the skies fell. He was a terrible old man to swear,
too,” added Mrs. Frederick, dropping into irrelevant reminiscence. “He
spent a long while in a mining camp in his younger days and he never got
over it--the habit of swearing, I mean. It would have made your blood
run cold, my dear, to have heard him go on at times. And yet he was a
real good old man every other way. He couldn’t help it someway. He
tried to, but he used to say that profanity came as natural to him as
breathing. It used to mortify his family terribly. Fortunately, none of
them took after him in that respect. But he’s dead--and one shouldn’t
speak ill of the dead. I must go and get Mattie Penhallow to do my hair.
I would burst these sleeves clean out if I tried to do it myself and I
don’t want to dress over again. You won’t be likely to talk to Romney
about Lucinda again, my dear Cecilia?”

“Fifteen years!” murmured Mrs. George helplessly to the dahlias.
“Engaged for fifteen years and never speaking to each other! Dear heart
and soul, think of it! Oh, these Penhallows!”

Meanwhile, Lucinda, serenely unconscious that her love story was being
mouthed over by Mrs. Frederick in the dahlia garden, was dressing for
the wedding. Lucinda still enjoyed dressing for a festivity, since the
mirror still dealt gently with her. Moreover, she had a new dress.
Now, a new dress--and especially one as nice as this--was a rarity with
Lucinda, who belonged to a branch of the Penhallows noted for being
chronically hard up. Indeed, Lucinda and her widowed mother were
positively poor, and hence a new dress was an event in Lucinda’s
existence. An uncle had given her this one--a beautiful, perishable
thing, such as Lucinda would never have dared to choose for herself, but
in which she revelled with feminine delight.

It was of pale green voile--a colour which brought out admirably the
ruddy gloss of her hair and the clear brilliance of her skin. When she
had finished dressing she looked at herself in the mirror with frank
delight. Lucinda was not vain, but she was quite well aware of the fact
of her beauty and took an impersonal pleasure in it, as if she were
looking at some finely painted picture by a master hand.

The form and face reflected in the glass satisfied her. The puffs and
draperies of the green voile displayed to perfection the full, but not
over-full, curves of her fine figure. Lucinda lifted her arm and touched
a red rose to her lips with the hand upon which shone the frosty glitter
of Romney’s diamond, looking at the graceful slope of her shoulder and
the splendid line of chin and throat with critical approval.

She noted, too, how well the gown became her eyes, bringing out all the
deeper colour in them. Lucinda had magnificent eyes. Once Romney had
written a sonnet to them in which he compared their colour to ripe
blueberries. This may not sound poetical to you unless you know or
remember just what the tints of ripe blueberries are--dusky purple in
some lights, clear slate in others, and yet again in others the misty
hue of early meadow violets.

“You really look very well,” remarked the real Lucinda to the mirrored
Lucinda. “Nobody would think you were an old maid. But you are. Alice
Penhallow, who is to be married to-night, was a child of five when you
thought of being married fifteen years ago. That makes you an old maid,
my dear. Well, it is your own fault, and it will continue to be your own
fault, you stubborn offshoot of a stubborn breed!”

She flung her train out straight and pulled on her gloves.

“I do hope I won’t get any spots on this dress to-night,” she reflected.
“It will have to do me for a gala dress for a year at least--and I have
a creepy conviction that it is fearfully spottable. Bless Uncle Mark’s
good, uncalculating heart! How I would have detested it if he had given
me something sensible and useful and ugly--as Aunt Emilia would have
done.”

They all went to “young” John Penhallow’s at early moonrise. Lucinda
drove over the two miles of hill and dale with a youthful second cousin,
by name, Carey Penhallow. The wedding was quite a brilliant affair.
Lucinda seemed to pervade the social atmosphere, and everywhere she went
a little ripple of admiration trailed after her like a wave. She was
undeniably a belle, yet she found herself feeling faintly bored and was
rather glad than otherwise when the guests began to fray off.

“I’m afraid I’m losing my capacity for enjoyment,” she thought, a little
drearily. “Yes, I must be growing old. That is what it means when social
functions begin to bore you.”

It was that unlucky Mrs. George who blundered again. She was standing on
the veranda when Carey Penhallow dashed up.

“Tell Lucinda that I can’t take her back to the Grange. I have to
drive Mark and Cissy Penhallow to Bright River to catch the two o’clock
express. There will be plenty of chances for her with the others.”

At this moment George Penhallow, holding his rearing horse with
difficulty, shouted for his wife. Mrs. George, all in a flurry, dashed
back into the still crowded hall. Exactly to whom she gave her message
was never known to any of the Penhallows. But a tall, ruddy-haired girl,
dressed in pale green organdy--Anne Shirley from Avonlea--told Marilla
Cuthbert and Rachel Lynde as a joke the next morning how a chubby little
woman in a bright pink fascinator had clutched her by the arm, and
gasped out: “Carey Penhallow can’t take you--he says you’re to look out
for someone else,” and was gone before she could answer or turn around.

Thus it was that Lucinda, when she came out to the veranda step, found
herself unaccountably deserted. All the Grange Penhallows were gone;
Lucinda realized this after a few moments of bewildered seeking, and
she understood that if she were to get to the Grange that night she must
walk. Plainly there was nobody to take her.

Lucinda was angry. It is not pleasant to find yourself forgotten and
neglected. It is still less pleasant to walk home alone along a country
road, at one o’clock in the morning, wearing a pale green voile. Lucinda
was not prepared for such a walk. She had nothing on her feet save
thin-soled shoes, and her only wraps were a flimsy fascinator and a
short coat.

“What a guy I shall look, stalking home alone in this rig,” she thought
crossly.

There was no help for it, unless she confessed her plight to some of the
stranger guests and begged a drive home. Lucinda’s pride scorned such
a request and the admission of neglect it involved. No, she would walk,
since that was all there was to it; but she would not go by the main
road to be stared at by all and sundry who might pass her. There was a
short cut by way of a lane across the fields; she knew every inch of it,
although she had not traversed it for years.

She gathered up the green voile as trimly as possible, slipped around
the house in the kindly shadows, picked her way across the side lawn,
and found a gate which opened into a birch-bordered lane where the
frosted trees shone with silvery-golden radiance in the moonlight.
Lucinda flitted down the lane, growing angrier at every step as the
realization of how shamefully she seemed to have been treated came home
to her. She believed that nobody had thought about her at all, which was
tenfold worse than premeditated neglect.

As she came to the gate at the lower end of the lane a man who was
leaning over it started, with a quick intake of his breath, which, in
any other man than Romney Penhallow, or for any other woman than Lucinda
Penhallow, would have been an exclamation of surprise.

Lucinda recognized him with a great deal of annoyance and a little
relief. She would not have to walk home alone. But with Romney
Penhallow! Would he think she had contrived it so purposely?

Romney silently opened the gate for her, silently latched it behind her,
and silently fell into step beside her. Down across a velvety sweep of
field they went; the air was frosty, calm and still; over the world lay
a haze of moonshine and mist that converted East Grafton’s prosaic hills
and fields into a shimmering fairyland. At first Lucinda felt angrier
than ever. What a ridiculous situation! How the Penhallows would laugh
over it!

As for Romney, he, too, was angry with the trick impish chance had
played him. He liked being the butt of an awkward situation as little as
most men; and certainly to be obliged to walk home over moonlit fields
at one o’clock in the morning with the woman he had loved and never
spoken to for fifteen years was the irony of fate with a vengeance.
Would she think he had schemed for it? And how the deuce did she come to
be walking home from the wedding at all?

By the time they had crossed the field and reached the wild cherry lane
beyond it, Lucinda’s anger was mastered by her saving sense of humour.
She was even smiling a little maliciously under her fascinator.

The lane was a place of enchantment--a long, moonlit colonnade adown
which beguiling wood nymphs might have footed it featly. The moonshine
fell through the arching boughs and made a mosaic of silver light and
clear-cut shadow for the unfriendly lovers to walk in. On either side
was the hovering gloom of the woods, and around them was a great silence
unstirred by wind or murmur.

Midway in the lane Lucinda was attacked by a sentimental recollection.
She thought of the last time Romney and she had walked home together
through this very lane, from a party at “young” John’s. It had been
moonlight then too, and--Lucinda checked a sigh--they had walked hand
in hand. Just here, by the big gray beech, he had stopped her and kissed
her. Lucinda wondered if he were thinking of it, too, and stole a look
at him from under the lace border of her fascinator.

But he was striding moodily along with his hands in his pockets, and his
hat pulled down over his eyes, passing the old beech without a glance
at it. Lucinda checked another sigh, gathered up an escaped flutter of
voile, and marched on.

Past the lane a range of three silvery harvest fields sloped down to
Peter Penhallow’s brook--a wide, shallow stream bridged over in the
olden days by the mossy trunk of an ancient fallen tree. When Lucinda
and Romney arrived at the brook they gazed at the brawling water
blankly. Lucinda remembered that she must not speak to Romney just in
time to prevent an exclamation of dismay. There was no tree! There was
no bridge of any kind over the brook!

Here was a predicament! But before Lucinda could do more than
despairingly ask herself what was to be done now, Romney answered--not
in words, but in deeds. He coolly picked Lucinda up in his arms, as
if she had been a child instead of a full grown woman of no mean
avoirdupois, and began to wade with her through the water.

Lucinda gasped helplessly. She could not forbid him and she was so
choked with rage over his presumption that she could not have spoken
in any case. Then came the catastrophe. Romney’s foot slipped on a
treacherous round stone--there was a tremendous splash--and Romney and
Lucinda Penhallow were sitting down in the middle of Peter Penhallow’s
brook.

Lucinda was the first to regain her feet. About her clung in
heart-breaking limpness the ruined voile. The remembrance of all her
wrongs that night rushed over her soul, and her eyes blazed in the
moonlight. Lucinda Penhallow had never been so angry in her life.

“YOU D--D IDIOT!” she said, in a voice that literally shook with rage.

Romney meekly scrambled up the bank after her.

“I’m awfully sorry, Lucinda,” he said, striving with uncertain success
to keep a suspicious quiver of laughter out of his tone. “It was
wretchedly clumsy of me, but that pebble turned right under my foot.
Please forgive me--for that--and for other things.”

Lucinda deigned no answer. She stood on a flat stone and wrung the water
from the poor green voile. Romney surveyed her apprehensively.

“Hurry, Lucinda,” he entreated. “You will catch your death of cold.”

“I never take cold,” answered Lucinda, with chattering teeth. “And it is
my dress I am thinking of--was thinking of. You have more need to hurry.
You are sopping wet yourself and you know you are subject to colds.
There--come.”

Lucinda picked up the stringy train, which had been so brave and buoyant
five minutes before, and started up the field at a brisk rate. Romney
came up to her and slipped his arm through hers in the old way. For
a time they walked along in silence. Then Lucinda began to shake with
inward laughter. She laughed silently for the whole length of the field;
and at the line fence between Peter Penhallow’s land and the Grange
acres she paused, threw back the fascinator from her face, and looked at
Romney defiantly.

“You are thinking of--THAT,” she cried, “and I am thinking of it. And we
will go on, thinking of it at intervals for the rest of our lives. But
if you ever mention it to me I’ll never forgive you, Romney Penhallow!”

“I never will,” Romney promised. There was more than a suspicion of
laughter in his voice this time, but Lucinda did not choose to resent
it. She did not speak again until they reached the Grange gate. Then she
faced him solemnly.

“It was a case of atavism,” she said. “Old Grandfather Gordon was to
blame for it.”

At the Grange almost everybody was in bed. What with the guests
straggling home at intervals and hurrying sleepily off to their rooms,
nobody had missed Lucinda, each set supposing she was with some other
set. Mrs. Frederick, Mrs. Nathaniel and Mrs. George alone were up. The
perennially chilly Mrs. Nathaniel had kindled a fire of chips in the
blue room grate to warm her feet before retiring, and the three women
were discussing the wedding in subdued tones when the door opened
and the stately form of Lucinda, stately even in the dragged voile,
appeared, with the damp Romney behind her.

“Lucinda Penhallow!” gasped they, one and all.

“I was left to walk home,” said Lucinda coolly. “So Romney and I came
across the fields. There was no bridge over the brook, and when he was
carrying me over he slipped and we fell in. That is all. No, Cecilia, I
never take cold, so don’t worry. Yes, my dress is ruined, but that is of
no consequence. No, thank you, Cecilia, I do not care for a hot drink.
Romney, do go and take off those wet clothes of yours immediately. No,
Cecilia, I will NOT take a hot footbath. I am going straight to bed.
Good night.”

When the door closed on the pair the three sisters-in-law stared at
each other. Mrs. Frederick, feeling herself incapable of expressing her
sensations originally, took refuge in a quotation:


“‘Do I sleep, do I dream, do I wonder and doubt? Is things what they
seem, or is visions about?’”


“There will be another Penhallow wedding soon,” said Mrs. Nathaniel,
with a long breath. “Lucinda has spoken to Romney AT LAST.”

“Oh, WHAT do you suppose she said to him?” cried Mrs. George.

“My dear Cecilia,” said Mrs. Frederick, “we shall never know.”

They never did know.





VI. Old Man Shaw’s Girl


“Day after to-morrow--day after to-morrow,” said Old Man Shaw, rubbing
his long slender hands together gleefully. “I have to keep saying it
over and over, so as to really believe it. It seems far too good to be
true that I’m to have Blossom again. And everything is ready. Yes,
I think everything is ready, except a bit of cooking. And won’t this
orchard be a surprise to her! I’m just going to bring her out here as
soon as I can, never saying a word. I’ll fetch her through the
spruce lane, and when we come to the end of the path I’ll step back
casual-like, and let her go out from under the trees alone, never
suspecting. It’ll be worth ten times the trouble to see her big, brown
eyes open wide and hear her say, ‘Oh, daddy! Why, daddy!’”

He rubbed his hands again and laughed softly to himself. He was a tall,
bent old man, whose hair was snow white, but whose face was fresh and
rosy. His eyes were a boy’s eyes, large, blue and merry, and his mouth
had never got over a youthful trick of smiling at any provocation--and,
oft-times, at no provocation at all.

To be sure, White Sands people would not have given you the most
favourable opinion in the world of Old Man Shaw. First and foremost,
they would have told you that he was “shiftless,” and had let his bit
of a farm run out while he pottered with flowers and bugs, or rambled
aimlessly about in the woods, or read books along the shore. Perhaps it
was true; but the old farm yielded him a living, and further than that
Old Man Shaw had no ambition. He was as blithe as a pilgrim on a pathway
climbing to the west. He had learned the rare secret that you must take
happiness when you find it--that there is no use in marking the place
and coming back to it at a more convenient season, because it will not
be there then. And it is very easy to be happy if you know, as Old Man
Shaw most thoroughly knew, how to find pleasure in little things. He
enjoyed life, he had always enjoyed life and helped others to enjoy it;
consequently his life was a success, whatever White Sands people might
think of it. What if he had not “improved” his farm? There are some
people to whom life will never be anything more than a kitchen garden;
and there are others to whom it will always be a royal palace with domes
and minarets of rainbow fancy.

The orchard of which he was so proud was as yet little more than the
substance of things hoped for--a flourishing plantation of young trees
which would amount to something later on. Old Man Shaw’s house was on
the crest of a bare, sunny hill, with a few staunch old firs and spruces
behind it--the only trees that could resist the full sweep of the winds
that blew bitterly up from the sea at times. Fruit trees would never
grow near it, and this had been a great grief to Sara.

“Oh, daddy, if we could just have an orchard!” she had been wont to say
wistfully, when other farmhouses in White Sands were smothered whitely
in apple bloom. And when she had gone away, and her father had nothing
to look forward to save her return, he was determined she should find an
orchard when she came back.

Over the southward hill, warmly sheltered by spruce woods and sloping
to the sunshine, was a little field, so fertile that all the slack
management of a life-time had not availed to exhaust it. Here Old Man
Shaw set out his orchard and saw it flourish, watching and tending it
until he came to know each tree as a child and loved it. His neighbours
laughed at him, and said that the fruit of an orchard so far away from
the house would all be stolen. But as yet there was no fruit, and when
the time came for bearing there would be enough and to spare.

“Blossom and me’ll get all we want, and the boys can have the rest, if
they want ‘em worse’n they want a good conscience,” said that unworldly,
unbusinesslike Old Man Shaw.

On his way back home from his darling orchard he found a rare fern in
the woods and dug it up for Sara--she had loved ferns. He planted it
at the shady, sheltered side of the house and then sat down on the old
bench by the garden gate to read her last letter--the letter that was
only a note, because she was coming home soon. He knew every word of
it by heart, but that did not spoil the pleasure of re-reading it every
half-hour.

Old Man Shaw had not married until late in life, and had, so White
Sands people said, selected a wife with his usual judgment--which, being
interpreted, meant no judgment at all; otherwise, he would never have
married Sara Glover, a mere slip of a girl, with big brown eyes like a
frightened wood creature’s, and the delicate, fleeting bloom of a spring
Mayflower.

“The last woman in the world for a farmer’s wife--no strength or get-up
about her.”

Neither could White Sands folk understand what on earth Sara Glover had
married him for.

“Well, the fool crop was the only one that never failed.”

Old Man Shaw--he was Old Man Shaw even then, although he was only
forty--and his girl bride had troubled themselves not at all about White
Sands opinions. They had one year of perfect happiness, which is always
worth living for, even if the rest of life be a dreary pilgrimage, and
then Old Man Shaw found himself alone again, except for little Blossom.
She was christened Sara, after her dead mother, but she was always
Blossom to her father--the precious little blossom whose plucking had
cost the mother her life.

Sara Glover’s people, especially a wealthy aunt in Montreal, had
wanted to take the child, but Old Man Shaw grew almost fierce over the
suggestion. He would give his baby to no one. A woman was hired to look
after the house, but it was the father who cared for the baby in the
main. He was as tender and faithful and deft as a woman. Sara never
missed a mother’s care, and she grew up into a creature of life and
light and beauty, a constant delight to all who knew her. She had a way
of embroidering life with stars. She was dowered with all the charming
characteristics of both parents, with a resilient vitality and activity
which had pertained to neither of them. When she was ten years old she
had packed all hirelings off, and kept house for her father for six
delightful years--years in which they were father and daughter, brother
and sister, and “chums.” Sara never went to school, but her father saw
to her education after a fashion of his own. When their work was done
they lived in the woods and fields, in the little garden they had made
on the sheltered side of the house, or on the shore, where sunshine and
storm were to them equally lovely and beloved. Never was comradeship
more perfect or more wholly satisfactory.

“Just wrapped up in each other,” said White Sands folk, half-enviously,
half-disapprovingly.

When Sara was sixteen Mrs. Adair, the wealthy aunt aforesaid, pounced
down on White Sands in a glamour of fashion and culture and outer
worldliness. She bombarded Old Man Shaw with such arguments that he had
to succumb. It was a shame that a girl like Sara should grow up in a
place like White Sands, “with no advantages and no education,” said Mrs.
Adair scornfully, not understanding that wisdom and knowledge are two
entirely different things.

“At least let me give my dear sister’s child what I would have given my
own daughter if I had had one,” she pleaded tearfully. “Let me take
her with me and send her to a good school for a few years. Then, if she
wishes, she may come back to you, of course.”

Privately, Mrs. Adair did not for a moment believe that Sara would want
to come back to White Sands, and her queer old father, after three years
of the life she would give her.

Old Man Shaw yielded, influenced thereto not at all by Mrs. Adair’s
readily flowing tears, but greatly by his conviction that justice to
Sara demanded it. Sara herself did not want to go; she protested and
pleaded; but her father, having become convinced that it was best for
her to go, was inexorable. Everything, even her own feelings, must give
way to that. But she was to come back to him without let or hindrance
when her “schooling” was done. It was only on having this most clearly
understood that Sara would consent to go at all. Her last words, called
back to her father through her tears as she and her aunt drove down the
lane, were,

“I’ll be back, daddy. In three years I’ll be back. Don’t cry, but just
look forward to that.”

He had looked forward to it through the three long, lonely years that
followed, in all of which he never saw his darling. Half a continent
was between them and Mrs. Adair had vetoed vacation visits, under some
specious pretense. But every week brought its letter from Sara. Old
Man Shaw had every one of them, tied up with one of her old blue hair
ribbons, and kept in her mother’s little rose-wood work-box in the
parlour. He spent every Sunday afternoon re-reading them, with her
photograph before him. He lived alone, refusing to be pestered with kind
help, but he kept the house in beautiful order.

“A better housekeeper than farmer,” said White Sands people. He would
have nothing altered. When Sara came back she was not to be hurt by
changes. It never occurred to him that she might be changed herself.

And now those three interminable years were gone, and Sara was coming
home. She wrote him nothing of her aunt’s pleadings and reproaches and
ready, futile tears; she wrote only that she would graduate in June and
start for home a week later. Thenceforth Old Man Shaw went about in a
state of beatitude, making ready for her homecoming. As he sat on the
bench in the sunshine, with the blue sea sparkling and crinkling down at
the foot of the green slope, he reflected with satisfaction that all
was in perfect order. There was nothing left to do save count the hours
until that beautiful, longed-for day after to-morrow. He gave himself
over to a reverie, as sweet as a day-dream in a haunted valley.

The red roses were out in bloom. Sara had always loved those red
roses--they were as vivid as herself, with all her own fullness of life
and joy of living. And, besides these, a miracle had happened in Old Man
Shaw’s garden. In one corner was a rose-bush which had never bloomed,
despite all the coaxing they had given it--“the sulky rose-bush,”
 Sara had been wont to call it. Lo! this summer had flung the hoarded
sweetness of years into plentiful white blossoms, like shallow ivory
cups with a haunting, spicy fragrance. It was in honour of Sara’s
home-coming--so Old Man Shaw liked to fancy. All things, even the sulky
rose-bush, knew she was coming back, and were making glad because of it.

He was gloating over Sara’s letter when Mrs. Peter Blewett came. She
told him she had run up to see how he was getting on, and if he wanted
anything seen to before Sara came.

“No’m, thank you, ma’am. Everything is attended to. I couldn’t let
anyone else prepare for Blossom. Only to think, ma’am, she’ll be home
the day after to-morrow. I’m just filled clear through, body, soul, and
spirit, with joy to think of having my little Blossom at home again.”

Mrs. B

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